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Navigators Art to participate in 2023 York Festival of Ideas with triple venture of art, music & words and film projects. UPDATED with Richard Kitchen interview 26/5/2023

Mapped Head 1, by Nick Walters, from Navigators Art’s Hidden Treasures exhibition for the 2023 York Festival of Ideas

YORK creative collective Navigators Art & Performance are contributing a three-part project to the 2023 York Festival of Ideas, inspired by the festival theme of Rediscover, Reimagine, Rebuild.

The trio of shows and events celebrates rarely seen works in York Art Gallery, books in the city library and intriguing aspects of York life and culture that people might not notice from day to day or even be aware of.

For Hidden Treasures, five artists have sought out unfamiliar but inspiring aspects of York, reinterpreting them in their own way for an exhibition to be hosted by York Explore Library and Archive, in Museum Street, from May 27 to July 6.

Katie Lewis uses textiles and other media to reflect the story behind Thomas Baker’s Crazy Kate in the Treasures from the Stores collection at York Art Gallery.

Nick Walters animates and illuminates on screen the textures of John Davies’s Mapped Head 1, as observed by fellow characters from other works in the collection.

Peter Roman explores the library’s treasures, using collage, paint and typography to delve into the world of books and finding lyrical inspiration from York wordsmiths along the way.

Richard Kitchen switches from his trademark collage format to the camera, pairing it with manual and digital tools to reveal jewel-like qualities in city streets, walls and other surfaces.

Timothy Morrison summons the spirits of Vladimir Tatlin and Greg Curnoe to reveal an artist’s perspective on everyday objects through a variety of materials.

Entry will be free during normal library opening hours. More information can be found at: https://yorkfestivalofideas.com/2023/throughout/hidden-treasures/

Navigators Art’s poster for the Living Treasures performance at The Basement, City Screen Picturehouse, York

On June 10, Navigators Art writers, musicians and performers present Living Treasures, an evening of original music and words at The Basement, City Screen Picturehouse, Coney Street.

For this 7.30pm celebration of secrets of York life and culture, from folk, punk and poetry to fine art via the city streets, they have sought out “hidden treasures” to reinterpret in song and spoken word.

Musical performers include members of the White Sail alt. folk band, Navigators’ composer Dylan Thompson, singer-songwriters Miri Green and Cai Moriarty and up-and-coming York band The Corsairs.

For more information and bookings, head to: https://www.eventbrite.com/e/living-treasures-tickets-621690722687

The poster for Navigators Art’s screening of Martin Nichols’ film There’s Another Country at City Screen Picturehouse, York

In Navigators Art’s third festival event, Brighton director Martin Nichols’ film There’s Another Country will be shown at City Screen Picturehouse on Sunday, June 11 at 11am.

Nichols’ kaleidoscope of post-Brexit Britain unearths parallel traumas in public and private lives while simultaneously anticipating a rediscovery of the radical transforming spirit of 1945 in the immediate aftermath of the Second World War.

For more information and bookings, visit: https://www.picturehouses.com/movie-details/018/HO00012927/there-s-another-country

Here CharlesHutchPress discusses all things Rediscover, Reimagine, Rebuild with Navigators Art co-founder and artist Richard Kitchen

How did you hit on the tripartite format for this event, Richard?

“Originally, we envisaged an exhibition based on York Art Gallery’s Treasures From The Store collection of rarely seen art works, hence our title Hidden Treasures. Our artists would reinterpret some of those works in their own way to suit the festival theme of Rediscover, Reimagine, Rebuild. We also planned a performance art, music and movement event to take place in the gallery itself.

“We were very pleased that York Explore offered to host the exhibition as we’d been wanting to show something there for some time. As it happened, the gallery said they’d be in mid-changeover so we had to change tack. We expanded the brief beyond York Art Gallery to include works of literature and physical aspects of York itself.

“This will also be the basis for the performance event, which will now be on stage in The Basement at City Screen. Again, the performers have created new work based on a rediscovery of something unfamiliar about York that inspired them.

“The film came along a little later and although it isn’t based on York it is very much about rediscovering aspects of the past and how they inform the present both personally and politically.”

How did the partnership with York Festival of Ideas come to fruition?

“I’ve always enjoyed the festival and its range of events. I wanted Navigators to be involved to round off our first 15 months of activity. This year’s theme appealed, so I drafted a proposal for our involvement, which they accepted. We’re very proud to be part of it and they’ve been very accommodating of changes we’ve had to make as our plans developed.”

How does the festival theme of Rediscover, Reimagine, Rebuild resonate with the aims of Navigators Art & Performance?

“In all sorts of ways! Variously, our artists have rebuilt careers, reinvented themselves and how they work, and pursued new directions in life as well as art.

“As a group we’ve achieved extraordinary things from very little. Having no physical studio to work in and no funding, we’ve had to seek out places in which to show our work.

“The StreetLife project, in Coney Street, was a milestone for us and helped put us in the centre of artistic activity in York. I think we’ve shown people how much can be done with imagination and enterprise.

“It’s been about giving ourselves permission to do something when no-one else will. I’d say that has positive implications for society and how it might change for the better.”

York band The Corsairs: Playing the Living Treasures bill at The Basement, City Screen Picturehouse on June 10

York is full of hidden treasures! Is that an inevitable problem for a city so rich in history or a joy when such a treasure is put on show and prompts an artistic response?

“Not a problem at all, unless the focus (and public funding) is always on the same high-profile things. Art and culture in this city are alive and well and there’s a lot going on, but it’s not all about tourist attractions and the well-heeled establishment.

“Anything that communicates beyond the heritage trail, makes an impact on the average resident and encourages all levels of society to engage with creative activity is a blessing. Our group seeks out and celebrates the less obvious and tries to make such things more accessible and better appreciated.”

Who put together the June 10 event. How were the Living Treasures acts chosen?

“Some of them appeared last November at our Coney St Live Jam event for StreetLife and impressed us enough to ask them back. We knew they’d be able to come up with new work based on the themes and we’ve given them more space this time to show what they can do.

“One of them actually chose themselves: The Corsairs cheekily advertised in our visitors’ book last December and I liked their attitude. They turned out to be a very exciting discovery. Then we reached out to a few writing and other creative groups to encourage under-represented performers to get involved.”

How did you discover the film There’s Another Country?

“It’s directed by one of my oldest friends, Martin Nichols. After many years exploring familial and social issues in writing and film, he’s found the perfect vehicle for his concerns. It’s highly original in style and while moving and beautiful, it’s also highly critical, irreverent and angry.”

What would a York version of that film look like?

“It’s not ‘about’ any particular place. Its range of reference encompasses a 1913 Welsh mining village, the Second World War, a suburban town in the 1970s and recent anti-government demonstrations in London. It’s pretty universal. A York version would just have the Minster in the background!”

What’s next for Navigators Art?

“We’ll be compiling our next collection of pictures and words for the York Zine Fest in July. We’ll have a spot at the York River Art Market in August and then a short and well-deserved rest before our next show at Micklegate and Fossgate Socials. Nothing concrete for next year as yet but we’re already getting involved in some major plans.”

Navigators Art & Performance: the back story

ESTABLISHED in 2019, this group of York creatives has expanded to a collective of 12 artists, writers, performers, musicians and a composer.

Their mission is to work with community groups and projects, to enhance and creatively interpret their activities for as wide an audience as possible.

In January 2023 they completed a three-month residency at the StreetLife hub in Coney Street, York, presenting a large-scale exhibition and a charity fundraising performance.

They encourage enquiries from potential collaborators, particularly those who are less established or underrepresented, via navigatorsart@gmail.com; likewise head that way for sales and commissions.

Keep an eye on Navigators Art on Instagram and Facebook at: @navigatorsart.

Detail of interior window, Huntington, by Richard Kitchen, from the Navigators Art exhibition at York Explore Library and Archive

UPDATE: 12/6/2023: What was the reaction to Living Treasures and There’s Another Country?

“WE have had the most extraordinary weekend,” says Navigators Art co-founder Richard Kitchen. “Mark Nichols’ film, a kaleidoscope of post-Brexit Britain, generated a passionate discussion with the audience at City Screen Picturehouse.

“Saturday’s Living Treasures in The Basement at City Screen sold out. The performers were tremendous and the more experimental improvised pieces involving musicians from very different backgrounds, ages and experiences worked superbly well.

“The audience loved it and we’ve been offered a regular spot at The Basement. We actually have plans for a fluid Navigators ‘big band’ to work up some pieces for performance, such as ambient pieces, songs, spoken-word interactions and experimental collaborations.

“It felt very special and inspiring and perhaps the beginning of a unique venture in York.”

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Navigators Art artists follow up Coney Street intervention with Helmsley Arts Centre and City Screen shows

Ana Alisia, Big Issue Seller, by Peter Roman, from the Navigators Art exhiibition at StreetLife

YORK collective Navigators Art will conclude the extended run of their mixed-media exhibition at StreetLife’s project hub in Coney Street, York, on Sunday.

The 13 artists taking part in Coney St Jam: An Art Intervention will hold a sale of works on Saturday, when artists will be on site to meet visitors from 11am to 5pm.

Meanwhile, seven Navigators Art artists are exhibiting at Helmsley Arts Centre from this week to March 4 in a follow-up to last spring’s City Screen Picturehouse exhibition, Moving Pictures, and a further exhibition is to be held at City Screen from March 19 to April 22.

Drawing inspiration from the city’s rich heritage and vibrant creative communities, the StreetLife project explores new ways to revitalise and diversify Coney Street, York’s premium shopping street but one blighted with multiple empty premises.

In a creative response to Coney Street’s past, present and future, Navigators Art have made new work designed to enhance and interpret StreetLife’s research for a project involving the University of York, City of York Council, Make It York, My City Centre, York Civic Trust, York Music Venues Network and Thin Ice Press.

On show are paintings, drawings, collages, photography, textiles, projections, music, poetry and 3D work. Entry to the exhibition space is accessible by one set of stairs. 

Taking part are Steve Beadle, figurative painting and drawing; Michael Dawson, mixed-media painting; Alfie Fox, creative photography; Alan Gillott, architectural and scenic photography; Oz Hardwick, creative photography, and Richard Kitchen, collage, abstract drawing, prints and poetry.

So too are Katie Lewis, textiles; Tim Morrison, painting and constructions; Peter Roman, figurative painting; Amy Elena Thompson, prints and tattoos; Dylan Thompson, composer; Simon AG Ellwood, sculptures, and Nick Walters, painting, video and sculpture.

“The arts are essential to public, cultural and personal wellbeing, despite efforts to ignore, undermine, underfund and generally devalue them to a shocking and highly unintelligent extent,” says Navigators Art co-founder Richard Kitchen.

“The arts should be central to every decision-making process in government and to education at every level.

Artwork by Amy Elena Thompson at StreetLife, Coney Street, York

“In the times we’re living through, we need creative solutions on a gigantic scale, and we need the sheer energy of the arts to help us survive and adapt. Those things aren’t going to be provided by bureaucracy or petty squabbling between political parties.

“I’d say give artists the kudos they deserve and let us help to turn things around. Pay us. Give us space to work in: let us use those empty buildings! Art isn’t just about old monuments. There are many living artists in York who could successfully take on social responsibilities because of the nature of what they do. We’re an asset to the city and should be valued and promoted as such.”

Richard continues: “Make Coney Street a flagship enclave for creatives and independent small retailers and an affordable, inspiring resource for the public to enjoy.

“That’s something we provided when we were based at Piccadilly [Piccadilly Pop Up] and we came to realise more and more how much that environment meant to people and benefited them. Offer that on a much wider scale and we’ll see real change for the better in society.”

Mixed-media artist Michael Dawson’s work is an homage to “all the words that poured out of Coney Street”, conjured since his move from Edinburgh to York last January. “I generally make dense, vibrant paintings and images on paper, wood, and canvas with mixed media, mainly acrylic and oil paint sticks,” he says.

“They often combine expressionistic, graphic and romantic elements that may be considered ‘outsider’ in style. Some are simple in layout, and some are busy and complex, but all have an air of the confessional; they are deeply personal.

“However raw the composition, I do always strive to bring poetry and aesthetics to the mix. My connection to the theme of ‘printing’ is ‘words’; words that once sprang from the Yorkshire Herald newspaper and words that continue to help define a new era for the area.” 

Peter Roman likes to “use everything” in his works, not only oils, acrylics, pastels and charcoal, but even a repurposed cupboard door and a chipboard for his painting of Big Issue seller Ana Alisia.

“It features the issue I bought from her that day, using paper from that edition, the one with Alan Ayckbourn on the front,” says Peter.

“Ana is always on the corner of Coney Street and Market Street, and she’s there pretty much every day. I moved out to Elvington three years ago, but when I come into York, she’s still there, and she’s always smiling.

“When I talked to her, she told me she’s originally from Rumania and now lives in Leeds.”

Torrents Willow Herald Speak, by Mike Dawson

Amy Elena Thompson, who studied illustration at York St John University, is presenting prints and tattoo designs rooted in the history of the now-demolished George Inn at Number 19, Coney Street, where Charlotte and Anne Bronte once stayed.

“I was interested in seeing how I could use designs from there in my own practice, given how decorative they were and how similar they were to tattoos, which I’m hoping to get into as a career, starting with an apprenticeship, working with a tattooist as my mentor to pass on the necessary knowledge.”

Amy’s research led her to learning about an artist who provided illustrations for coaching inns, depicting both the buildings and the life on the street.

Favouring 3D designs in her work, Amy uses calligraphy pens. “You have to think about the pressure you apply with them, like you do with a tattoo, but it gives  a natural flow to each work.”

Participating in the Moving Pictures II show at Helmsley Arts Centre are Kai Amafé, prints and 3D work; Steve Beadle, paintings and drawings; Michael Dawson, paintings; Richard Kitchen, prints and collages; Katie Lewis, textiles and paintings; Timothy Morrison, constructions, and Peter Roman, paintings.

“The title Moving Pictures is deliberately open to interpretation by the audience as well as the artists,” says Richard.

“Looking ahead, we hope to be working with York Archaeology in 2023 and are planning a series of themed events in and around the city.”

Coney St Jam: An Art Intervention by Navigators Art, at StreetLife Project Hub, 29-31 Coney Street, York, is open 10am to 5pm, Thursday to Saturday, 11am to 4pm, Sunday. Free entry.

Navigators Art’s Moving Pictures II exhibition runs at Helmsley Arts Centre until March 3; open Tuesdays, Wednesdays and Fridays, 10am to 3pm; Thursdays, 11am to 3pm, as well as during event opening times. Artist Richard Kitchen will be stewarding an 11am to 3pm opening on Sunday, January 15. Admission is free.

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Navigators Art’s art intervention Coney St Jam goes on show at StreetLife project hub

A collage of artwork from Navigators Art’s Coney St Jam: An Art Intervention exhibition at StreetLife’s project hub in Coney Street, York

TWELVE artists from York collective Navigators Art are opening their mixed-media exhibition at StreetLife’s project hub in Coney Street, York, this evening (17/10/2022).

Drawing inspiration from the city’s rich heritage and vibrant creative communities, the project explores new ways to revitalise and diversify Coney Street, York’s premium shopping street but one blighted with multiple empty premises.

In a creative response to Coney Street’s past, present and future, Navigators Art have made new work for StreetLife, designed to enhance and interpret its research, under the title Coney St Jam: An Art Intervention.

On show from today to November 19 will be painting, drawing, collage, photography, textiles, projections, music, poetry and 3D work. Entry to the exhibition space is accessible by one set of stairs. 

Taking part are: Steve Beadle, figurative painting and drawing; Michael Dawson, mixed-media painting; Alfie Fox, creative photography; Alan Gillott, architectural and scenic photography; Oz Hardwick, creative photography, and Richard Kitchen, collage, abstract drawing, prints and poetry.

So too are: Katie Lewis, textiles; Tim Morrison, painting and constructions; Peter Roman, figurative painting; Amy Elena Thompson, prints and tattoos; Dylan Thompson, composer, and Nick Walters, painting, video and sculpture.

A painting by Nick Walters at Navigators Art’s Coney St Jam show

Here, CharlesHutchPress puts questions to Navigators Art co-founder, artist and poet Richard Kitchen.

How did the exhibition come about?

“I heard talk of this project rather belatedly in April this year. After our Moving Pictures show at City Screen and providing art for York Theatre Royal’s Takeover Festival, I was looking for a community project the group could really get to grips with and actively support.

“I rather cheekily offered our services to the StreetLife project leaders and, after a bit of convincing, they agreed to let us devise an exhibition for them.”

What relationship have you established with StreetLife?

“A very good one. They were a bit wary at first, as we hadn’t been part of the initial set-up, but we convinced them we were genuinely interested in the project and wanted to interpret and enhance their research and findings creatively for a wider audience. That’s one of our missions as Navigators Art. This isn’t just another art exhibition!

“They’ve been really helpful with practical arrangements, allocated us a budget and agreed to let us put on an evening of live performance in aid of the homeless to mark the end of the show on November 19. That’s going to be very exciting.”

Torrents (Willow Herald Speak), by Michael Dawson, from Coney St Jam

In turn, what relationship have you established with project participants University of York, City of York Council, Make It York, My City Centre, York Civic Trust, York Music Venues Network and Thin Ice Press?

“The project leaders are all from the university, so we’ve got to know them, and also Bethan [cultural development manager Bethan Gibb-Reid] at Make It York. We’re not directly involved with the other agents as such, but we’re all part of the same enterprise and hopefully we can continue to develop existing relationships and make new ones.

“Collaboration is what we’re all about, now and in the future. Making project-specific and even site-specific work has been a very positive creative challenge, from which we’ve all learnt something, and we’re looking forward to further opportunities.”

How do you foresee the future of Coney Street?

“It’s in an interesting state of flux. I can’t speak for the StreetLife project itself or even fellow artists, but personally I regret that a future seems securable only through the involvement of giant property developers.

“I wish a more grassroots solution could be sought and found. But the Helmsley Group’s plans are on show to all at the StreetLife hub in Coney Street and there are public feedback forms by way of consultation.

“It looks positive enough, with provision for new green spaces and so on; I just hope it’s not all about financial interest at the expense of those who live here, or about economics over culture and wellbeing. Naturally, I’d love to see a cheap, Bohemian cultural quarter there, but I doubt that’s top of the agenda!

“Whatever the plans, serious thought needs to be given to social issues such as the question of accessibility. If the street is to be traffic-free, it also has to be accessible to all. The present system of bollards means that some people are unable to use the street at all. That doesn’t make sense.”

An exhibit by Tim Morrison, purveyor of paintings and constructions

How much should the past of Coney Street feed into its future?

“Its past was very much involved with the river, and future plans include developing the river area as a public space and retying lost connections between the river and the street in general. The thriving, lively street of yore is a model for what it may become again. And no future is sustainable without a foundation in history.

“The past can be celebrated and kept alive. It doesn’t have to be enshrined as a museum piece; certainly not one that people have to pay to enjoy! That’s something artists can offer.

Who should be taking the lead in envisioning the future? Looking at that list of who’s involved already, how do you establish joined-up thinking?

“That’s a question for them rather than us, I think. We’re only putting up some pictures! But all walks of life and all sectors should be having an equal say. I don’t think any of those groups is acting independently of the others. There is consultation, including with the developers.”

Where do the arts and art fit into that future?

“The arts are essential to public, cultural and personal wellbeing, despite efforts to ignore, undermine, underfund and generally devalue them to a shocking and highly unintelligent extent. The arts should be central to every decision-making process in government and to education at every level.

“In the times we’re living through, we need creative solutions on a gigantic scale and we need the sheer energy of the arts to help us survive and adapt. Those things aren’t going to be provided by bureaucracy or petty squabbling between political parties.

Ana Alisia, Big Issue Seller, by Peter Roman

“I’d say give artists the kudos they deserve and let us help to turn things around. Pay us. Give us space to work in: let us use those empty buildings! Art isn’t just about old monuments. There are many living artists in York who could successfully take on social responsibilities because of the nature of what they do. We’re an asset to the city and should be valued and promoted as such.

“Make Coney Street a flagship enclave for creatives and independent small retailers and an affordable, inspiring resource for the public to enjoy. That’s something we provided when we were based at Piccadilly [Piccadilly Pop Up] and we came to realise more and more how much that environment meant to people and benefited them. Offer that on a much wider scale and we’ll see real change for the better in society.”

What else is coming up for Navigators Art? Are you any closer to finding a new home?

“From January to March next year, some of us will be exhibiting at Helmsley Arts Centre, and we’ll be at City Screen again in March and April. We may be involved with Archaeology York’s Roman dig next year too.

“We’re eager to take on future community projects and commissions. We’re all artists in our own right but collectively we’re about much more than making and selling. We want to make a difference to the city and its people.

“We’ve grown from being just Steve Beadle and myself in 2020 to a trio last spring with Tim Morrison, and now we’re 12, including writers and musicians, as well as visual artists. The group is fluid, though, and we won’t all be involved in every venture. Some will come and go, others will join.

“Many of us have jobs and families and we’ve all worked on this show voluntarily, but I think we can continue to match the size of the group to the size of the project. Clearly, we’re not going to find one home for all and that’s fine. It would be wonderful to have a studio identity but we don’t have the funds for it at the moment.

Cavern, by Richard Kitchen, from Navigatgors Art’s show in Coney Street, York

“Others are welcome to join us any time. Steve and I want to develop the other strand of Navigators Art’s mission statement, which we started at Piccadilly Pop Up last year: to mentor young and under-represented emerging artists. Not everyone at Piccadilly shared that vision but I think we’re better prepared to do it now.

“Apart from anything else, we’d like to shake things up a bit culturally for ourselves. The initial longlist for Coney St Jam artists was quite diverse, but for health-related and other reasons we’ve ended up with a bunch of mostly white males. We’re working on that!”

Coney St Jam: An Art Intervention by Navigators Art, at StreetLife Project Hub, 29-31 Coney Street, York, opening tonight, 6pm to 8pm; then 10am to 5pm, Monday to Saturday, except Wednesdays; 11am to 4pm, Sundays. Free entry.

Free tickets for tonight can be booked via https://streetlifeyork.uk/events/coney-st-jam-navigators-art-exhibition-launch-and-press-night

A live performance event on November 19, from 7pm to 10pm, will mark the end of the show.

What is StreetLife?

FUNDED by the UK Government Community Renewal Fund, StreetLife explores new ways to revitalise and diversify Coney Street, drawing inspiration from York’s history, heritage and creative communities and involving businesses, the public and other stakeholders in shaping the future of the high street.

The project is led by the University of York, in partnership with City of York Council, including Make It York/My City Centre, York Civic Trust, York Music Venues Network and creative practitioners, such as Thin Ice Press.

The poster for Navigators Art’s art intervention at StreetLife