Barbara Marten, York actor, oil on canvas, by Steve Huison. “I’ve known Barbara for over 40 years and have followed her shining career with interest. She’s a very kind, thoughtful and knowledgeable woman, and I think this emanates through her eyes,” says Steve
ACTOR and artist Steve Huison will launch his Portraits exhibition at Pyramid Gallery, Stonegate, York, with a personal appearance from 4pm to 7pm tomorrow (11/7/2024).
Best known for his role as suicidal steel-mill security guard Lomper in The Full Monty, Leeds-born Huison is exhibiting 12 studies of colleagues in the acting profession, musicians who have inspired him, an adventurous chef and a famous clown.
Before his success as an actor, Steve had studied at art school. Near the end of a 30-month stint playing Eddie Windass in Coronation Street from November 2008 to April 2011, he rediscovered his talent as a portrait artist, culminating in a charity event featuring portraits of Corrie cast members.
Mike Keen, chef, oil on canvas, by Steve Huison. “A chef with a difference. I’ve followed his career over the last couple of years as he’s kayaked his way up the west coast of Greenland, existing on eating what he finds along the way. In doing so he has brought his metabolism to a near perfect condition,” says Steve. “His health and vitality shines through his face.’
‘It seemed a valuable opportunity to capture portraits of some of the cast,” he recalls. “I wanted to try to portray them as the people I had got to know rather than their better-known characters. The extensive publicity turned out to be a good kick-starter for my evolving post-soap career.”
Other art forms constantly distract Steve’s attention. “They ignite new ideas for me, which I am never short of,” he says. “Once they’re in there rattling around in my mind I have to try them out. Consequently, I can turn my hand to a variety of creative outlets, including acting, stand-up, singing, drawing, painting, sculpting, carving, magic, escapology and a variety of musical instruments.”
Steve, 61, has been focusing on portrait painting for the past ten years when his acting commitments permit. While living in Robin Hood’s Bay he ran regular portrait drawing classes for complete beginners, an activity he has now moved to West Yorkshire since relocating in 2023.
Arnold Oceng, actor, oil on canvas, by Steve Huison. “I first met Arnold on set of the Disney production of The Full Monty. As soon as he walked on set I was instantly drawn to the beautiful lustre of his skin. I decided at that point to attempt to paint his portrait,” says Steve
The move followed filming for The Full Monty series for Disney+, when he reactivated his role as a much older version of Lomper. Fellow Full Monty actors Paul Barber, Arnold Oceng and Wim Snape are now among the portraits in his Pyramid Gallery show.
Steve first exhibited at Pyramid Gallery in July 2016, presenting A Year In Bay, his artistic response to his move to a new community in Robin Hood’s Bay, where he “had no contacts or connections, and witnessed how new relationships are formed, and how people go out of their way to help strangers”.
Wim Snape, actor, oil on canvas, by Steve Huison. “Wim is an old friend, and even though he’s only 39, I feel we’ve travelled through an interesting parallel journey together over 28 years. Wim played the 11-year-old Nathan in The Full Monty and went on to reprise the role in the Disney+ series of 2023,” says Steve
A second Pyramid show, Musings Of An Erratic Mind, followed in July 2018, its title reflecting his realisation that “I have a collection of work that bears little resemblance to each other, but says everything about how my mind and creativity works”.
Now comes Portraits, featuring actors Paul Barber, Arnold Oceng, Barbara Marten, Will Snape, Clarence Smith and Joe Duttine, counsellor and therapist Dr Tanya Frances, chef Mike Keen, Swiss clown Grock and musicians Abdullah Ibrahim, Quentin Rawlings and Flora Hibberd.
Steve Huison, Portraits, Pyramid Gallery, Stonegate, York, July 11 to August 31. Opening hours: Monday to Saturday, 10am to 5pm.
Steve Huison: the back story
Artist Steve Huison. Portrait by Pyramid Gallery owner and curator Terry Brett
Birthplace: Leeds, December 2 1962, born Steven Johnson.
Height: 6ft 1in.
Education: Rose Bruford College, Sidcup, diploma in Community Theatre Arts, 1983 to 1986.
Occupation: Actor, artist, arts administrator, musician, master of ceremonies (Cabaret Saltaire, Caroline Club, since February 2011).
Best known for: Playing Lomper in 1997 film The Full Monty, made in Sheffield. Reprised role in 2023 Disney+ series The Full Monty.
Film: Ken Loach’s The Navigators, 2001.
Television: Casualty; Where The Heart Is; dinnerladies (as Steve Greengrass); Heartbeat; The Royle Family; Scott & Bailey; ITV post-apocalyptic drama serial The Last Train (also known as Cruel Earth); Doctors. From January 2008, porter Norman Dunstan in ITV1 daily hospital drama The Royal Today. From November 2008 to April 2011, Eddie Windass in Coronation Street. 2012, Mr Byron in CBBC series 4 O’Clock Club. 2023, The Full Monty, Disney +.
Theatre: Co-founder of Shoestring Theatre Company, in Shipley, 2002. Made pantomime debut at Harrogate Theatre as dame Nanny Clutterbuck in The Sleeping Beauty in 2006 and returned as gurning, knock-kneed King Keith in Sleeping Beauty in 2013. In 2007, toured one-man play Fifty Feet And Falling, based on diaries of a friend who struggled with depression and took his own life.
Improv comedy: Cabaret Saltaire, creating characters such as Squinty McGinty and Korvorra Czeztikov.
Abdullah Ibrahim, pianist and composer, oil painting, by Steve Huison. “A giant of a South African jazz musician. His music has inspired me to take up the bass guitar in the last few years,” says SteveClarence Smith, actor, oil on canvas, by Steve Huison, from a photo by Helen Maybanks. “I first met Clarence in the summer of 1982 on a wild night in a flat in Queensway, London. We went on to train as actors together. 42 years later and we’re still in touch,” says Steve. “Still an amazingly good-looking man considering those wild times back then, and no doubt since.”Flora Hibberd, singer-songwriter, oil on canvas, by Steve Huison.“An up-and-coming Paris-based singer/songwriter. Her music has resonances for me of Leonard Cohen and classic French chanteuses such as Françoise Hardy,” says Steve. “The portrait is from an original photograph by Marie Yako.”Dr Tanya Frances, counsellor and therapist, oil on canvas, by Steve Huison. “Tanya is someone I’ve observed go from strength to strength in the 17 years that I’ve known her. I first had the privilege of working with her at Harrogate Theatre before she successfully switched careers,” says SteveJoe Duttine, actor, oil on canvas, by Steve Huison. “I got to know Joe through working with him on a Ken Loach film back in 2000. He’s a fine actor who brings true conviction to all his roles,” says SteveGrock the clown, oil on canvas, by Steve Huison. “At the height of his career, Charles Wettach (1880-1959) was the highest-paid performer in Europe. I was first given a black-and-white postcard 25 years ago. It’s an image that has stayed with me ever since, often inspiring me in many comedic projects. I just had to see how it would look larger and in colour,” says StevePaul Barber, actor, oil on canvas, by Steve Huison. “I first worked with Paul on a BBC screenplay in 1992. Despite his tumultuous upbringing in care, Paul has managed to carve out a gleaming career in the industry and still bears no airs and graces. A true gentleman and a dear brother,” says Steve.Quentin Rawlings, musician, oil on canvas, by Steve Huison. “I met ‘Q’ over 35 years ago, playing sessions with him in the White Stag in Leeds. He’s a wonderful musician and was the first guitarist I played with who used open tuning. It amazed me then and still does,” says Steve. “I’ve never climbed out of the standard tuning box – there are still new tricks to learn.”
YORK gallery curator Terry Brett will mark the publication of his third volume of cartoon rabbit tributes to celebrities and remarkable individuals at a charity event at Pyramid Gallery, Stonegate, on Friday (8/3/2024).
Publishing costs are met by the gallery, enabling copies to be given away from there, but voluntary donations to www.justgiving.com/page/terry-brett will be encouraged in aid of St Leonard’s Hospice, in memory of Terry’s father, who died of prostate cancer.
Terry will be on hand to sign copies from 5.30pm to 7pm outside the gallery, with the books displayed on a table. Inside, visitors can enjoy a glass of wine and buy the original drawings.
Terry Brett puts his stamp on his valedictory to Her Majesty The Queen Elizabeth II. Cartoon: Bertt deBaldock
The 108-page third compendium of death notices, entitled Good Rabbits Gone Volume Three 4 Equality, spans September 2021 to December 2022 with a fourth volume covering the fallen of 2023 on its way.
Among those featured are Queen Elizabeth II (Delivered: 21 April 1926, Post: 8 September 2022); Leslie Phillips (‘Hello-o-o’: 20 April 1924, ‘Ding Dong!’: 7 November 2022); Terry Hall (Special : 19 March 1959, Much Too Young : 18 December 2022), and Kathleen Booth, British computer scientist and mathematician, (Ticking: 9 July 1922, Ticker stopped: 29 September 2022).
The cartoon drawings by “the Scribbler” Bertt deBaldock, the nom d’art of the Pyramid Gallery owner, colour-blind artist, ukulele player and long-ago chartered surveyor, are each drawn in response to an individual’s death and then assembled in a book with Terry’s own witty tributes or poignant memories.
The cover artwork for Good Rabbits Gone 3: cartoons by Bertt deBaldock, words by Terry Brett
TERRY Brett launches his third volume of cartoon rabbit tributes to celebrities and remarkable individuals at a charity event at Pyramid Gallery, Stonegate, York, tomorrow (16/1/204).
Publishing costs are met by the gallery, enabling copies to be given away from there, but voluntary donations are encouraged in aid of Refugee Action York at the 4.30pm to 7pm event, where Terry/artist Bertt deBaldock will sign copies.
“From my experience with the first and second volumes, people enjoy being given the book,” says Terry. “Most of those people have then offered a donation, which can be done through the Just Giving website, www.justgiving.com/page/terry-brett.”
RIP Lee Scratch Perry: Bertt deBaldock’s cartoon valedictory to the innovative Jamaican record producer and composer
The 108-page third compendium of death notices, entitled Good Rabbits Gone Volume Three 4 Equality, spans September 2021 to December 2022 with a fourth volume covering the fallen of 2023 on its way.
Among those featured are Queen Elizabeth II (Delivered: 21 April 1926, Post: 8 September 2022); Leslie Phillips (‘Hello-o-o’: 20 April 1924, ‘Ding Dong!’: 7 November 2022); June Brown (Year Dot : 16 February 1927, Bless Her Cotton Socks: 3 April 2022); Ruth Madoc (Hi-de-Hi! : 16 April 1943, Bye-de-bye: 9 December 2022); Terry Hall (Special : 19 March 1959, Much Too Young : 18 December 2022), and Kathleen Booth, British computer scientist and mathematician, (Ticking: 9 July 1922, Ticker stopped: 29 September 2022).
The cartoon drawings by “the Scribbler” Bertt deBaldock, the nom d’art of Pyramid Gallery owner, colour-blind artist, ukulele player and long-ago chartered surveyor Terry Brett, are each drawn in response to an individual’s death and then assembled in a book with Terry’s own witty tributes or poignant memories.
The qualifications for inclusion have changed for Volume Three’s memorial works. “The first volume was just about musicians, actors and comedians who had made an impact on my life,” says Terry.
“The second featured more scientists because I’m fascinated with technology and science. For the third one, I became interested in people who had made a difference with respect to social matters.
“The work celebrates a period in which prejudice and inequality has not only been challenged, but also has been noticed and the individuals rewarded,” says Terry Brett of Good Rabbits Gone 3
“I realised there was a social record evolving that is interesting to me because the order in which a narrative unfolds is dictated purely by the date on which a person died.
“But their story tells much about society in decades that have gone past. So I got interested in individuals who had made some sort of impact on society in the 1960s, 1970s and 1980s.”
Gradually, a collective theme for the latest volume emerged, hence the title of Good Rabbits Gone Volume Three 4 Equality. “It came to me as I was collecting names,” says Terry. “I noticed that many of the individuals chosen for the book were noted for their involvement with campaigns that fought against inequality or prejudice or misogyny.
“I didn’t go looking for these subjects but found them when listening to the BBC Radio 4 programme Last Words, which has given much quality airtime to great, quiet people who have decided to stand up to prejudice or do some good. These individuals are not massively wealthy, not famous as a media personality, but had perhaps been awarded a CBE or OBE for their campaigning activities.
Bertt deBaldock’s rabbit cartoon tribute to The Ronettes’ Ronnie Spector
“A good example is Ma Smith, who was awarded the Pride of Britain award for setting up a soup kitchen in Oxford. and another is Avtar Singh Jouhl, who was made an OBE for fighting racial inequality in Birmingham. Jouhl had persuaded Malcolm X to visit the factory in Smethwick just a few days before he was assassinated.”
Such dedicated individuals, numbering 18 “if we include women who have excelled in careers that used to be dominated by men”, add interest and substance to the book, says Terry.
“In this way, the work celebrates a period in which prejudice and inequality has not only been challenged, but also has been noticed and the individuals rewarded. Though many would say that there is still some way to go!
“I think the media now gives more coverage relating to the #metoo movement and the horrible Windrush scandal, whereby the Government pushed forward a policy of deliberately being cruel to immigrants and also legitimate citizens who had come to Britain on the Windrush ship from the Caribbean, to the point of extraditing some of them back to the West Indies, even though they may have been born in the UK.
Farewell fashion designer Vivienne Westwood, from Good Rabbits Gone 3
“Many great women feature in this book after battling against prejudice in the workplace, just getting on with their jobs, and at last they’re being recognised for what they did.”
The broader focus has had an impact on the creative process too. “The pictures are not drawn straight away anymore and there’s a huge backlog,” says Terry. “It’s become quite time consuming. Much of the work has been done with me sitting in a beach hut in Goa for eight weeks in January 2023 and three more last October. It’s the only way I can find enough time to do them.”
A theme is yet to strike Terry for the next volume. “But looking through the list, there are so many actors, musicians and television personalities to consider, as well as footballers,” he says. “I will search for more designers and artists to join Mary Quant, Paco Rabanne and Phylida Barlow and cartoonist Bill Tidy.
“I’m also keen to include icons such as Barry Humphries, Paul O’Grady, Mike Yarwood, Len Goodman and writers Benjamin Zephaniah, Martin Amis, Fay Wheldon and Burt Bacharach. So many big names that reflect the impact of television in the 1970s, ’80s and ’90s. Two of my favourite scribbles so far are those of David Crosby and Tina Turner, both very pleasing to draw.”
Queen Final: Bertt deBaldock’s drawing to mark the death of Queen Elizabeth II
Explaining the latest book’s support for Refugee Action York, Terry says: “I started fundraising for them when asked to draw a rabbit for Jean Moss, who was involved with the charity before she died in 2020. Donations for the second volume raised £2,400 for Refugee Action York in memory of Jean.
“They provide support to refugees by giving advice, helping fill out forms and providing necessities such as school uniforms. They aim to change the narrative about refugees and help them become useful members of society.
“Refugee Action York assists refugees and asylum seekers by means of a weekly meeting every Wednesday at York St John’s University and a monthly Sunday meeting, called The Hub, at Clifton Green Primary School.
A second charity event will be held at Pyramid Gallery on March 9 from 4.30pm to 7pm, when donations will go to St Leonard’s Hospice, in memory of Terry’s father, who died of prostate cancer.
Terry Brett/Bertt deBaldock’s first Good Rabbit Gone: David Bowie, January 10 2016
Terry’s Good Rabbits Gone series began on January 10 2016. “Upset that David Bowie had suddenly left us, I decided to draw him as a rabbit, using a shape that I’d first drawn on stencils for wall hangings and a comic-style Christmas card in 1994.
More rabbits followed (Terry Wogan, Glen Campbell Ken Dodd, Keith Flint, Judith Kerr) and deaths of loved celebrities became an obsession, first publishing them on Twitter and Facebook at #GoodRabbitsGone,” he says.
“During a spell of Covid confinement in 2020, I put them into a book, Good Rabbits Gone and made the decision to offer the books only for donations to charity. As of July 1 2023, charitable donations of the books and other means of collecting money in Pyramid Gallery have amounted to £8,000 for St Leonard’s Hospice as well as £2,400 for Refugee Action York.”
Why depict rabbits, Terry? “It might seem weird to be creating memorials to people by representing them as a rabbit, but I don’t see the need to question it too much,” he says. “I find the act of drawing helps relieve the sense of loss and my own anxiety about mortality. The process of reading about the individual’s life and trying to capture a tiny segment of their character in a simple drawing is a little bit cathartic.
Terry Brett, as depicted by alter ego Bertt deBaldock, when compiling the first volume of Good Rabbits Gone under the Covid cloud
“The rabbit body and ears create a limitation in the final drawing, preventing each portrait from being too complicated or serious. All the individuals become united by the addition of rabbit ears!”
Or, in a nutshell…?“There’s a long-held belief in the Bertt/Brett household that if you have lived a good life, well, let’s say a mostly good life, i.e. if you have been nice or have achieved something for the benefit of others, then when you die you will become a rabbit.”
Contemplating what gravestone humour may lie in store for Terry himself, he suggests: “He was hoppiest when scribbling a rabbit”.
Terry Brett/Bertt deBaldock launches Good Rabbits Gone Volume Three 4 Equality at Pyramid Gallery, Stonegate, York, tomorrow (16/1/2024) with a book-signing session and charity fundraiser for Refugee Action York from 4.30pm to 7pm.
Why use the name Bertt deBaldock?
Terry Brett/Bertt deBaldockat Pyramid Gallery, York
“A PARTICULAR friend in my youth always called me ‘Bertt’ and I was born in Baldock, well, a mile away in a tiny hamlet called Bygrave, in north Hertfordshire,” explains Terry.
“I use the French preposition ‘de’ in the same way that it is used in the name ‘DeBrett’s’, which is basically a list of the most influential people, many of whom are deceased or about to be.”
Allister Malcolm and Alison Vincent making their appearance on BBC One’s Make It At Market. On Friday, they will be at Pyramid Gallery, York
PYRAMID Gallery, in Stonegate, York, will hold a second opening of its festive show, Comfort And Joy, on Friday (17/11/2023), when award-winning glass maker Allister Malcolm and Alison Vincent will be in attendance from 3pm to 7pm.
“We’ll be serving drinks and nibbles in celebration of their work and their success following being on BBC One’s Make It At Market, which was first aired in January,” says gallery owner Terry Brett, ahead of the show’s repeat airing on BBC One on November 24 at 7.30pm.
“As part of Allister’s mentorship with Alison, he arranged for her to have an exhibition of her work here at Pyramid. We’re very grateful for the mention of Pyramid on the show and for the continued success of our relationship with both Allister and Alison.”
Terry adds: “We’ll also have former teacher-turned-artist Jo Kenny here for Friday’s special event. Jo and her colleague Caroline White have created Joy Jars for our Christmas show, and Jo will be here to talk about her processes and inspirations.”
Comfort And Joy, a celebration of art and sculpture all made by hand in the UK, will run until January 20 2024, featuring ceramics, glass, prints and paintings.
“From the affordable to the aspirational, we have curated a very joyful show for the festive period filled with fantastic art for sale for presents or for your own home,” says Terry.
Artists include: Lesley Birch, paintings; Emma Whitelock, paintings; Dinny Pocock, needlefelt sculpture; Helen Martino, ceramic sculpture; Anita Klein, linocuts and paintings; Paul Smith, sculpture; Peter Hayes, sculpture; Joy McMillan, glass sculpture and jewellery; Tracy Knowles, stained glass; Jo Kenny, blown glass, and Sarah Williams, paintings.
Hilke Macintyre, paintings, prints and ceramics; Eva Mileusnic, ceramics; Eliza Southwood, prints; Hannah Gibson, glass sculpture; E&M Glass, glass sculpture; Morag Reekie, glass sculpture; Fidelma Massey, bronze and ceramic sculpture; Louise Connell, mixed media sculpture; Kate Buckley, porcelain origami, and many more. Jewellery by more than 75 makers features too.
Wildish curator Jo Walton with a pot by Julie O’Sullivan and one of her own rusted works at Pyramid Gallery
GUEST curator Jo Walton and her invited exhibitors will launch their Wildish exhibition of paintings, pots, jewellery, poetry, artist-designed wallpaper and ceramic sculpture over drinks and nibbles at Pyramid Gallery, Stonegate, York, tomorrow, from 11am to 3pm. Everyone is welcome.
When Rogues Atelier Studios artist and interior designer Jo approached gallery owner Terry Brett, offering to curate an exhibition in the two first-floor galleries, he had no hesitation in saying yes.
She has exhibited her “rust prints” and rusted or treated steel paintings at Pyramid Gallery on several occasions already.
Now she has selected five artists and a poet to contribute to a joint show based loosely on the theme of deep and sensual mystic femininity.
Taking part will be Jo, Julie O’Sullivan, Christine Pike, Izzy Williamson, Zoe Catherine Kendal and York poet Nicky Kippax.
A close-up of Christine Pike’s Precious
Terry has been assisting with setting up the show. “It’s very refreshing for me to return from a short holiday and be able to watch Jo and the Pyramid team of Fiona, Sarah, Ali and Angela, set up a complete show,” he says.
“And the show looks good, based on wild country scenes and imaginary creatures in materials that have a big impact through texture or colour.”
Jo’s work is primarily abstract, often combining rusted metal with oil painting, and using wax, gold, silver and copper leaf to create imaginary, colour-scapes, seascapes and earth-scapes. Her art on wooden panels, metal and textured surfaces ranges in size from 20cm to 1m square.
From her studio in Leigh-on-Sea, Essex, Julie O’Sullivan presents a body of work shaped by living alongside the transient beauty of the Thames Estuary. This leads to her incorporating found sea-glass, seaweed, shells and pebbles taken from the shoreline.
Julie uses a coarse-textured stoneware clay, yet there remains a sensuous delicacy or fragility to her work.
The poster for the Wildish exhibition at Pyramid Gallery
Izzy Williamson specialises in making original, limited-edition relief prints rooted in nature and stories from her childhood in Whitby, where the narratives within her work express feelings of playfulness and wonder. She also produces designs for interiors, packaging and branding.
Zoe Catherine Kendal makes jewellery and sculptural objects from mixed precious and non-precious materials such as ancient and antique beads, ceramics, and metals. Her one-off creations reflect a playful exploration of form and aesthetics, while revealing craftsmanship and a passion for ancient and contemporary adornment.
Christine Pike, who holds an MA from Norwich University of the Arts, makes works that tell stories. They vary in subject and scale, but with one central theme: a joyful appreciation of nature and our relationship with it, viewed through the lens of folk tales and myth. She works in paperclay, ceramic and mixed media.
York poet Nicky Kippax’s work can be found in anthologies and magazines, such as Poetry News, The Rialto and The Alchemy Spoon, and has been shortlisted for the Bridport Prize. Her first collection will be published soon. For Wildish, she will weave her wordy magic among the artworks.
The gallery opening times until September 1 are 10am to 5pm, Monday to Saturday.
Tranquillity, chalk and charcoal, by Diane Cobbold
THE Donderdag Collective will be exhibiting at Pyramid Gallery, Stonegate, York from Saturday to June 25.
Founded in 2011 by a group of artists in York, they meet at St Olave’s Church Hall, in Marygate Lane, on Thursday evenings to sketch or paint from a life model (‘Donderdag’ being Dutch for ‘Thursday’).
The group comprises both professional artists and keen amateurs who want to hone their technique or explore new ideas by working freely with a life model.
Comfortable In Your Own Skin,life drawing artwork, by Donderdag Collective member Carolyn Coles
“This exhibition is a celebration of the art of life drawing and an opportunity for the collective to show together the art that they make for pleasure or as a means of earning a living,” says Pyramid Gallery owner and curator Terry Brett.
Fifteen members will feature in the Artists And The Human Form show, exhibiting both life drawings made during the Thursday sessions and other artworks for sale.
Away, charcoal, by Kate Pettitt
Taking part will be: Julie Mitchell; Rory Barke; Bertt deBaldock (aka Terry Brett); Diane Cobbold; Carolyn Coles; Leon Francois Dumont; Jeanne Godfrey; Anna Harding; Adele Karmazyn; Michelle Galloway; Andrian Melka; Kate Pettitt; Swea Sayers; Barbara Shaw and Donna Maria Taylor.
The artists will attend Saturday’s official opening from 11am to 2.30pm, when wine, soft drinks and nibbles will be served. Gallery opening hours are 10am to 5pm, Monday to Saturday; closed Sundays.
The Christmas collection: York ceramicist Ben Arnup, left, and Pyramid Gallery owner Terry Brett with an Anita Klein linocut print behind them
YORK ceramicist Ben Arnup will open Pyramid Gallery’s concluding 40th anniversary exhibition, The Christmas Collection, in Stonegate, York, on Saturday at 12 noon.
Ben will be exhibiting 12 new pieces, having supplied gallery curator and owner Terry Brett with his distinctive trompe l’oeil’ ceramic sculptures for 28 years.
At the heart of The Christmas Collection will be new work by another Pyramid regular, London artist and printmaker Anita Klein. “I’ve invited Anita to fill the walls of this show with 15 large linocut original prints and two paintings,” says Terry.
“The gallery has enjoyed a long, unbroken relationship with Anita as a supplier of her extensive catalogue of prints that form a diary of her family life.
Angel With Gift, linocut print, by Anita Klein
“Over the 28 years in which she has shown more than 800 different pictures at Pyramid Gallery, we’ve watched her career progress to the point where she has become one of the most collectable printmakers in the UK. It seems very fitting that she is the main focus of this year’s final anniversary exhibition.”
As well as showing new linocut prints, Anita will be selling copies of her book Out Of The Ordinary – 40 years Of Print Making, published by Eames Fine Art in October.
For more than 40 years, this artist of the everyday and the personal has produced thousands of paintings, prints and drawings depicting her immediate family – husband, daughters, grandchildren and herself – going about the very ordinary activities of daily life.
From watching television, cooking, reading, driving to school, soaking in the bath and getting dressed, to cleaning the house, choosing a pet, going on holiday, or just cuddling up and sharing tender moments with loved ones, Anita captures these seemingly unremarkable domestic scenes with humour, sensitivity and beauty, creating an intimate visual journal with which everyone can identify.
The book cover for Anita Klein’s Out Of The Ordinary, published in October and on sale at Pyramid Gallery
The book contains 550 of Anita’s best-loved prints, presented as a charming chronological record of the family’s day-to-day life through the decades, seen from the artist-mother’s perspective, as they grow and change in their respective roles within the household.
Out Of The Ordinary also charts her development as a printmaker, from the simple monochrome drypoints of the 1980s, a consequence of the practical and financial demands of being a young stay-at-home mum, through to the more colourful and elaborate prints of recent years.
A personal appreciation of Anita Klein’s work by poet Hollie McNish opens the volume, while texts by publishers Rebecca and Vincent Eames, who have collaborated with the artist for more than two decades, and critic Mel Gooding give an introduction to her practice.
Anita herself provides recollections and further detail with short commentaries on the images and the occasions that they depict, complemented by poetry contributions from Dame Carol Ann Duffy, Hollie McNish and Wendy Cope.
Pangolin, sculpture, by Jennie McCall, from The Christmas Collection at Pyramid Gallery
Taking part in the exhibition too will be sculptors Jennie McCall and Christine Pike; printmaker Mychael Barratt; slipware potter Dylan Bowen; ceramicists Katie Braida, Ilona Sulikova and Drew Caines (from Leeds); glass installation artist and sculptor Monette Larsen and glassmakers Rachel Elliott, Alison Vincent, Keith Cummings, Bruce Marks and David Reekie.
To complement with festive sparkle, the Christmas Collection jewellery displays will feature studio work by more than 50 British makers, including Jane Macintosh.
Saturday’s launch will run from 12 noon to 3pm; the exhibition will continue until January 12, open 10am to 5pm, Monday to Saturday; 11am to 4pm on Sundays.
The poster for The Christmas Collection exhibitiion at Pyramid Gallery
Jewellery designer Katherine Bree, left, and landscape painter Lesley Seeger in the North Yorkshire countryside
PIGMENT & Stone, a collaborative exhibition between North Yorkshire landscape painter Lesley Seeger and London jewellery designer Katherine Bree, will run at Pyramid Gallery, Stonegate, York, from November 5 to November 27.
In this marriage of elementals, Bree has chosen Seeger’s paintings as inspiration for her new collection of gemstone treasures.
From the seed of an idea sown by the two artists during lockdown, Pigment & Stone has grown into a celebration of form and colour with an earthy elemental twist.
Pink Mountain, by Lesley Seeger, from the Pigment & Stone exhibition at Pyramid Gallery
“Steeped in the landscape of the Yorkshire countryside, Lesley’s paintings depict a unique interpretation of well-known places such as the Yorkshire Arboretum, Helmsley Walled Garden and the Yorkshire Wolds,” says Pyramid Gallery owner Terry Brett.
“Katherine has made pieces to reflect the colours, form and feel of these works. Paintings such as Pink Mountain and May Trees are complemented by necklaces, earrings and bracelets containing Amethyst, Serpentine and Garnets.
“Katherine divides her collections into the four elements – earth, air, fire and water – and this provides a perfect complement to Lesley’s elemental paintings, which she describes as talismans that ‘will reveal themselves over time with their rich histories of place, layers and colour’.”
Lesley Seeger at work in her North Yorkshire studio
Pigment & Stone promises to be a feast for both the eye and soul, promises Terry. “The earth gemstones of Tiger Eye, Malachite and Smoky Quartz are reflected in earthy paintings such as Shadow Play,” he says.
“Jewellery made from water element gemstones, such as Amazonite, Turquoise and Lapis Lazuli, is inspired by paintings such as Magic Garden and Rabbit Dale. Water element gemstones are said to be specifically linked with the season of autumn with a reputation for cleansing, healing and bringing a psychic and loving element. Best hurry along and buy your talismans now. We could all do with plenty of that ‘loving element’.”
Pigment & Stone will be launched on November 5 with an open day from 11am to 3pm. Gallery opening hours are: Monday to Saturday, 10am to 5pm; Sundays, 12 noon to 4pm; from mid-November to Christmas, 11am to 4.30pm.
The Sacred Tree, by Lesley Seeger, from Pigment & Stone, her collaborative exhibition with Katherine Bree at Pyramid Gallery from November 5
Monette Larsen: Exhibiting in the Contemporary Glass Society’s Bedazzled show at Pyramid Gallery: Picture: Valerie Bernadini
THE Contemporary Glass Society will celebrate its 25th anniversary of exhibiting at Pyramid Gallery, Stonegate, York, with the Bedazzled show.
Sixty glass works will be on show from September 10 to October 30 as part of the gallery’s 40th anniversary programme.
Pyramid Gallery and the Contemporary Glass Society have been working together since 2008, promoting the society’s membership of 800 glass artists.
Contemporary Glass Society memberMorag Reekie at work in her studio
For this landmark exhibition, the society wanted a theme that suggested celebratory glitz for its silver anniversary and duly came up with the title Bedazzled.
Between gallery owner Terry Brett and the society’s selectors, 25 artists were chosen, their styles and techniques spanning engraving, blowing, fusing, slumping, casting, cane and murine work, flame working, cutting, polishing, brush painting and metal leaf decoration.
“I’m expecting visitors and collectors to be amazed at the range of different types of ‘glass art’ and the quality of the work on display,” says Terry, who has acquired a passion for studio glass since taking on the business in 1994.
Pyramid Gallery owner Terry Brett holding a sculpture by David Reekie, surrounded by glass works from the Bedazzled exhibition
“There are so many different ways to create a work of art using glass and we have some really stunning and imaginatively made glass treasures in this show.”
A second exhibition, named Razzle Dazzle by the Contemporary Glass Society, will include small pieces that measure no more than five by five inches by 60 makers, some of whom were selected for the Bedazzled exhibition.
Gallery opening times are 10am until 5pm, Monday to Saturday. “The exhibition can be viewed online on the gallery website at www.pyramidgallery.com, but the only way to fully appreciate the display is to visit the gallery from 11am on September 10 onwards,” says Terry.
The poster for the Bedazzled exhibition at Pyramid Gallery, York
London Glassblowing founder Peter Layton, holding a Gito vase, and Pyramid Gallery owner Terry Brett
PETER Layton, London Glassblowing workshop founder and British studio glass movement grandee, will make an appearance at Pyramid Gallery on Thursday from 4.30pm to 6.15pm to herald the York art emporium’s 40th anniversary celebrations.
Gallery owner Terry Brett says: “In that period, Peter has taken part in many exhibitions of glass here and for at least 30 years he has been represented by the gallery, as have many associates of his workshop in Bermondsey Street, London.
“To mark 40 years of promoting British studio glass, we’re displaying 40 pieces of art glass that have a connection to London Glassblowing, which is itself celebrating an important anniversary: 45 years. Please join Peter for a glass of wine or a soft drink and a chat.”
Amber Glacier, by Peter Layton, at Pyramid Gallery, York
Peter is presenting 18 glass works from various ranges in the 40 Pieces Of Glass anniversary show, exhibiting alongside Bruce Marks, Layne Rowe, Anthony Scala, Sila Yucel, Cathryn Shilling and Sarah Wiberley, complemented by William Watson West’s exhibition of abstract acrylic paintings, A New Normal.
Peter trained in the 1960s as a ceramicist, but while teaching at Iowa University he experimented with glass and soon adopted it as his preferred medium. On returning to Britain, he became one of the pioneers of the British studio glass movement in London, establishing the London Glassblowing workshop in Rotherhithe in 1976.
When Terry took over Pyramid Gallery in 1994, Peter was already well established with the gallery, having supplied founder Robert Feather with glass in the early 1980s.
“I recall selling a piece of Peter’s glass on my first day of opening on May 31 1994,” says Terry. “A German glass collector came into the shop and immediately went to a tall white glass bottle that was in a cabinet.
Ice-Cap Pyramid, blown and cast glass, cut and polished, by Peter Layton
“It took no longer than five minutes for him to make a decision and purchase the object, that I now know was a Peter Layton ‘Floral’ flacon. It seemed a lot of money to me, who knew nothing about studio glass.
“I was shaking inside as I took the payment and wrapped the object in a box, but I knew it was a watershed moment for me and I have adored glass ever since.”
Since that day, at least 30 more glass artists from London Glassblowing have exhibited at Pyramid, along with 270 other glassmakers whose work has sold through the gallery in Stonegate.
40 Pieces Of Glass will run until September 24; after July, it will become part of a mixed show with other artists. Exhibition pieces can be viewed at both the gallery and online at pyramidgallery.com.
Pyramid Gallery owner Terry Brett, holding a glass form by Peter Layton. On display too are a glass ring by Colin Reid, a yellow sculpture by Bruno Romanelli, a plate by Barry Stedman and pictures by Hilke Macintyre and Mick Leach
