Steve Mason performing at The Crescent as part of Independent Venue Week. All pictures: Paul Rhodes
Independent Venue Week presents Steve Mason and Pictish Trail, The Crescent, York, January 30 2024
A LIGHT end to the darkest month. Steve Mason is a colourful and welcome visitor to The Crescent, a venue that he seems very comfortable in.
Mason was performing with his band, Calie Hough on drums and his long-serving keyboard maestro, Darren Morris, channelling everything else. The trio clearly means business, and the set has been well road tested.
Compared with his recent York concerts (December 2022 at the same venue and a December 2021 solo set at Stockton on the Forest Village Hall), there were few slower, sadder songs, resulting in a more dynamic set that also included a wholesome number of Beta Band favourites from his earlier days.
Steve Mason: “Conga playing was a towel-wearing nod to his inventive use of percussion in his work“
While young people will never study Mason’s words as English literature, he is a master at driving home a repeated message or a melody. No More being the most obvious, but Upon My Soul was an unexpected soaring highlight.
Throughout the 80-some minutes, Mason was in motion, all eyes fixed on him as he commanded the stage. His guitar playing reflected his energy, vigorous and strident, while his conga playing was a towel-wearing nod to his inventive use of percussion in his work. The trio more than did justice to the clever, adventurous settings from his Brothers And Sisters album, with seven numbers played.
Supporting Mason was his friend and fellow sonic adventurer, The Pictish Trail, the non de plume of Johnny Lynch. Hailing from the Scottish Isle of Eig, Lynch has a wonderful left-of-centre view of the world.
A natural performer, he was warm and funny between songs; even bringing some levity to the near-death car crash that inspired him to write In Heaven Tonight. Lynch’s set drew most from his most recent album, 2022’s Island Family, with the title track memorably conjuring a bonfire night on the island with the many dead souls also present.
Pictish Trail: “A wonderful left-of-centre view of the world”
His clever, animated use of beats and effects sometimes offset some pretty forgettable melodies. Lynch’s mistake-defying hand-eye coordination while wearing a large mask is an image few will forget, unlike the song he was performing.
Mason’s songs are all cut from a similar melodic cloth, but at his best, his tunes have stood the test of time. His feted work with The Beta Band was an early purple patch – tuneful but never towing any conventional line (Dry The Rain of course, mid-set this time, finding room for Squares, also excellent and the soulful Dog Got A Bone).
It was his wonderful King Biscuit Time song I Walk The Earth that brought the house down as the first encore; arguably his best tune to cap another fine Crescent night.
Review by Paul Rhodes
Pictish Trail’s “mistake-defying hand-eye coordination while wearing a large mask is an image few will forget”
Making Mischief: Peter Pan Goes Wrong at Leeds Grand Theatre. Picture: Pamela Raith
FROM Peter Pan mishaps to pantomime, rabbit obituaries to classic rock, prawn cocktail comedy to Eighties’ pop star nostalgia, Charles Hutchinson delights in all manner of arts events.
Theatrical calamity of the week…but in a good way: Mischief Theatre’s Peter Pan Goes Wrong, Leeds Grand Theatre, January 16 to 20, 7.30pm plus 2.30pm Thursday and Saturday matinees
FROM the mayhem-makers of The Play That Goes Wrong and the BBC television series The Goes Wrong Show comes Mischief Theatre’s riotous spin on a timeless classic in the West End hit Peter Pan Goes Wrong.
As the hapless members of the Cornley Polytechnic Drama Society return to the stage, once more they must battle technical hitches, flying mishaps and cast disputes as they strive to present J M Barrie’s awfully big adventure, but will they ever make it to Neverland? Box office: 0113 243 0808 or leedsheritagetheatres.com.
RIP Lee Scratch Perry from Bertt deBaldock’s book Good Rabbits Gone Volume Three
Book signing launch of the week: Bertt deBaldock’s Good Rabbits Gone Volume Three, Pyramid Gallery, Stonegate, York, January 16, 4.30pm to 7pm
PYRAMID Gallery owner, curator and artist Terry Brett launches his latest collection of cartoon rabbit portrait tributes to celebrities and remarkable individuals who have passed away in the 108-page book Good Rabbits Gone Volume Three.
The cartoons are drawn by Bertt deBaldock (Terry’s alias) at the time of the individual’s death and assembled with Terry’s tributes or memories of the person in a volume covering September 2021 to December 2022. The book is free but donations are invited in aid of Refugee Action York.
All in for Aladdin: The cast for Pickering Musical Society’s 2024 pantomime
Pantomime extra time: Pickering Musical Society in Aladdin, Kirk Theatre, Pickering, January 18 to 28, 7.15pm, except January 22; 2.15pm, January 20, 21, 27 and 28
PICKERING Musical Society has added two extra performances of Aladdin, now opening on January 18, rather than January 19, while a Sunday matinee on January 21 is a new addition too.
Director Luke Arnold’s cast includes Pickering panto favourites Marcus Burnside as Widow Twankey, Stephen Temple as simple son Wishee Washee, Danielle Long as principal boy Aladdin, Courtney Brown as principal girl Princess Lotus Blossom, Paula Paylor and Rachel Anderson as comedic double act Minnie Wong and Winnie Wong and John Brooks as the villainous Abanazar. Box office: 01751 474833 or thelittleboxoffice.com/kirktheatre.
The poster for One Night Of Classic Rock at the JoRo, York
New collaboration: The BJMC & Steve Coates Music Productions, One Night Of Classic Rock, Joseph Rowntree Theatre, York, January 20, 7.30pm
THE long-established BJMC (Bev Jones Music Company) is teaming up with new company Steve Coates Music Productions. Their first collaboration draws on Coates’s jukebox for a night of thunderous anthems from everyone’s favourite rock bands, such as AC/DC, Queen, Tina Turner, Status Quo, Eagles, Meat Loaf, Led Zeppelin and Fleetwood Mac.
Guitarist Mickey Moran combines leading a six-piece band with joining Annabel Van Griethuysen, Clare Meadley, Jack Storey-Hunter, Chris Hagyard and Ruth McNeill as the show’s lead singers. Box office for returns only: 01904 501935 or josephrowntreetheatre.co.uk.
Olga Koch: Prawn Cocktail on the menu at Theatre@41, Monkgate
From Russia with love of comedy on Valentine’s Day: Olga Koch: Prawn Cocktail, Theatre@41, Monkgate, York, February 14, 8pm
RUSSIAN-BORN Olga Koch turned 30, achieved a master’s degree, went on an adult gap year, suffered salmonella, lost herself, found herself and washed it all down with a delicious prawn cocktail. “Think less Eat Pray Love and more Shake Scream Cry,” she says, ahead of her return to Theatre@41 after previous visits with Homecoming in October 2021 and Just Friends in October 2022. Box office: tickets.41monkgate.co.uk.
B C Camplight: Playing The Crescent after releasing his break-up album The Last Rotation Of Earth
Gig announcement of the week: BC Camplight, presented by Please Please You & Brudenell Presents, The Crescent, York, March 15, 7.30pm
DOES a curse dictate that Brian ‘BC Camplight’ Christinzio cannot move forward without being knocked back? Or that the greatest material is born out of emotional trauma? While making his 2023 album, The Last Rotation Of Earth, Christinzio’s relationship with his fiancé crumbled after nine inseparable years.
This break-up amid long-term struggles with addiction and mental health led to an extraordinary album of heartbreak, “more cinematic, sophisticated and nuanced than anything” that New Jersey-born BC has done before. Hear the results in York. Box office: thecrescentyork.com.
Martin Kemp: Trading in his bass guitar for taking to the decks for a night of Eighties’ pop hits and dancing
Nostalgia on the horizon: Martin Kemp, The Ultimate Back To The 80’s DJ Set, York Barbican, March 29, doors, 7.30pm
SPANDAU Ballet bassist and EastEnders star Martin Kemp takes to the decks to spin “all the best of the hits” from the Eighties in an unstoppable singalong. Dig out your best Eighties’ attire, grab your dancing shoes and prepare to enjoy a night of pure Gold! Yes, fancy dress is encouraged, he advises.
“It’s amazing! People absolutely lose themselves, singing to every word,” Kemp told ITV’s Good Morning show. “It’s the most euphoric atmosphere I have ever been in, in my life!” Box office: yorkbarbican.co.uk.
Benjamin Francis Leftwich: York singer-songwriter, now based in London, returns to Yorkshire to play Leeds. Picture: Harry Pearson
New year, new album, new tour: Benjamin Francis Leftwich, Leeds Brudenell Social Club, April 4, 7.30pm
YORK singer-songwriter Benjamin Francis Leftwich follows up Dirty Hit Records’ February 9 release of his fifth album, Some Things Break, with a nine-date spring tour that opens in Leeds.
First up is Ben’s new single, New York, a song that came from a writing session with labelmate Matty Healy, from The 1975. Healy asked his permission to perform it at a one-off show, opening for Phoebe Bridgers in 2021, and now comes Ben’s version. Box office: brudenellsocialclub.seetickets.com.
In Focus: Blue Light Theatre Company’s pantomime, Nithered!, Acomb Working Men’s Club, Acomb, January 18 to 26
The Three Pigs in Blue Light Theatre Company’s Nithered!: Simon Moore, left, Kevin Bowes and Kristian Barley
BLUE Light Theatre Company’s tenth anniversary pantomime, Nithered!, is a frosty fairytale adventure by regular writer Perri Ann Barley to match the wintry weather in York.
Formed by Yorkshire Ambulance Service staff, they performed their debut pantomime in 2013. “It was supposed to be a ‘one-off’ production to raise funds for a colleague who had been diagnosed with Motor Neurone Disease but was so successful that it’s still going to this day, and we’ve even branched out into performing plays too,” says Nithered! director Craig Barley.
“Since that first panto, more than £22,000 has been raised for our chosen charities: the Motor Neurone Disease Association (York) and York Against Cancer. Extra performances have been added over the years to accommodate more people, due to our shows’ ever-growing popularity, and there’s also a waiting list for people wanting to join the cast.
Acomb Working Men’s Club has housed the show since 2013. “It’s been our home for so long as they gave us the space for free for so many years, so we could maximise our charitable donations,” says Craig.
“We can seat 200 and offer use of the bar, meaning a relaxed performance which has received so much good feedback. New audience members are pleasantly surprised when they arrive and see the size, layout and the room all dressed up accordingly – putting them immediately at ease and into the panto spirit.”
All ten pantomimes have utilised the same production team: co-producers Perri and Craig, alongside choreographer Devon Wells and stage manager Dave Holiday. “Between us, so much has been achieved on the tiny stage at Acomb Working Men’s Club, from magic carpets to levitating witches!” says Craig.
The (Riding) Hoods in Nithered!: Kathryn Donley, left, Chelsea Hutchinson and Kalayna Barley
The cast still consists of Yorkshire Ambulance staff along with other talented performers from in and around York.
“We like to do things a little differently, creating a brand-new storyline every year, among other things,” says Craig. “But at the same time adding some traditional elements, such as the Dame, played by Steven Clark, who writes additional script material too, and the villain, Glen Gears, who has been with the company since the very beginning. Both of them are very much audience favourites.”
Introducing the storyline in Nithered!, Craig says: “The usually bright and happy village has been shrouded in a permanent frost by the evil Snow Queen (played by Perri Ann Barley), who has enlisted the Big Bad Wolf’ (Glen Gears) to govern the land on her behalf and to keep the population down.
“Mother Goose (Brenda Riley) and the villagers are struggling to cope with the never-ending winter and, with the Wolf around, they are living in constant fear for their safety. Things take a dramatic turn when one of the Three Pigs (Simon Moore, Kevin Bowes, Kristian Barley) is kidnapped by the Wolf.”
Whereupon the villagers decide to take matters into their own hands and head out on a very risky rescue mission. They enlist the help of the Fairy Godmother (Steven Clark), who finds herself in a face-off with the Snow Queen herself, but who will prove to be the most powerful?
“Will the villagers overcome the Big Bad Wolf? Will the everlasting winter come to an end? To find out, come join us and step right into the weird but wonderful world of Nithered!,” says Craig.
The Three Bears in Blue Light Theatre Company’s pantomime: Linden Horwood, left, Harry Martin and Richard Rogers
The cast also features Richard Rogers, Linden Horwood, Julie Shrimpton, Nicky Moore, Pat Mortimer, Zoe Paylor, Chelsea Hutchinson, Kalayna Barley, Kathryn Donley and Harry Martin, plus new members Aileen Stables and Audra Bryan.
“With this being our tenth anniversary, the team have really gone all out to give the audience an amazing experience and cannot wait for everyone to see it.”
Looking ahead, this summer Blue Light will present Murder At Reptilian Park, a new comedy murder mystery by Perri Ann Barley, to be staged in conjunction with the Galtres Centre in Easingwold. “It will run there from June 20 to 22, including a Saturday matinee, bringing us a whole new audience and new challenges,” says Craig. Tickets will be on sale soon on 01347 822472 or at galtrescentre.org.uk.
“Perri masterfully crafts our unique pantos, giving audiences new and interesting storylines featuring some familiar characters, which take them away from some of the other tired classic panto stories to give our audiences an experience like no other, ” says Craig. “That’s why so many return year after year.
“Perri is now working with London Playwrights [a resource for emerging playwrights] as she branches out to try and make her passion for writing a career. Not only this, but she’s also in talks with another professional theatre in Yorkshire, but more about that later.”
Blue Light Theatre Company in Nithered!, Acomb Working Men’s Club, Front Street, Acomb, York, January 18, 19, 24, 25 and 26, 7.30pm; January 20, 1pm matinee. Tickets: £12 adults, £10 concessions, £8 children. Box office: 07933 329654 or bluelight-theatre.co.uk. All proceeds go to Motor Neurone Disease Association York and York Against Cancer.
The poster artwork for Blue Light Theatre Company’s 2024 pantomime, Nithered!
Dead Men Walking: Striding into York, Hull and Leeds
KIRK Brandon follows up his December 6 appearance fronting Spear Of Destiny at The Crescent with a return to the York community venue on February 6, this time with Dead Men Walking at 7.30pm.
Group founding member Brandon will be joined by The Ruts’ rhythm section of Segs Jennings and Dave Ruffy on acoustic bass, percussion and vocals, along with Jake Burns, legendary frontman of Belfast punk band Stiff Little Fingers, who will be bringing his guitar, songs and stories.
All members of the touring band contributed to Dead Men Walking’s 2021 album Freedom – It Ain’t On The Rise. Their 15-date January and February tour will be their first live fixtures since the release, taking in further Yorkshire gigs at The Social, Hull, on February 1 and Leeds Irish Centre on February 8.
The set will feature raw, stripped-back interpretations of the repertoire of Brandon’s bands Theatre Of Hate and Spear of Destiny, The Ruts and Stiff Little Fingers, complemented by a few surprise cover versions and a song or two from DMW’s album.
Tickets for Dead Men Walking’s 2024 Part 1 Tour, Acoustic & Live Songs & Stories are on sale at deadmenwalkingband.com.
Sleuth and sidekick: Fergus Rattigan’s Matthew Shardlake, left, with Sam Thorpe-Spinks’s Jack Barak in Sovereign at King’s Manor. Picture: Charlotte Graham
Community show of the year: Sovereign, King’s Manor, York, July
YORK Theatre Royal’s best show of the year was not at the Theatre Royal, but across Exhibition Square in the courtard of King’s Manor, the setting for C J Sansom’s Tudor sleuth yarn, adapted typically adroitly by the golden pen of York playwright Mike Kenny.
Henry VIII was given the Yorkshire cold shoulder by a cast of 100 led by Fergus Rattigan and Sam Thorpe-Spinks, complemented by Madeleine Hudson’s choir.
Livy Potter in Iphigenia In Splott at Theatre@41, Monkgate
Solo performance of the year: Livy Potter in Black Treacle Theatre’s Iphigenia In Splott, Theatre@41, Monkgate, York, March
GREEK myth is smacked in the chops by modern reality in Gary Owen’s scabrous, “horribly relevant” one-woman drama Iphigenia In Splott, a stark, dark 75-minute play, played out on a single blue chair, with no props, under Jim Paterson’s direction.
Livy Potter kept meeting you in the eye, telling you the bruised, devastating tale of Cardiff wastrel Effie, and her downward spiral through a mess of drink, drugs and drama every night, with shards of jagged humour and shattering blows to the heart.
Crowded in: Comedian Rob Auton’s artwork for The Crowd Show
Comedy show of the year: Rob Auton in The Crowd Show, Theatre@41, Monkgate, York, February 24
COMEDIANS tend to play to a room full of strangers, hence the subject matter of Rob Auton’s The Crowd Show, with its discussions of crowds, people and connection.
Except that the crowd for this (London-based) York comedian, born in Barmby Moor and educated in Pocklington, was made up of friends, family, extended family, and loyal local enthusiasts. The home crowd, rather than the in-crowd, as it were. Auton revelled in a unique performing experience, even more surreal than usual.
Honourable mention: Stewart Lee, Basic Lee, York Theatre Royal, March 20. Serious yet seriously amusing dissection of the rotten state of the nation and comedy itself.
Christmas In Neverland at Castle Howard. Picture: Charlotte Graham
Exhibition of the year: Christmas In Neverland, Castle Howard, near York, running until January 7
IS it a Christmas event, an installation or an exhibition? All three, in that Charlotte Lloyd Webber Event Design makes an exhibit of the 300-year-old stately home at Castle Howard each winter.
This time, the theme is a Peter Pan-inspired festive experience, transforming rooms and corridors alike with floristry, installations, props, soundscapes, and projections, conjuring a Mermaid’s Lagoon, Captain Hook’s Cabin and the Jolly Roger with new innovations from Leeds company imitating the dog.
Honourable mention: Austrian artist Erwin Wurm’s absurdist sculptures in Trap Of The Truth, his first UK museum show, at Yorkshire Sculpture Park, near Wakefield, bringing a whimsical smile until April 28 2024.
Kevin Rowland leading Dexys through The Feminine Divine and old hits sublime at York Barbican
Favourite gigs of the year?
SPOILT for choice. At York Barbican: Suzanne Vega, vowing I Never Wear White in droll delight on February 22; James, bolstered by orchestra and gospel choir, hitting heavenly heights, April 28; Dexys’ two sets, one new and theatrical, the other laden with soul-powered hits, September 5; Lloyd Cole’s two sets, one ostensibly acoustic, the other electric, both eclectic, on October 22.
At The Crescent: The Go-Betweens’ Robert Forster, performing with his son; March 14; Lawrence, once of Felt and Denim, now channelling Mark E Smith and the Velvet Underground in Mozart Estate, October 7; The Howl And The Hum’s extraordinary, deeply emotional three-night farewell to the York band’s original line-up in December.
The long-dormant Pulp’s poster for their This Is What We Do For An Encore return to performing live
Outdoor experience of the year: Pulp, Scarborough Open Air Theatre, July 9
THE rain swept in on the Eighties’ electronic nostalgia of Being Boiled at the Human League’s Music Showcase Weekend at York Racecourse on July 28 too, but that was a mere watering can by comparison with the deluge that befell the Open Air Theatre half an hour before fellow Sheffield legends Pulp took to the Scarborough stage. “Has it been raining?”, teased Jarvis Cocker, but huddled beneath hastily purchased sheeting, the night was still plastic fantastic.
Cherie Federico: At the helm of all things Aesthetica in York
Driving force of the year in York: Cherie Federico, Aesthetica
2023 marked the 20th anniversary of Aesthetica, the international art magazine set up in York by New Yorker and York St John University alumna Cherie Federico. The Aesthetica Art Prize was as innovative and stimulating as ever at York Art Gallery; the 13th Aesthetica Short Film Festival, spanning five days in November, was the biggest yet. On top of that came the Future Now Symposium in March and the launch of Reignite to bolster York’s focus on being a fulcrum for the arts, media arts and gaming industry innovations of the future.
A star performance: Andy Cryer in The Comedy Of Errors (More Or Less) at Stephen Jospeh Theatre, Scarborough. Picture: Patch Dolan
Best Shakespeare of the year: The Comedy Of Errors (More Or Less), Stephen Joseph Theatre, Scarborough, April
THE SJT teamed up with Shakespeare North Playhouse, Nick Lane paired up with co-writer Elizabeth Godber, and Eighties’ pop guilty pleasures rubbed shoulders with Shakespeare’s rebooted comedy as Yorkshire clashed with Lancashire and everyone won. This Comedy Of Errors got everything right. Not more or less. Just right. Full stop.
Nuno Queimado and Rumi Sutton in Gus Gowland’s Mayflies at York Theatre Royal
New musical of the year in York: Mayflies, York Theatre Royal, May
YORK Theatre Royal resident artist Gus Gowland deserved far bigger audiences for the premiere of the intriguing Mayflies, as confirmed by no fewer than nine nominations in the BroadwayWorldUK Awards.
O, the app-hazard nature of modern love under Covid’s black cloud, as two people meet up after two years of tentative communication online. In Tania Azevedo’s flexible casting, you could pick any configuration of Rumi Sutton, Nuno Queimado or Emma Thornett for the couple of your choice. Better still, you should have seen all three; the songs, the nuances, the humour, grew with familiarity.
Leigh Symonds’ engineer Winston and Naomi Petersen’s automaton house maid ED in Alan Ayckbourn’s Constant Companions. Picture: Tony Bartholomew
Still delivering the goods in Yorkshire
ALAN Ayckbourn’s visions of AI in Constant Companions, Stephen Joseph Theatre, Scarborough; John Godber’s Northern Soul-powered Do I Love You?, on tour into 2024; Barnsley bard Ian McMillan’s Yorkshire take on The Barber Of Seville, St George’s Hall, Bradford; Robin Simpson’s dame in Jack And The Beanstalk, York Theatre Royal.
Shed Seven: Launching new album with meet & greet at HMV, York, on Friday
WHAT lies ahead in the New Year? Charles Hutchinson picks his path through highlights across the city’s venues.
It’s only A Matter Of Time before: Shed Seven release their new album
YORK band Shed Seven will mark the January 5 release of their sixth studio album, A Matter Of Time, on new home Cooking Vinyl with a meet & greet/signing session that day at HMV, in Coney Street, York, at 4.30pm (tickets: shedsevenn.lnk.to/instores). Their midday appearance and stripped-back performance on the same day at Vinyl Whistle, in Otley Road, Headingley, Leeds, has sold out.
In the summertime, when the weather is hopefully fine, The Sheds will celebrate their 30th anniversary with a brace of outdoor concerts in York Museum Gardens on July 19 and 20, supported by Peter Doherty, no less. Both have sold out already. Box office: seetickets.com.
Joseph Rowntree Theatre Company cast members peer out through and beneath the JoRo curtain in Curtains
It’s Curtains for…Joseph Rowntree Theatre Company, Joseph Rowntree Theatre, York, February 7 to 10, 7.30pm and 2.30pm Saturday matinee
WHEN the leading lady of a new musical mysteriously dies on stage, a plucky local detective must solve this 1959 case at Boston’s Colonial Theatre, where the entire cast and crew are suspects in Kander & Ebb’s musical with a book by Rupert Holmes. Cue delightful characters, a witty and charming script and glorious tunes in the Joseph Rowntree Theatre Company’s staging of Curtains. Box office: 01904 501935 or josephrowntreetheatre.co.uk.
Steve Mason: Independent Venue Week gig at The Crescent. Picture: Gavin Watson
Beta times ahead: Brudenell Presents Steve Mason, The Crescent, York, January 30, 7.30pm
SCOTTISH indie songwriter Steve Mason, founder of The Beta Band, returns to The Crescent as part of Independent Venue Week. Combining a rare melodic gift with an itch to experiment, as heard on his 2023 album Brothers & Sisters, he investigates where the boundaries lie between the craft of songwriting, technology and free expression.
Taking part in Independent Venue Week too will be Leeds band English Teacher, whose January 28 night of dreamy pop and post-punk noise has sold out already. Box office: thecrescentyork.com.
Monster show: The Apatosaurus in Jurassic Live, bound for York Barbican
Dinosaurs take over York: Jurassic Live 2024 World Tour, York Barbican, February 16, 5pm; February 17, 11am and 3pm; February 18, 1pm
LIFE-SIZED monstrous beasts roar into York in an interactive all-star theatrical spectacular featuring the world’s only Tylosaurus in a giant tank (new for 2024), the last flying Pterodactyl, a Tyrannosaurus Rex called Suzie and more dinosaur species than any other show on Earth.
Join little Amber, Ranger Joe, Ranger Nora and the rest of the Jurassic Live rangers on a musical journey to help save the day from an evil man who is trying to shut down the Jurassic facility. Box office: yorkbarbican.co.uk.
Amber Davies’s Hollywood prostitute Vivian Ward and Oliver Savile’s wealthy businessman Edward Lewis in Pretty Woman: The Musical at Grand Opera House, York
Most anticipated touring musical: Pretty Woman: The Musical, Grand Opera House, York, February 20 to 24, 7.30pm plus 2.30pm, Wednesday and Saturday
BILLED as “Hollywood’s ultimate rom-com, live on stage”, Pretty Woman: The Musical is set once upon a time in the late 1980s, when Vivian (Amber Davies) meets Edward (Oliver Savile) and her life is changed forever.
Strictly champ Ore Oduba’s Happy Man/Mr Thompson and Natalie Paris’s Kit De Luca will be in the cast too for a musical featuring original music and lyrics by Bryan Adams and Jim Vallance and a book by Garry Marshall and the film’s screenwriter, J.F. Lawton. Box office: atgtickets.com/york.
The tour poster for Wise Children’s Blue Beard, opening the bl**dy door at York Theatre Royal from February 27
World premiere of the season: Emma Rice’s Wise Children in Blue Beard, York Theatre Royal, February 27 to March 9, 7.30pm and 2pm Thursday and 2.30pm Saturday matinees
BLUE Beard will be Wise Children’s fourth visit to York after Wise Children, Malory Towers and Wuthering Heights, this time in a co-production between Emma Rice’s Bristol company, York Theatre Royal, Birmingham Rep, HOME Manchester and the Royal Lyceum, Edinburgh.
Rice brings her brand of theatrical wonder to the beguiling and disturbing folk tale of Bluebeard meeting his match when his young bride discovers his dark and murderous secret. Summoning all her rage, all her smarts and all her sisters, she vows to bring the curtain down on his tyrannous reign. Box office: 01904 623568 or yorktheatreroyal.co.uk.
Rob Auton: At his most Rob Auton in The Rob Auton Show at The Crescent, York
Welcome home: Rob Auton, The Rob Auton Show, Burning Duck Comedy Club, The Crescent, York, February 28, 7.30pm
AFTER nine Edinburgh Fringe shows on themes as diverse as the colour yellow, the sky, faces, water, sleep, hair, talking, time and crowds, York writer, comedian, artist and actor Rob Auton delivers his most autobiographical work, exploring the memories and feelings that create his life on a daily basis. Box office: thecrescentyork.com.
Rhod Gilbert’s poster for his tour show with a Giant Grapefruit at York Barbican
Comedy comeback : Rhod Gilbert & The Giant Grapefruit, York Barbican, June 20, 8pm
IN his last show, The Book Of John, firebrand Welsh comedian Rhod Gilbert dealt with “some pretty pungent life citrus” and an idiot called John. Little did he know that things were about to turn even more sour.
Gilbert, 55, required surgery for metastatic cancer of the head and neck as well as chemotherapy and radiotherapy, receiving his first clear cancer scan in October after undergoing treatment.
“Not bitter, he’s bouncing back and feeling remarkably zesty”, returning with a dark, passionate and way-too-personal tour show that squeezes every last drop out of life’s latest curveballs…with a little help from an old adversary. Box office: yorkbarbican.co.uk.
Jason Donovan: Doin’ fine at York Barbican in…wait for it…2025
Even further ahead:Jason Donovan, Doin’ Fine 25 Tour, York Barbican, March 8 2025, 8pm
IF 2023 was the year of Kylie, all that attention on Tension, Padam Padam and ITV’s An Audience With, then 2025, yes 2025, promises a York date with her Neighbours beau, Jason Donovan, in celebration of his “incredible ride” through 35 years in music, theatre, film and television.
His long-awaited sequel to Doin’ Fine 90 will feature Jason’s most beloved songs from his stage shows, nods to his TV times in Neighbours and Strictly Come Dancing and his biggest pop hits. Box office: yorkbarbican.co.uk.
In Focus: York Actors Collective in Beyond Caring, Theatre@41, Monkgate, York, cleaning up from February 6 to 10
Neil Vincent, left, Clare Halliday, Chris Pomfrett, Victoria Delaney and Mick Liversidge in rehearsal for York Actors Collective’s February production of Beyond Caring
YORK Actors Collective follows March 2023’s debut production of Joe Orton’s Entertaining Mr Sloanewith Beyond Caring, a play that highlights the social damage inflicted by zero hours contracts.
Devised by Alexander Zeldin and the original Yard Theatre cast in East London in 2014, later transferring to the National Theatre, the story of agency cleaners at a meat factory will be directed in York by Angie Millard, working with a cast of Victoria Delaney, Clare Halliday, Mick Liversidge, Chris Pomfrett and Neil Vincent.
Over 90 unbroken minutes, Beyond Caring follows two women, Becky and Grace, and one man, Sam (replacing Sarah from past productions in a directorial decision), as they confront the reality of low wage, zero-hour contract employment, never sure of how many hours they have to work, when they will be paid and whether their ‘job’ will continue.
Director Angie Millard says: “This play is remarkable in its structure and power. It totally represents 2024 where many workers are on the breadline, trapped in employment with no guarantee of further work and no way to improve their position.
“What drew me to the play, however, is the message it conveys about people surviving and keeping a sense of humour. I loved the intensity of the piece with its silences, its disappointments and its determination to get pleasure out of the smallest things. It gave me hope.”
Stage managed by Em Peattie, Millard’s production will play nightly at 7.30pm, Tuesday to Friday, followed by Saturday shows at 2.30 and 5.30pm. “Ticket sales for our first production indicated that a Saturday matinee was very popular,” says Angie.
“We thought that having two early Saturday performances would give the audience an opportunity to see the show and still have time to go for a drink or meal afterwards, making a night of it.” Box office: tickets.41monkgate.co.uk.
Chris Pomfrett and Victoria Delaney in rehearsal for Beyond Caring
Jake Lindsay’s Robinson Crusoe and Berwick Kaler’s dame, Dotty Dullaly, in Robinson Crusoe & The Pirates Of The River Ouse at the Grand Opera House. Picture: Charlie Kirkpatrick
HEADING out of 2023 into 2024, Charles Hutchinson’s recommendations are not out with the old just yet, but definitely in with the new too.
Still time for pantomime: Robinson Crusoe & The Pirates Of The River Ouse, Grand Opera House, York, until January 6; Jack And The Beanstalk, York Theatre Royal, until January 7
DOWAGER dame Berwick Kaler goes nautical in Robinson Crusoe for the first time in his 43rd York panto and third at the Grand Opera House. Jake Lindsay takes the title role alongside the Ouse crew’s regulars, Martin Barrass, David Leonard, Suzy Cooper and AJ Powell. Box office: atgtickets.com/york.
Robin Simpson’s Dame Trott, in Clifford’s Tower attire, takes centre stage in York Theatre Royal’s pantomime, Jack And The Beanstalk. Picture: S R Taylor Photography
Nina Wadia’s Fairy Sugarsnap waves a magical artichoke wand over York Theatre Royal’s fourth collaboration with Evolution Productions, wherein CBeebies’ James Mackenzie’s villainous Luke Backinanger takes on returnee Robin Simpson’s Dame Trott, Anna Soden’s Dave the Cow, Mia Overfield’s Jack and Matthew Curnier’s very silly Billy in Jack And The Beanstalk. Box office: 01904 623568 or yorktheatreroyal.co.uk.
James Lewis-Knight and Emily Chapple, a teddy bear and a Dickensian ghost in Badapple Theatre Company’s tour of Farmer Scrooge’s Christmas Carol. Picture: Karl Andre
Last chance to see: Badapple Theatre Company in Farmer Scrooge’s Christmas Carol, Sutton-under-Whitestonecliffe Village Hall, near Sutton Bank, Hambleton, December 27, 4.30pm; East Cottingwith Village Hall, near York, December 29, 4pm
A GRUMPY farmer? From Yorkshire? Surely not! Welcome to Kate Bramley’s rural revision of Dickens’s festive favourite, A Christmas Carol, now set on Farmer Scrooge’s farm and in his bed in 1959 as Green Hammerton company Badapple Theatre put the culture into agriculture.
York actors James Lewis-Knight and Emily Chattle play multiple roles in a tale replete with local stories and carols, puppets and mayhem, original songs by Jez Lowe and a whacking great dose of seasonal bonhomie. Tickets: Sutton-under-Whitestonecliffe, 01423 331304; East Cottingwith, 07866 024009 or 07973 699145.
Navigators Art & Performance’s poster for A Feast Of Fools at the Black Swan Inn
Twelfth Night celebrations: Navigators Art & Performance, A Feast Of Fools, Black Swan Inn, Peasholme Green, York, January 6, 7.30pm
DEVISED by York arts collective Navigators Art & Performance with White Sail, A Feast Of Fools: Folk Music and Words to Celebrate Old Christmas & Twelfth Night is billed as “the final festivity, when lords become servants, beggars rule and convention goes to the dogs. Summon the Green Man! Hail the Lord of Misrule!”
Taking part in this “seriously different and seriously good” gathering will be: Wiccan singer-songwriter Cai Moriarty; experimental neo-folk band Wire Worms; leftfield story and song dispensers Adderstone; poet, architect and musician Thomas Pearson and multi-instrumental alt-folk legends White Sail. Box office: TicketSource at bit.ly/nav-feast or on the door if available.
Roxanna Klimaszewska: Creative director of Be Amazing Arts
Audition time: Be Amazing Arts, Disney’s Beauty And The Beast, for staging at Joseph Rowntree Theatre, York, April 11 to 13, 7.30pm plus 2.30pm Saturday matinee
MALTON company Be Amazing Arts will hold open auditions for the spring production of Disney’s Beauty And The Beast at Huntington School, Huntington Road, York, on Thursday, January 11 from 5.30pm to 9.15pm, when performers aged seven to 18 are invited to attend.
For more information or to book your child’s place, visit beamazingarts.co.uk. “We can’t wait to bring this tale as old as time to life with some of the best young talent in York and beyond,” says creative director Roxanna Klimaszewska. Box office for April tickets: 01904 501935 or josephrowntreetheatre.co.uk.
Album showcase: One Iota, Joseph Rowntree Theatre, York, January 13, 7pm
YORK indie band One Iota return to the JoRo to showcase new album Shadows In The Shade. Expect strong melodies, rich harmonies, soaring guitars and epic soundscapes from a full band line-up, including a string section, topped off with a light show. James Merlin supports. Box office: 01904 501935 or josephrowntreetheatre.co.uk.
John Otway, right, and Wild Willy Barrett: Reuniting at The Crescent
50th anniversary cartwheels: Mr H Presents John Otway & Wild Willy Barrett, The Crescent, York, January 13, 7.30pm
TWO “unlikely lads” from Aylesbury reunite for John Otway & Wild Willy Barrett’s Half A Sentry Tour, sure to feature Cor Baby That’s Really Free and Beware Of The Flowers (Cause I’m Sure They’re Gonna Get You Yeh), number seven in a poll of the best lyrics ever, one place behind Paul McCartney’s Yesterday.
Barrett, 73, will be equipped with acoustic and electric guitars, fiddle, balalaika and brown wheelie bin; singer and somersault enthusiast Otway, 71, will still be scampering around like an untrained puppy. Box office: thecrescentyork.com.
Robert Gammon: Playing at three Dementia Friendly Tea Concerts in 2024
New season: Dementia Friendly Tea Concerts, St Chad’s Church, Campleshon Road, York, January to December 2024
AFTER raising £2,159 for the Alzheimer’s Society in 2023, the dates for next year’s 45-minute Dementia Friendly Tea Concerts are in place, beginning with organist Chantal Berry on January 18 at 2.30pm.
Further dates are: February 15, Isobel Thompson, trumpet, and Grace Harman, piano; March 21, James Sanderson, piano, and Friends; April 18, Alison Gammon, clarinet, Maria Marshall, cello, and Robert Gammon, piano; May 23, Flaute Felice, flute ensemble; June 20, David Hammond, piano.
Then come: July 18, Hannah Feehan, guitar; August 15, Robert Gammon, piano; September 19, Lucinda Taylor, harp; October 17, Billy Marshall, French horn, and Robert Gammon, piano; November 21, Giocoso Wind Ensemble, and December 12, Ripon Resound Choir. No charge but donations are welcome. Organiser Alison Gammon will be trying out new cake recipes alongside old favourites.
Ben Elton: Warning of the dangers of Authentic Stupidity at York Barbican
Looking ahead: Ben Elton, Authentic Stupidity, York Barbican, September 1, 7.30pm
BEN Elton returned to the live comedy circuit in 2019 after a 15-year hiatus, playing York Barbican that October. Next year, the godfather of modern stand-up will return with his new show, Authentic Stupidity.
“Since my last live tour, a whole new existential threat has emerged to threaten humanity! Apparently Artificial Intelligence is going to destroy us all!” he says. “Well, I reckon our real problem isn’t Artificial Intelligence, it’s good old-fashioned Authentic Stupidity! Forget AI! It’s AS we need to be worrying about.” Box office: ticketmaster.co.uk.
In Focus: Kestrel Investigates, Christmas Eve episode of online paranormal comedy with York connection
O Holy Fright: The Christmas Eve episode of Kestrel Investigates
YORK filmmaker Miles Watts, of Zomlogalypse zombie movie fame, is producing the Christmas Eve episode of paranormal comedy Kestrel Investigates.
Entitled O Holy Fright, this festive special edition of the cult web series will feature a guest appearance by Reverend Lionel Fanthorpe, himself a cult icon from Channel 4’s 1990s’ show Fortean TV.
“The web series began screening online in 2018 and is now between its second and third season,” says Watts. “It follows inept paranormal investigator Agravain Kestrel (Stephen Mosley) and his reluctant documentarian, Mike, played by writer-director Oliver Semple.”
The pair worked previously on the fantasy comedy film Kenneth, directed and co-written by Peter Anthony Farren, now streaming on Amazon.
Reverend Fanthorpe, now aged 88 and retired, became involved after the idea of A Christmas Carol-style story was pitched to him by the creators. “Filming with the Kestrel team brought me as much fun and excitement as working on Fortean TV – and it made me feel 20 years younger!” says Fanthorpe, who hosted Fortean TV from January 29 1997 to March 6 1998 on Channel 4.
Filmmaker Semple and producer Watts – whose own web series Zomblogalypse has just been given the film treatment – will release online teasers ahead of the Christmas Eve episode that follows Kestrel and cameraman Mike as they are dragged unwillingly through a series of Scrooge-like visions.
Kestrel Investigates on Shambles in York
Semple says: “Kestrel is thinking about quitting his paranormal investigations until he is visited by three ghosts, kicked off by a zoom call from Lionel Fanthorpe in place of Marley’s ghost, with each ghost trying to convince Kestrel that for the good of mankind, he must not give up.
“Kestrel Investigates is very British in that it follows in the footsteps of classic sitcoms like Steptoe & Son or Only Fools And Horses: humour mixed with working-class misery and pathos. I’m also a huge fan of Christmas, so this is our take on the classic Dickens tale.
“Working with the Rev Lionel Fanthorpe has been a dream come true for us, as we were all huge fans of Fortean TV back in the day – and he was an absolute gentleman to work with.”
Both filmmakers have written a slate of feature film scripts and created a new film company, Outward Films, joining forces with producers to pitch a number of film projects for production from 2024 onwards. These include an action-horror, a creature feature and eventually a Kestrel movie.
Reverend Fanthorpe lauds the show’s blend of humour and the paranormal. “It has the same consequences as putting a drop of rum in a mince pie: it produces pleasure and excitement,” he says. “Merry Christmas and Happy New Year to Kestrel – and the very talented team who created him!”
Watts concludes with a piece of advice: “You can subscribe to watch the episode on the Kestrel Investigates YouTube channel, and by searching for Kestrel Investigates on all social media outlets.”
The York Waits: In Dulci Jubilo at the double in Beverley and York this weekend
CHRISTMAS, Christmas and more Christmas events stop Charles Hutchinson from staying by a winter fire as writing cards must wait.
Christmas collaboration of the week: The York Waits & Ebor Singers, In Dulci Jubilo, St Mary’s Church, Beverley, today, 12 noon; St Olave’s Church, Marygate, York, tomorrow, 7.30pm
SEASONAL music from Renaissance Europe for choir and period instruments, celebrating the Christmas story in the grand works of Michael Praetoius, Schutz, Eccard, Lassus and William Byrd.
Twenty voices of the Ebor Singers combine with the sackbuts, curtals, recorders, flutes and violin of The York Waits. Additional religious and secular instrumental items will afeature the Waits’ Noyse of Shawms, crumhorns, bagpipes and hurdy gurdy. Box office: ncem.ticketsolve.com.
100 snowmen – count them! – created by Slingsby Primary School pupils for the Oak Bedroom at Nunnington Hall
Last chance to see: Christmas Through The Ages, Nunnington Hall, near Helmsley, today and tomorrow, 10.30am to 4pm; last entry at 3.15pm
NUNNINGTON Hall plays host to Christmases past on a Yuletide journey through the ages, immersed in the rich tapestry of festive traditions. Step into the opulence of the Georgian era, savour the splendour of the Victorian golden age, see a Tudor feast fit for a king, or relive the exuberant 1980s’ parties. Tomorrow, carol-singing sessions start at 12 noon and 2pm.
Younger visitors can discover a riddle trail in the garden and a new 1940s’ display in the West Bedroom details the story of a rationed Christmas. Slingsby Primary School has created a winter wonderland of 100 snowmen in the Oak Bedroom. Normal admission applies. Tickets: nationaltrust.org.uk/nunnington-hall.
Richard Kay: Perfoming at Showtime With Don Pears At Christmas
Pears, but no partridge, for Christmas: Showtime With Don Pears At Christmas, Joseph Rowntree Theatre, York, tomorrow , 7pm
NOW a JoRo Christmas tradition, legendary York musician Don Pears performs an evening full of cheer in his Christmas Showtime Concert. Celebrating 30 years of making music and fundraising for the Haxby Road theatre, Pears will be joined by regular cohorts Arnold Durham, Graham and Richard Kay, John Hall, Steve Cassidy, Carol Richardson and Beth Winteringham.
York choir Singphonia make a guest appearance, along with The Tuesday Singers and York Ladies. Sweet Caroline, Memory and You Raise Me Up join multiple festive favourites on the set list. Meanwhile, Shepherd Group Brass Band’s 7.30pm concerts on December 22 and 23 have sold out. Box office: 01904 501395 or josephrowntreetheatre.co.uk.
Two shows in one day for Steve Cassidy: Performing at both York’s Annual Christmas Carol Concert at York Barbican and Showtime With Don Pears At Christmas at Joseph Rowntree Theatre tomorrow
Long-running festive fixture: York’s Annual Community Carol Concert, York Barbican, tomorrow (17/12/2023), 2pm
FOR 65 years, this concert has heralded York’s festive season with favourite Christmas carols and songs. Join Shepherd Group Youth Band, Badger Hill School Choir, Track 29 Ladies Harmony Chorus, York Stage School and Steve Cassidy for a Christmas singalong under the baton of musical director Mike Pratt.
Community Carol Concert favourites Adam Tomlinson and Rev Andrew Foster return as hosts. Proceeds go to the Lord Mayor and Sheriff of York’s Christmas Cheer Fund and The Press’s nominated charity. Box office: yorkbarbican.co.uk
The Howl & The Hum: Last hurrah for the York band’s original line-up in three-night Christmas run at The Crescent
Ho-ho homecoming for Christmas of the week: The Howl & The Hum, supported by Fiona Lee, tomorrow, Before Breakfast, Monday, and Bar Pandora, Tuesday, The Crescent, York.Doors: 7.30pm. Stage times: support acts, 8.15pm; headliners, 9.15pm
YORK’S supreme swoony rockers return to The Crescent for three festive shows with the original line-up of Sam Griffiths, vocals and guitar, Bradley Blackwell, bass, Conor Hirons, guitar, and Jack Williams, drums, who play together for the last time.
“The Howl & The Hum are a band who we grew up with; their shows here at The Crescent have always been special since our – and their – early days through to the way-pro Christmas gigs they’ve played here more recently,” says the website. “Cheers guys, look forward to what is next!”. Sold out, alas. For returns only: thecrescent.co.uk.
Green Matthews: Returning to the NCEM for A Christmas Carol In Concert on Tuesday night
Dickens of a good idea for a Christmas folk concert: Green Matthews: A Christmas Carol In Concert, National Centre for Early Music, York, Tuesday, 7.30pm
CHRIS Green and Sophie Matthews are joined by Jude Rees for a retelling of Charles Dickens’s redemptive Christmas tale exclusively through song with voices and traditional and modern instruments in authentic musical arrangements.
Modern-day balladeers Green Matthews take this nocturnal festive adventure back to its Victorian fireside roots with a magical blend of new lyrics, midwinter English folk tunes and carol melodies to illustrate the transformation of flint-hearted Ebenezer Scrooge into the epitome of the Christmas spirit: warm hearted, generous and loving. Box office: 01904 658338 or ncem.co.uk.
The Carpenters Story At Christmas at York Barbican
Tribute show of the week: The Carpenters Story At Christmas, York Barbican, Tuesday, 7.30pm
IN this special festive show, Carpenters’ classics such as Top Of The World, Close To You and We’ve Only Just Begun are paired with festive selections from Richard and Karen Carpenter’s 1978 album Christmas Portrait, from Merry Christmas Darling to The Christmas Song (Chestnuts Roasting On An Open Fire). Box office: yorkbarbican.co.uk.
Jools Holland: Back at York Barbican for his traditional winter appearance on Wednesday
Recommended but sold out already: Jools Holland and His Rhythm & Blues Orchestra, York Barbican, Wednesday, 7.30pm
BOOGIE-WOOGIE piano maestro Jools Holland and his big band will be joined by special guests Pauline Black and Arthur ‘Gaps’ Hendrick, from The Selecter. “This magnificent addition will amplify our Ska music credentials and bring an extra razzy dazzy spasm to our dance capabilities,” reckons Jools.
Boogie queen and enchantress Ruby Turner and Louise Marshall will be singing too, as will Sumudu Jayatilaka, who joined Jools for the first time in 2022.
Me babbies, me bairns, me Berwick: Berwick Kaler’s dame, Dotty Dullaly, in Robinson Crusoe & The Pirates Of The River Ouse, his third Grand Opera House pantomime. Picture: Charlie Kirkpatrick
‘TIS the season for pantomime as three start at the same time amid a glut of Christmas shows, from kitchen disco to classic rock, as Charles Hutchinson reports.
York pantomimes at the treble: Rowntree Players in Cinderella, Joseph Rowntree Theatre, York, today until next Saturday, except Monday; Jack And The Beanstalk, York Theatre Royal, until January 7 2024; Robinson Crusoe & The Pirates Of The River Ouse, Grand Opera House, tonight until January 6
ROWNTREE Players “rollicking pantomime” director Howard Ella is joined in the writing team for the first time by comic Gemma McDonald, who will be playing Buttons alongside Sara Howlett’s Cinderella, Laura Castle’s Fairy Flo and the baddie trio of Marie-Louise Surgenor’s Wicked Queen, York ghost walk host Jamie McKeller’s Cassandra and Michael Cornell’s Miranda.
James Mackenzie’s Luke Backinanger and Nina Wadia’s Fairy Sugarsnap in Jack And The Beanstalk at York Theatre Royal
York Theatre Royal’s fourth collaboration with Evolution Productions goes green with Nina Wadia’s Fairy Sugarsnap and CBeebies’ James Mackenzie’s villainous Luke Backinanger joining returnee Robin Simpson’s Dame Trott, Anna Soden’s Dave the Cow, Mia Overfield’s Jack and Matthew Curnier’s very silly Billy in Jack And The Beanstalk.
Dowager dame Berwick Kaler tackles Robinson Crusoe for the first time in his 43rd York panto and third at the GOH. Jake Lindsay takes the title role alongside the Ouse crew’s regulars, Martin Barrass, David Leonard, Suzy Cooper and AJ Powell. Box office: josephrowntreetheatre.co.uk or 01904 501935 (last few tickets); yorktheatreroyal.co.uk or 01904 623568; atgtickets.com/york.
Matheea Ellerby: Shining as Sparkle in Pocklington Arts Centre’s The Elves And The Shoemaker Save Christmas
Debut of the week: The Elves And The Shoemaker Save Christmas, Pocklington Arts Centre, until December 16
WRITER Elizabeth Godber and director Jane Thornton are at the helm of Pocklington Arts Centre’s inaugural in-house production: the children’s story of Jingle, Sparkle and Daredevil Dave, who have gingerbread to cook, peas to find and shoes to make. But who gives the Elves their Christmas? Surely they too deserve a break? Dylan Allcock, Jade Farnill and professional debut-making Matheea Ellerby star. Show times and tickets: pocklingtonartscentre.co.uk.
Sophie Ellis-Bextor: Cooking up her hits with Christmas trimmings in her Kitchen Disco at York Barbican
Yuletide on the dancefloor: Sophie Ellis-Bextor’s Christmas Kitchen Disco, York Barbican, Sunday, 7.30pm
WHAT began as a lockdown online sensation from Sophie Ellis Bextor’s kitchen turned into her 2022 Kitchen Disco tour. Now she follows up Cooking Vinyl’s June release of her seventh studio album, Hana, with her Christmas Kitchen Disco tour for 2023. Hits from throughout her career will be combined with festive classics, served in her seasonal disco style. Tickets update: Sold out. Could be murder on the dancefloor to acquire one now. Box office for returns only: yorkbarbican.co.uk.
Mostly Autumn: Christmas classic rock at The Crescent
Homecoming for Christmas: Mostly Autumn Christmas Show!, The Crescent, York, Sunday, 8pm
BEFORE heading off to Belgium and the Netherlands next week, York classic rock band Mostly Autumn play a home-city Christmas show heavily influenced by 1970s’ progressive rock, trad folk and, increasingly, contemporary influences after 28 years together led by guitarist Bryan Josh.
Meanwhile, York folk-covers, busker rock’n’roll troupe Hyde Family Jam have sold out both Thursday and Friday’s Christmas Party gigs, but tickets are available for Tuesday’s 7.30pm double bill of folk trio The Magpies and York singer-songwriter Dan Webster. Box office: thecrescentyork.
Bootleg Beatles: Get back to York Barbican on Wednesday
Tribute show of the week: Bootleg Beatles, York Barbican, Wednesday, 7.30pm
PERFECT timing for the Bootleg Beatles to return to York this Christmas with their nostalgic whirlwind trip through the Fab Four Sixties, after the reissue of the ‘Red’ and ‘Blue’ compilations and especially the chart-topping renaissance of Now And Then.
And yes, that reactivated ghost of a John Lennon song will feature in a set combining the then and the now as Steve White’s Paul, Tyson Kelly’s John, Steve Hill’s George and Gordon Elsmore’s Ringo re-create the sound and look of each Beatles’ phase in fastidious detail, accompanied by a brass and string orchestra. Box office: yorkbarbican.co.uk.
A mouse on skis in A Townmouse Christmas at Fairfax House, York
Mouse in the house: A Townmouse Christmas, Fairfax House, Castlegate, York, until January 7, 10.30am to 4.30pm, last entry 4pm
FAIRFAX House’s 2022 festive exhibition, A Townmouse Christmas, returns this winter with double the magic and double the mice, causing even more mayhem and mischief amid the Georgian Christmas festivities.
Hundreds of merry mouse guests can be spotted swinging from the ceiling and bursting out of drawers as they play among the 18th century décor, festive foliage and displays of Georgian Christmas traditions. Tickets: fairfaxhouse.co.uk.
Hands up who’s coming to town: Santa Claus looks forward to York Stage’s Santa’s Sing-a-Long
Busiest company of the week: York Stage presents Santa’s Sing-a-Long, Wednesday to December 23; Festive Feast, December 15, 16, 19 to 22, 8pm, both at Theatre@41, Monkgate, York
JOIN Mr and Mrs Claus in their busy home as they prepare for the big day, entertaining children with 45 minutes of sing-a-longs, Christmas stories, interactive wonderment and Christmas songs aplenty. Santa has a Christmas book for every child to take away to read on Christmas Eve. Show times and tickets: tickets.41monkgate.co.uk.
At night, York Stage vocal talent, accompanied by Adam Tomlinson and his band, dishes up a Festive Feast of Christmas songs, ranging from the traditional to modern pop, plus lashings of musical theatre favourites.
On song will be Katie Melia, Jess Main, Tracey Rea, Matthew Clarke, Cyanne Unamba-Oparah, Carly Morton, Finn East, Jack Hooper, Hannah Shaw, Stuart Hutchinson and York Stage debutant Jess Parnell. Box office: tickets.41monkgate.co.uk.
Mike Paul-Smith: Musical director of Down For The Count at the Royal Hall, Harrogate
Christmas in full swing: Down For The Count, Swing Into Christmas, Royal Hall, Harrogate, December 16, 7.30pm
MIKE Paul-Smith trained as a doctor but is now principal conductor of London vintage orchestra Down For The Count, specialists in bringing jazz’s Swing Era back to life, in this case with a festive focus.
Paul-Smith and arranger Simon Joyner re-create the music of Nat King Cole, Billie Holiday, Ella Fitzgerald, Frank Sinatra and many more in a luscious 30-piece orchestral setting, evoking Capitol Studios recordings. Cue original arrangements of The Christmas Song (Chestnuts Roasting) and It’s Beginning To Look A Lot Like Christmas, alongside Let’s Face The Music And Dance and S’Wonderful. Box office:01423 50211 or harrogatetheatre.co.uk.
Reopening of the week: Victorian Christmas at York Castle Museum, Eye of York, until January 72024
Story Craft Theatre’s Cassie Vallance and Jane Bruce with their Museum Mice at York Castle Museum
YORK Castle Museum’s Victorian Kirkgate street has reopened for a magical Yuletide experience full of activities and performances for all ages.
Highlights include Chris Cade’s Scrooge shows; a Victorian green-clad Father Christmas; carol singing on Sundays, and Janet Bruce and Cassie Vallance’s Story Craft Theatre bringing cute Museum Mice to life with puppets, games and family fun, followed by a craft activity on several weekdays. To book tickets: https://beta.yorkmuseumstrust.org.uk/york-castle-museum/admission-tickets
The Gesualdo Six, with director Owain Park, centre, back row: Two concerts in one evening at NCEM
CHRISTMAS music, Scrooge the farmer, artist fairs and pantomime frolics set up Charles Hutchinson for the festive season ahead.
Festival of the week: York Early Music Christmas Festival, today until December 9
YORK Early Music Christmas Festival 2023 takes the theme of Music, Minstrels and Mystery, with today’s concerts by Flutes & Frets (Bedern Hall) and The Gesualdo Six & Fretwork Viol Consort (NCEM) having sold out already.
So has December 9’s finale, the Yorkshire Bach Choir’s Bach Christmas Oratorio (Sir Jack Lyons Concert Hall), but tickets are still available for The Harmonious Society of Tickle-Fiddle Gentlemen, Fiddlesticks, The Marian Consort, Ceruleo and Baroque In The North. For concert details and tickets, visit ncem.co.uk. Box office: 01904 658338.
James Lewis-Knight and Emily Chattle in a scene from Badapple Theatre Company’s Farmer Scrooge’s Christmas Carol. Picture: Karl Andre
Tour opening of the week: Badapple Theatre Company in Farmer Scrooge’s Christmas Carol, until December 30
A GRUMPY farmer? From Yorkshire? Surely not! Welcome to Kate Bramley’s rural revision of Dickens’s festive favourite, A Christmas Carol, now set on Farmer Scrooge’s farm and in his bed in 1959 in Green Hammerton company Badapple Theatre’s tour of Yorkshire and beyond.
York actors James Lewis-Knight and Emily Chattle play multiple roles in a tale replete with local stories and carols, puppets and mayhem, original songs by Jez Lowe and a whacking great dose of seasonal bonhomie. For tour dates and ticket details, visit: badappletheatre.co.uk or call 01423 331304.
South Bank Studios artist Carolyn Coles: Taking part in this weekend’s Christmas Artists Trail
Artists with Christmas in mind: South Bank Studios Christmas Artists Trail, hosted by South Bank Studios, Bishopthorpe Road, York, today and tomorrow, 10am to 4pm
JOIN artists, illustrators and makers in the South Bank area of York for a weekend of festive cheer and a chance to visit artists’ houses and studios. For sale will be paintings, illustrations, ceramics, textiles, cards and gifts.
Taking part: Jill Tattersall, at 11 Mount Parade, today and tomorrow; Marie Murphy, 38, Scarcroft Road, today; Donna Maria Taylor, Carolyn Coles, Karen Winship, Rebeca Mason (11am to 4pm, in the loft), Katie Hill (outside) and Rachel Jones (outside) at South Bank Studio, today only.
Other art events happening in York over the weekend will be PICA Studios’ open studio, in Grape Lane, today and tomorrow, 10am to 5pm, and Rogues Atelier’s open studio, in Fossgate, today and tomorrow, 10am to 5pm.
Damion Larkin: Hosting Laugh Out Loud Comedy Club at The Basement
Comedy gig of the week: Laugh Out Loud Comedy Club, The Basement, City Screen Picturehouse, York, today, 5pm and 8pm
ESSEX comedian Markus Birdman headlines Laugh Out Loud Comedy Club’s brace of Basement gigs today. Joining him will be Tal Davies, Hasan Al-Habib and promoter/master of ceremonies Damion Larkin.
In 2022, Birdman suffered a stroke and ended up with a platinum heart, the subject of his Platinum Tour show. This year he was a semi-finalist on Britain’s Got Talent. Box office: lolcomedyclubs.co.uk.
Nina Cumin, left, Jonathan Sage and Kate Ledger: York Late Music concert of Anthony Gilbert works tonight
York Late Music: Micklegate Singers, After Byrd, today, 1pm; Nina Kumin, Jonathan Sage and Kate Ledger, 7.30pm, both at Unitarian Chapel, St Saviourgate, York
MICKLEGATE Singers bring together three anniversaries, Byrd, Rachmaninov and Thomas Weelkes, in a lunchtime musical sandwich of more than 500 years of a cappella choral music.
In the evening, Nina Kumin, violin, Jonathan Sage, clarinet, and Kate Ledger, piano, mark July’s death of Anthony Gilbert by performing four of the British composer’s works, plus music by Nicola LeFanu and David Lumsdaine, who both knew him well. Box office: latemusic.org or on the door.
Kirk Brandon: Fronting Spear Of Destiny at The Crescent
40th anniversary gig of the week: Spear Of Destiny, The Crescent, York, Wednesday, 7.30pm
FORTY years on from Epic Records’ release of Spear Of Destiny’s debut album, The Grapes Of Wrath, Kirk Brandon leads his punk-influenced power rock band on a 17-date November and December tour.
On the back of American travels, Brandon will be performing with his longest-serving line-up: Adrian Portas (New Model Army/Sex Gang Children), Craig Adams (Sisters Of Mercy/The Cult/The Mission) and Phil Martini (Jim Jones And The Righteous Mind), bolstered by Clive Osborne on saxophone and Steve Allen-Jones on keys. Support comes from former Simple Minds bassist Derek Forbes & The Dark. Box office: thecrescentyork.com.
Kate Rusby: Showcasing her new Christmas album, Light Years, at York Barbican on Thursday
Festive folk gig of the week: Kate Rusby, Established 1973 Christmas Tour, York Barbican, Thursday, 7.30pm
BARNSLEY folk nightingale Kate Rusby marks turning 50 on Monday with the release of her seventh Christmas album, Light Years, and an accompanying tour that opens in York.
In the company of her regular band, coupled with the added warmth of the Brass Boys, Kate combines carols still sung in South Yorkshire pubs with her winter songs and favourite Christmas chestnuts. Look out for the fancy dress finale. Box office: yorkbarbican.co.uk.
Rowntree Players having a ball in rehearsal for Cinderella
Pantomime opening of the week: Rowntree Players in Cinderella, Joseph Rowntree Theatre, December 9 to 16, except December 11
HOWARD Ella directs Rowntree Players in a rollicking romp of a pantomime, wherein Cinderella and Buttons are fighting to save the Windy End Hotel when the Queen announces a ball to celebrate Prince Charming’s birthday.
Trouble is brewing with the arrival of a “truly horrific trio”, determined to find themselves a prince. Expect song, dance, all the traditional silliness…and a mad rush for the last few tickets for all performances. Box office: 01904 501935 or josephrowntreetheatre.co.uk.
Billie Marten: Dropping into The Crescent with her Drop Cherries album. Picture: Katie Silvester
Recommended but sold out already
RIPON singer-songwriter Billie Marten, now based in London, returns home to Yorkshire to showcase her fourth album, Drop Cherries, on which she explores the struggle with modernity versus tradition, nature, mental health, relationships and “a general voyeurism on the world as she sees it”. Clara Mann supports.
Bobby Lee and drummer Ian McCutcheon: “Guitar-driven instrumentals with an expansive, filmic quality”. Picture: Paul Rhodes
CUTTING a dash is rarely a bad move when it comes to performing music. While none at The Crescent did so much as bat an eye to the retro chic figure enjoying the support act, once on stage, Bobby Lee, from Sheffield but in every other respect American, looked like a man made for the limelight.
In appearance recalling Lee Hazlewood in his late 1960s’ pomp, Lee’s guitar-driven instrumentals have an expansive, filmic quality. The backdrop was video from the 1960s and 1970s, and promoters Ouroboros’s trademark floor lamp also added a certain period glow.
The three piece locked quickly into place, dispatching 15 songs in a little over an hour. That was enough, as the circular riffs were starting to turn in on themselves and blur.
Pascallion, alias York musician Jack Woods: “Dour, Elliot Smith-like nihilism contrasting with nimble, beautiful guitar playing”. Picture: Paul Rhodes
There were a number of peaks in the set, however. Reds For A Blue Planet, the opener from his best album to date, Endless Skyways, was confident, bold and melodic. Lee wisely leaves space for his music, resisting the urge to play lots of notes, or attempt jazz rock meanders. Closer in spirit perhaps to Link Wray, or Lee Hazlewood’s original charge, Duane Eddy.
His bandmates were able accomplices, drummer Ian McCutcheon in particular laying down inventive patterns without steeling any thunder. There was just enough variety and showmanship to keep the evening afloat, mixing more atmospheric numbers, such as Acid Flat Lands, with more riff-based tunes, such as Heavy Friends.
The world certainly seems to weigh down on Pascallion, the York-based opener. Information online is sparse about this musician (Jack Woods), but the set was wonderful – his dour, Elliot Smith-like nihilism contrasting with his nimble, beautiful guitar playing. If the John Martyn comparisons are hard to avoid, this was a set of songs deserving of a wider audience.
That both performers had in common.
Review by Paul Rhodes, 29/10/2023
Bobby Lee’s three piece locked quickly into place, dispatching 15 songs in a little over an hour. Picture: Paul Rhodes
