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York Early Music Festival rejoices in Connections in full return to live concerts

The Sixteen: Performing Hubert Parry’s Songs Of Farewell in York Minster. Picture: Firedog

THE 2022 York Early Music Festival takes the theme of Connections on its return to a full-scale event after the Covid restrictions of 2020 and 2021.

Taking place in glorious ecclesiastical buildings around the city from July 8 to 16, the festival celebrates the joy of music, fusing musicians and their stories across the ages.

“Concerts are linked together through a maze of interconnecting composers,” says festival administrative director Delma Tomlin. “We’re delighted to be able to shine a light on the many connections that hold us together in the past and into the future.”

At the heart of the 2022 festival will be concerts by three of the best-known Early Music ensembles in the resplendent York Minster, each starting at 7.30pm.

Directed by Harry Christophers, The Sixteen present a sublime programme of choral works focused around Hubert Parry’s Songs Of Farewell, complemented by mediaeval carols, works by poet and lutenist Thomas Campion, Howells and Parry and a new commission by Cecilia McDowall, on July 9 in the Nave. 

Profeti Della Quinta: Playing music to connect with the deepest of emotions, from love and delight to loss and despair, in Lamento D’Arianna

Under the title of Choral Connections, Peter Phillips directs The Tallis Scholars in the Chapter House in a sold-out July 11 programme of Josquin des Prez, Palestrina and Byrd works.

In the Nave, on July 13, Paul McCreesh directs the Gabrieli Consort & Players in A Venetian Coronation: a spectacular recreation of the 1595 Coronation Mass of the Venetian Doge Marina Grimani at St Mark’s, Venice.

“The Gabrielis are playing a remarkable piece on a scale that wholly suits York Minster,” says Delma. “It has that feeling of ‘We’re back’ writ large about it.

“This lavish sequence of festive music has become synonymous with these performers through recordings in 1989 and 2012 and combines brilliance and solemnity in a compelling and kaleidoscopic programme of masterpieces for combinations of voices, cornetts and sackbuts.

“A Venetian Coronation has been performed in many of the world’s greatest cathedrals and concert halls and is revived here in celebration of the Gabrielis’ 40th anniversary.”

Gonzaga Band: Making their York Early Music Festival debut

The festival’s opening concert, Heaven’s Joy: The World Of The Virtuoso Viol, will be given by the viola da gamba duo Paolo Pandolfo & Amélie Chemin at the National Centre for Early Music (NCEM), St Margaret’s Church, Walmgate, on July 8 at 7.30pm.

Taking a trip through time and space, they find connections between the late-Elizabethan music of eccentric soldier Tobia Hume and the later improvisatory divisions of Christopher Simpson, through French baroque suites by the mysterious Mr de Ste. Colombe and the “devilish” Forqueray, to reach the classical calm of Christoph Schaffrath in Berlin via JS Bach.

On July 10, at 7.30pm, the Gonzaga Band make their festival debut at the NCEM with works from Venice 1629 by Claudio Monteverdi, Alessandro Grandi, wind player Dario Castello and violinist Biagio Marini, under director and cornett player Jamie Savan. In the ranks too is organist and harpsichord player Steven Devine, in his last year as a festival artistic advisor.

Further festival highlights will be The Rose Consort Of Viols’ Music For Severall Friends (NCEM, July 11, 1pm); festival debutants La Vaghezza – an EEEmerging+ ensemble from Italy – presenting Sculpting The Fabric (St Lawrence’s Church, Hull Road, July 12, 1pm), and another festival newcomer, theorbo specialist Ori Harmelin (Undercroft, Merchant Adventurers’ Hall, Fossgate, July 13, 9.45pm).

Profeti Della Quinta, 2011 winners of the York Early Music International Young Artists Competition, return to the NCEM on July 12 to perform Italian Renaissance music from Rore to Monteverdi at 7.30pm; The University of York Baroque Ensemble focus on Mannheim Travels To Fife (St Lawrence’s Church, July 13, 1pm); Peter Seymour directs festival regulars Yorkshire Baroque Soloists (St Lawrence’s Church, July 14, 7.30pm), and Ensemble Voces Suaves highlight Heinrich Schutz In Italy (St Lawrence’s Church, July 15, 7.30pm).

Ensemble Voces Suaves: Italian madrigal magic at St Lawrence’s Church

Delma is delighted by the resumption of Minster Minstrels, the NCEM’s youth instrumental ensemble, who will be performing late 17th century theatre, court and household music in Fairest Isle at the Unitarian Chapel, St Saviourgate, on July 10 at 4.45pm.

“Given the pressure on young people’s studies over the past two years, director Ailsa Batters has done really well in bringing them back together again,” she says.

The York Early Music International Young Artists Competition 2022 provides the grand festival finale on July 16 from 10am to 5.30pm at the NCEM, preceded by informal NCEM recitals by the ten pan-European ensembles on July 14 and 15 at 10.30am.

The winners will receive a professional CD recording contract from Linn Records, a £1,000 cheque and opportunities to work with BBC Radio 3 and the National Centre for Early Music.

“We’re delighted to be presenting a nine-day festival of music in our beautiful city, after we were caught last year in Boris Johnson’s indecision about whether venues could open or not,” says Delma.

Delighted to be connecting and reconnecting: York Early Music Festival administrative director Delma Tomlin

“We were, however, able to stream the 2021 festival, drawing new audiences online, but it’s lovely to see our patrons return because that’s what festivals are all about: a celebration of being together.

“Some of this year’s artists were meant to be with us two years ago; some of them, last year. The Young Artists should have been with us last year, and it’s wonderful that we’ll have 43 young musicians coming to York for the competition. It’s amazing that these young groups have been able to keep going, to keep their spirits up, and to still be coming to York a year later than first planned.”

Delma concludes: “This year’s theme is Connections, connecting and indeed reconnecting music, artists and, of course, our audiences. As always, we’ll be celebrating the glorious music of the past but also looking forward, as we’re able, at last, to stage the International Young Artists Competition, showcasing and nurturing the performers of the future.

“We’re so pleased to be back at full strength for what promises to be one of the most exciting festivals to date.”

For the full programme, head to: ncem.co.uk/whats-on/york-early-music-festival/. Box office: 01904 658338 or ncem.co.uk.

BBC Radio 3 will be recording the concerts by Paolo Pandolfo & Amélie Chemin, The Sixteen, the Gonzaga Band and Gabrieli Consort & Players for broadcast, along with the  York Early Music International Young Artists Competition 2022. The Early Music Show will be broadcast live from the festival on July 10 at 2pm.

NCEM launches ambitious Alignment online festival packed with highlights from 2022

Cantoria: Three concerts from the Spanish ensemble’s York residency will feature in Alignment online

THE National Centre of Early Music, York, is to celebrate the array of music staged in York and Beverley this year by presenting Alignment, its most ambitious online festival yet. 

Highlights of the packed NCEM musical calendar will be available to download from August 1 to 30 and are on sale now.

The festival features 14 concerts from the 2022 spring season, recorded by the NCEM’s specialist digital team in glorious historic buildings.

“There’s a chance to enjoy music from the Renaissance through to the Baroque with a nod to the contemporary just to keep us on our toes,” says Delma Tomlin, the NCEM’s director .

The Alignment recordings includes Spanish vocal group Cantoria in a film made during their spring residency at the NCEM. Their vocal and instrumental programme encompasses the lives of Tudor Queens Catherine of Aragon and Mary, married to Philip of Spain, in St Mary’s Church, Bishophill, the NCEM’s home at St Margaret’s Church, Walmgate, and the mediaeval Merchant Adventurers Hall, Fossgate.

Florilegium: JS Bach concert, recorded at Beverley Minster

Further highlights include the music of JS Bach presented by Florilegium, recorded in Beverley Minster; two festival favourites, EEEmerging ensembles Prisma and Sarbacanes, and Ensemble Molière, the first BBC Radio 3 New Generation Baroque Ensemble.

The featured ensembles are:

Cantoría; Prisma; Ensemble Molière; Profeti della Quinta; Florilegium; Rose Consort Of Viols; Gonzaga Band; Sarbacanes; La Vaghezza; University of York Baroque Ensemble; Orí Harmelin; Ensemble Voces Suaves; Paolo Pandolfo & Amélie Chemin and Yorkshire Baroque Soloists.

Four different online packages are available:

Complete Box Set, £70, including all 14 concerts.

Platform Artists, £30, focusing on emerging talent with Cantoría, La Vaghezza, Prisma and Sarbacanes.

Baroque In A Box, £40: Ensemble Molière, Florilegium, Gonzaga Band, Paolo Pandolfo & Amélie Chemin, University of York Baroque Ensemble and Yorkshire Baroque Soloists.

Renaissance Revels, £30:  Rose Consort Of Viols, Orí Harmelin, Profeti della Quinta and Ensemble Voces Suaves.

All individual concerts are priced at £10.

Delma says: “it’s been an action-packed year so for the NCEM with the Beverley and East Riding Early Music Festival, an outstanding York residency with young Spanish ensemble Cantoria, and now the upcoming York Early Music Festival.

“We wanted to share this wonderful music far and wide, so we’ve put together a programme of many of this year’s highlights for this online celebration. We hope that those of you who couldn’t attend the concerts, or indeed those of you who did and want to enjoy the concerts again, will join us for some musical magic this summer.”

Full details can be found at: ncem.co.uk/whats-on/alignment/

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York Early Music Festival rejoices in return to full-strength programme from July 8

Director Harry Christophers (holding rail, sixth from left) with seemingly rather more than 16 in The Sixteen, playing York Early Music Festival on July 9

FOR the first time since 2019, the York Early Music Festival will be at full strength this summer for nine days of concerts, talks and workshops under the theme of Connections.

Highlights during the festival run from July 8 to 16 include The Sixteen, The Tallis Scholars and Gabrieli Consort & Players, all at York Minster, and the return of the York International Young Artists Competition.

The programme also features gamba specialists Paolo Pandolfo & Amélie Chemin; The Gonzaga Band; The Rose Consort of Viols; the University of York Baroque Ensemble; Orí Harmelin; Profeti della Quinta; the Yorkshire Baroque Soloists and Ensemble Voces Suaves.

Tickets are on sale on 01904 658338, at ncem.co.uk or via email to boxoffice@ncem.co.uk, with discounts available for Friends and under 35s.

“The festival presents a series of concerts linked together through a maze of interconnecting composers, shining a light on the many connections that hold us together in the past and into the future,” says director Delma Tomlin, explaining the festival theme.

“This year’s theme is Connections, connecting and indeed reconnecting music, artists and, of course, our audiences,” says York Early Music Festival director Delma Tomlin

Concerts will be supported by a series of illustrated talks, workshops, opportunities to ‘Come and Sing’ and informal recitals at a festival presented in historical venues such as York Minster, the Merchant Adventurers’ Hall, St Lawrence’s Church and the festival headquarters, the National Centre for Early Music (NCEM), in the medieval St Margaret’s Church building in Walmgate.

The festival’s grand finale will be the York International Young Artists Competition 2022, wherein ten groups from across Europe will give informal recitals at the NCEM at 10am and 2pm on July 14 and 15 before competing for the prize on July 16. 

The winners will receive a professional CD recording contract from Linn Records, a cheque for £1,000 and opportunities to work with BBC Radio 3 and the NCEM. Additional prizes will be supported by Cambridge Early Music, the European Union Baroque Orchestra Development Trust and the Friends of York Early Music Festival.

“We are delighted to be presenting a nine-day festival of music in our beautiful city, staged in some of the country’s most architecturally stunning buildings,” says Delma.

“This year’s theme is Connections, connecting and indeed reconnecting music, artists and, of course, our audiences. As always, we’ll be celebrating the glorious music of the past but also looking forward, as we’re able at last, to stage the York International Young Artists Competition, showcasing and nurturing the performers of the future.

The Tallis Scholars: Making Choral Connections at York Minster on July 11

“We’re so pleased to be back at full strength, and we can’t wait to welcome you to York for what promises to be one of the most exciting festivals to date.”

Those unable to attend are advised that the festival will be offering many of the concerts online across the summer. Full details will be available from ncem.co.uk.

Audience safety and comfort is a continuing priority in an ever-changing environment for the NCEM and York Early Music Festival. Check out the full guidance at ncem.co.uk/covid-guidelines.

The 2022 York Early Music Festival programme:

July 8, 7.30pm: Paolo Pandolfo & Amélie Chemin, viola da gamba duo, Heavans Joy, The World of the Virtuoso Viol, at NCEM, York.

July 9, 9.30am: Master And Pupil, workshop led by The Gonzaga Band director Jamie Savan, at Clements Hall, Nunthorpe Road, York. Singers and players of Renaissance wind and string instruments look at the polychoral repertory of Giovanni Gabrieli and Heinrich Schütz.

Ensemble Voces Suaves: Schutz happens at St Lawrence’s Church on July 15

July 9, 12 noon: The Sixteen Insight Day, at NCEM, York. Insight Day explores stories behind The Sixteen’s Choral Pilgrimage repertory. Discover more with singer and practical scholar Sally Dunkley, organist Robert Quinney and a consort of Sixteen singers.

July 9, 7.30pm: The Sixteen, Author Of Light, at York Minster. Harry Christophers directs a choral programme focused on Hubert Parry’s Songs Of Farewell.

July 10, 2pm: The Early Music Show, BBC Radio 3 live broadcast presented by Hannah French with selected festival guests, at NCEM; free to those attending a festival event. Immediately afterwards, violinist Kati Debretzeni presents delayed 2020 York Biennial Lifetime Achievement Award to violinist Catherine Mackintosh.

July 10, 4.45pm: Minster Minstrels, Fairest Isle, directed by Ailsa Batters, at Unitarian Chapel, St Saviourgate, York. NCEM’s youth instrumental ensemble performs music from the late 17th-century theatre, court and household to demonstrate the influence of the new Italian and French styles in post-Restoration England.

July 10, 7.30pm: The Gonzaga Band, Venice 1629, directed by cornett player Jamie Savan, at NCEM, York. Vocal works by Claudio Monteverdi and Alessandro Grandi and virtuosic Baroque instrumental music by wind player Dario Castello and violinist Biagio Marini feature in a series of snapshots from an extraordinary year in the life of this most musical of cities.

The Gonzaga Band: Snapshots of Venice, 1629 on July 10

July 11, 10.30am: Schutz In Venice, illustrated talk by Jamie Savan, at Bedern Hall, York. On his second visit to Venice in 1628-29, German composer Heinrich Schütz would surely have met Monteverdi, by now maestro di cappella at St Mark’s, but this talk also introduce lesser-known 1620s’ Venetian innovators in modern vocal and instrumental music.

July 11, 1pm: Rose Consort of Viols, with virginals player Steven Devine, Music For Severall Friends, at NCEM, York. Anniversary-marking concert of viol consort works by two British composers, the conservative Thomas Tomkins (born in 1572) and the more radical Matthew Locke (b.1622).

July 11, 7.30pm: The Tallis Scholars, Choral Connections, at York Minster. Director Peter Phillips explores connections between Josquin des Prez and his successor at the Sistine Chapel, Palestrina; Byrd and his English forebear Taverner.  

July 12, 10.30am: An Italian In London, illustrated talk on The Case of Angelo Notari, musician and spy, by Jonathan Wainwright, at Bedern Hall, York. Italian-born Notari moved to England in 1611, making his career as a court musician. Little was known about his time in Italy, until recently, prompting this examination of his  life and (newly attributed) compositions.

July 12, 1pm: La Vaghezza, Sculpting The Fabric, at St Lawrence’s Church, Hull Road, York.  Stars of the EEEmerging+ programme, this young Italian ensemble presents early-17th century Italian works by Cavalli, Merula, Vitali, Fontana and Rossi from debut album Sculpting The Fabric.

Gabrieli Consort & Players: Re-creating a Venetian Coronation at York Minster on July 13

July 12, 7.30pm: Profeti Della Quinta, Lamento d’Arianna, Italian Renaissance music from Rore to Monteverdi, at NCEM, York. Winners of the 2011 York Early Music International Young Artists Competition take a journey that connects early 16th-century ‘classical’ madrigal to Monteverdi’s ‘operatic’ solo madrigals in 17th-century Mantua. 

July 13, 1pm: University of York Baroque Ensemble, Mannheim Travels To Fife,
Early Symphonists and Two Brothers, at St Lawrence’s Church, Hull Road, York. Highlighting works by Mannheim symphony kick-starter Johann Stamitz, Italian brothers Giovanni Battista and Giuseppe Sammartini, Johann Christian Bach and Scottish composer Thomas Erskine.

July 13, 7.30pm: Gabrieli Consort & Players, A Venetian Coronation, 1595, directed by Paul McCreesh, at York Minster. Spectacular re-creation of the festive Coronation Mass of the Venetian Doge Marino Grimani at St Mark’s, Venice, in 1595, to mark the Gabrieli Consort’s 40th anniversary.

July 13, 9.45pm: Ori Harmelin, Neshima: The Hebrew For Breath, at Undercroft, Merchant Adventurers’ Hall, Fossgate, York. Theorbo specialist explores arrangements of madrigals, motets and chansons by Cipriano de Rore, Josquin des Prez and Thomas Tallis, complemented by Harmelin’s compositions and Irishman Simon McHale’s The Orbo.

July 14 and July 15, 10am and 2pm: International Young Artists Competition Recitals 1 and 2, at NCEM, York. Informal recitals featuring all the ensembles taking part in the 2022 competition, performing music from the Middle Ages to the early Classical period, introduced by master of ceremonies Professor John Bryan.

Ori Harmelin: Theorbo concert at Merchant Adventurers’ Hall on July 13

July 14, 7.30pm: Yorkshire Baroque Soloists, Bach’s Other Leipzig, directed by Peter Lawrence, at St Lawrence’s Church, Hull Road, York. Not only composing for two churches when in Leipzig, Bach also wrote four ‘Lutheran masses’ in 1738/39 and the Coffee Cantata for Zimmermann’s Caffeehaus, a miniature comic opera on the pressing subject of coffee addiction, featured here.

July 15, 4.30pm: Come and Sing Handel’s Messiah, at St Olave’s Church, Marygate, York. Peter Seymour, conductor, and Ben Horden, organ, invite allcomers to Come and Sing a selection of choruses from Handel’s Messiah in a short rehearsal and performance.

July 15, 7.30pm: Ensemble Voces Suaves, Enrico Sagittario: Heinrich Schütz in Italy, at St Lawrence’s Church, Hull Road, York. Exploration of the Italian side of German composer Heinrich Schutz, putting music from his debut collection alongside madrigals by Gabrieli and Monteverdi that inspired him, plus toccatas for theorbo by Girolamo Kapsberger, an Italian composer with roots in Germany.

July 16, 10am: York International Young Artists Competition, at NCEM, York. 2022 competition, featuring ten groups, will be presented by John Bryan and judged by Edward Blakeman, from BBC Radio 3; Albert Edelman, president of Réseau Européen de Musique Ancienne; Linn Records producer and recording engineer Philip Hobbs;  violinist Catherine Mackintosh and harpsichordist and professor Barbara Willi.

Profeti Della Quinta: Italian Renaissance music from Rore to Monteverdi at NCEM on July 12
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Who won the National Centre for Early Music Young Composers Award last night?

On screen: National Centre for Early Music Young Composers Award winners Eilidh Owen and Finton O’Hare, with their fellow competitors on Zoom , at last night’s live-streamed final

FINTON O’Hare and Eilidh Owen have won the National Centre for Early Music Young Composers Award prizes in York.

O’Hare emerged as the victor in the 19 to 25 age group, Owen likewise in the 18 and under category, at last night’s final live-streamed from the NCEM, St Margaret’s Church, Walmgate.

Presented in association with BBC Radio 3, the 13th iteration of the NCEM award invited young composers living in the UK to create a new polyphonic work for unaccompanied choir, setting either the Our Father (Pater Noster) prayer from St Matthew’s Gospel or the first and last verses of George Herbert’s poem The Flower.  

The eight finalists’ compositions were performed by York musicians Ex Corde Vocal Ensemble, the consort of the Ebor Singers.

Seeking the prize in the 18 to 25 final were Fintan O’Hare’s composition Come Passing Rain, Noah Bray’s Our Father, Sam Gooderham’s Late-Past, Caitlin Harrison’s The Flower and James Mitchell’s The Lord’s Prayer.

Competing for the 18 years and under award were Eilidh Owen’s As If There Were No Such Cold Thing, Ethan Lieber’s The Flower and Emily Pedersen’s Pater Noster.

The evening also featured performances of works by Owain Park and Alexander Campkin, winners in 2010 when Owain took home the 18 and under prize. Both have  become well established composers, providing good examples and inspiration for the 2020 entrants. Music by Alec Roth and Ben Parry was performed too.

“This year has been very different, moving the final and the workshop online, but we’re sure that the composers enjoyed this exciting experience,” said NCEM director Dr Delma Tomlin

Last night’s final followed a day-long online workshop from the NCEM, where composer Christopher Fox, professor of music at Brunel University, and Ex Corde Vocal Ensemble were joined virtually by the young composers. 

The 2020 panel of judges were BBC Radio 3 producer Les Pratt, The Tallis Scholars’ director, Peter Phillips, and NCEM director Dr Delma Tomlin.

Reflecting on the 2020 competition, played out against the backdrop of the Covid-19 pandemic, Delma said: “The NCEM Young Composers Award continues to attract composers of the highest calibre from all over the UK.

“This year has been very different, moving the final and the workshop online, but we’re sure that the composers enjoyed this exciting experience. We’re looking forward to the concert at the Cadogan Hall next year with the wonderful Tallis Scholars performing the winning pieces.”

Next March’s London premiere of O’Hare and Owen’s compositions will be recorded for broadcast on BBC Radio 3’s Early Music Show.

Delma concluded: “Congratulations to our talented young composers and a special thank-you to the Ex Corde Vocal Ensemble, who helped make the award possible. I’d also like to say a big thank-you to my fellow judges and, last but not least, BBC Radio 3 for their invaluable support

“We look forward to meeting in person for the 2021 award. Details will be announced on BBC Radio 3’s Early Music Show on November 29.”

Last night’s live-streamed performance can be viewed at ncem.co.uk/composersaward.

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Young Composers Award night to be live-streamed from NCEM on November 11

“We’ve been working hard to give our aspiring finalists the best possible experience, even though we won’t be able to welcome them, their friends and family to York,” says NCEM director Delma Tomlin

THE winners of the Young Composers Award 2020 will be revealed by the National Centre for Early Music, York, in a live-streamed performance on November 11.

At 7pm, Ex Corde Vocal Ensemble, the consort of the Ebor Singers, will perform each of the shortlisted pieces for a panel of judges.

The Coronavirus pandemic enforced the postponement of the 2020 awards, but next month online audience can watch the re-scheduled finals free of charge, tuning in to hear music from the composers of the future performed by artists of the highest calibre.

This national annual award is open to young composers up to the age of 25 and resident in the UK in two age categories: 18 years and under and 19 to 25 .  For the 2020 award, composers were invited to create a new polyphonic work for unaccompanied choir, setting either the Our Father (Pater Noster) prayer from St Matthew’s Gospel or the first and last verses of George Herbert’s poem The Flower.

Competing for the 18 years and under award will be Ethan Lieber’s composition The Flower, Eilidh Owen’s As If There Were No Such Cold Thing and Emily Pedersen’s Pater Noster.

Seeking the prize in the 18 to 25 final will be Noah Bray’s Our Father, Sam Gooderham’s Late-Past, Caitlin Harrison’s The Flower, James Mitchell’s The Lord’s Prayer and Fintan O’Hare’s Come Passing Rain.

The live-streamed performance will follow a day-long workshop when the young composers will join composer Christopher Fox, Professor of Music at Brunel University, and Ex Corde Vocal Ensemble.

Judging the finals will be The Tallis Scholars’ director, Peter Phillips; BBC Radio 3 producer Les Pratt and NCEM director Delma Tomlin. The winners, one from each age category, will be announced after the concert. 

The Young Composers Award is deemed an important landmark in the careers of aspiring composers. Every year, the winning compositions are performed in public and recorded for broadcast on BBC Radio 3’s Early Music Show. This year’s winning works will be premiered by The Tallis Scholars in a public performance at the Cadogan Hall, London, on March 24 2021.

Delma Tomlin says: “Once again, the NCEM Young Composers Award has attracted attention from all over the UK. This year, we will be live-streaming the excitement and inviting audiences, friends and aspiring young composers and musicians to join us for this highly regarded annual event.

“For everyone working in the arts and entertainment, the last few months have not been easy. We’ve been working hard to give our aspiring finalists the best possible experience, even though we won’t be able to welcome them, their friends and family to York. We hope to be able to celebrate in style next year with the public performance at the Cadogan Hall.”

Alan Davey, controller of BBC Radio 3 and classical music, says: “Nurturing young composers is one of our key missions here at BBC Radio 3: we are keen on discovering new voices and supporting emerging talent.

“In the current circumstances, our commitment is more urgent than ever, as we need to make sure creativity survives and thrives in these unprecedented times. We can’t wait to delight our audiences broadcasting the winning compositions by some of the most promising young composers in the UK.”

The NCEM was among the first arts organisations to live-stream performances and festivals as a response to the lockdown. The first concert, broadcast on March 21, attracted more than 60,000 viewers from all over the world, from as far afield as Australia and Japan.

For full details on how to watch the Young Composers Award 2020 performance, go to ncem.co.uk.