Lee Mead’s American showman P. T. Barnum in Barnum: The Circus Musical, on tour at Grand Opera House, York. Picture: Pamela Raith
LEE Mead will lead the cast as legendary circus showman, businessman and politician P. T. Barnum in Bill Kenwright Ltd’s tour of Barnum: The Circus Musical at the Grand Opera House, York, from February 24 to 28.
West End performer and television star Mead, now 44, made his breakthrough when winning the BBC One reality show Any Dream Will Do in 2007, going on to star in the Joseph And The Amazing Technicolor Dreamcoat tour that brought him to the Cumberland Street theatre in 2010.
Lee is no stranger to Barnum, first playing the show-hosting Ringmaster in a school production when he was 13 or 14 in his home town of Southend-on-Sea.
“I had such a brilliant time and I thought the story and the characters were wonderful. And it had all these fantastic songs, like Come Follow The Band, The Colours Of My Life and There Is A Sucker Born Every Minute.”
Lee’s friend Chris was cast in the lead role. “And he was a great Barnum, but I remember thinking, ‘It would be lovely to play that part one day’.”
Now, three decades later, his wish has come true at last as he headlines a lavish new UK tour of the 1980 musical by Cy Coleman (music), Michael Stewart (lyrics) and Mark Bramble (book).
Barnum: The Circus Musical tells the story of legendary American showman, marketing genius and master of spectacle P.T. Barnum, who revolutionised entertainment in the 1800s through the Barnum & Bailey Circus and the Greatest Show on Earth.
Premiered on Broadway in 1980 and fronted by Michael Crawford at the London Palladium in 1981, ahead of a UK tour, the show has been revived numerous times since, both here and around the world.
As he steps into the ring for the 2026 tour, Lee says: “It’s an absolute classic and I can’t quite believe I now get to play Barnum some 30 years after that school production. I think I must have somehow manifested it.”
“This is definitely my most challenging role,” says Lee Mead of playing P. T. Barnum
Barnum’s tour show is directed by Jonathan O’Boyle, choreographed by Strictly Come Dancing alumna Oti Mabuse and features more than 20 actor-musicians, alongside acrobats and international circus acts.
Starring as Barnum is not only a dream come true for the Any Dream Will Do winner but also an homage to his grandfather Bert and grandmother Lil, who did not have much money, meaning that a trip to the theatre was very rare for them.
“But they saved up for a year and a half to see Barnum at the London Palladium and they loved it,” says Lee. “It stayed with them their whole lives. Sadly they’re no longer with us, but I know they would have been so proud to see me in it. Every performance is going to be for them.”
Since Joseph and the Amazing Technicolor Dreamcoat, Lee has starred in Wicked, Legally Blonde, Chitty Chitty Bang Bang, Chicago and Sister Act and plenty besides. “But this is definitely my most challenging role,” he says.
“It’s one of those rare roles for a leading man. It’s an enormous part, with huge monologues and so many songs, and I don’t think I leave the stage for two hours, apart from the interval of course.”
Then add the tightrope walking, a discipline that has required several months of intense training for Lee. “It’s the kind of thing you learn at 24, not 44,” he says. “I’ve had to get myself fit and put in the work. The rope is about 7ft off the ground and, although I trained with a harness on, there’s no harness during the show itself.
“You have to use your whole body, your whole core and every ounce of your focus and energy to get across that wire, but I like a challenge.”
Does he play an instrument too in this actor-musician show? “I don’t, no. I already have enough to do with the acting, singing, dancing and tightrope walking!” he says.
Lee Mead in the poster image for Bill Kenwright Ltd’s tour of Barnum: The Circus Musical
As with Hugh Jackman’s portrayal of P.T. Barnum in The Greatest Showman, the musical looks at the real man behind the on-stage showman, not least how he had a wife named Charity but became infatuated with Swedish singer Jenny Lind.
“So he’s a flawed character, as most human beings are,” muses Lee. “As an actor, it’s interesting to explore that side of him alongside all the spectacle. It makes for great drama.”
When researching the role, “it was interesting to learn about Barnum’s tenacity and his drive, which I think you have to have to be as successful as he was,” says Lee. “At times he kind of put his wife to one side, even though she was so supportive and loving, so I guess you could say that he was very selfish.
“But he wanted the world to see all these amazing acts that he brought together, like the oldest woman in the world, Joice Heth and General Tom Thumb. It was his passion.”
Lee picks The Colours Of My Life as his favourite song in the show “because the melody is beautiful and it’s about him trying to explain to Charity why he is the way he is, with all the different colours to him as a person and why he wants to light people up, entertain them and make them happy,” he says.
Since his schooldays productions of Barnum and Grease, Lee has enjoyed the camaraderie of the stage life and the chance to lose himself in different characters. “Then, as time went on, I discovered I had a bit of a talent for it and I worked really hard, trying to get better and better,” he says.
He attended Whitehall Performing Arts College in Essex, performed on the Portsmouth to Bilbao ferry and at Bridlington Spa Theatre, played Levi and the Pharaoh in a touring production of Joseph and the Amazing Technicolor Dreamcoat and was in the The Phantom Of The Opera ensemble in the West End.
Any Dream Will Do then launched him to stardom. “It was a bit of a blur, although I remember certain moments in detail, so it was very surreal,” he recalls of competing on the BBC One talent show in front of a panel that included composer Andrew Lloyd Webber and impresario Bill Kenwright, winning the public vote and then playing the lead at London’s Adelphi Theatre.
Oh what a circus: Lee Mead’s P. T. Barnum, centre with actor-musicians, acrobats and circus acts in Barnum: The Circus Musical. Picture: Pamela Raith
“You never think anything like that would ever happen to you, and the TV show was seen by around 13 million viewers every week. Even now, more than 18 years later, I get people stopping me in the street or at the supermarket and saying that they voted for me. I feel very blessed, because it opened up all the parts that have come my way since.”
His subsequent career highlights include performing at the London Palladium on his 40th birthday with a full orchestra as he followed in the footsteps of legends such as Frank Sinatra and Judy Garland.
Singing in front of H.M. The Queen and the Royal Family at the Royal British Legion’s Festival of Remembrance at the Royal Albert Hall in 2019 is way up there too, along with playing Caracticus Potts in Chitty Chitty Bang Bang.
“I remember seeing it as a teenager, with Michael Ball in the lead and thinking ‘I’m going to play that role one day’. Again, as with Barnum, I must have manifested it somehow,” says Lee.
His television work has included stints as Nurse Lofty Chiltern on Casualty and Holby City, but his appearance as himself on Motherland drew the biggest response from the public. “I played Lofty for five years in total but I’ve had more people stop me and ask about Motherland, even though I was only in one episode. That’s the one thing in my career that I haven’t done yet that I would love to do: to have a recurring role in a sitcom.”
For now, however, Lee is focusing on Barnum. “I get to be in one of the greatest, most iconic musicals ever,” he says. “I’m still in shock that I’ve landed the part, to be honest, and I can’t wait to take it around the country and to see the smiles on the audience’s faces.”
Lee Mead stars in Barnum: The Circus Musical at Grand Opera House, York, February 24 to 28, 7.30pm plus Wednesday, Thursday and Saturday matinees at 2.30pm. Box office: atgtickets.com/york.
Also Alhambra Theatre, Bradford, March 31 to April 4, 7.30pm plus 2pm Wednesday & Thursday matinees and 2.30pm Saturday matinee, 01274 432000 or https://www.bradford-theatres.co.uk/; Hull New Theatre, June 2 to 6, 7.30pm plus 2.30pm Wednesday, Thursday and Saturday matinees, https://www.hulltheatres.co.uk/
