Tag: Steve Nieve

Posted on

REVIEW: Elvis Costello & The Imposters, Radio Soul!, The Early Songs Of Elvis Costello, York Barbican, June 17 ***

Elvis Costello: Focusing on his early songs at York Barbican. Picture: Ray Di Pietro

ELVIS Costello likes to shuffle his considerable pack. 

In May 2013, at York Barbican, he wheeled out his gigantic vaudevillian contraption for his Spectacular Singing Book show, where The Imposters’ three-hour set list was decided by the spinning of a wheel with myriad song titles displayed on it.

In September 2024, he teamed up with his regular keyboards compadre, Paris-based Steve Nieve, for a two-day residency at Leeds City Varieties, playing two 75-minute concerts each night under the title of 15 Songs From 50 Years, each with a unique set list with no repetition, 60 songs in total.

What’s more, each concert concluded with a Ken Dodd cover version, in a nod to the City Varieties being renamed the Sir Ken Dodd Auditorium in honour of the Knotty Ash comedy legend. Costello had even written the tour announcement himself in the magniloquent style of Good Old Days host Leonard Sachs.

On Wednesday, Elvis was back in the Barbican building in a late addition to his Radio Soul! tour with its focus on revisiting, re-examining and reactivating “the Early Songs of Elvis Costello”. For “early”, it would not be controversial to say the “best songs”, the hit years of 1977’s My Aim Is True to 1986’s Blood & Chocolate.

The songwriting partnerships with Paul McCartney, Burt Bacharach and Allen Toussaint were still to come, and now 71, Costello has graduated to “national treasure” status, but you suspect he would prefer to be considered ‘ornery’ rather than ‘honorary’.

He arrives on stage at 8.45pm in dapper blue jacket, golden winklepickers, waistcoat, trademark glasses (blue-tinted) and a pork pie hat that he immediately discards, restless to crack on with bringing the past into the present with thrills, not frills, restless too to keep moving his players and himself around the stage.

He is playing to a seated audience, but the guitars are loud, Pete Thomas’s drums are punchy, and the sound mix is muddy and thudding, recalling his first Barbican appearance with The Attractions in November 1994, spoiled by the oppressive sound levels that night.  

It is not a problem blighting only his York Barbican shows: national newspaper reports of his June 15 show at the Royal Albert Hall commented on the same scenario with its impact on being able to decipher Costello’s familiar lyrics.

Costello has added Texan guitarist Charlie Sexton to the mix – looking the spitting image of David Bowie in Station To Station guise – but at first it was difficult to hear his electricity crackle with clarity. This Year’s Girl and Mystery Dance were murky, but an extended Watching The Detectives found Costello and band – all in black – hitting their stride.

Without being as extreme as Bob Dylan, Costello now has a habit of playing around with his vocal delivery and rhythm, Shabby Doll taking a while to become recognisable. Motel Matches, from 1980’s Get Happy!, reasserted itself as a country song precursor to 1981’s covers album Almost Blue; Just A Memory, the B-side to the sadly absent New Amsterdam, made a rare appearance, as did No Dancing from My Aim Is True.

Lover’s Walk, from 1981’s Trust, had a strutting bounce to it, but  (The Angels Wanna Wear My) Red Shoes was too ragged. The sound fared better whenever Costello took to the piano, where his characterful voice brought the blues to a slower, still soulful Everyday I Write The Book.

There was the unexpected as well as the expected, typified by A Face In The Crowd, the title track from his stage musical, but the absence of his political trilogy, Shipbuilding, Pills And Soap and Peace In Our Time, was both surprising and disappointing.

Charlie Rich’s Who Will The Next Fool Be and Heathen Town followed, the latter finding room for snippet of A Good Year For The Roses, a segue surpassed by Clubland accommodating Ghost Town, its state-of-the-nocturnal-nation marrow by The Specials.  

Costello’s humour was in fine form, from saying he only came up with Early Songs concept because he could not tour as “the late Elvis Costello”, or later introducing his skiffle pastiche Lovable as a tribute to The Beverley Sisters. Correction, “the Everly Brothers,” he quipped.

Alison was rough at the edges, but Less Than Zero set in motion the irresistible pumped-up home run of (I Don’t Want To Go To) Chelsea, Pump It Up,  (What ‘s So Funny ‘Bout) Peace, Love And Understanding and Oliver’s Army, riding the old New Wave with breathless exhilaration. No need for encores, Elvis left the building.

Elvis Costello & The Imposters’ set list at York Barbican, 17/6/2026

THIS Year’s Girl; Mystery Dance; Watching The Detectives/Help Me; Shabby Doll; Motel Matches; Just A Memory; No Dancing; Lover’s Walk; (The Angels Wanna Wear My) Red Shoes; Everyday I Write The Book; A Face In The Crowd; Who Will The Next Fool Be; Heathen Town/Good Year For The Roses; Lovable; Honey, Are You Straight Or Are You Blind?; Clubland/Ghost Town; Alison; High Fidelity; Less Than Zero; (I Don’t Want To Go To) Chelsea; Pump It Up; (What’s So Funny ‘Bout) Peace, Love And Understanding and Oliver’s Army.

Sharing a Moment: Elvis Costello and Emily Moment on the cover of Cruel Smile

Did you know?

ELVIS Costello’s support act at York Barbican, singer-songwriter Emily Moment, appeared alongside Elvis on the cover of Cruel Smile, his 2002 compilation album of B-sides and leftover material from his When I was Cruel sessions. “I used to go into the Virgin Megastore in New York and rearrange his albums with Cruel Smile at the front,” she told Wednesday’s audience.

Posted on

Elvis Costello adds June 17 gig at York Barbican to his Radio Soul! Tour, focused on songs from 1977 to 1986 early albums

Elvis Costello: Playing with The Imposters and Charlie Sexton on June 17 return to York Barbican. Picture: Ray Di Pietro

ELVIS Costello will return to York Barbican for the first time since May 2013 in the first of six new additions to his Radio Soul! Tour, alongside Liverpool, Glasgow, Manchester, Paris and Dublin.

Tickets for Elvis Costello & The Imposters with Charlie Sexton on June 17 will go on sale at 10am on March 6 at https://www.yorkbarbican.co.uk/whats-on/elvis-costello/.

Last time, Costello wheeled out his gigantic vaudevillian contraption for his Spectacular Singing Book show, where The Imposters’ three-hour set list was decided by the spinning of a wheel with myriad song titles displayed on it.

Now, in the company of The Imposters’ Steve Nieve, Pete Thomas and Davey Faragher and Texan guitarist Charlie Sexton, the focus will be on Radio Soul!: The Early Songs Of Elvis Costello.

As the playful billing suggests, Costello’s show will feature numbers drawn from record releases from My Aim Is True in 1977 to Blood & Chocolate in 1986, complemented by “other surprises”.

Those nine years saw the first appearance of such renowned Costello compositions as Watching The Detectives and I Want You, along with songs that have remained in The Imposters’ live repertoire for 20 or more years, Alison, Man Out Of Time and Brilliant Mistake, among them.

“For any songwriter, it has to be a compliment if people want to hear songs written up to 50years ago. Among them, Radio Soul, the first draft of what eventually became Radio Radio,” says Costello, now 71.

“You can expect the unexpected and the faithful in equal measure. Don’t forget this show is ‘Performed by Elvis Costello & The Imposters’, an ensemble which includes three people who first recorded this music and two more who bring something entirely new.

“They are nobody’s tribute band. The Imposters are a living, breathing, swooning, swinging, kicking and screaming rock-and-roll band who can turn their hands to a pretty ballad when the opportunity arises.”

These dates follow the Autumn 2024 release of King Of America & Other Realms, a six-CD  anthology that tells the story of his 1986 album, recorded with The Confederates,  and the music to which it led.

The King Of America songs are expected to be heard in the mid-show interlude, along with songs written as long ago as 1975 and even some of those “pretty ballads” that Costello has promised.

In September 2024, Costello brought his career-spanning presentation, 15 Songs From 50 Years, to Leeds City Varieties Music Hall for four unique performances over two days with regular Attractions and Imposters’ sidekick Steve Nieve by his side once more.

Costello selected from each of the five decades of his songwriting, whether solo or in the company of Flip City; American country rock band Clover; The Attractions; Squeeze’s Chris Difford; The Coward Brothers, with T-Bone Burnett; the Confederates; Paul McCartney; the Brodsky Quartet; The Imposters; Burt Bacharach, Allen Toussaint or the Roots.

Emily Moment, by the way, will be his special guest at June 17’s show.

Posted on

Elvis Costello to play 60 different songs over four gigs on two September nights with Steve Nieve at Leeds City Varieties

Elvis Costello: 60 songs from 50 years in four shows in two nights at Leeds City Varieties Music Hall in September

ELVIS Costello will bring his new career-spanning presentation, 15 Songs From 50 Years, to Leeds City Varieties on September 2 and 3 for four unique performances over two days.

Walking in the footsteps of Harry Houdini and beyond the long shadow of Charlie Chaplin, Frank Carson and Leonard Sachs at the Swan Street music hall, Costello will be joined at each 75-minute show by keyboard player Steve Nieve, his long-serving, Royal College of Music-trained  cohort in The Attractions and The Imposters.

Each day, the 7pm soiree will feature an entirely different repertoire to the 9.30pm set list, the songs being selected from each of the five decades of Costello’s songwriting, whether solo or in the company of Flip City; American country rock band Clover; The Attractions; Squeeze’s Chris Difford;  The Coward Brothers, with T-Bone Burnett; the Confederates; Paul McCartney; the Brodsky Quartet; The Imposters; Burt Bacharach, Allen Toussaint or the Roots.

A 15-song programme will be printed in advance of each concert with few, if any repeats anticipated but with the possibility of impromptu choices along the way. Costello. 69, and Nieve, 66, very occasionally take requests but should never be mistaken for a jukebox.

The third and fourth performances, on the second day, will “propose a deuce of delights”: two entirely different 15-song set-lists selected from half a century of popular songwriting craft.

“The four shows are guaranteed to feature 60 different songs, but we suspect this is just the start,” predicts the shows’ publicity machine.

Those who want to attend all four contrasting shows in this exclusive engagement can obtain a special season ticket to include premium seats for each show in the front rows or boxes with exclusive use of the bar in between shows.

Tickets go on sale on Friday (22/3/2024) at 10am at ElvisCostello.com. Don’t dilly dally, advises the press release, lifting a lyric from Costello’s anti-war single Pills And Soap, released under the pseudonym of The Imposter in the run-up to the 1983 General Election.