The Vicar Of Dibley – charleshutchpress

November 12, 2025November 14, 2025

What’s On in Ryedale, York and beyond. Hutch’s List No. 48, from Gazette & Herald

Danny Horn’s Ray Davies leading The Kinks in Sunny Afternoon, on tour at Grand Opera House, York. Picture: Manuel Harlan

SUNNY Afternoon’s Kinks songs for dark nights, Dibley comedic delights and drag diva Velma Celli’s frock rock catch Charles Hutchinson’s eye.

Musical of the week: Sonia Freidman Productions and ATG Productions present Sunny Afternoon, Grand Opera House, York, until Saturday, 7.30pm plus 2.30pm Wednesday, Friday and Saturday matinees

RETURNING to York for the first time since February 2017, four-time Olivier Award winner Sunny Afternoon charts the raw energy, euphoric highs, troubling lows, mendacious mismanagement and brotherly spats of Muswell Hill firebrands The Kinks, equipped with an original story (and nearly 30 songs) by frontman Ray Davies.

The script is by Joe Penhall, who says: “As a band The Kinks were the perennial outsider – punk before punk.” Box office: atgtickets.com/york.

Nicki Clay’s Reverend Geraldine Granger in MARMiTE Theatre’s The Vicar Of Dibley at Theatre@41, Monkgate, York. Picture: Paul Miles

Village drama of the week: MARMiTE Theatre in The Vicar Of Dibley, Theatre:41, Monkgate, York, until Saturday,7.30pm plus 2.30pm Saturday matinee

NICKI Clay is going doubly Dibley for MARMiTE Theatre in the new York company’s debut production of The Vicar Of Dibley, having played Geraldine Grainger for The Monday Players in Escrick in May.

Martyn Hunter directs Ian Gower and Paul Carpenter’s cherry-picking of the best of Richard Curtis and Paul Mayhew-Archer’s first two TV series, bringing together all the favourite eccentric residents of Dibley as the new vicar’s arrival shakes up the parish council of this sleepy English village. Box office: tickets.41monkgate.co.uk.

N’Faly Kouyaté: Dancing shoes recommended

African rhythms of the week: N’Faly Kouyaté, National Centre for Early Music, York, tonight, 7.30pm

AFTER gracing stages across the world with Afro Celt Sound System — where Celtic voices and instrumentation met the vibrant heartbeat of African rhythms — avant-garde griot N’Faly Kouyaté embarks on a profoundly personal journey.

This masterful Guinean multi-instrumentalist, inspired vocalist and living bridge between ancestral heritage and future sounds returns with his album Finishing, whose songs stir the soul, provoke reflection, elicit smiles and set bodies moving. Bring your dancing shoes! Box office: 01904 658338 or ncem.co.uk.

Velma Celli: Rock Queen with a nod to David Bowie’s Aladdin Sane slash. Picture: Sophie Eleanor Photography

Drag night of the week: Velma Celli: Rock Queen, York Theatre Royal, tonight, 7.30pm

YORK’S international drag diva deluxe Velma Celli follows up her iconic October 1 appearance in Coronation Street soapland withan “overindulgent evening celebrating and re-imagining the best of rock classics” with her band.

The alter ego of West End musical star Ian Stroughair, who has shone in Cats, Fame, Rent and Chicago, cabaret queen Velma’s live vocal drag act has been charming audiences for 14 years, whether at Yorktoberfest at York Racecourse, her Impossible Brunches at Impossible York, or in such shows as A Brief History Of Drag, My Divas, God Save The Queens and Divalussion (with Christina Bianco). Box office: 01904 623568 or yorktheatreroyal.co.uk.

Beth McCarthy: Heading back home to play Big Ian’s A Night To Remember charity concert. Picture: Duncan Lomax., Ravage Productions

Charity event of the week: Big Ian’s A Night To Remember, York Barbican, tonight, 7.30pm

BIG Ian Donaghy hosts a “night of York helping York” featuring a 30-strong band led by George Hall with a line-up of York party band HUGE, Jess Steel, Beth McCarthy, Heather Findlay, Graham Hodge, The Y Street Band, Simon Snaize, Annie-Rae Donaghy, fiddler Kieran O’Malley, Samantha Holden, Las Vegas Ken and musicians from York Music Forum, plus a guest choir.

Proceeds from this three-hour fundraiser go to St Leonard’s Hospice, Bereaved Children Support York, Accessible Arts & Media and York dementia projects. Tickets update: Balcony seats still available at yorkbarbican.co.uk.

Staff woes: William Ilkley, left, Levi Payne and Dylan Allcock in John Godber’s Black Tie Ball, on tour at the SJT, Scarborough

One helluva party of the week: John Godber’s Black Tie Ball, Stephen Joseph Theatre, Scarborough, November 12 to 15, 7.30pm plus 1.30pm Thursday and 2.30pm Saturday matinees

ON the glitziest East Yorkshire fundraising night of the year, everyone wants to be there. The Bentleys are parked, the jazz band has arrived, the magician will be magic, but behind the bow ties, fake tans and equally fake booming laughter lie jealousies and avarice, divorces and affairs, as overdressed upstairs meets understaffed downstairs through a drunken gaze.

The raffle is ridiculously competitive, the coffee, cold, the service, awful, the guest speaker, drunk, and the hard -pressed caterers just want to go home. Welcome to the Brechtian hotel hell of John Godber’s satirical, visceral comedy drama, as told by the exasperated hotel staff, recounting the night’s mishaps at breakneck speed in the manner of Godber’s fellow wearers of tuxedos, Bouncers. Box office: 01723 370541 or sjt.uk.com.

Ensemble 360: Performing works by Shostakovich and Dvořák at Helmsley Arts Centre. Picture: Matthew Johnson and Music in the Round

Classical matinee concert of the week: Ensemble 360, Helmsley Arts Centre, Sunday, 2.30pm

ENSEMBLE 360’s chamber musicians Benjamin Nabarro and Claudia Ajmone-Marsan, violins, Rachel Roberts, viola, Gemma Rosefield, cello, and Tim Horton, piano, perform the dramatic intensity and soaring lyricism of Dmitri Shostakovich’s Piano Quintet in G minor, Op. 57 and the radiant warmth and Czech folk-inspired melodies of Antonín Dvořák’s Piano Quintet No. 2 in A major, Op. 81, a piece cherished for its lush harmonies, spirited dances and seamless instrumental interplay. Box office: 01439 771700 or helmsleyarts.co.uk.

Rock’n’roll show of the week: Two Pianos, Pocklington Arts Centre, Thursday, 7.30pm

IN the words of Jerry Lew Lewis, “Two Pianos are awesome rockers”. Tomorrow night, David Barton and Al Kilvo bring their rock’n’roll piano show to Pocklington for a journey through the golden age of Elvis Presley, Chuck Berry, Fats Domino, Buddy Holly, Carl Perkins, Ray Charles, Wanda Jackson, Brenda Lee and, yes, the “The Killer” himself. Box office: 01759 301547 or pocklingtonartscentre.co.uk.

Lydia Hough and Joseph Taylor in London City Ballet’s Pictures At An Exhibition, on tour at York Theatre Royal

Dance show of the week: London City Ballet: Momentum, York Theatre Royal, Friday, 7.30pm (with post-show discussion); Saturday, 2.30pm and 7.30pm

LONDON City Ballet, former resident company of Sadler’s Wells, returns to York Theatre Royal with Momentum, a new repertoire that showcases artists rarely seen in the UK. Haieff Divertimento, an early George Balanchine work, was thought to be lost for 40 years after its premiere and remained unseen outside the USA until now. Emerging choreographer Florent Melac, premier danseur at Paris Opera Ballet, combines inventive transitions with intimate partnering in his fluid new work.

Alexei Ratmansky, New York City Ballet’s artist in residence, presents Pictures At An Exhibition, performed to Modest Mussorgsky’s eponymous score, set against a backdrop depicting Wassily Kandinsky’s paintings. Unseen in the UK since its 2009 premiere, Liam Scarlett’s Consolations & Liebestraum is a response to Franz Liszt’s piano score, depicting the life cycle of a relationship, its blossoming and later fracturing love. Box office: 01904 623568 or yorktheatreroyal.co.uk.

November 8, 2025November 19, 2025

More Things To Do in York and beyond when Dibley’s vicar is at your service. Here’s Hutch’s List No 48, from The York Press

Danny Horn’s Ray Davies leading The Kinks in Sunny Afternoon, on tour at the Grand Opera House, York, from next Tuesday. Picture: Manuel Harlan

SUNNY Afternoon’s Kinks songs for dark nights, Dibley comedic delights and drag diva Velma Celli’s frock rock catch Charles Hutchinson’s eye.

Musical of the week: Sonia Freidman Productions and ATG Productions present Sunny Afternoon, Grand Opera House, York, November 11 to 15, 7.30pm plus 2.30pm Wednesday, Friday and Saturday matinees

RETURNING to York for the first time since February 2017, four-time Olivier Award winner Sunny Afternoon charts the raw energy, euphoric highs, troubling lows, mendacious mismanagement and brotherly spats of Muswell Hill firebrands The Kinks, with an original story (and nearly 30 songs) by frontman Ray Davies.

The script is by Joe Penhall, who says: “As a band The Kinks were the perennial outsider – punk before punk.” Box office: atgtickets.com/york.

MarcoLooks: Exhibiting at Inspired – York Artists & Designer Makers Winter Fair at York Cemetery Chapel

Christmas presence of the week: Inspired – York Artists & Designer Makers Winter Fair, York Cemetery Chapel, Cemetery Road, York, today and tomorrow, 10am to 5pm

NINE York artists and designers will be selling their work for the Christmas season in the divine setting of York Cemetery Chapel. Among them will be collagraphy printmaker Sally Clarke, jewellery designer Jo Bagshaw, artist Adrienne French, printmaker Petra Bradley and illustrator MarcoLooks . Enjoy a winter walk in the beautiful grounds too. Free entry, free parking.

Clive Marshall RIP: York Railway Institute Band and York Opera perform in his memory at The Citadel tonight

Marshalling forces: York Railway Institute Band and York Opera, Clive Marshall Memorial Concert, The Citadel, Gillygate, York, tonight, 7.30pm

YORK Railway Institute Band and York Opera members come together tonight for a charity musical tribute to much-loved colleague Clive Marshall (1936-2025). Expect soaring choruses, heartfelt arias and the very best of operatic overtures in tonight’s programme of popular classics, in aid of St Leonard’s Hospice, where Clive spent the final days of his life in March this year.

He was chairman of the RI band, leading the trombone section for many years, and first performed for York Opera in 1968, going on to play multiple character roles and stage direct myriad productions too. Box office: https://tickets.yorkopera.co.uk/events/yorkopera/1793750 or on the door.

At your service, in the French style: Nicki Clay’s Reverend Geraldine Granger in MARMiTE Theatre’s The Vicar Of Dibley

Village drama of the week: MARMiTE Theatre in The Vicar Of Dibley, Theatre@41, Monkgate, York, November 11 to 15,7.30pm plus 2.30pm Saturday matinee

NICKI Clay is going doubly Dibley for MARMiTE Theatre in the new York company’s debut production of The Vicar Of Dibley, having played Geraldine Granger for The Monday Players in Escrick in May.

Velma Celli: Rock Queen, with a nod to David Bowie’s Aladdin Sane slash make-up, at York Theatre Royal

Drag night of the week: Velma Celli: Rock Queen, York Theatre Royal, November 12, 7.30pm

YORK’S international drag diva deluxe Velma Celli follows up her iconic October 1 appearance in Coronation Street soapland with an “overindulgent evening celebrating and re-imagining the best of rock classics” with her band.

The alter ego of West End musical star Ian Stroughair, who has shone in Cats, Fame, Rent and Chicago, cabaret queen Velma’s live vocal drag act has been charming audiences for 14 years, whether at Yorktoberfest at York Racecourse, her Impossible Brunches at Impossible York, or in such shows as A Brief History Of Drag, My Divas, God Save The Queens, Equinox, Velma Celli Goes Gaga, Show Queen and Divalussion (with Christina Bianco). Box office: 01904 623568 or yorktheatreroyal.co.uk.

The poster for Toby Lee’s 2025 tour show, An Evening of Blues & Soul, at The Crescent

Blues gig of the week: Toby Lee & James Emmanuel plus Isabella Coulstock, An Evening of Blues & Soul, The Crescent, York, November 12, 7.30pm

BLUES prodigy Toby Lee’s musical journey started at only four years old when his grandmother bought him a yellow and green ukulele. This little instrument went everywhere with him, and he played it constantly, mainly tunes by Elvis and Buddy Holly. At eight, he received his first electric guitar for Christmas while staying at a Cornish. By chance, staying there too was Uriah Heep’s Mick Box, who duly gave him tips and picks. From that moment, Lee knew precisely what he wanted to do when he grew up.

Now 20, he has shared stages with Buddy Guy, Billy Gibbons, Peter Frampton, Slash, Lukas Nelson, Kenny Wayne Shepherd and his hero, Joe Bonamassa, at the Royal Albert Hall, as well as touring as Jools Holland and His Rhythm & Blues Orchestra’s special guest. On Tuesday, he is joined by James Emmanuel and Isabella Coulstock. Box office: thecrescentyork.com.

Beth McCarthy: Heading back home to York to play Big Ian’s A Night To Remember at York Barbican. Picture: Duncan Lomax, Ravage Productions

Charity event of the week: Big Ian’s A Night To Remember, York Barbican, November 12, 7.30pm

Staff woes: William Ilkley, left, Levi Payne and Dylan Allcock in John Godber’s Black Tie Ball, on tour at the SJT, Scarborough

One helluva party of the week: John Godber’s Black Tie Ball, Stephen Joseph Theatre, Scarborough, November 12 to 15, 7.30pm plus 1.30pm Thursday and 2.30pm Saturday matinees

Amit Mistry: Topping the Funny Fridays bill

Comedy gig of the week: Funny Fridays, Patch@Bonding Warehouse, Terry Avenue, York, November 14, 7.30pm to 9.30pm

AMIT Mistry headlines next Friday’s bill, joined by Lulu Simons, Gareth Harrison, Liam Alexander and Dominique McMillan, hosted by promoter Kaie Lingo. Doors open at 7pm for a night of “back-to-basics comedy fun” and tickets cost £10 at https://www.eventbrite.co.uk/e/funny-fridays-at-patch-tickets-1802236280229?aff=oddtdtcreator.

African rhythms of the week: N’Faly Kouyaté, National Centre for Early Music, York, November 12 , 7.30pm

Guinean multi-instrumentalist N’Faly Kouyaté: Starting his Finishing tour at the NCEM

AFTER gracing stages across the world with Afro Celt Sound System, avant-garde griot N’Faly Kouyaté has embarked on a profoundly personal journey that finds him opening his autumn UK tour in York, playing the National Centre for Early Music for the first time.

This masterful Guinean multi-instrumentalist, multi-linguist, inspired vocalist and living bridge between ancestral heritage and future sounds returns with his September 12 album Finishing, whose songs stir the soul, provoke reflection, elicit smiles and set bodies moving.

Finishing is billed as a “a spiritual call to action – an artistic manifesto shaped by the soul of a griot and the conscience of a world citizen”

Conceived during nine reflective months along the banks of the Bafing River in Guinea, then recorded in Brussels, this album is both a deeply personal reflection and a universal cry for justice, compassion and balance.

“Finishing is my musical answer to a world searching for meaning,” says N’Faly. “It is the echo of my ancestors carried by today’s rhythms, a call to reflection and action. I wanted every note to be a question, every chorus a step towards a fairer, more conscious future.”

Hailing from the illustrious Konkoba Kabinet Kouyaté lineage – he is a member of the Mandingue ethnic group of West Africa; his father was the griot Konkoba Kabinet Kouyaté, who lived in Siguiri, Guinea – N’Faly is a master of the kora and balafon, a genre-defying composer and a cultural custodian with a mission.

His journey has taken him from Guinea to the Royal Conservatory of Belgium in 1994, where he formed the ensemble Dunyakan, onwards to global stages with the Grammy-nominated Afro Celt Sound System and now his solo projects, all speaking to his ability to weave past and future into the sound of now.

Should you be asking “what is a griot?”, let N’Faly explain.”The griot is an advisor to the people and the king in West Africa,” he says. “The griot is from the Mandingue kingdom; Senegal, Gambia, Guinea, Mali, Ivory Coast, Sierra Leone and Burkina Faso.

“The king of this kingdom was the ancestor of Salif Keita, the Malian singer-songwriter. The griot is like the Bard in Celtic culture because we advise the king, the people, and if there’s a war somewhere, the griot comes to make peace.

“I continue the griot social class. I am griot, my father and my ancestors were griots. You can’t become griot; but you are born griot.”

How does this influence Finishing, N’Faly? “We griot, we advise all society. With this album you imagine the artist finishing his dream to end all these horrible things in the world,” he says. “My dream was that if all these troubles could be finished, we could be happy. What a finishing that would be. For the people, we’re asking for the finishing of all this horror in our world.”

Finishing is an album rooted in a wish for healing. “We can use music to say to the political world ‘what we need is peace and love’,” says N’Faly, who spreads that message by singing songs in Mandinka (the language of Mandingue), Soussou, Pular, French and English as he dares to imagine a world where war, lies, theft and violence suddenly stopped.

The cover artwork for N’Faly Kouyaté’s Finishing album

Each track on Finishing pulses with urgency and purpose. Free Water, a collaboration with reggae luminary Tiken Jah Fakoly, is a passionate plea for water protection, while Khili Kanè condemns the corrosive effects of slander.

Mandela stands as a reverent salute to the late South African statesman and peacemaker, and Kolabana, featuring Senegalese hip-hop icon Didier Awadi, takes aim at global indifference in the face of crisis.

Elsewhere, songs such as Mökhöya, Halala and Kawa reflect on the quiet erosion of human value – mutual aid, dignity and humility – reminding us that these virtues are not nostalgic relics, but essential foundations for a liveable future.

“In my concerts I explain the words of all the songs and I use the job of my ancestors to play traditional music as well as modern,” says N’Faly, whose trademark “Afrotronix” sound is a fusion of AfroBeat, AfroTrap, AfroPop, RnB, Jazz and traditional Mandingue instrumentation as electronica meets djembe and kora.

“I am the protector of culture and tradition, and for me, we can use technology to serve tradition. If you want to interest young people, you have to sing in the language they want to hear and use the instruments and style of who they like – and statistically, much of my audience is aged 18 to 44 and upwards to 66-70.”

N’Faly will be joined on the NCEM stage by his wife, Muriel Kouyaté and Jay Chitul after rehearsing together in Brussels. Bring your dancing shoes,” he advises. Finishing will be on sale at the concert, along with T-shirts. Box office: 01904 658338 or ncem.co.uk.

Did you know?

N’FALY Kouyaté’s collaborators range from Peter Gabriel and Sinead O’Connor to Tayc and Robert Plant, affirming how he is as comfortable in ancient traditions as he is on the modern sonic frontier.

“When I finished my studies in Belgium, I started to work with Afro Celt Sound System, whose albums were produced by Peter Gabriel, and we worked with him many times, recording at Real World studios in Bath and performing on stage with him.” says N’Faly.

He undertook an acting role in William Kentridge’s musical The Head And The Load, performing in Miami, Amsterdam, London and New York.

October 30, 2025November 12, 2025

MARMiTE Theatre want you to love debut show The Vicar Of Dibley. They’d hate you to miss out at Theatre@41, Monkgate

More theatre, vicar? Nicki Clay playing Geraldine Granger in The Vicar Of Dibley for the second time in 2025. Picture: Matt Pattison

NICKI Clay is going doubly Dibley for MARMiTE Theatre in the new York company’s debut production of The Vicar Of Dibley at Theatre@41, Monkgate, York, from November 11 to 15.

“I’ve just played the role of Geraldine Granger for the Escrick Monday Players in May,” she says. “I’ve been in well over 50 plays but I’ve never done the same part twice – until now!

“I was very laissez-faire when Martyn [Hunter, the director] contacted me because I’d ended on a high note. So I was kind of not anxious over the audition because I felt I had nothing to lose. A week later I got a call from Martyn, and that’s when there was a flip in my tummy, and I thought ‘, ‘yup, I’ve got to do this again’ – and it’s been brilliant.

“It’s a different experience, and I’m loving it just as much because I don’t have the extra responsibility as I do with chairing the Monday Players. I can focus entirely on doing the role and I’m enjoying being around different people as well. It’s been hilarious in rehearsals

“We did it with the same script in Escrick, when Martyn’s wife, Jeanette, and assistant director Chris Higgins came to see it and were pretty blown away by the show. It’s the mix of the script and the characters that make it work.”

The poster for The Monday Players’ production of The Vicar Of Dibley, starring Nicki Clay’s Geraldine Granger, in Escrick, near York, in May 2025

Adapted by Ian Gower and Paul Carpenter from Richard Curtis and Paul Mayhew-Archer’s beloved television series, The Vicar Of Dibley brings together all the favourite characters, the eccentric residents of Dibley, as the arrival of the new vicar shakes up the parish council of the sleepy English village.

Re-meet Jim “No, No, No” Trott, Letitia Cropley, the not-so-gifted Bake Off queen, Owen Newitt, with his infamous ailments, Frank Pickle, the minute-taking bore, Hugo Horton and his cantankerous father David and the delightfully dim Alice Tinker, but is Dibley and its inhabitants ready for the wind of change that is Geraldine Grainger?

“It’s just wonderful to get another chance to play Geraldine,” says Nicki. “I love the play. I love the role, and I’m loving playing opposite new people’s different interpretations of such iconic roles, so it doesn’t feel like going through motions – and I’m doing new things and not just doing the same things I did before.

“Geraldine is enthusiastic, she’s energetic and she’s extremely empathetic, which you have to mix into your performance, and I think you have to be a Dawn French fan as well. I saw her doing her Dear Fatty show [Dawn French In 30 Million Minutes] at York Barbican [in July 2014), and she was wonderful. Dawn has even ‘liked’ one of her Instagram posts for this show.”

How has she approached following in Dawn French’s shoes as Geraldine. “Usually, when you play a role, either you’ve seen the film or the show before, and you then interpret it yourself, but with Geraldine you have to be very faithful to Dawn’s character,” says Vicki. “She definitely has a rhythm how she says things.

Mark Simmonds’s Owen Newitt, left, Vicki Clay’s Geraldine Granger, Neil Foster’s Hugo Horton, and Glynn Mills’s David Horton in rehearsal at St Nicholas Church Hall, Back Lane, Wigginton. Picture: Matt Pattison

“The first time, I studied the sitcoms, as it’s good to have something to work with, but now, because I’ve done it before, I’ve not revisited the TV shows as you don’t want to overdo it or you start second guessing yourself.”

After he directed the Rowntree Players in Glorious! at the Joseph Rowntree Theatre in March, The Vicar Of Dibley marks the birth of MARMiTE Theatre under the direction of York amateur stage stalwart Martyn Hunter.

“I’ve been fortunate enough to play many diverse roles over the years and to work with so many talented directors, who have taught me everything I know about amateur theatre. Now feels like the right time to put that experience into practice.

“With The Vicar Of Dibley, we’re setting the tone for MARMiTE Theatre: easy-going, feel-good comedy that lets audiences relax, laugh and leave their worries at the door. We want you to love us or… LOVE US!”

Ah yes, that MARMiTE company title. “I thought it was because of ‘Mar’ in Martyn’s name,” says Nicki. “I don’t think I’ll be able to get away with it forever,” says Martyn. “It came about because, with everything that you want to do, you have to have a company name to apply for the performance rights for a play. I thought about various names and then thought MARMiTE might work by changing it to a lower case ‘i’!”

Love it or hate it, like it or lump it, this is MARMiTE Theatre’s logo!

What if the makers of Marmite hate it, rather than love it, Martyn? “Worse case scenario, we can say ‘marmite’ is a French casserole dish,” he says.

Two years ago, Martyn was asked to audition for 1812 Theatre Company’s production of The Vicar of Dibley in Helmsley. “But I read the script and was a little disappointed that I didn’t think it was as good as I was expecting, but it piqued my interest and then I discovered there were various different versions of a play script,” he recalls.

“So I contacted Tiger Aspect, who said that was the case and I could do one of those or I could adapt my own version. There’s no licence fee to do it, just the set donation you are obliged to make to Comic Relief.

“Ian Gower, who lives in the beautiful fishing village of Mousehole in Cornwall, sent me the script, and I laid on the bed on a Sunday reading it and constantly laughing out loud. ‘What are you laughing at?’ said Jeanette [Martyn’s wife}. She read it and started laughing as well!”

And so MARMiTE Theatre’s debut production was born, delayed by changes from the original cast but now ready for the November run after Martyn spread his net wider, retaining the original nucleus, now supplemented by two additions.

Martyn Hunter: Director of MARMiTE Theatre’s debut production, The Vicar Of Dibley

What guidance has Martyn given his cast on playing such familiar characters? “From day one, I told them that everyone had to bring their best impersonation of their character to the auditions,” he says.

“This does bring its own problems, as you don’t have to look for the character when everyone knows the character. That can be difficult to put your own stamp on it, but it has to become the stage version, rather than having a camera in your face.”

Martyn continues: “I’ve no illusions of being some great director. I know that all theatre is subjective, so what I think is good, someone next to me might think is terrible. I’ve purposely stayed away from the TV series, other than having memories of the characters, staying away from everything else, to put my own slant on it.

“We’ve also kept the 1990s’ setting, being as faithful as possible to the characters. Ironically, The Vicar Of Dibley is a bit like Marmite: there are those who say ‘they can’t stand Dawn French’, but the majority of the country are fans!”

Last question, Vicki and Martyn. Marmite. Do you love it or hate it? “Hate it,” says Vicki. “I tried it only once. It’s good for disguising the dog’s medicine in, but that’s about it – but we do love this MARMiTE!.” Martyn? “I think somewhere in the dark and distant past I tried it. I do know I tried tripe once and that was that.”

MARMiTE Theatre in The Vicar Of Dibley, Theatre@41, Monkgate, York, November 11 to 15, 7.30pm and 2.30pm Saturday matinee. Box office: tickets.41monkgate.co.uk. Supporting Comic Relief.

Mark Simmonds’s Owen Newitt, left, Jeanette Hunter’s Letitia Cropley and Adam Sowter’s Jim Trott in MARMiTE Theatre’s The Vicar Of Dibley. Picture: Matt Pattison

Who’s in MARMiTE Theatre’s cast for The Vicar Of Dibley?

Nicki Clay as Geraldine Granger

Florence Poskitt as Alice Tinker

Glynn Mills as David Horton

Neil Foster as Hugo Horton

Adam Sowter as Jim Trott

Mike Hickman as Frank Pickle

Mark Simmonds as Owen Newitt

Jeanette Hunter as Letitia Cropley

Helen “Bells” Spencer as Woman

Did you know?

NICKI Clay will be stage-managing the Escrick Monday Players’ production of Tim Firth’s Neville’s Island at Escrick & Deighton Village Hall from October 30 to November 1.

Did you know too?

WHEN Martyn Hunter operated the giant plant Audrey II in the late Clive Hailstone’s production of The Little Shop Of Horrors, who should be the off-stage voice of Audrey II but Nicki Clay’s father, Adrian Clay.

FOOTNOTE: Looking ahead, MARMiTE Theatre has its sights set on further productions in a similar vein, including additional The Vicar Of Dibley scripts, ’Allo ’Allo!, The Good Life, Ladies’ Day and Last Tango In Whitby.

Nicki Clay’s Geraldine Granger, Neil Foster’s Hugo Horton, centre, and Glynn Mills’s David Horton rehearsing for MARMiTE Theatre’s The Vicar Of Dibley. Picture: Matt Pattison

July 4, 2024July 5, 2024

REVIEW: 1812 Theatre Company in The Vicar of Dibley, Helmsley Arts Centre, until Saturday ****

Julia Bullock’s Geraldine Granger receives a frosty reception from Grahame Sammons’s parish council chairman David Horton on introducing herself as the new vicar. Oliver Clive’s Hugo Horton looks on rather more admiringly. Picture: Joe Coughlan

WHEN The Vicar Of Dibley was suggested for 1812 Theatre Company’s summer show, director Julie Lomas “had some reservations”. Who could follow comedy icon Dawn French and the rest from Richard Curtis and Paul Mayhew- Archer’s beloved BBC series, she wondered.

Allaying those concerns, she found all her players in her first round of auditions, combining company debutants with familiar faces from Helmsley Arts Centre’s resident company, including Richard Noakes in his 51st appearance “in some way or other” at the Old Meeting House.

Two new members feature, led by Julia Bullock, from the Harrogate theatre scene, making “chocoholic sex kitten” Reverend Geraldine Granger her own, albeit with the Dawn French bob.

Beaj Johnson is stepping up for his stage debut at 60 as no, no, no, yes, Jim Trott, after many years as a photographer in the theatre world, taking portraits of Rik Mayall, Julian Clary, Celia Imrie, Imelda Staunton and…Dawn French (as featured with a flower in the 1812 programme). Not so much no, as yes, yes, yes, such is the comic joy of his terpsichorean turn as the dithering, rumbustious Jim.

Julie Lomas not only directs but also has credits for sound design (with John Lomas), set and lighting design, set decoration (with Pauline Noakes and Becca Magson), wardrobe (with Bullock and Magson) and programme design.

All in favour: Mike Martin’s Owen Newitt, left, Julia Bullock’s Geraldine Granger, Oliver Clive’s Hugo Horton, Grahame Sammons’s David Horton, Richard Noakes’s Frank Pickle, Sue Smith’s Sue Cropley and Beaj Johnson’s Jim Trott at a Dibley Parish Council

Hats off to such a hands-on contribution, but that’s not all. She has adapted the original Curtis & Mayhew-Archer script too, retaining the 1990s’ setting, with references to William Hague, Norma Major and Anne Robinson, but ostensibly moving the location from the south to Yorkshire, although only the vicar of Dibley dabbles in pronounced northern vowels, enhancing Bullock’s distancing from the French style.

The rest mirror the accents of the TV originals, adding to the mist of nostalgia that had seen this week’s evening performances all but sell out in advance. (N.B. Two tickets are still available for Saturday night, more for the matinee).

The play starts where else but at the Dibley Parish Council meeting where misogynistic, autocratic chairman David Horton (Grahame [CORRECT] Sammons, stuffed of shirt, acid of mouth) announces the need to replace the departed Reverend Pottle.

All the favourites are there: the pedantic/fastidious parish clerk Frank Pickle (a steadfast Richard Noakes); Mrs Cropley (stoical Sue Smith), with her waste-not but not-wanted nibbles; geeky, quirky Hugo Horton (Oliver Clive); the aforementioned Jim (Johnson, as much a nod to Wilfrid Brambell and Ade Edmondson as to Roger Lloyd Pack ) and the late-arriving Owen Newitt, (a bucolic, West Country, hangdog Mike Martin), struggling with his latest bowel affliction.

Lomas quickly establishes economy of scene and speed of scene change with an open plan set that combines the Horton mansion with the village hall and the vicarage, topped off by a stained-glass window that will come into play late on as Barry Whitaker’s Bishop of Mulberry makes his mark.

*At last! Julia Bullock’s Geraldine Granger celebrates as Oliver Clive’s Hugo Horton and Jeanette Hambidge’s Alice Tinker finally have their Rodin sculpture moment. Picture: Joe Coughlan*

All gather at Horton HQ for the arrival of the new vicar, Horton handing out the cheap sherry. Not a woman, he prays. Enter Bullock’s Geraldine Granger, the answer to the village’s prayers as it turns out. Immediately drawing attention to her bust, and instantly demanding whisky, she is frank, fearless, forthright, funny. She loves Sean Bean, she loves a naughty joke, she loves chocolate, she loves love, what’s not to love?

Crucial too is the vicar’s relationship with Alice Tinker, the verger, so maddening, unpredictable, pedantic, sometimes as thick as clotted cream, yet as lovable too. Here Lomas has cast superbly in Jeanette Hambidge for a role that demands a multi-faceted performance, and Bullock and Hambidge duly bring out the best in each other.

In her programme notes, Lomas had highlighted not only nostalgia but poignancy too, a characteristic that applies to both the slow-to-blossom romance of Hugo and Alice – beautifully, tentatively, tenderly played by Clive and Hambidge – and to the emotionally parched Horton developing feelings for Geraldine. Sammons plays these scenes particularly well, full of delusion, then the drain of reality and sudden generosity of spirit, bringing a lump to the throat.

Lomas wrote too of the “comedy still being fresh”, despite the period setting, the absence of mobile phones, and it is to her cast’s huge credit that they have all made it fresh anew, episodic in structure, but complete in a way that a sitcom episode cannot be. How else could it finish but with Geraldine and Alice on different wavelengths in a kitchen conversation.

1812 Theatre Company in The Vicar Of Dibley, Helmsley Arts Centre, 7.30pm tonight and tomorrow; 2.30pm and 7.30pm tomorrow. Box office: 01439 771700 or helmsleyarts.co.uk.

July 4, 2024July 4, 2024

What’s On in Ryedale, York and beyond when the vampire hunters strikes back. Hutch’s List No. 23, from Gazette & Herald

*Killian Macardle, left, Annie Kirkman and Chris Hannon in Dracula: The Bloody Truth at the SJT. Picture: Pamela Raith*

THE truth behind Dracula, wall-to-wall graffiti, vicar irreverence and a blast of brass bring variety to Charles Hutchinson’s tips for jaunty July trips.

Comedy drama of the week: Dracula: The Bloody Truth, Stephen Joseph Theatre, Scarborough, tonight to July 27

THE Stephen Joseph Theatre teams up with Bolton’s Octagon Theatre to stage physical theatre comedy exponents La Navet Bete & John Nicholson’s Dracula: The Bloody Truth, based very loosely on Bram Stoker’s story.

SJT artistic director Paul Robinson directs Chris Hannon, Annie Kirkman, Alyce Liburd and Killian Macardle as vampire hunter Professor Abraham Van Helsing reveals the real story behind the legend of Dracula, the one with the Whitby connection. Box office: 01723 370541 or sjt.uk.com.

*Hamish Brown’s Alexis, left, Alexandra Mather’s Miss Aline Sangazure and Anthony Gardner’s John Wellington Wells in York Opera’s The Sorcerer. Picture: John Saunders*

Everything stops for tea: York Opera in The Sorcerer, York Theatre Royal, until Saturday, 7.30pm and 2.30pm Saturday matinee

JOHN Soper directs York Opera in The Sorcerer, Gilbert and Sullivan’s first full-length comic opera, wherein Sir Marmaduke Pointdextre (Ian Thomson-Smith) hosts a tea party in the Ploverleigh Hall gardens to celebrate the betrothal of his only son, Alexis (Hamish Brown) to Miss Aline Sangazure (Alexandra Mather), daughter of Lady Annabella Sangazure (Rebecca Smith).

When a love-at-first-sight elixir is mixed into the celebration tea by a sorcerer, John Wellington Wells (Anthony Gardner, in the role played by Soper for York Opera in 2001), mayhem follows as the assembled guests fall under his magic spell. What could possibly go wrong? Box office: 01904 623568 or yorktheatreroyal.co.uk.

*Julia Bullock’s Geraldine Granger, Oliver Clive’s Hugo Horton, centre, and Grahame Sammons’s David Horton in 1812 Theatre Company’s The Vicar Of Dibley*

Religious conversion of the week: 1812 Theatre Company in The Vicar Of Dibley, Helmsley Arts Centre, untilSaturday, 7.30pm plus 2.30pm Saturday matinee

JULIE Lomas directs Helmsley Arts Centre’s resident company in a stage play adapted from the original BBC television series by Richard Curtis and Paul Mayhew-Archer. When Reverend Pottle dies, much to the surprise of the Dibley Parish Council, his replacement is Geraldine Granger, a vicar who is also a chocoholic sex kitten.

Follow the antics of David Horton, his son Hugo, Jim, Owen, Frank and Mrs Cropley as they adjust to working with the witty and wonderful Geraldine, assisted by her verger, Alice Tinker. Box office: 01439 771700 or helmsleyarts.co.uk.

*Bright Light Musical Productions in Green Day’s American Idiot: York premiere at Joseph Rowntree Theatre. Picture: Dan Crawfurd-Porter*

York musical of the week: Bright Light Musical Productions in Green Day’s American Idiot, Joseph Rowntree Theatre, York, tomorrow to Saturday, 7.30pm and 2.30pm Saturday matinee

NORTH Yorkshire company Bright Light Musical Productions make their JoRo debut in the York premiere of punk rock opera Green Day’s American Idiot with a cast of 14 directed by Dan Crawfurd-Porter and a seven-piece band under Matthew Peter Clare’s musical direction.

Inspired by the Californian band’s 2004 album, American Idiot tells the story of Johnny (Iain Harvey), “Jesus of Suburbia”, and his friends Will (William Thirlaway) and Tunny (Dan Poppitt) as they attempt to break out of their mind-numbing, aimless suburban existence. Box office: 01904 501935 or josephrowntreetheatre.co.uk.

*For those about to rock: Live/Wire take the highway to hell with AC/DC classics at The Crescent*

Tribute show of the week: Live/Wire, The AC/DC Show, The Crescent, York, Friday and Saturday (sold out), doors 7.30pm

LIVE/WIRE, The AC/DC Show pays tribute to the Aussie heavy rock band, replete with a wall of Marshall amps for two hours of high voltage rock’n’roll. Podge Blacksmith, a double take for frontman Brian Johnson, revels in a set taking in everything from Highway To Hell and Whole Lotta Rosie to Back In Black and latest album Rock Or Bust. Box office for Friday only: thecrescentyork.com.

*One of James Jessop’s works on show in Rise Of The Vandals at the disused office block at 2, Low Ousegate, York*

Exhibition/installation of the week: Bombsquad, Rise Of The Vandals, 2, Low Ousegate, York, Friday to Sunday, 11am to 6pm.

SPREAD over four floors in a disused Low Ousegate office block, York art collective Bombsquad showcases retrospective and contemporary spray paint culture, graffiti, street art and public art in three galleries, a cinema room, a Wendy house and art shop, in aid of SASH (Safe and Sound Homes).

Taking part in Rise Of The Vandals are York graffiti archivist Keith Hopewell, James Jessop, Bristol legend Inkie, Chu, Rowdy, Kid Acne, Remi Rough, Prefab77, SODA, Replete, Jo Peel, Sharon McDonagh, Lincoln Lightfoot, Anonymouse, Boxxhead and live DJs in SODA’s booth. Free entry; donations are encouraged. Dog friendly.

*Fatboy Slim: Cooking up the beats at Scarborough Open Air Theatre. Picture: fatboyslim.net*

Coastal gigs of the week: Fatboy Slim, Saturday; Paul Weller, Sunday, Scarborough Open Air Theatre, gates open at 6pm

NORMAN Cook has come a long way, baby, since he played bass in Hull band The Housemartins. Now the BRIT award-winning, Brighton-based DJ, aka Fatboy Slim, heads back north to fill Scarborough with big beats and huge hooks in Rockafeller Skank, Gangster Trippin, Praise You and Right Here Right Now et al on Saturday night.

The Modfather Paul Weller showcases his 17th studio album, 66, full of ruminations on ageing, in Sunday’s set of songs from The Jam, Style Council and his solo years. Box office: scarboroughopenairtheatre.com.

*Paul Weller: Reflections on hitting 66 at Scarborough Open Air Theatre*

Brass Band Summer Showcase of the week: Swinton & District Excelsior Brass Band, Milton Rooms, Malton, Sunday, 2pm

AS part of Brass Band Week, the Summer Showcase features the Swinton & District Excelsior Brass Band with trumpet and cornet soloist Sean Chandler. Taking part too will be the Swinton Training Band and The Workshop Band, including members from Swinton, Stape, Malton and Kirkbymoorside Brass Bands. Entry is free; tickets are available from 01653 696240, themiltonrooms.com or ticketsource.co.uk.

June 29, 2024July 7, 2024

More Things To Do in York & beyond when art goes wall to wall and opera takes a love potion. Hutch’s List No. 27, from The Press

*One of James Jessop’s works on show in Rise Of The Vandals in the disused office block at 2, Low Ousegate, York*

GRAFFITI writ large, an American rock musical, G&S and afternoon tea, a theatre festival and a football play find Charles Hutchinson in tune with the joys of June.

Exhibition/installation of the week: Bombsquad, Rise Of The Vandals, 2, Low Ousegate, York, today, tomorrow, then July 5 to 7, 11am to 6pm.

*Johnny Marr: Playing songs from The Smiths to Electronic to his solo career (compiled on his Spirit Power collection) at Scarborough Open Air Theatre*

Coastal gigs of the week: Johnny Marr and The Charlatans, tonight; Gregory Porter, Monday, Scarborough Open Air Theatre, gates 6pm

JOHNNY Marr, The Smiths and Electronic guitarist, superstar collaborator and solo artist, cherry-picks from all eras of his career, right up to his November 2023 compilation Spirit Power in his headline set. First up on this north-western double bill on the East Coast will be The Charlatans, as full of indie rock swagger as ever after 22 Top 40 hits.

Grammy Award-winning Californian jazz vocalist and songwriter Gregory Porter performs songs from Liquid Spirit, Take To The Alley, Nat King Cole & Me, All Rise and more besides on Monday night. Box office: scarboroughopenairtheatre.com.

Everything stops for tea: York Opera in The Sorcerer, York Theatre Royal, July 3 to 6, 7.30pm and 2.30pm Saturday matinee

*Julia Bullock’s Geraldine Granger, Oliver Clive’s Hugo Horton and Grahame Sammons’s David Horton in 1812 Theatre Company’s The Vicar Of Dibley*

Religious conversion of the week: 1812 Theatre Company in The Vicar Of Dibley, Helmsley Arts Centre, July 3 to 6, 7.30pm plus 2.30pm Saturday matinee

Musical of the week: Bright Light Musical Productions in Green Day’s American Idiot, Joseph Rowntree Theatre, York, July 4 to 6, 7.30pm and 2.30pm Saturday matinee

*The bootiful game: Long Lane Theatre Club in The Giant Killers at the Milton Rooms, Malton*

Football alternative to England at the Euros: Long Lane Theatre Club in The Giant Killers, Milton Rooms, Malton, July 4, kick-off at 7.30pm

THE Giant Killers tells the story of how Darwen FC came to the public’s attention in 1870s’ Lancashire to proclaim Association Football as the people’s game and not only the preserve of the upper classes.

Andrew Pearson-Wright & Eve Pearson-Wright’s play recounts how a ragtag bunch of mill workers in Darwen took on the amateur gentlemen’s club of the Old Etonians in the FA Cup quarter-final in 1879, rising up against prevailing social prejudice and the might of the Football Association to earn a place in history as the first real ‘‘giant killers’’ in English football. Box office: 01653 696240 or themiltonrooms.com.

Tribute show of the week: Live/Wire, The AC/DC Show, The Crescent, York, July 5 and 6 (sold out), doors 7.30pm

In Focus: Shepherd Group Brass Bands, Best Of Brass, York Theatre Royal, tonight, 7.30pm

*The poster for Shepherd Group Brass Bands’ Best Of Brass at York Theatre Royal*

TONIGHT’S Shepherd Group Brass Bands concert features all of the Shepherd bands playing individually and then a mighty ensemble piece, when all 170 players perform a specially composed piece by Liz Lane to mark 20 years of the bands’ sponsorship by the Shepherd Group.

Liz’s celebratory work represents the bands – Brass Roots, Academy Brass, Youth Band, Concert Band and Shepherd Group Brass Band – and the company support that provides first-class rehearsal facilities and has enabled the band organisation to grow.

Liz has led several workshops, where she has worked with each band, “ storyboarding players’ feelings about the band, what we get from it as players and as a band family as a whole”.

She has been allowed to visit the Portakabin production site too, where she drew inspiration from the machinery used in the production of product lines.

On May 21, players from each band gathered in the band room for the first full run-through in Liz’s presence. Afterwards she went away with a couple of ideas for final tweaks. Now comes the premiere performance with “a few real surprises in store for the audience”. Box office: 01904 623568 or yorktheatreroyal.co.uk.

In Focus too: Festival of the week: Ripon Theatre Festival, July 2 to 7

*Barrie Rutter: Presenting Shakespeare’s Royals in Ripon Cathedral on July 4 at 7.30pm*

PUPPETS, stories, dance, drama, circus and street entertainment pop up in new and surprising places alongside more familiar venues, such as Newby Hall, The Old Deanery, Ripon Cathedral, Ripon Arts Hub and Fountains Abbey, as Ripon Theatre Festival returns.

In all, 109 events and activities will be crammed into five days and six nights. Among the highlights will be Barrie Rutter’s Shakespeare’s Royals, The Adventures Of Doctor Dolittle, Red Ladder’s Miners’ Strike musical comedy We’re Not Going Back, the Family Day on July 7 and Folksy Theatre’s open-air As You Like It.

Opening the festival on Tuesday at 11am and 2pm, Andrew Bates’s Brother Aidan brings heritage crafts, history and storytelling to his new home at Fountains Abbey. In Hazelsong Theatre’s interactive event for adults, he creates an Anglo-Saxon book, interwoven with stories of his life as a monk, with his demonstration including parchment and ink making, bookbinding and calligraphy.

On the first night, the Hilarity Bites Festival Special comedy bill will be hosted by Ripon favourite Lee Kyle at Ripon Arts Club on Tuesday at 8pm. Taking part will be sketch supergroup Tarot, musical comedy duo Black Liver and 2023 BBC New Comedian of the Year Joe Kent-Walters in the guise of his outrageous comic creation, Frankie Monroe, the MC of a working men’s club that provides a portal to hell.

York company Pilot Theatre and One To One Development Trust present daily screenings of Monoliths, an immersive, digital theatre experience that interweaves three northern landscapes – a moor, a city and a coast – with sweeping soundscapes and poetic monologues at Ripon Cathedral.

Written by Hannah Davies, from York, Carmen Marcus, from Saltburn-by-the-Sea, and Asma Elbadawi, from Leeds, the stories are an arresting testament to the inextricable link between person and place. Directed by Lucy Hammond, each performance lasts 11 minutes and can be experienced by three visitors at a time, wearing XR headsets. Times: 1.30pm to 3.30pm, July 2 to 5; 10.30am to 3.30pm, July 6.

Nicola Mills is joined by pianist Maria King for A Spoonful Of Julie, an hour-long tribute to Julie Andrews, full of charming stories of her life, songs, singalongs, medleys and favourite things, at Holy Trinity Church on Wednesday from 1pm to 2pm.

In Look After Your Eyes, at Ripon Arts Club at 8pm that night, Yorkshire theatre-maker, performer and physical comedian Natalie Bellingham reflects on the pain and beauty of love: what it is to both connect and unravel.

Performed by a clown “delving into the space inside us left behind by loss”, her show celebrates being human in all its banality, sprinkled with joy and ridiculousness.

*Natalie Bellingham in Look After Your Eyes*

Thursday opens with Stand Up Stories, presented by Ripon Theatre Festival storyteller in residence Ilaria Passeri at the Storehouse Bar. Describing herself as the product of a bold Scottish mother, an errant Italian father and a little sister with the vocabulary of a truck driver, Ilaria has found herself in more than a few scrapes, situations and silly scenes.

In a whistlestop twilight tour through the confusing comedy of errors of her life, her tales introduce her family, friends, pets and one very peculiar clown.

From 7.15pm, Ripon Museum Trust guides lead the Ripon Heritage Ghost Walk from the Market Place. At 7.30pm, Northern Broadsides founder Barrie Rutter OBE celebrates the Bard’s Kings and Queens, their achievements, conquests and foibles, in Shakespeare’s Royals at Ripon Cathedral. Cue anecdotes and memories from a globe-spanning career of playing and directing Shakespeare.

Ilaria Passeri returns on Friday morning from 10.30am to 11am for Storytime for pre-schoolers at Ripon Library, featuring Derek the Dragon, Rita the skateboarding Mouse and Brian the Chicken’s messy bedroom. A short-story writing workshop for adults follows from 11.30am to 1pm; bring a pen and notepad.

At 2pm at Ripon Cathedral, Redheart Theatre presents Rupert Mason in Mr Owen’s Notebook, an exploration of Wilfred Owen’s experience of war through his poetry and the works of his contemporaries.

Written and directed by Justin Butcher, Mason’s one-man performance recalls how Owen lived his last summer in Ripon, where he spent his last birthday in the cathedral, now the backdrop to this sold-out show.

Mason charts how an officer travels from the Allied HQ to the Western Front one week before the Armistice and discovers the pocketbook of a young lieutenant killed that day: Wilfred Owen.

In a marquee at The Ripon Inn, in Park Street, Tell Tale Hearts serve up the teatime entertainment Trunk Tales, wherein a well-travelled lady arrives with her trunk of tales that tell of boastful toads, magical fish and fearsome beasts.

Using only the contents of her magical luggage, she creates Arabic seas, epic mountains, fields of turnips and the tallest trees in her interactive stories from around the world for four-year-olds and upwards.

*Paulus the Cabaret Geek in Looking For Me Friend*

Paulus the Cabaret Geek’s tour of Looking For Me Friend, The Music Of Victoria Wood arrives at Ripon Arts Hub on Friday at 8pm, accompanied by Fascinating Aida pianist Michael Roulston for an hour of songs and stories.

In telling Wood’s story, Paulus unfolds his own in a relatable account of a 1970s’ childhood and what it really means to find your tribe.

Saturday keeps festivalgoers on the move in a day of Pop-Up Events at various locations from 9.30am to 6pm. Ilaria Passeri hosts a morning of adventures for four-year-olds and upwards in Tales From Honeypot Village, featuring Rita the Mouse and the Tidy Trolls in the front room of The Unicorn Hotel at 9.30am and the back room of The Little Ripon Bookshop at 11.30am.

Puppeteers Eye Of Newt open their magical miniature suitcase for Ayla’s Dream, a captivating tale of night skies, light and counting sheep for three to ten-year-olds at Ripon Library at 10.30am (accompanied by a puppet workshop) and Ripon Cathedral from 12 noon to 12.30pm (performance every ten minutes).

York performer Tempest Wisdom takes a journey down the rabbit hole in the family-friendly Curiouser & Curiouser, a show for age five + packed with Lewis Carroll’s whimsical writings, inspired by Ripon Cathedral’s nooks and crannies. Free performances take place at Ripon Cathedral at 11am, 12.30pm and The Little Ripon Bookshop at 2.30pm.

Join the Master and Matron on the front lawn for an interactive game of giant Snakes And Ladders At The Workhouse Museum. Learn how life then, as now, is as precarious as a shake of the dice; slither down the snake to a shaven head and defumigation or ascent to a life out of the ashes from 11am to 12.30pm or 1pm to 3pm.

Festival favourites Lempen Puppet Theatre return with the free show Theatre For One in Ripon Cathedral from 10.45am to 11.30pm and Kirkgate from 1.30pm to 2.30pm and 3pm to 4pm. In a micro-theatre experience for one at a time, plus curious onlookers, a mini-performance of The Belly Bug or Dr Frankenstein will be staged every five minutes.

Members of the Workhouse Theatre Group invite you to experience justice 1871 style in The Trial Of John Sinkler in a case of poaching and threatening behaviour from 2pm to 3pm at The Courthouse Museum.

Ensure justice is seen to be done or perhaps take a more active role in a lively scripted re-enactment led by Mark Cronfield, formerly of Nobby Dimon’s North Country Theatre company.

The festival fun continues in Kirkgate with buskers, bands and more from 3pm to 6pm.

For full festival details and tickets, head to: ripontheatrefestival.org. A preview of further events at Ripon Theatre Festival on July 6 and 7 will follow.