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More Things To Do in York and beyond in the virtual and real world. Here’s Hutch’s List No. 18 for 2023, from The Press, York

Flying Scotsman VR: The virtual reality experience at the National Railway Museum to mark the steam locomotive’s 100th birthday

AS Flying Scotsman meets virtual reality, Charles Hutchinson goes full speed ahead to keep you on the right track for entertainment by rail, on land or indoors.

New attraction of the week: Flying Scotsman VR, National Railway Museum, York

THE new virtual reality experience at the NRM celebrates Flying Scotsman in the iconic steam locomotive’s centenary year, taking visitors on a journey back in time and around the world, bringing the golden age of rail travel to life.

Commissioned by the Science Museum Group and developed in collaboration with Figment Productions and Sarner International, the experience uses free-roaming VR headsets to provide a multi-sensory experience that includes an understanding of how steam locomotion works from inside the boiler. Admission to the NRM is free but a charge does apply for Flying Scotman VR. Booking is advised at railwaymuseum.org.uk.

Steve Cassidy: Back among friends at the Joseph Rowntree Theatre

York stalwart of the week: Steve Cassidy Band, Joseph Rowntree Theatre, York, Sunday, 7.30pm

THE Steve Cassidy Band and friends perform a selection of rock, country music and ballads, combining something old with something new.

York singer, guitarist and songwriter – and former headmaster – Steve recorded in the 1960s with York-born composer John Barry and pioneering producer Joe Meek. Tomorrow night he is joined by his band members and guests at his favourite theatre. Box office: 01904 501935 or josephrowntreetheatre.co.uk.

Midge Ure: Synths in synch in Band Electronica concert of two Ultravox albums in full

Retro gig of the week:  Midge Ure & Band Electronica, The Voice And Visions Tour, Grand Opera House, York, Sunday, 7.30pm

ON 2019’s The 1980 Tour, Midge Ure & Band Electronica revisited Ultravox’s Vienna album and Visage’s debut LP. Now, on his twice-rearranged follow-up tour, Voice And Visions, Ure marks the 40th anniversary of Ultravox’s synth-driven, experimental Rage In Eden and Quartet albums. Box office: atgtickets.com.york.

Space exploration: A spaceman lands in York in Lincoln Ligthfoot’s playfully surreal art at the Grand Opera House

Art talk of the week: Lincoln Lightfoot, Grand Opera House, York, Thursday, 6pm

YORK Open Studios 2023 artist Lincoln Lightfoot presents a 90-minute Grand Opera House Creative Learning artist talk and workshop to complement his ongoing exhibition in the Cumberland Street theatre’s box office.

In his retro art, Lincoln explores surrealist concepts reminiscent of the absurdist poster art that captured  the Fifties and Sixties’ B-movie fixation with comical science-fiction disasters, but now played out on the 21st century streets and landmark buildings of York. Tickets:  atgtickets.com/york.

Gary Meikle: Expressing his loathing of stupid questions in 2.5 comedy show at York Barbican

Likely to cause a stir: Gary Meikle, 2.5, York Barbican, Friday, 8pm

SCOTTISH comedian Gary Meikle returns to York Barbican with his third live show, or 2.5 as he calls it. Top professionals and industry people may have advised him not to be so crude or edgy, but “as a kid growing up in the care system, I was told that I’d be either dead or in jail by the time I was 30, so I tend not to listen to others and do things my way,” he says.

In a “continued celebration of me being me” in defiance of cancel culture, Meikle discusses equality between the sexes, medication side effects, his loathing of stupid questions  and “how our ancestors were idiots”. Box office: yorkbarbican.co.uk.

Guy Masterson: One actor, 69 roles in Dylan Thomas’s Under Milk Wood at Theatre@41

Tour de force of the week: Guy Masterson, Under Milk Wood, Theatre@41, Monkgate, York, Friday, 7.30pm

CELEBRATING the 70th anniversary of Under Milk Wood, Olivier Award winner Guy Masterson portrays one day in the life of Llareggub, a fictional town by the sea somewhere in Wales, as he assiduously conjures up all 69 of Dylan Thomas’s ebullient inhabitants in a feat of memory and physical virtuosity.

Complemented by Matt Clifford’s soundscape, Under Milk Wood is bawdy and beautiful, sad and sensual and, through the music of language, leaves indelible, unforgettable images of humanity. Masterson, Richard Burton’s nephew by the way, has clocked up more than  2,000 performances, from Swansea to the West End, Trinidad to New Zealand, over 30 years. Box office: tickets.41monkgate.co.uk.

Jessica Steel: Showcasing debut album Higher Frequencies at The Crescent

Made of Steel: Jessica Steel, The Crescent, York, May 7, 7.30pm

YORK powerhouse singer Jessica Steel performs her October 2022 debut album, Higher Frequencies, in full for the first time.

A fixture at Big Ian Donaghy’s A Night To Remember charity concerts at York Barbican, hairdressing salon boss Jessica made the album with songwriter-producer Andy Firth, late of the Britpop band The Dandys. “There’s an interesting contrast between uplifting music and sad lyrics throughout the album, as well as a recurring theme of finding hope through adversity,” she says. Box office: thecrescentyork.com.

Lloyd Cole: First York gig in 23 years

Commotion incoming: Lloyd Cole, York Barbican, October 17

LLOYD Cole will team up with former Commotions compadres Blair Cowan and Neil Clark at York Barbican for the only Yorkshire gig of his 17-date autumn tour to showcase his 12th solo album, On Pain, set for release on June 23.

On his first York appearance since a solo show at Fibbers in May 2000, Cole will play two sets, the first acoustic, the second, electric with the band. Box office: lloydcole.com/live or yorkbarbican.co.uk.

In Focus: Tim Crouch, Truth’s A Dog Must To Kennel, York International Shakespeare Festival, York St John University Creative Centre, tonight, 8pm

Tim Crouch: King Lear and a virtual reality head set combine in Truth’s A Dog Must To Kennel at York International Shakespeare Festival. Picture: Stuart Armitt

TIM Crouch’s 2022 Edinburgh Fringe First winner plays the York International Shakespeare Festival after visiting New York and playing a London season.

Taking on the character of The Fool, Shakespeare’s King Lear meets stand-up comedy meets the metaverse as Crouch dons a virtual reality headset to explore Lear in a post-pandemic world and interrogate theatrical form and the essence of live performance.

“It’s reductive to say I have a favourite Shakespeare play: King Lear. They’re all great but I have a relationship with this play that goes a little deeper,” says the Bognor Regis-born experimental theatre maker, actor, playwright and director, whose work rejects theatrical convention, especially realism, and invites audiences to participate in each performance’s creation.

“I played Lear at university [Bristol] at a King Lear Symposium at Ferrara in northern Italy, at the age of 20, which is a little young! I then directed a 90-minute production for the Royal Shakespeare Company ten years ago.”

The play contains everything, he contends. “Complex relationships. Love. Madness. Families.  Obscene wealth and the hypocrisy of wealth. Towards the end, Lear becomes a socialist champion. He has this moment of enlightenment, realising that everything on top of that is superfluous,” says Tim.

“This egotistical figure has his power removed, his ego removed, discovering compassion in the truest sense.”

Tim then refracted King Lear through the Covid shroud of the past three years. “I also saw Lear in Trump and in some degree in Boris Johnson, seeing the world governed by egomaniacs, of which Lear is an example,” he says.

“Or like Succession [the television series about a wealthy family at war], where Brian Cox plays this grotesque maniacal figure. It’s Rupert Murdoch really!”

Tim views King Lear through the eyes of The Fool. “He doesn’t have a name; he’s slightly mysterious, he’s depressed and he leaves before the end of the play, before anyone has been killed,” he notes.

“He just disappears, and I’m fascinated by people leaving, just getting up and going, so I dramatise his moment of departure in this show.”

“What would a contemporary Shakespearean Fool be? I think it would be Stewart Lee,” says Tim Crouch

Tim exposes King Lear through a modern lens. “I don’t know what’s gone wrong with the world. Maybe it was always this way, but there are these deep schisms that are dividing the world. Men like Trump,” he says. “Playing this show in New York was extraordinary! Over here, there is civil war in Brexit, just as there is civil war in Lear’s family.”

Experiencing theatre only digitally during the pandemic has had an impact on his show too. “As a theatre maker, my passion for live theatre was exacerbated by lockdown when you could only watch theatre online,” says Tim.

“’Live theatre’ is tautological because, to me, theatre is only live, whereas in the pandemic, we had an image of theatre that was only on a screen, so that prompted me to put on a virtual reality headset at times in this play.”

What happens then? “The conceit of this piece is that I take The Fool back to the point of his departure, and now he will witness his exit, the blinding of Gloucester and what I think is the most powerful scene in theatre ever: the Dover cliffs scene where the blinded Gloucester’s imagination is brought into play through his son’s act of imagination, saving his father,” says Tim.

“Theatre is an adult form of imagination, taking us to a different place and learning from that journey, but keeping us safe while doing that. Shakespeare’s lines are very precise; they are an invitation to see what I see through language, to then narrate The Fool’s return through this middle-aged bald guy [Tim is 59] in a headset, that people will experience through their ears.”

Stand-up comedy features in Tim’s performance too. “That’s partly a nod to The Fool, wondering wondering ‘what would a contemporary Fool be’? I think it would be Stewart Lee, a comedian who doesn’t have an agent and does no social media,” he says.

“I don’t claim to be a stand-up but use the form to say things about the experience of being together in a room. When we’re in the same place at the same time, just look at how brilliant and transformative we can be through using our mind, our body, our imagination.

“But theatre is increasingly becoming the preserve of the wealthy, though the imagination dematerialises that, not succumbing to any socio-economic structure. Children have the greatest imagination, but sadly that then gets replaced with wanting to be TV stars and wanting to make money.”

Assessing the “international” in the York International Shakespeare Festival, Tim says: “The thing that I’m endlessly inspired by is that Shakespeare does and yet doesn’t exist in his plays when there’s now a thirst for autobiographical and biographical plays, which limits them.

“Whereas there’s a quality to his work and to the work of many playwrights of that time who didn’t nail their colours to one mast and can be interpreted by each age, nationality and culture. There’s an objectivity to these plays that requires whoever does a production to find themselves in them – which should be the case with every play, I think.”

Box office: yorkshakes.co.uk.

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More Things To Do in York & beyond as everyday Buddy’s a gettin’ closer, goin’ faster than a roller coaster. Hutch’s list No. 12 for 2023, courtesy of The Press, York

Rave on: Hannah Price, left, Harry Boyd, Christopher Weeks, Rhiannon Hopkins, Joshua Barton and Ben Pryer in a scene from Buddy, The Buddy Holly Story

THE return of Buddy, Stewart Lee and English Touring Opera, a dream of an exhibition and a vintage DJ night of song top Charles Hutchinson’s diary highlights for the week ahead.

Musical of the week: Buddy, The Buddy Holly Story, Grand Opera House, York, Tuesday to Saturday, 7.30pm plus 2.30pm Wednesday and Saturday matinees

HOLLYLUJAH! Rock’n’roll musical Buddy, The Buddy Holly Story returns to York for the first time since 2017 with “The day the music died” tale of the bespectacled young man from Lubbock, Texas, whose meteoric rise from Southern rockabilly beginnings to international stardom ended in his death in a plane crash at only 22.

Christopher Weeks’s Buddy leads the cast of actor-musicians through two hours of music and drama, romance and tragedy, driven by all those hits, from That’ll Be The Day, Peggy Sue and Rave On to Big Bopper’s Chantilly Lace and Ritchie Valens’ La Bamba. Box office: atgtickets.com/york.

Michael McGoldrick, John McCusker and John Doyle: Playing The Crescent on Sunday night

Folk gig of the week: Michael McGoldrick, John McCusker & John Doyle, The Crescent, York, Sunday, 8pm

THE Black Swan Folk Club and Please Please You present the powerhouse triumvirate of musical magpies McGoldrick, McCusker and Doyle in a Sunday session of traditional, contemporary and original jigs, reels and ballads, as heard on their two albums, 2018’s The Wishing Tree and 2020’s The Reed That Bends In The Storm.

Their paths first crossing as teenagers before they joined separate bands (Lunasa, The Battlefield Band and Solas respectively), they line up with Mancunian McGoldrick on flute, whistles, Uileann pipes, bodhran, clarinet and congas; Glaswegian McCusker on fiddle, whistles and harmonium; Dubliner Doyle on vocals, guitar, bouzouki and mandola.

“The whole thing’s great fun,” says McCusker. “We have no agenda other than having a nice time and playing music. That’s the way we tour as well – we throw ourselves in a little car, instruments on our laps, and off we go. And the records? Well, I hope it’s the sound of three old friends, having a great time, making music together.” Box office: thecrescentyork.com.

Stewart Lee goes back to basic Lee at York Theatre Royal, but sold out, basically

Comedy at the treble: Stewart Lee: Basic Lee, York Theatre Royal, Monday to Wednesday, 7.30pm

AFTER recording last May’s brace of Snowflake and Tornado gigs at York Theatre Royal for broadcast on the BBC, Stewart Lee returns for three nights of his Basic Lee show.

Following a decade of high-concept shows involving overarched, interlinked narratives, Lee enters the post-pandemic era in streamlined stand-up mode. One man, one microphone, and one microphone in the wings in case the one on stage breaks. Pure. Simple. Classic. Basic Lee – but sold out, alas.  

Navigators Art collective explores the subconscious mind in Dream Time at City Screen Picturehouse

Exhibition launch of the week: Navigators Art, Dream Time, City Screen Picturehouse, York, on show until April 21

YORK collective Navigators Art’s Dream Time exhibition takes inspiration from dreams, visions, surrealism and the mysteries and fantasies of the subconscious mind. The official launch event will be held tomorrow (19/3/2023) in the café bar from 7.30pm to 9.30pm.

This mixed-media show features painting by Steve Beadle and Peter Roman; collage, prints and drawing by Richard Kitchen; photography and painting by Nick Walters and textiles by Katie Lewis.

The tour poster for Sounds Of The 60s with Tony Blackburn as host

Nostalgic show of the week: Tony Blackburn: Sound Of The 60s Live, York Barbican, Wednesday, 7.30pm

BBC Radio 2 disc jockey Tony Blackburn hosts an evening of 1960s’ classics, performed live by the Sound Of The 60s All Star Band and Singers. 

Listen out for the hits of The Everly Brothers, Dusty Springfield, The Kinks, Elvis Presley, Diana Ross and The Supremes, Otis Redding, The Beatles, The Who and many more. Box office: yorkbarbican.co.uk.

Paul Smith: Playing the Joker at York Barbican

Liverpool lip of the week: Paul Smith: Joker, York Barbican, Thursday, 7.30pm

JOKER is Paul Smith’s biggest and funniest tour show to date, wherein the Scouse humorist mixes his trademark audience interaction with true stories from his everyday life.

Resident compere at Liverpool’s Hot Water Club, Smith has made his mark online as well as on the gig circuit with his affable nature and savvy wit. Box office: yorkbarbican.co.uk.

Roddy Woomble: Songs old and new at Selby Town Hall

Indie gig of the week: Roddy Woomble, Selby Town Hall, Thursday, 8pm

RODDY Woomble, Scottish indie band Idlewild’s lead singer, is now a leading voice in the British contemporary indie folk scene. In Selby, he is joined by Idlewild band mate Andrew Wasylyk for a duo show of Idlewild favourites and solo works.

“This is a tour in between records, so a tour for exploring all the songs,” says Woomble. “Lo! Soul is going on two years old now, and although the songs still sound fresh to me when I play them, it’s time for something new – which there is. We’ll definitely be including some new material in the set.” Box office: selbytownhall.co.uk.

Paula Sides’s Lucrezia in English Touring Opera’s Lucrezia Borgia, on tour at York Theatre Royal

Two nights at the opera: English Touring Opera, York Theatre Royal, in Lucrezia Borgia, March 24, and Il Viaggio a Reims, March 25, both 7.30pm

LUCREZIA Borgia, Donizetti’s tragedy of a complex woman in a dangerous situation, is making its debut in the English Touring Opera repertoire in Eloise Lally’s ETO directorial debut production of this thrilling and moving meditation on power and motherhood.

Valentina Ceschi directs a cast of 27 in Il Viaggio a Reims, Rossini’s last Italian opera, in which intrigue, politics, romance and lost luggage all play their part as a group of entitled guests from all over Europe is stranded in a provincial hotel on the way to a great coronation. Period-instrument specialists The Old Street Band play for both operas. Box office: 01904 623568 or yorktheatreroyal.co.uk.

Gig announcement of the week: Steve Earle, The Alone Again Tour, Grand Opera House, York, June 9

Steve Earle: Heading from New York to York in June for solo show

AS his tour title suggests, legendary Americana singer, songwriter, producer, actor, playwright, novelist, short story writer and radio presenter Steve Earle will be performing solo and acoustic in York: the only Yorkshire gig of a ten-date itinerary without his band The Dukes that will take in the other Barbican, in London, and Glastonbury.

Born in Fort Monroae National Monument, Hampton, Virginia, Earle grew up in Texas and began his songwriting career in Nashville, releasing his first EP in 1982 and debut album Guitar Town in 1986, since when he has branched out from country music into rock, bluegrass, folk music and blues. 

His colourful life prompted Lauren St John’s 2003 biography Hardcore Troubadour: The Life And Near Death Of Steve Earle, written with the rebel rocker’s exclusive and unfettered cooperation. “If I’d known I was going to live this long, I’d have taken better care of myself,” he once said.

Earle, 68, has been married seven times (including twice to the same woman) and been through drug addiction and run-ins with the law, serving a month in prison in 1994 for heroin possession. “Going to jail is what saved my life,” he said, after he was sent to rehab.

A protege of Townes Van Zandt and Guy Clark, Earle is a masterful storytelling songwriter in his own right, with his songs being recorded by Johnny Cash, Waylon Jennings, Joan Baez, Emmylou Harris, The Proclaimers and The Pretenders, among others.

Since the Millennium, he has released such albums as the Grammy-awarded The Revolution Starts…Now (2004), Washington Square Serenade (2007) and Townes (2009).

Restlessly creative across artistic disciplines, Earle has published a collection of short stories, Doghouse Roses (2002) ; a novel, I’ll Never Get Out Of This World Alive (2011), and a memoir, I Can’t Remember If We said Goodbye (2015).

He has produced albums for Joan Baez and Lucinda Williams, acted in films and on television, notably in David Simon’s The Wire, and hosts a radio show for Sirius XM.

In 2009, Earle made his off-Broadway theatre debut in the play Samara, contributing the score too. In 2010, he was nominated for a Primetime Emmy for Outstanding Music and Lyrics in the drama series Treme.

In 2020, he wrote music for and appeared in Coal Country, a docu-play by Jessica Blank and Erik Jensen that shines a light on the 2010 Upper Big Branch mine explosion, the most deadly mining disaster in United States history. A nomination for a Drama Desk Award came his way.

In 2020 too, Earle released the album Ghosts Of West Virginia and was inducted into the Nashville Songwriters Hall of Fame. His 21st studio album, J.T. in January 2021, was an homage to his late son, singer-songwriter Justin Townes Earle, who had died from an accidental drug overdose in August 2020. In May 2022 came Jerry Jeff, Earle’s tribute to cowboy troubadour Jerry Jeff Walker.

Tickets go on sale on Thursday morning (23/3/2023) at atgtickets.com/york.

The artwork for J.T., Steve Earle’s 2021 album of covers of songs by his late son, Justin Townes Earle
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Slam champ Hannah Davies launches debut poetry collection Dolls at York Literature Festival event at The Crescent on Saturday

Hannah Davies: York performance poet, playwright, theatre maker, polymath. Picture: Olivia Brabbs

YORK writer, actress, performance poet, slam champion, theatre maker, workshop leader and university lecturer Hannah Davies will launch her debut poetry collection, Dolls, at York Literature Festival on Saturday night (18/3/2023).

The event will be presented in collaboration with her high-energy York spoken-word compadres Say Owt at The Crescent community event, when Hannah’s readings will be complemented by poetry from team Say Owt, Sylvia Marie and Sally Jenkinson, coming all the way from Brighton, plus live music from Pascallion (Jack Woods) and Hull singer-songwriter Ysabelle Wombwell.

Say Owt artistic director Henry Raby says: “Hannah is Say Owt’s associate artist, running open mic nights and workshops and supporting poets across York. We’re delighted to launch Hannah’s first poetry book. Dolls is a fierce and tender collection about womanhood, motherhood, feminism and survival. Hannah is a spellbinding storyteller and her writing is warm, lyrical and bold.”

Hannah enthuses: “I’m thrilled to be launching my poetry collection as part of York Literature Festival. There are poems in here that I’ve been performing for years, and some that haven’t seen the light of day at all.”

Why is the collection entitled Dolls, Hannah? “Dolls was the first poem I ever performed in a slam: the Say Owt slam,” she says. “That poem talks about how a woman is made up of all the dolls she owned in her childhood.

“Each chapter has a different doll as its title. Baby Doll, Russian Doll, Barbie Doll. It’s a good time for me to take stock, creatively, and having all these pieces in one book feels like the end of an era in a way. I’m in a very different place to when I first dared myself to get on a stage and share my poems seven years ago. Who knows what creative writing adventures await next!”

Grand slam: Hannah Davies, slam champ, with Say Owt cohort Stu Freestone

Hannah has edited her “back catalogue” of poems from poetry evenings and slam nights into themes, rather than compiling “just a scattergun collection”.

“The poems are thematically arranged under each doll title,” she says. “There’s a real split between performance poetry and poetry on the page, and all these poems in the collection were written to be performed, with my background in performing and writing for the theatre.

“Part of the editing process has been about making sure they work on the page, seeing how they unfurl in print,  and I feel they work in both senses now, for performance and for reading in a book.

“Probably the book will be bought mostly at gigs when people have heard me perform, though I hope to shift a few copies online as well.”

Most of the poems were written between 2015 and 2022, complemented by a couple of newer pieces and two more that have not been performed but “felt right to fit in”.

“Because of my health, I’ve not been writing much poetry recently, but it was a good time to compile the book. It can be quite difficult to unify them under themes when you’re cutting your teeth with your first poems, spread over time, whereas later collections can be more tightly focused, when you can concentrate on a specific theme, such as ‘skin’,” she says in a reference to her skin condition, as charted in social media posts over the past year and more.

Oxford illustrator Katie Gabriel Allen’s cover artwork for Hannah Davies’s debut poetry collection, Dolls, featuring Hannah’s pink-haired childhood rag doll Polly Dolly. “I still have her, of course,” says Hannah

“There will always be that pressure for all artists to come up with something new, but it’s something I’ve learned in recent years, being ill, that you will have fallow periods where you have to take care of yourself or life takes over.

“I’ve never been a writer who writes every day but I do have periods of doing that. If you sit doing nothing or you say, ‘right, I’m going to write for six hours now’, it’s not going to happen. But if you sit down and write for ten minutes, maybe something will emerge.”

Why write poems, Hannah? “I like how they are short. That’s what drew me to them, having written plays [for Common Ground Theatre] and maybe being frustrated by how long it takes to write a play, whereas you can write a poem and perform it immediately.”

Being a mother (to Max) feeds into her work too. “Motherhood runs throughout the book. Being a mother, having a mother, not having a mother,” says Hannah, whose mother died in a car crash when she was 12. “It all absolutely informs my work.”

As she looks forward to tomorrow’s launch, Hannah admits: “I’m excited, if a little terrified too, but I’ve always wanted a book with my name on it since I was six.”

Say Owt and York Literature Festival present Hannah Davies: Dolls Book Launch, at The Crescent, York, on March 18. Doors open at 7pm for 7.30pm start. Tickets: £10 in advance at thecrescent.com; £15 on the door.

Hannah Davies joins Say Owt’s Henry Raby and North Yorkshire cross-country runner, coffee barista and poet Olivia Mulligan for a Poetry Evening at The Courthouse, Thirsk, presented by Rural Arts on May 26 at 7.30pm. Box office: ruralarts.org.

Hannah Davies

Hannah Davies: The back story

SAY Owt associate artist Hannah is a spoken-word slam winner at Great Northern Slam (2016) and Axis Slam (2017) and Word War 4 Champion, plus a finalist at BBC EdFringe Slam and the Hammer & Tongue Nationals.

She has performed at poetry nights across the country (Find The Right Words, Sonnet Youth, Tongue Fu, Evidently, Inua Ellams Rap Party, She Grrrowls and Women Of Words).

She is an experienced theatre-maker and facilitator (Royal Court, York Theatre Royal, Trestle Theatre Company, Guild Of Misrule, Company Of Angels, Pilot Theatre and Arcade).

She lectures in playwriting at the University of York in the School of Arts and Creative Technologies.

In York International Women’s Week 2023 , she gave a writing workshop at York Explore Library on March 12.

She runs the young women’s creative collective for Arcade, the Scarborough and Bridlington community producing company, working in Bridlington with women making their own performance projects. Last July they took part in Arcade and the Collaborative Touring Network’s project with Zimbabwean musician, actor and artist John Pfumojena at St John’s Burlington Methodist Church, Bridlington.

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When one becomes three as David Ford’s ‘solo’ show welcomes an American guitarist and a robot at The Crescent tomorrow

David Ford: Songs and stories at The Crescent, York

EASTBOURNE troubadour David Ford might play solo stomps with loop machines and effects pedals or backed by a swish jazz trio or with a string quartet attached. Not this time in his intimate Songs 2023 gig at The Crescent, York, tomorrow night.

After 2022’s albums May You Live In Interesting Times and Love And Death, for 2023 Ford has “taken the rare decision to keep it simple, leave most of the crazy machines at home, play some of his favourite songs and share stories about where they came from”. Oh, and he’ll be bringing his new DIY toy, a drum robot. Beat that. 

In the support slot will be Nashville singer, songwriter, guitarist, pedal steel player, virtuoso session musician and producer J P Ruggieri.

“It keeps things a little bit dangerous and exciting as a performer,” says David Ford

Here David Ford has a word with CharlesHutchPress about gigs, robots, books, happiness and irritations

What form will the show take, David?

“Well, it was originally intended to be me playing my songs alone on stage but since I have JP Ruggieri – who is quite the finest player of a guitar I have ever had the good fortune to witness – along as support act, I’ve insisted that he join me for a few.

“And with the addition of Perry the plywood automaton drummer I spent the first frozen months of 2023 building, the show has evolved into one of the less orthodox three-piece band performances.”

What do you like about this form of performance, by comparison with playing with a jazz trio, string quartet or loop machines?

“I always like to change the way I present my songs live. It’s a great part of the challenge and the enjoyment for me. It keeps things a little bit dangerous and exciting as a performer and hopefully some of that energy is transferred to the audience.”

What instruments will feature?

“I’m playing guitars and keyboards; JP is caressing sweet sounds from a lovely old hollow-bodied guitar…and a stack of plywood and wires will be turning a series of wooden discs with strategically inserted screws to trigger tiny motors to hit drums in a rhythmical manner. That’s Perry.”

David Ford in March 2023: “Feeling helpless as as the forces of democracy and capitalism go all Cain and Abel on each other”

At 44, might you fancy writing a second book to chart what’s happened since the first, the cautionary autobiographical tales of 2011’s I Choose This – How To Nearly Make It In The Music Industry? (The one where David said, “there was a time when people swore I’d be the next big thing. It took ten years of hard work and dedication, but I finally proved them all wrong.”)

“Yes. It’s on my list. I think I’ve been waiting for an ending. Some kind of grand finale. But since I still don’t appear to be getting close to retirement, I need to think of the next book as less of a sequel and more as book two of a trilogy… and maybe one of those trilogies in 12 parts.”

Any touring or recording plans for later in the year?

“I’m planning some shows with my friend Abe Partridge [American folk singer-songwriter from Mobile, Alabama] in the early summer around the UK and Europe. And I have some songs taking shape inside my head.”

What’s making you happy at the moment?

“Playing music that feels organic, different every night. Connecting with audiences. I’m also delighted at the number of little lambs I see in fields as I drive around Britain.” 

What’s annoying you right now?

“Oh, the usual! My feeling of helplessness as the forces of democracy and capitalism go all Cain and Abel on each other. The continual grasping among the well-meaning for simple explanations to complex problems as the mega-tanker of the age drifts slowly toward the iceberg of history.

“And I keep losing my hat.”

Footnote: David Ford has been known to acquire new hats in York.

David Ford & J P Ruggieri…oh and Perry too, Songs 2023, The Crescent, York, Thursday (16/3/2023), 7.30pm. Box office: thecrescentyork.com.

JP Ruggieri: Nashville support act for David Ford
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More Things To Do in York when a Yorkshireman’s favourite price is on offer. Hutch List No. 5 for 2023, from The Press

Hannah Davies: Poetic monologues at York Explore Library in Pilot Theatre’s Monoliths for York Residents’ Festival

THE best things in life are not always free, but plenty are this weekend for York residents. Charles Hutchinson also highlights the best value in theatre, music, art and comedy.  

Event of the week: York Residents’ Festival 2023, today and tomorrow

ORGANISED by Make It York, York Residents’ Festival 2023 combines more than 100 attractions, events and offers this weekend. Historical attractions such as York Minster, Jorvik Viking Centre, Fairfax House, York Castle Museum, Barley Hall and The Guildhall will be opening their doors for free to residents.   

Further highlights include wizard golf at The Hole In Wand; free river cruises with City Cruises; chocolate tours at York’s Chocolate Story; behind-the-scenes tours of York Theatre Royal and a virtual reality experience with Pilot Theatre’s Monoliths, featuring poetic monologues on city, country and coastal northern landscapes by Hannah Davies, Carmen Marcus and Asma Elbadawi  at York Explore Library. Restaurants, cafés and shops are taking part too. For full details, go to: visityork.org/resfest.

Fat chance…to see Sofie Hagen in her Fat Jokes show at Theatre@41

Comedy gig of the week: Sofie Hagen: Fat Jokes, Theatre@41, Monkgate, York, Tuesday, 8pm

EDINBURGH Fringe comedy award winner Sofie Hagen presents Fat Jokes, a storytelling show bursting with big jokes, fat punchlines and unforgettable moments. “Come as you are and enjoy an actual fat person at the top of her game,” says the Danish-born, London-based comedian’s publicity blurb. Box office: tickets.41monkgate.co.uk.

Travelogue of the week: Around The World In 80 Days, York Theatre Royal, Thursday, 2pm and 7.30pm; Friday, 7.30pm; Saturday, 2.30pm and 7.30pm

PRODUCERS Tilted Wig are teaming up with York Theatre Royal for a nationwide tour of Around The World In 80 Days in creative director Juliet Forster’s circus-themed version of Jules Verne’s story, first staged on York playing fields in 2021.

Original cast member Eddie Mann will be joined by Alex Phelps, Katriona Brown, Wilson Benedito and Genevieve Sabherwal, who each multi-role as the rag-tag band of travelling big-top performers embarks on a daring mission to recreate Phileas Fogg’s fictitious journey, interwoven with the true story of Nellie Bly’s globe-travelling deeds. Box office: 01904 623568 or yorktheatreroyal.co.uk.

Anna Meredith: Genre-crossing composer and musician heading for The Crescent in Independent Venue Week. Picture: Gem Harris

Innovators of the week: Please Please You presents Rozi Plain and Mayshe-Mayshe, The Crescent, York, Tuesday, 7.30pm; Anna Meredith and Elsa Hewitt, The Crescent, York, Friday, 7.30pm

WINCHESTER singer-songwriter Rozi Plain showcases her fifth album, Prize, released on Memphis Industries on January 13. Highlights among its ten tracks include the blissful single Agreeing For Two, the synth explorations of Painted The Room and the woozy jazz inflections of Spot Thirteen.

Later in the week, in a special show for Independent Venue Week, The Crescent welcomes Anna Meredith MBE, the genre-crossing composer and producer whose work straddles contemporary classical, art pop, electronica and experimental rock. Guitar, drums, cello and tuba feature in her band. Box office:  thecrescentyork.com.

Liam Brennan’s Inspector Goole in An Inspector Calls, on tour at the Grand Opera House, York. Picture: Tristram Kenton

Political thriller returns: An Inspector Calls, Grand Opera House, York, February 7 to 11, 7.30pm nightly plus 2.30pm Wednesday and Thursday matinees

PREMIERED at the Theatre Royal in 1989, Stephen Daldry’s radical take on Yorkshireman J B Priestley’s thriller An Inspector Calls returns to York next month with tour regular Liam Brennan once more in the role of Inspector Goole.

Written at the end of the Second World War and set before the First, Priestley’s time play opens with the Birling family’s peaceful dinner party being shattered by the inspector’s call and subsequent investigations into the death of a young woman as the dangers of casual capitalism’s cruelty, complacency and hypocrisy are highlighted. Box office: atgtickets.com/york.

Leroy Virgil: Teaming up with York band The Black Skies at The Crescent

Country gig of the week: Hellbound Glory & The Black Skies, The Crescent, York, February 7, 7.30pm

RENO resident and Hellbound Glory main man Leroy Virgil has single-handedly invented an outlaw country music sub-genre he affectionately calls “Scumbag Country”.

His stories from the seedy underbelly of the place he calls home in sunny Nevada are full of character observations and introspection, set to a soundtrack of folk and blues-laced Americana. His York gig will be one of only three on his debut British tour to promote latest long player The Immortal Hellbound Glory: Nobody Knows You.

Young York alt/rock band The Black Skies will be his backing band as well as playing their own set at this double bill of whisky-drenched, low-slung country and rock’n’roll from the American mid-west and Yorkshire. Box office: thecrescentyork.com.

The poster for York Ceramics Fair 2023

Going potty for pottery: York Ceramics Fair, York Racecourse, March 4, 10am to 5pm, and March 5, 10am to 4pm

AFTER a short break to find a new venue, York Ceramics Fair makes a March return indoors at York Racecourse for a fourth instalment with an “impressive line-up of ceramicists”, complemented by activities, events, talks and more besides.

A free shuttle bus will be running between York Racecourse, on Kavesmire Road, and the Memorial Gardens Coach Park, in Station Road, York. Tickets: via Eventbrite at yorkceramicsfair.com/ticket-info.

Nik Briggs: Directing York Stage in Everybody’s Talking About Jamie: Teen Edition

Looking ahead: Everybody’s Talking About Jamie, Teen Edition, Theatre@41, Monkgate, York, May 29 to June 3

YORK Stage will be holding the first round of auditions for the Teen Edition of Everybody’s Talking About Jamie today, seeking black, Asian and mixed-race performers aged 13-19 to fulfil Nik Briggs’s company’s commitment to represent the diverse community of Sheffield, the show’s setting, through his casting. A second audition day follows on February 4.

Dan Gillespie Sells and Tom MacRae’s coming-of-age musical follows the true-life story of 16-year-old Sheffield schoolboy Jamie Campbell as he overcomes prejudice and bullying to step out of the darkness to become a drag queen. Box office: tickets.41monkgate.co.uk.

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More Things To Do in and around York in the jaws of a Jurassic invasion. Here’s Hutch’s List No. 4, courtesy of The Press, York

FROM giant dinosaurs to a heavyweight comedian, hardcore songs to a royal reading, Charles Hutchinson seeks to make life eventful.

Dinosaurs make a comeback: Jurassic Earth, Grand Opera House, York, January 28, 1pm and 4pm

JURASSIC Earth’s “live dinosaur show” roams York in an immersive, interactive, 75-minute, storytelling experience for all ages with state-of-the-art, animatronic, life-like creatures.

Audiences are invited to “bring your biggest roar and your fastest feet as you take Ranger Danger’s masterclass to become an Official Dinosaur Ranger – gaining the skills you need to come face-to-face with the world’s largest walking T Rex, a big-hearted Brontosaurus, tricky Triceratops, uncontrollable Carnotaurus, vicious Velociraptors and sneaky Spinosaurus”. Box office: atgtickets.com/york.

Tim Lowe: Cellist and York Chamber Music Festival director, performing Messiaen’s Quartet For The End Of Time at York Minster

 Holocaust memorial concert of the week: York Chamber Music Festival, Olivier Messiaen’s Quartet For The End Of Time, York Minster, Tuesday, 7pm

YORK Chamber Music Festival marks Holocaust Memorial Week – and the start of the festival’s tenth anniversary – with a performance of “one of the greatest pieces of music from the 20th century”, written and premiered in the German prisoner-of-war camp at Stalag VIIIa, Gorlitz, in 1941.

Olivier Messiaen’s Quartet For The End Of Time will be played by John Lenehan, piano, Sacha Rattle, clarinet, John Mills, violin, and festival director Tim Lowe, cello, in York Minster’s Lady Chapel under John Thornton’s restored 15th century Great East Window (the “Apocalypse Window”). Box office: tickets.yorkminster.org.

Lloyd Griffith: Comedy measured out as One Tonne Of Fun at The Crescent, York. Picture: Matt Crockett

Comedy gig of the week: Burning Duck Comedy Club presents Lloyd Griffith, One Tonne Of Fun, The Crescent, York, Thursday, 7.30pm

AFTER Covid stretched Lloyd Griffith’s last tour to “eight years or so”, he returns with his biggest itinerary to date, One Tonne Of Fun.

Since school, he has always been a show-off, and 20-odd years later, nothing’s changed, so expect stand-up, dubious impressions and a sprinkling of his (incredible) singing from the comic with Ted Lasso, 8 Out Of 10 Cats, Soccer AM, Question Of Sport, Not Going Out and House Of Games credits. Box office: thecrescentyork.com.

Ewa Salecka: Directing Prima Vocal Ensemble at the Joseph Rowntree Theatre

Choral concert of the week: Prima Vocal Ensemble, Lift Every Voice, Joseph Rowntree Theatre, York, January 29, 7.30pm

EWA Salecka directs Prima Vocal Ensemble in a life-affirming concert that weaves its way through diverse generations and genres with live accompaniment.

Living composers Lauridsen, Gjeilo, Whitacre and Jenkins sit alongside favourite numbers from Les Misérables and The Greatest Showman, complemented by songs by Annie Lennox, Elbow, the Gershwins and Cole Porter and a tribute to the people of Ukraine. Box office: 01904 501935 or josephrowntreetheatre.co.uk.

Frank Turner & The Sleeping Souls: Playing York Barbican at the end of January

Hardcore York gig of the month: Frank Turner & The Sleeping Souls, York Barbican, January 31, 8pm

FRANK Turner, punk and folk singer-songwriter from Meonstoke, Hampshire, will be accompanied by The Sleeping Souls in York as he draws on his nine studio albums from a 17-year solo career.

Last year, the former Million Dead frontman, 41, topped the UK Official Album Chart for the first time with FTHC (his anagram for Frank Turner Hardcore) after his previous four all made the top three. Support slots go to Lottery Winners & Wilswood Buoys. Box office: yorkbarbican.co.uk.

Rosemary Brown: Author gives an insight into the remarkable life of Nellie Bly at York Theatre Royal

Who was Nellie Bly? In Conversation With Rosemary Brown, York Theatre Royal, February 4, 5.15pm, free admission

YORK Theatre Royal and Tilted Wig’s touring adaptation of Jules Verne’s madcap adventure Around The World In 80 days features not only the fictional feats of Phileas Fogg but also the real-life story of Nellie Bly, American journalist, industrialist, inventor, charity worker and globe-crossing record breaker.

In a free talk, director and adaptor Juliet Forster will be in conversation with Rosemary Brown, author of Following Nellie Bly, Her Record-Breaking Race Around The World, a book inspired by this human rights and environmental campaigner’s aim to put female adventurers back on the map. Box office: 01904 623568 or yorktheatreroyal.co.uk.

Tony Froud: Directing York Shakespeare Project’s rehearsed reading of Edward II

The second coming of…York Shakespeare Project, Edward III, rehearsed reading, upstairs at Black Swan Inn, Peasholme Green, York, February 7, 7.30pm

PHASE Two of York Shakespeare Project begins with a staged rehearsed reading of Edward III, the rarely performed 1592 history play now widely accepted as a collaboration between William Shakespeare and Thomas Kyd, replete with its celebration of Edward’s victories over the French, depiction of the Black Prince and satirical digs at the Scots.

Rehearsed readings in February will be a regular part of YSP’s revamped remit to include work by the best of Shakespeare’s contemporaries. Tony Froud’s cast includes Liz Elsworth, Emma Scott and Mark Hird, best known for his work with Pick Me Up Theatre. Tickets: on the door or via eventbrite.com.

Home work: Sara Howlett, Sophie Bullivant and Laura Castle in rehearsal for Rowntree Players’ spring production of Teachers Leavers ’22

Spring term school play: Rowntree Players in Teechers Leavers ’22, Joseph Rowntree Theatre, York, March 16 to 18, 7.30pm and 2.30pm Saturday matinee  

REHEARSALS are underway for Rowntree Players’ production of Teechers Leavers ’22, former teacher John Godber’s update of his state-of-education play, commissioned for £100 by Hull Truck Theatre in 1984.

Actor Jamie McKeller, familiar to York ghost-walk enthusiasts as Deathly Dark Tours spookologist Doctor Dorian Deathly, is working with a cast of Sara Howlett, Sophie Bullivant and Laura Castle as they “put in the hard work needed for this very physically demanding play”. Box office: 01904 501935 or josephrowntreetheatre.co.uk.

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More Things To Do in York in 2023. Hutch’s New Year List No. 1, courtesy of The Press

The horror, the horrror: Doctor Dorian Deathly swaps ghost walks for ghost talks at Theatre@41, Monkgate

AS the New Year fast approaches, Charles Hutchinson starts to fill the blank pages of a diary in need of cultural counters to so much front-page gloom.

From ghost walk to ghost talk: Doctor Dorian Deathly: A Night Of Face Melting Horror (or The Complete History Of Ghosts), Theatre@41, Monkgate, York, January 24 to 28, 8.30pm

COVID crocked York spookologist and ghost botherer Doctor Dorian Deathly’s Halloween season of macabre stories, paranormal sciences, theatrical trickery, horror, original music and perhaps the odd unexpected guest (with the emphasis on ‘odd’?) at Theatre@41.

The Visit York Tourism Awards winner has rearranged his five fright nights for late-January, when he will explore spine-chilling tales of hauntings, both local and further afield, dissemble horrors captured on film and trace the ghost story from its origins to Victorian classics and modern-day frights. Box office: tickets.41monkgate.co.uk.

Ukrainian National Opera: First visit to York with Carmen

Ukrainians in York: Dnipro Opera in Carmen, York Barbican, February 12, 7pm

DNIPRO Opera, from Ukraine, perform Georges Bizet’s opera of fiery passion, jealousy and violence in 19th century Seville in French with English surtitles, to the accompaniment of a 30-strong orchestra.

Carmen charts the downfall of Don José, a naïve soldier who falls head over heels in love with Carmen, a seductive, free-spirited femme fatale, abandoning his childhood sweetheart and neglecting his military duties, only to lose the fickle firebrand to the glamorous toreador Escamillo. Box office: yorkbarbican.co.uk

Robert Forster: New album to showcase at The Crescent

York’s Australian gig of the year: Robert Forster, The Crescent, York, March 14, 7.30pm

BRISBANE singer, songwriter, guitarist, music critic and author Robert Forster, co-founder of The Go-Betweens with the late Grant McLennan, plays a rearranged date in York, now in support of the February 3 release of his eighth solo album, The Candle And The Flame.

Made an honorary Doctor of Letters at Queensland University in 2015, Forster, 65, is writing a novel, overseeing the upcoming Volume 3 of The Go-Betweens’ boxset series, G Stands For Go-Betweens, and touring the UK, Europe and Australia in the first half of 2023. Box office: thecrescentyork.com.

Tommy Cannon: Comedian in conversation at the Joseph Rowntree Theatre

Rock on, Tommy, for charity: An Evening With Tommy Cannon, Joseph Rowntree Theatre, York, April 15, 7.30pm

KELFIELD comedian Tommy Cannon, 84, takes to the JoRo stage for an evening of songs, stories, anecdotes and conversation, reflecting on his double act on television and the boards with the late Bobby Ball.

Cannon – real name Thomas Derbyshire – will take questions from the audience at this fundraising event in aid of The Snappy Trust, the York charity that seeks to maximise the personal development of children and young people with wide-ranging disabilities. The Boro Blues Brothers will be the support act. Box office: 01904 501935 or josephrowntreetheatre.co.uk.

Composer Gus Gowland: Premiering new musical Mayflies at York Theatre Royal

New musical of the year: Gus Gowland’s Mayflies, York Theatre Royal, April 28 to May 13

GUS Gowland, an award-winning London composer, lyricist and playwright now living in York, presents the world premiere of Mayflies, the story of a romantic relationship from its first flourish to its final goodbye.

First making his mark with debut full-length musical Pieces Of String in 2018, Gowland now charts May and Fly’s progress from dating apps to tentative conversations and blossoming romance…and then they meet! Box office: 01904 623568 or yorktheatreroyal.co.uk.

The joy of SIX: Henry VIII’s wives weave their woes through Toby Marlow and Lucy Moss’s revenge musical on its return to the Grand Opera House, York. Picture: Pamela Raith

Quickfire return of the year: SIX The Musical, Grand Opera House, York, June 27 to July 2, 8pm, Tuesday to Thursday; 6pm and 8.30pm, Friday; 4pm and 8pm, Saturday, and 2pm, Sunday

HERE come the Spouse Girls again. After the history and hysteria of October’s sold-out debut run in York, the SIX pop queens make a regal return next summer in Toby Marlow and Lucy Moss’s all-female show for the millennial age.

In a pop concert with diva attitude, Henry VIII’s trouble-and-strife sextet air their grievances in song in chronological order to decide who suffered most at Henry’s hands once he put a ring on the wedding finger. From this talent-and-talons contest will emerge the group’s lead singer. Book early at atgtickets.com/York.

Miriam Margolyes: Booked into York Barbican for her Oh Miriam! musings

Outspoken national treasure speaks out: Miriam Margolyes, Oh Miriam! Live, York Barbican, October 16, 7.30pm

BAFTA-WINNING actress, chat-show regular and travel show presenter Miriam Margolyes, 81, will be telling tales from her new book, Oh Miriam!, “something that has been said to me a lot over the years, often in tones of strong disapproval,” she says.

“Reliably outrageous” Margolyes promises a riotous evening full of life and surprises, her conversation spanning revelations, stories and discoveries that she cannot wait to share. Box office: yorkbarbican.co.uk.

Ross Noble: Geordie Jibber Jabber Jamboree joviality in Harrogate and York

Stream-of-consciousnonsense on tap:  Ross Noble, Jibber Jabber Jamboree, Harrogate Royal Hall, October 26, 7.30pm; Grand Opera House, York, November 15, 8pm

GEORDIE surrealist Ross Noble ventures out on his 53-date Jibber Jabber Jamboree itinerary, his 21st solo tour, from October 2023 to March 2024. Expect inspired nonsense in his freewheeling stand-up.

“Imagine watching someone create a magic carpet on an enchanted loom,” says Noble, 46. “Oh, hang on… magic carpets fly; that would smash the loom as it took flight. I haven’t thought that through… That’s what people can expect. Razor-sharp observations on things I haven’t thought through.” Box office: atgtickets.com/York.

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More Things To Do in York at Christmastide and beyond the New Year. Hutch’s List No. 111, courtesy of The Press, York

Hold on, is that Noddy Holder? No, it’s a nod to Noddy Holder as tribute band Slade UK invite you to Cum On Feel The Noize at the Victoria Vaults

SLEIGHS and that Slade song, pantomime mayhem and New Year parties signify the changing of the diary for Charles Hutchinson, with one eye on 2023.

Merry Xmas Everybody: Slade UK, Victoria Vaults, Nunnery Lane, York, Christmas Eve, 7pm

SO here it is, Merry Xmas, everybody’s having fun as Slade UK, tribute act to the Wolverhampton wonders, roll out that 1973 festive chart topper and a whole heap of misspelt Slade smashes, from Gudbuy T’ Jane to Cum On Feel The Noise, Coz I Luv You to Mama Weer All Crazee Now.

“We’re really looking forward to having Slade UK at the Vaults,” says owner/manager Chris White. “It’s going to be a great evening and a lot of fun.” DJ Garry Hornby will be on the decks. Box office: theyorkvaults.com.

Mayhem, mischief and nautical naughtiness: Jonny Weldon’s Starkey, left, and Paul Hawkyard’s Captain Hook in York Theatre Royal’s The All New Adventures Of Peter Pan

Still time for pantomime, part one: The All New Adventures Of Peter Pan, York Theatre Theatre Royal, until January 2 2023

CBEEBIES’ science ace Maddie Moate and three stars of last year’s Cinderella – Faye Campbell, Paul Hawkyard and Robin Simpson – head to Neverland in York Theatre Royal’s third collaboration with Evolution Productions.

Moate plays naughty fairy Tinkerbell, Campbell, plucky Elizabeth Sweet, Hawkyard, histrionic Captain Hook and Simpson, dame Mrs Smee, joined by Jason Battersby’s Peter Pan and Jonny Weldon’s madcap pirate Starkey in creative director Juliet Forster’s production, scripted by Evolution’s pun-loving Paul Hendy. Look out for acrobats Mohammed Iddi, Karina Ngade and Mbaraka Omari too. Box office: 01904 623568 or yorktheatreroyal.co.uk.

Goose in the Grand Opera Hoose: Dame Berwick Kaler’s Mrs Plum-Duff in The Adventures Of Old Granny Goose. Picture: David Harrison

Still time for pantomime, part two: The Adventures Of Old Granny Goose, Grand Opera House, York, until January 8 2023

PETER Pan is not alone in flying across a York pantomime stage this winter. Dowager Dame Berwick Kaler does likewise at 76 in his second season at his adopted home, presented with the Grand Opera House’s new partners in panto, UK Productions.

Joining his ad-libbing granny, Mrs Plum-Duff, are sidekick Martin Barrass’s Jessie, villain David Leonard’s Lucifer Nauseus, principal gal Suzy Cooper’s Cissie, AJ Powell’s Brum Stoker and ever-game dancer Jake Lindsay’s Jakey Lad. Look out for Boris Johnson’s cameo as a dummy, me babbies, me bairns. Box office: 0844 871 7615 or atgtickets.com/York.

New Year Gala Concert, Harrogate-meets-Vienna style

Viennese waltzing into 2023:  International Gilbert and Sullivan Festival’s New Year Gala Concert, Harrogate Royal Hall, January 7 2023, 7.30pm 

CELEBRATE the dawning of the New Year in the company of the National Festival Orchestra on a whirlwind tour of bygone opulence, taking in the cafés of Vienna, the bars of Paris and the drawing rooms of London.

Enjoy waltzes, ballads and Gilbert and Sullivan favourites in a gala concert conducted by Christopher Milton and featuring international opera stars. Box office: gsfestivals-tickets.gsfestivals.org.

New Year Party, Ukrainian style: The Ukrainians mark Malanka at The Crescent, York

New Year on a different calendar: The Ukrainians: Malanka, The Crescent, York, January 14 2023, 7.30pm

ON the eastern calendar, New Year falls on January 13 and is marked in Ukraine with a variety of festivities known as Malanka.

The Ukrainians have been playing their brand of Ukrainian music for three decades on folk and roots stages, clocking up eight albums and 1,000 gigs. High-energy party songs and a few surprises are promised. Box office: thecrescentyork.com.

Heavy Spring Showers, by John David Petty, on show at Kentmere House Gallery from February 3

Exhibition on the horizon: Lost and Found, East Riding paintings by John David Petty, Kentmere House Gallery, Scarcroft Hill, York, February 3 to April 2 2023

WHERE does Kentmere House Gallery owner Ann Petherick find her artists, she is often asked. “The best ones always have to be searched out, and I think I first found John David Petty in Beverley Minster, showing a collection of wonderful paintings of doors and windows of Holderness churches,” she says.

Petty is more often to be spotted outdoors, among the flatlands of the East Riding, where this former graphic artist relishes the solitude and wide landscapes.

Favouring oils, acrylics and charcoal, his church work uses the same techniques of deeply etched lines, with the addition of paper collage to capture the texture of ancient stonework. For opening hours, go to: kentmerehouse.co.uk.

Matt Goss: Bros hits, new songs and a celebration of Cole Porter at York Barbican

What’s Matt doing next after Strictly? The Matt Goss Experience, with the MG Big Band and Royal Philharmonic, York Barbican, March 4 2023, 8pm

STRICTLY Come Dancing 2022 contestant and former Bros frontman Matt Goss, 54, performs his biggest hits, new original material and a tribute to songwriter Cole Porter in an evening of swing, glitz and swagger.

Having headlined Las Vegas for 11 years, Goss is back doing what he loves, singing with a big band and a philharmonic orchestra. Box office: yorkbarbican.co.uk.

Jimmy Carr: Still Terribly Funny in 2023

Repeat offender…or not?! Jimmy Carr, Terribly Funny 2.0, York Barbican, September 12 2023

AFTER completing a hattrick of York performances on his Terribly Funny tour – November 4 and 9 2021 and April 15 this year – provocative comedian and television panel show host Jimmy Carr is to return to the city on his Terribly Funny 2.0 itinerary.

Carr, 50, says his show “contains jokes about all kinds of terrible things. Terrible things that might have affected you or people you know and love. But they’re just jokes – they are not the terrible things”. New material is promised. Box office: yorkbarbican.co.uk or ticketmaster.co.uk.

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REVIEW: Paul Rhodes’s verdict on Steve Mason, No More Tour, The Crescent, York, December 15, supported by Cobain Jones

Steve Mason’s songwriting: “An unholy mix of the football crowd and the confession chamber”

STEVE Mason has come a long way as an artist. Looking very comfortable in his semi-starlit niche at 47, his powerful blend of emotion and politics match the times we struggle through perfectly.

Over 15 songs and 75 minutes, it is tempting to see Mason’s songs as all being cut from the same cloth. From his career-defining Beta Band days, the formula emerged fully formed – emphatic rhythms, soaring choruses and a penchant for catchy slogans on the one hand, searing emotional honesty on the other. An unholy mix of the football crowd and the confession chamber.

You can trace the line between a song such as I Walk The Earth from his early King Biscuit Time period to the latest single No More. These were the last two numbers played but worked together brilliantly.

Steve Mason: “Looking very comfortable in his semi-starlit niche” at The Crescent, York. Picture: Paul Rhodes

In his CharlesHutchPress interview before his York show, Mason describes No More as being “about a country that has had its Band Aid ripped off to expose a pustule of Government hatred. But I feel immigration has brought a massive amount of joy to my life and my country, the whole country, Britain”.

The chorus chant makes his feelings obvious, but never at the expense of the melody and the groove. As a songsmith, his touch is too sure, and perhaps fixed, to stray into political hectoring.

Mason has become more accessible as he’s grown into his solo career– the euphoric Walking Away From Love a prime example of a simple idea taken to populist heights. Talking to CharlesHutchPress, Mason hinted at stepping back from this sort of chart-busting ambition (paraded on 2019’s About The Light) back into more adventurous terrain.

Keyboardist Darren Morris accompanying Steve Mason on stage at The Crescent on Thursday night

Learning from the wings was opener Cobain Jones, a singer-songwriter from Stalybridge, Greater Manchester. Jones is on the up, with his cover of Bob Marley’s Coming In From The Cold being produced by Manic Street Preachers’ James Dean Bradfield no less. Jones’s powerful voice and songwriting are in a similar mode to Bradfield’s. Best heard on Into The Fray, his stage craft belied his 21 years.

Compared to his pop-up show at Stockton on the Forest Village Hall this time last year, Mason was far less chatty between songs, looking intent on sharing new material from Brothers And Sisters (due March 2023). With keyboardist Darren Morris providing a fuller sound, this was business rather than pleasure.

In the evening’s afterglow, the only question that really matters is, will Brothers And Sisters be worth the wait? The answer, on the basis of this cracking show, is a resounding ‘yes’; the new tunes were unmistakably Mason, full of interest, bite and tunes you want to hear again. Daring, defiant and iconoclastic, very much in the image of their creator.

Review by Paul Rhodes