Podcast question of the day: Are Fontaines DC in too much of a hurry?

The album artwork for Fontaines DC’s Skinty Fia

AS album number three arrives so soon, why are the Irish band being as prolific as the early Beatles? Two Big Egos In A Small Car culture podcasters Graham Chalmers and Charles Hutchinson discuss Skinty Fia in Episode 89.

Plus: what happens to the BBC when the licence fee ends? Anything else? Sheffield Leadmill update; The Divine Comedy at York Barbican review; Gary Barlow’s show with a difference, and why Mischief and Penn &Teller’s Magic Goes Wrong is wand-erful.

To listen, here is the link: https://www.buzzsprout.com/1187561/10570721

More Things To Do in and around York as The Divine Comedy offer something for the weekend. List No. 80, courtesy of The Press

The Divine Comedy’s Neil Hannon: Leading a Charmed Life at York Barbican tonight. Picture: Kevin Westerberg

SEEKING Divine inspiration? Here comes Charles Hutchinson with his guide to what’s hot, from topical comedy to charming songwriters, a steamy thriller to intense jazz.

Charmer of the week: The Divine Comedy, York Barbican, tonight, 7.45pm

THE Divine Comedy’s Neil Hannon plays York this weekend for the first time since the Irish chamber-pop leprechaun’s Minster concert in May 2011.

Hannon will be showcasing his 2022 compilation, Charmed Life – The Best Of The Divine Comedy, marking the completion of the 51-year-old songwriter, musical score composer and cricket enthusiast’s third decade as a recording artist

“I’ve been luckier than most,” Hannon says. “I get to sing songs to people for a living and they almost always applaud.” Hence that Charmed Life title. Box office: yorkbarbican.co.uk.

Alexander Flanagan Wright feels the Stillington dance vibes

Outdoor dance vibes of the long weekend: Dance Dance Dance, A Damn Big Dance Party, At The Mill, Stillington, near York, Sunday, 6pm to 11pm

HEADPHONES on as At The Mill plays host to a three-channel Silent Disco with a bunch of very cool guest DJs, a live set from Flatcap Carnival and the pizza oven fired up for orders.

Organiser Alexander Flanagan Wright says: “We got Joshua Pulleyn coming. We got Bolshee taking over a channel. We got Sarah Rorke blasting out some Northern Soul vibes. Tom Figgins is metaphorically spinning a track or two.

“Paul Smith has some new punk and old-school hip hop heading your way. Abbi Ollive has a solid hour of girl power. And I’m lining up a lot of Chemical Brothers, Prodigy and Beyoncé as I can. Come dance. It’s gotta be mega. There’s a handful of tickets left at atthemill.org.”

Beth McCarthy: Heading back home to play The Crescent

Homecoming of the week: Beth McCarthy, The Crescent, York, Monday, doors 7.30pm

BETH McCarthy, now living in London, heads home to play her first York gig since March 2019.

Singer-songwriter Beth has been buoyed by the online response to her singles and videos, drawing 4.8 million likes and 300,000 followers on TikTok and attracting 465,000 monthly listeners and nine million plays of her She Gets The Flowers on Spotify. Box office: myticket.co.uk/artists/beth-mccarthy.

Double at the treble: Stewart Lee serves up his Snowflake and Tornado double bill on three nights at York Theatre Royal from May 3 to 5

Comedy gigs of the week: Stewart Lee, Snowflake/Tornado, York Theatre Royal, Tuesday to Thursday, 7.30pm

DELAYED by lockdowns, Stewart Lee finally brings Snowflake/Tornado – a double bill of two 60-minute sets, back-to-back nightly – to York with new material for 2022.

Heavily rewritten in the light of two pandemic-enforced dormant years, Snowflake looks at how the Covid/Brexit era has influenced the culture war between lovely snowflakes and horrible people.

Tornado questions Lee’s position in the comedy marketplace after Netflix mistakenly listed his show as “reports of sharks falling from the skies are on the rise again. Nobody on the Eastern Seaboard is safe.” Good luck trying to acquire a ticket on 01904 623568 or at yorktheatreroyal.co.uk.

Trouble brewing: Lift-off for Susie Amy’s Alex Forrest and Oliver Farnworth in Fatal Attraction. Picture: Tristram Kenton

Psychological thriller of the week: Fatal Attraction, Grand Opera House, York, Tuesday to Saturday, 7.30pm and 2.30pm matinees, Wednesday and Saturday

JAMES Dearden, screenwriter for Adrian Lyne’s 1987 “bunny boiler” American psycho thriller, has written a new stage version of Fatal Attraction for 21st century audiences, mobile phones et al.

The plot remains the same: happily married New York attorney Dan Gallagher (Oliver Farnworth) has a night on the town with editor Alex Forrest (Susie Amy) that boils up into passion.

Dan returns home to wife Beth (Louise Redknapp), trying to forget what happened, but Alex has only one rule: you play fair with her and she’ll play fair with you. If not…! Box office: 0844 871 7615 or atgtickets.com/York.

All smiles: Marti Pellow on his Greatest Hits Tour at York Barbican

Smile of the week: Marti Pellow, Greatest Hits Tour, York Barbican, Tuesday, 7.30pm  

LET Marti Pellow introduce his Greatest Hits Tour show. “It’s about finally being able to come together to celebrate love, life, and remember those we may have lost along the way. Most of all, it’s about enjoyment and celebrating the here and now. Get your dancing shoes on: it’s time to party with Marti.”

Expect songs from his Wet Wet Wet and solo catalogues up to 2021’s Stargazer album, cover versions too, plus reflective chat as he sits on the edge of the stage. Box office: yorkbarbican.co.uk.

The good sax guide: Saxophonist Trish Clowes with her My Iris bandmates, promising earthy restlessness and futuristic dreamscapes at the NCEM

Jazz gig of the week: Trish Clowes: My Iris, National Centre for Early Music, York, Tuesday, 7.30pm

SAXOPHONIST Trish Clowes leads her jazz band My Iris in their York debut, providing pianist Ross Stanley, guitarist Chris Montague and drummer James Maddren with a high-intensity platform for individual expression and improvisation.

Driving grooves and lingering melodic lines combine as they “seamlessly morph between earthy restlessness and futuristic dreamscapes”. Box office: 01904 658338 or ncem.co.uk.

Exploring motherhood: Ana Silverio in Me, Myself & Misha

Indoor dance show of the week: Terpsichoring Dance Company in Me, Myself And Misha, York Theatre Royal Studio, Friday, 7.45pm

TERPSICHORING Dance Company’s Me, Myself & Misha  is a heartfelt, autobiographical 40-minute show devised and performed by award-winning dance artist Ana Silverio, who explores the physical and emotional journey, full of challenges and joys, that one woman undertakes to become a mother.

Universal themes of pregnancy and labour are presented, using a mix of physical theatre and dance alongside an original and moving musical score. Box office: 01904 623568 or yorktheatreroyal.co.uk.

The poster for the Yorkraine benefit concert at the Grand Opera House, York

Fundraiser alert: Yorkraine, for DEC Ukraine Appeal, Grand Opera House, York, May 24, 7.30pm

YORKRAINE’s benefit concert combines four of York’s finest cover bands, The Supermodels, The Mothers, The Y Street Band and Sister Madly, plus acoustic slots from Alex Victoria and Mal Fry and guest speakers.

The evening of pop and rock classics from the past six decades will raise funds for the British Red Cross DEC appeal to aid Ukrainian refugees who find themselves in dire circumstances. All artists, hosts, sound tech and crew have donated their time free of charge. Box office: atgtickets.com/York.

Balancing act: Gary Barlow talks the talk as he walks the walk on his musical journey through A Different Stage

Gig announcement of the week: Gary Barlow, A Different Stage, Grand Opera House, York, June 10 and 11

TAKE That legend, singer, songwriter, composer, producer, talent show judge and author Gary Barlow is adding a theatrical one-man show to his repertoire.

“I’ve done shows where it has just been me and a keyboard,” says Barlow. “I’ve done shows where I sit and talk to people. I’ve done shows where I’ve performed as part of a group.

“But this one, well, it’s like all of those, but none of them. When I walk out this time, well, it’s going to be a very different stage altogether.” Now the bad news: tickets went on sale at 9.30am yesterday and sold out by 10am, but Pray there could yet be a silver lining…

The Divine Comedy’s Neil Hannon to play York Barbican on next spring’s hits tour

The Divine Comedy’s Neil Hannon: Compilation album and greatest hits tour in 2022. Picture: Kevin Westerberg

THE Divine Comedy’s Neil Hannon will play York Barbican on April 30 next spring in his first York concert since May 2011.

That bygone night, the Irish chamber-pop leprechaun performed at York Minster, but the “divine” in The Divine Comedy was not the reason he could be found in northern Europe’s largest Gothic cathedral.

The Dean and Chapter had agreed to allow Tribeca Arts impresario Ben Pugh to run a series of rock/world concerts in the Minster, and if Hannon let slip a couple of X-rated words – one to describe Minster arsonist Jonathan Martin, the other in a lyric – the wrath from above did not befall him. He looked up heavenwards only when sipping red wine from a glass, mouthing “sorry” playfully.

His return to York next spring will follow the February 4 2022 release of Charmed Life – The Best Of The Divine Comedy, marking the completion of the Northern Irish singer, songwriter, musical score composer and cricket enthusiast’s third decade as a recording artist.

This 24-track, career-spanning compilation of hit singles and fan favourites, compiled by Hannon and remastered at Abbey Road Studios, London, takes in such eloquent, often mischievously humoured landmarks as National Express, Something For The Weekend, Songs Of Love, Our Mutual Friend, A Lady Of A Certain Age, To The Rescue and Norman And Norma, complemented by the new composition The Best Mistakes.

“I’ve been luckier than most,” reflects 50-year-old Hannon. “I get to sing songs to people for a living and they almost always applaud. So, when asked what to call this collection I thought of Charmed Life. I like the song and it rather sums up how I feel about my life.”

The career retrospective will be available as a 24-track standard double CD; on double heavyweight black vinyl in a gatefold sleeve; on limited-edition double heavyweight colour vinyl in a gatefold sleeve and as a limited-edition triple CD edition, bolstered a “Super Extra Bonus Album” of new and unreleased recordings.

Discussing the bonus disc, Hannon says: “It felt right to celebrate 30 of The Divine Comedy. I can’t give you an overview of these songs. They’re a crazy mixed-up bunch. Some are strangely seasonal, some relate to what we’ve all been going through recently, some are just nuts. Enjoy!”

The poster for The Divine Comedy’s April and May 2022 tour

Hannon signed his first record deal at 20 in1990, subsequently releasing 12 albums and performing hundreds of shows. He will add to that tally with 19 British and Irish dates next April and May, when he will play a second Yorkshire show at the Victoria Theatre, Halifax, on May 13.

 “I am so looking forward to playing live again,” says Hannon. “The last couple of years have been a reminder of how much it means to me personally. It really is my favourite thing. And it seems fitting that we’ll be coming back with a greatest hits set. You know, in case everyone’s forgotten who I am and what we do!”

 Tickets go on sale at 10am on Friday (10/9/2021) at yorkbarbican.co.uk and victoriatheatre.co.uk.

Track listing for Charmed Life:

Charmed Life; National Express; Norman And Norma; Something For The Weekend; Songs Of Love; The Best Mistakes; At The Indie Disco; Bad Ambassador; A Lady Of A Certain Age; Becoming More Like Alfie; Come Home Billy Bird; Have You Ever Been In Love; Our Mutual Friend; Generation Sex; How Can You Leave Me On My Own; Perfect Lovesong; Your Daddy’s Car; You’ll Never Work In This Town Again; Absent Friends; Everybody Knows (Except You); The Certainty Of Chance; Sunrise; To The Rescue; Tonight We Fly.

Track listing for Bonus deluxe 3CD/deluxe digital disc:

I’ll Take What I Can Get; Don’t Make Me Go Outside; Who Do You Think You Are; The Adventurous Type; When When When; Home For The Holidays; Te Amo España; Perfect Lovesong 2021; Simple Pleasures; Those Pesky Kids.

Did you know?

THE last time Neil Hannon’s compositions were heard on a York stage was in the Theatre Royal’s August 2019 production of Swallows And Amazons, a play with music that affirmed Hannon as a songwriter always ripe for musical theatre in the Flanders & Swann and Stiles & Drewe mode, with even a pinch of Sondheim salt and Randy Newman pepper.

Alex Wingfield (front) with Hanna Khogali, Laura Soper and William Pennington in Swallows And Amazons, featuring music by Neil Hannon, at York Theatre Royal in August 2019. Picture: Anthony Robling