58 events, 35, locations, seven world premieres, one Bob Marley song, Ryedale Festival opens today. Highlights here

Mezzo-soprano Fleur Barron: One of six artists in residence at Ryedale Festival. Picture: Victoria Cadisch

IN the words of guest speaker Dame Sheila Hancock, “classical music thrills, comforts and amazes me. When I begin to lose faith in the human species, it reminds me what the best of us can do.”

“That seems a good motto for the Ryedale Festival 2024,” says director Christopher Glynn, introducing the programme of 58 events at 35 locations that begins today.

“Our aim at the Ryedale Festival is simple: to make North Yorkshire one of the best places in Europe to enjoy and encounter classical music, and to do it with a sense of vision and adventure.

“I look forward to welcoming audiences from near and far to enjoy internationally renowned performers this summer, from Angela Hewitt performing Bach to Sheku Kanneh-Mason playing Bob Marley – and all in beautiful Yorkshire locations.

“Just as importantly, the festival offers opportunities to hundreds of local young people and a platform for emerging talent, as well as breaking new ground with seven world/UK premieres. Above all, it’s a team effort involving thousands of people who all believe in the important and life-enhancing role that music can play in our communities.”

Dame Sheila Hancock: “Classical music is one of the biggest comforts and joys of my life,” she says. Picture: Neil Spence

Actress and author Dame Sheila, 91, will reflect on her life and introduce live performances of favourite works by Mahler, Dvorak, Shostakovich, Chopin, Tchaikovsky, Rachmaninov, Beethoven and Sondheim’s Sweeney Todd in My Music: An Afternoon With Dame Sheila Hancock at Duncombe Park on July 25 at 3pm.

“I love classical music. It’s my stabiliser,” says Dame Sheila, who will be joined by the Carducci Quartet, soprano Caroline Blair and interviewer Katy Hamilton. “It’s one of the biggest comforts and joys of my life. And I want everybody to have the opportunity of that – I really do. We need people to know that it’s for everybody.”

Violinist Rachel Podger: Troubadour Trail at St Oswald’s Church Filey (24/7/2024, 11am), Christ Church, Appleton-le-Moors (25/7/2024, 11am) and Church of St Michael and All Angels, Garton on the Wolds (26/7/2024, 3pm)

Pianist Angela Hewitt opens the festival tonight with an 8pm programme of Bach’s Partita No. 6 in E minor, Beethoven’s Moonlight Sonata, Scarlatti’s Three Sonatas and Brahms’s Variations and Fugue on a Theme by Handel at Church of St Peter and St Paul, Pickering.

The festival has no fewer than six artists in residence: international horn player Felix Klieser, who was born without arms and taught himself to play with his feet; trailblazing guitarist Xuefei Yang, whose musical journey began at a time when the guitar was banned as an “hooligan” instrument in China; mezzo-soprano Fleur Barron, born to a British father and Singaporean mother; violinist Stella Chen, the Gramophone Young Artist of the Year; the Van Baerle Trio and baroque violinist Rachel Podger, whose Troubadour Trail solo programme takes her to three North Yorkshire churches.

Nigel Short conducts the choir Tenebrae in A Prayer For Deliverance at Ampleforth Abbey on July 17 at 8pm when highlights include Joel Thompson’s title work Richard Rodney Bennett’s tribute to Linda McCartney, A Good-Night, and Herbert Howells’ Requiem to his young son Michael.

Violinist Maria Wloszczowska directs the Royal Northern Sinfonia in Mozart In Scarborough, a 7pm programme of Mozart concertos and Prague symphony at Church of St Martin-on-the-Hill  on July 20.   

Royal Wedding cellist Sheku Kanneh-Mason performs music from Brahms’s Hungarian Dances to Bob Marley’s Redemption Song, Burt Bacharach’s I Say A Little Prayer to Antonio Carlos Jobim’s The Girl From Ipanema, Laura Mvula’s Sing To The Moon to Dvorak’s Song To The Moon, on July 27 at both St Peter’s Church, Norton (1.30pm), and Sir Jack Lyons Concert Hall, University of York (6pm).

Sheku Kanneh-Mason. Two concerts in one day. Picture: Ollie Ali

He will be joined by violinist Braimah Kanneh-Mason, guitarist Plinio Fernandes, Fantasia Orchestra and conductor Tom Fetherstonhaugh at both St Peter’s Church, Norton (1.30pm), and Sir Jack Lyons Concert Hall, University of York (6pm).

“You can spot stars of tomorrow, such as Georgian pianist Giorgi Gigashvili (who started as a child pop singer and even won The Voice), conductor and ‘spark to watch’ Tom Fetherstonhaugh, Brazilian guitar pioneer Plínio Fernandes, and an array of others, including our own Ryedale Festival Young Artists,” says Christopher.

“All are welcome to Come and Sing Fauré’s Requiem [A Tenebrae Effect Workshop] at St Mary’s Church, Thirsk or promenade through a Triple Concert at Castle Howard [Van Baerle Trio, Long Gallery; Catrin Finch & Aoife Ni Bhriain, Great Hall; Marian Consort, Chapel).

“You can also picnic in the interval of a Double Concert [Piatti Quartet and Katona Twins] at Sledmere House and Church, enjoy the Orchestra of Opera North [Final Gala Concert] at Hovingham Hall, or join us at new venues such as Selby Abbey[Marian Consort, In Sorrow’s Footsteps, Allegri’s Miserere, July 25]  and stunning locations on the Yorkshire Wolds, North York Moors and coast.”

Jazz, folk and world music feature too. Claire Martin & Friends mark the 100th anniversary Gershwin’s Rhapsody In Blues at the Milton Rooms, Malton, on July 19, and Northumbrian folk band The Unthanks perform there with an 11-piece line-up on July 23.

Becky and Rachel Unthank: July 23 concert at Milton Rooms, Malton

Fleur Barron and pianist Julius Drake will be joined by Hibiki Ichikawa (shamisen) and Suleiman Suleiman (actor/dancer) for Spring Snow, a meditation on sound and silence, solitude and communion, love and loss, built around the Kabuki play Yasuna and Schubert’s Winterreise as shamisen music meets Japanese dance-theatre at St Peters Church, Norton, on July 16.

Family concerts, talks, masterclasses, late-night candlelit concerts, choral evensong, Kirkbymoorside Town Brass Band and seven world/UK premieres will be further highlights.

For the full programme, visit: ryedalefestival.com. Box office: 01751 475777 or ryedalefestival.com.

Beverley & East Riding Early Musical Festival: Who is taking part in concerts, workshops and talks from May 24 to 26?

Beverley & East Riding Early Music Festival director Delma Tomlin

THE 2024 Beverley & East Riding Early Music Festival opens on Friday with a 7.30pm concert by rising stars El Gran Teatro del Mundo, sponsored by the Embassy of Spain.

Based in Spain, this young instrumental group captivated audiences on their British tour last year and will be visiting Beverley for the first time to perform Life Is A Dream (La Vida Es Sueño) at St Mary’s Church.

Undertaking a magical musical journey through the night, these specialists in French music from the time of the Sun King bring to life the operas of the Grand Siècle with instrumental interpretations of scenes where darkness will be the best ally of love and sleep, death’s best friend.

The National Centre for Early Music (NCEM), the charitable York organisation behind the festival, welcomes the new sponsorship. Director Delma Tomlin said: “This is the first time we have received sponsorship from the Embassy of Spain, in London, and we are absolutely delighted to be working together to promote Spanish music through the ages.

“The Embassy’s generous financial support – supporting the travel costs from Spain – makes all the difference and we are thrilled to be able to welcome such fabulous musicians to perform here in the East Riding of Yorkshire.”

José María Robles Fraga, Minister Counsellor for Cultural and Scientific Affairs at the Embassy of Spain, said: “This newly stablished partnership provides a unique opportunity for Spanish musicians performing in the UK.

“We are very proud to support this initiative and we are confident that audiences at the Beverley Early Music Festival will enjoy the immense talent of this Spanish ensemble”.

Running from May 24 to 26, this year’s festival takes the theme of Threads of Gold, weaving together stories of Beverley’s remarkable history through music and song, combined with a distinctly Spanish twist.

El Grano Teatro del Mundo: Performing Life Is A Dream (La Vida Es Sueño) at St Mary’s Church on Friday

“This year we are threading together music, history and song – designed to entertain, to engage and to intrigue,” says Delma.  “There’s a wealth of music and drama in store and as always, there are plenty of opportunities to make music as well as enjoy it – so we hope to weave you a tapestry of delights for 2024.”

Further concerts with a Spanish theme include Nigel Short directing the award-winning choir Tenebrae in their acclaimed interpretation of Tomás Luis de Victoria’s Requiem Mass for six voices – a masterpiece of the Spanish Golden Age – at Beverley Minster on Saturday at 7.30pm.

In the festival finale on Sunday at 7.30pm at East Riding Theatre, Beverley, The Telling present their heart rend(er)ing music theatre show Into The Melting Pot.

Written by Clare Norburn and directed by Nicholas Renton, it tells the stories of the women of medieval Spain torn apart by religious intolerance, performed by actor Suzanne Ahmet as Blanca, Patience Tomlinson as Queen Isabella (offstage voice), singers Clare Norburn and Avital Raz, Emily Baines, recorders and doucaine, Giles Lewin, oud, and Jean Kelly, harp & percussion.

Music and theatre collide in this fully staged show that heads back to 1492 Spain for a story of migration, community and conflict. At twilight on her final night in Seville, a Jewish woman lights the lamps. She is being forced to leave Spain and set sail for an uncertain future.

Her tale echoes down the ages to the personal stories of people of all faiths and backgrounds affected by politics and war today, as she tunes into a community of stories told by Jewish, Christian and Muslim women, soundtracked by plaintive Sephardic songs and lively Spanish medieval music.

The newly appointed BBC Radio 3 New Generation Baroque Ensemble Augelletti make their sold-out Beverley festival debut with A Curious Mind at St Nicholas Church, Beverley, on Saturday at 10am.

Focusing their musical lens on an ever curious and well-connected York clergyman and musician, Edward Finch, Ensemble Augelletti tell his singular story and perform some of his compositions and arrangements alongside music by his friends Purcell, Handel and Geminiani.

On Saturday, harpsichordist Steven Devine returns to Beverley with virtuoso violinist Bojan Čičić in a 4pm programme of Handel Sonatas at Toll Gavel United Church, melding GF Handel’s violin sonatas with those of the Italian-born violinist and composer Giovanni Stefano Carbonelli.

Tenebrae: Performing Tomás Luis de Victoria’s Requiem Mass at Beverley Minster on Saturday. Picture: Sim Canetty-Clarke

In A World Of Inspiration at Toll Gavel United Church on Sunday, the London Handel Players present a 3pm programme of Baroque works from Baroque composers from Poland, Italy, Spain, Portugal, the Canary Islands, India and the British Isles.

The festival’s opening illustrated lecture by Dr John Jenkins at St Mary’s Church on Friday at 4pm has sold out. Under the title of “…and oil dripped from the golden tomb”, the University of York co-director of the Centre for Pilgrimage Studies and Fellow of the Royal Historical Society recalls a Medieval Pilgrimage to St John of Beverley.

From his death in 721, to the destruction of his golden shrine in Beverley Minster in 1541, John of Beverley was the most important saint in the East Riding, prompting pilgrims to flock to his golden and bejewelled shrine from near and far.

By the close of the Middle Ages, thanks to the miracles he worked for the kings of England, St John had become a saint of national importance on a par with St George. Dr Jenkins’s lecture reveals why pilgrims came, or in some cases were forced to come, to Beverley, and the unique and wonderous spectacle the Minster canons provided for medieval visitors.

In the festival’s second lecture, at Toll Gavel United Church Hall, on Sunday at 4.30pm, Professor Melanie Giles, from the University of Manchester, reveals more of the ancient history of the East Riding in Ancient Threads and Enchanted Garments: Stories of preserved textiles from Iron Age and Roman Yorkshire and Lincolnshire.

Ancient textiles, made of both vegetal and wool fibres, are rarely preserved in archaeological contexts because of their organic and fragile nature. In this talk, Prof Giles shares the story of some rare examples, ranging from the edge of Iron Age cloaks, bags and containers from Arras burials in East Yorkshire to threads and garments found with bog bodies dating to the early Roman period in North Yorkshire and Lincolnshire.

Instrumentalists are invited to The Birth Of The Orchestra, a day-long workshop led by members of El Gran Teatro del Mundo at Hexagan Music Centre, Beverley, on Saturday at 9.30m.

This workshop on Baroque orchestral performance practice, based on the writings of George Muffat with additional music by Corelli and Lully, will be directed by Julio Caballero in the company of fellow El Gran Teatro del Mundo musicians Miriam Jorde, oboe, Bruno Hurtadoviol, cello, and Andrés Murillo, violin.

Ensemble Augelletti: Making Beverley & East Riding Early Music Festival on Saturday morning

The workshop is open to players of Baroque oboe, traverso, bassoon, recorder and string players with Baroque instruments or modern instruments with gut strings and Baroque bows. Music will be provided and is available to download on the NCEM website, ncem.co.uk, for private practice before the event. Participants should be confident sight-readers.

Singers have two workshop options: festival debutants SongPath’s uplifting blend of walking, talking and music-making, setting off from Hengate Memorial Gardens on Saturday at 1.30pm to 3pm, followed by Tenebrae’s choral workshop, Music of the Spanish Golden Age, at Hexagan Music Centre on Sunday at 9.30am.

Contralto Jess Dandy, mezzo-soprano Joanne Harries and recorder player Olwen Foulkes lead a 90-minute singing walk around Beverley in Songpath, inviting participants to “immerse yourself in an outdoor experience that transcends conventional concerts, exploring mental well-being through the transformative power of music and nature”. Wear suitable clothing and footwear and bring a brolly, they advise.

Choral singers are invited to join Tenebrae’s experienced workshop leader Joseph Edwardsto work on some of the repertoire from Saturday’s n their programme. Music for the day includes Alfonso Lobo’s Versa est in Luctum and Tomás Luis de Victoria’s Taedet Anima and Astiterunt Reges Terrae.

The workshop is open to all voices with some sight-singing experience. The afternoon concludes with a short informal performance of music studied during the day, open to all, free of charge.

Beverley & East Riding Early Music Festival runs from May 24 to 26. Box office: 01904 658338,  ncem.co.uk or in person from Beverley Tourist Information Centre, Customer Service Centre, Cross Street, Beverley. Full programme: ncem.co.uk/whats-on/bemf.

Beverley & East Riding Early Music Festival: the back story

ESTABLISHED in 1988 to celebrate Beverley’s historic association with musicians from medieval times.

Blessed by a wealth of ecclesiastical buildings and musical carvings in stone and wood in both Beverley Minster and St Mary’s Church, making it the “perfect place for a festival of early music”.

Supported by East Riding of Yorkshire Council and administered by National Centre for Early Music, York.

Annual festival combines concerts, illustrated lectures and associated workshops.

REVIEW: Martin Dreyer’s verdict on Tenebrae, Ryedale Festival, 29/7/2021

Tenebrae: “Remains one of the best in the business”. Picture: Sim Canetty Clarke

Ryedale Festival: Tenebrae, Renaissance Glories, Ampleforth Abbey, July 29

TENEBRAE is observing its 20th anniversary this year and no doubt relishing the opportunity for a real celebration at last.

Nigel Short’s crack choir, here numbering 11 singers, chose music of mourning from the heart of the Renaissance: from Spain, Tomás Luis de Victoria and his slightly younger contemporary Alonso Lobo, with Gregorio Allegri’s incomparable Miserere representing Italy of a generation later.

Lobo’s six-voice Versa Est In Luctum (‘My harp is tuned to mourning’) is one of the most moving motets of the period. Its prayerful progression from full-on minor, almost wallowing in self-pity, to something approaching the major key and positivity, speaks of hope finding a way out of adversity. Certainly Tenebrae managed this transition with smooth conviction.

Allegri’s Miserere is a setting of Psalm 51. For it to build up the necessary tension before its sacrificial dénouement, it demands to be sung in its entirety. Sadly, on this occasion, it was limited to a mere three of the famous high Cs, plus the epilogue.

No doubt it was thought that the complete work would make the concert too long, given that there was to be no interval. It seemed to finish just as it was getting going, although it was clean enough. But an alternative work would have been preferable. 

By far the evening’s most substantial piece was Victoria’s Requiem Mass. It was a surprise, although perfectly acceptable, that all the plainsong incipits were sung by female voices. Nigel Short paid immense attention to detail throughout.

In the Introit, where the sopranos spend a good deal of time on the dominant (the fifth note of the scale), he developed a notable urgency in the inner voices. He was also at pains to differentiate the varied entries in the Kyrie. In the Offertory, perhaps the most purely Spanish-sounding of all the sections, he dissolved tension with several melting cadences.

During the Sanctus and Benedictus the voices sounded as if three times their actual number, although tuning remained impeccable and ensemble shapely. In the final section, Lux Aeterna, Short picked out the phrase ‘quia pius es’ (translated here as ‘because thou art merciful’) for special treatment, while building up the overall intensity.

It would have been a masterful performance, but for one shortcoming: the diction. Words were rarely anywhere close to clear enough. The same problem afflicted the extraordinary encore, a setting of Flanders & Swann’s Slow Train – which really had no place here.

Some of its stations were apparently localised, but they disappeared without trace, under-projected. A lively Byrd motet might have been more appropriate. Even so, Tenebrae remains one of the best in the business.

Review by Martin Dreyer

‘We don’t make music for an audience; we make music with the audience,” says Ryedale Festival director Christopher Glynn

South African cellist Abel Selaocoe: Playing Ryedale Festival on two days

HOW does a festival reinvent itself for the Covid-confused summer of 2021? 

At Ryedale, celebrating its 40th year, although not in the way it had planned, the answer is a one-off, late-announced, open-ended, can-do-spirited programme of summer events that brings inspiring performers to play together in beautiful Ryedale places from this weekend to July 31 .

Presenting 40 live concerts to celebrate its 40 years, Ryedale Festival welcomes performers such as Jess Gillam, Abel Selaocoe, Carolyn Sampson, Isata Kanneh-Mason, Lara Melda, Milos, the Orchestra Of The Age Of Enlightenment, BBC Big Band, Kathryn Tickell and Tenebrae, as well as Poet Laureate Simon Armitage – and many more besides.

The Festival will be popping up in Pickering Parish Church; All Saints’, Kirkbymoorside; Hovingham Hall; St Olave’s Church, York; Birdsall House and Church; St Peter’s Church, Norton; Duncombe Park; the Milton Rooms, Malton, and Ampleforth Abbey.

Events will be around one hour long, with no intervals and reduced capacity to prioritise audience safety, but multiple performances to enable as many people as possible to attend.

Ryedale Festival artistic director Christopher Glynn. Picture: Gerard Collett

Artistic director Christopher Glynn says: “We’ve brought together a wonderful programme of British-based artists that is both vibrant and diverse. The formats of our concerts have changed but the core elements are what they have always been: great music, beautiful Ryedale locations, and audiences.

“Because, for performers like me, after the experience of the past year, one thing seems clearer than ever before: we don’t make music for an audience; we make music with the audience.” 

The festival’s two weeks of summer music opened last night (17/7/2021) with the Albion String Quartet’s programme of Haydn and Shostakovich at St Mary’s Priory Church, Old Malton, and soprano Carolyn Sampson and pianist Joseph Middleton’s all-Schubert recital, themed around Elysium, the ancient Greek concept of afterlife, in St Peter and St Paul’s Church, Pickering.

Today, cellist Hannah Roberts joined the Albion String Quartet for Schubert’s String Quintet at All Saints’ Church, Kirkbymoorside, at 5pm and St Michael’s Church, Malton, at 9pm, followed by a third performance tomorrow at 11am at St Olave’s Church, York.

Birdsall House and Church is the scene for a double concert tomorrow from 5pm. Fresh from her Proms debut, British/Turkish pianist Lara Melda plays Rachmaninov and Chopin’s epic third sonata in the house, while classical guitarist Miloš plays Villa Lobos, Bach and Albeniz, among others, at the church.

Poet Laureate Simon Armitage: Marsden poems

The format of the double concert encompasses a two-hour interval, when the audience is invited to picnic in the grounds of Birdsall House between the two performances.

Poet Simon Armitage grew up among the hills of West Yorkshire and always associated his early poetic experiences with the night-time view from his bedroom window. Now Poet Laureate, he visits the Milton Rooms, Malton, on Tuesday to read from Magnetic Field: The Marsden Poems, his compendium of poems about the village where he grew up. The 40-minute 11am and 3pm readings and question-and-answer sessions each will be followed by a book signing.

On Wednesday, in Cubaroque at 11am and 9pm at All Saints’ Church, Hovingham, tenor Nicolas Mulroy and guitarist and theorbo player Toby Carr perform a rare combination of music from two golden ages, as songs of love, sorrow and faith by baroque composers Purcell, Monteverdi and Strozzi speak across the oceans and centuries to modern Latin-American standards by Silvio Rodríguez, Caetano Veloso, Pablo Milanés and Victor Jara, who gave voice to a continent emerging from years of suppression.

At the Palladian-style Hovingham Hall on Wednesday at 3pm and 6pm, Orchestra Of The Age Of Enlightenment violin soloists present music written for violins alone, highlighting the contrasts, textures and colours of an instrument that is usually on top of the sound-world of string instruments.

The programme takes in solos by master composer-performers, programmatic duets, profoundly beautiful trios, concertos for four violins and new arrangements.

Tina May: Singing with the BBC Big Band

On Thursday at 3pm and 6pm, trailblazing Jess Gillam leads her ensemble in an electrifying programme at St Peter’s Church, Norton, designed to inspire you to reflect, dance and smile with the aid of compositions by Meredith Monk, Philip Glass, Björk, Thom Yorke, Will Gregory, Ryuichi Sakamoto and Piazzolla.

South African cellist Abel Selaocoe is joined by pianist Benjamin Powell on Thursday at 11am and 9pm at Birdsall House, Birdsall, as he highlights the links between Western and non-Western musical traditions in a programme that complements his own work Nagula with compositions by Debussy, James Macmillan, Ravel and Schedrin.  

Selaocoe returns on Friday at 3pm and 6pm with Sirocco, his energetic, joyful collaboration with Manchester Collective and Chesaba, at the Milton Rooms, Malton. Their great storm of music celebrates the warmth and diversity of folk traditions from across the globe, from Purcell to Stravinsky, original African folk to Danish folk songs.

The BBC Big Band and jazz chanteuse Tina May perform timeless feel-good numbers from the classic era of swing, all arranged and curated by leader Barry Forgie, on Saturday at 5pm and 8pm at the Scarborough Spa Grand Hall. Expect Duke Ellington, Count Basie and Benny Goodman works, plus a few surprises along the way.

On Sunday, July 25, pianist Isata Kanneh-Mason performs a wide-ranging programme of contrasting sonatas by Mozart, Beethoven, Chopin and Gubaidulina at Duncombe Park at 3pm and 5.30pm.

Amy Thatcher and Kathryn Tickell: Playing the Milton Rooms, Malton

The festival’s second week opens with speaker Lucy Beckett discussing Rievaulx and Mount Grace: Contrasting Histories on July 27 at 11am and 3pm at St Michael’s Church, Malton. Twelve miles apart, both mediaeval monasteries were abolished by Henry VIII, but their glory days were nearly four centuries apart, and the difference in their histories makes for a gripping tale.

Fresh sounds merge with ancient influences when Kathryn Tickell, British folk scene luminary and Northumbrian piper, and her close collaborator, accordionist and clog dancer Amy Thatcher, of The Monster Ceilidh Band, perform at the Milton Rooms, Malton, on July 27 at 5pm and 8pm.

Coco Tomita, winner of the strings category in this year’s BBC Young Musician competition, joins pianist Simon Callaghan to play Mozart, Tchaikovsky and Poulenc’s Violin Sonata at Duncombe Park on July 28 at 11am and 3pm.

Directed by Nigel Short, Tenebrae sing Renaissance Glories, music from the Golden Age of Spanish art, on July 29 at the Benedictine monastery of Ampleforth Abbey at 7.30pm. The closing piece will be Tomás Luis de Victoria’s luminous Requiem Mass of 1605, full of humanity and beauty.

All Saints’ Church, in Hovingham, plays host to two Young Artist Day concerts on July 30.  The first, at 11am and 6pm, promises a wide-ranging programme from pianist Mishka Rushdie Momen, who journeys from Bach to Ligeti to Schubert’s most virtuosic work for solo piano, Wanderer-Fantasy.

York artist Jake Attree: Ryedale Festival exhibition at Helmsley Arts Centre

In the second, two fast-rising artists, violinist Charlotte Saluste-Bridoux and pianist Ljubica Stojanovic, present works by Biber, Schubert and Brahms (“Rain” Sonata) at 3pm and 9pm.

The final concert, by Solem Quartet and Friends at Hovingham Hall on July 31 at 3pm and 6pm, is filled with music of optimism and friendship, led off by Florence Price’s tribute to her extraordinary friend, the jazz musician and singer Memry Midgett, Summer Moon, and her arrangement of the folk song Drink To Me Only With Thine Eyes. Schubert’s Octet, a work of dazzling invention and uplifting lyricism, is the finale.

Throughout July and August at Helmsley Arts Centre, York-born artist Jake Attree presents The Spirit Of The North, an exhibition inspired by time spent in and around Ryedale, dedicated to the memory of Dr Richard Shephard, York composer and headmaster.

“I want the paintings, oil pastels and drawings to have a sense of the places that inspired them, whether York, the landscape around Welburn, the River Derwent at Malton, or a view across the Howardian Hills from Pickering Castle,” says Jake, whose studio is at Dean Clough, Halifax.

“Completely dependent on the subject while simultaneously independent of it, these works are a celebration of Paul Cézanne’s idea that art is ‘a harmony that runs parallel to nature’ and full of a sense of what it feels like to spend time in North Yorkshire.” 

The full programme and ticket details can be found at ryedalefestival.com.