More Things To Do in York and beyond when taking Steps to entertainment. Hutch’s List No. 5, from The York Press

Robin Simpson in The Last Picture at York Theatre Royal Studio, Picture: S R Taylor Photography

MUSICALS aplenty and a posthumous debut exhibition for two York artists are among Charles Hutchinson’s favourites for February fulfilment.

Solo show of the week: The Last Picture, York Theatre Royal Studio, until February 14, 7.45pm except Sunday,  plus Wednesday and Saturday 2pm matinees

ROBIN Simpson follows up his sixth season as York Theatre Royal’s pantomime dame by playing a dog in York Theatre Royal, ETT and An Tobar and Mull Theatre’s premiere of Catherine Dyson’s anti-Fascist monodrama The Last Picture, directed by associate artist John R Wilkinson.

Imagine yourself in a theatre in 2026. Now picture yourself as a Year 9 student on a school museum trip, and then as a citizen of Europe in 1939 as history takes its darkest turn. While you imagine, emotional support dog Sam (Simpson’s character) will be by your side in a play about empathy – its power and limits and what it asks of us – built around a story of our shared past, present and the choices we face today. Box office: 01904 623568 or yorktheatreroyal.co.uk.

Colour & Light turns the spotlight on Viking invader Eric Bloodaxe among York’s rogues, scoundrels and historical figures in Double Take Productions’ light installation at York Castle Museum and Clifford’s Tower. Picture: David Harrison

Illumination of the week: Colour & Light, York Castle Museum and Clifford’s Tower, York, until February 22, 6pm to 9pm

YORK BID is bringing Colour & Light back for 2026 on its biggest ever canvas. For the first time, two of York’s landmark buildings are illuminated together when York Castle Museum and Clifford’s Tower become the combined canvas for Double Take Projections’ fully choreographed projection show, transforming the Eye of York.

Presented in partnership with York Museums Trust and English Heritage, the continuous, looped, ten-minute show bring York’s historic rogues, scoundrels, miscreants, mischief makers and mythical characters to life in a family-friendly projection open to all for free; no ticket required.

    Suede: Showcasing Antidepressants album on York Barbican return

    Recommended but sold out already: Suede, York Barbican, tonight, doors 7pm

    AFTER playing York Barbican for the first time in more than 25 years in March 2023, Suede make a rather hastier return on their 17-date Antidepressants UK Tour when Brett Anderson’s London band promote their tenth studio album.

    “If [2022’s] Autofiction was our punk record, Antidepressants is our post-punk record,” says Anderson. “It’s about the tensions of modern life, the paranoia, the anxiety, the neurosis. We are all striving for connection in a disconnected world. This was the feel I wanted the songs to have. This is broken music for broken people.” Box office for returns only: yorkbarbican.co.uk.

    Sara Pascoe: Contemplating smart and astute nocturnal thoughts in I Am A Strange Gloop

    Comedy gig of the week: Sara Pascoe, I Am A Strange Gloop, York Theatre Royal, tonight, 7.30pm

    HAVE you ever been awake in the middle of the night and thought something so smart and astute that you could not wait for the world to wake up for you to tell them? “This show is that thought, in that it doesn’t make much sense and is a bit weird on reflection,” says Dagenham comedian, actress, presenter and writer Sara Pascoe.

    In I Am A Strange Gloop, Sara & Cariad’s Weirdos Book Club podcaster and former The Great British Sewing Bee host Pascoe reveals how her children don’t sleep, her kitchen won’t clean itself and her husband “doesn’t want to be in it”. Box office: 01904 623568 or yorktheatreroyal.co.uk.

    Sally Ann Matthews’ supermarket boss Patricia in Here & Now The Steps Musical. Picture: Danny Kaan

    Comedy and Tragedy show of the week: Here & Now, The Steps Musical, Grand Opera House, York, February 10 to 15, Tuesday to Saturday, 7.30pm; Wednesday and Saturday, 2.30pm; Sunday, 3pm

    PRODUCED by Steps, ROYO and Pete Waterman, Here & Now weaves multiple dance-pop hits by the London group into Shaun Kitchener’s story of supermarket worker Caz and her fabulous friends dreaming of the perfect summer of love.

    However, when Caz discovers her “happy ever after” is a lie, and the gang’s attempts at romance are a total tragedy, they wonder whether love will ever get a hold on their hearts? Or should they all just take a chance on a happy ending? Look out for Coronation Street star Sally Ann Matthews as supermarket boss Patricia. Box office: atgtickets.com/york.

    Gi Vasey’s Annas and Joseph Hayes’ Caiaphas in Inspired By Theatre’s Jesus Christ Superstar. Picture: Dan Crawfurd-Porter

    Boundary-pushing theatre show of the week: Inspired By Theatre in Jesus Christ Superstar, Joseph Rowntree Theatre, York, February 11 to 14, 7.30pm plus 2.30pm Saturday matinee

    YORK company Inspired By Theatre’s gritty, cinematic and unapologetically powerful staging of Jesus Christ Superstar presents director Dan Crawfurd-Porter’s radical new vision of Andrew Lloyd Webber and Tim Rice’s 1971 musical.

    On Gi Vasey’s shifting building-block set design, part temple, part battleground, the story unfolds through visceral movement, haunting imagery and a pulsating live score, capturing Jesus’s final days as loyalties fracture, followers demand revolution and rulers fear rebellion. Box office: 01904 501935 or josephrowntreetheatre.co.uk.

    Annie at the double: Hope Day, left, and Harriet Wells will be sharing the title role in York Light Opera Company’s musical. Picture: Matthew Kitchen Photography

    The sun’ll come out, not tomorrow, but from Thursday at: Annie, York Light Opera Company, York Theatre Royal, until February 21, 7.30pm, except February 15 and 16; matinees on February 14, 15 and 21, 2.30pm; February 19, 2pm

    MARTYN Knight directs York Light Opera Company  for the last time in the company’s first staging of Charles Strouse, Martin Charnin and Thomas Meehan’s Annie in 25 years.

    This heart-warming tale of hope, family, and second chances, packed with such knockout songs as Tomorrow, Hard Knock Life and You’re Never Fully Dressed Without A Smile, stars  Annabel van Griethuysen as Miss Hannigan, Neil Wood as Daddy Warbucks and  Hope Day and Harriet Wells, sharing the role of Annie. Box office: 01904 623568 or yorktheatreroyal.co.uk.

    Liz Foster: Exploring memory, landscape and the childhood feeling of being immersed in wild places in Deep Among The Grasses

    Exhibition launch of the week: Liz Foster, Deep Among The Grasses, Rise:@Bluebird Bakery, Acomb, York, February 12 to April 10

    YORK artist Liz Foster’s new series of abstract paintings, Deep Among The Grasses, invites you into rich, expansive imagined spaces where she explores memory, landscape and the childhood feeling of being immersed in wild places.

    Full of colour, feeling and atmosphere, this body of work is being shown together for the first time. Everyone is welcome at the 6pm to 9pm preview on February 12 when Leeds-born painter, teacher and mentor Liz will be in attendance.

    Craig David: Performing his TS5 DJ set at York Racecourse Music Showcase weekend

    Gig announcement of the week: Craig David presents TS5, York Racecourse Music Showcase Weekend, Knavesmire, York, July 24

    SOUTHAMPTON singer-songwriter and DJ Craig David will complete this summer’s music line-up at York Racecourse after earlier announcements of Becky Hill’s June 27 show and Tom Grennan’s July 25 concert.

    David, 44, will present his TS5 DJ set on Music Showcase Friday’s double bill of racing and old-skool anthems, from R&B to Swing Beat, Garage to Bashment , plus current  House hits, when he combines his singing and MC skills. Tickets: yorkracecourse.co.uk; no booking fees; free parking on race day.

    Ice amid the January rain: York Ice Trail 2026

    Festival of the week: Make It York presents York Ice Trail, An Enchanted City, York city centre, today and tomorrow, 10.30am to 4pm

    THE streets of York will be transformed into An Enchanted City, where a spell has been cast, as ice sculptures, alive with enchantment, appear across the city’s cobbled and narrow streets.

    Created by Icebox, 36 sculptures inspired by magic, mystery, the weird and wonderful will make an extraordinary trail, but who cast the spell and why? Follow the trail to uncover the truth. Pick up a trail map from the Visit York Visitor Information Centre to tick off all the sculptures; collect a special sticker on completion. 

    The sculptures will be: Ice Ice Baby (neon photo opportunity), provided by Make It York; Igloo 360 Photobooth, Party Octopus; The Ice Village (curated market); All Aboard for Railway Stories, National Railway Museum; Bertie the Shambles Dragon, Shambles Market Traders; The Wizard of Ouse!, City Cruises York and Mr Chippy; The Enchanted Chocolate Bar, York’s Chocolate Story.

    Drake’s Spellbound Catch, provided by Drake’s Fish and Chips; Sword in the Stone, York BID; The Yorkshire Rose by Kay Bradley, Bradley’s Jewellers; Saint William’s Poisoned Chalice, York Minster; Toadstool House, York BID; York Park & Brrr-ide, First Bus; Wizard Teddy Bear, Stonegate Teddy Bears; Bettys Bern Bears, Bettys; The Magic of Connection, Grand Central Rail.

    Lord of the Lodging, provided by The Judge’s Lodging; The Ice Wall (photo opportunity), Make It York; Spellbound Train Ticket, The Milner York; From Grand Roots, Magic Blooms, The Grand, York; Hobgoblin, York BID; Enchanted, Icebox; Wade The Giant, North York Moors National Park; Let It Sew, Gillies Fabrics; The Hungry Dragon, Ate O’clock; Barghest, York BID.  

    The Prophet Hen, provided by SPARK: York; Jack Frost, York BID; Wings of Ice, Merchant Adventurers’ Hall; Magic Mixie Monster, York Mix; Mjolnir – The Bringer of Lightning, Murton Park; Beaky Blinder the Puffin, RSPB; Food and Drink Area; Ice Masterclass (paid experience); The Snow Block (photo opportunity), Make It York, and Live Ice Carving (from 12 noon each day).

    In Focus: Navigators Art performance & exhibition, The Basement, City Screen Picturehouse, York, Sunday, 5pm

    Penesthilia, by Penny Marrows

    TO mark the opening of Penny Marrows and J P Warriner’s posthumous exhibition at City Screen Pictiurehouse, Penny and artist Timothy Morrison’s son, London jazz guitarist Billy Marrows, performs tomorrow with Portuguese Young Musician of the Year 2025 Teresa Macedo Ferreira, supported by lutenist Simon Nesbitt. Admission is free.

    The exhibition launch follows at 6pm, celebrating two late York artists whose paintings were never exhibited in their lifetimes.

    Born in 1951, Penny grew up in Tockwith, west of York, and attended Mill Mount Grammar School for Girls before studying 2D and 3D art at York College, training as a sculptor, then taught art in prisons and adult education in London.

    On returning to Yorkshire, she painted and drew trees, landscapes and portraits for 30 years, including her self-portrait as an heroic winged figure.

    Her exhibition is curated by husband Timothy Morrison, York artist and teacher, who says: “I met her in a printmaking evening class in Brixton, where Penny made linocuts and engravings of alarmingly aggressive-looking mythical beasts.

    “Billy came along…and as a teenager fell in love with the guitar and jazz, and went on to study at Royal Academy of Music.

    “Fast forward to early 2023 when Penny was diagnosed with pancreatic cancer, Billy started sending little video recordings of his music to cheer her up (and me). New compositions, and duets with Teresa [Macedo Ferreira].

    Penny Marrows in her garden

    “The Beech Tree had its premiere at Penny’s funeral, and some of these pieces became Billy’s first album, Penelope, released soon after in her memory. So far it’s raised almost £7,000 for World Child Cancer.”

    In 2025, Penelope was shortlisted in the category of Best New Album in the Parliamentary Jazz Awards. “Penny doesn’t know about all this, nor that thanks to Billy’s music her paintings have had an extraordinary resurrection.

    “The trauma of the illness, combined with major retro-refit work in the house, meant that the paintings were buried in the chaos. We found them at the back of a huge pile. First exhibited at the funeral, they’ve since gone round the world beautifully emblazoned on Billy’s album covers.”

    Penny loved trees, especially walking through woods. “The paintings seemed to burst from nowhere at the time, almost with a secretive devil-may-care diffidence, but are actually distillations of detailed observational sketchbook drawings done in the Howardian Hills while we collected wood for our stove,” says Timothy.

    “Her early notebooks tenderly catch details of family life in Tockwith with an almost Bonnard-like natural draughtsmanship. My garden is a beautiful sculpture garden.

    “If Penny is anywhere, she’s in the trees, both in the paintings and out there. Her work inspires my own drawings; I think of her as Daphne and I often depict her as a bird perched humorously and enquiringly on her very own branch.

    “I would like to thank Richard Kitchen, who greatly encouraged me to curate this show of Penny’s work, and for making it possible.”

    J P Warriner’s work Untitled, featuring in Navigators Art’s exhibition

    BORN in Ireland in 1935, J P (John)Warriner lived most of his life in York, where he died in 2019 aged 84. “He has no surviving family or partner,” says Navigators Art’s Richard Kitchen. “Research indicates he was a brilliant and kind man, and a grandfather figure to troubled local youth.”

    John was a contemporary figurative painter whose style spanned surrealism, post pop, erotic and neo-mythic genres. Married to Effie, the couple had two children, Ronald and Nigel, who both died tragically young.

    “John seemed to have taken to painting to heal from the losses he and Effie endured,” says his exhibition curator, Cath Dickinson, of Notions Vintage. “He remains somewhat of an enigma, with little recorded about his life or artistic endeavours.

    “We know that he was a retired Nestle employee, living in Acomb, suspected to have hailed from Omagh, County Tyrone. With no social media or websites to dissect, no records of known influences or potential drivers, the journey of discovery about JP is just beginning.”

    Local accounts reveal that he was a much loved go-to grandfather figure to all the children in his street in Foxwood, Acomb, never missing a birthday or Christmas, delivering shortbread and fixing many broken bikes.

    In a strange encounter, curator Cath Dickinson, who has been collecting paintings by John for five years, met someone who knew a friend and neighbour of John by chance.

    “I discovered that John had been more than a friendly neighbour but amentor to troubled local adolescents and young people who were struggling with the temptations of life in the hedonistic 1990s and 2000s,” says Cath.

    Artist J P Warriner with “our Amy”

    “John had a particularly close friend, mentee and muse in ‘Our Amy’, a wonderful young mum who was full of life, and had a fantastic sense of humour. John became Amy’s mentor and confidante and tried to not only guide but also record many of the pivotal moments in her tragically shortened life.”

    Exhibition visitors hopefully will be able to discover and share more of the  history of John’s painting and subjects. “The main part is in tribute and memory to Amy and John and their bond which transcended generations and societal norms,” says Cath. “John’s works have been likened to Alasdair Gray and Grayson Perry. They span decades and observe war, tragedy, comedy, temptation, love and loss.

    After the exhibition in memory of John, Effie and Amy ends on March 6, some of John’s works will be available to buy from notionsvintageyork.com at 6 Aldwark Mews, York, YO1 7PJ.

    “This joint exhibition has been both a labour of love and a voyage of discovery for its two curators,” says Richard. “Come and discover the work of two wonderful creative artists and their vibrant contrasting styles and subject matter.”

    Penny Marrows & J P Warriner, City Screen Picturehouse, York, on show until March 6, open daily from 10.30am until closing time.

    Did you know?

    BILLY Marrows also played at The Basement, City Screen Picturehouse, on February 5 with Di-Cysgodion, a contemporary jazz quartet making waves in the capital and touring the north following their appearance at London’s Vortex Jazz Club. 

    Billy will return to The Basement with the Billy Marrows Band on March 26 in a 7.30pm concert promoted by Jazztones at 7.30pm. Tickets: TicketSource booking at bit.ly/nav-events.

    The quartet brings together exciting London jazz scene improvisers to present York-born Billy’s boundary-pushing compositions, where they explore the relationship between improvisation and composition, incorporating grooves from across the globe and taking inspiration from many genres, including contemporary jazz, funk, progressive jazz and classical.

    Penny Marrows’ artwork for Billy Marrows’ album Penelope, which received a four-star review in Jazzwise

    Joining Billy, electric guitar and compositions, will be Chris Williams,  alto sax (Led Bib, Sarathy Korwar, Grande Familia, Let Spin), Huw V Williams, double bass (Gruff Rhys, Ivo Neame, Chris Batchelor, Di-Cysgodion) and Jay Davis, drums (Mark Lockheart, Eddie Parker, Elliot Galvin, Di-Cysgodion).

    Their debut album, Dancing On Bentwood Chairs, will be released on February 13, and this concert forms part of the accompanying tour,

    Billy, who grew up in Sheriff Hutton, near York, studied jazz guitar at the Royal Academy of Music. He also leads the chamber-jazz project Grande Família, whose appearances have taken in top British venues, Scarborough Jazz Festival and a sold-out residency at Pizza Express Jazz Club, Soho.

    In addition, Billy performs with Docklands Sinfonia, Tom Ridout Quintet, Chelsea Carmichael, Patchwork Jazz Orchestra and Di-Cysgodion. For more details, go to:
    billymarrows.com.

    What’s On in Ryedale, York and beyond. Hutch’s List No. 5, from Gazette & Herald

    Two into one won’t go: Lisa Faulkner’s Allie, left, and Kym Marsh’s Hedy in Single White Female. Picture: Chris Bishop

    AN update of a Nineties’ psychological thriller and a panto dame’s transformation into a dog top Charles Hutchinson’s  cultural picks for early February and beyond.

    World premiere tour of the week: Single White Female, Grand Opera House, York, until Saturday, 7.30pm plus 2.30pm matinees today and Saturday

    SCREEN actress, 2010 Celebrity MasterChef winner, TV presenter, chef and cookery book author Lisa Faulkner returns to the stage for the first time in 21 years in Rebecca Reid’s darkly humorous stage adaptation of psychological thriller Single White Female, now updated to the social-media age.

    Faulkner’s recently divorced mum Allie is balancing being a single parent with the launch of her tech start-up. When she decides to advertise for a lodger to help make ends meet, Kym Marsh’s Hedy offers her a lifeline, but as their lives intertwine, boundaries blur and a seemingly perfect arrangement begins to unravel with chilling consequences. Box office: atgtickets.com/york.

    Viking illumination: Colour & Light celebrates Eric Bloodaxe at York Castle Museum. Picture: David Harrison

    Illumination launch of the week: Colour & Light, York Castle Museum and Clifford’s Tower, York, today to February 22, 6pm to 9pm

    YORK BID is bringing Colour & Light back for 2026 on its biggest ever canvas. For the first time, two of York’s landmark buildings will be illuminated together when York Castle Museum and Clifford’s Tower become the combined canvas for a fully choreographed projection show, transforming the Eye of York.

    Presented in partnership with York Museums Trust and English Heritage, the continuous, looped, ten-minute show will bring York’s historic characters to life in a family-friendly projection open to all for free; no ticket required.

    Matt Tapp’s ‘Wild’ Bill Hickok and Helen Gallagher’s ‘Calamity’ Jane in Joseph Rowntree Theatre Company’s Calamity Jane

    Musical of the week: Joseph Rowntree Theatre Company in Calamity Jane, Joseph Rowntree Theatre, York, tonight to Saturday, 7.30pm plus 2.30pm Saturday matinee

    HELEN Gallagher’s tough talkin’, gun-totin’ heroine ‘Calamity’ Jane and Matt Tapp’s former peace-officer ‘Wild’ Bill Hickok lead director Sophie Cooke’s cast for Sammy Fain and Paul Francis Webster’s musical Calamity James.

    Deadwood’s citizens are content with their ways of life: supporting their fort of soldiers and socialising at the beloved Golden Garter saloon. However, when a new face blows in from the Windy City to create a stir, friendships will be formed, long-time loyalties tested and perhaps even secret love revealed. Box office: 01904 501935 or josephrowntreetheatre.co.uk.

    Alexander Flanagan Wright in Wright & Grainger’s Helios at Theatre@41, Monkgate, York

    Ancient & modern drama of the week: Wright & Grainger in Helios, Theatre@41, Monkgate, York, tomorrow, 7.30pm

    EASINGWOLD theatre-makers Alexander Flanagan Wright and Phil Grainger begin their new partnership with Theatre@41 by re-visiting Helios, wherein a lad lives half way up a historic hill, a teenager is on a road trip to the city in a stolen car and a boy is driving a chariot, pulling the sun across the sky.

    In Wright’s story of the sun god’s son, Helios transplants the Ancient Greek tale into a modern-day myth wound around the winding roads of rural England and into the everyday living of a towering city. “It’s a story about life, the invisible monuments we build to it, and the little things that leave big marks,” he says. Box office: tickets.41monkgate.co.uk.

    Robin Simpson in rehearsal for Catherine Dyson’s The Last Picture, premiering at York Theatre Royal Studio

    Solo show of the week: The Last Picture, York Theatre Royal Studio, tomorrow to February 14, except February 8, 7.45pm, plus Wednesday and Saturday 2pm matinees

    ROBIN Simpson follows up his sixth season as York Theatre Royal’s pantomime dame by playing a dog in York Theatre Royal, ETT and An Tobar and Mull Theatre’s premiere of Catherine Dyson’s The Last Picture, directed by John R Wilkinson.

    Imagine yourself in a theatre in 2026. Now picture yourself as a Year 9 student on a school trip, and then as a citizen of Europe in 1939 as history takes its darkest turn. While you imagine, emotional support dog Sam (Simpson’s character) will be by your side in a play about empathy – its power and limits and what it asks of us – built around a story of our shared past, present and the choices we face today. Box office: 01904 623568 or yorktheatreroyal.co.uk.

    Simeon Walker: Inviting his audience to gather around the piano at Helmsley Arts Centre

    Pianist of the week: Simeon Walker, An Evening Around The Piano, Helmlsey Arts Centre, Friday, 7.30pm

    LEEDS modern classical pianist and composer Simeon Walker performs in Great Britain and Europe, while notching 50 million streams across online platforms and having his music played on BBC Radio 3 and Classic FM.

    Walker, who has a keen interest in jazz, folk and ambient music too, has collaborated on interdisciplinary work with artist Mary Griffiths, Portuguese choreographer Sara Afonso, writer Emma White and filmmakers Will Killen and Ben Cohen, plus BBC Radio 4 and University of Leeds. His concerts span moments of quiet, gentle solitude to boisterous, flowing exuberance. Box office: 01439 771700 or helmsleyarts.co.uk.

    Julie Carter: Addressing themes of feminism, land rights, ageism and ableism, history and literature in The Dreamtime Fellrunner

    Wellbeing on the run: Julie Carter, The Dreamtime Fellrunner, Milton Rooms, Malton, February 12, 7.30pm

    IN her first theatre show, poetry and creative non-fiction author Julie Carter charts her running exploits on the Lakeland fells in this moving and humorous account of being an athlete with a physical disability in the form of a developmental disease of the spine.

    Presenting fell running as a type of land art and spiritual practice, Carter emphasises body-mind-spirit-place connections while addressing themes of feminism, land rights, ageism and ableism, history and literature, in a 60-minute immersive performance supported by original music, topped off by second-half opportunities for discussion and reflections on wellbeing and the ways we inhabit our environments. Box office: 01653 696240 or themiltonrooms.com.

    Mark Stafford: Solo performance at the double in The Strange Case Of Dr Jekyll & Mr Hyde at Helmsley Arts Centre

    Split personality of the month: Mark Stafford in The Strange Case Of Dr Jekyll & Mr Hyde, Helmsley Arts Centre, February 21, 7.30pm

    PUBLISHED in 1886, Robert Louis Stevenson’s gothic mystery tale of the timeless conflict between good and evil is performed by Mark Stafford in his compelling and faithful adaptation.

    In fog-bound Victorian London, respectable lawyer Gabriel Utterson is concerned by a strange clause in his friend Henry Jekyll’s will, whereupon he investigates the sinister Edward Hyde, Jekyll’s unlikely protégé. Convinced that Jekyll and Hyde’s relationship is founded on blackmail, Utterson finds the truth to be far worse than he could have ever imagined. Box office: 01439 771700 or helmsleyarts.co.uk.

    The poster for Saturday’s EQUUS UK Film & Arts Fest’s day of equine films at Helmsley Arts Centre

    In Focus: EQUUS UK Film & Arts Fest, Helmsley Arts Centre, Saturday, Block 1, 12 noon to 2.16pm; Block 2, 3.30pm to 5.07pm; Block 3, 7pm to 9.45pm

    HELMSLEY Arts Centre, in collaboration with Ryedale Bridleways Group, presents the first British screening of the EQUUS UK Film & Arts Festival this weekend. 

    Founded in 2013 by Illinois equestrian Lisa Diersen, who has spent her life in the company of horses, EQUUS aims to show the world how horses can bring everyone together regardless of race, age, gender, abilities or disabilities. 

    Saturday’s event comprises two afternoon blocks of short films, exhibitions from Ryedale artists and an evening showing of the 96-minute feature film Big Star, The Nick Skelton Story.

    Showing from 12 noon will be Horse & Human Connection, featuring Wings Of Angels, Healing Horses In Mongolia, Heart Of Compton and My Life Between The Reins.

    The Wild Horse Collection, from 3.30pm, presents American Mustang (music video), Wild Heart  Mustang Book Project, Wild Horse Refuge “Dahtetse”, A Mustang Story promo, Okanagan Wild, Hellbent, Evoke and Renegade.

    The Big Star Collections opens at 7pm with Healing In The Open, followed by Inside The In Gate and Unstable. After a 15-minute interval, Big Star will close the event.

    Tickets for single blocks or the whole day are available on 01439 771700 or at helmsleyarts.co.uk.

    An equine photograph from Valerie Mather’s 2025 trip to the USA

    AMONG the exhibitors at Saturday’s EQUUS UK Film & Arts Fest event will be Yorkshire lawyer-tuned- portrait, documentary and travel photographer Valerie Mather.

    “After a successful career in law, I retired early to pursue a lifelong passion for photography,” she says. “I learned to ride (English style) as a child but was brought up watching Western movies on television and longed to see for myself the real cowboys and cowgirls of the American West.

    “That dream came true in 2025 when I visited the United States and spent time at the McCullough Peaks wild horse area and the Shoshone National Forest ranchlands in Wyoming. “

    Another of Valerie Mather’s McCullough Peaks photographs on show at Helmsley Arts Centre on Saturday

    Did you know?

    RYEDALE Bridleways Group (RBG) covers the Ryedale district and North York Moors National Park. Activities include fundraising events, such as equestrian talks and films. RBG works with local authorities to seek to resolve issues on bridleways and Countryside Access Service Unsurfaced Unclassified Roads, as well as carrying out practical work such as bridleway clearances and  surveys.

    How Robin Simpson is switching from pantomime dame to dog for The Last Picture at York Theatre Royal Studio

    Director John R Wilkinson and actor Robin Simpson in the rehearsal room for York Theatre Royal’s premiere of Catherine Dyson’s The Last Picture: James Drury

    IN the first York Theatre Royal production to be made for the Studio since 2019, associate director John R Wilkinson directs Robin Simpson in The Last Picture from February 5 to 14.

    After his sixth season as the Theatre Royal pantomime dame in Sleeping Beauty – and confirmed already for a seventh winter in Snow White And The Seven Dwarfs – Robin will swap the dame’s frocks and puns for the role of a dog in YTR, ETT and An Tobar & Mull Theatre’s world premiere co-production.

    Robin will play an emotional support dog in Catherine Dyson’s 75-minute solo play, first performed in a reading at the Theatre Royal as one of 37 winning scripts selected from more than 2,000 entries by the Royal Shakespeare Company for its 37 Plays competition in 2023.

    “We were given three of the plays to do in book-in-hand readings,” recalls John. “Juliet [creative director Juliet Forster] did  one about MeToo ; Mingyu [resident artist Mingyu Lin] Lin directed one about immigration and diaspora. Then, by default, I was given this one – and I lucked out because The Last Picture was the best play.

    “Part of the deal is that the writer comes up to see the reading. Catherine is an actress from Swansea – one of her main roles was playing the ‘woman in black’ in The Woman In Black, the role that’s never credited in the programme! – and she’s branched out into writing plays.

    “She and I really connected over my love of European theatre – bare-bones abstract  work – that leans into a storytelling in collaboration with the audience, where there’s very little in terms of set and design elements and instead the audience is encouraged to conjure the play for themselves.”

    Dyson’s monodrama invites you to imagine yourself in a theatre in 2026. Now picture yourself as a Year 9 student on a school trip, and then as a citizen of Europe in 1939 as history takes its darkest turn. While you imagine, emotional support dog Sam will be by your side to look after you and keep everyone safe in a play built around empathy, its power and limits and what it asks of us.  In a nutshell, The Last Picture explores our shared past, our present,  and the choices we face today.

    “For context, Catherine has Jewish heritage,” says John. “Her grandfather escaped persecution just before everything happened in Poland, escaping over the Tatra Mountains, so there’s a personal connection with this story.”

    In a novel theatrical conceit, “Catherine was interested in telling the story through the eyes of a dog”, says John, in a device where Robin does not come on dressed as a dog but gives voice to what the dog is seeing and experiencing.

    Robin says: “Pretty much straightaway it’s made clear that it’s being told by a dog, where we’re asking the audience to go on a journey of the imagination, when the story is told through a series of pictures created in language.”

    John rejoins: “There are only one or two, very clear, stage directions by Catherine, but one was that there should be no actual pictures: they should all be created in the audience’s imagination.”

    The production will lean into folklore and ritual. “The play is really fascinating in that we’re operating on several different levels. Firstly, I’m telling a story where I’m asking the audience to accept that I’m a dog, who’s part of a group of Year 19 pupils – aged 13, 14 – as their emotional support on a museum visit,” says Robin.

    “Then I ask the audience to be the pupils, so they’re very much part of the story, sometimes in the story with me, and at other points we’re asking them to empathise with the people  in the pictures created through language, because it’s a play about empathy and humanity.”

    Robin continues: “I think the reason Catherine chose the dog’s point of view is that the dog can say dispassionately what’s going on in the pictures without having that human connection to the story, so the audience can make up their own mind.

    “In finding the voice for the dog, it has to be about a balance between telling the story and colouring the story with emotion without performing it.”

    John adds: “It’s such a clever form of storytelling that Catherine has leant into. One thing we said is that it’s not an animal study, but the dog gives the storytelling comfort and warmth.”

    At the beginning, there is a description of how dogs have the ability to absorb human emotions without understanding them. “The dog picks up on the children’s emotions of being affected by what they’re seeing without the dog understanding why,” says Robin.

    “What Catherine has done really cleverly is that there a lot of sticky political situations going on in the world that she doesn’t directly refer to,” says John. “But in terms of what she’s asking the audience to do, she doesn’t give a political viewpoint but she lets you sit and reflect on how it relates to what’s happening now.”

    The Last Picture, York Theatre Royal Studio, February  5 to 14, except February 8, 7.45pm plus 2pm, February 7, 11 and 14. Box office: 01904 623568 or yorktheatreroyal.co.uk.

    More Things To Do in and around York as Colour & Light illuminates winter nights. Hutch’s List No. 4, from The York Press

    Dame for a laugh anew: Graham Smith returns to the pantomime stage with Shiptonthorpe Community Theatre

    A PANTO dame’s return and another’s transformation into a dog top Charles Hutchinson’s  cultural picks for early February and beyond.

    Pantomime of the week: Shiptonthorpe Community Theatre in Robin Hood And The Babes In The Wood, Shiptonthorpe Village Hall, Shiptonthorpe, near Market Weighton, today, 3pm and 7pm; Sunday, 2pm; February 6 and 7, 7pm

    GRAHAM Smith, Rowntree Players’ pantomime dame from 2004 to 2022, pulls on the frocks once more after a three-year hiatus in the York guest house proprietor’s debut for East Riding company Shiptonthorpe Community Theatre.

    He plays Nellie Nickerlastic in Richard Waud’s production of Robin Hood And The Babes In The Wood, joined in principal roles by Neil Scott’s King Richard, Toby Jewsen’s Robin Hood, Chris McKenzie’s Little John, Henry Rice’s Will Scarlett, Paul Jefferson’s Friar Tuck, Alison Rosa’s Sheriff of Nottingham and Chloe Jensen’s Maid Marion. Tickets: 07922 443639 or email richardwaud@yahoo.co.uk.

    Femme Fatale Faerytales: Dark feminist re-telling of age-old classic

    A homecoming, a haunting, a holy rebellion: Femme Fatale Faerytales present Mary, Mary, Fossgate Social, Fossgate, York, February 1 and 2, 8pm (doors 7pm)

    MARY, Mary quite contrary, wouldn’t you like to know how her garden grows? Step into the fairytale world of Femme Fatale Faerytales as Sasha Elizabeth Parker unveils a dark, lyrical, feminist re-telling of an age-old classic. Part confession, part ritual, part bedtime story for grown-ups, Mary, Mary invites you to meet the woman behind the nursery rhyme in all her wild, untamed, contrary glory.

    In her York debut, expect enchanting storytelling, poetic prophecy and a subversive twist on the tales you thought you knew on two intimate, atmospheric nights in one of York’s cult favourite haunts. Box office: wegottickets.com. Box office: wegottickets.com.

    Kym Marsh’s Hedy, left, and Lisa Faulkner’s Allie in Rebecca Reid’s updated version of Single White Female, on tour at the Grand Opera House, York

    World premiere tour of the week: Single White Female, Grand Opera House, York, February 3 to 7, 7.30pm plus 2.30pm Wednesday and Saturday matinees

    SCREEN actress, 2010 Celebrity MasterChef winner, TV presenter, chef and cookery book author Lisa Faulkner returns to the stage for the first time in 21 years in Rebecca Reid’s darkly humorous stage adaptation of psychological thriller Single White Female, now updated to the social-media age.

    Faulkner’s recently divorced mum Allie is balancing being a single parent with the launch of her tech start-up. When she decides to advertise for a lodger to help make ends meet, Kym Marsh’s Hedy offers her a lifeline, but as their lives intertwine, boundaries blur and a seemingly perfect arrangement begins to unravel with chilling consequences. Box office: atgtickets.com/york.

    Colour & Light: Illuminating Clifford’s Tower and York Castle Museum from February 4

    Illumination launch of the week: Colour & Light, York Castle Museum and Clifford’s Tower, February 4 to 22, 6pm to 9pm

    YORK BID is bringing Colour & Light back for 2026 on its biggest ever canvas. For the first time, two of York’s landmark buildings will be illuminated together when York Castle Museum and Clifford’s Tower become a combined stage for a fully choreographed projection show, transforming the Eye of York.

    Presented in partnership with York Museums Trust and English Heritage, the continuous, looped, ten-minute show will bring York’s historic characters to life in a family-friendly projection open to all for free; no ticket required.

    Matt Tapp’s ‘Wild’ Bill Hickok and Helen Gallagher’s ‘Calamity’ Jane in Joseph Rowntree Theatre Company’s Calamity Jane

    Musical of the week: Joseph Rowntree Theatre Company in Calamity Jane, Joseph Rowntree Theatre, York, February 4 to 7, 7.30pm plus 2.30pm Saturday matinee

    HELEN Gallagher’s tough talkin’, gun-totin’ heroine ‘Calamity’ Jane and Matt Tapp’s former peace-officer ‘Wild’ Bill Hickok lead director Sophie Cooke’s cast for Sammy Fain and Paul Francis Webster’s musical Calamity James.

    Deadwood’s citizens are content with their ways of life: supporting their fort of soldiers and socialising at the beloved Golden Garter saloon. However, when a new face blows in from the Windy City to create a stir, friendships will be formed, long-time loyalties tested and perhaps even secret love revealed. Box office: 01904 501935 or josephrowntreetheatre.co.uk.

    Alexander Flanagan Wright in Wright & Grainger’s Helios at Theatre@41, Monkgate

    Ancient & modern  drama of the week: Wright & Grainger in Helios, Theatre@41, Monkgate, York, February 5, 7.30pm

    EASINGWOLD theatre-makers Alexander Flanagan Wright and Phil Grainger begin their new partnership with Theatre@41 by re-visiting Helios, wherein a lad lives half way up a historic hill, a teenager is on a road trip to the city in a stolen car and a boy is driving a chariot, pulling the sun across the sky.

    In Wright’s story of the son of the sun god, Helios transplants the Ancient Greek tale into a modern-day myth wound around the winding roads of rural England and into the everyday living of a towering city. “It’s a story about life, the invisible monuments we build to it, and the little things that leave big marks,” he says. Box office: tickets.41monkgate.co.uk.

    Robin Simpson in rehearsal for Catherine Dyson’s The Last Picture, premiering at York Theatre Royal Studio

    Solo show of the week: The Last Picture, York Theatre Royal Studio, February 5 to 14, except February 8, 7.45pm, plus Wednesday and Saturday 2pm matinees

    ROBIN Simpson follows up his sixth season as York Theatre Royal’s pantomime dame by playing a dog in York Theatre Royal, ETT and An Tobar and Mull Theatre’s premiere of Catherine Dyson’s The Last Picture, directed by John R Wilkinson.

    Imagine yourself in a theatre in 2026. Now picture yourself as a Year 9 student on a school trip, and then as a citizen of Europe in 1939 as history takes its darkest turn. While you imagine, emotional support dog Sam (Simpson’s character)will be by your side in a play about empathy – its power and limits and what it asks of us – in a story of our shared past, present and the choices we face today. Box office: 01904 623568 or yorktheatreroyal.co.uk.

    The poster for Super Furry Animals’ summer concert at York Museum Gardens

    Gig announcement of the week: Live At York Museum Gardens presents Super Furry Animals, York Museum Gardens, July 11

    FUTURESOUND completes the line-up for its third Live At York Museum Gardens season with Welsh art-rock icons Super Furry Animals, celebrating more than 30 years together with multicolour hits and off-piste deep cuts, lovingly handpicked from  nine albums.

    Gruff Rhys, Huw Bunford, Cian Ciarán, Dafydd Ieuan and Guto Pryce are returning to the concert platform in 2026 for the first time in ten years. Joining them in York will be special guests Baxter Dury, Los Campesinos!, Divorce and Pys Melyn. Tickets for SFA, along with Liverpool’s  Orchestra Manoeuvres In The Dark on July 9 and South Yorkshire ’s Self Esteem on July 10, are on sale at futuresoundgroup.com/york-museum-gardens-events.

    Super Furry Animals: Playing first concerts in ten years in 2026, including Live At York Museum Gardens headline show

    In Focus: Norwell Lapley Productions in Tales From Acorn Wood, York Theatre Royal, February 3 to 5

    JULIA Donaldson and Axel Scheffler’s beloved Tales From Acorn Wood stories are brought to life in an enchanting lift-the-flap experience where poor old Fox has lost his socks. Are they in the kitchen or inside the clock?

    Rat-a-tat-tat! Who’s keeping tired Rabbit awake in a children’s show that also invites you to join in with Pig and Hen’s game of hide-and-seek and discover the special surprise that Postman Bear is planning for his friends. 

    Rabbit’s Nap in Tales From Acorn Wood

    Packed full of songs, puppetry and all the friends from Acorn Wood, this show featuring Fox’s Socks, Rabbit’s Nap, Hide-and-Seek Pig and Postman Bear comes from the team behind Dear Zoo Liveand Dear Santa.

    Writer Julia Donaldson says: “I am really happy that the Tales From Acorn Wood are now moving to the stage. Fans of the books are bound to enjoy seeing the four main characters,  Fox, Bear, Pig and Rabbit, brought to life through Norwell Lapley Productions’ clever staging.

    “Live performance and songs are both very close to my heart and I am sure this production will delight children and families.” Performances: Tuesday, 1.30pm; Wednesday and Thursday, 10.30am and 1.30pm. Box office: 01904 623568 or yorktheatreroyal.co.uk. Age guidance: One plus.