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Make It At Market glass makers Allister Malcolm and Alison Vincent to appear at Comfort And Joy show at Pyramid Gallery

Allister Malcolm and Alison Vincent making their appearance on BBC One’s Make It At Market. On Friday, they  will be at Pyramid Gallery, York

PYRAMID Gallery, in Stonegate, York, will hold a second opening of its festive show, Comfort And Joy, on Friday (17/11/2023), when award-winning glass maker Allister Malcolm and Alison Vincent will be in attendance from 3pm to 7pm.

“We’ll be serving drinks and nibbles in celebration of their work and their success following being on BBC One’s Make It At Market, which was first aired in January,” says gallery owner Terry Brett, ahead of the show’s repeat airing on BBC One on November 24 at 7.30pm.

“As part of Allister’s mentorship with Alison, he arranged for her to have an exhibition of her work here at Pyramid. We’re very grateful for the mention of Pyramid on the show and for the continued success of our relationship with both Allister and Alison.”

Terry adds: “We’ll also have former teacher-turned-artist Jo Kenny here for Friday’s special event. Jo and her colleague Caroline White have created Joy Jars for our Christmas show, and Jo will be here to talk about her processes and inspirations.”

Comfort And Joy, a celebration of art and sculpture all made by hand in the UK, will run until January 20 2024, featuring ceramics, glass, prints and paintings. 

“From the affordable to the aspirational, we have curated a very joyful show for the festive period filled with fantastic art for sale for presents or for your own home,” says Terry. 

Artists include: Lesley Birch, paintings; Emma Whitelock, paintings; Dinny Pocock, needlefelt sculpture; Helen Martino, ceramic sculpture; Anita Klein, linocuts and paintings; Paul Smith, sculpture; Peter Hayes, sculpture; Joy McMillan, glass sculpture and jewellery; Tracy Knowles, stained glass; Jo Kenny, blown glass, and Sarah Williams, paintings.

Hilke Macintyre, paintings, prints and ceramics; Eva Mileusnic, ceramics; Eliza Southwood, prints; Hannah Gibson, glass sculpture; E&M Glass, glass sculpture; Morag Reekie, glass sculpture; Fidelma Massey, bronze and ceramic sculpture; Louise Connell, mixed media sculpture; Kate Buckley, porcelain origami, and many more. Jewellery by more than 75 makers features too.

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Jo Walton curates Wildish exhibition of paintings, pots and poems at Pyramid Gallery with emphasis on mystic femininity

Wildish curator Jo Walton with a pot by Julie O’Sullivan and one of her own rusted works at Pyramid Gallery

GUEST curator Jo Walton and her invited exhibitors will launch their Wildish exhibition of paintings, pots, jewellery, poetry, artist-designed wallpaper and ceramic sculpture over drinks and nibbles at Pyramid Gallery, Stonegate, York, tomorrow, from 11am to 3pm. Everyone is welcome.

When Rogues Atelier Studios artist and interior designer Jo approached gallery owner Terry Brett, offering to curate an exhibition in the two first-floor galleries, he had no hesitation in saying yes.

She has exhibited her “rust prints” and rusted or treated steel paintings at Pyramid Gallery on several occasions already.

Now she has selected five artists and a poet to contribute to a joint show based loosely on the theme of deep and sensual mystic femininity.

Taking part will be Jo, Julie O’Sullivan, Christine Pike, Izzy Williamson, Zoe Catherine Kendal and York poet Nicky Kippax.

A close-up of Christine Pike’s Precious

Terry has been assisting with setting up the show. “It’s very refreshing for me to return from a short holiday and be able to watch Jo and the Pyramid team of Fiona, Sarah, Ali and Angela, set up a complete show,” he says.

“And the show looks good, based on wild country scenes and imaginary creatures in materials that have a big impact through texture or colour.”

Jo’s work is primarily abstract, often combining rusted metal with oil painting, and using wax, gold, silver and copper leaf to create imaginary, colour-scapes, seascapes and earth-scapes. Her art on wooden panels, metal and textured surfaces ranges in size from 20cm to 1m square.

From her studio in Leigh-on-Sea, Essex, Julie O’Sullivan presents a body of work shaped by living alongside the transient beauty of the Thames Estuary. This leads to her incorporating found sea-glass, seaweed, shells and pebbles taken from the shoreline.

Julie uses a coarse-textured stoneware clay, yet there remains a sensuous delicacy or fragility to her work.

The poster for the Wildish exhibition at Pyramid Gallery

Izzy Williamson specialises in making original, limited-edition relief prints rooted in nature and stories from her childhood in Whitby, where the narratives within her work express feelings of playfulness and wonder. She also produces designs for interiors, packaging and branding.

Zoe Catherine Kendal makes jewellery and sculptural objects from mixed precious and non-precious materials such as ancient and antique beads, ceramics, and metals. Her one-off creations reflect a playful exploration of form and aesthetics, while revealing craftsmanship and a passion for ancient and contemporary adornment.

Christine Pike, who holds an MA from Norwich University of the Arts, makes works that tell stories. They vary in subject and scale, but with one central theme: a joyful appreciation of nature and our relationship with it, viewed through the lens of folk tales and myth. She works in paperclay, ceramic and mixed media.

York poet Nicky Kippax’s work can be found in anthologies and magazines, such as Poetry News, The Rialto and The Alchemy Spoon, and has been shortlisted for the Bridport Prize. Her first collection will be published soon. For Wildish, she will weave her wordy magic among the artworks.

The gallery opening times until September 1 are 10am to 5pm, Monday to Saturday.

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Project: Thursday life drawing classes at St Olave’s Church Hall. Result: Donderdag Collective exhibition at Pyramid Gallery

Tranquillity, chalk and charcoal, by Diane Cobbold

THE Donderdag Collective will be exhibiting at Pyramid Gallery, Stonegate, York from Saturday to June 25.

Founded in 2011 by a group of artists in York, they meet at St Olave’s Church Hall, in Marygate Lane, on Thursday evenings to sketch or paint from a life model (‘Donderdag’ being Dutch for ‘Thursday’).

The group comprises both professional artists and keen amateurs who want to hone their technique or explore new ideas by working freely with a life model.

Comfortable In Your Own Skin, life drawing artwork, by Donderdag Collective member Carolyn Coles

“This exhibition is a celebration of the art of life drawing and an opportunity for the collective to show together the art that they make for pleasure or as a means of earning a living,” says Pyramid Gallery owner and curator Terry Brett.

Fifteen members will feature in the Artists And The Human Form show, exhibiting both life drawings made during the Thursday sessions and other artworks for sale.

Away, charcoal, by Kate Pettitt

Taking part will be: Julie Mitchell; Rory Barke; Bertt deBaldock (aka Terry Brett);  Diane Cobbold; Carolyn Coles; Leon Francois Dumont; Jeanne Godfrey; Anna Harding; Adele Karmazyn; Michelle Galloway; Andrian Melka; Kate Pettitt; Swea Sayers; Barbara Shaw and Donna Maria Taylor.

The artists will attend Saturday’s official opening from 11am to 2.30pm, when wine, soft drinks and nibbles will be served. Gallery opening hours are 10am to 5pm, Monday to Saturday; closed Sundays.

Ring Of Fire, oil, by Leon Francois Dumont
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New works by ceramicist Ben Arnup and Anita Klein are the headline acts in Pyramid Gallery’s Christmas Collection exhibition

The Christmas collection: York ceramicist Ben Arnup, left, and Pyramid Gallery owner Terry Brett with an Anita Klein linocut print behind them

YORK ceramicist Ben Arnup will open Pyramid Gallery’s concluding 40th anniversary exhibition, The Christmas Collection, in Stonegate, York, on Saturday at 12 noon.

Ben will be exhibiting 12 new pieces, having supplied gallery curator and owner Terry Brett with his distinctive trompe l’oeil’ ceramic sculptures for 28 years.

At the heart of The Christmas Collection will be new work by another Pyramid regular, London artist and printmaker Anita Klein. “I’ve invited Anita to fill the walls of this show with 15 large linocut original prints and two paintings,” says Terry.

“The gallery has enjoyed a long, unbroken relationship with Anita as a supplier of her extensive catalogue of prints that form a diary of her family life.

Angel With Gift, linocut print, by Anita Klein

“Over the 28 years in which she has shown more than 800 different pictures at Pyramid Gallery, we’ve watched her career progress to the point where she has become one of the most collectable printmakers in the UK. It seems very fitting that she is the main focus of this year’s final anniversary exhibition.”

As well as showing new linocut prints, Anita will be selling copies of her book Out Of The Ordinary – 40 years Of Print Making, published by Eames Fine Art in October.

For more than 40 years, this artist of the everyday and the personal has produced thousands of paintings, prints and drawings depicting her immediate family – husband, daughters, grandchildren and herself – going about the very ordinary activities of daily life.

From watching television, cooking, reading, driving to school, soaking in the bath and getting dressed, to cleaning the house, choosing a pet, going on holiday, or just cuddling up and sharing tender moments with loved ones, Anita captures these seemingly unremarkable domestic scenes with humour, sensitivity and beauty, creating an intimate visual journal with which everyone can identify. 

The book cover for Anita Klein’s Out Of The Ordinary, published in October and on sale at Pyramid Gallery

The book contains 550 of Anita’s best-loved prints, presented as a charming chronological record of the family’s day-to-day life through the decades, seen from the artist-mother’s perspective, as they grow and change in their respective roles within the household.

Out Of The Ordinary also charts her development as a printmaker, from the simple monochrome drypoints of the 1980s, a consequence of the practical and financial demands of being a young stay-at-home mum, through to the more colourful and elaborate prints of recent years.

A personal appreciation of Anita Klein’s work by poet Hollie McNish opens the volume, while texts by publishers Rebecca and Vincent Eames, who have collaborated with the artist for more than two decades, and critic Mel Gooding give an introduction to her practice.

Anita herself provides recollections and further detail with short commentaries on the images and the occasions that they depict, complemented by poetry contributions from Dame Carol Ann Duffy, Hollie McNish and Wendy Cope.

Pangolin, sculpture, by Jennie McCall, from The Christmas Collection at Pyramid Gallery

Taking part in the exhibition too will be sculptors Jennie McCall and Christine Pike; printmaker Mychael Barratt; slipware potter Dylan Bowen; ceramicists Katie Braida, Ilona Sulikova and Drew Caines (from Leeds); glass installation artist and sculptor Monette Larsen and glassmakers Rachel Elliott, Alison Vincent, Keith Cummings, Bruce Marks and David Reekie.

To complement with festive sparkle, the Christmas Collection jewellery displays will feature studio work by more than 50 British makers, including Jane Macintosh.

Saturday’s launch will run from 12 noon to 3pm; the exhibition will continue until January 12, open 10am to 5pm, Monday to Saturday; 11am to 4pm on Sundays.

The poster for The Christmas Collection exhibitiion at Pyramid Gallery
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Lesley Seeger and Katherine Bree form Yorkshire-London collaboration for painting and gemstone show at Pyramid Gallery

Jewellery designer Katherine Bree, left, and landscape painter Lesley Seeger in the North Yorkshire countryside

PIGMENT & Stone, a collaborative exhibition between North Yorkshire landscape painter Lesley Seeger and London jewellery designer Katherine Bree, will run at Pyramid Gallery, Stonegate, York, from November 5 to November 27.

In this marriage of elementals, Bree has chosen Seeger’s paintings as inspiration for her new collection of gemstone treasures.

From the seed of an idea sown by the two artists during lockdown, Pigment & Stone has grown into a celebration of form and colour with an earthy elemental twist.

Pink Mountain, by Lesley Seeger, from the Pigment & Stone exhibition at Pyramid Gallery

“Steeped in the landscape of the Yorkshire countryside, Lesley’s paintings depict a unique interpretation of well-known places such as the Yorkshire Arboretum, Helmsley Walled Garden and the Yorkshire Wolds,” says Pyramid Gallery owner Terry Brett.

“Katherine has made pieces to reflect the colours, form and feel of these works. Paintings such as Pink Mountain and May Trees are complemented by necklaces, earrings and bracelets containing Amethyst, Serpentine and Garnets.

“Katherine divides her collections into the four elements – earth, air, fire and water – and this provides a perfect complement to Lesley’s elemental paintings, which she describes as talismans that ‘will reveal themselves over time with their rich histories of place, layers and colour’.”

Lesley Seeger at work in her North Yorkshire studio

Pigment & Stone promises to be a feast for both the eye and soul, promises Terry. “The earth gemstones of Tiger Eye, Malachite and Smoky Quartz are reflected in earthy paintings such as Shadow Play,” he says.

“Jewellery made from water element gemstones, such as Amazonite, Turquoise and Lapis Lazuli, is inspired by paintings such as Magic Garden and Rabbit Dale. Water element gemstones are said to be specifically linked with the season of autumn with a reputation for cleansing, healing and bringing a psychic and loving element. Best hurry along and buy your talismans now. We could all do with plenty of that ‘loving element’.”

Pigment & Stone will be launched on November 5 with an open day from 11am to 3pm. Gallery opening hours are: Monday to Saturday, 10am to 5pm; Sundays, 12 noon to 4pm; from mid-November to Christmas, 11am to 4.30pm.

The Sacred Tree, by Lesley Seeger, from Pigment & Stone, her collaborative exhibition with Katherine Bree at Pyramid Gallery from November 5
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Contemporary Glass Society marks 25 years at Pyramid Gallery with Bedazzled

Monette Larsen: Exhibiting in the Contemporary Glass Society’s Bedazzled show at Pyramid Gallery: Picture: Valerie Bernadini

THE Contemporary Glass Society will celebrate its 25th anniversary of exhibiting at Pyramid Gallery, Stonegate, York, with the Bedazzled show.

Sixty glass works will be on show from September 10 to October 30 as part of the gallery’s 40th anniversary programme.

Pyramid Gallery and the Contemporary Glass Society have been working together since 2008, promoting the society’s membership of 800 glass artists.

Contemporary Glass Society member Morag Reekie at work in her studio

For this landmark exhibition, the society wanted a theme that suggested celebratory glitz for its silver anniversary and duly came up with the title Bedazzled.

Between gallery owner Terry Brett and the society’s selectors, 25 artists were chosen, their styles and techniques spanning engraving, blowing, fusing, slumping, casting, cane and murine work, flame working, cutting, polishing, brush painting and metal leaf decoration.

“I’m expecting visitors and collectors to be amazed at the range of different types of ‘glass art’ and the quality of the work on display,” says Terry, who has acquired a passion for studio glass since taking on the business in 1994.

Pyramid Gallery owner Terry Brett holding a sculpture by David Reekie, surrounded by glass works from the Bedazzled exhibition

“There are so many different ways to create a work of art using glass and we have some really stunning and imaginatively made glass treasures in this show.”

A second exhibition, named Razzle Dazzle by the Contemporary Glass Society, will include small pieces that measure no more than five by five inches by 60 makers, some of whom were selected for the Bedazzled exhibition.

Gallery opening times are 10am until 5pm, Monday to Saturday. “The exhibition can be viewed online on the gallery website at www.pyramidgallery.com, but the only way to fully appreciate the display is to visit the gallery from 11am on September 10 onwards,” says Terry.

The poster for the Bedazzled exhibition at Pyramid Gallery, York
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When can you meet glassmaking grandee Peter Layton at Pyramid Gallery? Thursday!

London Glassblowing founder Peter Layton, holding a Gito vase, and Pyramid Gallery owner Terry Brett

PETER Layton, London Glassblowing workshop founder and British studio glass movement grandee, will make an appearance at Pyramid Gallery on Thursday from 4.30pm to 6.15pm to herald the York art emporium’s 40th anniversary celebrations.

Gallery owner Terry Brett says: “In that period, Peter has taken part in many exhibitions of glass here and for at least 30 years he has been represented by the gallery, as have many associates of his workshop in Bermondsey Street, London.

“To mark 40 years of promoting British studio glass, we’re displaying 40 pieces of art glass that have a connection to London Glassblowing, which is itself celebrating an important anniversary: 45 years. Please join Peter for a glass of wine or a soft drink and a chat.”

Amber Glacier, by Peter Layton, at Pyramid Gallery, York

Peter is presenting 18 glass works from various ranges in the 40 Pieces Of Glass anniversary show, exhibiting alongside Bruce Marks, Layne Rowe, Anthony Scala, Sila Yucel, Cathryn Shilling and Sarah Wiberley, complemented by William Watson West’s exhibition of abstract acrylic paintings, A New Normal.

Peter trained in the 1960s as a ceramicist, but while teaching at Iowa University he experimented with glass and soon adopted it as his preferred medium. On returning to Britain, he became one of the pioneers of the British studio glass movement in London, establishing the London Glassblowing workshop in Rotherhithe in 1976.

When Terry took over Pyramid Gallery in 1994, Peter was already well established with the gallery, having supplied founder Robert Feather with glass in the early 1980s.

“I recall selling a piece of Peter’s glass on my first day of opening on May 31 1994,” says Terry. “A German glass collector came into the shop and immediately went to a tall white glass bottle that was in a cabinet.

Ice-Cap Pyramid, blown and cast glass, cut and polished, by Peter Layton

“It took no longer than five minutes for him to make a decision and purchase the object, that I now know was a Peter Layton ‘Floral’ flacon. It seemed a lot of money to me, who knew nothing about studio glass.

“I was shaking inside as I took the payment and wrapped the object in a box, but I knew it was a watershed moment for me and I have adored glass ever since.”

Since that day, at least 30 more glass artists from London Glassblowing have exhibited at Pyramid, along with 270 other glassmakers whose work has sold through the gallery in Stonegate.

40 Pieces Of Glass will run until September 24; after July, it will become part of a mixed show with other artists. Exhibition pieces can be viewed at both the gallery and online at pyramidgallery.com.  

Pyramid Gallery owner Terry Brett, holding a glass form by Peter Layton. On display too are a glass ring by Colin Reid, a yellow sculpture by Bruno Romanelli, a plate by Barry Stedman and pictures by Hilke Macintyre and Mick Leach
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Don Lodge’s Impressions Of The Rally In York painting sale aids York City of Sanctuary’s support for Ukrainian refugees

Purchaser Paul Martin and Pyramid Gallery owner with Don Lodge’s fundraising painting Impressions Of The Rally In York

YORK resident Paul Martin has bought Don Lodge’s painting Impressions Of The Rally In York. All proceeds will go to York City of Sanctuary to support refugees arriving from Ukraine.

The £500 oil on canvas captures a scene from a Ukraine rally held in York in March. All key individuals in the painting have given their consent for their images to be used for publicity for this cause. More details on York City of Sanctuary can be found at york.cos.org.uk.

Mr Martin is pictured, left, with Pyramid Gallery owner Terry Brett surrounded by paintings from Danny Barbour’s Unearthed exhibition, on show at the Stonegate gallery until April 24.

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Westside story as York artists gather for Into The Blue exhibition at Pyramid Gallery

Adele Karmazyn’s show poster for Westside Artists’ Into The Blue

INTO The Blue, an exhibition of paintings, sculptures and prints by York’s Westside Artists, is running at Pyramid Gallery, Stonegate, York, until March 13.

“This is an eclectic show of work by this collaboration of artists from the West of York,” says gallery owner Terry Brett. “In Pyramid’s 40th year in York, we’re keen to celebrate the wealth of talent here in our city, starting the year off with this beautiful show.”

Jane Dignum’s poster for Westside Artists’ Into The Blue exhibition

“Each artist has created new work to portray their personal interpretation and concept of the exhibition title, Into The Blue. With so many diverse disciplines, the exhibition really is a sight to behold.”

Taking part are Adele Karmazyn (digital photomontage); Carolyn Coles (painting); Donna Marie Taylor (mixed media); Ealish Wilson (mixed media and sculpture); Fran Brammer (textiles) and Jane Dignum (printmaking).

Photographer Simon Palmour’s poster

So to are Jill Tattersall (mixed-media collage); Kate Akrill (ceramics); Lucie Wake (painting); Mark Druery (printmaking); Richard Rhodes (ceramics); Sharon McDonagh (mixed media) and Simon Palmour (photography).

Pyramid Gallery is open from 10am to 5pm, Monday to Saturday, but closed on Sundays at present.  

Wake-up call: Lucie Wake’s poster to attract visitors to Into The Blue
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Ben Arnup’s ‘slightly eccentric’ new ceramics launched at Pyramid Gallery tomorrow in Christmas Collection show

Barn, box-form ceramic, by Ben Arnup

YORK ceramist Ben Arnup opens the Christmas Collection exhibition at Pyramid Gallery, Stonegate, York, tomorrow at 11am.

On show until January 20 will be new work comprising 24 small and medium pots that feature trompe l’oeil effects with his flattened box forms and a new departure in his style wih vase and beaker forms.

“Collectors of his work will be surprised to hear that an eminent ceramic artist who has built his career on the basis of trying to trick the eye has this year progressed into the realm of vessels that are not compressed to an almost flat form,” says Pyramid Gallery curator and owner Terry Brett.

“But they will also be pleased that nothing in Arnup’s world is regular and that each vessel here in this show succeeds in being slightly eccentric.

“Ben has always experimented with surface decoration, using micro-thin layers of coloured clay to create a marble effect or applying textured coloured slips to differentiate different sides to a cube. The new work incorporates both of these techniques to pleasing effect.”

Pyramid Gallery owner Terry Brett holding ceramics by Ben Arnup. Behind him are paintings by Mick Leach

Arnup’s interest in ceramics started at home. Blessed with a sculptor and a potter as parents, he grew up learning ceramics skills and technology.

Originally trained as a landscape architect, he worked in the industry until 1984 when he returned to making pots, heavily influenced by the design process. Previously working in Ross Moor and with his father near Holtby, he now lives and works in York.

From the beginning of his career as a potter, his pieces were always shallow, with trompe l’oeil illusions. For the first 15 years, his work was high-fired stoneware in an oil reduction kiln; now this fellow of the Craft Potters Association fires to an oxidised stoneware in an electric kiln to achieve cleaner, brighter colours.

“In order to create a colourful fluid field for the trompe l’oeil image I laminate a porcelain veneer onto a stronger clay body,” he says. “The drawn illusion is complemented by the colourful rhythm in the base clay.

Barn, box-form ceramic, by Ben Arnup

“The pots are an exploration of the way we see. The onlooker will be well aware of the frail illusion and the contradiction between what is suggested and what is tangible. I like to play a game: setting the prosaic nature of clay against the unlikely structures of the drawings.”

Arnup will be at Pyramid Gallery between 11 am and 2.30pm tomorrow to greet collectors and explain his making methods and inspirations for the work. Wine and refreshments will be served.

On the walls are paintings by York artist Mick Leach and work by Scottish artists Ian MacIntyre (paintings) and Hilke MacIntyre (ceramic reliefs and linocut prints), while an array of many different types of 3D art is provided by sculptor Jennie McCall, glass maker Catherine Shilling and potters Dylan Bowen and Katie Pruden.

As always, the window and cabinets on the ground floor are filled with hand-made jewellery by more than 50 British jewellery designer/makers.

Gallery opening hours are 10am to 5pm, Monday to Saturday, and 11am to 4.30pm on Sundays. Much of the work can be seen and bought via the gallery website at pyramidgallery.com.