Tag: Stephen Joseph Theatre Scarborough

Posted on

(More or less) everything you need to know about Love’s Labour’s Lost (More Or Less) as Stephen Joseph Theatre goes to Ibiza

The hen party heading for Menorca: Jo Patmore, left, Alyce Liburd, Annie Kirkman and Alice Imelda in Love’s Labour’s Lost (More Or Less). Picture: Patch Dolan

A STAG do in Ibiza. A hen do in Menorca. What could go wrong? Everything…in Love’s Labour’s Lost (More Or Less) at the Stephen Joseph Theatre, Scarborough.

The stags have made a solemn promise to each other: this is a boys’ weekend. Don’t talk to any girls, don’t even think about any girls, and most importantly, do not contact the hens.

The hens are ready for fun in the sun when the resort calls to say they’ve had to relocate them…to a hotel in Ibiza. Both groups of revellers are stuck on the same Mediterranean island. Cue shoddy disguises, mislaid love letters and theatrical chaos.

Repeating the Hutch Award-winning formula of 2023’s co-production of The Comedy Of Errors (More Or Less) with Precot’s Shakespeare North Playhouse, set in the heat of a 1980s’ clash of Yorkshire and Lancashire,  Shakespeare’s riotous comedy is brought to life anew in the 1990s with belting musical numbers from the era of boy bands and Girl Power.

The same creative team reunites for Love’s Labour’s Lost (More Or Less): co-writers Nick Lane and Elizabeth Godber (daughter of playwright John Godber), director Paul Robinson and composer and sound designer Simon Slater. In the production team too are designer Jess Curtis, lighting designer Jane Lalljee, musical director Alex Weatherhill and choreographer Stephanie Dattani.

Co-writer Elizabeth Godber says: “I’m so excited to be back working with Nick, the SJT and Shakespeare North on another hilarious Shakespeare adaptation.

Unmasked: Alyce Liburd and Annie Kirkman in Love’s Labour’s Lost (More Or Less). Picture: Patch Dolan

“Love’s Labour’s Lost is one of my favourite Shakespeare plays, and to get the chance to play around with the language, develop the (already great) female characters, and add in plenty of 1990s’ pop classics, has been an absolute joy!

“I can’t wait for audiences to come and see the show. It’s funny, irreverent, and I’m sure Shakespeare would approve – he would have definitely been a Britpop fan!”

SJT artistic director Paul Robinson says: “We had the most enormous fun making The Comedy Of Errors (More Or Less) in the spring of 2023, and our audiences did too! We couldn’t resist following it up with another of the Bard’s early comedies, this time set a decade later in the midst of the party era that was the 1990s.

“We’ll again be including some great music from the period, and just wait until you see those 90s fashions again!”

Shakespeare North Playhouse creative director Laura Collier says: “After the success of our 2023 co-production – a show so entertaining that people kept coming back for more – we knew we had to join forces again. 

“We’re absolutely thrilled to be working with the Stephen Joseph Theatre again, alongside talented writers Nick Lane and Elizabeth Godber. We all share a deep love for Shakespeare and his timeless tales, and a passion for exploring and presenting fresh, exciting perspectives and reworkings – a perfect foundation for an outrageously fun Love’s Labour’s Lost. We can’t wait to see what lies in store when we’re all transported back to the ’90s.” 

Co-writer Elizabeth Godber: “I don’t think of it as a rewriting of Shakespeare; I think we’re twisting it, we’re putting a northern spin on it,” she says

Here co-writers Nick Lane and Elizabeth Godber discuss everything (more or less) about Love’s Labour’s Lost (More Or Less).

How were you  first brought together for The Comedy Of Errors (More Or Less)?

Nick: “I was asked by Paul [SJT artistic director Paul Robinson, the show’s commissioning director] if I’d be interested in teaming up with a writer to do a modern version of Shakespeare.

“He had this idea about making Shakespeare accessible, demystifying it, making it relevant and funny, and playing around with titles that people know but aren’t necessarily plays that people know.

“Independently of each other, we came up with Liz. I wanted to work with Liz because I’ve known her all her life, and I got my wish!”

Elizabeth: “I’d done some writing development work at Scarborough before, so Paul was aware of my work, so when they were looking for someone to team up with Nick, he called me.”

Co-writer Nick Lane: “If Shakespeare was writing now, he’d want to reflect the time and the politics,” he says. Picture: Tony Bartholomew

Do you have any qualms about rewriting Shakespeare?

Nick: “For me, initially, yes, but knowing that Liz knows lots more than I do about Shakespeare, I did feel like I was in safe hands, and it was a good partnership – we share a similar sense of humour. But we were both making it up as we went along.”

Elizabeth: “Yes, I had reservations, of course – it’s a big thing to do! But at the same time we both had this thought in our heads that we wanted to do something different, that was accessible and fresh. I don’t think of it as a rewriting of Shakespeare; I think we’re twisting it, we’re putting a northern spin on it.”

What is your process for writing – together or separately?

Elizabeth: “This time, for Love’s Labour’s Lost (More Or Less),  it’s been much more together than on Comedy Of Errors – we’ve learned and grown from that. We write some things separately, and we send emails and share, and we’ve got about a thousand voice memos on WhatsApp. Then we meet up multiple times, and we’ll spend a day going through everything we’ve written, tweaking and changing each other’s stuff.

Nick:  “And enjoying some very nice meals…

Elizabeth: “And eating lots of biscuits!”

Annie Kirkman and Jo Patmore in Love’s Labour’s Lost (More Or Less). Picture: Patch Dolan

What different qualities do you both bring to the writing?

Nick: “The fun thing for me is – well, the read-through is a perfect example. I sat through the read-through and laughed heartily at all the stuff Liz put in, and sort of smiled at my own bits and thought, ‘yes, that kind of works’. But I think we both find each other’s stuff funny.”

Elizabeth: “I would say that Nick brings a font of knowledge of random facts! He can pinpoint something exactly: ‘In August 1989, people weren’t doing that’.”

Nick “I do have a silly memory for things, it’s true. And Liz is cracking on all things Shakespeare – and when you have a silent third partner, that’s really, really useful.”

Why have you set Love’s Labour’s Lost (More Or Less) in 1990s’ Ibiza?

Elizabeth: “We knew we wanted to do Love’s Labour’s Lost, and we also had this idea for a stag-and- hen thing, which, if anyone’s read the original, it does kind of fit: there’s this kind of boys versus girls thing. That, and the club scene, and the ’90s, just felt like a good fit for the story.”

David Kirkbride punching the air in Love’s Labour’s Lost (More Or Less). Picture: Patch Dolan

Nick: “It helps that you’re in an era before mobile phones. It’s fascinating how quickly we’ve adopted these things – they’re so intrinsically linked with our everyday lives now, and only 25 years ago, they existed, of course, but they weren’t the all-encompassing tools that they are now.

“I guess if we’d set it a bit later, it would have been erroneous text messages instead of the misdirected letters, but there’s no romance in texts, is there?”

How difficult was it making the song choices? Any particular favourites?

Elizabeth: “I loved making the song choices! The ’90s are my childhood; it’s very, very nostalgic and takes me back to school discos and primary school and brings me great joy. My favourite is probably the Spice Girls.”

Nick: “The opening number is Girls & Boys by Blur.  If the Spice Girls were the ’90s for Liz, then Blur was kind of my thing – I was in my 20s.”

Where were you in the 1990s?

Elizabeth: “I was in Hull – being born and growing up!”

Nick: “Predominantly Doncaster, but I toured a lot – with Hull Truck, for Liz’s dad [playwright John Godber]!”

Jo Patmore in Love’s Labour’s Lost (More Or Less)

Have you ever acted in Shakespeare?

Nick: “No, I never have. I’ve done verse – I was in Tony Harrison’s Passion and Doomsday, but never a Shakespeare.”

Elizabeth: “I was in a school production, a 20-minute version of Romeo and Juliet – and in that production, I met my now husband!”

Nick: “I can even quote you your one line in that. It was ‘No’.”

Elizabeth: “It was! I think I’m better on Shakespeare when I’m not acting in it.”

Will Shakespeare be spinning in his grave at the prospect of Love’s Labour’s Lost (More Or Less) or giving it a five-star review (more or less)?

Thomas Cotran in Love’s Labour’s Lost (More Or Less). Picture: Patch Dolan

Nick: “I would hope that if he is spinning, it’s to a 120 bpm dance track. He was a modernist in his day; he was satirical; he referenced things that were very of the time, and I think if he was writing now, he’d want to reflect the time and the politics. I think he’d be all right with it.”

Elizabeth: “We want to make a show that people come to see and have a great time, and I think that Shakespeare wouldn’t be against that – I think that’s what he wanted to do, too.”

Which Shakespeare play would you like to rewrite (more or less) next?

Nick: “One for Liz. I don’t know enough of them!”

Elizabeth: “I think I’d quite like to do A Winter’s Tale, because I really like the Shakespeare plays that are a little less done, that people don’t know as much about. I think that’s interesting. Love’s Labour’s Lost is one that people don’t know as well, and you can bring it to more people – that’s exciting. But my favourite is As You Like It, so…”

Stephen Joseph Theatre and Shakespeare North Playhouse present Love’s Labour’s Lost (More Or Less) at Stephen Joseph Theatre, Scarborough, until April 19, Monday to Saturday, 7.30pm, plus 1.30pm Thursday and 2.30pm Saturday matinees. Box office: 01723 370541 or sjt.uk.com.

An ensemble scene from the Stephen Joseph Theatre and Shakespeare North Playhouse co-production of Love’s Labour’s Lost (More Or Less). Picture: Patch Dolan

Who’s in the cast for Love’s Labour’s Lost (More Or Less)?

Thomas Cotran; Alice Imelda; Linford Johnson; David Kirkbride; Annie Kirkman; Alyce Liburd; Timothy Adam Lucas and Jo Patmore. 

Four of the company have appeared at the SJT already: Linford Johnson was in Alan Ayckbourn’s The Girl Next Door in 2021, and Annie Kirkman appeared in 2023’s UK Theatre Award-winning Beauty And The Beast, returning in summer 2024 to play the title role in Dracula: The Bloody Truth. She also starred in John Godber’s Perfect Pitch, on tour.

David Kirkbride and Alyce Liburd were in the SJT’s first co-production with Shakespeare North Playhouse, the UK Theatre Award-nominated The Comedy Of Errors (More Or Less) in Spring 2023. Alice appeared in in Dracula: The Bloody Truth too.

Movin’ and groovin’ in Love’s Labour’s Lost (More Or Less). Picture: Patch Dolan

What’s on the playlist in Love’s Labour’s Lost (More Or Less)

 1. Blur: Girls & Boys

2. Britney Spears: …Baby One More Time

3. Shania Twain: Man! I Feel Like A Woman!

4. Meat Loaf: I’d Do Anything For Love (But I Won’t Do That)

5. iNi Kamoze: Here Comes The Hotstepper

6. No Doubt: Don’t Speak

7. Aerosmith: I Don’t Want To Miss A Thing

8. Boyz II Men: I’ll Make Love To You

9. Backstreet Boys: Everybody (Backstreet’s Back)

10. Spice Girls: Stop

11. Cher: The Shoop Shoop Song (It’s In His Kiss)

12. Prince: 1999

13. Vengaboyz: We’re Going To Ibiza!

14. Take That (feat.Lulu): Relight My Fire

15. Vanilla Ice: Ice Bay Ice

16. Macarena: Los Del Rio

Posted on

Jodie Comer to revive Prima Facie “one last time” on 2026 tour. Grand Opera House, York, awaits next Feb in only Yorkshire run

Jodie Comer in the role of defence barrister Tessa Ensler in Suzie Miller’s Prima Facie, heading for the Grand Opera House, York, in February 2026. Picture: Helen Murray

NEWSFLASH: 26/3/2025

GONE in a flash. Tickets have sold out already for Jodie Comer’s “one last time” return to Prima Facie at the Grand Opera House, York. On pre-sale to members at 10am this morning and the general public at 12 noon, The York Press reports that only 20 minutes later, the last seat was filled.

JODIE Comer will revive her Olivier and Tony Award-winning solo performance in Suzie Miller’s sexual assault drama Prima Facie “one last time” on a 2026 tour booked into the Grand Opera House, York, from February 17 to 21.

The Killing Eve star last appeared on a North Yorkshire stage in her professional debut as spoilt, mouthy but bright, privately educated Ruby, playing opposite York actor Andrew Dunn in the world premiere of Fiona Evans’s The Price Of Everything, at the Stephen Joseph Theatre, Scarborough, in November 2010.

Tickets will go on sale at midday on Tuesday, March 25 at atgtickets.com/york for criminal lawyer-turned playwright Miller’s Olivier Award winner for Best Play, wherein Comer will play thoroughbred Tessa Ensler, a young, brilliant barrister who loves to win.

Ambitious Tessa has worked her way up from Liverpool and Luton council estates, via Cambridge University, to be at the top of her game in her early 30s as a criminal defence barrister for an esteemed London chambers: defending the accused, cross examining and lighting up the shadows of doubt in any case.

However, an unexpected event forces her to confront the lines where the patriarchal power of the law, burden of proof and morals diverge.

Jodie Comer in her professional debut role as Ruby in Fiona Evans’s The Price Of Everything at the Stephen Joseph Theatre, Scarborough, in April 2010. In the background is York actor Andrew Dunn. Picture: Tony Bartholomew

“She played by the rules, but the rules are broken,” as the sleeve to Miller’s script puts it, when Tessa, the woman who defends men accused of rape, is assaulted herself.

Liverpool-born Comer, who turned 32 on March 11, won the Olivier Award for Best Actress for her 2022 performance as Tessa in her sold-out West End debut at the Harold Pinter Theatre, London, repeating that feat in the Tony Awards when Miller’s play transferred to Broadway in 2023.

The NTLive (National Theatre) and Empire Street Productions live capture of Prima Facie has enjoyed two record-breaking cinema releases, with streaming on National Theatre At Home too, and Comer also has recorded an audiobook adaptation by Miller.

Looking forward to reprising Miller’s monologue on tour, Comer says: “It is a huge privilege to return to Prima Facie for one last time and take this important play on tour across the UK & Ireland. The resonance of Suzie Miller’s writing, both in London and New York, exceeded anything we could have imagined.

“I’m so thrilled to have the opportunity to get the team back together and take the production to theatres around the country, including my hometown of Liverpool. On a personal note, I can’t think of a better finale to what has been such an incredible and deeply rewarding chapter in my life.”

“It is a huge privilege to return to Prima Facie for one last time,” says Jodie Comer. Picture: Helen Murray

In her play, Miller, who was a lawyer for 15 years before focusing on writing since 2010, drew on research from trials at the Old Bailey to address how the legal system conducts sexual assault cases.

“It’s almost impossible to actually run a sexual assault case and win it,” she told a 2022 roundtable with Comer, DSI Clair Kelland and barrister Kate Parker, hosted by Emily Maitlis (as reported by the Guardian, April 22 2022).  “It’s almost like the forum of the court is not fit for purpose for sexual assault.”

“I couldn’t be more thrilled about the Prima Facie 2026 tour,” says the Australian playwright, screenwriter, librettist, visual artist, novelist and human rights lawyer, who has degrees in both science and law. “This play has already achieved more than we all could have dreamed, and Jodie’s commitment to the story reaching so many new venues and communities means more people can be part of the conversation, and the solution.”’

Empire Street Productions producer James Bierman has announced that partnerships with the Schools Consent Project and Everyone’s Invited charities will continue on next year’s tour.

Set up in 2014 by barrister Kate Parker, the Schools Consent Project sends lawyers into schools to teach 11 to 18 year olds the legal definition of consent and key sexual offences.

The poster for the 2026 tour of Prima Facie

Their aim is to normalise these sorts of conversations among young people; to empower them to identify and communicate their boundaries, and to respect them in others.  To date, they have spoken to more than 80,000 young people across the country.

Throughout the tour, the production will be working with each venue to support the charity’s work in educating young people in the UK about consent.

Everyone’s Invited’s mission is to expose and eradicate rape culture with empathy, compassion and understanding. The charity offers a safe space for all survivors to share their stories completely anonymously. 

Everyone’s Invited allows many survivors a sense of relief, catharsis, empowerment, and gives them a feeling of community and hope. 

Conversations with friends and personal experiences throughout school and university revealed to founder Soma Sara how widespread the issue is, whereupon she began sharing her experiences of rape culture on Instagram.

Prima Facie playwright Suzie Miller. Picture: Sarah Hadley

In light of the overwhelming response from those who resonated with her story, Soma founded Everyone’s Invited in June 2020, later gaining charitable status in 2022 alongside the launch of the Everyone’s Invited education programme. So far, the programme has reached more than 50,000 students across the UK.

James Bierman says: “All of us involved in Prima Facie are honoured to be able to highlight and support the essential and brilliant work that Everyone’s Invited and The Schools Consent Project do up and down the country.

“Creating safe spaces for people to share their stories and be heard is vital, and to try and change the horrific levels of sexual assault we have in this country we have to change the way we as a society see and talk about consent. By educating young people the Schools Consent Project team are making the future a better place.”

The nine-city UK and Ireland tour will open at Richmond Theatre, London, on January 23 2026 and will visit the Gaiety Theatre, Dublin; Royal Lyceum, Edinburgh, New Theatre, Cardiff; The Grand Opera House, York, in its only Yorkshire dates; Marlowe Theatre, Canterbury, and Birmingham Rep before closing with Comer’s home run at Liverpool Playhouse from March 17 to 21.

Prima Facie is helmed by Olivier Award-winning director Justin Martin, who is joined in the creative team by Rotherham-born composer Rebecca Lucy Taylor, the Brit Award-nominated singer and songwriter otherwise known as Self Esteem; set and costume designer Miriam Buether; lighting designer Natasha Chivers; sound designers Max and Ben Ringham; video designer Willie Williams for Treatment Studio and vocal coach Kate Godfrey.

Jodie Comer: the back story

Jodie Comer

BORN on March 11 1993 in Liverpool, Merseyside. Made professional stage debut in Fiona Evans’s The Price Of Everything, Stephen Joseph Theatre, Scarborough, April 2010.

Best known for playing psychopathic assassin Villanelle in cult BBC America spy thriller Killing Eve (2018–2022).  Won Emmy Award for Lead Actress in a Drama Series and BAFTA Award for Best Leading Actress in 2019. Later nominated again for Emmy Award, BAFTA Award and Critics Choice Award, as well as Screen Actors Guild Award.

Made West End debut at Harold Pinter Theatre, London, in 2022 and Broadway debut at John Golden Theatre, New York, in 2023 in Suzie Miller’s legal drama Prima Facie. Won Olivier Award for Best Actress in a Play, Tony Award for Best Performance by a Leading Actress in a Play and Drama Desk, Outer Critics Circle and Theatre World awards. Nominated for Drama League Award too.

Starred in Channel 4’s Covid film drama Help, opposite Stephen Graham, marking her executive producer debut too. Won BAFTA for Leading Actress; Help won BAFTA for Single Drama. 

Further television credits include: Thirteen (BAFTA Award and RTS Programme Award nominations); Talking Heads; Doctor Foster; The White Princess; Rillington Place; Lady Chatterley’s Lover; My Mad Fat Diary and Remember Me.

Made feature film debut in Shawn Levy’s $300 million-grossing action comedy Free Guy, alongside Ryan Reynolds and Joe Kerry, in 2021. That year too, she appeared alongside Ben Affleck, Matt Damon and Adam Driver in Ridley Scott’s historical drama The Last Duel, premiered at 78th Annual Venice International Film Festival.

In January 2024, she starred in The End We Start From, Mahalia Belo’s survival thriller based on Megan Hunter’s novel about the trials and joys of new motherhood in the midst of devastating floods that swallow up London.

Last year too, she joined Tom Hardy and Austin Butler in The Bikeriders, Jeff Nichols’s account of a fictional 1960s’ Midwestern motorcycle club, based on the photo-book of the same title by Danny Lyon.

Coming next, from June 20, will be 28 Years Later, Danny Boyle’s latest instalment in the 28 Years Later trilogy, where she stars alongside Aaron-Taylor Johnson, Ralph Fiennes and Jack O’Connell, followed by Kenneth Branagh’s The Last Disturbance Of Madeline Hynde.

Now filming The Death Of Robin Hood, playing opposite Hugh Jackman, directed by Michael Sarnoski.

Posted on

Drag diva Velma Celli goes bingo agogo with launch of Dragamama Bingo at Wagamama York restaurant tonight

Velma Celli: Eyes down, hoping for a full house at her debut Dragamama Bingo evening at Wagamama, York

YORK international vocal drag diva Velma Celli, alias West End musical star Ian Stroughair, turns bingo caller for an evening of camp comedy drag bingo fun and games in Dragamama Bingo at Wagamama, York, tonight.

Eyes down for a full house and a feast of Velma fun and games, running from 7pm to 9pm at the Japanese restaurant in Goodramgate. “Wagamama wants to do community-based stuff on the first-floor mezzanine,” says Ian. “They said they knew who Velma was and asked what could she do for them. I suggested drag bingo for starters.

“So this time it’s bingo and comedy, £8 to join, with a top prize of £100, and Scott Robert will be on the piano to add to the atmosphere. The idea is that I’ll do a Dragamama night either once a month or once every other month with a different theme each time, whether bingo, or a game, or a quiz night.”

How would he rate Velma’s bingo-calling skills? “My mum was the accountant for Holgate Working Men’s Club, so we used to go to the bingo there. I loved it. ‘Thatcher’s House, number 10’. That’s one of mine.”

Velma Celli turns bingo caller at Wagamama, Goodramagate, York, tonight

Looking ahead, Velma’s diary for 2025 is taking shape for nights – and days – of cabaret music, risqué comedy and generally fabulous entertainment. Velma Celli’s Drag Brunch returns to the Impossible York Wonderbar, in St Helen’s Square, from March 8 with further shows booked for April 5, May 3, June 7 (York Pride Bottomless Brunch), July 5 and August 2. Doors open at 3pm. Book by emailing reservations@impossibleyork.com and copy in stroughair2@hotmail.com.

God Save The Queens – Velma’s celebration of British music icons, from Julie Andrews, Cilla Black, Shirley Bassey and Dusty Springfield and Kate Bush to The Spice Girls, Adele, Florence Welsh, Amy Winehouse, Jessie J and Dua Lipa, with room for George Michael and Sinead O’Connor too – will play the Stephen Joseph Theatre, Scarborough, on March 13 at  7.45pm. For tickets, go to: https://tinyurl.com/4z6bvwsy, 01723 370541 or sjt.uk.com.

Velma will head to Skipton Town Hall on March 15 at 7.30pm with Show Queen, where she harks back to Ian’s stellar turns in Cats, Chicago, Fame and Rent in a parade of the best of London’s West End and Broadway musical theatre hits.

“Velma takes you to every corner of the fabulous genre, from Kander & Ebb and Lloyd Webber to Stephen Schwartz’s Wicked and Schönberg’s Les Miserables and many more,” says Ian. “Like, more than Six!” Box office: https://shorturl.at/MJVaO.

Velma Celli’s Show Queen: Heading for Skipton Town Hall, Cardiff, Millom, Southampton, Cowes, London and Dudley

Last year, Velma’s global travels with A Brief History Of Drag took in Australia, where she won the Best Cabaret prize at Perth Fringeworld 2024, 54 Below  in New York City and  a sell-out UK tour that culminated in a hit run at the Edinburgh Fringe Festival.

Now she brings the show to The Playhouse, Sheffield, on April 4 (7pm) and Hull Truck Theatre on June 13 (7.30pm) for a diva dive into the most iconic drag moments in music, theatre, movies and popular culture.

“From Hedwig to Kinky Boots, Rent to Priscilla Queen Of The Desert, Boy George to Freddie Mercury, no stone is left unturned in this electrifying beast of a performance,” says Ian. Box office: Sheffield,  https://shorturl.at/hDDiv; Hull, https://shorturl.at/2saW5.

Farther afield, Velma’s Show Queen plays Welsh Millennium Centre, Cardiff, March 29; The Beggar’s Theatre, Millom, Cumbria, April 18; The Stage Door, Southampton, May 23; Cowes Fringe, Cowes,  Isle of Wight, May 24; The Duchess Theatre, West End, London, June 2, and Dudley Town Hall, June 20.

“The idea is that I’ll do a Dragamama night either once a month or once every other month with a different theme each time,” says Velma Celli

Before then, her  new show, Rock Queen, will be making its debut at Crazy Coqs, the Art Deco cabaret, jazz, theatre and comedy space at Brasserie  Zedel, in Soho, London, on March 20 at  9.15pm (tickets: https://tinyurl.com/yc2wur77).

“It  will be all the rock classics, like Cher, Bon Jovi and Nirvana, but with a twist, so Velma  will do  rock songs in a musical theatre style and vice versa,” says Ian. “From Queen to Heart and every Gun N’ Rose in between, she will, she will, rock you!” Watch this space for news of a York performance in 2025.

One more York show definitely in the diary is Velma’s Pride Cabaret  at  Impossible York on June 6 from 7pm to 11pm (doors 6pm) in a special event to herald  York Pride on June 7. Tickets: https://tinyurl.com/ucky9emr

 Velma Celli’s Dragamama Bingo, Wagamama, Goodramgate, York, February 13, doors 6.30pm. Tickets: https://tinyurl.com/4hmukk69.

Posted on

More Things To Do in York and beyond in 2025 Part Two when the ice age cometh. Hutch’s List No. 2 from The York Press

Taboo-shattering comedy: Ed Byrne in Tragedy Plus Time at Grand Opera House, York. Picture: Roslyn Grant

FROM Narnia to ice sculptures, comedy in wolf’s clothing to Ayckbourn’s 91st play, Charles Hutchinson finds plenty to perk up the days and nights ahead.

Taboo subject of the week: Ed Byrne: Tragedy Plus Time, Grand Opera House, tonight, 7.30pm

MARK Twain, the 19th century American writer, humorist, and essayist, defined humour as Tragedy Plus Time. Irish comedian Ed Byrne tests that formula by mining the most tragic event in his life – the death of his brother Paul from Hodgkin’s lymphoma at 44 – for laughs.

Byrne’s show carries the content warning “Discussions of death”.  “But as with any subject I do, there are always digressions into asides,” he says. Box office: atgtickets.com/york.

Mark Reynolds’ illustration for Stewart Lee Vs The Man-Wulf, on tour at York Theatre Royal for five nights

Comedy and not comedy: Stewart Lee Vs The Man-Wulf, York Theatre Royal, January 28 to February 1, 7.30pm; The Shed presents Indeterminacy with Tania Caroline Chen, piano, Steve Beresford, piano and objects, and Stewart Lee, voice, National Centre for Early Music, York, February 1, 3.30pm

IN Stewart Lee Vs The Man-Wulf, Lee shares the stage with a tough-talking werewolf comedian from the dark forests of the subconscious who hates humanity. The Man-Wulf lays down a ferocious comedy challenge to the “culturally irrelevant and physically enfeebled Lee”: can the beast inside us all be silenced by  the silver bullet of Lee’s deadpan stand-up? Box office: 01904 623568 or yorktheatreroyal.co.uk.

On John Cage and David Tudor’s 1959 double LP Indeterminacy, Cage read 90 of his stories, each one, whether long or short, lasting precisely one minute. Unheard by Cage, Tudor simultaneously played the piano and other things in another room. Now Stewart Lee joins pianists Tania Caroline Chen and Steve Beresford to do their own version of Cage’s work in a 40-minute performance in one room, where the musicians do their best not to hear Lee’s reading. Box office: 01904 658338 or ncem.co.uk.

York Ice Trail 2025: Taking the theme of Origins on February 1 and 2

After this week’s deep freeze, here comes York Ice Trail 2025, February 1 and 2

YORK’S “free weekend of frosty fun” returns with a 2025 theme of Origins as York’s streets are turned into an icy wonderland of frozen tableau in this annual event run by Make It York. Among the 30 ice sculptures showcasing 2,000 years of city history will be a Roman shield, a Viking helmet, a chocolate bar,  a drifting ghost, a majestic train and a Yorkshire rose, all captured in the language of ice by Icebox. Full details can be found at visityork.org/york-ice-trail.

The book cover for Elizabeth Sharkey’s Why Britain Rocked: Under discussion with musician and environmental campaigner husband Feargal at Pocklington Arts Centre

One-off interview comes into view:  Why Britain Rocked: Elizabeth and Feargal Sharkey, Pocklington Arts Centre, February 13, 7.30pm.

FEARGAL Sharkey, former frontman of The Undertones, will interview his wife, author Elizabeth Sharkey, on one night only of her debut book tour: the final show, which just happens to be in Pocklington.

Together they will explore the history of British pop music, as charted in Why Britain Rocked: How Rock Became Roll And Took Over The World, wherein Elizabeth re-writes the established history by uncovering the untold stories behind Britain’s musical evolution and challenges the American claim to have invented rock’n’roll. Box office: 01759 301547 or pocklingtonartscentre.co.uk.

The Corrs: Kicking off the 2025 season at Scarborough Open Air Theatre

Off to the East Coast this summer: Scarborough Open Air Theatre season

IRISH siblings The Corrs lead off Cuffe & Taylor’s 2025 season in Scarborough with support from Natalie Imbruglia  on June 11. In the diary too are Gary Barlow, June 13; Shed Seven with special guests Jake Bugg and Cast, June 14; Pendulum, June 15; Basement Jaxx, June 21, and The Human League, plus Thompson Twins’ Tom Bailey and Blancmange, June 28.

July opens with The Script and special guest Tom Walker on July 5; UB40 featuring Ali Campbell, with special guest Bitty McLean, July 6; Blossoms, with Inhaler and Apollo Junction, July 10; Rag’n’Bone Man, with Elles Bailey, July 11; McFly, with Twin Atlantic and Devon, July 12; Judas Priest, with Phil Campbell & The Bastard Sons, July 23, and Texas, with Rianne Downey, July 26. Box office: scarboroughopenairtheatre.com.

Bunmi Osadolor (Edmund), Jesse Dunbar (Peter), Kudzai Mangombe (Lucy) and Joanna Adaran (Susan) in The Lion, The Witch And The Wardrobe at Leeds Playhouse. Picture: Brinkhoff-Moegenburg

Touring show of the year: The Lion, The Witch And The Wardrobe, Grand Opera House, York, April 22 to 26, 7pm plus 2pm Wednesday, Thursday and Saturday matinees

STEP through the wardrobe into the kingdom of Narnia for the most mystical of adventures in a faraway land. Join Lucy, Edmund, Susan and Peter as they wave goodbye to wartime Britain and say hello to Mr Tumnus, the talking Faun, Aslan, the Lion, and the coldest, cruellest White Witch. 

Running at Leeds Playhouse until January 25 in the most spectacular production of the winter season, this breathtaking stage adaptation of CS Lewis’s allegorical novel then heads out on a new tour with its magical storytelling, bewitching stagecraft and stellar puppets. Box office: atgtickets.com/york.

Alan Ayckbourn: Directing his 91st play, Earth Angel, at the SJT, Scarborough, in the autumn. Picture: Tony Bartholomew

Alan Ayckbourn’s 91st play: Earth Angel, Stephen Joseph Theatre, Scarborough, September 13 to October 11

 STEPHEN Joseph Theatre director emeritus Alan Ayckbourn directs his 91st play, Earth Angel, wherein Gerald has lost his wife of many years. Amy was the light of his life, almost heaven sent. It is tricky thinking about life without her but he is trying his best to put a brave face on things, accepting help from fussy neighbours and muddling along as best he can.

Then a mysterious stranger turns up at Amy’s wake. He seems like a nice enough chap, washing the dishes and offering to do a shop for Gerald, but is he all that he appears? Box office: 01723 370541 or sjt.uk.com.

In focus: The Waterboys’ new album and tour dates at York Barbican, May 15; Sheffield City Hall, May 9, and Leeds O2 Academy, June 17

Mike Scott: Leading The Waterboys at York Barbican for the eighth time on May 15. Picture: Paul MacManus

THE Waterboys will showcase “the most audacious album yet” of Mike Scott’s 42-year career, Life, Death And Dennis Hopper, on their latest return to York Barbican, having previously played their “Big Music” brand of folk, rock, soul and blues there in 2012, 2013, 2014, 2015, 2018, 2021 and 2023.

Released on April 4 on Sun Records, their 16th studio album charts the epic path of the trailblazing American actor and rebel, as told through a song cycle that depicts not only Hopper’s story but also the saga of the last 75 years of western pop culture. 

“The arc of his life was the story of our times,” says Scott, “He was at the big bang of youth culture in Rebel Without A Cause with James Dean; and the beginnings of Pop Art with the young Andy Warhol. 

“He was part of the counter-culture, hippie, civil rights and psychedelic scenes of the ’60s. In the ’70s and ’80s he went on a wild ten-year rip, almost died, came back, got straight and became a five-movies-a-year character actor without losing the sparkle in his eye or the sense of danger or unpredictability that always gathered around him.”

As a first taste of what lies in store, Hopper’s On Top (Genius) was unveiled on streaming and video this week, capturing the electric, heady moment when Hopper’s Easy Rider became a cultural phenomenon and cemented his place in Hollywood history. Buoyed by Scott’s searing vocals, vibrant instrumentation and a psychedelic edge, the song channels the euphoria and hubris of the 1960s’ counterculture that Hopper epitomised.  

Scott worked for four years on Life, Death And Dennis Hopper. Produced with Waterboys bandmates Famous James and Brother Paul, the album spans 25 tracks that trace the trace the extraordinary ups and downs of Hopper’s life, from his youth in Kansas to his long rise, five wives, tumultuous fall and ultimate redemption.

The album cover artwork for The Waterboys’ Life, Death And Dennis Hopper, set for release on April 4

Every song has its own special place and fascinating, deep-rooted story. “It begins in his childhood, ends the morning after his death, and I get to say a whole lot along the way, not just about Dennis, but about the whole strange adventure of being a human soul on planet Earth,” says Scott.

The album will be The Waterboys’ first for Sun Records. “Hey, we’re label mates with Howlin’ Wolf and young Elvis,”says Scott,  who is joined by a stellar line-up of guests, ranging from Bruce Springsteen, Fiona Apple and Steve Earle to Nashville-based Alt Americana artist Anana Kaye, English singer Barny Fletcher, Norwegian country-rockers Sugarfoot, Taylor Goldsmith of Dawes, Kathy Valentine of The Go-Go’s and punk arch-priestess Patti Palladin.

The 31-date UK and Ireland tour will run from May 1 to June 19.  Box office: York, yorkbarbican.co.uk; Sheffield, sheffieldcityhall.co.uk; Leeds, academymusicgroup.com.

Life, Death And Dennis Hopper track listing:

1.   Kansas (featuring Steve Earle)
2.   Hollywood ’55
3.   Live In The Moment, Baby
4.   Brooke/1712 North Crescent Heights
5.   Andy (A Guy Like You)
6.   The Tourist (featuring Barny Fletcher)
7.   Freaks On Wheels
8.   Blues For Terry Southern
9.   Memories Of Monterey
10. Riding Down To Mardi Gras
11. Hopper’s On Top (Genius)
12. Transcendental Peruvian Blues
13. Michelle (Always Stay)
14. Freakout At The Mud Palace
15. Daria
16. Ten Years Gone (featuring Bruce Springsteen)
17. Letter From An Unknown Girlfriend (featuring Fiona Apple)
18. Rock Bottom
19. I Don’t Know How I Made It (featuring Taylor Goldsmith)
20. Frank (Let’s F**k)
21. Katherine (featuring Anana Kaye)
22. Everybody Loves Dennis Hopper
23. Golf, They Say
24. Venice, California (Victoria)/The Passing Of Hopper
25. Aftermath

Posted on

More Things To Do in York & beyond as sprites & seagulls step into Christmas. Hutch’s List No. 51, from The Press, York

Pocklington Arts Centre cast members Levi Payne, left, Caitlin Townend and Dylan Allcock in Jack Frost’s Christmas Wish

CHRISTMAS shows dominate Charles Hutchinson’s recommendations but there is still room to fit in comedy and a homeward-bound singer-songwriter too.

East Riding Christmas play of the week: Jack Frost’s Christmas Wish, Pocklington Arts Centre, until December 24

ELIZABETH Godber’s second Christmas show for Pocklington Arts Centre invites everyone aged three to 103 to join Jack Frost (Levi Payne) and his friends Oslo the Rabbit (Dylan Allcock) and Blue the Winter Sprite (Caitlin Townend) as they race across the world to make his one wish come true: to be home for Christmas. Could that home be in East Yorkshire?

Wrap up warm for a frosty adventure from the team who delivered The Elves And The Shoemaker: Save Christmas last winter, steered by director Jane Thornton. Box office: 01759 301547 or pocklingtonartscentre.co.uk.

Saving Scarborough: Stephen Brailsford’s Captain Cliff in Captain Cliff & The Seagull Squad at the SJT. Picture: Tony Bartholomew

Coastal children’s play of the week: Captain Cliff & The Seagull Squad, The McCarthy, Stephen Joseph Theatre, Scarborough, until December 21

ON a busy day at Scarborough’s South Bay, judges from Britain’s Best Beach are soon to arrive, but after a big rush of tourists, the bins are overflowing with rubbish in a play for children aged up to six, written and directed by Rob Salmon for the SJT and CU (Coventry University), Scarborough.

Faced by litter everywhere and a pile of something sticky by the rock shop, who can save Scarborough? Step forward Captain Cliff and the Seagull Squad, who must complete four missions, one for each season. Cue a rescue adventure full of songs, silliness and festive fun. Box office: 01723 370541 or sjt.uk.com.

Mike Newall: Laidback storytelling at Laugh Out Loud Comedy Club

Comedy gigs of the week: Laugh Out Loud Comedy Club Christmas Specials, York Barbican, Michael Legge, tonight; Mike Newall, December 20, both 8pm

TONIGHT’S headliner, Michael Legge, combines improvised irreverence with spiky tongue-in-cheek antics. “This livewire performer has ‘funny’ popping out of him at every opportunity,” says promoter and master of ceremonies Damion Larkin.

Mancunian Mike Newall, who appeared on Britain’s Got Talent, takes top billing on Friday with his laidback storytelling, Swiss clock timing and tack-sharp turn of phrase. “He’s like your best, most humorous friend – only funnier,” says Larkin. Both nights will feature two support acts too. Box office: lolcomedyclubs.co.uk or yorkbarbican.co.uk.

Ian Stroughair: Performing at York’s Annual Community Carol Concert

York’s Annual Community Carol Concert, York Barbican, Sunday 2pm

YORK RI Golden Rail Band, Knavesmire Primary School, Heworth Community Choir and Ian Stroughair, York’s West End showman behind drag diva Velma Celli, join forces for an afternoon of Christmas carols and songs.

Regular participant  Steve Cassidy will sing with the ensemble, while the community singing will be led by musical director Mike Pratt. Proceeds go to the Lord Mayor and Sheriff of York’s Christmas Cheer Fund and York Hospital Radio. Box office: yorkbarbican.co.uk.

Snow queen of folk: Kate Rusby’s Winter Light tour arrives at York Barbican on December 17

Christmas folk concert of the week: Kate Rusby, Winter Light Tour, York Barbican, December 17, 7pm

BARNSLEY folk songstress Kate Rusby draws on her seven Christmas albums – she released her latest, Light Years, in 2023 – for her annual celebration of South Yorkshire carols sung in pubs through the winter months.

Spreading Yuletide joy, Kate will be joined by her regular band, featuring her husband, producer, guitarist and banjo player Damien O’Kane, bolstered by the Brass Boys quintet. Look out for the fancy-dress finale. Box office: yorkbarbican.co.uk.

Sam Griffiths: Singer, songwriter and frontman of The Howl And The Hum. Picture: Stewart Baxter

Christmas double joy of the week: Please Please You & Brudenell Presents present The Howl & The Hum, The Crescent, York, full band band show, December 17, 7.30pm; solo show, December 18, 7pm

IN the wake of a sublime sold-out gig at Leeds Irish Centre on November 15 and the autumn release of second album Same Mistake Twice, York band The Howl & The Hum end the year with their now obligatory festive celebrations at The Crescent.

Frontman and songwriter Sam Griffiths will be joined by his full band – saxophonist and keyboard player Matthew Herd, drummer Dave Hamblett, guitarist Arun Thavasothy and bass player Naomi McLeod – on Tuesday night and will then play an intimate, stripped-back, seated solo show on Wednesday. Box office: thecrescentyork.com.

The poster for Step Into Christmas at York Barbican

Christmas songs galore: Step Into Christmas, York Barbican, December 19, 7.30pm

THIS feel-good Christmas show brings all the magic of the season to musical life with favourite festive songs, from All I Want For Christmas Is You, Last Christmas, Jingle Bell Rock, Stay Another Day and Let it Snow to White Christmas, Do They Know It’s Christmas, A Winter’s Tale and Merry Xmas Everybody. 

Meanwhile, the Barbican’s 7.30pm screening of the Christmas rom-com The Holiday with a live orchestra on December 16 has sold out. Box office: yorkbarbican.co.uk.

Homeward bound: Benjamin Francis Leftwich will make a sold-out return to York on December 19

Homecoming of the week: The Crescent & Brudenell presents Benjamin Francis Leftwich, National Centre for Early Music, York, December 19, 7.30pm

“I FEEL like there’s nowhere for me to hide on this record,” says York-born singer-songwriter Benjamin Francis Leftwich of Some Things Break, his fifth album, released in February. “I’m proud of so much of my earlier work, but trying to replicate that now would feel very obsequious and fake. I’m proud of this – it’s from the heart.”

Now living in London, Leftwich heads back to his home city for a sold-out show in the quietude of St Margaret’s Church, Walmgate.  Nadia Kadek supports. Box office for returns only: 01904 658338 or ncem.co.uk.

Chapter House Choir: Choral music old and new in Carols By Candlelight

Carol concert of the week: Chapter House Choir, Carols By Candlelight, York Minster Nave, December 20, 7.30pm, doors 6.45pm

THE Chapter House Choir, directed by musical director Benjamin Morris, combine with the Chapter House Youth Choir, directed by Charlie Gower-Smith, for this ever-popular candle-lit concert, first performed in 1965 and now held in the Nave. In addition to traditional choral music old and new, festive music will be played by the chamber choir’s Handbell Ringers. For returned tickets only, check yorkminster.org/whats-on/event/carols-by-candlelight/or contact 01904 557256.

Holly Cassidy with the puppet of Cracker in A Christmas Cracker at Friargate Theatre

Alternative Nativity play of the week: Riding Lights Theatre Company in A Christmas Cracker, Friargate Theatre, York, December 21 to 24, 11am and 1.30pm each day; 6pm, first three days; 4pm, last day

IN Paul Birch’s first play as artistic director of Riding Lights, world-famous storyteller Ebenezer Sneezer is lost, with snow in her wellies and faithful canine companion Cracker full of strange ideas about Christmas.

When caught taking shelter in Mrs McGinty’s barn, she allows them to stay on the condition that Ebenezer brings her glad tidings with her stories. If so, a hot supper awaits. If not, exit pronto. Ebenezer must triumph over not only Mrs McGinty’s frozen heart but also Deadly, a dastardly donkey ready to kick comfort and joy out of his stable. Box office: 01904 613000 or ticketsource.co.uk/ridinglights. 

The Corrs: Heading to the Scarborough coast next summer

Gig announcement of the week: The Corrs and Natalie Imbruglia, TK Maxx presents Scarborough Open Air Theatre, June 11 2025

THE Corrs, Irish sibling purveyors of sleek pop rock, lush harmonies and Celtic folk trimmings, will line up as ever with Andrea on lead vocals, piano and  tin whistle, Sharon on violin, piano and vocals, Caroline, on drums, piano and vocals, and Jim on guitar, keyboards and vocals.

Former Neighbours soap actress, Torn hit-maker and The Masked Singer 2022 winner Natalie Imbruglia will support. Box office: ticketmaster.co.uk.

Posted on

What’s On in Ryedale, York and beyond when Christmas shows abound. Here’s Hutch’s List No. 45, from Gazette & Herald

Jools Holland: Boogie woogie pianist returns to York Barbican tonight

SEAGULLS, a rabbit, a winter sprite and The Animals, plus another solo version of A Christmas Carol, are among the highlights of the festive week ahead, recommends Charles Hutchinson.

No year would be complete without…Jools Holland and His Rhythm & Blues Orchestra, York Barbican, tonight, 7.30pm

BOOGIE woogie pianist supreme Jools Holland makes his obligatory winter outing to York in the company of his top-notch rhythm & blues players and vocalists Ruby Turner, Louise Marshall and Sumudu Jayatilaka.

His special guests will be Soft Cell singer Marc Almond, who previously toured with Holland in 2018, and blues guitar prodigy Toby Lee, his guest on last year’s tour too. Holland will be performing songs from the former Squeeze keyboardist and television presenter’s long-running solo career. Box office for returns only: yorkbarbican.co.uk.

The Animals: 60 years of rhythm & blues celebrated at Selby Town Hall

60th anniversary concert of the week: The Animals & Friends, Selby Town Hall, tomorrow, 7.30pm

THIS year marks the 60th anniversary of Newcastle rhythm & blues icons The Animals’ self-titled debut album and their seminal crossover hit The House Of The Rising Sun. Still in the line-up is drummer, founding member and Rock And Roll Hall of Fame inductee John Steel, who will be joined by Danny Handley on guitar and lead vocals, Milltown Brothers’ Barney Williams on keys and Norman Helm on bass.

The set list can draw on such favourites as We Gotta Get Out of This Place, Don’t Let Me Be Misunderstood, Baby Let Me Take You Home, Boom Boom, Around And Around and The Right Time. Box office: 01757 708449 or selbytownhall.co.uk.

Pocklington Arts Centre cast members Levi Payne, left, Caitlin Townend and Dylan Allcock in Jack Frost’s Christmas Wish

Ryedale Christmas play of the week: Jack Frost’s Christmas Wish, Pocklington Arts Centre, tomorrow to December 24

ELIZABETH Godber’s second Christmas show for Pocklington Arts Centre invites everyone aged three to 103 to join Jack Frost (Levi Payne) and his friends Oslo the Rabbit (Dylan Allcock) and Blue the Winter Sprite (Caitlin Townend) as they race across the world to make his one wish come true: to be home for Christmas. Could that home be in East Yorkshire?

Wrap up warm for a frosty adventure from the team who delivered The Elves And The Shoemaker: Save Christmas last winter, steered by director Jane Thornton. Box office: 01759 301547 or pocklingtonartscentre.co.uk.

Stephen Brailsford: Playing Captain Cliff in the CU Scarborough cast for Captain Cliff & The Seagull Squad at Stephen Joseph Theatre, Scarborough

Coastal children’s play of the week: Captain Cliff & The Seagull Squad, The McCarthy, Stephen Joseph Theatre, Scarborough, tomorrow to December 21

ON a busy day at Scarborough’s South Bay, judges from Britain’s Best Beach are soon to arrive, but after a big rush of tourists, the bins are overflowing with rubbish in a play for children aged up to six, written and directed by Rob Salmon for the SJT and CU (Coventry University), Scarborough.

Faced by litter everywhere and a pile of something sticky by the rock shop, who can save Scarborough? Step forward Captain Cliff and the Seagull Squad, but can they clear up all the mess in time as they seek to complete four missions, one for each season? Cue a rescue adventure full of songs, silliness and festive fun. Box office: 01723 370541 or sjt.uk.com.

Ryedale School musicians: Performing at Kirk Theatre, Pickering, on Friday

School performance of the week: Ryedale School Music Concert, Kirk Theatre, Pickering, Friday, 7pm

THIS night of music performed by Ryedale School musicians features Ryedale Concert Band Shining Brass and Ryedale Stray Notes. Proceeds will go to Ryedale School Performing Arts and Rotary funds. Tickets are on sale on 01751 474833 or at kirktheatre.co.uk.

Mat Jones: Solo rendition of A Christmas Carol for two nights at Friargate Theatre, York. Picture: Vintage Verse

Solo show of the week: Mat Jones in A Christmas Carol, Friargate Theatre, York, Friday and Saturday, 7.30pm

RING in the Christmas season with Mat Jones’s spellbinding rendition of Charles Dickens’s Victorian festive classic, brought to life in vivid detail from Dickens’s original performance text as Scrooge encounters the Spirits of Christmas Past, Present and Yet To Come en route to the redemption of London’s most miserable miser. 

“A Christmas Carol is not just a story; it’s a celebration of the human spirit and the power of kindness,” says Jones. Box office: 01904 613000 or friargatetheatre.co.uk.

Jo Walton setting up her exhibition at Bluebird Bakery, Acomb, York

Exhibition of the week: Jo Walton, Steel, Copper, Rust, Gold, Verdigris, Wax, Bluebird Bakery, Acomb Road, Acomb, York, until January 23 2025

WHEN Rogues Atelier artist, interior designer, upholsterer and Bluebird Bakery curator of exhibitions Jo Walton asked poet Nicky Kippax to put words to images she had sent her, she responded with “The heft of a cliff and a gathering of sea fret”. Spot on, Nicky.

Into the eighth month of recovery from breaking her right leg, Jo is exhibiting predominantly large works that utilise steel, copper, rust, gold, verdigris and wax in the bakery, cafe and community centre, whose interior she designed in 2021.

Kate Rusby: Winter Light tour arrives at York Barbican on December 17

Christmas concert of the week: Kate Rusby, Winter Light Tour, York Barbican, December 17, 7pm

BARNSLEY folk songstress Kate Rusby draws on her seven Christmas albums – she released her latest, Light Years, in 2023 – for her annual celebration of South Yorkshire carols sung in pubs through the winter months.

Spreading Yuletide joy, Kate will be joined by her regular band, featuring her husband, producer, guitarist and banjo player Damien O’Kane, and the Brass Boys quintet. Look out for the fancy-dress finale. Tickets update: Closing in on a sell-out; hurry, hurry to yorkbarbican.co.uk.

The Corrs: Heading to the Scarborough coast next summer

Gig announcement of the week: The Corrs and Natalie Imbruglia, TK Maxx presents Scarborough Open Air Theatre, June 11 2025

THE Corrs, Irish sibling purveyors of sleek pop rock, lush harmonies and Celtic folk trimmings, will line up as ever with Andrea on lead vocals, piano and  tin whistle, Sharon on violin, piano and vocals, Caroline, on drums, piano and vocals, and Jim on guitar, keyboards and vocals.

Former Neighbours soap actress, Torn hit-maker and The Masked Singer 2022 winner Natalie Imbruglia will support. The Corrs join Shed Seven, Gary Barlow, Basement Jaxx, Pendulum, Rag’n’Bone Man, Blossoms, Texas, UB40 featuring Ali Campbell and The Script among next summer’s Scarborough OAT headliners. Tickets go on general sale at 9am on Friday at ticketmaster.co.uk.

Posted on

What’s on in Ryedale, York and beyond, from highwayman high jinks to brass blasts. Hutch’s List No 41, from Gazette & Herald

Gerard Savva: Leading the York Stage cast as Bobby in Company at Theatre@41, Monkgate, York

LOOK out for Godber at the double, Sondheim sophistication, a ground-breaking Black pioneer and Hull humour in the week ahead, recommends Charles Hutchinson.

Musical of the week: York Stage in Company, Theatre@41, Monkgate, York, tonight to Saturday, 7.30pm plus 2.30pm Saturday matinee

ON Bobby’s 35th birthday, his friends all have one question on their mind. Why is he not married? Stephen Sondheim and George Furth’s bold, sophisticated and insightful revolutionary musical comedy follows Bobby as he navigates the world of dating and being the third wheel to all of his now happily (and unhappily) married friends, exploring the pros and cons of settling down and leaving his single life behind.

Nik Briggs directs a York Stage cast featuring Gerard Savva as Bobby, Florence Poskitt, Julia Anne Smith, Alexandra Mather, Joanne Theaker, Dan Crawfurd-Porter and Jack Hooper, among others. Box office: tickets.41monkgate.co.uk.

The poster for Lightning Seeds’ show at Scarborough Spa Grand Hall tonight

Pure and simply joyful every time: Lightning Seeds, Tomorrow’s Here Today, 35 Years Greatest Hits Tour, Scarborough Spa Grand Hall, tonight; The Welly, Hull, December 4; Leeds Beckett Students’ Union, December 6

TO mark their 35th anniversary, Liverpool singer, songwriter and producer Ian Broudie leads Lightning Seeds on their Tomorrow’s Here Today tour to accompany a new greatest hits album.

Here come Pure, The Life Of Riley, Change, Lucky You, Sense, All I Want, Sugar Coated Iceberg, You Showed Me, Emily Smiles, Three Lions et al and many more. Tonight doors open at 7pm; Casino play at 8pm, Lightning Seeds at 9pm. Box office: Scarborough, scarboroughspa.co.uk; Hull, giveitsomewelly.com; Leeds, leedsbeckettsu.co.uk.

Tom Gallagher, Annie Kirkman and Laura Jennifer Banks in a scene from John Godber’s revival of Perfect Pitch

Touring play of the week: John Godber Company in Perfect Pitch, Stephen Joseph Theatre, Scarborough, tonight to Saturday, 7.30pm plus 1.30pm Thursday and 2.30pm Saturday matinees

WHEN teacher Matt (Frazer Hammill) borrows his parents’ caravan for a week on the Yorkshire coast with partner Rose (Annie Kirkman), they are expecting four days of hill running and total de-stressing. However, with a Tribfest taking place nearby, Grant (Tom Gallagher) and Steph’s (Laura Jennifer Banks) pop-up tent is an unwelcome addition to their perfect pitch.

The class divide and loo cassettes become an issue as writer-director John Godber reignites his unsettling 1998 state-of-the-nation comedy, set on an eroding coastline, as Matt and Rose are inducted into the world of caravanning and karaoke. Box office: Scarborough, 01723 370541 or sjt.uk.com.

The Highwayman cast of Dylan Allcock, left, Emilio Encinoso-Gil, Matheea Ellerby and Jo Patmore in John Godber’s new historical play. Picture: Ian Hodgson

New play of the week: John Godber Company in The Highwayman, York Theatre Royal Studio, tomorrow to Saturday, 7.45pm plus 2pm Friday and Saturday, sold out

AFTER more than 70 plays reflecting on modern life, John  Godber goes back in history for the first time in The Highwayman. “It’s 1769 and Yorkshire’s population has exploded, the races at York are packed, the new theatre in Hull is thriving, and the Spa towns are full,” he says.

“Everyone is flocking north. Yorkshire is the place to be; a region drunk on making money, social climbing, gambling and gin, but with wealth in abundance, the temptation is great.” Enter the highwayman, John Swift and his partner, Molly May. Box office for returns only: 01904 623568 or yorktheatreroyal.co.uk.

Paterson Joseph and Charles Ignatius Sancho: Storyteller and subject in Sancho & Me at York Theatre Royal

Story of the week: Paterson Joseph, Sancho & Me, York Theatre Royal, tomorrow, 7.30pm, with post-show discussion

CHARLES Ignatius Sancho, born on a slave ship on the Atlantic Ocean in 1729, became a writer, composer, shopkeeper and respected man of letters in 18th century London – the first man of African heritage to vote in Britain.

Actor, author and Chancellor of Oxford Brookes University Paterson Joseph tells his story, accompanied by co-creator and musical director Ben Park, built around his book The Secret Diaries of Charles Ignatius Sancho. Joseph explores ideas of belonging, language, education, slavery, commerce, violence, politics, music, love and where these themes intersect with his own story of growing up Black and British. Box office: 01904 623568 or yorktheatreroyal.co.uk.

Irish band Adore: Headlining at The Crescent tomorrow. Picture: Fnatic

Indie gig of the week: Road Less Travelled presents Adore, Fuzz Lightyear and Tom Beer, The Crescent, York, tomorrow, 7.30pm

RISING stars of the Irish music scene, Adore are a three-piece garage punk band from Galway, Donegal and Dublin, who refract surf, disco and pop through punk sensibilities, grounded in crunchy guitar, drum and bass.

Leeds four-piece Fuzz Lightyear, freshly signed to independent label Nice Swan Records, match the intensity of Idles and Gilla Band while applying wit and a lyrical openness to their songs. Bull frontman Tom Beer kicks off the triple bill with a solo set. Box office: thecrescentyork.com.

New York Brass Band: Bringing New Orleans Mardi Gras jazz from old York to Milton Rooms, Malton

Jazz night of the week: Acorn Events presents New York Brass Band and The Ryedale Stray Notes, Milton Rooms, Malton, Friday, 7pm

NEW York Brass Band, from York, perform with a seven or eight-piece line-up of sax, tuba, trumpets, trombones, guitar and sousaphone in the New Orleans Mardi Gras jazz band tradition. Formed by James Lancaster in 2010, they are inspired by Rebirth Brass Band, Soul Rebels, Hot 8, Youngblood and Brassroots.

They have played at Glastonbury for the past eight festivals and at celebrity parties and weddings for Danny Jones, of McFly, Ellie Goulding, comedian Alex Brooker, Liam Gallagher and Jamie Oliver. Support act The Ryedale Stray Notes feature 25 talented young musicians “ready to raise the roof”. Proceeds go to Acorn Community Care to support vulnerable adults with physical and learning disabilities. Tickets: acornevents.org.uk or phone Ali on 07891 3889085.

Paddy Young: Topping the Rye Humour bill at Helmsley Arts Centre. Picture: Lucas Smith

Variety night of the week: Rye Humour, Comedy vs Climate Change, Helmsley Arts Centre, Saturday, 7.30pm

RYE Humour’s variety bill of up-and-coming comics will be headlined by Chortle Best Newcomer winner Paddy Young, a stand-up with Scarborough roots. The 2023 BBC New Comedy Awards finalist and Edinburgh Comedy Awards Best Newcomer nominee has attracted 100 million views online for his sketches with Ed Night. His comedy special, filmed by American record label 800 Pound Gorilla Records, will be released shortly. 

This gig has been developed in collaboration with the Ryevitalise Landscape Partnership scheme, as part of a project that uses humour to explore environmental issues based around North Yorkshire’s rivers. Any questions about the evening, or accessibility, will be answered at events@comedyvsclimatechange.org.uk. Box office: 01439 771700 or helmsleyarts.co.uk.

Lucy Beaumont: Off-beat stories, unusual anecdotes and bizarre journeys through modern-day womanhood at Grand Opera House, York

Comedy gig of the week: Lucy Beaumont Live, Grand Opera House, York, Saturday, 8pm

HULL humorist, BAFTA nominee and Taskmaster star Lucy Beaumont is determined to let loose and let slip on her rollercoaster world with off-beat stories, unusual anecdotes and bizarre journeys through modern-day womanhood.

From the co-host of the chart-topping podcast Perfect Brains with Sam Campbell and creator of Meet The Richardsons comes a look at life through the Lucy lens. Box office: atgtickets.com/york.

Posted on

More Things To Do in York and beyond when a rebellious sea dog makes the news. Hutch’s List No. 44, from The Press

The Whitby Rebels cast on a boat trip in Scarborough’s South Bay: from left, Keith Bartlett, Duncan MacInnes, Jacky Naylor, Jacqueline King, Louise Mai Newberry and Kieran Foster. Picture: Tony Bartholomew

FROM a motley crew all at sea to Eighties’ pop and rock stars, a beehive buzz of a campaigning American teen to a boy with a stammer, Charles Hutchinson’s week promises both adventure and misadventure.

World premiere of the week: The Whitby Rebels, Stephen Joseph Theatre, Scarborough, until November 2, 7.30pm plus 1.30pm Thursday and 2.30pm Saturday matinees

IN Whitby Harbour, in the summer of 1991, something extraordinary happened. A humble pleasure boat set sail for the Arctic crewed by misfits, pensioners and the vicar for Egton and Grosmont, North Yorkshire.

This motley crew was assembled by Captain Jack Lammiman to complete a daring mission: to erect a plaque honouring Whitby whaling Captain William Scoresby senior on a volcanic island hundreds of miles north of Iceland. Bea Roberts’s new play tells their true story, boat on stage et al. Box office: 01723 370541 or at sjt.uk.com.

Ayana Beatrice Poblete and Reggie Challenger in Black Sheep Theatre Productions’ Songs For A New World

Song cycle of the week: Black Sheep Theatre Productions presents: Songs For A New World, National Centre for Early Music, Walmgate, York, today, 2.30pm and 7.30pm  

ON the heels of last week’s The Last Five Years, Black Sheep Theatre perform another Jason Robert Brown work, 1995’s Songs For A New World.

Defying conventional musical theatre formats, Brown and original director Daisy Prince say the non-linear show is “neither musical play nor revue”, but exists as a “very theatrical song cycle” that explores such universal themes as hope, faith, love and loss in its emotionally charged songs. Box office: ticketsource.co.uk/blacksheeptheatreproductions/.

While & Matthews: Playing Hunmanby on closing night of 30th anniversary tour

Folk gig of the week: While & Matthews, Hunmanby Village Hall, near Filey, Sunday, 7.30pm

THE 30th anniversary tour of the longest-lasting female folk duo, singer-songwriters Chris While and Julie Matthews, concludes this weekend at Hunmanby Village Hall, where they sold out two years ago. Together they have played more than 2,500 gigs, appeared on 100 albums, written hundreds of original songs and reached millions of people around the world.

Chris (vocals, guitar, banjo, dulcimer and percussion) and Julie (vocals, piano, guitar, mandolin and bouzouki) released their 13th studio album, Days Like These, on Fat Cat Records last month. Box office: ticketsource.co.uk.

Arthur Smith: Grumpy old man of comedy at Helmsley Arts Centre

Comedy turn of the week: An Audience With Arthur Smith, Helmsley Arts Centre, Sunday, 7.30pm

COMPERE, playwright, panellist, performer and Edinburgh Fringe stalwart Arthur Smith worked previously as a road sweeper, dustman, market researcher and teacher. He even advertised chicken burgers in supermarkets dressed as a fox.

A career in stand-up comedy was the only one that could follow a build-up like that, he decided, since when he has appeared on quiz shows and Loose Ends, been a regular Grumpy Old Man and Countdown wordsmith and presented BBC Radio 4’s Excess Baggage and Radio 2’s The Smith Lectures. Box office: 01439 771700 or helmsleyarts.co.uk.

Chrissie Hynde: Fronting The Pretenders at a sold-out York Barbican on Thursday

What an Eighties’ week at York Barbican: The Cult, Tuesday, sold out; Adam Ant, AntMusic 2024, Wednesday, limited ticket availability; The Pretenders, Thursday, sold out

THE Cult’s 8424: 40th Anniversary Tour brings Ian Astbury and Billy Duffy’s band to York with their pioneering fusion of post-punk, hard rock, and experimentalism. Pop icon Adam Ant performs his chart-topping hits and personal favourites in his AntMusic 2024 show on his return to the Barbican.

Chrissie Hynde leads The Pretenders in York, one of three additions to their extended 2024 tour,  combining new tracks with classics such as Brass In Pocket and Back On The Chain Gang. Last year they released their 12th studio album, Relentless. Box office: yorkbarbican.co.uk.

Katie Brice’s Tracy Turnblad and Neil Hurst’s Edna Turnblad in Hairspray The Musical, on tour at the Grand Opera House, York

Musical of the week: Hairspray, Grand Opera House, York, October 28 to November 2, 7.30pm plus 2.30pm Wednesday and Saturday matinees

BASED on cult filmmaker John Waters’ 1988 American movie, Hairspray The Musical follows the progress of  heroine Tracy Turnblad, with her  big hair, big heart and big dreams to dance her way on to national television and into the heart of teen idol Link Larkin.

When Tracy (Katie Brice/Scarborough actress Alexandra Emerson-Kirby in her professional debut) becomes a local star, she uses her newfound fame to fight for liberation, tolerance, and interracial unity in Baltimore. Look out for Yorkshireman Neil Hurst as Tracy’s mum, Edna, and Strictly Come Dancing’s Joanne Clifton as villainous Velma Von Tussle. Box office: atgtickets.com/York.

Ciaran O’Breen as Captain Chatter and Hilson Agbangbe as Sonny in Wonder Boy, on tour at York Theatre Royal

Children’s story of the week: Wonder Boy, York Theatre Royal, October 29 to November 2; evenings, 7.30pm, Tuesday, Wednesday, Friday; matinees, 2pm, Wednesday, Thursday; 2.30pm, next Saturday

OLIVIER Award winner Sally Cookson directs Bristol Old Vic’s touring production of Wonder Boy, Ross Willis’s exploration of the power of communication, told through the experiences of 12-year-old Sonny and his imaginary friend Captain Chatter.

Playful humour, dazzling visuals and thrilling original music combine in this innovative show that uses live creative captioning on stage throughout as Sonny, who lives with a stammer, must find a way to be heard in a world where language is power. When cast in a school production of Hamlet by the head teacher, he discovers the real heroes are closer than he thinks. Box office: 01904 623568 or yorktheatreroyal.co.uk.

Victoria Delaney and Tony Froud in J M Barrie’s Mary Rose, next week’s production by York Actors Collective. Picture: Clive Millard

Theatre Royal debut of the week: York Actors Collective in Mary Rose, York Theatre Royal Studio, October 30 to November 2,  7.45pm plus 2.30pm Thursday and 2pm Saturday matinees

YORK Actors Collective make their York Theatre Royal debut with a revival of Peter Pan and Quality Street playwright J M Barrie’s Mary Rose, adapted and directed by Angie Millard.

“Barrie uses dimensions of time to great effect,” she says. “His treatment of love, loss and unwavering hope draws in an audience and gives it universality. I’ve adapted the script to appeal to modern thinking but his themes are intact. The strange and ghostly atmosphere fits beautifully into our autumn slot, which includes Halloween and is a time for considering other worldliness.” Box office: 01904 623568 or yorktheatreroyal.co.uk.

Posted on

What’s On in Ryedale, York & beyond when two plays go to sea & AI comes to dance. Hutch’s List No. 39, from Gazette & Herald

The Whitby Rebels cast on a boat trip in Scarborough’s South Bay: from left, Keith Bartlett, Duncan MacInnes, Jacky Naylor, Jacqueline King, Louise Mai Newberry and Kieran Foster

A NAUTICAL Yorkshire drama, a scene-stealing Shakespearean dog, a long-lasting folk duo and a “bit of rough” comedian spark Charles Hutchinson’s interest for the week ahead.

World premiere of the week: The Whitby Rebels, Stephen Joseph Theatre, Scarborough, until November 2, 7.30pm plus 1.30pm Thursday and 2.30pm Saturday matinees

IN Whitby Harbour, in the summer of 1991, something extraordinary happened. A humble pleasure boat set sail for the Arctic crewed by misfits, pensioners and the vicar for Egton and Grosmont, North Yorkshire.

This motley crew was assembled by Captain Jack Lammiman to complete a daring mission: to erect a plaque honouring Whitby whaling Captain William Scoresby senior on a volcanic island hundreds of miles north of Iceland. Bea Roberts’s new play tells their true story, boat on stage et al. Box office: 01723 370541 or at sjt.uk.com.

Nick Patrick Jones’s Proteus, left, and Mark Payton’s Duke of Milan in rehearsal for York Shakespeare Project’s The Two Gentlemen Of Verona. Picture: John Saunders

Comedy play of the week: York Shakespeare Project in The Two Gentlemen Of Verona, Theatre@41, Monkgate, York, until Saturday, 7.30pm plus 2.30pm Saturday matinee

 ‘TWO Gents’: possibly Shakespeare’s first play and definitely the only one with a part for a dog. But can the newly employed performers at Monkgate Music Hall pull off their production?

Under-rehearsed knife throwers, strongmen, musicians and comedians must pool their skills in Tempest Wisdom’s dazzling take on this rarely performed comedy, delivered by York Shakespeare Project. “Book now for the event of the 19th century!” says Tempest. Box office: tickets.41monkgate.co.uk.

York musical actress Rachel Higgs in the poster for Black Sheep Theatre Productions’ Songs For A New World

Unconventional musical of the week: Black Sheep Theatre Productions presents: Songs For A New World, National Centre for Early Music, Walmgate, York, tomorrow to Saturday, 7.30pm plus 2.30pm Saturday matinee

ON the heels of last week’s debut NCEM collaboration with fellow York company Wharfemede Productions, The Last Five Years, Black Sheep Theatre perform another Jason Robert Brown work, 1995’s Songs For A New World.

Defying conventional musical theatre formats, Brown and original director Daisy Prince say the non-linear show is “neither musical play nor revue”, but exists as a “very theatrical song cycle” that explores such universal themes as hope, faith, love and loss in its emotionally charged songs. Box office: ticketsource.co.uk/blacksheeptheatreproductions/.

Our Star Theatre Company cast members outside York Minster on October 15, when the Ledbury company staged Death(s) At Sea at the Joseph Rowntree Theatre. On Friday they will be in Pickering

Sea, sailors and seriously bad acting: Our Star Theatre Company in Death(s) At Sea, Kirk Theatre, Pickering, Friday, 7.30pm

A SMALL theatre company is performing its new murder mystery Death At Sea, but despite the cast’s best efforts, everything goes wrong in the telling of a thriller set on a small ship carrying only five passengers and its captain.

When one passenger, Mr Inus, is found dead, the others speculate and turn on each other until the real murderer is caught…but that isn’t how this play (within a play) goes! Props fail, the set falls down, actors get drunk and suffer concussion, and conversations in the wings reveal too much. Can they make it to the end before one of them really kills someone? Find out in Eleanor Catherine Smart’s nautical drama on Friday. Box office: 01751474833or kirktheatre.co.uk.

Company Wayne McGregor in Autobiography, on tour at York Theatre Royal. Picture: Andrej Uspenski

Dance show of the week: Company Wayne McGregor, Autobiography, V102 and V103, York Theatre Royal, Friday and Saturday, 7.30pm

GENETIC code, AI and choreography merge in a Wayne McGregor work that reimagines and remakes itself anew for every performance. Layering choreographic imprints over personal memoir and in dialogue with a specially created algorithm that hijacks McGregor’s DNA data,Autobiography “upends the traditional nature of dance-making as artificial intelligence and instinct converge in creative authorship”.

Now, AISOMA, a new AI tool developed with Google Arts and Culture – “utilising machine-learning trained on hundreds of hours of McGregor’s choreographic archive – overwrites initial configurations to present fresh movement options to the performers, injecting unfamiliar and often startling content into the choreographic ecosystem”. “Life, writing itself anew,” explains McGregor. Box office: 01904 623568 or yorktheatreroyal.co.uk.

While & Matthews: Playing Hunmanby on closing night of 30th anniversary tour

Folk gig of the week: While & Matthews, Hunmanby Village Hall, near Filey, Sunday, 7.30pm

THE 30th anniversary tour of the longest-lasting female folk duo, singer-songwriters Chris While and Julie Matthews, concludes this weekend at Hunmanby Village Hall, where they sold out two years ago. Together they have played more than 2,500 gigs, appeared on 100 albums, written hundreds of original songs and reached millions of people around the world.

Chris (vocals, guitar, banjo, dulcimer and percussion) and Julie (vocals, piano, guitar, mandolin and bouzouki) released their 13th studio album, Days Like These, on Fat Cat Records last month. Once again they cover a wide range of topics and the full spectrum of human emotions on 12 tracks. Box office: ticketsource.co.uk.

Arthur Smith: Grumpy old man of comedy at Helmsley Arts Centre

Comedy turn of the week: An Audience With Arthur Smith, Helmsley Arts Centre, Sunday, 7.30pm

COMPERE, playwright, panellist, performer and Edinburgh Fringe stalwart Arthur Smith worked previously as a road sweeper, dustman, market researcher and teacher. He even advertised chicken burgers in supermarkets dressed as a fox.

A career in stand-up comedy was the only one that could follow a build-up like that, he decided, since when he has appeared on quiz shows and Loose Ends, been a regular Grumpy Old Man and Countdown wordsmith and presented BBC Radio 4’s Excess Baggage and Radio 2’s The Smith Lectures. He describes himself as Radio 4’s “bit of rough”. Box office: 01439 771700 or helmsleyarts.co.uk.

Pat Fulgoni Blues Experience: Returning to Milton Rooms, Malton

Blues gig of the week: Ryedale Blues Club, Pat Fulgoni Blues Experience, Milton Rooms, Malton, October 31, 8pm

SINGER Pat Fulgoni returns to Ryedale Blues Club with his band of Jacob Beckwith on guitar, Rory Wells on bass, Sam Bolt on keys and Zebedee Sylvester on drums.

Expect soaring soulful vocals over vibey guitar and piano-orientated blues in a set originals complemented by renditions of Ray Charles, BB King, Stevie Ray Vaughan, Sonny Boy Williamson, John Lee Hooker, Jimi Hendrix and Robert Johnson. Box office: 01653 692240 or themiltonrooms.com.

In Focus: The English Civil War comes to Nunnington Hall this half-term

Nunnington Hall: Recalling the English Civil War over the autumn half-term. Picture: Andrew Davies

VISITORS to Nunnington Hall, near Helmsley, can dive back in history to the time of the English Civil War throughout the autumn half-term.

From Saturday, October 26 to Friday, November 1, you can train up to become a soldier, with family games such as archery and hobby-horse races, or become a spy for the Royalist side by cracking the secret message in a code breaker trail.

For one weekend only, on November 2 and 3, the grounds of the National Trust property will be turned into an English Civil War encampment by the United Kingdom’s longest-running re-enactment society, The Sealed Knot.

Families will be invited to try on armour, chat to costumed re-enactors and watch show-stopping musket drills happening throughout the day.

Inside the house, children can enjoy playing with the shadow puppet theatre and the Civil War-themed crafts.

Sarah Nolan, visitor experience officer at Nunnington Hall, says: “We’re delighted to bring the UK’s oldest, and Europe’s biggest, re-enactment society to Nunnington and allow our visitors to experience history at its most immersive.

The Sealed Knot: Taking part in the English Civil War activities at Nunnington Hall. Picture: Levitt Parkes

“There’s a fantastic link between Nunnington Hall and the English Civil War, as it’s where Roundhead soldiers lived during the siege of nearby Helmsley Castle, 380 years ago!

“We’ve put together a host of children’s activities to choose from, offering a fun day out for all the family.”

In addition, Nunnington Hall is decorated for autumn and a range of seasonal treats is available in the tearoom.

Normal admission applies for access to the house, gardens and all activities; entry is free for National Trust members and under fives.

Nunnington Hall is open every day until Sunday, November 3, from 10.30am to 5pm, with last entry at 4.15pm. Normal admission applies with free admission for National Trust members and under fives.

For more information or to plan a visit, go to: www.nationaltrust.org.uk/nunnington-hall,

Posted on

Bea Roberts’s world premiere of extraordinary true story of The Whitby Rebels launches at Stephen Joseph Theatre

The Whitby Rebels cast on a boat trip in Scarborough’s South Bay: from left, Keith Bartlett, Duncan MacInnes, Jacky Naylor, Jacqueline King, Louise Mai Newberry and Kieran Foster. All pictures: Tony Bartholomew

THE Stephen Joseph Theatre, Scarborough, is staging the world premiere of Bea Roberts’ The Whitby Rebels, boat on stage et al, until November 2.

In Whitby Harbour, in the summer of 1991, something extraordinary happened. A humble pleasure boat set sail for the Arctic crewed by misfits, pensioners and the vicar for Egton and Grosmont, North Yorkshire.

This motley crew was assembled by Captain Jack Lammiman to complete a daring mission: to erect a plaque honouring Whitby whaling Captain William Scoresby senior on a volcanic island hundreds of miles north of Iceland.

Kieran Foster, left, Jaqcueline King, Jacky Naylor and Duncan MacInnes in the SJT rehearsal room

Their voyage is a classic story of British eccentricity and determination to rival Eddie the Eagle’s Olympic exploits, bus driver Kempton Bunton stealing the portrait of the Duke of Wellington or crane operator Maurice Flitcroft playing golf in the British Open.

Writer Bea Roberts says: “What appealed to me about this true story to begin with is that it felt like an Ealing comedy or a Carry On film – it’s got this fantastically silly edge: this group of pensioners being chased by the Royal Navy!

“But it’s also really remarkable as a story of incredible adventure, of daring, of bravery and of people doing something really rather audacious and brilliant.”

Jacqueline King, left, Duncan MacInnes, Kieran Foster and Louise Mai Newberry at sea off the Scarborough coast

Director Paul Robinson says: “I’m so excited to bring this local story to life, particularly as many people will remember it and the film which followed starring Bob Hoskins. And I can’t wait to see the audiences’ faces when they see a boat on stage!”

SJT artistic director Robinson directs a cast of Keith Bartlett, Kieran Foster, Jacqueline King, Duncan MacInnes, Jacky Naylor and Louise Mai Newberry.

The Whitby Rebels is designed by Jessica Curtis, with lighting design by Sally Ferguson; sound design by composer and sailor’s son Simon Slater; movement direction by Georgina Lamb; wardrobe supervision by Julia Perry-Mook and fight director by Kaitlin Howard. Tom Hill is the nautical consultant. Box office: 01723 370541 or at www.sjt.uk.com.

Duncan MacInnes, Keith Bartlett and Kieran Foster in rehearsal for The Whitby Rebels
Proudly powered by WordPress