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More Things To Do in York and beyond from March 9 onwards. Hutch plays his cards for List No. 11 for 2024, from The Press

2023 Strictly champ Ellie Leach’s Miss Scarlett, front right, with her fellow colourful characters in the new whodunit comedy Cluedo 2, on tour at York Theatre Royal. Picture: Alastair Muir

A WHODUNIT comedy, mischievous theatre as a team game, a wicked return, cocktail-bar tales, political satire and one-liners and a very muddy pig are Charles Hutchinson’s clues to the best upcoming shows.

Whodunit, with what and where, of the week: Cluedo 2, York Theatre Royal, March 12 to 16, 7.30pm plus 2pm Thursday and 2.30pm Saturday matinees

STRICTLY Come Dancing 2023 champion and Coronation Street star Ellie Leach is making her stage acting debut as Miss Scarlett in the world premiere British tour of Cluedo 2, marking the 75th anniversary of the Hasbro boardgame. Next stop, York.

This follow-up to the original play (based on Jonathan Lynn’s 1985 film Clue) is an original comedy whodunit, set in the Swinging Sixties, with a script by Laurence Marks and Maurice Gran (Birds Of A Feather, Goodnight Sweetheart and Dreamboats And Petticoats) and direction by Mark Bell (Mischief Theatre’s The Play That Goes Wrong). Box office: 01904 623568 or yorktheatreroyal.co.uk.

Ash Hunter’s Macbeth and Jessica Baglow’s Lady Macbeth in Amy Leach’s revival of Macbeth at Leeds Playhouse. Picture: Kirsten McTernan

Something wicked this way comes…again: Macbeth, Leeds Playhouse, until March 23

AMY Leach reactivates her 2022 Leeds Playhouse production of Shakespeare’s Macbeth with a wickedly good cast, now led by Ash Hunter, who returns to Yorkshire after his terrific Heathcliff in Emma Rice’s Wuthering Heights at York Theatre Royal.

“Macbeth investigates the nature of belief, love, ambition and desire, asking us to root for two humans who drive each other to do utterly terrible things,” says Leach. Box office: 0113 213 7700 or leedsplayhouse.org.uk.   

Let the games begin: Gemma Curry, left, Claire Morley and Becky Lennon in Hoglets Theatre’s A Midsummer Night’s Mischief at York Theatre Royal Studio

Shakespeare shake-up of the week: Hoglets Theatre in A Midsummer Night’s Mischief, York Theatre Royal Studio, March 9, 10.30am

EVERYTHING is kicking off as the fairies in the forest start a fight, but which side will you be on? Team Titania or Team Oberon? York company Hoglets Theatre presents an interactive, fun, larger-than-life production for young children, based on Shakespeare’s comedy A Midsummer Night’s Dream.

Expect wild characters, raucous singalong songs, puppets, stunts and some frankly ridiculous disco dancing from director/writer Gemma Curry and fellow cast members Claire Morley and Becky Lennon. Box office: 01904 623568 or yorktheatreroyal.co.uk.

Comedian Matt Green: “Trying to make sense of the world”. Picture: Karla Gowlett

Political satire of the week: Matt Green: That Guy, Theatre@41, Monkgate, York, March 10, 8pm

THE debut national tour by That Guy (@mattgreencomedy) is a stand-up show full of jokes both political and non-political after he achieved millions of views for his online satirical videos launched in lockdown.

Green is touring his first show “since the madness of Covid/Johnson/Truss/Lord-knows-what-else began”, trying to make sense of the world in another year of elections and culture wars. Box office: tickets.41monkgate.co.uk.

Jake Bugg: Playing our city on his Your Town Tour

Singer-songwriter of the week: Jake Bugg, Your Town Tour 2024, York Barbican, Tuesday, doors 7pm

ON his 15-date tour, Nottingham singer-songwriter Jake Bugg is performing two sets per night, first acoustic, then electric, as he rattles through his biggest hits, plus songs from 2021’s top three-charting Saturday Night Sunday Morning.

Two nights earlier, founder member Graham Gouldman leads art pop and soft rock innovators 10cc on their Ultimate Ultimate Greatest Hits Tour 2024 at 7.30pm. Ticket availability is limited. Box office: yorkbarbican.co.uk.

Peppa Pig’s Fun Day Out: Songs, muddy puddles and snorts at the Grand Opera House

Children’s show of the week: Peppa Pig’s Fun Day Out, Grand Opera House, York, Wednesday, 1pm and 4pm, and Thursday, 10am and 1pm

PEPPA Pig is joined by her family and friends as they head to the zoo and the beach for a special party, with the promise of a fun-packed day. Prepare to sing with colourful scarecrows, feed the penguins, build big sandcastles and even swim in the sea in a show packed with songs, dancing, muddy puddles, giggles and snorts. Box office: atgtickets.com/york.

Facing the shift from hell in the worst bar in town: Sophie Bullivant, Abi Carter, Holly Smith and Laura Castle in Rowntree Players’ Shakers

Comedy play of the week: Rowntree Players in Shakers, Joseph Rowntree Theatre, York, March 14 to 16, 7.30pm and 2.30pm Saturday matinee

WELCOME to Shakers, the worst bar in town where everyone wants to be seen. Carol, Adele, Niki and Mel face the shift from hell. The lights are neon, the music is loud, and shoes must be smart. No trainers.

Jane Thornton and John Godber’s 1984 comedy exposes the sticky-floored world behind the bar on a busy Saturday night. Here come the girls, the lads, the yuppies and the luvvies, all played by Sophie Bullivant, Laura Castle, Abi Carter and Holly Smith under the direction of Jamie McKeller, who worked previously with Bullivant and Castle on Godber’s Teechers in 2023. Box office: 01904 501935 or josephrowntreetheatre.co.uk.

Rebecca Vaughan in Dyad Productions’ Austen’s Women: Lady Susan, scheming at Theatre@41 for two days

Solo show of the week: Dyad Productions in Austen’s Women: Lady Susan, Theatre@41, Monkgate, York, March 15, 7.30pm and March 16, 2.30pm

FROM the creators of I, Elizabeth, Female Gothic, Christmas Gothic and A Room Of One’s Own comes a new Austen’s Women show, based on Jane Austen’s first full-length work from 1794, performed by Rebecca Vaughan.

Created entirely from letters, this one features the devil-may-care Lady Susan, the coquettish, scheming black widow, hunting down not one, but two, fortunes. Then add oppressed, rebellious daughter Frederica; long-suffering sister-in-law Catherine; family matriarch Mrs De Courcy and insouciant best friend Alicia in this darkly comic tale of Georgian society and the women trapped within it. Box office: tickets.41monkgate.co.uk.

Shock in shirts: Comedian Milton Jones will be displaying his sartorial eloquence in his Ha!Milton tour show

Gig announcement of the week: Milton Jones, Ha!Milton, Grand Opera House, York, September 7; Sheffield, City Hall, December 4; King’s Hall, Ilkley, December 8

MILTON Jones, the shock-haired master of the one-liner, will take his 2024 tour, Ha!Milton, on the road from September 3 to December 15. “This is not a musical,” says Jones, in a nod to the title.

“I am tone deaf and have no sense of rhythm, but at least I don’t make a song and dance about it. This is a whole new show of daftness. You know it makes sense.” Topics will include giraffes…“and there’s a bit about tomatoes”. Box office: miltonjones.com; York, atgtickets.com/york; Sheffield, sheffieldcityhall.co.uk; Ilkley, bradford-theatres.co.uk.

In Focus: Navigators Art & Performance, GUNA: Views and Voices of Women, City Screen Picturehouse, York


Collaborative banner by Navigators Art workshop group, including first-time artists, for York International Women’s Week 2024

YORK collective Navigators Art & Performance presents GUNA: Views and Voices of Women, at City Screen Picturehouse, Coney Street, York, from March 10 to April 5.

Run in association with York International Women’s Week 2024, this exhibition explores and celebrates the creativity of women and non-binary artists.

On show in the cafe and the upstairs gallery is an array of paintings, textiles, collages, photographs and more by 20 emerging and established York makers, curated by York artist Katie Lewis.

Navigators Art & Performance’s poster for GUNA: Views and Voices of Women


“Women have used textiles as an art form to tell their stories and express views for centuries,” says Katie. “Many of the artists are using recycled fabrics that give further meaning to their work.”

The official launch night event on March 11 offers the chance to meet the artists over a complimentary drink from 6pm.  All are welcome, with no need to book; more details at  https://www.facebook.com/events/6804352783003925

The exhibition is free to enter every day during cinema hours. City Screen is fully accessible.

Suffragette City, by Katie Lewis

NAVIGATORS Art & Performance will co-host GUNA: An Evening of Music, Spoken Word, Performance Art and Comedy to complement the exhibition and further celebrate the creativity of women and non-binary artists in The Basement at City Screen on March 23 from 7pm to 10.45pm.

GUNA is a version of the ancient Greek word for ‘woman’, leading to a line-up of
poets Danae, Olivia Mulligan and Rose Drew; performance artist Carrieanne Vivianette; global songs and percussion from Soundsphere; original music from Suzy Bradley; comedy from Aimee Moon; and a rousing appearance by the multi-faceted singer, author and artist Heather Findlay.

“The venue is small and our shows often sell out, so book soon,” advises Navigators’ organiser, Richard Kitchen. Full details and TicketSource booking are available at https://bit.ly/nav-guna

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What’s real, what’s not and what’s gone wrong, asks storyteller Shôn Dale-Jones in Cracking at Theatre@41, Monkgate

The poster for Shôn Dale-Jones’s Cracking, on tour at Theatre@41, Monkgate, York

WHEN the world goes mad, do we inevitably go mad too, asks Welsh storyteller Shôn Dale-Jones in his new dark comedy, Cracking, at Theatre@41, Monkgate, York, on Friday at 7.30pm.

Billed as “a completely made-up true story about loving in the face of hatred”, the uplifting, heartwarming 75-minute comic show was developed originally for BBC Radio 4 and is presented by SDJ Productions.

When Shôn playfully cracks an egg on his mother’s head, he has no idea real-life internet trolls will appear on his doorstep. Cracking duly takes on the battle between love and hate, asking what’s funny and where we draw the line.

Part stand-up, part theatre, Cracking is a humorous, touching and thought-provoking solo performance that “sews together fact and fiction into one seamless whole, making us wonder what’s real, what’s not and what’s gone wrong”.

Tickets for Dale-Jones’s celebration of how searching for connection beats disconnecting are on sale at tickets.41monkgate.co.uk.

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More Things To Do in York and beyond as the time to book up for the literati arrives. Hutch’s List No. 10, from The Press

Tuck into An Audience with Grace Dent, the Guardian food writer, columnist, author and presenter, at the Grand Opera House, York, on March 30 (7pm) as part of York Literature Festival

LITERATURE festivities, psychological bunny puppetry, sci-fi theatre, paranormal investigations and explosive dance promise out-of-this-world cultural experiences, reckons Charles Hutchinson.

Festival of the month: York Literature Festival, ends April 4

YORK Literature Festival is under way with events spread between St Peter’s School; York St John University; York Explore Library; Theatre@41; The Mount School; The Basement at City Screen; York Museum Gardens; York Medical Society, Stonegate; The Crescent; the Grand Opera House and The Blue Boar, Castlegate.

Among the highlights are today’s (2/3/2024) Folk Horror Day; food writers Nina Mingya Powles and Ella Risbridger on Thursday and Grace Dent on March 30; Nicholas Royle David Boiwe, Enid Blyton and The Sun Machine, March 12; journalist and broadcaster Steve Richards on Turning Points in modern Britain, March 16; Lush founder and lead singer Mike Berenyi, discussing her memoir Fingers Crossed, March 24, and poet and broadcaster Lemn Sissay’s morning poems, March 30. For the full programme and bookings, visit yorkliteraturefestival.co.uk.

Lemn Sissay: British-Ethiopian poet will perform morning poems from Let The Light Pour In at York Literature Festival on March 30 (2pm). Picture: Hamish Brown

When Tuesday is on a Saturday: 1812 Youth Theatre in Tuesday, Helmsley Arts Centre, tonight (2/3/2024), 2.30pm, 7.30pm

AN ordinary Tuesday turns really, really weird when the sky over the school playground suddenly rips open in Alison Carr’s funny and playful play Tuesday. Pupils and teachers are sucked up to a parallel universe as a new set of people rain down from above. ‘Us’ and ‘Them’ must come together to work out what is going on and how to return things to how they were.

Carr combines “a little bit of sci-fi and a lot of big themes”: friendship, family, identity, grief, responsibility – and what happens when an unexpected event turns the world upside down. Box office: 01439 771700 or helmsleyarts.co.uk.

Exploring psychological damage: George Green in Foxglove Theatre’s Rabbit at Theatre@41, Monkgate, York

New play of the week: Foxglove Theatre in Rabbit, Theatre@41, Monkgate, York, tonight (2/3/2024), 7.30pm

YORK company Foxglove Theatre identified a need for weirder, more experimental theatre in the city, focusing on “psychological exploration through innovative visual storytelling”. Here comes their debut new work, Rabbit, wherein a brave bunny wakes up lost in a murky forest determined to find her way home to Mumma.

Blending puppetry and visual effects, George Green’s performance explores the psychological damage that develops from even the smallest mishandlings of our childhood selves. Box office: tickets.41monkgate.co.uk.

Back on the Chain Gang: Miles Salter, second left, and his York band make a second visit to Ampleforth Village Hall tonight

Village gig of the week: Miles and The Chain Gang, Ampleforth Village Hall, near Helmsley, tonight (2/3/2024), 7.30pm

YORK band Miles and The Chain Gang return to Ampleforth Village Hall by popular demand after a first outing there last summer. Expect rock’n’roll, acoustic songs, new wave, soul and country, plus Rolling Stones, Joni Mitchell and Johnny Cash covers.

Their latest digital single, the country-tinged Raining Cats And Dogs, is sure to feature in the set by Miles Salter, guitar and vocals, Mat Watt, bass, Steve Purton, drums, and Charlie Daykin, keyboards. Tickets: 07549 775971.

Yvette Fielding: Leading the paranormal investigations at the Grand Opera House, in the haunted city of York, in a Sunday fright night

Paranormal show of the week: Most Haunted: The Stage Show, Grand Opera House, York, Sunday (3/3/2024), 7.30pm

YVETTE Fielding, “the first lady of the paranormal”, joins Karl Beattie, producer and director of the Most Haunted television series, in the investigative team to take Sunday’s audience on “the darkest, most terrifying journey of your life”, followed by a question-and-answer session.

In a city bursting at the seams with ghost stories and walks, Fielding and Beattie present Most Haunted’s All-Time Top Ten Scares, complete with unseen video footage from haunted castles, manor houses, hospitals and prisons. Box office: atgtickets.com/york.

Excellent entertainment? Phil Ellis reckons so at Theatre@41 on Tuesday

Comedy gig of the week: Phil Ellis’s Excellent Comedy Show, Theatre@41, Monkgate, York, Tuesday, 8pm

DO you like comedy? Do you like shows? What are your thoughts on excellence? “If you like all three, then the award-winning Phil Ellis’s Excellent Comedy Show is the excellent comedy show for you,” advises Ellis, who promises an hour of stand-up and fun from “the North West’s most punctual working-class comedian”. Box office: tickets.41monkgate.co.uk.

Diversity: Dancing around the Supernova at the Grand Opera House, York, for two nights. Harrogate and Hull to follow

Dance show of the week: Diversity in Supernova, Grand Opera House, York, March 7 and 8, 7.45pm; Harrogate Convention Centre, March 9, 3.30pm; Hull Connexin Live, April 7, 2.30pm

2009 Britain’s Got Talent winners Diversity return to York on their biggest tour yet to stage Supernova, devised by founder Ashley Banjo. More than 120,000 tickets have sold for more than 90 dates in 40 cities and towns through 2023 and 2024, with both Grand Opera House performances down to the last few tickets.

Diversity will be supporting the Trussell Trust, the anti-poverty charity, inviting audience members to bring food donations to place in collection points. Cash donations in buckets are welcome too. Box office: York, atgtickets.com/york; Harrogate, 01423 502116 or harrogatetheatre.co.uk; Hull, connexinlivehull.com.

Suzi Quatro: Using this iconic image from her first photographic session with Gered Mankowitz in 1973 to promote her 60th anniversary tour. York Barbican awaits

Gig announcement of the week: Suzi Quatro, York Barbican, November 15

SUZI Quatro will mark the 60th year of her reign as “the Queen of Rock’n’Roll” by embarking on a five-date autumn tour, taking in York Barbican as the only Yorkshire venue.

Born in Michigan, Quatro flew to England in 1971 to work with songwriting duo Chinn and Chapman, chalking up chart toppers with Can The Can and Devil Gate Drive and further hits with 48 Crash, Daytona Demon, The Wild One, If You Can’t Give Me Love and She’s In Love With You, as well as co-writing Babbies & Bairns with dame Berwick Kaler in his York Theatre Royal panto pomp. Box office: ticketmaster.co.uk/event/360060579D80156E.

In Focus: Two Houses, One Story: York ‘s Forgotten Women at Bar Convent and Fairfax House

Special collections manager Dr Hannah Thomas studies a reproduction of Lady Hungate’s unofficial will alongside items left to the Bar Convent Living Heritage Centre

TWO Houses, One Story: York’s Forgotten Women, a collaboration between the Bar Convent Living Heritage Centre and Fairfax House, opens today, marking International Women’s Day and Women’s History Month.

Running until April 27, the project explores the long intertwining histories of these illegal Catholic houses with an exhibition at each house that enhances the other.

Two of York’s most iconic historic houses, they share a history of strong Catholic women. One was founded as a secret convent, operating a pioneering school for girls, in Blossom Street; the other was constructed as the winter townhouse of Charles, 9th Viscount Fairfax of Emley, gifted to his daughter, the Hon Anne Fairfax, with its richly decorated interiors and stucco ceilings in a masterpiece of Georgian design and architecture in Castlegate.

Dr Hannah Thomas, the Bar Convent’s special collections manager, says: “The histories of the Bar Convent and Fairfax House are so closely intertwined that a joint exhibition such as this makes perfect sense.

The welcome to the Two Houses, One Story exhibition at Fairfax House

“Not many people are aware of the links between the houses but both Anne and Mary Fairfax attended the school here and Lady Hungate lived here with the sisters for 29 years.

“This exhibition gives us a fantastic opportunity to explore and share this exciting little-known narrative with the public and to work with the incredible team at Fairfax House.”

Sarah Burnage, curator at Fairfax House, says: “We are delighted to be working with our friends at the Bar Convent on this joint venture. The exhibition tells the story of women living in York in the 18th century and offers a fascinating glimpse into the little-known world of Catholicism in York”.

Two Houses: One Story features recently discovered documents, beautiful portraits and intriguing artefacts that give new insight into the day-to-day lives of these exceptional Yorkshire women.

Original 18th century account books referencing Lady Hungate, on display for the first time at the Bar Convent

The exhibitions explore how they navigated their faith during an era of persecution and suspicion, and how some were linked to dangerous underground activity that ultimately aided the survival of the Catholic faith in York and beyond.

At the Bar Convent, discover the early years of the Fairfax daughters who attended the school, how and why their grandmother, Lady Hungate, lived at the house for 29 years and the significance and legacy of this alliance.

At Fairfax House, learn more about the limited life choices that woman, like Anne Fairfax, faced in the 18th century. Also discover more about the Catholic networks in the city and how this clandestine community supported each other.       

Each exhibition complements the other, and visitors to one house receive a 30 per cent discount on admission to the other with proof of receipt. The Bar Convent is open 10am to 5pm (last entry 4pm), Monday to Saturday; Fairfax House, from 10am to 4pm daily (Fridays: guided tours at 10am, 12pm and 3pm). Tickets: Bar Convent, barconvent.co.uk or 01904 643238; Fairfax House, fairfaxhouse.co.uk or 01904 655543.

Discover what Lady Hungate left to the Bar Convent in her unofficial will, on show at the Bar Convent Living Heritage Centre
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More Things To Do in Ryedale, York and beyond, both normal and paranormal. Hutch’s List No 4, from Gazette and Herald

Alex Hamilton: Scottish guitarist plays Ryedale Blues Club gig at Milton Rooms, Malton

BLUES guitars, psychological bunny puppetry, mountain films, sci-fi theatre, paranormal investigations and explosive dance promise out-of-this-world cultural experiences, reckons Charles Hutchinson.

Blues gig of the week: Ryedale Blues Club presents Alex Hamilton Band, Milton Rooms, Malton, tomorrow, 8pm

GLASWEGIAN guitarist Alex Hamilton (formerly Lewis Hamilton) has been part of the British blues/rock scene since 2010. Parading a playing style that recalls Robben Ford and Matt Scofield, he released his debut album, Gambling Machine, at 18, winning the Scottish New Music Award for Jazz/Blues album in 2012.

Further albums Empty Roads, Ghost Train, Shipwrecked and On The Radio have followed. Hamilton makes his return to Malton in a trio with his father, Nick Hamilton, on bass and Ian Beestin on drums. Box office: 01653 696240 or themiltonrooms.com.

George Green in Foxglove Theatre’s Rabbit

New play of the week in York: Foxglove Theatre in Rabbit, Theatre@41, Monkgate, York, tomorrow to Saturday, 7.30pm

YORK company Foxglove Theatre identified a need for weirder, more experimental theatre in the city, focusing on “psychological exploration through innovative visual storytelling”. Here comes their debut new work, Rabbit, wherein a brave bunny wakes up lost in a murky forest determined to find her way home to Mumma.

Blending puppetry and visual effects, George Green’s performance explores the psychological damage that develops from even the smallest mishandlings of our childhood selves. Box office: tickets.41monkgate.co.uk.

The poster for 1812 Youth Theatre’s production of Tuesday at Helmsley Arts Centre

When Tuesday is on a Friday and Saturday: 1812 Youth Theatre in Tuesday, Helmsley Arts Centre, Friday, 7.30pm; Saturday, 2.30pm, 7.30pm

AN ordinary Tuesday turns really, really weird when the sky over the school playground suddenly rips open in Alison Carr’s funny and playful play Tuesday. Pupils and teachers are sucked up to a parallel universe as a new set of people rain down from above. ‘Us’ and ‘Them’ must come together to work out what is going on and how to return things to how they were.

Carr combines “a little bit of sci-fi and a lot of big themes”: friendship, family, identity, grief, responsibility – and what happens when an unexpected event turns the world upside down. Box office: 01439 771700 or helmsleyarts.co.uk.

Banff Mountain Film Festival: Visiting York Barbican on world tour on Friday

Film event of the week: Banff Mountain Film Festival World Tour, Red Film Programme, York Barbican, Friday, 7.30pm

EXPERIENCE a night of thrilling adventure – up on the big screen. The Banff Mountain Film Festival features a new collection of short films filled with extreme journeys, untamed characters and captivating cinematography.

Join the world’s top adventure filmmakers and thrill-seekers as they climb, ski, paddle and ride into the wildest corners of the planet. Prize giveaways are promised too. Box office: yorkbarbican.co.uk.

Back on the Chain Gang: Miles Salter, second left, and his York band play Ampleforth Village Hall for the second time

Ryedale gig of the week: Miles and The Chain Gang, Ampleforth Village Hall, near Helmsley, Saturday, 7.30pm

YORK band Miles and The Chain Gang return to Ampleforth Village Hall by popular demand after a first outing there last summer. Expect rock’n’roll, acoustic songs, new wave, soul and country, plus Rolling Stones, Joni Mitchell and Johnny Cash covers.

Their latest digital single, the country-tinged Raining Cats And Dogs, is sure to feature in the set by Miles Salter, guitar and vocals, Mat Watt, bass, Steve Purton, drums, and Charlie Daykin, keyboards. Tickets: 07549 775971.

Yvette Fielding: Leading the paranormal investigations in the Most Haunted stage show at the Grand Opera House, York

Paranormal show of the week: Most Haunted: The Stage Show, Grand Opera House, York, Sunday, 7.30pm

YVETTE Fielding, “the first lady of the paranormal”, joins Karl Beattie, producer and director of the Most Haunted television series, in the investigative team to take Sunday’s audience on “the darkest, most terrifying journey of your life”, followed by a question-and-answer session.

In a city bursting at the seams with ghost stories and walks, Fielding and Beattie present Most Haunted’s All-Time Top Ten Scares, complete with unseen video footage from haunted castles, manor houses, hospitals and prisons. Box office: atgtickets.com/york.

Diversity: Dancing around the Supernova at the Grand Opera House, York, for two nights

Dance show of the week: Diversity in Supernova, Grand Opera House, York, March 7 and 8, 7.45pm; Harrogate Convention Centre, Saturday, 3.30pm; Hull Connexin Live, April 7, 2.30pm

2009 Britain’s Got Talent winners Diversity return to York on their biggest tour yet to stage Supernova, devised by founder Ashley Banjo. More than 120,000 tickets have sold for more than 90 dates in 40 cities and towns through 2023 and 2024, with both Grand Opera House performances down to the last few tickets.

Diversity will be supporting the Trussell Trust, the anti-poverty charity, inviting audience members to bring food donations to place in collection points. Cash donations in buckets are welcome too. Box office: York, atgtickets.com/york; Harrogate, 01423 502116 or harrogatetheatre.co.uk; Hull, connexinlivehull.com.

Suzi Quatro: Using this iconic image from her first photographic session with Gered Mankowitz in 1973 to promote her 60th anniversary tour. York Barbican awaits

Gig announcement of the week: Suzi Quatro, York Barbican, November 15

SUZI Quatro will mark the 60th year of her reign as “the Queen of Rock’n’Roll” by embarking on a five-date autumn tour, taking in York Barbican as the only Yorkshire venue.

Born in Michigan, Quatro flew to England in 1971 to work with songwriting duo Chinn and Chapman, chalking up chart toppers with Can The Can and Devil Gate Drive and further hits with 48 Crash, Daytona Demon, The Wild One, If You Can’t Give Me Love and She’s In Love With You, as well as co-writing Babbies & Bairns with dame Berwick Kaler in his York Theatre Royal panto pomp. Tickets will go on sale from 10am on Friday at https://www.ticketmaster.co.uk/event/360060579D80156E.

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No weird, psychological dramas in York? Foxglove Theatre fill the gap with experimental play Rabbit at Theatre@41

George Green and puppet in Foxglove Theatre’s premiere of Rabbit at Theatre@41, Monkgate, York

YORK company Foxglove Theatre have identified a need for weirder, more experimental theatre in the city, focusing on “psychological exploration through innovative visual storytelling”.

Here comes their debut new work, Rabbit, booked into Theatre@41, Monkgate, from Thursday to Saturday with a warning: “This is not a play for children”.

Why? Rabbit contains:

Disturbing content; physical harm/violence (explicit); suffocation; vomiting; flashing lights; jump scares; sudden loud noises; use of haze.

What happens? Rabbit is lost. Rabbit is scared. She will die by the end of the night. Waking up lost in a murky forest, this brave bunny is determined to find her way home to Mumma.

Foxglove Theatre’s poster for psychological drama Rabbit

However, an innocent bunny is not prepared for the trials and tribulations of the real world, where the wind cuts deep, teeth slice flesh, and a mothers hug falls short.

Blending puppetry and visual storytelling effects, Foxglove Theatre’s performance explores the psychological damage that develops from even the smallest mishandlings of our childhood selves.

Focusing on attachment and loss, Rabbit invites this week’s audiences to place their inner child under a magnifying glass and watch it burn.

Vowing to bring impactful, new age, daring theatrical productions to York, Foxglove Theatre made their debut in Summer 2002 at Theatre@41 with Welsh writer Brad Birch’s thriller The Brink: a dark comedy replete with blood, murder and death, sexual imagery and ephebophilia (sexual attraction to post-pubescent adolescents and older teenagers, aged 15 to 19).

Sam Jackson’s Nick comes face to face with Abel Kent’s Mr Boyd, the head teacher, in Foxglove Theatre’s inaugural prodiction, Brad Birch’s psychological thriller The Brink, in 2022

“As young people exploring our creative boundaries in York, we identified a gap in York’s theatre scene, a need for weirder, more experimental performance, and through Rabbit, our first new-work piece, we hope to begin to address this blind spot,” says producer Ione Vaughan.

“This 60-minute production aims to invite our audience into a space for self-reflection, while also refusing to diminish the negative repercussions of allowing poor mental health to fester. Combining modern contemporary theatre technology with the traditional medium of puppetry, we are utilising everything live performance has to offer to provide an impactful and immerse experience for our audience.”

Foxglove Theatre was formed by producers Ione Vaughan and Ivy Magee and director Nathan Butler. “Deciding to dedicate our work to bringing innovative theatre to this brilliant city, we also chose to champion the growth of young creatives like ourselves, offering flexible and malleable opportunities to develop their creative practice while with our company,” says Ione.

“This has been a success with our performer, George Green, as we developed a unique skill to add to their repertoire: puppetry. George learnt a range of puppetry techniques, both those required by the performance and beyond, including training with Leeds puppetry company The Object Project to support their overall development as a performer.”

Foxglove Theatre in Rabbit, Theatre@41, Monkgate, York, Thursday to Saturday, 7.30pm. Recommended age: 16 plus. Box office: tickets.41monkgate.co.uk.

George Green in a scene from Foxglove Theatre’s Rabbit
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More Things To Do in York and beyond when it ‘definitely won’t be boring’! Here’s Hutch’s List No. 9 for 2024, from The Press

Wise Children “open the bloody door” to Emma Rice’s beguiling but disturbing Blue Beard at York Theatre Royal from Tuesday. Picture: Steve Tanner

PANTO dame tales and a comedian’s first-time memories, a classic thriller and a feminist fairytale, a community choir festival and a prog-rock legend make Charles Hutchinson’s list of upcoming cultural highlights.

Play of the week: Wise Children in Emma Rice’s Blue Beard, York Theatre Royal, February 27 to March 9, 7.30pm plus 2pm Thursday and 2.30pm Saturday matinees

BLUE Beard meets his match when his young bride discovers his dark and murderous secret. She summons all her rage, all her smarts and all her sisters to bring the curtain down on his tyrannous reign as writer-director Emma Rice brings her own brand of theatrical wonder to this beguiling, disturbing tale.

Applying Rice’s signature sleight of hand, Blue Beard explores curiosity and consent, violence and vengeance, all through an intoxicating lens of music, wit and tender truth. Box office: 01904 623568 or yorktheatreroyal.co.uk.

Rick Wakeman: Last return of the Caped Crusader at York Barbican

Catch him while you can: Rick Wakeman, Return Of The Caped Crusader, York Barbican, tonight (24/02/2024), 7.30pm

PROG-ROCK icon and Yes keyboard wizard Rick Wakeman, 76, is to call time on his one-man shows to concentrate on composing, recording and collaborating, but not before playing York. “I always planned to stop touring by my 77th birthday,” he says. “For those of you who wish to send me a card, it’s 18th May!”

Saturday’s show opens with Wakeman’s new arrangements of Yes material for band and vocalists, followed after the interval by his epic work Journey To The Centre Of The Earth. Box office for returns only: yorkbarbican.co.uk.

Robin Simpson on dame duty in York Theatre Royal’s All New Adventures Of Peter Pan

Pantomime revelations of the week: Robin Simpson: There Ain’t Nothing Like A Dame, Rise, Bluebird Bakery, Acomb Road, Acomb, York, tomorrow, 6.30pm

ALREADY confirmed for his return for Aladdin from December 3 to January 5 2025, York Theatre Royal’s resident dame, Robin Simpson, takes a peak behind the wigs into the glitz and glamour of life as a pantomime dame.

Simpson provides an insight into the origins of the character, backstage antics and classic cheeky panto humour as he reveals “what it’s really like to frock up and tread the boards”. Expect cheesy gags, naughty nonsense and even a silly sing-song.

“I’ve run this event before and it was mostly for slightly older children and adults. Ages 7/8 and above really,” says Robin. “The show includes stories, song-sheet sing-alongs and silly poems. It’s not at all serious!

“It’s fun to approach storytelling from the perspective of the dame. It’s a little more anarchic. I also start with a brief history of the pantomime, from Roman times to the modern day.

“I do this while getting dressed and made up into the dame with the idea that, by the time I’m talking about Dan Leno and the Victorian dame, I’m completely changed. There’s room for questions and chat too about being in a panto and what happens on stage and backstage. Like I say, it’s for KS2 and adults really.”

Earlier in the day, at 4.30pm, in an interactive one-hour event for children aged three to six, Robin and Susanna Meese will be spinning the Storywheel to reveal much-loved nursery tales. “It’s a wheel of fortune-style story generator where random fairytales are told and there’s lots of dressing-up, musical instruments, songs, props, puppets and play,” says Robin.

Afterwards, children can delve into story bags full of goodies and stay and play with the hosts, who will have everything needed for the children to tell the tales, including puppets, props, and costumes. Box office: bluebirdbakery.co.uk/rise

Maura Jackson: Public speaker, charity boss and now comedian, playing Theatre@41 tomorrow

Storyteller of the week: Maura Jackson: More O’ Me, Theatre@41, Monkgate, York, tomorrow, 7.30pm

AT 53 Maura Jackson cannot decide if she is a keynote speaker, charity CEO or comedian. Thanks to “the recklessness of menopause”, she is all three.

After living a life and a half and taking up stand-up in 2022 on a whim, storyteller Jackson takes tomorrow’s audience on a humorous rollercoaster of life-defining moments, good or bad. Despite her professed aversion to drama, she is surrounded by it. Box office: tickets.41monkgate.co.uk.

Neil McDermott, left, and Todd Boyce in Sleuth, “the thriller about thrillers”, at the Grand Opera House, York. Picture: Jack Merriman

Thriller of the week: Sleuth, Grand Opera House, York, Monday to Saturday, 7.30pm; 2.30pm Wednesday and Saturday

TODD Boyce, best known for playing Coronation Street’s notorious baddie Stephen Reid, will be joined by EastEnders soap star Neil McDermott in Anthony Shaffer’s dark psychological thriller about thrillers, directed by Rachel Kavanaugh.

What happens? A young man arrives at the impressive home of a famous mystery writer, only to be unwittingly drawn into a tangled web of intrigue and gamesmanship, where nothing is quite as it seems. Box office: atgtickets.com/york.

Rob Auton: Star of The Rob Auton Show, full of firsts, from memories to girlfriends to jobs

Comedy gig(s) of the week: Rob Auton, The Rob Auton Show, Burning Duck Comedy Club, The Crescent, York, February 28, 7.30pm; Mortimer Suite, Hull City Hall, February 29, 7.30pm; The Wardrobe, Leeds, March 1, 7.30pm

ROB Auton, Pocklington-raised stand-up comedian, writer, podcaster, actor, illustrator and former Glastonbury festival poet-in-residence, returns north from London with his self-titled tenth themed solo show.

After the colour yellow, the sky, faces, water, sleep, hair, talking, time and crowds, Auton turns the spotlight on himself, exploring the memories and feelings that create his life on a daily basis. Box office: York, thecrescentyork.seetickets.com; Hull, hulltheatres.co.uk; Leeds, brudenellsocialclub.seetickets.com.

Skylights: Lighting up York Barbican in November

Gig announcement of the week: Skylights, York Barbican, November 2

YORK band Skylights will play their biggest home-city show yet this autumn, with tickets newly on sale at ticketmaster.co.uk in a week when latest release Time To Let Things Go has risen to number two in the Official Vinyl Singles Chart.

Guitarist Turnbull Smith says: ‘We’re absolutely over the moon to be headlining the biggest venue in our home city of York, the Barbican. It’s always been a dream of ours to play here, so to headline will be the perfect way to finish what’s going to be a great year. Thanks to everyone for the support. It means the world and we’ll see you all there.”

In Focus: York Community Choir Festival 2024

Jessa Liversidge: Directing Easingwold Community Singers’ performance at the York Community Choir Festival

York Community Choir Festival 2024, Joseph Rowntree Theatre, York, February 25, 6pm; February 26 to March 1, 7.30pm; March 2, 2.30pm and 7.30pm

THE 8th York Community Choir Festival spreads 31 choirs across eight concerts over six days at the JoRo. On the opening evening, Easingwold Community Singers will be premiering director Jessa Liversidge’s arrangement of The Secret Of Happiness from the American musical Daddy Long Legs, with permission of composer and lyricist Paul Gordon.

“Festival organiser Graham Mitchell wanted a choir to perform this song,” says Jessa. “I bought the music but couldn’t find a choral arrangement, so I chanced my arm on contacting the composer to ask if there were any arrangements or could I do one, and he said, ‘yes, you can’.

“It’s a lovely gentle song. Hopefully it will go well, and I can then send Paul a recording.”

Choirs range from York Philharmonic Male Voice Choir to The Rolling Tones, Sounds Fun Singers to York Military Wives Choir, Selby Youth Choir to Track 29 Ladies Close Harmony Chorus. Six choirs from Huntington School perform next Friday, taking up all the first-half programme. Box office: 01904 501935 or josephrowntreetheatre.co.uk.

York Community Choir Festival: the programme

Sunday, 6pm

Selby Youth Choir, Bishopthorpe Community Choir, Eboraca, Easingwold Community Singers.

Monday, 7.30pm

Community Chorus, York Celebration Singers, Euphonics, York Philharmonic Male Voice Choir.

Tuesday, 7.30pm

Jubilate, Some Voices York, Sounds Fun Singers, Abbey Belles Chorus.

Wednesday, 7.30pm

Stagecoach Youth Junior Choir, The Garrowby Singers, In Harmony, Stamford Bridge Community Choir.

Thursday, 7.30pm

York Military Wives Choir, Harmonia, Spirit of Harmony Barbershop Chorus, Heworth Community Choir.

Friday, 7.30pm

Huntington School Choirs, Vivace! Aviva York Choir, Main Street Sound Ladies, Barbershop Chorus

Saturday, 2.30pm

Singing Communities, Fairburn Singers, Daytones Harmony Chorus,

The Rolling Tones.

Saturday, 7.30pm

Headlands Primary School, York Sing Space Musical Theatre Choir, Track 29 Ladies Close Harmony Chorus, The Wellbeing Choir.

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REVIEW: Griffonage Theatre in Rope, Theatre@41, Monkgate, York, tonight and tomorrow, 7.30pm ***

Carly Bednar’s Leila Arden in rehearsal for Rope

GRIFFONAGE Theatre may well be a new name to you, rooted in a word that means “careless handwriting: a crude or illegible scrawl”.

The York company has its roots in the University of York, where director Katie Leckey is studying for a Masters in theatre-making.

Already, the company with the mantra of “making the strange familiar, and the familiar strange” has staged Poe In The Pitch Black in the non-theatrical but very atmospheric Perky Peacock café, in the 14th century Barker Tower on North Street.

Rope, Patrick Hamilton’s 1929 thriller famous for Alfred Hitchcock’s groundbreaking 1948 film version, marks Griffonage’s move into a formal theatre space, the black box of the John Cooper Studio at Theatre@41.

Set designer Alicia Oldbury keeps it as black as the humour and mood of the piece with its shadows of the rise of British fascism. On the walls are mirrors and picture frames left blank, to match the values of William Osbon’s weak-minded Charles Granillo and especially Nick Clark’s fly Wyndham Brandon treating lives as worthless.

Rope opens in the smart London home where Brandon and Granillo will host the weirdest of dinner parties. Not in the dining room, where the table is now buried under a heap of books left to Brandon to sell, but the drawing room where the maid, Sabot (Molly Raine), sets up the food and cutlery on a wooden chest.

In that chest, as we know from the opening scene in the dark, is the body of Granillo and Brandon’s fellow Oxford student, the sporty Ronald Kentley. This is no spoiler alert: Rope is not so much a whodunit or whydunit (disdain, pleasure, arrogance, contempt), but a case of will the smug, wealthy duo get away with their “perfect crime”?

Enter, at Brandon and Granillo’s calculated invitation: glamorous socialite but not bright Leila Arden (Carly Bednar, delightfully daffy performance; too-modern dress); awfully nice but a tad dim student – and Brandon’s former school fag – Kenneth Raglan (Peter Hopwood, dressed in black tie and a never-removed top hat,) and the Oscar Wilde of Brandon’s circuit, Rupert Cadell, a droll poet with a lame leg but tack-sharp mind (Griffonage co-artistic director Jack Mackay).

Completing the assortment of guests as eccentric as the meal’s random contents are Ronald’s esteemed, book-collector father Sir William Kentley (Liam Godfrey, as suitably stiff in his disposition as a book cover) and his taciturn sister Mrs Debenham (Frankie Hayes, as disapproving in manner as Lady Bracknell, but saying everything in a look rather than words).

A white door of an erratic nature, period furniture, a drinks trolley, a piano, all play their part, lighting is kept simple, and tension takes its time to turn to Hitchcockian horror, hushed arguments broken like glass by fevered shouts as the cigarettes pile up and the drinks click in.

The atmosphere is awkward, as it would be, lightened by the nervous chatter of Bednar’s Leila, but Rope tightens its grip once the Mackay’s Cadell and Clark’s Brandon – the two outstanding performers – lock horns, one ultimately smarter than the other, as Osbon’s tad-hammy Granillo, by now a drunk, quivering wreck, slumps by the chest.

Rope is the work of a young company finding its feet, a new addition to the Theatre@41 portfolio with plenty of room to grow and another production on its way.

Box office: tickets.41monkgate.

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The last dinner party? Not the in vogue band but York company Griffonage Theatre staging Patrick Hamilton’s thriller Rope

Carly Bednar in rehearsal for her role as Leila Arden in Griffonage Theatre’s Rope. Picture: Ella Tomlin

HALFWAY through her MA in theatre studies, Katie Leckey is directing York company Griffonage Theatre in their Theatre@41 debut in Patrick Hamilton’s thriller Rope from Wednesday to Saturday.

Built around an invitation to a dinner party like no other, against the backdrop of Britain’s flirtation with fascism, this 1929 whodunit states exactly who did it, but the mystery is: will they be caught? Cue a soiree full of eccentric characters, ticking clocks and hushed arguments.

Leckey’s cast comprises predominantly actors aged 21 or 22: Nick Clark as Wyndham Branson; Will Obson as Charles Granillo; Jack Mackay as Rupert Cadell; Carly Bednar as Leila Arden; Peter Hopwood as Kenneth Raglan and Molly Raine as Sabot.

They will be joined by two older actors, Liam Godrey as Sir Johnstone Kentley and Frankie Hayes as Mrs Debenham. Alicia Oldsbury is the set designer; Grace Trapps, the costumier; Margaux Campbell, the fight choreographer.

“We are so excited to have audiences begin to see this show!” says Katie. “It’s been something of a passion project for me and the entire process has been so rewarding already.”

Katie Leckey directing the University of York Gilbert and Sullivan’s Society’s Patience, aloongside production manager Sam Armstrong. Picture: Charlie Kirkpatrick

Here, CharlesHutchPress puts questions to director Katie Leckey on staging Rope, the rise of Griffonage Theatre and her plans for the year ahead.

When and where did you form Griffonage Theatre?

“We were formed about a year ago after a University of York Shakespeare Society production of Julius Caesar that I directed and in which my fellow co-artistic director, Jack Mackay, played Caesar.

“We realised that we had very similar creative styles and overlapping interests during that rehearsal process and this sparked a discussion about how we could branch out of university and into the York theatre scene.

Griffonage Theatre co-artistic director Jack Mackay rehearsing his role as Rupert Cadell. Picture: Ella Tomlin

“We were keen to put on plays that are underperformed (like Rope) or a little bit strange, silly or macabre! York is the perfect place to do this as there’s such a wealth of storytelling potential and inspiration everywhere!

“Jack and I like to (half) joke that we would get nothing done without our amazing executive producer, Anna Njoroge, who is basically a wizard at organisation and the main reason our ideas aren’t sitting dormant in our heads!”

How is the University of York involved?

“Like I say, Griffonage wouldn’t have been born had it not been for the university’s performance societies and the experience that we got from being involved in those. Jack is now chair of the Shakespeare Society, and I learnt a lot from directing and performing with and eventually being the chair of the Gilbert and Sullivan Society, especially about adapting older texts for audiences today in an accessible way – something that is a real goal of our company.

“Jack is studying English Literature at the uni, and I just finished the same degree for my undergraduate studies, so we’re also very keen to explore new writing and ways of facilitating that being put on in the city, alongside putting on adaptations of more well-established playwrights.”

Molly Raine’s Sabot, left, and Frankie Hayes’ Mrs Debenham. Picture: Ella Tomlin

What is your specialist focus in your MA in theatre studies?

“I’m halfway through my MA in theatre-making and it’s just amazing! I’m very interested in physical theatre and clowning in my individual practice as a performer. As a director, though, I find the juiciest plays are the ones that have darker themes that I can present through the guise of light-heartedness.

“I think the best plays are ones that aren’t easily labelled as one thing or another, which is why I’m drawn to surrealist and absurdist themes and imagery as well. The MA has equipped me so far with lots of practical skills in running rehearsals, workshops and (perhaps most importantly) working with others in an ensemble to create interesting and often experimental art.”

What first brought you to York?

“I’m originally from Northern Ireland – from the rural town of Ballyclare about 20 minutes away from Belfast – and came over here to study for my undergrad degree – I liked it so much that I’ve decided to stay! It’s just the most gorgeous, historic place and I love the fact that everyone knows everyone somehow or other! Also being able to access so much theatre and arts on my doorstep here was definitely a draw as well.

Katie Leckey exercising her comedic chops as Samuel Beckett in University of York Drama Society’s 2023 Edinburgh Fringe show, Dan Sinclair’s The Courteous Enemy. Picture:Tegan Steward 

Where did you take your first steps in theatre?

“I was so privileged to have a great drama teacher at my secondary school, who put on a musical in our assembly hall every year! My first production was Annie when I was around 13 or so, and I just remember growing in confidence after each rehearsal and the feeling of becoming an entirely different person for a few hours!

“As time went on, I had singing lessons and just kept acting in anything I could on the side of everything else. Obviously, I enjoy the bigger picture of storytelling, because I decided to do an English Lit degree, but it was only when I was given the chance to direct Patience as part of the Gilbert and Sullivan Society in my second year of Uni (after a bit of a hiatus from all things theatre during Covid) that all the stars aligned for me.

“I realised that directing was a way of combining all my passions and interests into one activity! And I’ve been absolutely determined tm make, and be in, as much theatre as I can ever since!”

Katie Leckey as the Duchess in University of York Gilbert and Sullivan Society’s 2023 production of The Gondoliers. Picture: Charlie Kirkpatrick 

Hence the rise of Griffonage Theatre. Why choose that name?

“If you ask the dictionary, Griffonage means ‘careless handwriting: a crude or illegible scrawl’. Jack and I felt like the word really summed up our creative process – something that’s a little careless, crude (mostly from my end) or even illegible is usually the spark for our ideas, and we are so passionate about how we turn these scrawls into something palpable for audiences to enjoy!

“We also liked how it has connotations with the mythical beast the Griffin, as we’re constantly in awe of things that are inexplicable, fantastical and ancient.”

What is Griffonage Theatre’s mission statement?

“We are a team of York-based storytellers who leap at the opportunity to shock and delight. We revel in the grotesque, in the weaving of new worlds, and in sharing the beauty and terror of humanity’s strangest stories.

“Our ambition is to reveal the dark hearts of stories across a wide range of genres: to galvanise narratives that have been lost and to foster the creation of exciting, original work.”

Griffonage Theatre’s cast for Poe In The Pitch Black at the Perky Peacock cafe. Picture: Lotty Farmer

What has the company done so far?

“We had a sold-out site-specific show, Poe In The Pitch Black, at the Perky Peacock café [in the mediaeval, wood-beamed Barker Tower on North Street]. We adapted three of Edgar Allan Poe’s short stories and told them in the dark, using age-old practical theatrical techniques to spook our audiences!

“We crammed them in! We were able to get 20 spectators in, along with five actors. It was definitely a squeeze in the lower room!

“A particular highlight of the show was the creation of a puppet for the character of the old man in the Tell Tale Heart (performed by Will Osbon, who is returning to play Charles Granillo in Rope), which we were told sufficiently creeped out a lot of our audience!”

How did the chance to perform at Theatre@41 emerge?

“I had the joy of performing in York Settlement Community Players’ Government Inspector last October and got to know the brilliant Alan Park [Theatre@41’s chair], as he was directing the show!

Katie Leckey’s Dobchinsky in York Settlement Community Players’ Government Inpector. Picture: Sarah Ford

“I approached him with the idea of putting a play on at the theatre and was completely shocked that he didn’t shrug me off right away; in fact he was keen that we got everything sorted as soon as possible!

“It’s truly a privilege to be able to put our show on at all, never mind in a space at the heart of the community in York! It’s just so special!”

What attracted you to Patrick Hamilton’s 1929 play Rope?

“It’s just genius. Its readability was the first thing that struck me – the stage directions are a hoot! I really recommend for people to read the play, as well as watching it, as it really is fantastic. Hamilton’s grasp of character is phenomenal.

“The play is at once funny and dark, light but intense, deeply philosophical yet entirely playful. I was also fascinated by the fact that it was so heavily concerned with the rise of British fascism pre-World War Two. It’s such a poignant meditation on war, justice, self-awareness and the value of all human life.

Liam Godfrey as Sir Johnstone Kentley, left, Nick Clark as Wyndham Brandon and Peter Hopwood as Kenneth Raglan in the Rope rehearsal room. Picture: Ella Tomlin

“It’s also genuinely hilarious and includes a lot of delightful witticisms and snarky comments. The fact that it is based on a real murder case also intrigued me greatly. With the growing popularity of ‘true crime’ as a genre, it’s utterly fascinating to see a play that attempts to directly confront its viewers with their own desire to witness violence and its consequences.

“It’s very interesting from a queer perspective as well. Without spoiling too much, I would recommend contemplating what the overt and implied relationships between the characters say about the implications of the story itself.

What does Rope say to a modern audience?

“Aside from a few 1920s slang terms, Rope is inherently modern in its sensibilities, despite the fact it has nearly been 100 years since its first performance. (Indeed, this isn’t surprising considering Hamilton coined the thoroughly modern word ‘gaslight’).

“This is why we’ve chosen to make the set look like it hasn’t been moved for 100 years – as something of a time capsule, but also a direct reflection of today. The play acts as a warning for what can happen if you let insidious beliefs and attitudes fester, but beyond this it asks the audience to evaluate themselves what justice looks like, and if it is attainable or desirable at all.

“Furthermore, it delights in the small things: dancing, eating, drinking and socialising – reminding audiences that while they should be alert to little cruelties and genuine evils alike, there is still some good in most people, and this can be seen in the most unlikely of circumstances, including an outré dinner party.”

Mollie Raine’s Sabot and Nick Clark’s Wyndham Brandon in a light moment mid-rehearsal. Picture: Ella Tomlin

Have you seen Alfred Hitchcock’s groundbreaking single-take 1948 film version, shot with the camera kept in continuous motion?

“I love this question! Yes! I actually watched it as soon as I finished reading theplay for the first time! I remember turning to Jack in utter amazement at somemoments (mostly when Jimmy Stewart did anything as Rupert – his performance is phenomenal!) and in complete horror at the extraordinarycensorship that the film was subject to!

“The deviation from Hamilton’s originalis masterful in a way only Hitchcock is, and the choice to set it in post-WW2America is also a stroke of total genius, but it does, at least in my opinionremove some of the most unique and interesting qualities of the original.”

When did you last attend a dinner party?

“For my friend Grace’s birthday a few months ago. It was so much fun, we dressed up in formal clothes and had a little boogie afterwards as well!”

Who would be your ideal guests at a dinner party and why?

“This is so tough! I would have to say Oscar Wilde as he was the subject of my dissertation at undergrad and I would honestly love to be the butt of some of his quips. My fiancé Peter Hopwood (who plays Raglan in the show!) because I feel like I always need a wingman to back me up in dinner party-discussion and he certainly knows me best!

Peter Hopwood: Ideal dinner party guest, fiancé and Rope cast member. Picture: Ella Tomlin

I would also love Mary Wollstonecraft [18th century British writer, philosopher and advocate of women’s rights] to be there just because I feel like she would be so interesting to chat with about philosophy and womanhood.

“I would invite Dolly Parton because she’s just the greatest and my complete idol. I would bring Jack [co-artistic director Jack Mackay] as a scribe, so I could remember what we chatted about. Finally, I think I would invite Samuel Beckett, just to ask him what on earth was he thinking when he wrote his televised play Quad.”

What makes a good dinner party?

“A good host. Unfortunately for the characters in Rope…

“Also some gentle jazz music in the background is a must; it just feels too awkward otherwise!”

Katie Leckey as Jennet Marlin in York Theatre Royal’s 2023 community play, Sovereign, at King’s Manor, Exhibition Square, York. Picture: James Drury

You participated in York Theatre Royal’s community play, Sovereign, at King’s Manor last summer. In a cast of thousands (!), who did you play?

“I played Jennet Marlin (spoiler alert: she was a baddie!) – and what a great time I had. Playing her was a little bit out of my comfort zone but I grew to love her and her very sour face! The people I met as part of it was definitely the highlight. I also LOVED the costume; it made me feel like a real princess – and as a person who usually plays fools this was a unique occasion!”

What comes next for you and Griffonage Theatre?

“Oh, now that would be telling… but since you’ve pulled my leg – personally I’m going to finish my masters in September and start looking for jobs in the industry and I’m also hoping to get married in the winter!

“Griffonage are making our return to Theatre@41 in July this year, and we can’t WAIT to reveal what we’re up to!”

Griffonage Theatre in Rope, Theatre@41, Monkgate, York, February 21 to 24, 7.30pm. Box office: tickets.41monkgate.co.uk.

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More Things To Do in York and beyond as arts take to the bike & beach. Hutch’s List No. 8 for 2024, from The Press, York

Pilot Theatre’s cast for A Song For Ella Grey at York Theatre Royal. Picture: Topher McGrillis

BEACH encounters with Orpheus, tandem cyclists divided by Brexit,  a joyful mess in art, an Eighties rom-com revisited, Ukrainian opera and big summer concerts brighten Charles Hutchinson’s days ahead.

York play of the week: Pilot Theatre in A Song For Ella Grey, York Theatre Royal, February 20 to 24, 7pm plus 1pm, Thursday and 2pm, Saturday; Hull Truck Theatre, March 5 to 9, 7.30pm plus 2pm, Wednesday and Saturday

IN Zoe Cooper’s stage adaptation of David Almond’s novel for York company Pilot Theatre and Newcastle’s Northern Stage, Claire and her best friend, Ella Grey, are ordinary kids from ordinary families in an ordinary world as modern teenagers meet ancient forces.

They and their friends fall in and out of love, play music and dance, stare at the stars, yearn for excitement, and have parties on Northumbrian beaches. One day, a stranger, a musician called Orpheus, appears on the beach and entrances them all, especially Ella. Where has Orpheus come from and what path will Ella follow in this contemporary re-telling of the ancient Greek myth. Box office: York, 01904 623568 or yorktheatreroyal.co.uk; Hull, 01482 323638 or hulltruck.co.uk.

Displayful artists Luke Beech, Wendy Galloway, Kate Fox and Liberty Hodes, exhibiting at Scarborough Art Gallery. Picture: Tony Bartholomew

Coastal exhibition of the season: Displayful, Scarborough Art Gallery until May 7

DISPLAYFUL celebrates happy accidents and joyful mess, aiming to brighten the winter months by inviting visitors to enjoy uplifting contemporary artistic responses to objects from the collections of Scarborough Museums and Galleries.

The show combines new work by five regional artists, Luke Beech, Kate Fox, Wendy Galloway, Liberty Hodes and Angela Knipe, alongside historical artefacts and asks audiences to consider new possibilities for the lives of objects.

Amber Davies’s Vivian and Oliver Savile’s Edward, centre, in a scene from Pretty Woman The Musical, on tour at the Grand Opera House, York, next week

Musical of the week: Pretty Woman The Musical, Grand Opera House, York, February 20 to 24, 7.30pm, plus 2.30pm Wednesday and Saturday matinees

BILLED as Hollywood’s ultimate rom-com, live on stage, Pretty Woman: The Musical is set once upon a time in the late 1980s, when Hollywood Boulevard hooker Vivian meets entrepreneur Edward Lewis and her life changes forever.

Amber Davies plays Vivian opposite Oliver Savile’s Edward; 2016 Strictly Come Dancing champion Ore Oduba, last seen at this theatre in fishnets in March 2022 as Brad Majors in The Rocky Horror Show, has two roles as hotel manager Barnard Thompson/Happy Man, and Natalie Paris will be Vivian’s wisecracking roommate Kit De Luca. Box office: atgtickets.com/york.

The poster artwork for Dnipro Opera’s Madama Butterfly at York Barbican

Opera of the week: Dnipro Opera in Madama Butterfly, York Barbican, February 20, 7pm

DNIPRO Opera, the Ukrainian National Opera, returns to British shores after last year’s visit to perform Puccini’s favourite work, Madama Butterfly, sung in Italian with English surtitles (CORRECT).

Set in Japan in 1904, this torrid tale of innocent love crushed between two contrasting cultures charts the affair between an American naval officer and his young Japanese bride, whose self-sacrifice and defiance of her family leads to tragedy. Box office: yorkbarbican.co.uk.

Carly Bednar in rehearsal for her role as Leila Arden in Griffonage Theatre’s Rope at Theatre@41, Monkgate

Thriller of the week: Griffonage Theatre in Rope, Theatre@41, Monkgate, York, February 21 to 24, 7.30pm

HALFWAY through her MA in theatre studies, Katie Leckey directs York company Griffonage Theatre in their Theatre@41 debut in Patrick Hamilton’s thriller Rope, with its invitation to a dinner party like no other.

Set in 1929 against the backdrop of Britain’s flirtation with fascism, this whodunit states exactly who did it, but the mystery is will they be caught? Cue a soiree full of eccentric characters, ticking clocks and hushed arguments. Box office: tickets.41monkgate.co.uk.

An Eiffel and an earful: Don (John Lister) and Carol (Kate Caute) share a cycle but not political views in Paris in 1812 Theatre Company’s Scary Bikers

Ryedale play of the week: 1812 Theatre Company in Scary Bikers, Helmsley Arts Centre, February 21 to 24, 7.30pm

HELMSLEY’S 1812 Theatre Company stage their first John Godber comedy next week, his 2018 two hander Scary Bikers. Outwardly, redundant miner Don (John Lister) and former private school teacher Carol (Kate Caute) have little in common, but beneath the surface their former spouses are buried next to each other. Soon widowed Don and Carol bump into each other.

An innocent coffee leads to a bike ride through the Yorkshire Dales, then a bike tour across Europe to Florence. All looks promising for a budding romance, but their departure date is June 23 2016 and Don and Carol are on the opposite sides of the Brexit fence. Box office: helmsleyarts.co.uk or in person from the arts centre.

S Club: Post-racing party songs at York Racecourse on July 27

Bring it all back: S Club, York Racecourse Music Showcase Weekend, July 27

JULY 27 will be S Club Party time after the Saturday afternoon race card on the Knavesmire track. Once S Club 7, now the five-piece S Club comprises Jo O’Meara, Rachel Stevens, Jon Lee, Tina Barrett and Bradley McIntosh, following last April’s death of Paul Cattermole from heart complications at 46 and Hannah Spearritt not featuring in 2023’s 25th anniversary tour.

This month finds S Club in the USA playing Boston, New York, Chicago and Los Angeles. Roll on summertime to enjoy chart toppers Bring It All Back, Never Had A Dream Come True, Don’t Stop Movin’ and Have You Ever, plus You’re My Number One, Reach, Two In A Million, S Club Party et al in York. Tickets: yorkracecourse.co.uk.

James: Returning to Scarborough Open Air Theatre in July. Picture: Paul Dixon

Yorkshire gig announcement of the week: James, supported by Reverend & The Makers and Girlband!, Scarborough Open Air Theatre, July 26

MANCHESTER band James play Scarborough Open Air Theatre for the fourth time on July 26, the night when Leeds lads Kaiser Chiefs finish off the evening card at York Races.

“If you haven’t been there before, then make sure you come,” says James bassist and founder member Jim Glennie. “It’s a cracking venue and you can even have a paddle in the sea before the show!” New album Yummy arrives on April 12. Box office: James, ticketmaster.co.uk from 9am on Friday; Kaiser Chiefs, yorkracecourse.co.uk.

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REVIEW: York Actors Collective in Beyond Caring, John Cooper Studio, Theatre@41, Monkgate, York ****

Chris Pomfrett’s taciturn Phil and Clare Halliday’s feisty Becky in Beyond Caring

WILL there be a more theatre-filled week in York this year?

A star-vehicle tour of Calendar Girls The Musical at the Grand Opera House is competing for attention with four York companies: York Light in Disney’s The Little Mermaid and, next door in the Studio, the Settlement Players in Rattigan’s Separate Tables, both at the Theatre Royal; Joseph Rowntree Theatre Company’s Kander & Ebb musical Curtains at the JoRo, and York Actors Collective (YAC) at Theatre@41, Monkgate.

Driven by her desire for more political, thought-provoking theatre in York, director and theatre critic Angie Millard launched YAC last March with Joe Orton’s Sixties’ farce Entertaining Mr Sloane.

Now comes a cruel farce, one highlighting the zero-hours contracts that have re-shaped workers’ rights to the point of having no rights, in Alexander Zeldin’s slice of agitprop, devised with The Yard actors in London in 2014.

Work 14 consecutive days? Like it or lump it, frustrated night shift manager and company mandarin Ian (Neil Vincent) tells agency cleaners Grace, Becky and Sam as they turn up for an interview at a meat-packing factory.

Grace (Victoria Delaney) is disabled, struggling with rheumatoid arthritis, but with her benefits stopped, she must find work, even though its physical demands could be too much despite her wish to be a team player.

Becky (Clare Halliday) is a single parent, with a daughter out of reach. Desperate for money. She  has a loose lip that can talk her into trouble and she is not afraid to use her sexuality.

Sam (Mick Liversedge) needs a job, any job. He’s nursing a dodgy arm, sofa surfing, “wondering how I got here and if I will ever get out”.

Phil (Chris Pomfrett) has been doing this job for ages. He’s bored, says little but reads a lot, a Dick Francis thriller at the moment.

Vincent’s smug Ian thinks he has Phil in his pocket. As for the newbies, rules are rules and Ian’s gonna use them, turning up like the proverbial bad penny, changing their shifts at short notice, putting them through job satisfaction questionnaires, looking through their bags.

What a piece of work he is, never lifting a finger, full of himself, conniving and snide. You would call him a pillock…and then lose your shift.

Millard had her cast members building back-stories for their characters, but not to be shared with each other, in a directorial decision that bears fruit in the initial awkwardness of meeting for the first time, before gradually getting to know each other, but not everything about them. This layer of secrecy adds workplace friction, but bonds build too.  

Sam nicks biscuits and tries to stay the night there, unseen by his fellow workers. Becky speaks to her daughter on the phone, out of hearing range from the others. Ian idles the time away watching porn on his phone.

The devised, improvised origins of this 90-minute play with no interval makes for raw, emotionally naked theatre in a series of vignettes that recall the agitprop insurgency of Scottish company 7:84 and carry an authenticity usually to be found in verbatim dramas.

Tremendous performances all round, both individually and collectively, combine with Millard’s frank, kitchen-sink direction to make you care utterly about Beyond Caring with its bleak humour, desperate truths and camaraderie in crap conditions. The coffee machine never works but the price goes up, just another example of what puts the grating into Great Britain.

Performances: 2.30pm and 7.30pm today. Box office: tickets.41monkgate.co.uk