More Things To Do in York & beyond. Whether 7 Days or SIX, it all adds up to Hutch’s List No. 31 for ’23, from The Press

Alex Cardall’s Eeyore, left, Robbie Noonan’s Tigger, Benjamin Durham’s Winnie the Pooh and Lottie Gregan’s Tigger in Disney’s musical adventure Winnie The Pooh. Picture: Pamela Raith

GEORGIAN glories, Forties’ swing bombshells, the joy of SIX, storytelling with pizza and Pooh and Tigger adventures bring a bounce to Charles Hutchinson’s step.

Children’s show of the week: Disney’s Winnie The Pooh, Grand Opera House, York, Tuesday, 5pm; Wednesday, 11am and 2pm

DEEP in the Hundred Acre Wood, a new musical adventure unfolds for A A Milne’s beloved characters Winnie the Pooh, Christopher Robin and their best friends Piglet, Eeyore, Kanga, Roo, Rabbit, Owl and Tigger.

Accompanying the modern narrative and life-size puppetry in Jonathan Rockefeller’s show will be Nate Edmondson’s score, featuring Grammy Award-winning songs by the Sherman Brothers, such as The Blustery Day, The Wonderful Thing About Tiggers and Whoop-De-Dooper Bounce, plus Milne’s The More It Snows (with music by Carly Simon) and Sing Ho in a new arrangement. Box office: atgtickets.com/york.

7 Days at the races: Craig David at York Racecourse Music Showcase weekend, today

SOUTHAMPTON soul singer Craig David, of 7 Days romancing fame, performs hits galore after today’s racing on Knavesmire. Fill Me In, Walkaway, Rise & Fall, All The Way and I Know You are likely to feature in his early evening set with a finishing time of 7.30pm.

Gates open at 11.15am for the 2.05pm start to the seven-race card. Best bet for a ticket, as the County Stand and Grandstand & Paddock are full already, will be the more informal Clocktower Enclosure. Buy on the gate.

Alexander Flanagan Wright, left, and Phil Grainger: Premiering Helios at the Stilly Fringe tomorrow night

Stilly Fringe storytelling: James Rowland in Piece Of Work, tomorrow, 7.15pm; Wright & Grainger in Helios, tomorrow, 8.45pm, At The Mill, Stillington, near York

AHEAD of his Edinburgh Fringe run, James Rowland opens the Stilly Fringe 2023 storytelling double bill with Piece Of Work, his follow-up to Learning To Fly. Combining story, comedy and music, Piece Of Work takes the form of a road trip searching for the writer of a letter that exploded Rowland’s life. Will he find a sense of home and maybe save a life too?

Edinburgh-bound Alexander Flanagan Wright and Phil Grainger introduce Helios, their latest instalment of stories and songs rooted in Greek myths, in the wake of Orpheus, Eurydice and The Gods The Gods The Gods. Any Stilly Fringe benefits? 1. Pizzas are on the menu from 6.30pm. 2. One ticket covers both shows at tickettailor.com/events/atthemill/957195.  

The poster for Spark Comedy Fringe

Funday Sunday: Burning Duck Comedy Club presents Spark Comedy Fringe, Events Space @ Spark:York, York, tomorrow, 4pm

FOUR acts in one day are on the Burning Duck bill of Edinburgh Fringe previews, kicking off at 4pm with comedian, animator and computer programmer Neil Harris’s Codebreaker show about the Enigma machine, Alan Turing and Bletchley Park, followed by Stanley Brooks’s I Can Make Me Rich, an inspirational, interactive seminar to change your life and bring you cash at 5.30pm.

In Eryn Tett Finds Her Audience at 7pm, this absurdist stand-up misfit combines surreal storytelling with odd observations and wordplay; Tom Lawrinson concludes the cornucopia of comedy with weird, wonderful and completely unexpected punchlines in Hubba Hubba at 8.30pm. Each show costs £5 in advance for guaranteed entry or you can Pay What You Want post-show. A £15 ticket gives entry to all four performances. Box office: wegottickets.com/spark-comedy-fringe.

SIX of the best: Henry VIII’s Queens hit back in song at Leeds Grand Theatre. Picture: Pamela Raith

Musical of the week: SIX The Musical, Leeds Grand Theatre, Tuesday to Sunday

TOBY Marlow and Lucy Moss’s Spouse Girls musical/pop concert wowed York in late-June. Now Leeds awaits the dancing queens with attitude who tell their story in song to decide who suffered most at Henry VIII’s hands once he put a ring on that wedding finger.

Look out for Knaresborough actress Lou Henry in the role of the apparently not-so-squeaky-clean Catherine Howard, short-lived wife number five. Box office (probably for frustration only): 0113 243 0808 or leedsheritagetheatres.com.

In the swing of things: Alice McKenna, left, and Gleanne Purcell-Brown in Alan Plater’s Blonde Bombshells Of 1943 at the SJT. Picture: Pamela Raith

Forties’ flavour of the week: Blonde Bombshells Of 1943, Stephen Joseph Theatre, Scarborough, Wednesday to August 26

ZOE Waterman directs a cast of eight actor-musicians in the SJT, Bolton Octagon and Keswick Theatre by the Lake’s lavish, lively co-production of Hull playwright Alan Plater’s warm and witty musical play.

Meet The Blonde Bombshells, the most glamorous all-girl swing band in the north, whose membership goes down every time they play a GI camp. Now an important BBC job is in the offing and Betty needs to find new musicians fast. Expect Glenn Miller, George Formby, Fats Waller and Andrews Sisters classics aplenty. Box office: 01723 370541 or sjt.uk.com. 

Castle Howard, egg tempera on gesso on canvas, by Amy Dennis, on show in the Northern Prospects exhibition at Janette Ray Rare Books

Exhibition of the week: Northern Prospects, Janette Ray Rare Books, Bootham, York, Wednesday to Friday, 10am to 5pm, until August 19

LOTTE Inch Gallery’s pop-up show of York and northern paintings, prints and ceramics at Janette Ray’s bookshop is being expanded with ceramics by York artists Ben Arnup, Mark Hearld and Ruth King among the new additions.

As Lotte turns her hand once more to creating artistic showcases in non-traditional exhibition spaces, after her hiatus from curating, she presents works by Tom Wood, Marie Walker Last, David Lloyd Jones, Amy Dennis, Nicky Hirst, Kelly Jayne, Robert H Lee, Isabella Maclure, Geoff Morten and Malcolm Whittaker in “unusual corners” amid the shop’s treasure trove of books on the visual arts.

Who will be in Mad Alice’s Georgian Rogues Gallery? Find out each day at the York Georgian Festival

Festival of the week: York Georgian Festival, Thursday to Sunday

DUST off your petticoat and powder your best wig for a plethora of engagements at York Mansion House, Fairfax House, Bar Convent Living Heritage Centre and elsewhere at the inaugural York Georgian Festival.

Learn to dance the minuet; discover Georgian family life with Horrible Histories writer Terry Deary; revel in Mad Alice’s Georgian Rogues Gallery; solve the mystery of tricky Dick Turpin’s missing corpse in an immersive murder mystery night and take a peep behind-the-scenes with York’s curators. For full festival details and tickets, head to: mansionhouseyork.com/yorkgeorgianfestival.

Katie Melia: From starring in Sweet Charity to hosting the Life Is A Cabaret fundraiser at Theatre@41, Monkgate

Fundraiser of the week: Life Is A Cabaret, Theatre@41, Monkgate, York, Friday, 7.30pm

KATIE Melia returns to Theatre@41 after her February lead role in York Stage’s Sweet Charity to present a concert in aid of Reflect: Pregnancy Loss Support, looking to surpass the £3,000 raised at her first fundraiser for this North Yorkshire charity.

Alexa Chaplin, Jack Hooper and Dale Vaughan sing stage and screen hits from Wicked, Spamalot, Dreamgirls and Grease; West End star and director Damien Poole goes Eurovision with Rise Like A Phoenix; Emily Ramsden and Elf The Musical leading lady Sophie Hammond perform too. Tickets update: sold out. For returns only, tickets.41monkgate.co.uk.

Chesney Hawkes: Meadowfest headliner. Picture: Axel Muench

In Focus: Meadowfest, Malton’s Boutique Midsummer Music Festival, today, 10am to 10pm

MALTON’S boutique music festival takes place within the riverside meadows and gardens of the Talbot Hotel, Yorkersgate.

Anticipate a relaxed, joyful, family festival of uplifting sunshine bands, all-day feasting and dancing like no one’s watching.

Grab a hay bale, street food and something to sip and enjoy a mix of live music over two stages with Yorkshire bands to the fore.

Be Amazing Arts hosts the pop-up venue The Creativitent, a hive of activity with creative arts workshops, performances and storytelling, arts and craft zones and facepainting!

The Creativitent gives the opportunity for children, young people and their families to “discover their inner creativity, take to the stage, get crafty”.

This House We Built: Playing the Hay Bale Stage at 5pm. Picture: Ben Audsley

Music line-up

10am, Malton School Soul Band, Meadow Stage; 10.30am, Graeme Hargreaves, Hay Bale Stage; 11am, Gary Stewart, Hay Bale Stage; 12 noon, The Caleb Murray Band, Meadow Stage; 1pm, Alchemy Live, tribute to Dire Straits, Hay Bale Stage; 2pm, The Alex Hamilton Band, Meadow Stage; 3pm, Arrival, The Hits of Abba, Hay Bale Stage; 4pm, Alistair Griffin & Band, Meadow Stage; 5pm, This House We Built, Hay Bale Stage; 6pm, Huge, York party band, Meadow Stage; 7.15pm, The Y Street Band, Hay Bale Stage; Chesney Hawkes, Meadow Stage headliner, 8.45pm.

Box office: tickettailor.com/events/visitmalton.

Panto in a car park? Oh, yes it is, in Horrible Christmas at Elvington Airfield on January 2

Horrible Histories’ cast for Car Park Panto’s Horrible Christmas, destined for Elvington Airfield

THE world’s first drive-in pantomime is to park up at Elvington Airfield, York, for a “terrible end” to Christmas on January 2, courtesy of the gleefully grotesque Horrible Histories team.

Car Park Panto’s Horrible Christmas will be performed at 11am, 2pm and 5pm that day in the finale to a 14-date tour of racecourses, airports, stadiums and a motor-racing circuit that begins on Friday.

This is the second tour of a show first prompted by the pandemic-enforced closure of theatres nationwide in 2020. Birmingham Stage Company and Coalition Presents responded by working together to save Christmas for more than17,000 families by putting on their drive-in panto premiere. 

Writer-director Neal Foster, actor/manager of Birmingham Stage Company, says: “We have to thank the remarkable pandemic closing all the theatres for these car park shows coming about.

“At first, we didn’t know what to do, but various people had ideas about doing things in car parks, and in fact we were contacted by seven companies, but only Coalition followed it up, and so we did Horrible Histories’ Barmy Britain in car parks.

“Then, Guy Robinson, from Coalition, asked if we had a Christmas show, and we said, ‘yes, we have Horrible Christmas’.”

Cue the first tour last winter, when, “by December 31, we were the only company still doing a show, because the theatres had had to close again, and our last show, after two weeks of performances, was in Harrogate [at the Great Yorkshire Showground],” says Neal.

“We then put together Billionaire Boy for car parks, for May, when shows could re-start, and that show then went into the West End. Since May, we’ve done eight shows in seven months; we just haven’t stopped!  

Birmingham Stage Company’s cast for Horrible Histories’ Barmy Britain, the first car park tour show

“In fact, it’s been one of our most successful years, and a lot of that was down to the money we received from the Culture Recovery Fund. We didn’t need to apply for the third round of grants, but we wouldn’t have been able to do this year’s shows without the £200,000 we received earlier on.”

Neal was “amazed and thrilled by how totally successful the Car Park Party productions have proved to be”. “We’re delighted to be back on tour again with Horrible Christmas. It turns live theatre into a truly unique and festive event.”

In a nutshell, Horrible Christmas is a car-centred, Covid-secure experience, wherein children and adults are able to able to jump up and down in their own seats, cheer and make as much noise as they like, even beeping horns, as they watch a celebration of Christmas “delivered in a way that only Horrible Histories can”.

“You don’t need to worry about anyone else because you’re in your own bubble in your car, like everyone there,” says Neal. “It’s like you’re in your own VIP tent!”

In the panto, when Christmas comes under threat from a jolly man dressed in red, one young boy must save the day, but can he save Christmas? From Victorian villains to medieval monks, Puritan parties to Tudor treats, the Horrible Histories cast of eight sets off on a hair-raising adventure through the history of Christmas in the company of Charles Dickens, Oliver Cromwell, King Henry VIII and St Nicholas as they all join forces to rescue the festive season in Terry Deary’s tale.

True, it is not strictly speaking a typical panto, but nevertheless Horrible Christmas will spark up the audience’s festive spirit, from the comfort and security of their own cars.

In doing so, the Car Park Panto seeks to address these scenarios: children being unable to sit still; the need to cater for different snack requirements; the feeling of anxiety in crowds; the inability to find a dog sitter; and a desire to wear pyjamas, fancy dress or a Christmas jumper at the panto and not be judged.

“You can leave all worries at home and relax as a family with Car Park Panto’s Horrible Christmas,” say the promoters. “If traditional panto at your local theatre is proving too expensive for all the family, Horrible Christmas! is the best value ticket for you. 

The poster for Car Park Panto’s Horrible Christmas show

“The ticket covers the car, not the people inside, so you can bring your grandparents and babies and be sound in the knowledge you will be safe seated among family and friends, rather than in a packed theatre auditorium.”

Horrible Histories’ own history of Horrible Christmas began in 2013. “We first did it in a co-production with Derby Playhouse that year, and apart from one year, it’s been put on every year since then, at such places as the Lowry, Salford Quays, Blackpool Winter Gardens, Cambridge and Birmingham,” says Neal.

“It’s different from our other Horrible Histories stories, with a cast of eight, making it the biggest Horrible Histories show we do, whereas we do the Barmy Britain show with a double act and big 3D special effects. Not only do we use eight actors but there’s a screen on stage too, so it’s like a concert, with everything being filmed live.”

Horrible Christmas tells the story of a young boy having all his Christmas presents stolen by ‘Father Christmas’, who turns out not to be Father Christmas.  “The boy goes back to the times of Charles Dickens, Charles II, Oliver Cromwell and Henry VIII, Saint Nicholas, and back to Bethlehem itself, and what’s different to other Horrible Histories is that it’s very touching,” says Neal.

“It’s worth saying, there’s nothing gory about Horrible Christmas, unlike our other shows. It’s more about being silly and funny – and it works really well in a car park.

“Because the play is about how special Christmas is to people, it was great for us that last Christmas, for some, it was the only way to experience a Christmas show. It remains the safest way to see a Christmas show, and it’s particularly good if you have anyone elderly or vulnerable in your family.”

What comes next for Horrible Histories? “We’ve been doing Horrible Histories shows for 16 years now, starting in 2005, and there’s no end to that history,” says Neal. “Fortunately, humans have produced all sorts of horrible history down the years, and Boris Johnson is doing that for us now, isn’t he?!”

Car Park Panto presents Horrible Histories in Horrible Christmas, Elvington Airfield, near York, January 2 2022. Bring blankets, sleeping bags, maybe a favourite festive hat – oh, and a car, obviously. Tickets: £49.50 per car, plus £2.50 booking fee, at carparkparty.com.  

Did you know?

“HENRY VIII is one of the reasons why turkey became popular on Christmas Day,” says Neal Foster. “The world seems to follow the fashion of what the Royals do, and it was Henry who introduced the eating of turkey at Christmas. As with all the Horrible Histories, that story is taken from a Terry Deary book.”

Barmy Britain? If you think modern times are bad, try Horrible Histories for size

Gunpowder Guy in Horrible Histories’ Barmy Britain

CAN you beat battling Boudicca? What if a Viking moved in next door? Would you lose your heart or head to horrible Henry VIII?

Can evil Elizabeth entertain England? Will Parliament survive Gunpowder Guy? Dare you stand and deliver to dastardly Dick Turpin?

Can you escape the clutches of Burke and Hare? Why not move to the groove with Party-Queen Victoria?

Questions, questions, so many questions to answer, and here to answer them are the Horrible Histories team in their alternative history lesson, Barmy Britain, on tour at the Grand Opera House, York, until Sunday.

These purveyors of the West End’s longest-running children’s show are bringing British history to life in a humorously horrible and eye-popping show trip to the past with Horrible Histories’ trademark 3D effects.

Watch out for their Bogglevision array of illusions, as skulls hover, dams burst and missiles fly into the audience – and be sure to duck. Fast!

Party Queen Victoria in Horrible Histories’ Barmy Britain

Presented by the Birmingham Stage Company over 15 years, the Horrible Histories Live on Stage shows are written by Neal Foster and Horrible Histories author Terry Deary.

Deary has written 200 books, translated into 40 languages. Since 1983, his 50 Horrible Histories titles have sold more than 25 million copies worldwide from China to Brazil.

Horrible Histories’ Barmy Britain is directed by Foster and designed by Jackie Trousdale, with lighting by Jason Taylor, sound by Nick Sagar, music by Matthew Scott and choreography by Kenn Oldfield.

“We all want to meet people from history. The trouble is, everyone is dead. It’s time to prepare yourselves for Horrible Histories,” says Foster. “Our wonderful Barmy Britain journey through the gruesome, scary and unbelievable moments in British history is perfect entertainment for anyone aged from 5 to 105!”

Performances are at 10.30am and 7pm today; 3pm and 7pm, Saturday; 11am and 3pm, Sunday. Box office: atgtickets.com/york.

Oh, Deary! Harrogate shows on Horrible Histories: Barmy Britain tour cancelled

History on the move: Neal Foster and Morgan Philpott will be performing Horrible Histories: Barmy Britain on later spring dates than first planned on the Car Park Tour. Picture: Mark Douet

HORRIBLE blow for Harrogate, as the Government roadmap out of the lockdown has consigned the April 3 performances of Horrible Histories: Barmy Britain at the Yorkshire Event Centre to history.

Other dates on the nationwide Car Park Tour booked originally for before April 12 have been rearranged after the proposed timing of the Government’s four-step plan necessitated a later itinerary.

Seventeen locations will accommodate the tour, ranging from racecourses to sports stadia, showgrounds to an airport, an exhibition centre to country houses, but no new space in the diary could be found for the Great Yorkshire Showground show in Harrogate.

By contrast, the April 5 performance of the live-action version of Barmy Britain at Harewood House, near Leeds, has been switched to Sunday, May 2 at 11am.

Tickets holders have been notified of the changes but tickets are still available via carparkparty.com, priced at £39.50 upwards, plus £2.50 booking fee. Further information can be found there too.

Heads you lose: Horrible Histories’ King Henry VIII will not be heading to Harrogate after all

The Barmy Britain tour will present two actors playing a multitude of classic characters from barmy and horrid British history, taking in Queen Boudica, King Henry VIII, Guy Fawkes, Dick Turpin, Queen Victoria and plenty more besides.

Based on Terry Deary’s broad-humoured historical books of the same name, Horrible Histories have transferred from page to stage for 18 live shows presented by Birmingham Stage Company, as well being made into a musical sketch comedy television series.

In the Covid-safe Car Park Tour show, on tour from April 13 to May 3, families sit in their cars watching the actors on stage and on a large screen while listening live on their radios and, if so inclined, honking their horns in appreciation.

Birmingham Stage Company and “concept creators” Coalition Agency “plugged the pantomime-less gap” with Horrible Christmas and now they are teaming up again for two Horrible Histories tour shows: Barmy Britain and Gorgeous Georgians & Vile Victorians.

Neal Foster, actor-director of Birmingham Stage Company, will be joined on stage by Morgan Philpott. I’m over the moon to be back on tour with Barmy Britain after its hugely successful tour last summer,” he says. “It’s weird and wonderful to be performing in car parks and to see the audience having fun behind their windshields. We can’t wait to get back out there”.

Harewood House, here we come: Morgan Philpott, left, and Neal Foster , will take a humorous journey through history in Horrible Histories: Barmy Britain on May 2 on the Car Park Tour. Picture: Mark Douet



Jorvik Viking Festival really is the Thing this year as York event goes online for six days

Einar Selvik: Live-streamed concert and Q&A session at That Jorvik Viking Thing.  Picture: Arne Beck

YORK is hosting the world’s largest online Viking festival, That Jorvik Viking Thing, from today (15/2/2021) until Saturday.

The digital diary in Lockdown 3 will be filled with chart-topping music, live-streamed events for all ages, virtual tours and the first-ever 360-degree immersive video of Jorvik Viking Centre’s celebrated ride through Viking-age York.

Against the backdrop of the Jorvik Viking Festival – the largest Viking festival in Europe – being unable to take place in the pandemic, organisers from York Archaeological Trust have created an online festival based on the concept of the “Thing” – a Viking public assembly.

Six days of exclusive new online content and live broadcasts will culminate with an evening with Nordic folk composer Einar Selvik, whose band Wardruna’s latest album, Kvitran, hit the top of the iTunes album chart in January.

Members of the Jorvik team prepare for That JORVIK Viking Thing. Picture: Charlotte Graham

At 7.30pm on Saturday, Einar will discuss his Nordic music, demonstrate instruments and perform a selection of his latest compositions. Ticket holders will be invited to send their questions for a live Q&A session hosted by music journalist and film-maker Alexander Milas.

Gareth Henry, events manager for York Archaeological Trust, has been tasked with putting together the online festival. “For many people, the February half-term is synonymous with Vikings as we’ve been hosting a festival for more than 35 years,” he says.

“Whether that be families drawn by the thrilling combat displays and spectacle of hundreds of Vikings marching through the city, or academics here for our annual symposium, where the latest research from all over the world is presented by leaders in the field of Viking studies.

“We can’t replace the crowds, but we can offer several hours of Norse-themed fun, including our most ambitious live-streamed series of events, live from Jorvik Viking Centre, on the final day of the Thing (20/2/2021): perfect preparation for the evening with Einar Selvik.”

Cressida Cowell: Author will read online from her Norse-themed children’s books

The transition of many elements of the festival to online events has been “fairly straightforward”, according to Gareth.  “Our family favourite events, like Poo Day, when children can recreate their own version of the Lloyds Bank Coprolite – the world’ most famous fossilised poo, which is on display within Jorvik Viking Centre – will be broadcast online,” he says.

“So will craft workshops, learning spinning and leather working – with packs posted out before the event – and our lecture programme.  In many ways, these can reach a far wider audience than we can usually accommodate in our York venues, and we’re already seeing tickets for the symposium being bought by people all over the world.”

Reaching new audiences has been a key focus for That Jorvik Viking Thing, particularly the use of technology to help deliver the festival programme, with funding from Innovate UK and Arts Council England helping the Jorvik team to explore new opportunities, including the virtual visit. 

“When most museums talk about virtual visits, they use static 360-degree cameras at set locations for visitors to jump from place to place to view the collection from fixed perspectives,” says Gareth. 

Hapless VIking Arnor, whose adventures feature in a new short film at That Jorvik Viking Thing

“We’ve been working with a local company, Vidaveo, to create a completely immersive version of our ride through Viking-age York.  Using a smart phone, tablet or even a VR [virtual reality] headset, you can ‘ride’ in one of our time capsules with our resident Viking guide, Fastulf, for the sounds and sights of 10th century Coppergate. The only thing we can’t include are the smells.”

Best-selling children’s authors are giving their support to That Jorvik Viking Thing, in the form of Cressida Cowell, Francesca Simon, Hilary Robinson, David MacPhail, Robert J Harris and Paul Tillery IV all recording extracts from their Norse-themed children’s books. 

The Jorvikanory videos will be available throughout the week, as will a series of podcasts, one featuring Horrible Histories author Terry Deary.

In light of York Archaeological Trust’s attractions being closed, ticket sales from premium events will provide an important source of income.  “Our two main fundraisers are the Evening with Einar Selvik, which has created quite a stir around the globe, and a special Mead Tasting Evening with the Lancashire Mead Company,” says Gareth.

Jorvik Viking Centre’s resident Skald retells The Saga Of Refr The Sly

“Participants in that evening will receive a box of mead samples, delivered to their home, and then receive expert tutelage on the mead-brewing process and flavours created.  Our original allocation of tickets sold out very quickly, so we have doubled capacity for this event, and only have a small handful of tickets left.” 

A virtual tour of Jorvik Viking Centre by Dr Chris Tuckley is proving “incredibly popular”. He will leave the time capsules behind to walk visitors around the attraction, pointing out detail – based on real archaeological evidence – that went into reconstructing the past. 

Other online content available for the first time will includes a series of Meet The Vikings films, exploring crafts, weapons, food and many other aspects of Viking life; an adventure with the hapless Arnor, as he hunts around his village for a lost ring, and two live Twitch sessions where experts review Norse-themed computer games from 1984’s Viking Raiders to 2020’s Assassin’s Creed: Valhalla to test authenticity and fun. 

A chapter from a traditional Viking saga, The Saga Of Refr The Sly, will be released each day to encourage visitors to return.

Jorvik Viking Festival normally takes place during the school holidays, so the York Archaeological Trust education team took the opportunity to create a special preview event, That Jorvik Viking Thing: School’s Week, that ran from February 8 to 12, offering free content, such as twice-daily live-streamed presentations for schools and home educators across the world. 

Much of the pre-recorded content of That Jorvik Viking Thing went live at 10am today and will remain accessible until midnight on Sunday, February 21 at jorvikthing.com, where tickets for paid-for events can be booked. Visitors to That Jorvik Viking Thing can donate to York Archaeological Trust online.

For full details of the That Jorvik Viking Thing programme, go to: jorvikthing.com

Terry Deary: Podcast for That Jorvik Viking Thing