Grainne Dromgoole’s Liz Gold and Ralf Little’s Alec Leamas in The Spy Who Came In From The Cold. Picture: Johan Persson
NO John le Carré novel had been adapted for the stage until Chichester Festival Theatre took on the challenge of 1963’s The Spy Who Came In From The Cold in August 2024.
Film, yes, television series, yes, but the stage: the question is why not? Especially when psychological thrillers work just as well in a theatrical setting. Thankfully adaptor David Eldridge and director Jeremy Herrin, in tandem with production designer Max Jones, grabbed the elusive bull by the horns, their smart, slick and stylish Chichester premiere being followed by a West End bow at @sohoplace and now a nationwide tour.
A bicycle rests on its side centre stage, the front wheel still spinning, never stopping, defying Newton’s Laws of Motion, as Wednesday’s matinee audience gathers.
This symbol of wheels constantly turning, nothing ever settling, encapsulates the clandestine, claustrophobic world of Cold War espionage, deception and moral compromise, machination and manipulation. How can you trust anyone when you can’t even trust your eyes?!
Enter Ralf Little, late of The Royal Family and Death In Paradise, charged with the large task of following in the footsteps of Richard Burton in Martin Ritt’s 1965 film as burnt-out, disillusioned British intelligence agent Alec Leamas.
Drinking too heavily, smoking prodigiously, never seeing his children, Leamas is ready to “come in from the cold” in October 1961, a hollow shell of an outcast at 45. However, a combination of the Control (the immaculate, inscrutable Nicholas Murchie) and supposedly retired veteran spymaster George Smiley (Tony Turner), hovering ominously in the shadows of the stage and Leamas’s mind alike, persuades him to take on one final mission.
He must infiltrate East German intelligence in Berlin, giving him the chance to avenge his nemesis, the taciturn, cynical Nazi-turned-Communist agent Hans-Dieter Mundt (Peter Losasso), after his East German contact, Riemeck (Jonny Burman), is taken out.
Berlin is now divided by the Berlin Wall that looms large over Max Jones’s black-box design, with its steps to a mezzanine level, where Turner’s Smiley makes his entrances, like King Hamlet’s ghost, until taking centre stage late on, when taking over the narrator’s role from Little’s Leamas.
The floor is covered by a huge red map of Cold War Europe, Berlin West and East at its epicentre. Tables and chairs are forever being moved on and off the otherwise bare expanse of stage, where Azusa Ono’s lighting designs – often red and green, rather than the usual cold, disorientating blue – take on greater emotional significance and impact.
Into the plot are woven The Circus, Fiedler (Eddie Toll), the ideological, Jewish, Stalinist deputy director of the East German intelligence service, and librarian Liz Gold (Grainne Dromgoole), the naive young Communist Party activist, Leamas’s unforeseen love interest – the one element Smiley and the British Intelligence overlords had not calculated would influence Leamas’s actions.
Come the interval, Little’s exasperated, exhausted Leamas is calling both the ever-concealing Control and Smiley “liars”. No-one can indeed be trusted in this oppressive, suppressive quagmire of double crossing, deceit and dubious morals, where the end result is all that matters and Leamas is nothing more than a paranoid pawn in the chess set of espionage.
After first reading le Carré’s novel at 16, its chilling Cold War story and lead character had stayed with Little ever since. Now, 30 years on, he invests an assiduous sense of duty into Leamas, who is increasingly rueful and a loose cannon too, prone to sporadic outbursts of humorous theatricality and rising risk-taking to stay alive. Above all, the combination of Eldridge’s writing and Little’s intense performance conveys Leamas’s inner thoughts through haunted monologues in the tradition of Hamlet and Macbeth.
The murky miasma of spying in John le Carré’s books makes Alec Leamas poles apart from Ian Fleming’s secret agent James Bond. His world is no less dangerous and lonely, but drudgery and skulduggery prevail without the glamour and desirable locations.
Outwardly, Eldridge and Herrin’s noir thriller is a period piece, but as the ice forms on a new, 21st century Cold War, The Spy Who Came In From The Cold may well have to be sent out into the cold again.
Second Half Productions and The Ink Factory present Chichester Festival Theatre in John le Carré’s The Spy Who Came In From The Cold, Grand Opera House, York, until June 13, 7.30pm plus 2.30pm Saturday matinee. Box office: atgtickets.com/york.
Ralf Little’s disillusioned British intelligence officer Alec Leamas in The Spy Who Came In From The Cold. Picture: Johan Persson
COLD War espionage, artist open studios on moor and coast, Wright & Grainger in short form and Elvis Costello’s early years revisited make their mark on culture guide Charles Hutchinson.
Thriller of the week: The Spy Who Came In From The Cold, Grand Opera House, York, until Saturday, 7.30pm plus 2.30pm matinees today, tomorrow and Saturday
FOR the first time, a John le Carré novel is being brought to life on stage by Chichester Festival Theatre in David Eldridge’s adaptation of The Spy Who Came In From The Cold, a typically taut tale that journeys through the fog-shrouded terrain of Cold War espionage, deception and moral compromise.
Death In Paradise star Ralf Little’s disillusioned British intelligence officer, Alec Leamas, is ready to come in from the cold, until veteran agent George Smiley persuades him to take one final mission against the East German Secret Service. Deep undercover, Leamas finds his convictions tested and his defences breached by Liz Gold, a quietly defiant librarian, whose compassion threatens to thaw his frostbitten heart. Box office: atgtickets.com/york.
Rich Hall: Delivering comedy’s version of Chin Music at Pocklington Arts Centre
American comedian of the week: Rich Hall: Chin Music, Pocklington Arts Centre, tonight, 8pm
THE expression “chin music” has two meanings. One is idle talk; the other is a ‘brushback’ throw in baseball or cricket to intimidate the batter. Both describe North Carolina-born Rich Hall’s comedy: idle but intimidating, sharp, quick, splenetic and improvisational. Don’t duck out of seeing him in action in Pocklington tonight. Box office: 017589 301547 or pocklingtonartscentre.co.uk.
Florence Poskitt’s Rita and Jamie McKeller’s Frank in Black Treacle Theatre’s Educating Rita at Theatre@41, Monkgate, York
Literature lessons of the week: Black Treacle Theatre in Educating Rita, Theatre@41, Monkgate, York, until Saturday, 7.30pm
YORK actors Florence Poskitt and Jamie McKeller team up for the first time under Jim Paterson’s direction in Willy Russell’s warm, witty and moving double-hander about the power of education to change lives. When Rita, a working-class hairdresser hungry for something more, signs up for an Open University literature course, she meets disillusioned academic Frank, whose passion for teaching has long faded.
Their weekly tutorials become a battle of ideas, humour and honesty as Rita’s confidence blossoms and Frank reckons with his own choices and the possibility of a second chance. Change comes with difficult choices for both student and tutor, who must reconsider who they are and who they want to be. Box office: tickets.41monkgate.co.uk.
The Bluffs’ poster for Unwritten: The Literary Improv Show at Rise@Bluebird Bakery
Unscripted silliness of the week: Unwritten: The Literary Improv Show, Rise@Bluebird Bakery, Acomb, York, tomorrow, 8.30pm, doors 7.30pm
YORK troupe The Bluffs take classic short-form improv games and infuse them with storytelling flair in an evening of laughter, silliness and plot twists. Each fast-paced show is shaped by audience suggestions and spontaneous creativity. Expect scenes inspired by classic literature, unexpected character mash-ups and even a fanfiction-inspired musical number.
The Bluffs are drawn from a melange of theatrical, comedy and musical backgrounds, from festival stages to pantomime and competitive Theatresports. Box office: eventbrite.com/e/unwritten-the-literary-improv-show-tickets-1984763723726.
Easingwold creative duo Wright & Grainger: Presenting Say It & Play It at The Old Paint Shop
The Old Paint Shop presents: Wright & Grainger Say It & Play it, York Theatre Royal Studio, tomorrow, 8pm
FRIENDS and working partners since Easingwold schooldays, Wright & Grainger serve a carefully curated evening of stories, poems, songs and gentle chaos. Known for their internationally acclaimed adaptations of Ancient Greek myths, sometimes they do something a tad different.
Hence Say It & Play It will be a set full of Alexander Flanagan Wright & Phil Grainger’s shorter collaborative works, the poems that stand on their own, the beautiful tracks they have been writing. “It’s a gorgeous weave of our home-grown stuff, grown and told on home turf,” they say. Box office: 01904 623568 or yorktheatreroyal.co.uk.
Paul Weller: Heading back to the East Coast to play Scarborough Open Air Theatre
Seaside excursion of the week: Paul Weller, TK Maxx presents Scarborough Open Air Theatre, Friday, gates 6pm
PAUL Weller follows up April’s release of Weller At The BBC Vol 2 with his return to Scarborough Open Air Theatre for the first time since July 7 2024. The Modfather, 68, will be expected to draw on material from his days in The Jam and Style Council, as well as his solo years, from 1992’s self-titled debut to July 2025’s Find El Dorado. Box office: scarboroughopenairtheatre.com.
Mark Butler: Taking part in North Yorkshire Open Studios 2026
North Yorkshire Open Studios 2026, Moors and Coast, Saturday and Sunday, 10am to 5pm
MORE than 200 artists and makers are taking part in the second weekend of the summer edition of North Yorkshire Open Studios, including 73 representing the Moors and Coast. Among them will be Boo Barwick-Ward; Iona May Stock; Jo Naden; Sarah Sharpe, Alison Spaven; Anna Matyus; Pam Edwards; Deborah Wilkinson; Iona Harrison; Jonathan Pomroy and Stephen Bird.
So too will Rory Menage; Sue Slack; Mike Nowill; Studio Milena; Clare Belbin; Elizabeth Bailey; Lyn Bailey; Pauline Brown; Sally Parkin; Nettle Cottage Prints; Slab and Slip; Rebecca Callis; Kate Brown; Jess Shaw; Martin Gittins; Alice O’Neil and Gillies Jones. Full details can be found at nyos.org.uk.
Elvis Costello: Revisiting his early years in his Radio Soul! show at York Barbican. Picture: Ray Di Pietro
York gig of the week: Elvis Costello & The Imposters with Charlie Sexton, Radio Soul!: The Early Songs of Elvis Costello, York Barbican, June 17,7.45pm
ELVIS Costello plays York Barbican for the first time since May 2013, joined by The Imposters’ Steve Nieve, Pete Thomas and Davey Faragher and Texan guitarist Charlie Sexton for a set list drawn from 1977’s My Aim Is True to 1896 Blood & Chocolate albums, complemented by “other surprises”.
“For any songwriter, it has to be a compliment if people want to hear songs written up to 50years ago,” says Costello, 71. “You can expect the unexpected and the faithful in equal measure.” His special guest will be Emily Moment. Box office: yorkbarbican.co.uk.
Dominic Goodwin: Performing Twice Nightly over two nights at Helmsley Arts Centre
Recalling variety’s golden days: Pyramus and Thisbe Productions present Dominic Goodwin in Twice Nightly, Helmsley Arts Centre, June 26 and 27, 7.30pm
DOMINIC Goodwin, one-time manager of Helmsley Arts Centre, returns to his old stamping ground with his first one-man comedy show, written and performed by Goodwin and directed by York director Thomas Frere.
Twice Nightly follows the story of struggling comedian Freddie Francis in 1956 as the final curtain hovers over variety. Many acts of the time are highlighted, including Norman “Over The Garden Wall” Evans (said to be an influence on Les Dawson) Stockton comic Jimmy James, wartime star Robb Wilton and the iconic Max Miller. “It’s been an honour to perform these stars’ material, and even more so to have the backing of the families,” says Goodwin. Box office: 01439 771700 or helmsleyarts.co.uk.
York printmaker Michelle Hughes holding a copy of her debut book, Printing Birds and Wildlife in Linocut
In Focus
Book event of the week: An Evening with Michelle Hughes, Printing Birds and Wildlife in Linocut, Kemps Books, Malton, tonight, 7.30pm
YORK linocut printmaker discusses her debut book, Printing Birds and Wildlife in Linocut, her creative story and upcoming tenth anniversary in business at Kemps Books. “Liz Kemp has been a huge supporter of my printmaking journey, selling my original prints in the early days, greeting cards over the years, and now stocking my book,” says Michelle. “Do come along and support a fabulous indie gift shop and bookshop.”
Published in February 2026, Michelle’s beautifully illustrated book shares how to design, carve and print birds and wildlife using traditional linocut techniques, guiding readers from simple one-colour prints through to more advanced multi-colour methods, including jigsaw, reduction and multi-block printing.
“Whether you are completely new to linocut or already exploring printmaking, the book offers clear step-by-step guidance, practical tips and creative inspiration for capturing birds and wildlife in this rewarding craft,” says Michelle.
“During the evening you’ll enjoy my short talk about my journey to becoming a professional printmaker; behind-the-scenes insights into how the book was created, with a chance to see original prints and lino blocks featured in the book and a Q&A session about linocut printmaking, followed by a book signing.
Come and celebrate wildlife, printmaking and the joy of carving and printing by hand.” Tickets must be booked in advance in person in store or at kempsgeneralstore.co.uk/pages/events.
Holly Taymar: Playing City of York Roland Walls Folk Weekend
A FEAST of folk music and Shed Seven’s anniversary celebration, a le Carré thriller and a Willy Russell classic send Charles Hutchinson out and about.
Festival of the week: City of York Roland Walls Folk Weekend 2026, Black Swan Folk Club, Black Swan Inn, Peasholme Green York, today and tomorrow
CITY of York Roland Walls Folk Weekend’s three-day programme of 50 acts continues today and tomorrow with bands, soloists and sessions throughout the pub and in the car park from 1pm each day after last night’s Irish-themed bill in the club room.
Among the performers will be King Courgette, in the return of the original line-up, Leather’O, White Sail, Janglebuddies, Graham Hodge, Monkey’s Fist, Chechelele, Caramba, Holly Taymar, Duncan McFarlane Band, Mary Molloy, Susie Coyle, Soundsphere and Jon Palmer Band. Admission is free, with collections for the Motor Neurone Disease Association.
Stuart O’Hara: York Late Music concert this afternoon
Lunchtime concert of the week: York Late Music, Stuart O’Hara (bass) and Rob Hao piano), Unitarian Chapel, St Saviourgate, York, today, 1pm
MARRYING words and music, bass Stuart O’Hara and pianist Rob Hao’s performance is based around new settings of Yorkshire poets by local composers: James Else &Alan Gillott, Retratos (world premiere, complete song cycle); Tim Brooks & Lizzi Linklater, New Student In The University Cafe (world premiere); Jenny Jackson & Richard Kitchen, Vessels (world premiere) and Nick Carter & Hugh Bernays: The Water Will Not Remember from Requiem for the Arctic (world premiere)
This afternoon’s recital also includes David Power’s Six Songs, based on the poetry of E.H. Visiak, and two new settings by York St John University student composers Robyn Hughes-Maclean and Matthew Jarvis. Tickets: latemusic.org or on the door.
The Elysian Singers: Musical settings of poetry at Unitarian Chapel, St Saviourgate, York. Picture: Linda Dawson
Poetry and music in motion: The Elysian Singers, York Late Music, Unitarian Chapel, St Saviourgate, York, tonight, 7.30pm
DIRECTED by Sam Laughton, The Elysian Singers’ insightful programme celebrates the musical settings of the poet Gerard Manley Hopkins. Benjamin Britten’s A.M.D.G. will be complemented by works by Samuel Barber (Heaven-Haven), Alan Bullard (The Windhover and Spring Morning), Bob Chilcott (The Bethlehem Star) and Ian Stephens (Pied Beauty).
The première of David Lancaster’s new work, Henry Purcell, featuring Hopkins’ tribute to his own favourite composer, provides an opportunity to revisit Purcell’s Remember Not, Lord, Our Offences and O Lord God Of Hosts. David Power’s quirky and imaginative settings of four E.H. Visiak poems completes the line-up, preceded by Lancaster and Power’s 6.45pm pre-concert talk. Tickets: latemusic.org or on the door.
Shed Seven: Marking 30th anniversary of A Maximum High with one-off concert at The Piece Hall, Halifax, tonight
Recommended but sold out already: Shed Seven, A Maximum High 30th Anniversary Show, The Piece Hall, Halifax, today, 6.30pm
YORK band Shed Seven are marking the 30th anniversary of their hit-laden second album, April 1996’s A Maximum High, with a one-off concert at The Piece Hall, featuring the magnum opus in full plus further Sheds’ hits and fan favourites. Expect a few surprises too. The Guest List (6.30pm) and Seb Lowe (7.20pm) support.
Utter Madness: The Nutty Boys stride out at Scarborough Open Air Theatre for the fourth time tonight
Seaside trip of the week: Madness, Scarborough Open Air Theatre, tonight, doors 6pm
IN their 50th year since forming in Camden, Nutty Boys Madness make their fourth appearance at Scarborough Open Air Theatre after previous seaside visits in 2017, 2019 and 2024.
Drawing on 31 Top 40 hits and 11 Top Ten albums, their timeless blend of ska, pop, punk and music hall will be on show as ever in Our House, It Must be Love, Baggy Trousers, House Of Fun et al. The Beat featuring Ranking Jnr and reggae vocalist Hollie Cook support. Box office: scarboroughopenairtheatre.com.
Ralf Little’s disillusioned British intelligence officer Alec Leamas in The Spy Who Came In From The Cold, on tour at Grand Opera House, York. Picture: Johan Persson
Thriller of the week: The Spy Who Came In From The Cold, Grand Opera House, York, June 9 to 13, 7.30pm plus 2.30pm Wednesday, Thursday and Saturday matinees
FOR the first time, a John le Carré novel is being brought to life on stage by Chichester Festival Theatre in David Eldridge’s adaptation of The Spy Who Came In From The Cold, a tale that journeys through the fog-shrouded terrain of Cold War espionage, deception and moral compromise.
Death In Paradise star Ralf Little’s disillusioned British intelligence officer, Alec Leamas, is ready to come in from the cold, until veteran agent George Smiley persuades him to take one final mission against the East German Secret Service. Deep undercover, Leamas finds his convictions tested and his defences breached by Liz Gold, a quietly defiant librarian, whose compassion threatens to thaw his frostbitten heart. Box office: atgtickets.com/york.
An open book or something more complex than that?Florence Poskitt’s Rita and Jamie McKeller’s Frank in Black Treacle Theatre’s Educating Rita
Literature lessons of the week: Black Treacle Theatre in Educating Rita, Theatre@41, Monkgate, York, June 9 to 13, 7.30pm
YORK actors Florence Poskitt and Jamie McKeller team up for the first time under Jim Paterson’s direction in Willy Russell’s warm, witty and moving double-hander about the power of education to change lives. When Rita, a working-class hairdresser hungry for something more, signs up for an Open University literature course, she meets disillusioned academic Frank, whose passion for teaching has long faded.
Their weekly tutorials become a battle of ideas, humour and honesty as Rita’s confidence blossoms and Frank reckons with his own choices and the possibility of a second chance. Change comes with difficult choices for both student and tutor, who must reconsider who they are and who they want to be. Box office: tickets.41monkgate.co.uk.
Director Courtney Brown in Pickering Musical Society’s Let’s Do It!, The Cole Porter Songbook
Musical kicks of the week: Pickering Musical Society in Let’s Do It!r, The Cole Porter Songbook, Kirk Theatre, Pickering, June 9 to 13, 7.30pm plus 2.30pm Saturday matinee
IN a sparkling showcase of wit, romance, sophisticated melodies and clever lyrics, Pickering Musical Society celebrates the joyous Cole Porter Songbook, performing beloved songs from Anything Goes, Kiss Me, Kate and High Society and such hits as You’re The Top and I Get A Kick Out Of You under the direction of Courtney Brown.
The Sarah Louise Ashworth School of Dance’s vibrant tap, jazz and contemporary routines combine stylish choreography, glamorous costumes and a tribute to the Great American Songbook. Box office: 01751 474833 or kirktheatre.co.uk.
The Bluffs: Short-form improv games infused with storytelling flair at Rise@Bluebird Bakery
Unscripted silliness of the week: Unwritten: The Literary Improv Show, Rise@Bluebird Bakery, Acomb, York, June 11, 8.30pm, doors 7.30pm
YORK troupe The Bluffs take classic short-form improv games and infuse them with storytelling flair in an evening of laughter, silliness and plot twists. Each fast-paced show is shaped by audience suggestions and spontaneous creativity. Expect scenes inspired by classic literature, unexpected character mash-ups and even a fanfiction-inspired musical number.
The Bluffs are drawn from a melange of theatrical, comedy and musical backgrounds, from festival stages to pantomime and competitive Theatresports. Box office: eventbrite.com/e/unwritten-the-literary-improv-show-tickets-1984763723726.
Wright & Grainger: Say It & Play: “Gorgeous weave of our home-grown stuff” at The Old Paint Shop on Thursday. Picture: Afternoon Film
The Old Paint Shop presents: Wright & Grainger Say It & Play it, York Theatre Royal Studio, June 11, 8pm
FRIENDS and working partners since Easingwold schooldays, Wright & Grainger serve a carefully curated evening of stories, poems, songs and gentle chaos. Known for their internationally acclaimed adaptations of Ancient Greek myths, sometimes they do something a tad different.
Say It & Play It will be a set full of Alexander Flanagan Wright & Phil Grainger’s shorter collaborative works, the poems that stand on their own, the beautiful tracks they have been writing. “It’s a gorgeous weave of our home-grown stuff, grown and told on home turf,” they say. Box office: 01904 623568 or yorktheatreroyal.co.uk.
Lincoln Lightfoot: Participating in North Yorkshire Open Studios
In Focus: North Yorkshire Open Studios, Summer edition, June 6 & 7 and June 13 & 14, 10am to 5pm
MORE than 200 artists and makers are taking part in the summer edition of North Yorkshire Open Studios 2026.
Covering three areas of God’s Own Country, from the remote Upper Dales to the Central locations of Harrogate and York and the Moors & Coast, this annual event enables creative talents to open their studios to promote and sell their work directly to the public.
Taking part in and around York will be jewellery designer Helen Drye (Fountains Close, Riccall); oil painter Pennie Lordan (Moor Lane, Copmanthorpe); artist Emma James (Copmanthorpe Lane, Bishopthorpe); oil painter Lucie Wake (Slingsby Grove); abstract seascape painter Alex Ash (Heslington Lane, Fulford); B-movie poster art pastiche surrealist Lincoln Lighfoot (Brunswick Street) and northern landscape linocut printmaker Jon Haste (South Bank Social Club, Ovington Terrace).
So too are eco jewellery designer Rebecca Mihill (Nunthorpe Grove); mixed-media artist Ali Hunter (Alma Terrace); environment and plant-inspired printmaker Rachel Jones (Richardson Street); stained glass artist, ceramicist and printmaker Veronica Ongaro (Richardson Street); oil painter Di Gomery (Southlands Methodist Church, Bishopthorpe Road) and experimental artist Jill Tattersall (Mount Parade).
Further York artists will be geometric jewellery designer Evie Leach (PICA Studios, Unit 4, Enterprise Complex, Walmgate); animal artist Katrina Mansfield (PICA Studios); figurative artist Lesley Shaw (PICA Studios); Irish landscape artist Lisa Power (PICA Studios); rag rug maker Lu Mason (PICA Studios) and cityscape and architecture artist Ric Liptrot (PICA Studios).
In the line-up too will be abstract rust and gold metal-leaf artist Jo Walton (Rogues Atelier, Franklin’s Yard, Fossgate); illustrator and screen-print gig poster artist Kai West (Rogues Atelier); mixed-media figurative artist Mo Nisbet (Acomb Road); nature and animal acrylic artist Nicola Glover (Beech Grove); stoneware potter Hannah Arnup (Arnup Studios, Panman Lane, Holtby); natural world artist Kate Pettitt (Arnup Studios); fine art photographer Lesley Peatfield and enigmatic, ethereal artist Michelle Galloway (Arnup Studios).
Look out too for pattern-led tropical botanical artist Emily Littler (Sugar Hill Farm Stockton Lane); stone and wood sculptor Janie Stevens (Greenthwaite, Chantry Green, Upper Poppleton); Japanese-inspired British plant, flower and animal artist Toby Staunton (The Cottage, Main Street, Shipton by Benuingbrough); landscape artist Gonzalo Blanco (Rose Dene, Moor Lane, Strensall) and multi-media figurative and abstract artist Andrew Bloodworth (Stonelands Close, Sheriff Hutton).
The names keep coming: mixed-media landscape artist Justine Warner (Laburnum Cottage, West End, Sheriff Hutton); “happy accidents” land, sky and water artist Graham Jones (Harland House, Main Street, Huby); nature artist Nora Gaston (Moat House, Boroughbridge Road, Green Hammerton); experimental landscape artist Freya Horsley (Corner Cottage, The Green, Tollerton) and Bee-spoke Quilts’ hand-made quilt, jackets and waistcoats (Apple Croft, Gale Road, Alne),
Completing the list for York & beyond will be milliner Jane de Carteret’s woodland-type creatures (Apple Croft, Alne); Gina Bean’s semi-abstract North Yorkshire landscapes (The Bentleys, Lower Dunsforth); beach, dale and vale artist Richard Gray (Burnside, Spring Street, Easingwold); landscape artist Jeff Parker (Roedeer House, Raskelf Road, Raskelf) and Anya Manfield’s abstract textile wall hangings, mixed media artworks and layered collage pieces (Amber Cottage, Kilburn).
The full list of artists and makers can be found at nyos.org.uk. The Winter North Yorkshire Open Studios 2026, featuring the same names, is in the diary for November 7 and 8, 11am to 4pm.
Ralf Little’s British intelligence officer Alec Leamas in The Spy Who Came In From The Cold. Picture: Johan Persson
FOR the first time, a novel by John le Carré, master of the modern spy genre, is being brought to life on stage in a thrilling adaptation of The Spy Who Came In From The Cold.
Ralf Little, best known for playing Detective Inspector Neville Parker in Death In Paradise, Antony Royle in The Royle Family and Jonny Keogh in Two Pints Of Lager And A Packet Of Crisps, will lead the cast as Alec Leamas in Second Half Productions and The Ink Factory’s tour of the Chichester Festival Theatre production.
“It is a huge privilege to be stepping into the shoes of one of John le Carré’s great literary creations, Alec Leamas, as we bring the murky world of his Cold War masterpiece to life on stage,” says Oldham-born actor, writer, presenter, narrator and former semi-professional footballer Little, 46. “I first read The Spy Who Came In From the Cold when I was 16 and it has stayed with me ever since.
Ralf Little: Touring 21 venues in the role of Alec Leamas in The Spy Who Came In From The Cold.Picture: Michael Wharley
“Reading David Eldridge’s brilliant script, I once again found myself drawn into the story’s unexpected twists and turns, its high-stakes game of cat-and-mouse between East and West, which David has captured so thrillingly in the play. Despite being written in the Sixties, it feels startlingly relevant to the times we are living in now. I can’t wait to share this story with audiences old and new as we take it to cities right across the UK.”
Named in TIME Magazine’s All-Time Greatest 100 Novels and still a best seller after more than six decades, The Spy Who Came In From The Cold takes a journey through the fog-shrouded terrain of Cold War espionage, deception and moral compromise, adapted by Eldridge (Beginning; Middle; End, all National Theatre) from the work of Le Carré, creator of Tinker, Tailor, Soldier, Spy and The Night Manager.
Disillusioned, weary and hardened, British intelligence officer Alec Leamas is ready to come in from the cold, until veteran agent George Smiley persuades him to take one final mission —dangerous, deceptive and deeply personal — against the East German Secret Service. Despatched into enemy territory, deep undercover, he finds his convictions tested and his defences breached by Liz Gold, a quietly defiant librarian, whose compassion threatens to thaw his frostbitten heart.
Ralf Little’s Alec Leamas, left, in a scene from The Spy Who came In From The Cold. Picture: Johan Persson
After a sold-out run at Chichester Festival Theatre and a West End premiere at @sohoplace in a14-week run from November 2025 to February 2026, the play is on a 21-venue tour from March 21 to August 22, under the direction of Jeremy Herrin (Grace Pervades; A Mirror; People, Places & Things; Long Day’s Journey Into Night).
Little’s Alec Leamas is joined by Grainne Dromgoole as Liz Gold, Tony Turner as George Smiley, Nicholas Murchie as Control and Peter Losasso as Hans-Dieter Mundt. Completing the cast are Eddie Toll as Fielder, Melody Chikakane Brown as Miss Crail/President of the Tribunal, Jeff D’Sangalang as Ashe, Jonny Burman as Riemeck/Kiever and Jo Servi as Pitt/Ford, with Clara Wessely and James Burman in the ensemble.
The creative team includes designer Max Jones, lighting designer Azusa Ono, sound designer Elizabeth Purnell, composer Paul Englishby, movement director Lucy Cullingford and tour director Joe Lichtenstein.
Second Half Productions and The Ink Factory presents Chichester Festival Theatre in John le Carré’s The Spy Who Came In From The Cold, Grand Opera House, York, June 9 to 13, 7.30pm plus 2.30pm Wednesday, Thursday and Saturday matinees. Box office: atgtickets.com/york.
The poster for Ralf Little’s appearance in John le Carré’s The Spy Who Came In From The Cold
