Tag: The Crescent York

Posted on

What’s On in Ryedale, York and beyond. Hutch’s List No. 23, from Gazette & Herald

The artwork for the 2025 York Festival of Ideas, making waves until June 13

A FESTIVAL full of bright ideas leads off Charles Hutchinson’s recommendations for cultural sustenance and enlightening entertainment.

Festival of the week: York Festival of Ideas, running until June 13

YORK Festival of Ideas 2025 explores the theme of Making Waves in more than 200 mostly free in-person and online events designed to educate, entertain and inspire. 

Led by the University of York, the festival features world-class speakers, performances, exhibitions, tours, family-friendly activities and much more. Topics range from archaeology to art, history to health and politics to psychology. Browse the programme at yorkfestivalofideas.com.

New Adventures in Matthew Bourne’s The Midnight Bell, on tour at York Theatre Royal. Picture: Johan Persson

Dance return of the week: New Adventures in Matthew Bourne’s The Midnight Bell, York Theatre Royal, until Saturday, 7.30pm plus 2pm Thursday and 2.30pm Saturday matinees

IN 1930s’ London, ordinary people emerge from cheap boarding houses nightly to pour out their passions, hopes and dreams in the pubs and fog-bound streets of Soho and Fitzrovia. Step inside The Midnight Bell, a tavern where one particular lonely-hearts club gather to play out their lovelorn affairs of the heart: bitter comedies of longing, frustration, betrayal and redemption. 

Inspired by the work of English novelist Patrick Hamilton, Matthew Bourne’s The Midnight Bell returns to York Theatre Royal, where it first played in October 2021, with a 14-strong cast of New Adventures’ actor-dancers, music by Terry Davies and set and costume design by Lez Brotherston. Box office: 01904 623568 or yorktheatreroyal.co.uk

The poster artwork for NE Theatre York’s fully staged concert performances of Carousel

Musical of the week: NE Theatre York in Carousel, Tempest Anderson Hall, Museum Gardens, York, tomorrow to Saturday, 7.30pm plus 2.30pm Saturday matinee

STEVE Tearle directs NE Theatre York in fully staged concert performances of Rodgers and Hammerstein’s Carousel with an 18-piece orchestra conducted by Joe Allen. The cast for this tale of hope, redemption and the power of love will be led by Kit Stroud as Billy Bigelow; Rebecca Jackson as Julie Jordan; Maia Beatrice as Carrie Pepperidge; Finlay Butler as Mr Snow and Perri Ann Barley as Aunt Netty. 

Cue such R&H classics as June Is Burstin’ Out All Over, If I Loved You, When I Marry Mister Snow, Blow High, Blow Low and the iconic Liverpool and Celtic terrace anthem You’ll Never Walk Alone. Box office: ticketsource.co.uk/netheatre-york.

King Creosote’s Kenny Anderson: Serving up a Storm In A Teacup at The Crescent, York

Scottish visitor of the week: Please Please You and Brudenell Presents host King Creosote, The Crescent, York, tomorrow, 7.30pm

KING Creosote follows up 2024’s springtime tour Any Port In A Storm with his Any Storm In A Teacup travels from April to June this year, again with a mix of modular synths, his back catalogue from 50 studio albums and his November 2023 album I Des, the first King Creosote recording in seven years.

As ever, Scotsman Kenny Anderson’s performance will be marked by his singular voice, allied to roguish, roving, ever-evolving, gorgeous songs in the key of Fife. Box office, for returns only: thecrescentyork.com.

Lady Nade: Paying tribute to Nina Simone. Picture: Joseph Branston

Celebration of a legacy: Lady Nade Sings Nina Simone, Helmsley Arts Centre, Saturday, 7.30pm,

KNOWN for paying homage to those who have influenced her journey  profoundly, Lady Nade holds Nina Simone in high regard  for leaving behind a legacy of liberation, empowerment, passion and love through her extraordinary body of work.

As a black woman, Lady Nade acknowledges Simone’s trailblazing role in paving the way for artists of her generation. Her high-energy performance is a heartfelt dedication to recreating the transformative sound that blended popular tunes of the era into a distinctive fusion of jazz, blues, gospel, and folk music. Box office: 01439 771700 or helmsleyarts.co.uk.

Pink Floydian: Showcasing the golden era of progressive rock at Milton Rooms, Malton

Tribute gig of the week: Pink Floydian, Milton Rooms, Malton, Saturday, 7.30pm

PINK Floydian’s immersive experience transports fans back to the golden era of progressive rock in a two-and-a-half hour show that takes in the Syd Barrett, Roger Waters and David Gilmour eras.

From the lush landscapes of Shine On You Crazy Diamond to the haunting refrain of Great Gig In The Sky to the anthemic Comfortably Numb and Wish You Were Here, Pink Floydian undertake a magical journey through Pink Floyd’s illustrious recording career. Box office: 01653 696240 or themiltonrooms.com.

Rachel Anderson’s Dolly Gallagher Levi, centre, and the ensemble in Pickering Musical Society’s Hello, Dolly! Picture: Robert David Photography

Goodbye to musicals: Pickering Musical Society in Hello, Dolly!, Kirk Theatre, Pickering, June 10 to 14, 7.30pm plus 2.30pm Saturday matinee

PICKERING Musical Society is preparing to raise the curtain on its final full-scale musical production, after more than a century, citing rising production costs and falling membership.

Set in the energetic bustle of 1890s’ New York, Jerry Herman’s Hello, Dolly! follows the irrepressible Dolly Gallagher Levi (society favourite Rachel Anderson) – a witty matchmaker, meddler and “arranger of things” – as she decides to find a match for herself. Box office:  01751 474833 or kirktheatre.co.uk or in person from the box office on Tuesdays, 11am to 1pm.

Christopher Simon Sykes’s photograph of Mick Jagger in concert on the Rolling Stones’ Tour of the Americas in 1975, on show at Sledmere House from June 13

Exhibition launch of the week:  On Tour With The Rolling Stones 1975, A 50th Anniversary Exhibition of Photographs by Christopher Simon Sykes, Sledmere House, Sledmere, near Driffield,  June 13 to July 6, except Mondays and Tuesdays, 10am to 5pm

IN June 1975, Christopher Sykes, of Sledmere House, joined the Rolling Stones Tour of the Americas, known as T.O.T.A ’75: his first rock’n’roll itinerary as a snapper after specialising in photographing stately home interiors.

“You know going on tour is not like country life, Chrissie,” advised Mick Jagger on his first day of accompanying the Stones on their three-month tour of North America and Canada, playing 40 shows in 27 cities. The photos were used in a tour diary published the following year, and this exhibition showcases a selection of the best of the behind-the-scenes and stage pictures in the Courtyard Room. Tickets: sledmerehouse.com.

Posted on

More Things To Do in York and beyond as ideas burst out of festival to make waves. Hutch’s List No. 24 from The Press, York

York Festival of Ideas: More than 200 events

FESTIVALS full of ideas and comedy lead off Charles Hutchinson’s recommendations for cultural sustenance and enlightening entertainment.

Festival of the week: York Festival of Ideas, today to June 13

YORK Festival of Ideas 2025 explores the theme of Making Waves in more than 200 mostly free in-person and online events designed to educate, entertain and inspire. 

Led by the University of York, the festival features world-class speakers, performances, exhibitions, tours, family-friendly activities and much more. Topics range from archaeology to art, history to health and politics to psychology. Browse the programme at yorkfestivalofideas.com.

Pocklington Comedy Festival: The headline show will be hosted by Kiri Pritchard-McLean, centre, tonight

Comedy event of the week:  Pocklington Comedy Festival, Pocklington Arts Centre, today, from 12 noon

KIRI Pritchard-McLean hosts tonight’s 8pm bill of Chris Cantrill, Joe Kent-Walters as alter ego Frankie Monroe, eccentric owner of The Misty Moon working men’s club in Rotherham, Seeta Wrightson, from Bradford,  and Lee Kyle.

Earlier today, in the studio, look out for work-in-progress Edinburgh Fringe previews of Seeta Wrightson’s It’ll Be Allrightson On The Night (12 noon); Chris Cantrill’s On Your Marks (1.30pm); Frankie Monroe’s Dead Good (3pm) and Newcastle’s Louise Young (4.30pm).

This afternoon’s Family Comedy Show, introduced by Lee Kyle, features the comically chaotic antics of York magician Just Josh (aka Josh Benson) and mischievous Hull duo Jeddy Bear & Gary. Box office: pocklingtonartscentre.co.uk.

Kaiser Chiefs: Chief attraction at Temple Newsam, Leeds, today. Picture: Cal McIntyre

Yorkshire gig of the week: Kaiser Chiefs, Temple Newsam, Leeds, today, gates open at 1pm

LEEDS indie rock titans Kaiser Chiefs mark the 20th anniversary of March 2005 debut album Employment with a homecoming celebration. Employed on the bill too are: Ellur, 1.50pm; Hotwax, 2.45pm; We Are Scientists, 3.40pm; The Coral, 4.50pm; The Cribs, 6.05pm, and Razorlight, 7.20pm.

Kaiser Chiefs will be on stage from 8.50pm to 10.30pm with a special guest appearance by the Championship trophy won by Leeds United on May 4. Tickets update: still available at gigandtours.com; ticketmaster.co.uk or livenation.co.uk.

Rachel Croft: Heading back to York to play The Crescent. Picture: Michelle Fredericks

Welcome back: Rachel Croft, The Crescent, York, tonight, doors 7.30pm

AFTER re-locating from York to London, singer-songwriter Rachel Croft returns north to promote her vinyl EP A Mind Made Of Sky as part of a summer series of tempestuous shows across the UK. Expect drama, energy and thunderous alt-rock songs from Rachel “as you’ve never seen her before”. Stereo Cupid and Flat Number Two support. Box office: thecrescentyork.com.

Strictly between us: Dance couple Aljaž Škorjanec and Janette Manrara promise A Night To Remember at York Barbican

Strictly show of the week: Aljaž And Janette: A Night To Remember, York Barbican, Sunday, 7.30pm  

STRICTLY Come Dancing husband-and-wife duo Aljaž Škorjanec and Janette Manrara team up in their new show with their live big band, fronted by boogie-woogie maestro Tom Seals and an ensemble cast of dancers and singers.

Strictly regular Aljaž and It Takes Two and Morning Live host Janette take to the York Barbican dancefloor to perform routines to music from the Great American songbook to modern-day classics. Box office: yorkbarbican.co.uk.

Stephen Smith in One Man Poe. Picture: Cat Humphries

Edinburgh Fringe 2024 Best Horror Solo Show winner: One Man Poe, Theatre@41, Monkgate, York, Sunday, 6pm

USING Edgar Allan Poe’s original text from the 1840s, actor-director Stephen Smith brings to life the most terrifying examples of the gothic genre from the pioneering Godfather of Gothic Horror.

In Act One, The Tell-Tale Heart, a madman strives to convince you of his sanity, while explaining the meticulous details of a murder he committed. Then, in The Pit And The Pendulum, a prisoner seeks to escape the various torture devices of the Spanish Inquisition.

In Act Two, arguably Poe’s darkest tale and definitely not one for the faint hearted, The Black Cat, documents an alcoholic’s last confession on the eve of his death. Last comes the poem that made Poe famous: The Raven. In the midnight hour, as an elderly man laments the loss of his love, an ominous visitor is heard tapping on his chamber door. Box office: tickets.41monkgate.co.uk.

New Adventures in the 2025 tour of Matthew Bourne’s The Midnight Bell, on tour at York Theatre Royal next week. Picture: Johan Persson

Dance return of the week: New Adventures in Matthew Bourne’s The Midnight Bell, York Theatre Royal, June 4 to 7, 7.30pm plus 2pm Thursday and 2.30pm Saturday matinees

IN 1930s’ London, ordinary people emerge from cheap boarding houses nightly to pour out their passions, hopes and dreams in the pubs and fog-bound streets of Soho and Fitzrovia. Step inside The Midnight Bell, a tavern where one particular lonely-hearts club gather to play out their lovelorn affairs of the heart; bitter comedies of longing, frustration, betrayal and redemption. 

Inspired by the work of English novelist Patrick Hamilton, Matthew Bourne’s The Midnight Bell returns to York Theatre Royal, where it first played in October 2021, with a 14-strong cast of New Adventures’ actor-dancers, music by Terry Davies and set and costume design by Lez Brotherston. Box office: 01904 623568 or yorktheatreroyal.co.uk

Steve Tearle: Directing NE Theatre York in Rodgers and Hammerstein’s Carousel

Musical of the week: NE Theatre York in Carousel, Tempest Anderson Hall, Museum Gardens, York, June 5 to 7, 7.30pm plus 2.30pm Saturday matinee

STEVE Tearle directs NE Theatre York in fully staged concert performances of Rodgers and Hammerstein’s Carousel with an 18-piece orchestra conducted by Joe Allen. The cast for this tale of hope, redemption and the power of love will be led by Kit Stroud as Billy Bigelow; Rebecca Jackson as Julie Jordan; Maia Beatrice as Carrie Pepperidge; Finlay Butler as Mr Snow and Perri Ann Barley as Aunt Netty. 

Cue such R&H classics as June Is Burstin’ Out All Over, If I Loved You, When I Marry Mister Snow, Blow High, Blow Low and the iconic Liverpool and Celtic terrace anthem You’ll Never Walk Alone. Box office: ticketsource.co.uk/netheatre-york.

King Creosote’s Kenny Anderson: Serving up a Storm In A Teacup at The Crescent, York

Scottish visitor of the week: Please Please You and Brudenell Presents host King Creosote, The Crescent, York, June 5, 7.30pm

KING Creosote follows up 2024’s springtime tour Any Port In A Storm with his Any Storm In A Teacup travels from April to June this year, again with a mix of modular synths, his back catalogue from 50 studio albums and his November 2023 album I Des, the first King Creosote recording in seven years.

As ever, Scotsman Kenny Anderson’s performance will be marked by his singular voice, allied to roguish, roving, ever-evolving, gorgeous songs in the key of Fife. Box office, for returns only: thecrescentyork.com.

In Focus: International collaboration of the week: Say Owt presents chamæleon,  So Many Ways To Move, Fulford Arms, Fulford Road, York, Sunday, 5.30pm

chamæleon: Collaboration of Palestinian poet Farah Chamma and Brazilian electronic musician Liev at the Fulford Arms on Sunday

SAY Owt, York’s champions of raucous performance poetry and sizzling spoken word, play host for the first time to an Arabic artist and South American musician, Palestinian poet  Farah Chamma and Brazilian electronic soundscape producer Liev, on Sunday.

In their poetic and political collaboration as chamæleon, Chamma and Liev explore the intersection between spoken word and musical texture, diving into the unknown to search for belonging and identity in So Many Wayes To Move.

Since 2014, Say Owt has hosted poets from Sweden, Nigeria, the United States and Canada, now adding Brazil and Palestine to that list. chamæleon have performed in Portugal, Holland, Spain and the United Arab Emirates and this weekend they make their York debut in their only performance in the UK outside London on their 2025 travels.

So Many Ways To Move encapsulates their belief in the power of art not only to reflect the times but also to move with them. “We see art as a force of transformation, a channel for resistance and renewal,” say chamaeleon. “By weaving together sound, text and imagery, we illuminate our shared experiences and struggles.”

Farah Chamma: “Speaking truth to power from festivals to demonstrations”

Farah Chamma’s performances are described as “vital and urgent, speaking truth to power from festivals to demonstrations”. “If ever words could tear down the gates of power, it would be those spoken by Farah. Besides her native Arabic, she also writes and performs in English and French and speaks German, Spanish and Portuguese,” Say Owt states

Chamma holds a master’s degree in Performance and Culture from Goldsmiths, University of London and a BA in Philosophy and Sociology from the Sorbonne in Paris.

Based in Brazil, multi-instrumentalist and electro-organic music producer Liev uses his research to “dive into the intersectionality between machine and human-made sounds”.

Within his body of work, everyday noises and the human voice – mostly in spoken word pieces – are the raw material that ends up mixed with more complex machine and AI-generated sounds, birthing soundscapes and music that delves into the contemporary human experience.

Sunday’s support acts will be Nadira Alom and electro riot grrl act Doberwoman. Box office: https://www.fatsoma.com/e/5b1ew8fs/la/jt04.

Posted on

REVIEW: Paul Rhodes’s verdict on Crash Test Dummies, The Crescent, York, May 20  

Crash Test Dummies: Returning to York more than 30 years since their first appearance at York Barbican Centre. Picture: Paul Rhodes

WHEN music gets under your skin, it can be permanent. Most of the Crescent-sized room listening to this greatest hits selection from Crash Test Dummies will have been enjoying their music for 30 years.

Their love of the band has endured through some lengthy hiatuses. While the Canadians had one monster and some minor hits, they didn’t stay at the top for very long.

Returning to York more than 30 years since their first appearance (York Barbican Centre, November 1994), they received a rapturous welcome. “You’ve treated us like royalty,” said a smiling Brad Roberts (he of the deep mmms). 

Brad Roberts: “His material weighs upon some heavy subject matter”. Picture: Paul Rhodes

The band are hot off the Antipodean leg of their world tour, but looked like they were still really enjoying the performance. Ellen Reid in particular was a joy to watch, vibrant, energetic and in good voice, while Leith Fleming-Smith on keyboards was in his element, like Jack Black’s rock star younger brother.

They were joined by the core band of Dan Roberts on bass and Mitch Dorge, behind a spit-proof barrier on drums.

Another upbeat performer was the charming opening John Adams. This Welshman can sing like an angel but this is no demure choirboy; he knows how to whip a crowd into action.

Opening act Jon Adams: “This is no demure choirboy”

The headliners’ 17 songs drew on all corners of the CTD’s comparatively modest album haul. Most of us were there for their prime period, but the later material fared OK in comparison.

Roberts is a serious songwriter: his material weighs upon some heavy subject matter, and the music, like the lyrics, always has a clever hook or twist. It doesn’t all land. As is his way, Roberts demanded quiet before the first encore of the night, Heart Of Stone, but for all that he invested in this slow number, it felt like someone trying to say something important that remained just out of reach.

For all their seriousness, there is a rich seam of dark humour that runs through their work and it felt good to bounce along to Afternoons & Coffeespoons.

Crash Test Dummies’ Ellen Reid: “A joy to watch, vibrant, energetic and in good voice.” Picture: Paul Rhodes

There seems to be plenty of life left in the band, although they don’t seem to want to rush back into the studio. For now, a new Best Of contains two new songs, one of them, Sacred Alphabet, having a run out.

The existential duck also put in an appearance (his relatives were also dotted about the stage), as did Superman and Peter Pumpkinhead (originally by XTC and one of two covers, the other by The Replacements).

Naturally, they made us wait until the end for Mmm Mmm Mmm Mmm. This out-of-nowhere hit single, where they managed to capture lightning in a bottle, takes a sober look at kids who don’t fit in, propelled by the best wordless chorus you can imagine. A wonderful four minutes to cap a very welcome return.

Review by Paul Rhodes

Top: Quack squad: Crash Test Dummies’ existential duck and colleagues at The Crescent. Picture: Paul Rhodes

Bottom: Crash Test Dummies’ set list, The Crescent, York, 20/5/2025. Picture: Paul Rhodes

Posted on

More Things To Do in York and beyond as laughter returns to waterside landmark. Hutch’s List No. 19, from The York Press

Pease in our time: John Pease tops bill at Patch’s new Funny Fridays comedy forum at the Bonding Warehouse

A NEW comedy night in a bygone location and Shakespeare on a council estate stand out in Charles Hutchinson’s picks for cultural exploration.

Laughter launch of the week: Funny Fridays, Patch, Bonding Warehouse, Terry Avenue, York, May 9, doors 7pm for 7.30pm start

LIVE comedy returns to the Bonding Warehouse for the first time since the days of the late Mike Bennett presenting the likes of Lee Evans and Ross Noble under the Comedy Shack banner. Stand up for Funny Fridays, hosted by York humorist Katie Lingo (alias copywriter Katie Taylor-Thompson) with an introductory price of £6.50.

On her first bill will be Kenny Watt, Tuiya Tembo, BBC New Comedy Awards semi-finalist Matty Oxley, Saeth Wheeler and Edinburgh Fringe Gilded Balloon semi-finalist John Pease. Box office: eventbrite.co.uk/e/funny-fridays-at-patch-tickets.

Sean Heydon: Magical sleight of hand at the Laugh Out Loud Comedy Club tonight

Magical comedy gig of the week: Laugh Out Loud Comedy Club presents Sean Heydon, Big Lou, Oliver Bowler and MC Damion Larkin, The Basement, City Screen Picturehouse, York, tonight, 8pm

LAUGH Out Loud headliner Sean Heydon has performed to A-list celebrities and blue-chip companies, as well as at comedy clubs, with his combination of madcap comedy,  sleight-of-hand magic and illusions for more than 15 years.

Big Lou offers a modern twist on old-school joke telling in the Les Dawson style; comedian, actor and writer Oliver Bowler discusses life experiences on the mean streets of Bolton; regular host and promoter Damion Larkin keeps order. Box office: 01904 612940 or lolcomedyclubs.co.uk.

Anastacia: Playing York Barbican on her Not That Kind 25th anniversary tour

Anniversary tour of the week: Anastacia, Not That Kind Tour, York Barbican, Sunday, 7.45pm

CHICAGO singer-songwriter Anastacia , 56, heads to York on her European tour marking the 25th anniversary of her debut album Not That Kind and its breakthrough hit  I’m Outta Love.

Further singles Not That Kind, Paid My Dues, One Day In Your Life,  Left Outside Alone and Sick And Tired charted too, as did 2001 album Freak Of Nature (reaching number four) and 2004’s chart-topping Anastacia, 2005’s Pieces Of A Dream, 2008’s Heavy Rotation, 2014’s Resurrection and 2015’s Ultimate Collection Her special guest will be Casey McQuillen. Box office: for returns only, yorkbarbican.co.uk.

Newton Faulkner: Unveiling new songs from his upcoming Octopus album at The Crescent, York

“No technological funny business” of the week: Newton Faulkner, Feels Like Home Tour 3, The Crescent, York, Sunday, 7.30pm

LET Reigate singer-songwriter Newton Faulkner describe his York gig: “Folks, I give you the Feels Like Home Tour 3. We’re talking no technological funny business in my set-up. I love switching my focus back to just playing and singing. I also cannot wait to introduce you properly to the new material and my new head.”

Often Faulkner has found himself in his home studio working solo, but not for this next record, nor for this tour. His new phase is full of collaboration, one where “seeing these songs come to life on stage is going to be nothing short of joyous” ahead of the September 19 release of Octopus. Box office: thecrescentyork.com.

Gary Oldman in Krapp’s Last Tape on his return to York Theatre Royal after 45 years. Picture: Gisele Schmidt

York theatre event of the year: Gary Oldman in Krapp’s Last Tape, York Theatre Royal, until May 17

OSCAR winner Gary Oldman returns to York Theatre Royal, where he made his professional debut in 1979, to perform Samuel Beckett’s melancholic, tragicomic slice of theatre of the absurd Krapp’s Last Tape in his first stage appearance since 1989.

“York, for me, is the completion of a cycle,” says the Slow Horses leading man. “It is the place ‘where it all began’. York, in a very real sense, for me, is coming home. The combination of York and Krapp’s Last Tape is all the more poignant because it is ‘a play about a man returning to his past of 30 years earlier’.” Tickets update: check availability of returns on 01904 623568 or yorktheatreroyal.co.uk.

York musician Steve Cassidy: Once he worked with John Barry and producer Joe Meek, now he plays with his mates on regular nights at the JoRo

Return of the week: Steve Cassidy Band, Joseph Rowntree Theatre, York, Sunday, 7.30pm

YORK singer, songwriter, guitarist and former head teacher Steve Cassidy will be joined by special guests when he lines up as usual with John Lewis on lead guitar, Mick Hull on bass guitar, ukulele, guitar and vocals, Brian Thomson on percussion and George Hall on keyboards.

Expect rock and country songs, as well as instrumental pieces, selected especially for this evening. Box office: 01904 501935 or josephrowntreetheatre.co.uk.

Mark Holgate’s Oberon and Suzy Cooper’s Titania, centre, with Sam Roberts’s Demetrius, left, Amy Domeneghetti’s Helena, Will Parsons’ Lysander and Meg Olssen’s Hermia in York Stage’s A Midsummer Night’s Dream

Reinvented play of the week: York Stage in A Midsummer Night’s Dream, Grand Opera House, York, May 6 to 11, 7.30pm plus 2.30pm Wednesday, Saturday and Sunday matinees

YORK pantomime golden gal Suzy Cooper turns Fairy Queen Titania opposite York-born Royal Shakespeare Company actor Mark Holgate’s Fairy King Oberon in Nik Briggs’s debut Shakespeare production for York Stage.

In his first co-production with the Cumberland Street theatre, Briggs relocates the Bard’s most-performed comedy from the court of Athens to Athens Court, a northern council estate, where magic is fuelled with mayhem and true love’s bumpy path is played out to a new score by musical director Stephen Hackshaw and Nineties and Noughties’ dancefloor fillers, sung by May Tether. Box office: atgtickets.com/york.

Katherine Toy in rehearsals for AKA Theatre’s The Flood, on tour in York, Hull and Leeds. Picture: Cian O’Riain

Premiere of the week: AKA Theatre Company in The Flood: A Musical, Friargate Theatre, York, May 9 and 10, 7.30pm; Godber Studio, Hull Truck Theatre, Hull, May 13, 7pm; Leeds Playhouse Burton Studio, May 14 and 15, 8pm

AKA Theatre Company’s premiere of Lucie Raine and Joe Revell’s musical The Flood blends live music and heartfelt storytelling based on true accounts of facing up to disaster in West Yorkshire in 2015.

 “This is a story about what it means to come together when everything falls apart,” says writer-director Raine, who uses a cast of five actor-musicians. “It’s not just a play. It’s a tribute to resilience and creativity, inspired by Hebden Bridge and its people. It’s a celebration for all communities who have faced adversity and emerged stronger.” Box office: York, ticketsource.co.uk; Hull, hulltruck.co.uk; Leeds, leedsplayhouse.org.uk. 

Scott Bradlee’s Postmodern Jukebox: Putting the retro into today’s hits at York Barbican

Nostalgia for today: Scott Bradlee’s Postmodern Jukebox: Magic & Moonlight Tour 2025, York Barbican, May 7, doors 7pm

AFTER chalking off their 1,000th show, retro collective Postmodern Jukebox are on the British leg of their Moonlight & Magic world tour. Enter a parallel universe where modern-day hits are reimagined in 1920s’ jazz, swing, doo-wop and Motown arrangements. Think The Great Gatsby meets Sinatra At The Sands meets Back To The Future.  Dress vintage for the full effect. Box office: yorkbarbican.co.uk. 

In Focus: York Late Music, Unitarian Chapel, St Saviourgate, York, Stuart O’Hara & Marianna Cortesi, today at 1pm; Trio Agile and Northern School of Contemporary Dance, today at 7.30pm

Stuart O’Hara & Marianna Cortesi

YORK Late Music plays host to two concerts today, the first featuring bass Stuart O’Hara and pianist Marianna Cortesi  this afternoon as Sounds Lyrical presents settings of poets Hugh Bernays, John Gilham, Richard Kitchen and Alan Gillott by composers Thomas J Crawley, Robert Holden, Jenny Jackson, Katie Lang, Dawn Walters and James Else.

The concert comprises: Elizabeth Lutyens’ Refugee Blues (Auden); David Blake’s Morning Sea (CP Cavafy); Dawn Walters’ Pre-dawn (Richard Kitchen); Jenny Jackson’s Collecting Stones (Richard Kitchen); Robert Holden’s Flaneur (John Gilham) and Katie Laing’s Maker (Richard Kitchen).

Then come Thomas J Crawley’s Leather Heart (Hugh Bernays); James Else’s Retras IV (Alan Gillott); Tim Brooks’s Jeer (Lizzie Linklater); David Blake’s Voices (CP Cavafy) and Stephen Dodgson’s Various Australian Bush Ballads, 2nd Series. The programme also includes music by David Blake and Elizabeth Lutyens.

Northern School of Contemporary Dance dancer Antonio Bukhar Ssebuuma: Performing with Trio Agile tonight

TONIGHT’S concert marks a first collaboration between York Late Music and the Northern School of Contemporary Dance in Trio Agile and NSCD’s Freedom Dances programme.

Bringing together the freedoms of dance, music and rhythm, Trio Agile combine their experimental flair and improvisatory talent with four dancers from the Leeds school, Antonio Bukhar Ssebuuma, Darcy Bodle, Genevieve Wright and Maya Donne.

The 7.30pm performance blends a range of styles from across the globe in a shared expression of the power and joy of the arts, including new works from Indian composer and performer Supriya  Nagarajan, Angela Elizabeth Slater, David Lancaster, Steve Crowther, David Power, Athena Corcoran-Tadd and James Else.

Curated by James Else in partnership with the Northern School of Contemporary Dance, the programme comprises: Susie Hodder-Williams & Chris Caldwell, Prelude; Angela Elizabeth Slater,  Weaving Colours; Paul Honey, Une Valse Assez Triste; James Else, Freedom Dances and David Lancaster, The Compendium Of Ingenious Mechanical Devices.

Then follow Susie Hodder-Williams & Chris Caldwell, Pas de Deux; Tom Armstrong, Aunt Maria’s Dancing Master; Paul Honey, Pizzìca; Athena Corcoran-Tadd,  To You; Supriya Nagarajan,  Mohanam Raga; Steve Crowther,  Once Upon A Time Harlequin Met His Columbine; David Power,  Something In Our Skies; Susie Hodder-Williams & Chris Caldwell, Light Dances and Athena Corcoran-Tadd , Hope Is A Boat.

The musicians will be: Susie Hodder-Williams, flutes; Chris Caldwell, saxophone and bass clarinet; Richard Horne, vibraphone and percussion; Supriya Nagarajan, voice, and Paul Honey, piano.  

Chris Caldwell, Susie Hodder-Williams and composer James Else will give a pre-concert talk at 6.45pm with a complimentary glass of wine or juice.

Tickets are on sale at latemusic.org or on the door.

Posted on

REVIEW: Paul Rhodes’s verdict on Laura Veirs, The Crescent, York, March 27

Portland, Oregon singer-songwriter Laura Veirs: Playing The Crescent, in York, on her six-day visit to British shores. Picture: Paul Rhodes

WE COULDN’T have been in better hands. With Venus apparently sending us all a bit bats in the heavens, Laura Veirs’ fine songs reminded us about what really matters.

Many in the sold-out Crescent had seen her play before, some many times. This is someone who gets into the listener’s bloodstream and stays there. For a first timer, it was a welcome initiation into this smart, emotionally intelligent cult.

Laura Veirs: “Over 75 minutes and 13 songs, she wove her happy spell to great effect.” Picture: Paul Rhodes

This was the second concert in a short six-day UK tour. The absence of other musicians allowed Veirs the chance to improvise and the entire set felt fresh and alive. There was a well-judged mix of old and new material on show, with the last songs in the set all being audience requests.

Veirs is unashamedly in a happy place emotionally (she is touring with her fiancé, a professor receiving a crash course in selling merchandise). Over 75 minutes and 13 songs, she wove her happy spell to great effect. Once she got into her rhythm (somewhere around Where Gravity Is Dead), the performance kept getting better.

Laura Veirs’ beloved nylon string guitar. Picture: Paul Rhodes

Swan Dive was particularly special, and she more than did justice to another one-time Portland native, the late great Elliott Smith’s Between The Bars. What is striking perhaps is how subtly Veirs wears her influences, and how with minimal ingredients she somehow manages to sound unique and authentic. Perhaps this is the real reason she is so beloved.

Opener Lucca Mae has yet to find her own distinctive voice. Also, without her band, Mae’s set felt elegant and stylised, but somehow generic. The focus was on her Winehouse voice, which her songs don’t yet live up to.

Opening act Lucca Mae. Picture: Paul Rhodes

Posted on

York country queen Twinnie to head home from Nashville to play The Crescent and Hyde Park Book Club on Happy Hour Tour

Twinnie: New single and June tour, playing Hyde Park Book Club, Leeds, and The Crescent, York

YORK’S Nashville country queen Twinnie will head home to play The Crescent on June 8 on her 11-date UK & Ireland tour, preceded by an earlier Yorkshire gig at Hyde Park Book Club, Leeds, on June 7.

The tour announcement coincides with the release of her new single, Woah Man. Opening with a sassy R&B strut, Twinnie launches into anthemic pop-country territory in a rousing call to women everywhere, typified by the lyric “Close a business deal with a baby on my hip”.

Woah Man is the product of Twinnie’s non-profit initiative I Know A Woman, whose aim is to support female creatives with funding, opportunities and community. She wrote the song at an I Know A Woman writing camp in collaboration with John Davidson and Abby Anderson, before co-producing the track alongside KK Johnson(Dasha) and Brandon Paddock (Dan + Shay). 
 
Twinnie, who cut her teenage teeth on the York musical theatre scene as Twinnie-Lee Moore, says: “This song is a global statement to highlight the incredible women around the world in all industries, whether it be our nurses, doctors, creatives, politicians, teachers or your stay-at-home mums. It signifies the resilience and power of what it is to be a woman and celebrates all those that have come before us. 
 
“The person I think of when I sing this is a woman that raised three children as a single mother working four jobs with the help of her mum. She has dedicated her life to taking care of her children. To others she may not be a Nobel Prize winner or hold a world record, but to me she embodies what it is to be a woman and the best mum in the world. 
 
“Heavily inspired by Aretha Franklin’s Respect, Whoa Man commands a man to listen in a way that is not above each other but equal.”
 
Twinnie, 37, will play the Red Rooster Festival in Norfolk before heading out on her headline Happy Hour Tour ’25 that takes in Komedia, Brighton, on June 2; Oslo, London, June 3; Hare & Hounds, Birmingham, June 4; Deaf Institute, Manchester, June 6; Hyde Park Book Club, June 7; The Crescent, York, June 8; The Voodoo Room, Edinburgh, June 10; The Stereo, Glasgow, June 11; Oh Yeah Centre, Belfast, June 13, and The Working Men’s Club, Dublin, June 15. Tickets are on sale via https://twinnie.komi.io/. Summer festival performances will follow at Country Road, Keep It Country and Hoe Down Show Down.
 

Twinnie’s artwork for new single Woah Man. Listen at https://sl.cmdshft.com/woahman; watch the video at https://www.youtube.com/watch?v=VpTPzdekjw0


Twinnie made her Grand Ole Opry debut in Nashville, alongside her American radio and TV debuts  on the back of her BBC Radio 2 Album of The Week release Hollywood Gypsy and her inaugural American label EP Welcome To The Club, which drew 24 million streams.

Her 2023 single Bad Man charted on US Country Radio, followed by her EPs Blue Hour (After Dark) and Blue Christmas and her ambitious 2024 double album Something We Used To Say.
 
As a songwriter, Twinnie has writing credits for Kylie Minogue, Bryan Adams, The Shires and Lvndscape and she has performed alongside Sheryl Crow, Chris Stapleton, Alexander Kay, Jack Savoretti, Lainey Wilson and Chase Rice. She is an accomplished creative director too, having won Best Short Film at the British Short Film Awards.
 
Her work as a philanthropist has been recognised by Forbes. Passionate about mental health within the music industry, her non-profit I Know A Woman contributed to standardisation for therapy for artists in the pandemic within label and publishing deals.
 
In 2024, Twinnie became one of Country Music Television’s (CMT) Next Women of Country, premiered her Lonely Long video on a Times Square billboard, in New York, and became the first British artist to perform the USA national anthem at GEODIS Park, in Nashville, on October 2.

Last October too, she joined the cast of Yorkshire soap Emmerdale in the role of Jade Garrick, having earlier played Porsche McQueen in Hollyoaks in 2014-2015.

JOY. & Brudenell Presents present Twinnie and Bonner Black at Hyde Park Club, Leeds, June 7, 7.30pm, and The Crescent, York, June 8, 7.30pm. Box office: Leeds, hydeparkbookclub.co.uk; York,  https://thecrescentyork.seetickets.com/event/twinnie/the-crescent/3297836.


“Woah Man is a global statement to highlight the incredible women around the world in all industries, whether it be our nurses, doctors, creatives, politicians, teachers or your stay-at-home mums,” says Twinnie

Posted on

Laura Veirs is bursting with creativity, from songs to art to a book, as she heads to The Crescent. Oh, and she is tying the knot too

Laura Veirs: Portland singer, songwriter, children’s author, Midnight Lightning podcaster, visual artist , songwriting workshop leader, teacher and mother

LAURA Veirs’ diary for 2025 is filling up. Not only is the Portland, Oregon singer-songwriter working on an instrumental guitar album, new paintings and a book on creativity, but she is tying the knot and doing up her house too.

All that on top of  playing her latest British tour, heading to The Crescent in York on Thursday in her 22nd year of visiting these shores. She last released an album, Found Light, her first without long-time producer and ex-husband Tucker Martine, in July 2022, so what brings her here this time?

“I just need the money,” she says frankly, on her morning phonecall from the USA. “That’s how a lot of musicians make their living these days. This year I’m getting married in the summer, going on honeymoon, and we’re remodelling the house.

“I’ll be trying out new material in the shows, going on this trip with my fiancé (Morgan Luker], my first with just the two of us. He’ll be selling the ‘merch’, as he likes talking to the locals! He’s a music professor, an ethnomusicologist, at Reed College, who I met when I taught a songwriting workshop in his class.

“Back home, we’ll be adding two bedrooms and a bathroom to the house as we’re blending two families. There’ll be four teenagers and two adults: we’re very outnumbered!”

By way of contrast, 51-year-old Laura will be playing solo on tour, performing songs drawn from 14 albums spanning 25 years on her trusty nylon string guitar. “I like to keep my materials limited, my paints, my palettes, the tools at my disposal, so I have only three guitars,” she says.

“One is the nylon string guitar that used to lie around in the house, which my dad had bought from a thrift shop in Chicago. It dates from the Fifties or Sixties; it’s my family guitar, my favourite guitar, that’s been on all my records, except for the first one.

“I also have a Martin steel string guitar and an electric Les Paul, and they’re kind of equal on the albums. I just don’t have the urge to get more instruments as I feel I haven’t explored these ones deeply enough – and I do have a piano too.”

She is not drawn to the infinite possibilities of multiple tracks on recording studio equipment. “I’m getting a four-track,” she says. “I did an album of demos recorded on my phone [November 2023’s Phone Orphans], so they were one-track recordings! You can become overwhelmed by all the tracking, when it should be,’what is the song?’. ‘Can you write the lyrics?’. That’s why I like to keep my tools minimal.

“I just feel like it’s so easy to get lost in overdubs, when you can lose the core of what matters, which is to write a compelling song, and that’s the hardest part. Then you can add other stuff. It requires focus, discipline.”

Constructing a set list from 25 years of songwriting, “at this point it’s a combination of my choices and giving people what they want. I always take requests as that adds an element of surprise for me and it makes them happy too,” says Laura.

“It means I stay engaged with my material, bringing in songs I haven’t played for years, modifying them, harmonising with them, improvising new guitar stuff and vocal stuff while playing, improvising my set list and my banter, all of this to keep me from feeling that I am ‘puppeting’.”

Artist Laura will be selling new paintings on her tour. “I can bring paintings on the road as I make works on paper, so they’re easy to transport. I’ve been doing that for the last couple of years, and I bring prints too, and I can personalise them by signing them,” she says.

“I want to keep exploring myself as a multi-faceted artist. I’m not sure where that’s taking me next, but I’m remodelling the house, I’m painting, I’m working on the instrumental album, I’m being the mother to four teenagers in the house now.

“I’m not an artist whoever sees myself retiring, and I feel grateful for that, though I do sometimes feel confused about my direction but that’s all part of being an artist, Like, what is my next big project with all these irons in the fire?”

Laura continues: “I’ve been in this business long enough to know that sometimes I’ll be in a dabbling phase, and I’m more than comfortable now to allow projects to percolate. I realise that sometimes you need to pause and collect thoughts and move on to do the next thing.”

She is collating such thoughts for her book on creativity, now 18,000 words into its own creation. “It’s both about learning about myself and helping others: how I’ve done things and how I would recommend people to do things; how I write songs; how I schedule what I do,” says Laura, who is also a children’s author and host of the Midnight Lightning podcast. “It’s a book about how to do it, how I’ve done it, and how you feel less dead, more alive, more fulfilled, by doing it.

“I like to see how other people do things, learning better methods, reading about how to write – Stephen King has written a cool book on writing – and I think it’s always interesting to read about creative processes.

“I don’t know when the book will come out. It’s still a pretty young project, but I’m a persistent person, so it will happen.”

Over the years, Laura has collaborated with such musicians as kd lang, Neko Case, Sufjan Stevens, Bill Frisell, Jim James, Colin Meloy, This Is The Kit’s Kate Stables, Sam Amidon, Karl Blau and Shahzad Ismaily: experiences she can bring  to providing her Stanford University songwriting workshops and teaching her weekly lessons too.

“They can sign up on Zoom. I’m teaching a woman in her 70s how to make her first album, a guy in Boston, who’s doing his first record, and a woman in Australia, who’s writing a book,” says Laura, who also has an ongoing workshop residency at Rancho Loa Puerta in Tecate, Mexico.

Inducted into the Oregon Music Hall of Fame in October 2024, in her songs Laura draws on her childhood in Colorado Springs, Colorado, spending summers camping with her family, as much as her fascination with the intersection of art and science from days of studying geology (and Mandarin Chinese) at Carleton College in rural Minnesota.

“Nature is a huge part of my work, from my background in science and going to  perfect places in Oregon. Whether you want it or not, nature is everywhere, and I’ve found it a fruitful place lyrically, so it’s a full-on regular inspiration.”

In turn, her songs have been an inspiration for a French children’s choir, run by an old friend of hers, Patrice, in Angeloume, where she will travel to perform with the choir on May 25. “They’re a choir of around 30 children, almost all of them girls. Patrice has chosen 18 songs and arranged them for the choir, I’ll be on guitar, Patrice on keyboards,” says Laura.

“He’s sent me a video of them singing one of the songs, Black Butterfly, and it’s beautiful. We first did a concert of my songs with the choir 17 years ago, before I had kids, which we put out on CD – it’s sold out now – and we’re going to record this one too. If it sounds good, I’ll release it.”

Laura is in good company. Patrice has presented choral concerts of grunge iconoclasts Nirvana and Modesto, California indie rock band Grandaddy songs too.

Please Please You & Brudenell Presents present Laura Veirs at The Crescent, York, supported by London soul/rock’n’roll singer Lucca Mae, on March 27, 7.30pm. Box office thecrescentyork.com/events/laura-veirs-2/. Also playing Upper Chapel, Sheffield, March 26, 8pm; doors 7.30pm; wegottickets.com/event/638480.

Posted on

More Things To Do in York & beyond when not only Poirot exercises the little grey cells. Hutch’s List No. 12, from The York Press

Freya Horlsey: Among the 163 artists and makers taking part in York Open Studios

SPRING has sprung, the cue for the arts world to have an extra spring in its step, much to Charles Hutchinson’s joy.

Art event of the weekend: York Open Studios Taster Exhibition, The Hospitium, York Museum Gardens, today and tomorrow, 10am to 4pm

YORK Open Studios will showcase 163 artists and makers at 116 locations on April 5, 6, 12 and 13 in its largest configuration yet in its 24 years. To whet the appetite, this weekend’s Taster Exhibition showcases works by participating artists to “help you choose which studios you would like to visit”. Full details of the April event can be found at yorkopenstudios.co.uk. Admission is free.

Stevie Hook: Spinning The Wheel Of Nouns

Queer cabaret night of the week: York Literature Festival presents Stevie Hook in The Wheel Of Nouns, Theatre@41, Monkgate, York, tonight, 7.30pm

REJOICE…or beware! The Gender Fairy is loose and has found their way to York. What is gender anyway and why should you care? Discover why it may be easier than you think in Hook’s new cabaret comedy: an evening of spinning game show wheels, jokes, bribes, and voluntary audience participation.

Audience interaction and cabaret-style games create a light-hearted, accepting environment to explore key issues around queerness and gender identity in 70 minutes of thought-provoking, mischievous queer cabaret.

The Wheel Of Nouns is presented by York trans, non-binary, neurodivergent mythical creature, writer and cabaret artist Stevie Hook. They are an associate artist with Roots Theatre and uses the pronouns they/them and hehe/hym.

At the heart of everything they create is a passion for subverting expectations, using games and audience interaction mechanics to invite audiences into silly, unapologetically trans worlds. They believe empowering audiences to participate and play in these silly worlds with them can open doors for meaningful change. Box office: tickets.41monkgate.co.uk.

Printmaker Pamela Knight: Exhibiting at Bluebird Bakery in Acomb

Exhibition of the week: Three Printmakers, Bluebird Bakery, Acomb, York, until May 7

YORK Printmakers members Pamela Knight, Vanessa Oo and Sandra Storey are taking part in the Three Printmakers: Energy, Atmosphere & Light exhibition. York artist and former theatre set and costume designer Knight specialises in collagraphy, enjoying the textures and effects she creates using this process, often enriched with monoprint and chine colle.

Oo, from York, is displaying monotypes for the first time. “My work is about capturing the magic of the moment; an unseen energy and rhythm,” she says. Harrogate artist Sandra Storey’s work evokes the “talisman-like quality” of plants, birds and natural objects found within the North York Moors landscape. Admission is free.

Close up for Kim Wilde: Songs from Close and Closer at York Barbican

Pop gig of the week: Kim Wilde: Closer Tour, York Barbican, Sunday, 7.45pm

EIGHTIES’ pop star Kim Wilde performs songs from her sixth album, 1988’s Close, complemented by new numbers from Closer, her 15th studio set, released on January 25. Expect the familiar hits too: Kids In America, You Came, You Keep Me Hangin’ On, Never Trust A Stranger, Four Letter Word et al. Cutting Crew support. Box office: yorkbarbican.co.uk.

Fiery Angel head to the Grand Opera House from Tuesday with Lucy Bailey’s production of Agatha Christie’s Murder On The Orient Express

Thriller of the week: Fiery Angel in Agatha Christie’s Murder On The Orient Express, Grand Opera House, York, March 25 to 29, 7.30pm plus 2.30pm Wednesday and Saturday matinees

FIERY Angel follow up November 2023’s visit of And Then There Were None with another Agatha Christie murder mystery directed by Lucy Bailey, this time with Michael Maloney on board for a “deliciously thrilling ride” as Belgian sleuth Hercule Poirot.

In Winter 1934, an avalanche stops The Orient Express dead in its tracks. Cue a murder. A train full of suspects. An impossible case. Trapped in the snow with a killer still on-board, can the world’s most famous detective crack the case before the train reaches its final destination?

Meanwhile, Wise Children’s world premiere of Emma Rice’s theatrical take on Alfred Hitchcock’s North By North West continues at York Theatre Royal until April 5. Box office: GOH, atgtickets.com/york; YTR, 01904 623568 or yorktheatreroyal.co.uk.

Mark Simmonds in rehearsal for his role as Prospero in Black Sheep Theatre’s The Tempest at Theatre@41, Monkgate, York

Shakespeare debut of the week: Black Sheep Theatre in The Tempest, Theatre@41, Monkgate, York, March 26 to 29, 7.30pm plus 2.30pm Saturday matinee

AFTER making their mark with musical theatre productions, York company Black Sheep Productions branch out into Shakespeare territory under Matthew Peter Clare’s direction. “Prepare for The Tempest like you’ve never seen it before,” he says, promising magic, music and mayhem in a dark re-telling of the one with “a storm, a shipwreck and the torment of it all”, featuring Mark Simmonds as Prospero, Freya McIntosh as Miranda, Mikhail Lim as Gonzalo, Deathly Dark Tours guide, Kisskisskill singer Gemma-Louise Keane as Ariel, Meg Conway as Antonia and Josh Woodgate as Caliban.

“With a phenomenal cast, a live six-piece band, our production re-imagines Shakespeare’s tale of power, revenge, and redemption in a truly immersive and unforgettable way.” Box office:  tickets.41monkgate.co.uk.

Public Service Broadcasting: York Barbican debut on March 27

Past meets future in the present: Public Service Broadcasting, York Barbican, March 27, doors 7pm

PUBLIC Service Broadcasting make their York Barbican debut with  J. Willgoose, Esq on guitar, banjo, other stringed instruments, samples and electronic musical instruments; Wrigglesworth on drums, piano and electronic instruments; J F Abraham on flugelhorn, bass guitar, drums and vibraslap and Mr B on visuals and set design.

“Teaching the lessons of the past through the music of the future” for more than a decade, the corduroy-wearing Londoners will select material from their five themed albums, 2013’s Inform – Educate – Entertain, 2015’s The Race For Space, 2017’s Every Valley, 2021’s Bright Magic and 2024’s The Last Flight. She Drew The Gun support. Box office: yorkbarbican.co.uk.

Laura Veirs: Art meets science via geology in her songs at The Crescent, York, on March 27

Folk gig of the week: Please Please You and Brudenell Presents (CORRECT)present Laura Veirs, supported by Lucca Mae, The Crescent, York, March 27, doors 7pm

PORTLAND, Oregon, folk singer, songwriter, children’s author, artist, Midnight Lightning podcaster, Stanford University songwriting teacher and mother Laura Veirs draws on her 14 albums in her Crescent set. Growing up in Colorado Springs, Colorado, she spent summers camping with her family, inspiring her songwriting as much as her fascination with the intersection of art and science from days of studying geology (and Mandarin Chinese) at Carleton College in rural Minnesota.

Her 25-year career has taken in collaborations with Neko Case and kd lang in case/lang/veirs, Sufjan Stevens, Jim James of My Morning Jacket and The Decemberists. Now she is working on new paintings, an instrumental guitar album and a book about creativity. Box office: thecrescentyork.com.

Freida Nipples: Baps & Buns is back at Bluebird Bakery

Burlesque show of the week: Freida Nipples presents Baps & Buns Burlesque, Rise@Bluebird Bakery, Acomb Road, Acomb, York, Bakery, March 28, doors 7pm for 8pm start

YORK’S award-winning queen of burlesque, Freida Nipples, returns to Rise with the first Baps & Buns cabaret bill of 2025. On the menu at York’s regular burlesque night in a bakery will be a collection of sensational cabaret artists, fronted by Freida, of course.

Further Baps & Buns will be on the Rise on May 30, June 27, September 19 and December 13. Box office: bluebirdbakery.co.uk.

Will Smith: Off to the seaside to perform at Scarborough Open Air Theatre in August

Gig announcement of the week: Will Smith, Based On A True Story Tour, TK Maxx Presents  Scarborough Open Air Theatre, August 24

WILL Smith, the Grammy Award-winning American screen actor, entertainer and recording artist, will promote his first full-length album in 20 years, Based On A True Story, on his debut UK headline travels that will open on the Yorkshire coast.

Songs from his March 28 release will be complemented by such hits as Jiggy Wit It, Miami, and Summertime. “Yo UK, my first ever tour. You got to go get it. I’m on my way,” says Smith, 56. “That’s my airplane. Scarborough, Cardiff, Manchester, London, it’s going to be hot! I’m about to go to the airport. I’m leaving now!” Box office: scarboroughopenairtheatre.com.

Posted on

The eyes have it as Rob Auton makes open and shut case for comedy in new show at The Crescent and Leeds City Varieties

Do not just adjust your lenses: Everything will become clear in Rob Auton’s The Eyes Open And Shut Show at The Crescent, York

ROB Auton, York comedian, author, podcaster, actor, poet, graphic designer and illustrator, returns north from London on March 5 to present his 11th themed solo at The Crescent, York.

After exploring the colour yellow, the sky, faces, water, sleep, hair, talking, time, crowds and Rob Auton himself, he turns his surrealist focus on to his eyes in the Eyes Open And Shut Show, on tour from January 27 to May 4.

“This is a show about eyes when they are open and eyes when they are shut,” says Barmby Moor-born Rob. “With this show I wanted to explore what I could do to myself and others with language when eyes are open and shut. After writing ten shows on specific themes, I wanted to think about what makes me open my eyes and what makes me shut them.”

Here, Rob only has eyes for Charles Hutchinson’s questions.

What colour are your eyes?

“Brown.” 

What colour might you have liked your eyes to be?

“Owl eye orange.”

How good is your eyesight at the age of 42?

“7/10. Good enough for me to not wear glasses but bad enough for me to have gone for an eye test and got some glasses that I never wear.”

What makes you open your eyes widest?

“Putting my hand to my coat pocket and my phone not being in that specific pocket. Where is it? Ah, it’s in my trouser pocket. Return eyes to normal wideness.”

What makes you shut your eyes tightest?

“Chocolate bars getting smaller.”

How lightly do you sleep (when eyes are shut)?

“Very lightly, unfortunately.”

If ‘the eyes have it’, what do they have? 

“Whiteness?”

What is your favourite saying about eyes?

“Imagine if you could have trainers that were as comfortable for your feet as your eye sockets are for your eyes.” Rob Auton. 

To get an eyeful of Rob Auton, head to The Crescent, York, on Wednesday

Who do you see eye to eye with?

“Myself.”

Who don’t you see eye to eye with?

“Politicians who think it’s acceptable to kill innocent people.” 

If you could have eyes in the back of your head, what would you want to see? 

“A more peaceful world.”

Do you believe in the third eye?

“I think I do actually. Well, I’m not sure what it is but, if I’m guessing, it’s feeling certain energies? Getting a sense of something without seeing it or hearing it. I definitely believe in that.”

As you said in the show blurb, “I wanted to explore what I could do to myself and others with language when eyes are open and shut”. What have those explorations revealed?

“They’ve revealed that getting people to shut their eyes in shows and getting them into a meditative state, then speaking to them straight after they’ve opened them, can result in an audience member saying, “sorry I completely zoned out there, what did you ask me?”.

How has the show changed since last summer’s Edinburgh Fringe trial run?

“It’s actually changed a fair bit to be honest. Last year was a particularly chaotic year for me as we had quite a big house move. We were staying in a fair few different people’s houses, which I’m very grateful for, but it was an unsettled year.

“Edinburgh came around really quickly and I felt like I just about got away with it. From September until the tour starting I was working on the show pretty much every day. The main thing that has changed is I’ve now put my notebook down and am performing the show more. It was a leap I needed to make and am pleased I made the leap.” 

Do you remember your dreams (eyes shut) and do you ever write material prompted by dreams (eyes open)?

“I remember my dreams for about ten seconds, then they are gone. Bye bye. I’d like to keep a dream diary but never got around to it. I had a dream that I got a birthday present from Father Christmas once. It was mad, just a random person who I didn’t know giving me a birthday present.

“I haven’t really written any dream-based material. I’ve had some good ideas in my dreams though, I think. I once had a dream that you could get photographs taken in your dreams and print them off when you wake up. Hmm, maybe I need to flesh that out a bit.” 

Have you seen Stanley Kubrick’s Eyes Wide Shut, his last film, released in 1999 with married couple Tom Cruise and Nicole Kidman leading the cast?  If so, did it make your eyes open wider or shut?

“I saw it a long time ago, I remember it being a very well-lit film. It makes a difference, doesn’t it? A film being well lit. The most eye-based film I’ve seen recently was Blink Twice [Zoë Kravitz’s 2024 directorial debut]. That made me open my eyes wide and also shut my eyes.” 

Last June, French company Iris Galerie opened its first Yorkshire location at Low Petergate, York, that will turn your eyes into photographic pieces of wall art. Would you want that on your wall?

“Ah wow, yeah, I think I would. Maybe I’ll go and check it art! I’d like to have a massive picture of my eye on the wall.” 

If you were to lose a sense, in what order would you put them in terms of importance to keep: sight; hearing; smell; taste; touch?

“I think I agree with the order you’ve put them in there.” 

Burning Duck Comedy Club presents Rob Auton: The Eyes Open And Shut Show at The Crescent, York, on March 5, 7.30pm. Box office: thecrescentyork.com. Also playing Leeds City Varieties Music Hall on May 3, 7.30pm; 0113 243 0808 or leedsheritagetheatres.com.

Posted on

What’s On in Ryedale, York and beyond. Hutch’s List No. 3 from Gazette & Herald

The Steelers: Re-creating the songs of Steely Dan at Helmsley Arts Centre

FROM a residents’ free festival to a Steely Dan tribute, the return of The Old Paint Shop cabaret to the Poet Laureate’s foray into music, Charles Hutchinson welcomes signs of 2025 gathering pace.

Tribute show of the week: The Steelers, Helmsley Arts Centre, tonight, 7.30pm

THE Steelers, a nine-piece band of musicians drawn from around Great Britain, perform songs from iconic Steely Dan Steel albums Pretzel Logic, The Royal Scam, AJA and Goucho, crafted by Walter Becker and Donald Fagan since 1972. Box office: 01439 771700 or helmsleyarts.co.uk.

Lyrical musicianship at York Theatre Royal: Poet Laureate and LYR band members Richard Walters and Patrick Pearson. Picture: Katie Silvester

The language of music: An Evening With Simon Armitage and LYR, York Theatre Royal, tonight, 7.30pm

UK Poet Laureate, dramatist, novelist, broadcaster and University of Leeds Professor of Poetry Simon Armitage teams up with his band LYR for an evening of poetry (first half) and music (second half), where LYR’s soaring vocal melodies and ambient instrumentation create an evocative and enchanting soundscape for West Yorkshireman Armitage’s spoken-word passages. Box office: 01904 623568 or yorktheatreroyal.co.uk.

Ned Swarbrick: Debut headline gig at The Crescent at the age of 16

Headline debut of the week: Ned Swarbrick, The Crescent, York, tonight, 7.30pm

AT 16, York singer-songwriter Ned Swarbrick heads to The Crescent – with a couple of band mates in tow – for his debut headline show after accruing 40 gigs over the past two years. Penning acoustic songs that reflect his love of literature and pop culture, he sways from melancholy to upbeat, sad to happy, serious to tongue in cheek.

The first to admit that he is still finding his feet, in his live shows Ned switches between Belle & Sebastian-style pop numbers and intimate folk tunes more reminiscent of Nick Drake. Check out his debut EP, Michelangelo, featuring National Youth Folk Ensemble members, and look out for him busking on York’s streets. Box office: thecrescentyork.com.

Frankie Monroe: Transforming The Old Paint Shop into the Misty Moon working men’s club at York Theatre Royal

Beyond compere: Frankie Monroe And Friends, The Old Paint Shop, York Theatre Royal Studio, tonight, 8pm

BBC New Comedy and Edinburgh Fringe Newcomer winner Frankie Monroe hosts an evening of humour,  tricks and mucky bitter in The Old Paint Shop. Join the owner of the Misty Moon – “a working men’s club in Rotherham that also serves as a portal to hell” – in his biggest show yet with some of York’s finest cabaret performers. Box office: 01904 623568 or yorktheatreroyal.co.uk.

Clifford’s Tower: Taking part in York Residents’ Festival this weekend

Festival of the week: York Residents’ Festival, Saturday and Sunday

ORGANISED by Make It York, this annual festival combines free offers, events  and discounts for valid York Card, student card or identity card holders that proves your York residency. Among the participating visitor attractions will be Bedern Hall, Clifford’s Tower, Yorkshire Air Museum, Merchant Taylors Hall and, outside York, Beningbrough Hall and Castle Howard. For the full list of offers, head to: visityork.org/offers/category/york-residents-festival.

Scott Matthews: Wolverhampton singer-songwriter plays the NCEM, York

Folk gig of the week: The Crescent and Black Swan Folk Club present Scott Matthews, National Centre for Early Music, York, Saturday, doors 7pm

ON a tour that has taken in churches and caves, Wolverhampton singer-songwriter Scott Matthews plays St Margaret’s Church, home to the NCEM in Walmgate, next weekend.

Combining folk, rock, blues and Eastern-inspired song-writing, he has released eight albums since his 2007 debut single,  Elusive, won the Ivor Novello Award for Best Song Musically and Lyrically. His most recent recording, 2023’s Restless Lullabies, found him revisiting songs from 2020’s New Skin with a stark acoustic boldness. Box office: seetickets.com/event/scott-matthews/ncem/3211118. Please note, this is a seated show with all seating unreserved.

The Cactus Blossoms: In harmony at Pocklington Arts Centre

Harmony duo of the week: The Cactus Blossoms, Pocklington Arts Centre, January 31, 8pm

THE Cactus Blossoms’ brothers, Jack Torrey and Page Burkum, are modern practitioners of the magical art of harmony duo singing, as heard on their August 2024 album Every Time I Think About You. Like any great magician, they cannot or will not fully explain the illusion they create. See if you can work it out at Pocklington Arts Centre.

Support act Campbell/Jensen features the late Glen Campbell’s banjo-playing daughter Ashley Campbell, who performed in her father’s band on several world tours, including at York Barbican. The duo combines Campbell’s country and Americana with New York guitarist and songwriter Thor Jensen’s rock and gypsy jazz. Box office: 01759 301547 or  pocklingtonartscentre.co.uk.

Snow Patrol: Returning to Scarborough Open Air Theatre this summer

Gig announcement of the week: Snow Patrol, TK Maxx Presents Scarborough Open Air Theatre, June 27

THE Northern Irish-Scottish indie rock band Snow Patrol are to return to the Scarborough coast for the first time since July 2021, led as ever by Gary Lightbody, accompanied by long-time lead guitarist Nathan Connolly and pianist Johnny McDaid.

Emotionally charged anthems such as Chasing Cars, Run and Open Your Eyes will be complemented by selections from 2024’s The Forest Is The Path, their first chart topper in 18 years. Tickets go on sale today (24/1/2025) at 9am at ticketmaster.co.uk and scarboroughopenairtheatre.com.