Stephen Webb’s Dr Frank N Furter: Third time at Grand Opera House, York. Picture: David Freeman
MARCH 2022, October 2024, now July 2026. The time to do the Time Warp again at the Grand Opera House comes around ever more quickly. Once it was every three years, then 31 months, now 21.
No doubt Rocky Horror aficionados will be delighted by that acceleration, making their pilgrimage to Richard O’Brien’s schlock-horror rock’n’roll musical comedy sextravaganza time and time again to enact the time-honoured rituals established since 1973 in gothic fancy dress.
Likewise, new converts as wide-eyed and innocent as O’Brien’s American sweetheart college nerds Brad Majors and Janet Weiss sign up for their rites-of-passage initiation to the cult of Rocky Horror.
This time, Stephen Webb is doing a Time Warp of his own, back in Dr Frank N Furter’s fishnets on tour, having played the role at the Grand Opera House in 2019 and 2022. The swagger, the grace and the fruity decadence are now accompanied by a doomed sense of impending tragedy, especially in his rendition of Don’t Dream It, Be It.
Christopher Luscombe is still on directorial duty too, cracking the whip – like Frank in Act Two – to sustain its fast and increasingly furious pace, to push the tongue ever further into the cheek, to make it a visual and sensual feast in tandem with set designer Hugh Durrant.
Nothing can rectify the dip in quality of songs in Act Two or the mad rush to the finishing line, more in keeping with a Jacobean tragedy’s pile-up of dead bodies, but the 2026 production has increased momentum. On opening night, too, it overcame a sudden stoppage, when Bethany Amber Perrins had to take over from Daisy Steere as Columbia after a 20-minute hiatus. As ever, the show must go on, and indeed it did, quickly re-establishing its rhythm.
For any newcomers, the storyline opens with newly engaged, squeaky-clean American college couple Brad (James Bisp) and prim prom queen Janet (2022 returnee Haley Flaherty) losing their way in a storm and then their cherry under the seductive allure of Webb’s castle-dwelling transvestite scientist, Dr Frank N Furter, all framed in a bravura send-up of horror and sci-fi B-movies, heightened by O’Brien’s raucous pastiche of Fifties’ rock’n’roll music.
His show is driven by song, set-piece, outre characters and carnal pleasure, not quite disguising the flimsy plot with its shameless riff on Frankenstein in Frank N Furter’s desire to forge a new life in the form of glitter-dusted beefcake Rocky (Morgan Jackson).
All the while, the audience plays its part, not only in its dress code of Fifties’ waitress outfits, scientist cloaks, Frank N Furter fishnets and tattoos, gold shorts and blond wigs, but in participating in the ritual interjections, focused heavily on the salacious and salty shout-outs (after rice, confetti, lighter flames and water pistols were given the red card).
Most are directed at the unflappable Narrator, on this occasion the actor, stand-up comedian and author Jackie Clunes, who consistently outwitted the audience, especially in her anatomical proclamations and acerbic topical asides. She shows originality in her retorts and quips, contrasting with the often crude “scripted abuse” from the stalls, although one shout of “Prince Andrew” made you crave more such impromptu cries.
For the rituals to work at their best, they need more participants than at Monday’s more-reserved- than-usual show, where the insults sometimes could not be discerned if watching from the Dress Circle. Clunes, nevertheless, worked the crowd skilfully, ever responsive but one thought ahead too.
What strikes you more and more after 50 years is how the sartorially and sexually audacious Rocky Horror fits with our gender-fluid times far more than in its earliest form, with its themes of transvestism, freedom of self-determination and homosexuality chiming ever louder alongside the old chestnuts of infidelity, the price of ambition and loss of innocence.
The Rocky Horror Show, Grand Opera House, York, tonight, Wednesday and Thursday, 8pm;Friday & Saturday, 5pm and 8.30pm. Box office: atgtickets.com/york.
Danger, danger for a ranger at close quarters with a dinosaur’s teethin Dinosaur Adventure Live: Danger On T-Rex Mountain at York Theatre Royal
DINOSAUR adventures and Knavesmire’s music showcase weekend, a not-so-sweet Transylvanian transvestite and a French farce promise variety aplenty in Charles Hutchinson’s week ahead.
Children’s show of the week: Dinosaur Adventure Live, Danger On T-Rex Mountain, York Theatre Royal, today, 2.30pm
SIXTY-FIVE million years in the making, Dinosaur Adventure Live brings a fusion of family-friendly storytelling, puppetry and roarsome science to the stage as the ancient world of dinosaurs crashes back to life for gasps, giggles and occasional jump-scares.
From a shadowy raptor on the loose to baby dinosaurs that you can feed (carefully!), Mike Newman’s show blends humour, thrills and hands-on learning into an interactive stage experience. Box office: 01904 623568 or yorktheatreroyal.co.uk.
Liz Foster: Exhibiting her abstract artworks in Arnup Studios’ first collective show at Pyramid Gallery
Exhibition launch of the week: Arnup Studios at Pyramid Gallery, Stonegate, York, today, 11am to 2pm, then running until September 27
CERAMICIST Hannah Arnup, landscape and natural world artist Michelle Galloway, abstract artist Liz Foster, plein-air and studio artist Kate Pettitt, British wildlife ceramicist Penny Phillips and handmade jewellery designer Emma Welsh will be on hand at today’s opening of Holtby-based Arnup Studios’ first collective exhibition at Pyramid Gallery. Gallery opening hours are 10am to 5pm, Monday to Saturday.
Justine Warner with exhibits from today’s showcase of experimental textiles and mixed media at Laburnum Cottage, Sheriff Hutton
Art showcase of the week: Experimental Textiles and Mixed Media, Laburnum Cottage Art Studio, West End, Sheriff Hutton, near York, today, 10am to 5pm
NORTH Yorkshire Open Studios textile and mixed-media artist, Landscape Artist Of The Year 2022 contestant, teacher and workshop tutor Justine Warner plays host to an exhibition of one year of student work, showcasing skills, workbooks and final pieces based on a wide range of experimental textile techniques that employ exciting and unusual materials in creative ways.
Look at how Bondaweb, Lutradur, soluble fabrics, metal, foils, gel printing, transfer printing, batik, tetra pack printing, block printing and heat-shrink can be used and speak with some of the students who experimented with them.
Rowan Armitt-Brewster’s introverted office worker Thomas struggling with his bothersome briefcase in Skedaddle Theatre’s A Brief Case Of Crazy
Silent love story of the week: Skedaddle Theatre & Shoddy Theatre present A Brief Case Of Crazy, York Theatre Royal Studio, today, 2pm & 7pm
INSPIRED by the timeless genius of Charlie Chaplin, Buster Keaton and Mr Bean,Rowan Armitt-Brewster, Samuel Cunningham and Lennie Longworth’s physical comedy A Brief Case Of Crazy is a silent love story with a very loud heart, told through slick choreography, mime, clowning and puppetry.
Meet Thomas, an awkward, introverted office worker with a quiet crush on his equally shy colleague, Daisy. His quest for love must contend with a boisterous boss named Simon and a rather bothersome briefcase that drags an awkward introvert into extraordinary events. Will his quest for love fail? Or will he discover that what’s on the inside counts most? Box office: 01904 623568 or yorktheatreroyal.co.uk. Age guidance: Five upwards.
Dominic Goodwin in a triptych of his myriad roles in Twice Nightly
Recalling variety’s golden days: Pyramus and Thisbe Productions present Dominic Goodwin in Twice Nightly, Friargate Theatre, York, tonight, 7.30pm
RYEDALE writer, performer and pantomime dame Dominic Goodwin is touring his first one-man comedy show, directed by York director and actor Thomas Frere.
Twice Nightly follows the story of struggling comedian Freddie Francis in 1956 as the final curtain hovers over variety. Many acts of the time are highlighted, including Norman “Over The Garden Wall” Evans (said to be an influence on Les Dawson) Stockton comic Jimmy James, wartime star Robb Wilton and the iconic Max Miller. Box office: York, 01904 655317 or ridinglights.org/friargatetheatre.
CMAT: Songs of identity, grief and beauty standards at Scarborough Open Air Theatre tonight
Coastal gig of the week: CMAT, Scarborough Open Air Theatre, today, gates 6pm
CMAT, alias Ciara Mary-Alice Thompson, burst on to the music scene six years ago with her debut single Another Day (KFC). The Dublin-born, County Meath-raised singer and songwriter has since released three bitingly humorous, emotionally honest albums, 2022’s If My Wife New I’d Be Dead, 2023’s Crazymad, For Me and 2025’s Mercury Prize-nominated Euro-Country, her exploration of identity, grief and beauty standards, exemplified by Take A Sexy Picture Of Me. Box office: scarboroughopenairtheatre.co.uk.
Stephen Webb’s Dr Frank N Furter in The Rocky Horror Show, doing the Time Warp again at the Grand Opera House next week. Picture: David Freeman
Musical of the week: The Rocky Horror Picture Show, Grand Opera House, York, July 20 to 25, Monday to Thursday, 8pm; Friday & Saturday, 5pm and 8.30pm
STEPHEN Webb leads the cast as Dr Frank N Furter on The Rocky Horror Show’s latest return to the Grand Opera House, joined by comedian Jackie Clune as the Narrator. Directed by Christopher Luscombe, Richard O’Brien’s outré musical tells the story of squeaky-clean American college sweethearts Brad and his fiancée Janet’s very frank encounters at the freaky doctor’s Transylvanian castle after their car breaks down.
Cue an adventure full of fun, frolics, frocks and frivolity, bursting with timeless songs and outrageous outfits as O’Brien combines science-fiction, horror, comedy and music while encouraging audience participation. Those audiences are sure to dress up in the most outrageous fancy dress. Box office: atgtickets.com/york.
Lenny Pearce: Techno for toddlers at York Barbican
Techno dance moves for children: Lenny Pearce, Toddler Rave World Tour Part 2, York Barbican, July22, 3.30pm
LENNY Pearce is a force in family entertainment, captivating a global audience as the pioneer of Toddler Techno. Driven from his passion as a father, and his strong commitment to his home life, Lenny makes songs and videos and performs live shows where he spins children’s favourites, remixed into modern hits that keep young ones and parents alike dazzled. Box office: yorkbarbican.co.uk.
Andrew O’Neill: Looking to Escape at Theatre@41, Monkgate, York. Picture: Andrew O’Neill
Fringe shows of the week: Halfway To Edinburgh at Theatre@41, Monkgate, York, presents Joe Sellman-Leava in Copycat (Work In Progress), July 23, 7.30pm; Andrew O’Neill: Escape, July 24, 8pm
DOES AI spell the end of humanity, or the dawn of a new utopia, ponders Fringe First winner Joe Sellman-Leava. He might be a technophobe, but he is determined to find out by using innovative design and a whirlwind of uncanny impressions to tell the story of a teacher, a student, and a copycat dictator to examine the links between art, fascism and rapid technological change.
HOW do we get out of this mess, asks cult comedian Andrew O’Neill in his surreal, political show, Escape, about the ways in which we disagree with each other, while suggesting some ways we can find our way out. Box office: tickets.41monkgate.co.uk.
Airline hostesses at the treble: Bethan Olliver as Gloria, left, Val Debenedetti as Gabriella Jorja Cartwright as Gretchen in Rowntree Players’ Boeing Boeing
Farce of the week: Rowntree Players in Boeing Boeing, Joseph Rowntree Theatre, York, July 23 to 25, 7.30pm
MARC Camoletti’s high-flying 1960s’ French farce Boeing Boeing is cleared for take-off in Hannah Shaw’s English-language production for Rowntree Players. Meet self-styled Parisian lothario Bernard, who has Italian, German and American fiancées, each one a beautiful airline hostess with frequent “layovers.”
He keeps “one up, one down, and one pending” until unexpected schedule changes bring all three to Paris, and to Bernard’s apartment, at the same time. Shaw’s cast features Max Palmer as Bernard, Lizzie Lawton as Robert, Rebecca Thomson as Berthe, Jorja Cartwright as Gretchen, Bethan Olliver as Gloria and Val Debenedetti as Gabriella. Box office: 01904 501935 or josephrowntreetheatre.co.uk.
Craig David: TS5 DJ set at York Racecourse Music Showcase Weekend next Friday
Outdoor concerts of the week: York Racecourse Music Showcase Weekend, Knavesmire, York, Craig David presents TS5, July 24, and Tom Grennan, July 25
SOUTHAMPTON singer-songwriter and DJ Craig David presents his TS5 DJ set on Music Showcase Friday’s double bill of racing and old-skool anthems, from R&B to Swing Beat, Garage to Bashment, plus current House hits, when he combines his song and MC skills.
Bedford singer-songwriter Tom Grennan is Saturday’s post-racing performer, drawing on such hits as Little Bit Of Love, Let’s Go Home Together, Remind Me, Here and How Does It Feel, plus songs from his number one albums Evering Road, What Ifs & Maybes and Everywhere I Went Led Me To Where I Didn’t Want To Be and top-five debut Lighting Matches. Tickets: yorkracecourse.co.uk; no booking fees; free parking on race day.
Tom Grennan: Performing next Saturday’s Music Showcase Weekend at York Racecourse
Stephen Webb’s Dr Frank N Furter in The Rocky Horror Show. Picture: David Freeman
STEPHEN Webb leads the cast as lascivious Dr Frank N Furter in The Rocky Horror Show’s latest return to the Grand Opera House, York, from July 20 to 25
Directed by Christopher Luscombe, Richard O’Brien’s outré musical tells the story of Brad and his fiancée Janet, two squeaky-clean American college sweethearts, who meet Dr Frank N Furter by chance when their car breaks down outside his creepy Transylvanian castle while on their way to visit their favourite professor.
Cue an adventure they will never forget, full of fun, frolics, frocks and frivolity, bursting with timeless songs and outrageous outfits as O’Brien combines science-fiction, horror, comedy and music while encouraging audience participation. Those audiences, by the way, need no encouragement to dress up in the most outrageous fancy dress.
The Narrator’s role will be played by actress, stand-up comedian, cabaret act, writer, drama lecturer, singerandtelevision presenter Jackie Clune, who played Mrs Lamb in the BBC sitcom Motherland.
She will be joined by James Bisp as Brad; Haley Flaherty asJanet; Ryan Carter-Wilson as Riff Raff; Laura Bird as Magenta/Usherette; Daisy Steere as Columbia; Morgan Jackson as Rocky and Edward Bullingham as Eddie/Dr Scott.
Completing the cast are Phantoms Jesse Chidera, Nathan Zach Johnson, Tyla Dee Nurden and Bethany Amber Perrins, plus on-stage swing/dance captain David Peter-Brown and on-stage swing/assistant dance captainLucy Aiston.
ProducerHoward Panter says: “This new cast brings an extraordinary energy and freshness to our legendary show. The thrilling mix of talent will continue to delight audiences across the country. The Rocky Horror Show is a guaranteed party night after night – it’s fierce, fearless and not to be missed!”
Stephen Webb’s Frank N Furter in doctor’s garb, centre, with fellow principals in The Rocky Horror Show. Picture: David Freeman
Here Stephen Webb discusses career ambitions, the challenges of playing sweet transvestite Dr Frank N Furter, his favourite costume and the Rock Horror phenomenon .
Was there a moment when you realised you wanted to be a professional performer?
“I was obsessed with John Travolta in Grease. I went to watch it in London when it first opened. I was obsessed. I thought, ‘I need to be in theatre’. That changed it for me really. I used to watch the film all the time.”
How did you react when you learned you would be playing Dr Frank-N-Furter?
“Well, I couldn’t believe it first of all. When I originally wanted to audition for Rocky, I thought I’d be up for Brad and then they said, ‘No, we want to see you for Frank’. When I got it, I was ecstatic! I couldn’t believe that I got this role. But in the next moment, I was really anxious because it’s such an iconic role. I just want to live up to the legacy.”
How do you bring your own twist to the role while honouring the legacy of past performances?
“I remember that Christopher Luscombe, the director, said, ‘We don’t want you to do an impersonation of Tim Curry, we want to see your version’, which actually settled me.
“I portray Frank using an American accent, instead of an English accent. Obviously, Frank’s costume is quite feminine,so I do inject an element of masculinity into my performance. My take on it is a little bit rough around the edges. The audience has mixed feelings about Frank, which I love. He is a lovable psychopath!
“Because the character was written during the ‘70s Glam Rock era, I take inspiration from David Bowie, T. Rex and Queen. But I always find something new every performance, which makes playing this role so exciting.”
What is your favourite part of performing as Frank each night?
“There are two moments. One is my entrance. I’m not on stage for the first 20 minutes and the audience are waiting for Frank to come on. There’s a big drum beat before I enter and I’ve got this big old cloak on.
“I walk down centre stage and sing ‘Sweet Transvestite’, whip off my cloak and reveal my crazy costume. The audience goes absolutely berserk for it. It doesn’t matter if I’ve had the worst day in the world – it goes away as soon as I’m on that stage.
“Another special moment for me is when you see the vulnerable side of Frank. It’s like he’s taken off his mask and you’re seeing the true side of him.”
Do you have a favourite audience interaction or reaction so far?
“There are loads of shouts throughout the show. The audience are very much part of the show; they are almost another character. I’ve heard pretty much all of them now, so they don’t tend to catch me out. When I’m talking to Rocky, when he first comes out, there are a few shouts that are quite rude, and I love them! I think they’re really funny.”
James Bisp’s Brad and Haley Flaherty’sJane in The Rocky Horror Show. Picture: David Freeman
What is the most challenging part of playing Frank, either physically or emotionally?
“It’s not wearing the heels – I absolutely love wearing those – it’s actually wearing the black corset because it doesn’t give. Singing and dancing in a corset means I must make sure that I eat and drink enough at the right time before doing the show, otherwise I struggle throughout the show.”
Do you have a favourite outfit on stage?
“My finale red sequin corset. I absolutely love it. It really fits me like a glove – and it changes colour. If you push it up, it goes black, if you push it down, it goes red.”
If you could keep one piece of Frank’s wardrobe for yourself, what would it be?
“I do a few scenes with a leather jacket with tassels on it. I’m a motorcyclist so would love to steal it and ride my bike wearing it!”
The Rocky Horror Show has been pushing boundaries for more than five decades. Why do audiences keep coming back after all these years?
“It’s a show that celebrates what it means to be different, to follow your dreams, like the song ‘Don’t Dream It, Be It’. There are amazing songs; I don’t think you could ever get bored with the ‘Time Warp’ or ‘Sweet Transvestite’! It’s got a lot of heart, it’s extremely funny, and it allows people to be part of it. There’s no other show like it.”
Do you have any pre-show rituals before stepping into Frank’s heels?
“I don’t really have any pre-show rituals but I do love make-up. Before Rocky Horror, I never liked using make-up, now I absolutely love it. As soon as I start putting the make-up and wig on, it transforms me, like I’ve got an alter ego!”
Finally, what do you hope audiences will take away from experiencing The Rocky Horror Show?
“I think everyone who comes will have fun. It’s unique, liberating, funny, fierce and sexy. It’s a brilliant night out where everyone can be who they want to be. It’s one great big party!”
The Rocky Horror Show, Grand Opera House, York, July 20 to 25, Monday to Thursday, 8pm; Friday & Saturday, 5pm and 8.30pm. Box office: atgtickets.com/york.Content warning: Rude parts. Age guidance: 12 plus.
The Rocky Horror Show: the history bit
BEGAN life in 1973 in front of an audience of 63 people in the Royal Court’s Theatre Upstairs, in Chelsea, London. Transferred to Chelsea Classic Cinema, then King’s Road Theatre, 1973 to 1979, and Comedy Theatre in the West End, 1979-80.
The Rocky Horror Show has enjoyed the longest continuous run of a contemporary musical anywhere in the world, being watched by 35 million people in more than 30 countries and translated into 20 languages.
Suzy McAdam’s Magenta, Lauren Ingram’s Columbia, Haley Flaherty’s Janet Weiss, Ore Oduba’s Brad Majors and Kristian Lavercombe’s Riff Raff in The Rocky Horror Show. Picture: David Freeman
Richard O’Brien’s Rocky Horror Show, Grand Opera House, York, until Saturday. Box office: 0844 871 7615 or atgtickets.com/York.
RICHARD O’Brien’s schlock-horror rock’n’roll musical comedy sextravaganza was let loose on an unsuspecting world on June 19 1973 at the 63-seat Theatre Upstairs in London.
Forty-nine years later, it has an undying cult status, one sustained in York on three-yearly pilgrimages to the Grand Opera House, where it plays to gleefully reunited devotees and wide-eyed new converts alike, breathlessly keen to undergo their rites of passage at O’Brien’s fantastical freak show.
Judged solely as a piece of musical theatre, it has been surpassed by Rent, Spring Awakening and Priscilla Queen Of The Desert, each better written and without the dip in quality of songs, momentum and storyline alike that nevertheless has never hindered Rocky Horror.
And yet, in our gender-fluid times, O’Brien’s musical has gained new wings with its themes of transvestism, freedom of self-determination and homosexuality, as well as the more timeless tropes of infidelity and loss of innocence.
Innocents abroad: Haley Flaherty and Ore Oduba as newly engaged Janet Weiss and Brad Majors. Picture: David Freeman
It does so with its tongue in its cheek, and everywhere else too, with its boldness in matters sexual and sartorial at odds with the global image of frigid, awkward, uptight Blighty, making it a kind of Weimar pantomime for adults.
Its story of a newly engaged, squeaky-clean American college couple, nerdy Brad Majors (Strictly champ Ore Oduba) and sweetheart Janet Weiss (Haley Flaherty) , losing their way in a storm and then their virginity under the seductive powers of castle-dwelling transvestite scientist, Dr Frank N Furter (Stephen Webb), is framed in a bravura send-up of horror and sci-fi B-movies, heightened by O’Brien’s raucous pastiche of Fifties’ rock’n’roll music.
In a show driven by song, set-piece, character and carnal pleasure, the plot can get away with being flimsy, with its unsubtle echoes of Frankenstein in Frank N Furter’s desire to create a new life in the form of the glitter-dusted, bodacious-bodied Rocky (Ben Westhead). What separates Rocky Horror from Rent, Spring Awakening and Priscilla is the glut of audience rituals that accompany performances.
In the city that loves to dress up for stag and hen parties and a Knavesmire day at the races, burlesque fancy dress is not only encouraged but pretty much obligatory, fishnets, pyjamas, Fifties’ waitress outfits and scientist coats, lipstick too, just as likely to be worn by men as women – and the ushers and usherettes too.
The Rocky Horror Show company at large on the 2022 tour
Rice, confetti, lighter flames and water pistols have been stripped from the audience’s repertoire of interjections by the safety mandarins, but now the lighters have made way for mobile phone torches, and the saucy shout-outs from the auditorium have become all the more prominent.
Indeed, they happen so much – usually orchestrated and time-honoured from shows past but still with room for the impromptu – that they are becoming like a procession. Oh, for some originality, please, York, in the off-the-cuff remarks, rather than inane crudity in the tradition of a drunken heckler.
To go with those audience customs is plenty of familiarity and continuity within the performing company – and indeed in the presence of Christopher Luscombe in the director’s chair once more for this typically swaggering production.
Kristian Lavercombe is clocking up his 2,000th performance as flesh-creeping servant Riff Raff on this tour; Haley Flaherty has plenty of mileage on her clock as prim prom queen-turned-minx Janet; Stephen Webb spun his “transsexual Transylvanian” Frank N Furter previously in York in 2019, and again he favours sensuality, grace and fruity decadence over camp excess.
Philip Franks: “Delicious devilry in his topical commentary”
The Narrator’s role – the lightning conductor to so much of the audience’s “scripted abuse” – has long been a celebrity vehicle, from the late Nicholas Parsons to comedian Steve Punt and the inevitable Stephen Fry. Now, Royal Shakespeare Company actor, theatre director and television regular Philip Franks is renewing acquaintance with blue smoking jacket and fishnets for the 2022 tour.
He has the golden voice and unflappable air to the urbane manner born, coupled with a quick mind for acerbic retorts, a gift for mimicry and delicious devilry in his topical commentary, whether on Prince Andrew or when sending up Blood Brothers, the Liverpool musical soon to return to the Grand Opera House. He knows just when and how to indulge any over-excitable audience contributions, but the instincts, timing and flourishes of a circus ringmaster always keep him one step ahead.
The pre-tour publicity has surrounded TV presenter Ore Oduba, whose Strictly Come Dancing triumph re-awakened his love for the stage from teenage days. After Teen Angel in Grease and Aaron Fox in Curtains, now he adds geeky American Brad Majors to his post-Strictly musical theatre repertoire. He sings with power, control and aplomb, applies just the right amount of caricature to his square character and looks the part in high heels, feather boas and underpants.
Bewildering to non-believers, like any cult, The Rocky Horror Show demands and rewards exuberant audience commitment from the Usherette’s first entrance, through Sweet Transvestite to The Time-Warp singalong finale, although a first-night altercation in the stalls was going too far over the top.
Review by Charles Hutchinson
Ore Oduba: Highly entertaining in high heels in The Rocky Horror Show. Picture: Shaun Webb
