Tag: Suzy Cooper

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Berwick and panto crew will be all at sea in Robinson Crusoe And The Pirates Of The River Ouse at Grand Opera House

Five mates on the River Ouse: Grand Opera House pantomime stars David Leonard, left, Martin Barrass, Suzy Cooper, dame Berwick Kaler and AJ Powell. All pictures: Charlie Kirkpatrick

EVEN after five decades of pantomayhem, York dowager dame Berwick Kaler is still setting himself new challenges at 76.

“I’ve never done a Robinson Crusoe pantomime, and now I’m discovering why!” jokes the writer and director of…Robinson Crusoe And The Pirates Of The River Ouse, his third pantomime for the Grand Opera House following his crosstown transfer after 41 years at York Theatre Royal.

Dame Berwick and his regular crew launched this winter’s sea-faring adventure at the Cumberland Street theatre at Wednesday’s press day, where perennial sidekick Martin Barrass, villainous David Leonard, golden principal gal Suzy Cooper and luvverly Brummie AJ Powell completed York pantoland’s infamous five once more.

Why tackle Robinson Crusoe now, Berwick? “I’m blaming Martin Dodd,” he says, attributing his 2023 choice of pantomime to the managing director of UK Productions, producers of the Grand Opera pantomime for a second year.

“Sometimes, when you think, ‘why’s he doing that?’, it turns out to be a brilliant show,” says Berwick Kaler as he prepares to turn Robinson Crusoe into a pantomime for the first time

“He caught me off-guard, which made me say ‘I’d like to do something a bit different this year’, and somehow that became Robinson Crusoe! But I’ve no regrets about taking it on. It’s a challenge, and fortunately I’m still up for it.”

Dig deeper and another reason emerges for Berwick’s panto pick. As with Dick Turpin, whose life ended in a flash white suit and a noose around his neck on the Tyburn gallows on April 7 1739, Robinson Crusoe has his York connections. Turpin and his horse Black Bess have twice stood and delivered in a Kaler pantomime, most recently in his Grand Opera House debut, Dick Turpin Rides Again, in 2021.

As for Robinson Crusoe, the lead character in Daniel Defoe’s 1719 tale of adventure and survival was born in York in 1632 to a middle-class upbringing. The son of a German immigrant, his surname Crusoe is an anglicised version of Kreutznaer, an amalgam of his parents’ surnames.

That much we know, but as for the rest of Crusoe’s York story, the cupboard is bare, says Berwick. “We only know that Robinson Crusoe was shipwrecked, not how his story began [in York] or how he got to the island,” he notes.

Who will panto villain David Leonard be playing in Robinson Crusoe And The Pirates Of The River Ouse? How the devil should he know!

Cue Kaler coming up with his nod to Johnny Depp’s swashbuckling Caribbean capers in his title, Robinson Crusoe And The Pirates Of The River Ouse, for the story of “the sailor from York who finds himself marooned on a desert island…but he’s not alone”.

Who will be these “Pirates of the River Ouse”? Wait and see, but just as Berwick’s 2011 Theatre Royal pantomime, The York Family Robinson, bore little relation to its 19th century source material, Swiss army chaplain Johann David Wyss’s The Swiss Family Robinson, so Berwick will find a framework for his partners in panto in a nautical setting.

For research, “I’ve re-read the story, and when I was going through some old VHS tapes I was throwing out, I found the old Peter O’Toole film, which I’ve now watched,” he says.

Have crew members David, Suzy, Martin and AJ ever read Defoe’s story? “No, but I remember the TV series,” says David. “No, but I remember the TV series,” says Martin, breaking into the theme tune. “And I know Crusoe set off from Hull [Martin’s home city].”

“We have an identity as ‘the crazy gang’,” says Suzy Cooper

“I’m the only one with a character name so far,” says AJ. “I’ll be playing Luvverly Jubberly, which I only found out from Berwick just before the press launch.” And no, he has never had Robinson Crusoe on his bookshelf.

You can imagine David Leonard’s villain in swaggering piratical garb in the Adam Ant meets Captain Hook style, but who might that character be? “I haven’t the faintest idea who the baddie is,” he admits, still in the dark about his latest venture to the dark side.

“I don’t yet know who I’ll be playing, but I don’t think I’m playing the fairy,” says Suzy, another member of the non-Robinson Crusoe reading club.

“What’s important, even more so now, is that we are family – performers and audience – and people want to celebrate that. We make those connections each year; they make them with us and with each other and that’s why Berwick’s pantomime works.”

“People will say to us, ‘we’ve booked for such and such a night’, and then they’ll say, ‘by the way, what’s the title?’,” says Martin Barrass

Berwick and co are enjoying the partnership with UK Productions. “They let us get on with it,” says Suzy. “They found that it worked last year [The Adventures Of Old Granny Goose) and they’re happy to let us do that again, saying that they’d never seen a pantomime like ours!

“They know that we have an identity as ‘the crazy gang’. What they get when they get us is they’re buying into the history of who we are and what kind of pantomime we do.”

Berwick chips in: “They’re not used to someone ad-libbing, even at rehearsals, but what I’m doing is always trying to find a better line.”

Suzy rejoins: “It must be a very tough job for whoever is on the book each performance, because the cue will come, but they really have to listen because the dialogue will change every day!”

AJ Powell: Definitely playing Luvverly Jubberly in Robinson Crusoe And The Pirates Of The River Ouse

The same applies for the signer doing the sign language, prompting Martin to recall: “When I was dressed as a seal one year, standing next to the signer, I remember saying, ‘oh, signed and sealed’!”

Also confirmed for the cast is the returning Jake Lindsay, along with Henry Rhodes, who once appeared as a bairn in a Kaler panto at the Theatre Royal and has been starring in the musical Newsies this year.

AJ Powell, by the way, has been filming for the latest series of Father Brown, “doing a bit of ballroom dancing,” as he puts it.

Come rehearsal time in November, Robinson Crusoe and those pirates will be heading for ship shape and York fashion. “Berwick hates the constraints of traditional pantomime and he’s in his element when he’s creating,” says Suzy.

Shipwrecked! Robinson Crusoe And The Pirates Of The River Ouse pantomime stars David Leonard, left, AJ Powell, Martin Barrass, Suzy Cooper and dame Berwick Kaler land on the Grand Opera House stage at Wednesday afternoon’s launch in York

“He does like to use these random titles,” says AJ, recalling 2016’s Dick Whittington And His Meerkat, for example.

“Sometimes, when you think, ‘why’s he doing that?’, it turns out to be a brilliant show,” says Berwick, as he adds Robinson Crusoe And The Pirates Of The River Ouse to that list. 

“We often find people don’t care what the show title is; they just want to come and see us as they always have,” says Martin.

“People will say to us, ‘we’ve booked for such and such a night’, and then they’ll say, ‘by the way, what’s the title?’.”

Robinson Crusoe And The Pirates Of The River Ouse will run at Grand Opera House, York, from December 9 to January 6 2023; tickets are on sale at atgtickets.com/York.

Launch date: Robinson Crusoe And The Pirates Of The River Ouse panto stars Martin Barrass, left, Berwick Kaler, Suzy Cooper, David Leonard and AJ Powell announce their return by the Grand Opera House stage door

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Dame Berwick and his crew all at sea as they launch Robinson Crusoe piratical pantomime for Grand Opera House

Messing about on the river: Dame Berwick Kaler, AJ Powell and David Leonard spot an incoming Grand Opera House pantomime. Picture: Charlie Kirkpatrick

AT 76, York’s grand dame of pantomime, Berwick Kaler, is never too old to try something new.

After 41 years in his big boots and misbehaving wig at York Theatre Royal and now newly confirmed for a third season following his crosstown transfer to the Grand Opera House, he will write, direct and star in Robinson Crusoe for the first time.

Or, to give this “swashbuckling panto adventure” its full title with a nod to a certain Johnny Depp film franchise, Robinson Crusoe & The Pirates Of The River Ouse will be afloat from December 9 to January 9 2024.

Martin Dodd, pantomime producer for UK Productions’ second year at the Cumberland Street theatre, says: “Following last year’s success with The Adventures Of Old Granny Goose, we are delighted to return with another legendary Berwick Kaler pantomime in York. Ahoy me hearties…grab your tickets quick!”

Those tickets – £13 and upwards – will go on sale to ATG TheatreCard and Groups Presale today (March 23) from 10am and on general sale from tomorrow (March 24) at 10am in person at the box office or at atgtickets.com/york.

Dame Berwick and fellow piratical panto hearties David Leonard and AJ Powell launched Robin Crusoe in suitable costume in the Tuesday morning rain aboard a City Cruises self-drive boat, steered by comic sidekick Martin Barrass, making an impromptu appearance in his civvies.

Only regular co-star Suzy Cooper was not on board, but she too has been confirmed as part of the crew for the famous-in-York five’s winter return.

Laura McMillan, theatre director for the Grand Opera House York, says: “We are delighted to welcome Berwick and the wider family back this year for what will certainly be a swashbuckling family adventure. The Berwick panto is a York tradition, and we can’t wait to welcome audiences to the theatre.”

What can they expect? Dame Berwick as writer? Tick. Director? Tick. Dowager dame? Tick. The dame’s name and role? How she fits in? Er, nothing decided yet, although any variation of “Mrs Crusoe” is the odds-on favourite.

“But there definitely won’t be a Man Friday,” he says of the slave character from Daniel Defoe’s 1719 seafaring tale, The Life And Strange Surprizing Adventures Of Robinson Crusoe, of York, Mariner.

“You’ve got to get round that. I’m not ‘woke’, but for 50-odd years we’ve never insulted anybody. If we like to take the mick, we take it out of ourselves, but when you get to adapt fairy tales – or a novel, like this one – there’s a lot you have to change.”

What is promised, to quote the Grand Opera House press release, is an “hilarious take on the classic story of the sailor from York who finds himself marooned on a desert island, but he’s not alone”. Expect a “captivating tale of magic, mayhem and misunderstanding”…and mystery at this stage, because Dame Berwick’s panto is among the very first in the UK Productions stable to be announced for 2023/24.

Martin Barrass takes the wheel on the City Cruises self-drive boat as fellow Grand Opera House pantomime stars Berwick Kaler, AJ Powell and David Leonard launch Robinson Crusoe And The Pirates On The Ouse. Picture: Charlie Kirkpatrick

“Man Friday isn’t necessary to the story, and I’m used to changing things anyway. I’ve always done that in my pantomimes, changing names, or the plot, to give it some spontaneity, to make it something different.

“The problem for pantomime is that if you make it ‘woke’, it just won’t be funny, I promise you.”

The challenge is to make it work, not make it woke. “To do that, it’s about playing to the strengths of the cast, how they play their characters each year. I still have my imagination and it’s a young imagination for my age, and that’s vital for panto,” says Dame Berwick.

“We love to make it a little different, but at the same time, I don’t think anyone would go away from having ‘He’s behind you!’ in there, but we even change that a bit.”

In the first instalment of Defoe’s nautical trilogy, Robinson Crusoe introduces himself thus: “I was born in the year 1632, in the city of York, of a good family, tho’ not of that country, my father being a foreigner of Bremen, who settled first at Hull.”

Defoe’s  hero does not stay long in York, however, the call of the sea soon luring him to his shipwrecked fate. “In my story, I have to decide how far does he get up the Ouse before he meets the pirates,” says Dame Berwick.  What about Hull, the book’s starting  point. “No, not in our panto!”

Kaler’s pantomimes are no stranger to taking to the waters, whether in Dick Whittington or 2011’s The York Family Robinson or indeed the many bygone years of water slapstick for Dame Berwick and Barrass.

Will water slapstick or aquatic mishaps make a Kaler panto comeback? “You’ll be the first to know,” says Dame Berwick. “I’ve got to get water into it somehow, so I think you will see water, but I’m governed by the commercial pantomime producers and the space.

“To do a proper water scene, you do need the whole of the floor to be covered.  At the minute, I’m trying to get them to do something new and hopefully get a rocking cabin on the stage.”

Perennial panto villain David Leonard was dressed in a rather dandy wig for the City Cruises launch. “It’s a pirate theme, so they thought, ‘let’s have me looking like Captain Hook, AJ like Smee and Berwick as…well, looking like a ‘Mona Washboard’,” he says of that familiar harassed washer woman look.

As for his role, details are sketchy because Kaler will be writing “from scratch”. “He’ll be someone tall, a 6ft 3 ponce in a wig,” David speculates. “And evil,” says dame Berwick. “Oh yes, very evil.”

“Luvverly Brummie” AJ Powell has set his sets high. “I’m hoping for the title role this year. Robinson Crusoe,” he says. “But he never appears. He’s only spoken of,” jests David. “A bit like Berwick’s Mrs Fitzackerley, always mentioned but never seen!”

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Dame Berwick’s panto, The Adventures Of Old Granny Goose, is on the home straight

Berwick Kaler’s dame, Mrs Plum-Duff, in The Adventures Of Old Granny Goose. Picture: David Harrison

DAME Berwick Kaler, David Leonard, Martin Barrass, Suzy Cooper and AJ Powell are into the final week of their second pantomime at the Grand Opera House, York.

The Adventures Of Old Granny Goose ends on Sunday in Berwick’s first variation on a Mother Goose theme since his Millennium pantomime, Old Mother Millie, at York Theatre Royal.

“That one gave me a panic attack,” he admitted. “There was no story, and it wasn’t based on a fairytale. To my surprise, we ended up being the only theatre doing a millennium-based panto!”

No such palpitations this time: Berwick completed his script by 6am on December 1, giving the writer, director and dowager dame plenty of rehearsal time to hone it with his regular team.

“It will either work or it won’t, but I still feel as fit as a fiddle, though I can’t jump through any more windows, but we make sure routines are properly done,” he said that day.

“I’m ageing up for the part,” joked Berwick, 76, as the Old Mother turned into the Old Granny. “I just think we can have a lot of fun with the audience about getting older. They know my age, Martin and Suzy’s age, playing my son and daughter, so each year I make them younger,” he says.

Surrounded by familiar faces, Berwick does have one new factor this year: the role of UK Productions as the Grand Opera House panto producers for the first time. “They’re the second largest panto company in the country, and they do know the history of our pantomime,” he says.

No Covid restrictions, no masks, means Berwick can revel in interaction with the audience once more. “Last year, we could only hear the laughter, not see the smiles,” he said. “But this year, I can go down the steps from the stage, get out to the audience, and I’m only interested in doing the show if I can still do that because there has to be ad-libbing.”

The Adventures Of Old Granny Goose runs at Grand Opera House, York, until Sunday. Performances: 2pm and 7pm, Thursday, Friday and Saturday; 1pm and 7pm, Sunday. Box office: atgtickets.com/York

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REVIEW: Dame Berwick Kaler in The Adventures Of Old Granny Goose, Grand Opera House, York, until January 8 2023 ***

Flagging, but not flagging: York pantomime dowager dame Berwick Kaler in regal attire for The Lambton Worm song sheet, from County Durham, at the Grand Opera House. All pictures: David Harrison

THIS is as much The Misadventures Of Old Granny Goose as The Adventures of the aforesaid ageing old bird.

Berwick Kaler and his ex-York Theatre Royal gang are back together, re-grouping like The Rolling Stones or the Friends cronies to recall the old hits – Berwick and a dummy, Berwick flying (twice), Berwick and a pool with powers that take years off his dame and, above all, Berwick going off-piste, off script – for the faithful.

Those moments, at liberty to ad-lib, are the ‘misadventures’, the ones that most delight, Berwick wandering off to the stage apron to take in the audience with mischief in his eyes, Berwick apologetically and rough-handedly correcting his misplaced stage spot, Berwick making a political jibe, Berwick winding up his fellow regulars and teasing his ensemble newbies.

What’s fresh this year? The Grand Opera House, the comeback dame’s adopted panto home for a second year, has undergone a refurbishment, new seating et al; the panto has new producers, UK Productions, overseeing costumes (an upgrade on last year), set design (standard panto scenery, smart, proficient, no York detailing) and lighting (hi-tech with a dash of pop-concert glitz).

Unspeakable dummy: Berwick Kaler’s Mrs Plum Duff and Martin Barrass’s Jessie try to work a truculent Boris Johnson in the ventriloquism scene in The Adventures Of Old Granny Goose

What else? Lovely fairy lights adorning the proscenium arch; a welcome revamp of the stock ghost scene with beds disappearing and reappearing and a host of ghosts; puppy-keen Jake Lindsay’s upgrade to a more prominent role as Jakey Lad, still the butt of Berwick’s putdowns after a decade in the ranks.

And what’s more? The three lads in the dance ensemble (Spencer Hardy, Elliot OJ Hutchinson and dance captain Samuel Lithco) aping Matthew Bourne’s all-male chorus in a brief burst of Swan Lake,  plus ensemble debuts for Leeds-trained Lucy Churchill and Niamh Hendron, and a new intake of children from York Stage School for babbies’ sweetness in ensemble scenes.

What’s old this year? The Grand Dame, of course, sending himself/herself up at 76, aware that unlike his character, Mrs Plum Duff, the Granny Goose of the title, he cannot turn back panto-time by taking a magical pool dip. 

Instead, the drama-queen dame mock-collapses at the end of big number Barmy Girl in mock-exhaustion, play acting as he demands to be helped up. He adamantly says he can’t deliver his lines any faster when urged to do so and deliberately turns his balletic flight landing into an inelegant tumble.

Old Mother Goose steps: David Leonard’s Lucifer Nauseus, centre, AJ Powell’s Brum Stoker, left, and Suzy Cooper’s Cissy, second from right, in a song-and-dance routine with ensemble Villagers

What’s the (lack of!) plot this year? Well, no, Berwick hasn’t lost the plot, but it’s brief. Or, correction, devilish David Leonard’s dandy villain, the goose-fearing Lucifer Nauseus, says it is. He has to find a fairy. That’s it. The plot.

Well, like on an allotment, there’s plot aplenty, or at least by writer-director Berwick’s infamous plot-resistant standards, there is. But yes, in essence, the villain must find a fairy to do his evil bidding for him. Oh, and the dame has to be under the misconception that the Goose is a dog.

What ticks over this year? Kirsty Sparks’s choreography; Rob Thorne’s band, and especially Berwick’s double act with comic fall guy Martin Barrass (dippy son Jessie Plum Duff), partner in the ghost scene, The Lambton Worm song sheet, and rocking-chair ventriloquism routine with Boris Johnson as the dummy.

That Tory old boy scene defines the dip in madcap mayhem since peak Kaler years, being laboured (not Laboured, unlike this pun), where it needs to make more of Johnson’s blustering vocal schtick and boot him with sharper barbs about his mendacious character.

Old Granny ghost: Jake Lindsay and a friendly ghost at play

What works best this year? No surprises. Leonard’s fab-u-lous vainglorious villainy, with his devil’s swishing tail that turns into a phone, his stage-vamping swagger, that Shakespearean lead thespian voice and his comic timing. Everything done with aplomb amid the Plum Duffs. 

His rendition of Lou Reed’s Perfect Day with first Suzy Cooper, then AJ Powell, is the show’s comic high point, anything but a perfect day, but witty and physically funny too.

What about Cooper and Powell this year? On good form, principal gal Suzy doubling up as both a classic Fairy and plummy Cissy Plum Duff, who is all doe-eyed over Powell’s would-be novelist, Brum Stoker (the pick of Kaler’s cast names for 2022).  

What’s missing this year? The film; the water splosh scene; old-school physical slapstick; topical references (save for yesterday’s men, Johnson and Matt Hancock), and an animal costume for Barrass.

Helping hands: A play-acting Berwick Kaler’s no longer super-annuated Mrs Plum Duff needs a lift from Elliot OJ Hutchinson’s Villager, left, and Jake Lindsay’s Jakey Lad after the dame’s big musical number

What replaces them? The jousting banter between the familiar players; the greater emphasis on song and dance (Leonard going from one song immediately into another); the comforting constant sense of nostalgia for Dame Berwick devotees.

The Adventures Of Old Granny Goose does not lay a golden egg of cracking comedy but is more of a curate’s egg, sunny side up at times, flat as a pancake on occasion. There is more than enough for the loyal legions, not enough for new converts.

“We’ve never, ever taken you for granted,” said Dame Berwick at the finale, both grateful and hopeful of a return. After all, this Kaler – and his goose – on the loose is not the oldest dame in town this Christmas.

A certain Sir Ian McKellen’s Caroline Goose, aged 83, is in residence in Mother Goose at the Duke of York’s, London, from tonight (15/12/2022) until January 29, then on tour until April 1.

“Hope you will return,” they sing: The walkdown finale in golden costumes with Berwick Kaler’s Mrs Plum Duff orchestrating the closing song

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‘That’s why there’ll be no retirement,’ vows Dame Berwick as Old Granny Goose steps up for adventures at Grand Opera House

Dame Berwick Kaler, playing Mrs Plum-Duff in The Adventures Of Old Granny Goose at the Grand Opera House. Picture: David Harrison  

GRAND dame Berwick Kaler will step on a York stage on Wednesday for the first time since Covid ruled him out of the last week of his comeback show, Dick Turpin Rides Again, last December.

Last winter had marked his crosstown transfer to the Grand Opera House after four decades at York Theatre Royal, bringing his trusty cohorts, vainglorious villain David Leonard, spring-heeled comic stooge Martin Barrass, golden principal gal Suzy Cooper and “luverly Brummie” AJ Powell, along for the ride.

Roll on a year, and all the team are back once more after protracted contract negotiations for 49 performances of The Adventures Of Old Granny Goose, Dame Berwick’s 42nd York panto.

Some things have not changed: at 76, and five years on from his double heart bypass operation and having his pacemaker fitted – or “Gerry” as he calls it – Dame Berwick is still directing the show, as well as performing the dame’s role, Mrs Plum-Duff this year.

He completed writing the script at 6am last Thursday, as close to the “deadline” as ever for rehearsals at a new location for 2022, Theatre@41, Monkgate.

“I have to say the management has been as good as gold,” says Dame Berwick. “I’ve ended up by concentrating on what I consider good old-fashioned pantomime values, so I’ve put the emphasis on the verbal exchanges.”

Other things have changed, however. Last year’s partners in the Grand Opera House pantomime, Qdos Entertainment/Crossroads Live, have made way after only a year for UK Productions, whose musical theatre shows and pantomime play across Britain and Ireland, London’s West End, mainland Europe, Turkey, Malta, Malaysia and New Zealand.

Berwick, meanwhile, has suffered the loss of his partner, David Norton, after 40 years together. “It’s the loneliness. Suddenly you’re alone,” he says of the grief he has experienced. “We couldn’t have got this show on if I didn’t have the team around me. There’s no way I could have done it otherwise.

“I’ve lost a way of life,” he reflects. “I have to do everything now. There are two dogs [spaniels, should you be wondering]; they’d go out two or three times a day with David, so they were always looked after during my pantomime commitments.

“Now I’ve had to bring my sister and her husband up from Ilkley to look after them, let them out, during Old Granny Goose, and they’re in their 80s.”

Berwick’s weight has dropped to nine and a half stone, his face and legs thinner at 76. “I’d always been around 11 stone. That was my fighting weight for pantomime,” he says. “I can’t afford to lose any more.”

High fives: Berwick Kaler, centre, reunites with regular partners in panto Martin Barrass, left, AJ Powell, Suzy Cooper and David Leonard on stage at the Grand Opera House. Picture: David Harrison

He once said he lost as much two stone during those long, long pantomime runs at York Theatre Royal, an endurance test of heavy costumes and even heavier workloads when three performances a day were not uncommon over weekends and the festive holidays in bygone days.

The fighting spirit still burns inside, coupled with the need to entertain, to savour the roar of the crowd. “If I can get through this year, then I can get through anything in life,” says Berwick.

He may have vowed to retire at 70 or after 40 years of pantomimes, settling for the second route out, but he quickly regretted that decision. “I still think I can give people a laugh, and I think this show will be a laugh,” he says.

“I’ve always worked, and anything I’ve got, I’ve always worked for. I’ve just worked and worked from the age of 15 [when he headed from Sunderland to London to be a painter and decorator]. I still need that fix of performing every year – and I’m feeling fit.”

As for the content of The Adventures Of Old Granny Goose, Dame Berwick says: “I hope you think the humour is all natural. I take the mick out of myself about my age, like when I do this Barbie Girl number – I’m calling it ‘Barmy Girl’ – where I collapse at the end.

“The good thing is that we can all take the mick out of each other on stage after all these years, and audiences love that.

“But there’ll be no mention of Covid or the hardships that people have had to go through. They don’t want that right now.

“Mind you, it’s so difficult, especially now in these woke times, when I’ll write something that I don’t think will offend anyone, but then someone says, ‘you can’t say that’. Though I’m all for woke progress, it’s suffocating comedy.”

Slapstick will still play its part. “I can do some lovely slapstick, like a decorating scene, making Martin do all the physical stuff!” says Dame Berwick. “But I can’t throw buckets of water. That’s just not practical anymore.  When you ‘move house’ [to the Grand Opera House], you have to adjust.

“But I’ve still got sections in the script where I’ll go down the steps to the stalls to banter with the audience. That was something we really missed under Covid restrictions.”

Dame Berwick wants to continue tapping into the inner child, the one devoid of a sense of embarrassment when throwing off the shackles of English reserve in pantoland.  “That’s why there’ll be no retirement. I’ve had one very big retirement and that’s it,” he says. The boots with one yellow lace, one red, are not ready for hanging up.

Berwick Kaler in The Adventures Of Old Granny Goose, Grand Opera House, York, December 10 to January 8 2023. Box office: 0844 871 7615 or atgtickets.com/york.

Copyright of The Press, York

The poster for Berwick Kaler’s second pantomime at the Grand Opera House, The Adventures Of Old Granny Goose
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Goose on the loose as pantomime box office opens for the return of the ‘Famous In York Five’ at Grand Opera House

Just the ticket: Berwick Kaler, left, Martin Barrass and David Leonard launch box-office sales for The Adventures Of Old Granny Goose at the Grand Opera House, York. Picture: David Harrison

THEY’LL be back. All of them. Not only Dame Berwick Kaler, dastardly David Leonard and luvverly Brummie AJ Powell, but comic stooge Martin Barrass and principal gal Suzy Cooper too in The Adventures Of Old Granny Goose.

The Famous In York Five will resume pantomime business after all at the Grand Opera House after the initial pantomime ticket-launch press release left out Martin and Suzy, saying only that “further casting will be announced soon.”

“I was just finalising my contract through my agent,” clarified Martin after Wednesday’s meet-and-greet with the loyal queue that had begun forming at 3.40am outside the Cumberland Street theatre’s box office. “It was the same with Suzy, who doesn’t use an agent and does her own negotiations.”

Neither Suzy, nor AJ, was present on Wednesday but Dame Berwick, Martin and David pressed the flesh, then met the press to discuss their second year at the Opera House after their crosstown move from York Theatre Royal.

“I’m so glad Suzy will be back because I think she’s going to give us a run for our money as she’ll be playing two parts,” said Berwick.

Suzy Cooper as Donna Donut in Dick Turpin Rides Again last winter. Picture: David Harrison

“I gave you that idea,” interjected David. “She’s the fairy but she’s also my daughter and I don’t know she’s a fairy,” Berwick ploughed on. “Yes, that was my idea,” insisted David.

After last winter’s Dick Turpin Rides Again was produced by Crossroads Pantomimes [“the world’s biggest pantomime producer”], the Opera House panto has switched to new producers, UK Productions [“one of the country’s leading producers of musical theatre and pantomime, both nationally and internationally”].

“They’re a very good company, good on costumes and design, and they have The Kite Runner opening on Broadway,” said David.

“They’re a nice company, like a family,” said Berwick. “They were full of praise for the work we’ve done in pantomime, and I say ‘we’ because I had one discussion with Martin [producer Martin Dodd], where he thought he could easily find a replacement for one cast member…

“Martin!” interjected David. Berwick’s tongue had been in his cheek until this point, but he turned more serious to emphasise: “They’d come to York, and l’d said to them, ‘you can’t put a price on that rapport and how we’re just ordinary actors who’ve built up a reputation, and you can’t put a price on the way we work together. It’s taken us years’.

The Grand Opera House pantomime queue meets David Leonard, Berwick Kaler and Martin Barrass at Wednesday’s box-office launch. Picture: David Harrison

“I think the audience wouldn’t accept not having us in the show, and these Grand Opera House shows wouldn’t have happened without us all being in them.”

Berwick misses having a trapdoor for its potential comic mayhem, but describes the Opera House as “a great theatre for pantomime”. “It’s a joy to play here,” said David. “I love the vista of the seating,” said Martin. “That massive sweep of stalls, dress circle and grand circle. It’s like the West End theatre of York, and there are no bad seats.”

Covid restrictions prevented Kaler and co going walkabout in Dick Turpin Rides Again. “We couldn’t go down the steps for Covid-safety reasons,” said Berwck. “But hopefully that will be different this year.”

“The band had to be under the stage last time so that we weren’t spitting on them, but all being well they’ll be back in view in the pit.”

Berwick will be in triple threat mode once more at the age of 76 [his birthday falls on October 31], writing and directing the show as well as playing the venerable dame. Already he is bouncing script ideas off David and Martin and, as for the directorial role, he said: “I don’t have to do that much with this lot, so I can concentrate on the chorus and anyone new, if we have a ‘guest’ join us.

Berwick Kaler in the “Eric Sykes Bar” at Wednesday’s launch day for The Adventures Of Old Granny Goose

“They’re all family in the ensemble and they all want to come back. They had a good time with Dick Turpin Rides Again and they want another good time.”

Last winter’s pantomime played to audiences advised to wear masks. “You stopped thinking about it because you got used to it, and it didn’t affect the laughter,” said Berwick.

“I decided not to mention Covid because what would have been the point? There’s nothing funny about it.

But what I will do is never get away from being edgy in what I say on stage, though I will never insult anyone’.” Martin and David act out their mock surprise at this comment, but maybe ‘jests’ is a better word than ‘insults’ for Kaler’s adlibs and asides.

“You’ve never taken the easy line of picking on someone in the audience for what they’re wearing,” noted David.

Pantomime stars Berwick Kaler, centre, Martin Barrass and David Leonard reunite for playful pantomime japes at the Grand Opera House. Picture: David Harrison

“We’ve always taken the mick out of ourselves instead,” said Berwick. “But no in-jokes; there’s no place for those.”

Kaler and co last staged Mother Goose in 2014-2015 at York Theatre Royal under the title of Old Mother Goose. “I want it to be different. I don’t want it to be Old Mother Goose again,” said Berwick.

“Or even Mama Goose?” said David. “It’ll be The Adventures Of Old Granny Goose,” said Berwick. “The parents can tell their bairns, ‘yes, there will be a goose in it’. ‘Yes, there’ll be an old Mother Goose in it’. ‘Yes, there’ll be a goose egg in it’, but after that, leave me alone to come up with ideas.”

Whereupon Berwick, Martin and David started to recall their past encounters with Mother Goose, like the one with the motorised duck with a life of its own and…

“I remember in the first Mother Goose, we had an 8ft goose that we had to hide from the audience,” recalled Martin. “So, we put a pair of dog’s ears on it!”

The Adventures Of Old Granny Goose will run at Grand Opera House, York, from December 10 2022 to January 8 2023. Box office: 0844 871 7615 or at atgtickets.com/York

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‘I’m definitely doing it!’, says York panto star Martin Barrass. ‘See you at Opera House’

Berwick Kaler and Martin Barrass, pictured in last winter’s Dick Turpin Rides Again

YORK pantomime star Martin Barrass WILL be in this winter’s Grand Opera House show, he says.

Dame Berwick Kaler’s perennial comic sidekick has posted a reassuring message on social media after his name was missing from those confirmed for The Adventures Of Old Granny Goose’s run from December 10 2022 to January 8 2023.

The familiar team of dowager dame Kaler, dastardly villain David Leonard and “luvverly Brummie” AJ Powell have been signed up by the Ambassador Theatre Group theatre’s new pantomime producer, UK Productions, but yesterday’s press release made no reference to either Barrass or principal golden gal Suzy Cooper. “Further casting will be announced soon,” the announcement concluded.

This prompted spring-heeled Barrass to bounce back on social media: “I’m definitely doing it! Worry not! I think there was a blip in the publicity dept methinks. Either that or they’ve never heard of me lol. See you at the Opera House for the GRAND LAUNCH 13th April at 10!!”

Yesterday’s announcement stated Kaler and Leonard would be on hand at next Wednesday’s ticket sale launch.

The official confirmation on Barrass’s panto participation is awaited. Likewise, whether Suzy Cooper will or will not be returning.

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Dame Berwick is back in The Adventures Of Old Granny Goose but could his pantomime team be broken up at Grand Opera House?

Grand Opera House return for Dame Berwick Kaler, pictured in last winter’s Dick Turpin Rides Again

DAME Berwick Kaler will pull on his big bovver boots for his second Grand Opera House pantomime, but will his “Famous In York Five” reunite?

The grand dame, 75, definitely will be joined in The Adventures Of Old Granny Goose by indomitable villain David Leonard and ‘luvverly Brummie’ AJ Powell, but two fellow regulars in the Kaler panto fixtures and fittings are yet to be confirmed. Or not.

“Further casting will be announced soon” is the official line. Watch this space for news of Kaler’s perennial sidekick, Martin Barrass, and principal golden gal Suzy Cooper as the Grand Opera House pantomime moves on to a new producer, UK Productions, after only one year under the Crossroads Pantomimes umbrella.

Dame Berwick and dastardly David will be on hand to launch ticket sales at the Cumberland Street theatre from 10am on Wednesday, April 13.

“I can’t wait to welcome Me Babbies and Bairns back to the Grand Opera House,” enthused Kaler, Britain’s longest-running dame. “But be warned – I’m under the not unreasonable delusion that I’m far too young to play a granny! So, brace yourself to expect the unexpected.”

Last December, Kaler returned to the York pantomime stage for the first time since February 2019, writing, directing and starring as dame Dotty Donut in Dick Turpin Rides Again alongside Barrass, Cooper, Leonard and Powell in their debut Grand Opera House panto.

Unlike so many pantomimes, they navigated the winter Covid wave without losing any performances or principal performers until the final week when both Kaler and Barrass had to step down after testing positive (despite experiencing no symptoms). In came Scotsmen Alan McHugh and Jack Buchanan, from the His Majesty’s Theatre, Aberdeen, pantomime cast, to play dame and stooge respectively.

Kaler had exited the York Theatre Royal pantomime stage bereft after 40 years, announcing The Grand Old Dame would be his farewell, but soon regretted his retirement decision, even more so after writing and co-directing the 2019-2020 show, Sleeping Beauty.

Pantomime villain David Leonard: Launching ticket sales for The Adventures Of Old Granny Goose with Berwick Kaler at the Grand Opera House on April 13

Dame Berwick and co duly signed up for Qdos Pantomimes’ new partnership with the Grand Opera House in January 2020 in the most sensational crosstown transfer since Denis Law swapped Manchester United for Manchester City in 1973.

The pandemic put a spoke in Dick Turpin’s planned return ride in 2020, and Qdos Pantomimes had been taken over by Crossroads Pantomimes by the time the show did go ahead last winter.

Now, Berwick will be back once more, presenting his second ageing variation on a Mother Goose theme after Old Mother Goose at York Theatre Royal in December 2014. It is yet to be confirmed if it will still be a traditional Kaler triple-threat show as star, writer and director or whether UK Productions will shake up the formula, not only in the casting but in the production team too.

In the meantime, the Grand Opera House publicity machine invites you to “discover for yourself why Berwick and his team have become a true rock of family entertainment over many decades with their hilarious anarchic approach to pantomime. It’s wonderfully madcap and is truly enjoyed by all ages. You may not remember the plot, but you will remember the laughs during the winter months.”

Producers UK Production have presented Christmas pantomimes across Great Britain for nigh on 30 years. During the 2022/23 season, they will produce 11 pantomimes of their own and provide productions to around another 30 nationwide.

Producer Martin Dodd said: “It is truly a privilege to be working with the legendary Berwick Kaler and his co-stars, including the deliciously devilish David Leonard and the lovely Brummie AJ Powell with further casting to be announced.

“I really am excited to be presenting this fabulously unique and much-loved pantomime that is as much a part of the York Christmas tradition as Turkey (or Goose!) and stuffing. We can promise a cracking good show full of laughter, music, and mayhem”.

The Adventures Of Old Granny Goose will run from December 10 2022 to January 8 2023. Next Wednesday morning’s general sale launch will be preceded by Priority TheatreCard Membership tickets from Monday, April 11. Prices will start at £13 at atgtickets.com/York or on 0844 871 7615.

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Dame Berwick Kaler returns to York stage after three years as Dick Turpin Rides Again opens today at Grand Opera House

Leaping to it: Berwick Kaler is raring to pick up the pantomime reins from today in Dick Turpin Rides Again. All pictures: David Harrison.

AFTER two dress rehearsals in one day, York’s comeback dame, Berwick Kaler, plays to an opening pantomime crowd today for the first time since December 13 2018.

Much water has passed under York’s bridges since Berwick’s farewell 40th anniversary show, The Grande Old Dame Of York.

He exited the York Theatre Royal stage for the last time in trademark boots, unruly wig and walkdown frock on February 2 2019, that night saying he would “return like a shot” if he were asked to do so.

That return, delayed by a year by Covid’s theatre shutdown, goes ahead today at Berwick’s new pantomime home after a crosstown transfer, the Grand Opera House, as he resumes panto business with vainglorious villain David Leonard, bouncy comic stooge Martin Barrass, golden gal Suzy Cooper and “luverly Brummie” A J Powell in Dick Turpin Rides Again.

“I’ve always thought the Grand Opera House is a proper theatre, absolutely right for pantomime,” says Berwick, who has appeared on the Cumberland Street stage only once before, when he played the flamboyant Captain Terri Dennis in Peter Nichols’ musical comedy Privates On Parade.

“Dick Turpin is one of the most original pantomimes ever, and I’m so excited by it,” says Berwick Kaler

“It’s no good asking me anymore when it was; it was a long time ago. I used to have the poster hanging in my loo, the one with me saluting.”

Should you or Berwick be wondering, the year was 1996, and now, 25 years on, he is back there, retirement plans cancelled. “You’re not going to believe this, but when I retired, I’d retired, and I’ve not earned a penny on stage since then, so I was retired,” he says.

“But we got this offer from Qdos Entertainment [now taken over by Crossroads Live], the biggest pantomime producer in the business, and the thing is I knew I had to be in it this time, not just write it and direct it, which I did for Sleeping Beauty [in 2019-2020 at the Theatre Royal].

“I took up the invitation to return for Martyn, David, Suzy and A J because they’re great exponents of the art of panto, who should be on stage in York.”

Recalling his experience of working on Sleeping Beauty, Berwick says: “At that time, I had no yearning to go back on stage,” he says. “It was a little too soon to start missing playing the dame. Even when I went in for rehearsals, I didn’t want to get up and do it.”

The dame and the daft lad: Berwick Kaler and Martin Barrass reunite for Dick Turpin Rides Again

Later, he would say he regretted the decision to exit stage left. “But when we got the offer to return, at first, I wasn’t sure, but now, at this stage, having said yes, I believe I’m writing better than ever. I’ve got my brain back in gear.”

Panto villain David Leonard has noted how Berwick becomes a “different animal” once he pulls on the dame’s wig and frocks, his voice taking on its stage power too. At 75, four years on from heart bypass surgery, he says, “The thing is, we have to be careful because we can’t do the full-scale slapstick like before, but there can still be slapstick, and Dick Turpin is one of the most original pantomimes ever, and I’m so excited by it.

“It was a one-off when we did it before, as my 30th Theatre Royal pantomime, and it was one of these shows that forced you to really use your imagination. It’s been great to bring it back and work on creating a new version all over again.”

“The legend returns!”, declares the show poster: a reference as much to Berwick Kaler as Dick Turpin as 49 performances lie ahead, starting at 2pm today.

Crossroads Live presents Berwick Kaler in Dick Turpin Rides Again, Grand Opera House, York, today until January 9. Box office: 0844 871 7615 or at atgtickets.com/York.

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New home, familiar faces, as Berwick, David and co return in Dick Turpin Rides Again

Ride on time: AJ Powell, left, Suzy Cooper, Berwick Kaler, David Leonard and Martin Barrass return in Dick Turpin Rides Again. Picture: David Harrison

GRAND dame Berwick Kaler reunites with David Leonard, Martin Barrass, Suzy Cooper and AJ Powell from today at their new pantomime home of the Grand Opera House, York.

The Kaler comeback was delayed by Covid’s dark shroud, putting Dick Turpin Rides Again back in the stable for a year, during which panto producers Qdos Entertainment have been acquired by global entertainment company Crossroads Live.

Even more so now, this is a new beginning for the familiar team and their faithful followers. “What we want to do is get people back into the theatre, gathering together to have a jolly good laugh,” says villain David Leonard.

“Earlier this year, I did A Little Night Music at the Buxton Festival, and it was just lovely to see people having a pre-show drink, laughing and full of expectation of going to the theatre once more and being entertained. There was such a lovely buzz.

“That will be the case at the Grand Opera House, where we know it will be a family show because generation after generation have come to our pantomimes, and we’ve had such a response on social media, with people saying, ‘we’ve got our tickets, we can’t wait’.”

Leonard, Barrass, Cooper and Powell last performed together in Sleeping Beauty in the winter of 2018-2019, their Theatre Royal finale in a show written and co-directed by Kaler.

“Pantomime is a bit like a drug,” says David. “I miss it when I’m not doing it, like last year and when I was doing Matilda in the West End, though I’ve missed theatre in general too.

“Pantomime is a bit like a drug,” says David Leonard. “I miss it when I’m not doing it.” Picture: David Harrison.

“As [theatre director] Peter Brook said, people feel better after a show, and more so than ever this year, after the pandemic lockdowns, when people want to be together, being entertained by a live show, rather than sitting at home binge-watching Netflix.”

The “famous in York five” are delighted to be working together again. “It’s a good feeling,” says David. “When we did the launch, we hadn’t seen each other for over a year. There was Berwick, in his street clothes, chatting with the photographer, then I chatted to him, gave him a hug, and it was time to do the photoshoot.

“In those six minutes, as he put his ‘dress’ on, he becomes a different animal, the lord of misrule. I remember thinking, when he stopped after 40 years, ‘why are you retiring? You always played an old dame, even in your 30s’. Now you are the dame.’

“Berwick is witty, he’s a great ad-libber, and we revolve around his planet. He provides the energy; the drive; he has this natural performer gene, with his voice going up a notch as soon as he’s on stage.

“You can only sit at home for so long reading Dickens before wanting to get back on that stage. He’s still got that desire; he still wants to do it, even after three years of not performing. It’s natural to him, like breathing.”

Looking back at Sleeping Beauty, the pantomime with the Berwick-sized hole in the middle, David says: “Being a team, without him, it was, maybe not rudderless, but it was a different experience.

“Now Berwick’s back with his joshing, and Martin is so happy about that. As the villain, I have my own agenda, I don’t care who’s playing the dame!” You should note, at this point, his tongue is pushing deep into his cheek.

“Berwick is just himself up there, a bloke in a frock, and very few actors can do that,” says David Leonard. Picture: David Harrison

The production run for Dick Turpin Rides Again is much shorter than for the team’s long, long stretches at the Theatre Royal, and the rehearsal period is leaner too. “This time we have two and a half weeks of rehearsals, but I always felt we were twiddling our thumbs before, thinking, ‘we could probably get this on in a week because we know each other so well’; we have that shorthand,” says David.

Once praised by fellow dame Roy Hudd for “being the best dame because you play the dame as a man in a frock with no make-up”, Berwick has resumed the full reins at 75 as writer, director and grand dame.

“He sets the pace, and when you’re on stage with him, you have to be very disciplined, very solid, so that he can have some air around him to allow him to ad-lib, and Suzy and Martin know that better than anyone,” says David.

“Berwick is just himself up there, a bloke in a frock, and very few actors can do that. I can’t, Martin can’t, because we’re character actors, but he’s not afraid to be himself. He’s very honest about himself, who he is, and he’s not scared of showing that to the audience.

“That’s what people love about him; they really connect with him because he’s warm and genuine; he feels it inside, and you need that in the central character.”

Kaler and co first staged Dick Turpin in 2008. “Berwick said, ‘well, he’s a bit dark’, but I said, ‘make him a hero, good versus evil’,” recalls David. “I think it ended up being our most popular show, and yet it’s a completely original panto, like Berwick’s Millennium panto, Old Mother Millie, and Robinson Crusoe. I’m really glad he’s doing this one for his comeback.”

Dick Turpin Rides Again, Grand Opera House, York, December 11 to January 9 2022. Box office: 0844 871 7615 or at atgtickets.com/York

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