Richard Hawley: Made in Sheffield, performing in Scarborough on Thursday. Picture: Dean Chalkley
RICHARD Hawley concludes his 13-date tour with the only Yorkshire gig at Scarborough Spa on Thursday night.
On the heels of his Olivier Award-winning Sheffield musical Standing At The Sky’s Edge opening a six-month West End run at the Gillian Lynne Theatre, the South Yorkshireman will be showcasing his May 31 album, In This City They Call You Love.
Released on BMG, the track listing is Two For His Heels; Have Love; Prism In Jeans; Heavy Rain; People; Hear That Lonesome Whistle Blow; Deep Space; Deep Waters; I’ll Never Get Over You; Do I Really Need To Know?; When The Lights Go Out and ‘Tis Night.
Latest single Two For His Heels is a blues rumble reminiscent of Link Wray and Duane Eddy: a sparse, atmospheric and cinematic song about a deal that goes wrong.
The album title is derived from the lyrics for People, a hymn to his beloved home of Sheffield, the steel city’s proud industrial past and the enduring determination of its citizens.
Summing up his new material, Hawley, 57, says: “I’ve made three albums where I had the title before I’d even begun to record, where I had an agenda. One was Truelove’s Gutter. Another was Standing At The Sky’s Edge, when I wanted to turn everything up and make the music a lot more aggressive, and then this one.
“I wanted it to be multi-coloured in a way…focusing on the voice and what voices can do together. I deliberately only played a handful of guitar solos, to keep it focused on voices, the song and space.”
Two decades have elapsed since Hawley abandoned band life full-time, first withThe Longpigs and then as Pulp’s guitarist. Nine studio albums have ensued, along with film scores, a self-titled mini album and the 2023 compilation Now Then: The Very Best Of Richard Hawley, his fourth Top Ten album.
The cover artwork for Richard Hawley’s new album, In This City They Call You Love
In addition, he has worked with such collaborators asArctic Monkeys, Manic Street Preachers, Elbow, Paul Weller, Duane Eddy (co-producing his 2011 album Road Trip), Nancy Sinatra and English folk royalty Martin Carthy and Norma Waterson on 2013’s Bright Phoebus Revisited tour.
In 2002, he co-wrote Clean for Robbie Williams’ debut solo album, Life Thru A Lens; in 2009, he wrote the smouldering ballad After The Rain for Shirley Bassey, and down the years he has performed with All Saints and Texas.
His song Tonight The Streets Are Ourswas featured inThe SimpsonsandExit Through The Gift Shop: A Banksy Filmand Hawley numbers have featured in television dramas Peaky Blinders, The Full Monty and Hijack.
Dear Alien (Who Art In Heaven), co-written with Jarvis Cocker and Wes Anderson for Anderson’s film Asteroid City,was shortlisted for Best Original Song in this year’s Oscars.
Premiered at Sheffield’s Crucible Theatre, the musical Standing At The Sky’s Edge combines 20 Hawley songs with a book by University of York-educated Chris Bush. Winner of Best New Musical and Best Original Score at the 2023 Olivier Awards, the show has moved to the Gillian Lynne Theatre after sold-out Crucible and National Theatre runs.
In 2023, Hawley played five shows with American musician John Grant, former frontman of The Czars, performing the songs of country legend Patsy Cline.
In This City They Call You Love has become his sixth Top Ten album in a row, available on digipack CD, standard black vinyl, limited-edition transparent blue vinyl exclusive to HMV and indie stores and transparent yellow vinyl, on sale exclusively from the official store, richardhawley.co.uk.
Richard Hawley, supported by James Bagshaw, Scarborough Spa, June 20, 7.30pm. Also plays Don Valley Bowl, Sheffield, with The Coral and The Divine Comedy, on August 29. Box office: Scarborough, scarboroughspa.co.uk; Sheffield, richardhawley.co.uk.
AS album number three arrives so soon, why are the Irish band being as prolific as the early Beatles? Two Big Egos In A Small Car culture podcasters Graham Chalmers and Charles Hutchinson discuss Skinty Fia in Episode 89.
Plus: what happens to the BBC when the licence fee ends? Anything else? Sheffield Leadmill update; The Divine Comedy at York Barbican review; Gary Barlow’s show with a difference, and why Mischief and Penn &Teller’s Magic Goes Wrong is wand-erful.
The Divine Comedy’s Neil Hannon: Leading a Charmed Life at York Barbican tonight. Picture: Kevin Westerberg
SEEKING Divine inspiration? Here comes Charles Hutchinson with his guide to what’s hot, from topical comedy to charming songwriters, a steamy thriller to intense jazz.
Charmer of the week: The Divine Comedy, York Barbican, tonight, 7.45pm
THE Divine Comedy’s Neil Hannon plays York this weekend for the first time since the Irish chamber-pop leprechaun’s Minster concert in May 2011.
Hannon will be showcasing his 2022 compilation, Charmed Life – The Best Of The Divine Comedy, marking the completion of the 51-year-old songwriter, musical score composer and cricket enthusiast’s third decade as a recording artist
“I’ve been luckier than most,” Hannon says. “I get to sing songs to people for a living and they almost always applaud.” Hence that Charmed Life title. Box office: yorkbarbican.co.uk.
Alexander Flanagan Wright feels the Stillington dance vibes
Outdoor dance vibes of the long weekend: Dance Dance Dance, A Damn Big Dance Party, At The Mill, Stillington, near York, Sunday, 6pm to 11pm
HEADPHONES on as At The Mill plays host to a three-channel Silent Disco with a bunch of very cool guest DJs, a live set from Flatcap Carnival and the pizza oven fired up for orders.
Organiser Alexander Flanagan Wright says: “We got Joshua Pulleyn coming. We got Bolshee taking over a channel. We got Sarah Rorke blasting out some Northern Soul vibes. Tom Figgins is metaphorically spinning a track or two.
“Paul Smith has some new punk and old-school hip hop heading your way. Abbi Ollive has a solid hour of girl power. And I’m lining up a lot of Chemical Brothers, Prodigy and Beyoncé as I can. Come dance. It’s gotta be mega. There’s a handful of tickets left at atthemill.org.”
Beth McCarthy: Heading back home to play The Crescent
Homecoming of the week: Beth McCarthy, The Crescent, York, Monday, doors 7.30pm
BETH McCarthy, now living in London, heads home to play her first York gig since March 2019.
Singer-songwriter Beth has been buoyed by the online response to her singles and videos, drawing 4.8 million likes and 300,000 followers on TikTok and attracting 465,000 monthly listeners and nine million plays of her She Gets The Flowers on Spotify. Box office: myticket.co.uk/artists/beth-mccarthy.
Double at the treble: Stewart Lee serves up his Snowflake and Tornado double bill on three nights at York Theatre Royal from May 3 to 5
Comedy gigs of the week: Stewart Lee, Snowflake/Tornado, York Theatre Royal, Tuesday to Thursday, 7.30pm
DELAYED by lockdowns, Stewart Lee finally brings Snowflake/Tornado – a double bill of two 60-minute sets, back-to-back nightly – to York with new material for 2022.
Heavily rewritten in the light of two pandemic-enforced dormant years, Snowflake looks at how the Covid/Brexit era has influenced the culture war between lovely snowflakes and horrible people.
Tornadoquestions Lee’s position in the comedy marketplace after Netflix mistakenly listed his show as “reports of sharks falling from the skies are on the rise again. Nobody on the Eastern Seaboard is safe.” Good luck trying to acquire a ticket on 01904 623568 or at yorktheatreroyal.co.uk.
Trouble brewing: Lift-off for Susie Amy’s Alex Forrest and Oliver Farnworth in Fatal Attraction. Picture: Tristram Kenton
Psychological thriller of the week: Fatal Attraction, Grand Opera House, York, Tuesday to Saturday, 7.30pm and 2.30pm matinees, Wednesday and Saturday
JAMES Dearden, screenwriter for Adrian Lyne’s 1987 “bunny boiler” American psycho thriller, has written a new stage version of Fatal Attraction for 21st century audiences, mobile phones et al.
The plot remains the same: happily married New York attorney Dan Gallagher (Oliver Farnworth) has a night on the town with editor Alex Forrest (Susie Amy) that boils up into passion.
Dan returns home to wife Beth (Louise Redknapp), trying to forget what happened, but Alex has only one rule: you play fair with her and she’ll play fair with you. If not…! Box office: 0844 871 7615 or atgtickets.com/York.
All smiles: Marti Pellow on his Greatest Hits Tour at York Barbican
Smile of the week: Marti Pellow, Greatest Hits Tour, York Barbican, Tuesday, 7.30pm
LET Marti Pellow introduce his Greatest Hits Tour show. “It’s about finally being able to come together to celebrate love, life, and remember those we may have lost along the way. Most of all, it’s about enjoyment and celebrating the here and now. Get your dancing shoes on: it’s time to party with Marti.”
Expect songs from his Wet Wet Wet and solo catalogues up to 2021’s Stargazer album, cover versions too, plus reflective chat as he sits on the edge of the stage. Box office: yorkbarbican.co.uk.
The good sax guide: Saxophonist Trish Clowes with her My Iris bandmates, promising earthy restlessness and futuristic dreamscapes at the NCEM
Jazz gig of the week: Trish Clowes: My Iris, National Centre for Early Music, York, Tuesday, 7.30pm
SAXOPHONIST Trish Clowes leads her jazz band My Iris in their York debut, providing pianist Ross Stanley, guitarist Chris Montague and drummer James Maddren with a high-intensity platform for individual expression and improvisation.
Driving grooves and lingering melodic lines combine as they “seamlessly morph between earthy restlessness and futuristic dreamscapes”. Box office: 01904 658338 or ncem.co.uk.
Exploring motherhood: Ana Silverio in Me, Myself & Misha
Indoor dance show of the week: Terpsichoring Dance Company in Me, Myself And Misha, York Theatre Royal Studio, Friday, 7.45pm
TERPSICHORING Dance Company’s Me, Myself & Misha is a heartfelt, autobiographical 40-minute show devised and performed by award-winning dance artist Ana Silverio, who explores the physical and emotional journey, full of challenges and joys, that one woman undertakes to become a mother.
Universal themes of pregnancy and labour are presented, using a mix of physical theatre and dance alongside an original and moving musical score. Box office: 01904 623568 or yorktheatreroyal.co.uk.
The poster for the Yorkraine benefit concert at the Grand Opera House, York
Fundraiser alert: Yorkraine, for DEC Ukraine Appeal, Grand Opera House, York, May 24, 7.30pm
YORKRAINE’s benefit concert combines four of York’s finest cover bands, The Supermodels, The Mothers, The Y Street Band and Sister Madly, plus acoustic slots from Alex Victoria and Mal Fry and guest speakers.
The evening of pop and rock classics from the past six decades will raise funds for the British Red Cross DEC appeal to aid Ukrainian refugees who find themselves in dire circumstances. All artists, hosts, sound tech and crew have donated their time free of charge. Box office: atgtickets.com/York.
Balancing act: Gary Barlow talks the talk as he walks the walk on his musical journey through A Different Stage
Gig announcement of the week: Gary Barlow, A Different Stage, Grand Opera House, York, June 10 and 11
TAKE That legend, singer, songwriter, composer, producer, talent show judge and author Gary Barlow is adding a theatrical one-man show to his repertoire.
“I’ve done shows where it has just been me and a keyboard,” says Barlow. “I’ve done shows where I sit and talk to people. I’ve done shows where I’ve performed as part of a group.
“But this one, well, it’s like all of those, but none of them. When I walk out this time, well, it’s going to be a very different stage altogether.” Now the bad news: tickets went on sale at 9.30am yesterday and sold out by 10am, but Pray there could yet be a silver lining…
The Divine Comedy’s Neil Hannon: Compilation album and greatest hits tour in 2022. Picture: Kevin Westerberg
THE Divine Comedy’s Neil Hannon will play York Barbican on April 30 next spring in his first York concert since May 2011.
That bygone night, the Irish chamber-pop leprechaun performed at York Minster, but the “divine” in The Divine Comedy was not the reason he could be found in northern Europe’s largest Gothic cathedral.
The Dean and Chapter had agreed to allow Tribeca Arts impresario Ben Pugh to run a series of rock/world concerts in the Minster, and if Hannon let slip a couple of X-rated words – one to describe Minster arsonist Jonathan Martin, the other in a lyric – the wrath from above did not befall him. He looked up heavenwards only when sipping red wine from a glass, mouthing “sorry” playfully.
His return to York next spring will follow the February 4 2022 release of Charmed Life – The Best Of The Divine Comedy, marking the completion of the Northern Irish singer, songwriter, musical score composer and cricket enthusiast’s third decade as a recording artist.
This 24-track, career-spanning compilation of hit singles and fan favourites, compiled by Hannon and remastered at Abbey Road Studios, London, takes in such eloquent, often mischievously humoured landmarks as National Express, Something For The Weekend, Songs Of Love, Our Mutual Friend, A Lady Of A Certain Age, To The Rescue and Norman And Norma, complemented by the new composition The Best Mistakes.
“I’ve been luckier than most,” reflects 50-year-old Hannon. “I get to sing songs to people for a living and they almost always applaud. So, when asked what to call this collection I thought of Charmed Life. I like the song and it rather sums up how I feel about my life.”
The career retrospective will be available as a 24-track standard double CD; on double heavyweight black vinyl in a gatefold sleeve; on limited-edition double heavyweight colour vinyl in a gatefold sleeve and as a limited-edition triple CD edition, bolstered a “Super Extra Bonus Album” of new and unreleased recordings.
Discussing the bonus disc, Hannon says: “It felt right to celebrate 30 of The Divine Comedy. I can’t give you an overview of these songs. They’re a crazy mixed-up bunch. Some are strangely seasonal, some relate to what we’ve all been going through recently, some are just nuts. Enjoy!”
The poster for The Divine Comedy’s April and May 2022 tour
Hannon signed his first record deal at 20 in1990, subsequently releasing 12 albums and performing hundreds of shows. He will add to that tally with 19 British and Irish dates next April and May, when he will play a second Yorkshire show at the Victoria Theatre, Halifax, on May 13.
“I am so looking forward to playing live again,” says Hannon. “The last couple of years have been a reminder of how much it means to me personally. It really is my favourite thing. And it seems fitting that we’ll be coming back with a greatest hits set. You know, in case everyone’s forgotten who I am and what we do!”
Tickets go on sale at 10am on Friday (10/9/2021) at yorkbarbican.co.uk and victoriatheatre.co.uk.
Track listing for Charmed Life:
Charmed Life; National Express; Norman And Norma; Something For The Weekend; Songs Of Love; The Best Mistakes; At The Indie Disco; Bad Ambassador; A Lady Of A Certain Age; Becoming More Like Alfie; Come Home Billy Bird; Have You Ever Been In Love; Our Mutual Friend; Generation Sex; How Can You Leave Me On My Own; Perfect Lovesong; Your Daddy’s Car; You’ll Never Work In This Town Again; Absent Friends; Everybody Knows (Except You); The Certainty Of Chance; Sunrise; To The Rescue; Tonight We Fly.
Track listing for Bonus deluxe 3CD/deluxe digital disc:
I’ll Take What I Can Get; Don’t Make Me Go Outside; Who Do You Think You Are; The Adventurous Type; When When When; Home For The Holidays; Te Amo España; Perfect Lovesong 2021; Simple Pleasures; Those Pesky Kids.
Did you know?
THE last time Neil Hannon’s compositions were heard on a York stage was in the Theatre Royal’s August 2019 production of Swallows And Amazons, a play with music that affirmed Hannon as a songwriter always ripe for musical theatre in the Flanders & Swann and Stiles & Drewe mode, with even a pinch of Sondheim salt and Randy Newman pepper.
Alex Wingfield (front) with Hanna Khogali, Laura Soper and William Pennington in Swallows And Amazons, featuring music by Neil Hannon, at York Theatre Royal in August 2019. Picture: Anthony Robling
