Nick Sephton’s Count Carl-Magnus Malcolm and Jason Weightman’s Fredrik Egerman duelling and duetting in Wharfemede Productions’ A Little Night Music. All pictures: Dan Crawfurd-Porter
“LET’S make romance emotionally devastating and funny,” Stephen Sondheim once said, and the New York lyricist and composer was never more playful than in his 1973 musical A Little Night Music.
Here it forms North Yorkshire company Wharfemede Productions’ third show since being formed by Helen “Bells” Spencer and Nick Sephton in autumn 2024.
“Few writers capture the glorious mess of love quite like Sondheim,” posits director Spencer in her programme director’s note, describing Sondheim’s savvy 1902 Swedish sexual shenanigans as elegant and biting, romantic and relentless, funny and quietly heartbreaking, often all at once, in its rumble-tumble of desire, regret, hope and desperate quest for happiness
James Pegg’s Henrik Egerman: As gloomy as his cello playing in A Little Night Music
Her production, eloquent, waspish of wit, balanced between light and weighty, captures all those qualities most fruitfully and fruitily. Precise in style and movement, her direction places equal emphasis on Hugh Wheler’s fizzing dialogue and Sondheim’s confessional, candid songs that call on quintet, trio, duet and solo performance in equal measure, steered with elan by musical director and Sondheim expect James Robert Ball, in charge of his eight-piece band (split between keys, strings and reeds).
Rooted in Ingmar Bergman’s film 1955 film Smiles Of A Summer Night, whose story of several couples’ interlinked romantic lives it mirrors so smartly, Sondheim’s ever-perceptive depiction of love being “rarely simple, frequently ill timed and deeply human” – to quote Spencer once more – is played out by the juiciest of casts, assembling the cream of York and Leeds stage talent (several having appeared alongside Spencer in Les Miserables at Leeds Grand Theatre last year).
They range from Maggie Smales, Theatre@41 trustee and esteemed York actress and director, as wheelchair-bound grande dame Madame Armfeldt, with her glut of putdowns in the curmudgeonly old-stick manner of her fellow Maggie, Dame Maggie Smith in Downton Abbey, to Libby Greenhill, A-level student in humanities and creative subjects, who impressed in Pick Me Up Theatre’s Fun Home last September and now plays granddaughter Fridrika with emotional frankness.
Maggie Smales’s grande dame, Madame Armfeldt
Libby Greenhill as Fredrika Armfeldt and director Helen “Bells” Spencer as her mother, Desiree Armfeldt, in A Little Night Music
Crucial to Spencer’s directorial impact is the prominence of the Liebeslieder Singers, alias The Quintet, omnipresent in white dresses and cream suits as they greet you at the top of the stairs, sell programmes, open Act One with the overlapping la-la-las of Night Waltz, then become a cross between a Greek chorus and Shakespeare’s mischief-making Puck, moving the principals into place as if in a dream or a pictorial tableau at the start of various scenes.
Under Rachel Merry’s slick choreography, they slip seamlessly between foreground and background as Mrs Nordstrom (Emma Burke), Mrs Anderson (Hannah Thomson), Mrs Segstrom (Merry herself), Mr Erlansson (Matthew Oglesby) and Mr Lindquist (Richard Pascoe), their harmony singing delighting in Remember? and the Act Two-opening The Sun Won’t Set, as well as when accompanying the principals in the plot-thickening and summarising A Weekend In The Country.
The sophisticated but Tabasco-saucy Scandi scandals of A Little Night Music are led by Spencer’s Desiree Armfeldt, the darling of the Swedish stage, bored by the chore of touring the same old plays but seeking satisfaction from married men, Nick Sephton’s pompous, blustering, time-keeping dragoon buffoon, Count Carl-Magnus Malcolm, forever up for a pistol duel, and middle-aged lawyer Fredrik Egerman (Jason Weightman), yet to consummate his marriage to 18-year-old, hair-obsessed Anne (Alexandra Mather) after 11 months but still desirous of old flame Desiree’s ample, bewitching charms.
Mind the age gap: Alexandra Mather’s 18-year-old Anne Egerman and Jason Weightman’s Fredrik Egerman, her husband, in A Little Night Music
Spencer’s programme note talks of A Little Night Music asking its performers to “live fully inside both comedy and pain”, a state crystalised in James Pegg’s Henrik Egerman, Fredrik’s troubled son, who is taking holy orders but is wholly smitten by his stepmother, Mather’s Anne, who chides his earnest outbursts as comical, the more he vexates.
Pegg’s outstanding, devastatingly honest performance recalls Konstantin Gavrilovich Treplev, the suicidal student in Anton Chekhov’s The Seagull, and let’s hope the York debut of this Leeds actor and higher education professional service leader will lead to further roles here.
Katie Brier catches the eye in the rumbustiously fetching ‘downstairs” role of Petra, whether introducing Henrik to the birds and bees or romping with fellow servant Frid (Chris Gibson).
Swedish actress Sanna Jeppsson’s Countess Charlotte Malcolm
As Desiree’s weekend invitation to her grand and glamorous country estate leads to much web-tangling amid partner swaps, new pairings, sudden seductions and second chances, Swedish-born Sanna Jeppsson comes to the fore as the dunderheaded Count’s exasperated wife, Countess Charlotte, making every ice-cold comic interjection count on renewed home turf.
Sondheim’s romping costume drama is filled with barbed wit, caustic bite and a delicious sense of Scandinavian desperation, topped off by sublime singing, from Weightman, Pegg and Mather’s complex Now/Later/Sooner to Weightman’s Fredrik in his insensitive You Must Meet My Wife duet with Spencer’s Desiree; Jeppsson and Mather’s jilted Every Day A Little Death to the sparring of Weightman and Sephton’s It Would Have Been Wonderful.
Brier maximises her moment in the spotlight in The Miller’s Son; Spencer tops everything with Send In The Clowns, all the more moving for tapping deep into Desiree’s desolation.
Make sure to enjoy Sondheim’s weekend in the country this week in Wharfemede’s combustible combination of courage, comedy, co-ordinated chaos and commitment.
Wharfemede Productions, A Little Night Music, Theatre@41, Monkgate, York, 7.30pm tonight, tomorrow and Friday; 2.30pm and 7.30pm, Saturday. Box office: tickets.41monkgate.co.uk.
Rachel Merry’s Mrs Segstrom, left, Emma Burke’s Mrs Nordstrom, Hanna Thomson’s Mrs Anderssen and fellow member of The Quintet Matthew Oglesby’s Mr Erlansson in A Little Night Music
Child’s play: Andrew Renn, Jon Cook and Jess Murray, back row, with Mark Simmonds and Victoria Delaney in York Settlement Community Players’ Blue Remembered Hills. Picture: John Saunders
FROM Dennis Potter to Stephen Sondheim, showman P.T. Barnum to Selby Abbey’s light installation, Charles Hutchinson is spoilt for cultural choice.
Play of the week: York Settlement Community Players in Blue Remembered Hills, York Theatre Royal Studio, until February 28, 7.45pm nightly, except Sunday and Monday, plus 2pm Saturday matinees
FLEUR Hebditch, former Stephen Joseph Theatre dramaturg for a decade, makes her Settlement Players directorial debut with Dennis Potter’s stage adaptation of his 1979 BBC Play For Today drama.
Seven children are playing in the Forest of Dean countryside on a hot summer’s day in 1943. Each aged seven, they mimic and reflect the adult world at war around them, but their innocence is short lived as reality hits. Box office: 01904 623568 or yorktheatreroyal.co.uk.
Cole Stacey’s social media posting for his Rise@Bluebird Bakery gig
Folk gig of the week: Cole Stacey, Rise@Bluebird Bakery, Acomb, York tonight, doors 7.30pm
VISCERAL singer-songwriter Cole Stacey weaves together British folk, 1980s’ pop, spoken word and ambient electronics, as heard on last February’s debut album with its symbiosis of “lost” places and forgotten words, stretching back to the 13th century, paired with his lyrical songwriting and field recordings.
“I’d like to invite you to come along with me on the next chapter as I head out to share Postcards From Lost Places in some unique and inspiring settings, beginning in York tonight,” says Stacey. “I loved my time and bread last year playing at Bluebird Bakery, so I’m very delighted to be invited back for an intimate gig in their fully working bakery. It’s a special setting and one I’m thoroughly looking forward to!” Box office: bluebirdbakery.co.uk.
Dnipro Opera in Carmen, on tour at York Barbican
Opera of the week: Dnipro Opera (Ukrainian National Opera) in Carmen, York Barbican, Sunday, 7.30pm
THE Dnipro Opera, from Ukraine, performs Georges Bizet’s Carmen in French with English surtitles, accompanied by an orchestra numbering more than 30 musicians.
Feel the thrill of fiery passion, jealousy, and violence of 19th century Seville in Carmen’s story of the downfall of naive soldier Don José, who falls head over heels in love with seductive, free-spirited femme fatale Carmen. Whereupon he abandons his childhood sweetheart and neglects his military duties, only to lose the fickle Carmen to the glamorous toreador Escamillo. Box office: yorkbarbican.co.uk.
Showman extraordinaire: Lee Mead’s P. T. Barnum in Barnum: The Circus Musical at Grand Opera House, York. Picture: Pamela Raith
Touring musical of the week: Bill Kenwright Ltd in Barnum: The Circus Musical, Grand Opera House, York, February 24 to 28, 7.30pm plus 2.30pm Wednesday, Thursday and Saturday matinees
MUSICALS leading man Lee Mead plays the most challenging role of his career, stepping into P. T. Barnum’s shoes and on to the tightrope as the legendary circus showman, businessman and politician in Jonathan O’Boyle’s touring production of the Broadway musical.
Mead leads the cast of more than 20 actor-musicians (playing 150 instruments), acrobats and international circus acts as, hand in hand with wife Charity, Barnum finds his life and career twisting and turning the more he schemes and dreams his way to headier heights. Box office: atgtickets.com/york.
Alexandra Mather’s Anne Egerman and Jason Weightman’s Fredrick Egerman in rehearsal for Wharfemede Productions’ A Little Night Music
Sondheim show of the week: Wharfemede Productions in A Little Night Music, Theatre@41, Monkgate, York, February 24 to 28, 7.30pm plus 2.30pm Saturday matinee
SET in turn-of-the-20th century Sweden, A Little Night Music explores the tangled web of love, desire, and regret through Stephen Sondheim’s signature blend of sophistication, humour and hauntingly beautiful music, not least the timeless Send In The Clowns.
Directed by Helen “Bells” Spencer, Wharfemede Productions’ show combines the North Yorkshire company’s hallmark attention to emotional depth, musical high quality and character-driven ensemble storytelling. Box office: tickets.41monkgate.co.uk.
Disney In Concert: The Sound Of Magic, celebrating music from Walt Disney’s animated films at York Barbican
Movie music of the week: Disney In Concert: The Sound Of Magic, York Barbican, February 25, 7.30pm
THE Novello Orchestra’s Disney In Concert: The Sound Of Magic performance is a symphonic celebration of Disney music, animation and memories, a century in the making, under the direction of creative director Amy Tinkham, music director Giles Martin and arranger and orchestrator Ben Foster.
Favourite characters and music from across the Walt Disney Animation Studios catalogue come to life on the concert hall stage and screen in new medleys and suites on a magic carpet ride through Snow White And The Seven Dwarfs, Moana, Alice In Wonderland, Aladdin, The Jungle Book, Frozen, The Lion King, Fantasia, Encanto, Beauty And The Beast and more. Box office: yorkbarbican.co.uk.
Homeward bound for Selby Abbey: Imitating The Dog’s large-scale installation
Installation of the week: Selby Light 2026, Selby Abbey, February 26 to 28, 6pm to 9pm
SELBY Abbey will be the setting for Homeward, Leeds company Imitating The Dog’s large-scale installation celebrating our different stories and the unified feeling of finding home, framed by the question How Did You Get Here?
Inside, the installation continues as a walk-through experience, complemented by Jazmin Morris’s Through The Liquid Crystal Display, a series of visual code illustrations inspired by Selby Abbey. The trail then extends into the town centre with works by Selby College students. Admission is free.
Phoenix Dance Theatre in Interplay: World premiere opens at York Theatre Royal next Friday and Saturday. Picture: Drew Forsyth
Dance show of the week: Phoenix Dance Theatre, Interplay, York Theatre Royal, February 27, 7.30pm; February 28, 2pm, 7.30pm
LEEDS company Phoenix Dance Theatre’s world premiere tour of Interplay opens at York Theatre Royal next Friday and Saturday, featuring dynamic works by Travis Knight and James Pett (Small Talk), Ed Myhill (Why Are People Clapping?!), Yusha-Marie Sorzano & Phoenix artistic director Marcus Jarrell Willis (Suite Release) and Willis’s Next Of Kin.
Across duet and ensemble works, Interplay explores themes of duality and shared authorship, revealing how distinct artistic voices can intersect to create something greater than the sum of their parts. Each piece offers a unique perspective, united by a bold physicality and a deep curiosity about human relationships, rhythm and collective experience. Box office: 01904 623568 or yorktheatreroyal.co.uk.
Levellers: Levelling The Land anew at York Barbican this autumn
Gig announcement of the week: Levellers, York Barbican, October 29
BRIGHTON folk-rockers Levellers have been among Britain’s most enduring and best-loved bands for nearly 40 years, their success in part built on the anthems that comprised their platinum-selling second album Levelling The Land, whose 35th anniversary falls on October 7.
To mark the occasion, Levellers will head out on a UK and European tour from October 16 to November 21, playing many songs from that album, alongside fan favourites from their extensive catalogue. Hotly tipped Essex punk duo The Meffs will support. Box office: https://www.yorkbarbican.co.uk/whats-on/levellers-2026/.
Sanna Jeppsson’s Countess Charlotte Malcolm, left, Jason Weightman’s Fredrick Egerman and Alexandra Mather’s Anne Egerman in Wharfemede Productions’ A Little Night Music
NORTH Yorkshire theatre company Wharfemede Productions follows up 2025’s Little Women and Musical Across The Multiverse revue with Stephen Sondheim’s A Little Night Music at Theatre@41, Monkgate, York, next week.
Director and company co-founder Helen “Bells” Spencer says: “Sondheim has always been one of my favourite musical theatre writers. His work captures the full spectrum of the human experience; messy, beautiful and deeply relatable.
“What I find most inspiring is how his music doesn’t simply accompany the story; it drives it. Every note, rhythm and lyric reflects the emotional journey of the characters in a way that is both intricate and profoundly moving.”
Continuing to build its reputation for delivering high-quality, character-driven musical theatre, Wharfemede Productions brings together talent from across Yorkshire to present Sondheim’s witty, romantic and elegantly crafted 1973 musical.
Fan fare: Jason Weightman’s Fredrick Egerman and Alexandra Mather’s Anne Egerman in a scene from A Little Night Music
“Directing A Little Night Music has long been a dream of mine, and I’m thrilled to bring it to life with such an exceptional company,” says Bells, who will play Desiree Armfeldt, alongside Alexandra Mather as Anne Egerman, fresh from her outstanding Christmas performance as nightclub singer/evangelist Reno Sweeney in Pick Me Up Theatre’s Anything Goes.
In the company too will be Jason Weightman as Fredrick Egerman, James Pegg as Henrik Egerman, Maggie Smales as Madame Armfeldt, Libby Greenhill as Fredrika Armfeldt, Nick Sephton as Count Carl-Magnus Malcolm and Sanna Jeppsson as Countess Charlotte Malcolm.
Completing the cast will be Katie Brier’s Petra, Chris Gibson’s Frid, soprano Emma Burke’s Mrs Nordstrom, soprano Hannah Thomson’s Mrs Anderssen, mezzo-soprano Rachel Merry’s Mrs Segstrom, tenor Matthew Oglesby’s Mr Erlansson and baritone Richard Pascoe’s Mr Lindquist.
“We’re drawing together an incredible mix of Yorkshire talent, particularly from York and Leeds, including actors I worked with in Les Miserables at Leeds Grand Theatre last year, and the chemistry within this cast is something truly special,” says Bells.
The Quintet in Wharfemede Productions’ A Little Night Music: Emma Burke, left, Richard Pascoe, Rachel Merry, Matthew Oglesby and Hannah Thomson.Picture: Matthew Warry
Joining her in the production team are musical director James Robert Ball, choreographer Rachel Merry and wardrobe mistress Suzanne Perkins. “It was so important to me to have a musical director who not only shares a passion for Sondheim’s music but also understands how to shape the dramatic journey alongside me,” says Bells.
“I am absolutely thrilled to be working with James, whose knowledge, enthusiasm and expertise in Sondheim’s work are second to none. A true Sondheim super-fan, academic and all-round expert, James is breathing such magic into this incredible score and as an assistant director.
“He is a joy to work with and has an extraordinary gift for bringing out the very best in the people around him, both musically and creatively.”
Set in turn-of-the-20th century Sweden, A Little Night Music explores the tangled web of love, desire and regret through Sondheim’s signature blend of sophistication, humour and hauntingly beautiful music, topped off by the timeless Send In The Clowns.
A directorial flash of inspiration for Helen “Bells” Spencer as she rehearses her role as Desiree Armfeldt in A Little Night Music
“A Little Night Music is a lot of people’s favourite Sondheim work – and a lot of cast members have said that too,” says Bells.
“You introduced me to it when Opera North did it in Leeds,” recalls company co-founder Nick. “Yes, I made Nick go and see it!” rejoins Bells.
“I really wanted to do this show, because I think it’s one of Sondheim’s most accessible musicals. It’s more classical in style, taking its inspiration from Mozart’s Eine kleine Nachtmusik. The very clever thing about it, and the very unusual thing too, is that apart from a few bars, it’s written in triple time (3/4 time), which is very rare, particularly in musicals.
“The show is made up predominantly of triangles of love interests, and therefore it reflects those tangled trios in the musical structure, while also reflecting wealthy family life and their servants at the turn of the 19th to the 20th century in Sweden.”
Maggie Smales’s Madame Armfeldt makes her point to Libby Greenhill’s Fredrika Armfeldt
Crucial to the structure too is Sondheim’s use of The Quintet, alias the Liebeslieder Singers, here comprising Burke, Merry, Thomson, Oglesby and Pascoe. “They act like a Greek chorus, and they’ve been represented in very different ways in various versions of the show, but I was really clear when I started that I wanted them to do more than just come on and do their pieces,” says Bells.
“I was really keen for them to be more integral to the plot and the structure, so I wanted them to feel they were part of the decision-making about who The Quintet were. Right at the beginning, I gave them materials about Greek choruses and how they worked in theatre.
“I also researched Swedish folklore, in particular Freya, the goddess of love, beauty, fertility and sex. We then had a few rehearsals where the quintet decided who they should be, and while not wanting to spoil it for anyone, I can say that essentially they’re the driving force of our show. They’re in control; they can change things as an agent of fate, an agent of Freya.”
Bells continues: “They are in no way an ensemble. They are exceptional, doing the most difficult singing in the show, and they’re so on top of it. It’s so good to have such a strong quintet, and I’m really excited for audiences to see what we’ve done with the concept.
James Weightman’s Fredrick Egerman, left, and James Pegg’s Henrik Egerman raising eyebrows as well as glasses in A Little Night Music
“When the quintet is on stage, the lighting will be set for night-time, very ethereal, so it’ll be mysterious and nocturnal, and we will go in and out of that state, depending on the scene.”
Looking forward to a waltzing week ahead, Bells concludes: “Promising emotional depth, musical excellence and ensemble storytelling, Wharfemede Productions invites audiences to experience an evening of charm, laughter and lyrical brilliance, further cementing its place as one of Yorkshire’s most exciting rising theatre companies.”
Wharfemede Productions presents A Little Night Music, Theatre@41, Monkgate, York, February 24 to 28, 7.30pm plus 2.30pm Saturday matinee. Box office: tickets.41monkgate.co.uk.
Wharfemede Productions: back story
CO-FOUNDED in 2024 by Helen “Bells” Spencer, chief artistic director, and Nick Sephton, chief operating officer, the company is dedicated to bringing high-quality musical productions and events to Yorkshire, with respect and openness at the heart of their artistic philosophy.
After gaining a Drama degree from Manchester University, Bells co-founded and company-managed Envision Theatre Company, and now Wharfemede marks a return to those roots. Drawing on decades of logistics, managerial and computing experience, Nick uses these skills in Wharfemede’s work, combined with his love for music and theatre.
Wharfemede Productions’ poster for A Little Night Music at Theatre@41, Monkgate, York
The March To Coppergate, when 500 Vikings parade through York city centre on February 21 in a highlight of the 2026 JORVIK Viking Festival
THE Vikings are invading York once more while the Dark Skies Festival is full of stars in Charles Hutchinson’s tips for adventure and artistic discovery.
Festival of the week: JORVIK Viking Festival, York, February 16 to 22
YORK is gearing up for another action‑packed February half‑term as the JORVIK Viking Festival brings a week of hands‑on history, craft activities and Norse‑themed entertainment to the city’s streets and historic venues.
Organised by York Archaeology, Europe’s largest Viking festival promises an accessible programme for families, featuring a mix of free drop‑in events and low‑cost bookable sessions designed to spark curiosity in young Vikings and their grown‑ups. The full programme and tickets are available at jorvikvikingfestival.co.uk.
Milky Way over Ravenscar at the North York Moors National Park Dark Skies Festival. Picture: Steve Bell, North York Moors National Park
Celebrating jewels of the night sky: North York Moors and Yorkshire Dales National Parks Dark Skies Festival, nightly until March 1
NORTH York Moors and Yorkshire Moors National Parks celebrate their 11th Dark Skies Festival this month. Discover activities at night to heighten the senses, such as night runs, canoeing and night navigation, astrophotography workshops, stargazing safaris, children’s daytime trails, art workshops and mindful experiences.
Full details of nocturnal activities at the two International Dark Sky Reserves, at the peak of the stargazing season, can be found at https://www.darkskiesnationalparks.org.uk/north-york-moors-events and https://www.darkskiesnationalparks.org.uk/yorkshire-dales-events.
Day Fever: Turning York Barbican into a dance floor this afternoon
Dance moves on St Valentine’s Day: Day Fever, York Barbican, today, 3pm
FULL of revellers ready to party to the best feelgood music, personally curated by Jon McClure of Sheffield band Reverend And The Makers, the gang behind Day Fever guarantee an afternoon of no-holds-barred fun times and dancing. Box office: yorkbarbican.co.uk.
Fladam Theatre duo Florence Poskitt and Adam Sowter in Astro-Norma And The Cosmic Piano at Helmsley Arts Centre
Children’s show of half-term week: Fladam Theatre in Astro-Norma And The Cosmic Piano, Helmsley Arts Centre, Sunday, 2.30pm
FLADAM Theatre, the York actor-musician duo of Adam Sowter and Florence Poskitt, return with an intergalactic musical adventure ideal for ages four to ten. Meet out-of-this-world pianist Norma, who dreams of going into space, like her heroes Mae Jemison and Neil Armstrong, but children can’t go into space, can they? Especially children who have a very important piano recital coming up.
When a bizarre-looking contraption crash-lands in the garden, is it a bird? Or perhaps a plane? No and twice no, it’s a piano, but no ordinary piano. This is a cosmic piano! Maybe Norma’s dreams can come true in a 45-minute show packed with awesome aliens, rib-tickling robots, and interplanetary puns that will have children shooting for the stars. Box office: 01439 771700 or helmsleyarts.co.uk.
For whom the Bells toll: The Best Of Tubular Bells I, II & III, York Barbican, Sunday, 7.30pm
THE Best of Tubular Bells I, II & III celebrates Mike Oldfield’s iconic and seminal musical pieces on a 26-date 26 date UK tour featuring an expansive live group, led and arranged by Oldfield’s long-term collaborator Robin Smith.
1973’s Tubular Bells will be performed in full, complemented by extended sections of 1992’s Tubular Bells ll and 1998’s Tubular Bells lll, as well as worldwide hit single Moonlight Shadow. Box office: yorkbarbican.co.uk.
Hottest ticket of 2026 in York: Jodie Comer as defence lawyer Tessa Ensler in Suzie Miller’s Prima Facie at the Grand Opera House. Picture: Rankin
Recommended but sold out already: Jodie Comer in Prima Facie, Grand Opera House, York, February 17 to 21, 7.30pm plus 3pm Thursday and Saturday matinees
JODIE Comer returns to her Olivier and Tony Award-winning role as lawyer Tessa Ensler in the “Something Has To Change” tour of Suzie Miller’s Prime Facie in her first appearance on a North Yorkshire stage since her professional debut in Scarborough as Ruby in the Stephen Joseph Theatre world premiere of Fiona Evans’s The Price Of Everything in April 2010.
Comer’s Tessa is a thoroughbred young barrister who loves to win, working her way up from working-class origins to be at the top of her game: prosecuting, cross examining and lighting up the shadows of doubt in any case. An unexpected event, however, forces her to confront the lines where the patriarchal power of the law, burden of proof and morals diverge. Box office for returns only: atgtickets.com/york.
Thom Feeney in rehearsal for York Settlement Community Players’ Blue Remembered Hills
Child’s play of the week: York Settlement Community Players in Blue Remembered Hills, York Theatre Royal Studio, February 18 to 28, 7.45pm, except Sunday and Monday; 2pm, February 21 and 28
FLEUR Hebditch, former Stephen Joseph Theatre dramaturg for a decade, makes her Settlement Players directorial debut with Dennis Potter’s stage adaptation of his 1979 BBC Play For Today drama.
Seven children are playing in the Forest of Dean countryside on a hot summer’s day in 1943. Each aged seven, they mimic and reflect the adult world at war around them. Their innocence is short lived, however, as reality hits. Box office: 01904 623568 or yorktheatreroyal.co.uk.
Spooky adventure of the week: Flying Ducks Youth Theatre in The Addams Family Musical, Joseph Rowntree Theatre, York, February 19 to 21, 7pm plus 2pm Saturday matinee
YORK company Flying Ducks Youth Theatre undertakes a whimsical, spooky musical adventure into the delightfully dark world of the hauntingly eccentric Addams Family on a night of unexpected revelations.
When Wednesday Addams falls in love with a “normal” boy, chaos ensues. As the two families converge over dinner, secrets are revealed and the true meaning of family is put to the test. Box office: 01904 501935 or josephrowntreetheatre.co.uk.
Kathyrn Williams: Opening Mystery Park Tour at Pocklington Arts Centre
Folk gig of the week: Kathryn Williams, Mystery Park Tour 2026, Pocklington Arts Centre, February 20, 8pm
KATHRYN Williams, the Liverpool-born, Newcastle-based folk singer-songwriter, novelist, podcaster, tutor and artist long celebrated for her quiet emotional depth and lyrical precision, promotes her 15th studio album, last September’s Mystery Park, with support and special guest guitarist Matt Deighton in tow.
Opening her 12-date tour in Pocklington, 2000 Mercury Music Prize nominee Williams marks 27 years of diverse, multi-faceted music projects with a reflective, textured work, made in the quiet margins of motherhood and memory, shaped by time’s shifting tides. “This is the most personal record I’ve made,” she says. “The artwork is my own painting, based on the willow pattern from my grandmother’s tea sets. Each part of it ties into the songs: a map of memories.” Box office: 01759 301547 or pocklingtonartscentre.co.uk.
Katherine Jenkins: Playing York Barbican on 25th anniversary tour
Concert announcement of the week: Katherine Jenkins, York Barbican, October 15
WELSH mezzo-soprano Katherine Jenkins, 45, the biggest-selling classical artist of the 21st century, will play York Barbican as the only Yorkshire venue of her 25 Year Anniversary Tour. Tickets will go on sale at 10am on February 20 at https://www.yorkbarbican.co.uk/whats-on/katherine-jenkins-2026/.
“Reaching 25 years in music is incredibly emotional, but this tour is truly a celebration of the fans who have been there from the very beginning,” she says. “To be heading out across the UK and Ireland for 18 special shows feels less like a celebration of a career and more like a reunion with old friends, and I can’t wait to stand on stage, look out into those familiar faces and share it all over again.”
Russell Hicks: In action at Theatre@41, Monkgate, York, and The Wardrobe, Leeds on his This Time It’s Personal tour
In Focus: Comedy gig of the week, Russell Hicks, This Time It’s Personal, Theatre@41, Monkgate, York, tonight, 8pm
LAST year, Russell Hicks was just Happy To Be Here on his tour travels, discussing his life in the UK after moving from the USA.
Now the improvisational Californian comedian is looking inwards on his latest tour that visits Theatre@41, Monkgate, York, tonight and The Wardrobe, Leeds, on February 22 (7.30pm). “This year it’s about…me. I’m back. And This Time It’s Personal,” he says, explaining the show title.
Deciding to leave the Trump-era politics to the likes of Jon Stewart, “I thought I would talk about more personal things, which is a challenge because I’m reactive to the climate, having done this thing of being a fish out of water [in Happy To Be Here].
“I’ve done that thing of discussing British culture through an American perspective on Instagram and Facebook, and I write Dear Diary entries about moving to Britain. I’ve done stuff on Marmite and Wetherspoons, as an American who knows nothing about this culture and is very honest about it, but they’re mostly just jokes.
“Like in America, I’m seen as a drinker; in England, I’m a legend (when it comes to drinking). That gave me an outline to talk about the UK versus the USA, and having done that, now I’m looking at myself in my new show, trying to sharpen my perspective, where I’m 42 now and so you get to the point where you’re more reflective.”
Russell continues: “That’s kind of the hallmark of being this age. At 35/40, people are starting to look at where they are and what got them there, good or bad. As in any culture, there is so much attention paid to early choices and early paths through life, but then there’s no guide to what to do in a capitalist society after 40. Then it’s just about maintenance.”
Do not mistake This Time It’s Personal for a navel-gazing exercise. “I’m very sensitive that that might be boring, where people do this show that can best summed up as ‘why I’m not successful’. But in my show, I’m celebrating being a comic and the experiences that I have,” says Russell.
“An audience member once came up to me and said, ‘comedians are like university drop-outs: they’re smart but they make the worst choices’. In a comedy club, I’m always in the moment, but then once I’m outside, I’ll look at what makes me uncomfortable. It’s that thing of thinking that you’re talking about yourself but actually you’re talking about all of us.”
As ever, Russell will be weaving improvisation into his shows in York and Leeds. “Improvisation, for me, is just something that’s inevitable. It’s the only way that I know how to perform, bringing in more as I talk about myself, and I’m always happy to find something in the room and then go off track,” he says.
“It’s just exciting. There’s a purity of connection. Being on stage, it’s the closest you get to hanging out with someone, making them laugh.”
As for the jokes, “I always know a joke’s really worked when they’re laughing uncontrollably at something and then have a hard time trying to re-tell it!” he says.
One final question: do you have any memories of past York visits, Russell? “One night in York, I went on a ghost walk before the show, then died on stage. I was like my own ghost that night!”
Occupation: Exuberant, provocative stand-up comedian noted for weaving improvisation into material, and writer of weekly journals of life as an ex-pat.
Appeared on: Channel 4, BBC and ITV. Starred as loveable Texan Coach Hughes in Prime Video series Lovestruck High, narrated by Lindsay Lohan. Written for and starred in ITV’s Stand Up Sketch Show. Won Channel 4 competition series Captive Audience with his fully improvised stand-up.
Track record: Won Prague Fringe Festival 2024. Headlined at every major UK club, including The Stand, Glee Club and Up The Creek. Residency at Top Secret Comedy Club in London. Comperes at Leeds and Reading Festival. Curates indie venues, historic theatres such as Hammersmith Apollo, and private members clubs. Endorsed as Global Talent by Arts Council England in 2022.
What else? Regularly entertains studio audiences at Have I Got News For You, The Last Leg and As Yet Untitled. Works Stateside with legendary Hollywood clubs The Comedy Store, The Improv and The Laugh Factory. As voice actor, he has lent his voice to Sky Comedy and Great Big Story and works for international brands in global campaigns.
Still more? Presenter on Yahoo Entertainment. Opens shows regularly for friends Axel Blake (2022 winner of Britain’s Got Talent), Simon Brodkin and Al Murray. Multiple film roles include appearing Edgar Wright’s The Running Man (2025) and Amazon MGM Studios romantic comedy Maintenance Required (2025) on Amazon Prime. Posts Dear Diary series on Instagram, gaining millions of views.
Previous tours: The Age Of Hicks, 2022; Next Level, 2023; first national UK itinerary, Happy To Be Here, 2024-2025, discussing his life in the UK.
Latest tour: This Time It’s Personal, January 23 to June 5.
Reflection of the day: “I still can’t believe I get to make people laugh for a living, travel the world and, most importantly, not wake up early on Monday mornings.”
Two into one won’t go: Lisa Faulkner’s Allie, left, and Kym Marsh’s Hedy in Single White Female. Picture: Chris Bishop
AN update of a Nineties’ psychological thriller and a panto dame’s transformation into a dog top Charles Hutchinson’s cultural picks for early February and beyond.
World premiere tour of the week: Single White Female, Grand Opera House, York, until Saturday, 7.30pm plus 2.30pm matinees today and Saturday
SCREEN actress, 2010 Celebrity MasterChef winner, TV presenter, chef and cookery book author Lisa Faulkner returns to the stage for the first time in 21 years in Rebecca Reid’s darkly humorous stage adaptation of psychological thriller Single White Female, now updated to the social-media age.
Faulkner’s recently divorced mum Allie is balancing being a single parent with the launch of her tech start-up. When she decides to advertise for a lodger to help make ends meet, Kym Marsh’s Hedy offers her a lifeline, but as their lives intertwine, boundaries blur and a seemingly perfect arrangement begins to unravel with chilling consequences. Box office: atgtickets.com/york.
Viking illumination: Colour & Light celebrates Eric Bloodaxe at York Castle Museum. Picture: David Harrison
Illumination launch of the week: Colour & Light, York Castle Museum and Clifford’s Tower, York, today to February 22, 6pm to 9pm
YORK BID is bringing Colour & Light back for 2026 on its biggest ever canvas. For the first time, two of York’s landmark buildings will be illuminated together when York Castle Museum and Clifford’s Tower become the combined canvas for a fully choreographed projection show, transforming the Eye of York.
Presented in partnership with York Museums Trust and English Heritage, the continuous, looped, ten-minute show will bring York’s historic characters to life in a family-friendly projection open to all for free; no ticket required.
Matt Tapp’s ‘Wild’ Bill Hickok and Helen Gallagher’s ‘Calamity’ Jane in Joseph Rowntree Theatre Company’s Calamity Jane
Musical of the week: Joseph Rowntree Theatre Company in Calamity Jane, Joseph Rowntree Theatre, York, tonight to Saturday, 7.30pm plus 2.30pm Saturday matinee
HELEN Gallagher’s tough talkin’, gun-totin’ heroine ‘Calamity’ Jane and Matt Tapp’s former peace-officer ‘Wild’ Bill Hickok lead director Sophie Cooke’s cast for Sammy Fain and Paul Francis Webster’s musical Calamity James.
Deadwood’s citizens are content with their ways of life: supporting their fort of soldiers and socialising at the beloved Golden Garter saloon. However, when a new face blows in from the Windy City to create a stir, friendships will be formed, long-time loyalties tested and perhaps even secret love revealed. Box office: 01904 501935 or josephrowntreetheatre.co.uk.
Alexander Flanagan Wright in Wright & Grainger’s Helios at Theatre@41, Monkgate, York
Ancient & modern drama of the week: Wright & Grainger in Helios, Theatre@41, Monkgate, York, tomorrow, 7.30pm
EASINGWOLD theatre-makers Alexander Flanagan Wright and Phil Grainger begin their new partnership with Theatre@41 by re-visiting Helios, wherein a lad lives half way up a historic hill, a teenager is on a road trip to the city in a stolen car and a boy is driving a chariot, pulling the sun across the sky.
In Wright’s story of the sun god’s son, Helios transplants the Ancient Greek tale into a modern-day myth wound around the winding roads of rural England and into the everyday living of a towering city. “It’s a story about life, the invisible monuments we build to it, and the little things that leave big marks,” he says. Box office: tickets.41monkgate.co.uk.
Robin Simpson in rehearsal for Catherine Dyson’s The Last Picture, premiering at York Theatre Royal Studio
Solo show of the week: The Last Picture, York Theatre Royal Studio, tomorrow to February 14, except February 8, 7.45pm, plus Wednesday and Saturday 2pm matinees
ROBIN Simpson follows up his sixth season as York Theatre Royal’s pantomime dame by playing a dog in York Theatre Royal, ETT and An Tobar and Mull Theatre’s premiere of Catherine Dyson’s The Last Picture, directed by John R Wilkinson.
Imagine yourself in a theatre in 2026. Now picture yourself as a Year 9 student on a school trip, and then as a citizen of Europe in 1939 as history takes its darkest turn. While you imagine, emotional support dog Sam (Simpson’s character) will be by your side in a play about empathy – its power and limits and what it asks of us – built around a story of our shared past, present and the choices we face today. Box office: 01904 623568 or yorktheatreroyal.co.uk.
Simeon Walker: Inviting his audience to gather around the piano at Helmsley Arts Centre
Pianist of the week: Simeon Walker, An Evening Around The Piano, Helmlsey Arts Centre, Friday, 7.30pm
LEEDS modern classical pianist and composer Simeon Walker performs in Great Britain and Europe, while notching 50 million streams across online platforms and having his music played on BBC Radio 3 and Classic FM.
Walker, who has a keen interest in jazz, folk and ambient music too, has collaborated on interdisciplinary work with artist Mary Griffiths, Portuguese choreographer Sara Afonso, writer Emma White and filmmakers Will Killen and Ben Cohen, plus BBC Radio 4 and University of Leeds. His concerts span moments of quiet, gentle solitude to boisterous, flowing exuberance. Box office: 01439 771700 or helmsleyarts.co.uk.
Julie Carter: Addressing themes of feminism, land rights, ageism and ableism, history and literature in The Dreamtime Fellrunner
Wellbeing on the run: Julie Carter, The Dreamtime Fellrunner, Milton Rooms, Malton, February 12, 7.30pm
IN her first theatre show, poetry and creative non-fiction author Julie Carter charts her running exploits on the Lakeland fells in this moving and humorous account of being an athlete with a physical disability in the form of a developmental disease of the spine.
Presenting fell running as a type of land art and spiritual practice, Carter emphasises body-mind-spirit-place connections while addressing themes of feminism, land rights, ageism and ableism, history and literature, in a 60-minute immersive performance supported by original music, topped off by second-half opportunities for discussion and reflections on wellbeing and the ways we inhabit our environments. Box office: 01653 696240 or themiltonrooms.com.
Mark Stafford: Solo performance at the double in The Strange Case Of Dr Jekyll & Mr Hyde at Helmsley Arts Centre
Split personality of the month: Mark Stafford in The Strange Case Of Dr Jekyll & Mr Hyde, Helmsley Arts Centre, February 21, 7.30pm
PUBLISHED in 1886, Robert Louis Stevenson’s gothic mystery tale of the timeless conflict between good and evil is performed by Mark Stafford in his compelling and faithful adaptation.
In fog-bound Victorian London, respectable lawyer Gabriel Utterson is concerned by a strange clause in his friend Henry Jekyll’s will, whereupon he investigates the sinister Edward Hyde, Jekyll’s unlikely protégé. Convinced that Jekyll and Hyde’s relationship is founded on blackmail, Utterson finds the truth to be far worse than he could have ever imagined. Box office: 01439 771700 or helmsleyarts.co.uk.
The poster for Saturday’s EQUUS UK Film & Arts Fest’s day of equine films at Helmsley Arts Centre
In Focus: EQUUS UK Film & Arts Fest, Helmsley Arts Centre, Saturday, Block 1, 12 noon to 2.16pm; Block 2, 3.30pm to 5.07pm; Block 3, 7pm to 9.45pm
HELMSLEY Arts Centre, in collaboration with Ryedale Bridleways Group, presents the first British screening of the EQUUS UK Film & Arts Festival this weekend.
Founded in 2013 by Illinois equestrian Lisa Diersen, who has spent her life in the company of horses, EQUUS aims to show the world how horses can bring everyone together regardless of race, age, gender, abilities or disabilities.
Saturday’s event comprises two afternoon blocks of short films, exhibitions from Ryedale artists and an evening showing of the 96-minute feature film Big Star, The Nick Skelton Story.
Showing from 12 noon will be Horse & Human Connection, featuring Wings Of Angels, Healing Horses In Mongolia, Heart Of Compton and My Life Between The Reins.
The Wild Horse Collection, from 3.30pm, presents American Mustang (music video), Wild Heart Mustang Book Project, Wild Horse Refuge “Dahtetse”, A Mustang Story promo, Okanagan Wild, Hellbent, Evoke and Renegade.
The Big Star Collections opens at 7pm with Healing In The Open, followed by Inside The In Gate and Unstable. After a 15-minute interval, Big Star will close the event.
Tickets for single blocks or the whole day are available on 01439 771700 or at helmsleyarts.co.uk.
An equine photograph from Valerie Mather’s 2025 trip to the USA
AMONG the exhibitors at Saturday’s EQUUS UK Film & Arts Fest event will be Yorkshire lawyer-tuned- portrait, documentary and travel photographer Valerie Mather.
“After a successful career in law, I retired early to pursue a lifelong passion for photography,” she says. “I learned to ride (English style) as a child but was brought up watching Western movies on television and longed to see for myself the real cowboys and cowgirls of the American West.
“That dream came true in 2025 when I visited the United States and spent time at the McCullough Peaks wild horse area and the Shoshone National Forest ranchlands in Wyoming. “
Another of Valerie Mather’s McCullough Peaks photographs on show at Helmsley Arts Centre on Saturday
Did you know?
RYEDALE Bridleways Group (RBG) covers the Ryedale district and North York Moors National Park. Activities include fundraising events, such as equestrian talks and films. RBG works with local authorities to seek to resolve issues on bridleways and Countryside Access Service Unsurfaced Unclassified Roads, as well as carrying outpractical work such as bridleway clearances and surveys.
Alexander Flanagan Wright in Wright & Grainger’s Helios
EASINGWOLD theatre-makers Alexander Flanagan Wright and Phil Grainger re-visit the Greek tragedy of Helios on February 5 at 7.30pm as part of their new partnership with Theatre@41, Monkgate, York.
In Wright’s tale of the sun god’s son, Helios transplants the Ancient Greek tale into a modern-day myth wound around the winding roads of rural England and into the everyday living of a towering city.
In a nutshell, a lad lives half way up a historic hill, a teenager is on a road trip to the city in a stolen car and a boy is driving a chariot, pulling the sun across the sky.
“It’s a story about life, the invisible monuments we build to it, and the little things that leave big marks,” says Alexander.
Theatre@41 has teamed up with Wright & Grainger to co-produce their new show SELENE, an intimate theatre experience with cinematic score and striking storytelling, rehearsed at the Monkgate theatre in December before touring internationally in 2026, ahead of exclusive summer performances in York.
Theatre@41 is an intimate independent theatre, run almost entirely by volunteers, and this partnership with Wright & Grainger is the first of its kind for the organisation.
Wright & Grainger’s Alexander Flanagan Wright, left, and Phil Grainger with Australian theatre maker Megan Drury. Picture: Charlotte Graham
Theatre manager Tom Bellerby says: “We are delighted to be collaborating with Wright & Grainger on SELENE. A key part of our mission at Theatre@41 is supporting the creation of exceptional new work by artists from York and Yorkshire, and we can’t wait for audiences both here at the theatre and around the world to see this new show.
“Throughout the year Wright & Grainger will also be contributing to Create@41, our new artist development programme, supporting emerging artists in the city by sharing their skills and experience.”
The award-winning, globe-travelling Wright & Grainger’s work re-tells stories from Greek mythology as if they were happening today, bonding Wright’s spoken word with Grainger’s music.
Billed as a sibling show to Helios, SELENE is a radical explosion of an ancient myth, wherein a young girl is watching the moon landings on repeat, entranced by those astronauts’ weightlessness. A bunch of teenagers is swimming under a lunar eclipse, lost in what might happen next. A mismatched couple is watching a horror film at a drive-in cinema, soon to step into all the next stuff.
“It’s a story about the Goddess and the dark side of the moon,” says Alexander. “It’s about how we grow up defined by our bodies. It’s about the light sides of us and the dark sides of us. And it’s about the stuff inside us. All the wild stuff inside of us.”
Welcoming the new partnership, Alexander says: “What a treat to be producing a brand-new show with Theatre@41. We make shows that tour around the world and we spend a lot of time on the road. To be making a new show hand in hand with one of our favourite places in our home city is an absolute dream.
Wright & Grainger’s artwork for SELENE
“Theatre@41 is rapidly becoming a flagship venue in the north of the UK as a home for new artists, acclaimed touring work, the offbeat shows, the wilder ideas. We’re so chuffed to be part of that.”
Alexander continues: “We’re making SELENE with Megan Drury, a really amazing and well-respected performer and theatre maker from Australia, and the show will start its life on the other side of the world.
“We’ll be touring SELENE for five months across Australia and New Zealand [produced by A Mulled Whine Productions] before heading back home and, importantly, back here to Theatre@41. The team at Theatre@41 have just opened up a whole new chapter – we’re damn proud to be working with them, making with them, carving out new ideas and new projects with them.
“We’re excited to take the show out on the road, and then really excited to bring it home. There’s a lot of love and trust and respect in all of it. And there’s a lot of joy in being stood here, at the start of it!”
SELENE will be performed at Theatre@41 as part of the Summer 2026 season on dates yet to be announced. Tickets for Helios are on sale at tickets.41monkgate.co.uk.
Megan Drury in the poster image for Wright & Grainger’s SELENE
Dame for a laugh anew: Graham Smith returns to the pantomime stage with Shiptonthorpe Community Theatre
A PANTO dame’s return and another’s transformation into a dog top Charles Hutchinson’s cultural picks for early February and beyond.
Pantomime of the week:Shiptonthorpe Community Theatre in Robin Hood And The Babes In The Wood, Shiptonthorpe Village Hall, Shiptonthorpe, near Market Weighton, today, 3pm and 7pm; Sunday, 2pm; February 6 and 7, 7pm
GRAHAM Smith, Rowntree Players’ pantomime dame from 2004 to 2022, pulls on the frocks once more after a three-year hiatus in the York guest house proprietor’s debut for East Riding company Shiptonthorpe Community Theatre.
He plays Nellie Nickerlastic in Richard Waud’s production of Robin Hood And The Babes In The Wood, joined in principal roles by Neil Scott’s King Richard, Toby Jewsen’s Robin Hood, Chris McKenzie’s Little John, Henry Rice’s Will Scarlett, Paul Jefferson’s Friar Tuck, Alison Rosa’s Sheriff of Nottingham and Chloe Jensen’s Maid Marion. Tickets: 07922 443639 or email richardwaud@yahoo.co.uk.
Femme Fatale Faerytales: Dark feminist re-telling of age-old classic
A homecoming, a haunting, a holy rebellion: Femme Fatale Faerytales present Mary, Mary, Fossgate Social, Fossgate, York, February 1 and 2, 8pm (doors 7pm)
MARY, Mary quite contrary, wouldn’t you like to know how her garden grows? Step into the fairytale world of Femme Fatale Faerytales as Sasha Elizabeth Parker unveils a dark, lyrical, feminist re-telling of an age-old classic. Part confession, part ritual, part bedtime story for grown-ups, Mary, Mary invites you to meet the woman behind the nursery rhyme in all her wild, untamed, contrary glory.
In her York debut, expect enchanting storytelling, poetic prophecy and a subversive twist on the tales you thought you knew on two intimate, atmospheric nights in one of York’s cult favourite haunts. Box office: wegottickets.com. Box office: wegottickets.com.
Kym Marsh’s Hedy, left, and Lisa Faulkner’s Allie in Rebecca Reid’s updated version of Single White Female, on tour at the Grand Opera House, York
World premiere tour of the week: Single White Female, Grand Opera House, York, February 3 to 7, 7.30pm plus 2.30pm Wednesday and Saturday matinees
SCREEN actress, 2010 Celebrity MasterChef winner, TV presenter, chef and cookery book author Lisa Faulkner returns to the stage for the first time in 21 years in Rebecca Reid’s darkly humorous stage adaptation of psychological thriller Single White Female, now updated to the social-media age.
Faulkner’s recently divorced mum Allie is balancing being a single parent with the launch of her tech start-up. When she decides to advertise for a lodger to help make ends meet, Kym Marsh’s Hedy offers her a lifeline, but as their lives intertwine, boundaries blur and a seemingly perfect arrangement begins to unravel with chilling consequences. Box office: atgtickets.com/york.
Colour & Light: Illuminating Clifford’s Tower and York Castle Museum from February 4
Illumination launch of the week: Colour & Light, York Castle Museum and Clifford’s Tower, February 4 to 22, 6pm to 9pm
YORK BID is bringing Colour & Light back for 2026 on its biggest ever canvas. For the first time, two of York’s landmark buildings will be illuminated together when York Castle Museum and Clifford’s Tower become a combined stage for a fully choreographed projection show, transforming the Eye of York.
Presented in partnership with York Museums Trust and English Heritage, the continuous, looped, ten-minute show will bring York’s historic characters to life in a family-friendly projection open to all for free; no ticket required.
Matt Tapp’s ‘Wild’ Bill Hickok and Helen Gallagher’s ‘Calamity’ Jane in Joseph Rowntree Theatre Company’s Calamity Jane
Musical of the week: Joseph Rowntree Theatre Company in Calamity Jane, Joseph Rowntree Theatre, York, February 4 to 7, 7.30pm plus 2.30pm Saturday matinee
HELEN Gallagher’s tough talkin’, gun-totin’ heroine ‘Calamity’ Jane and Matt Tapp’s former peace-officer ‘Wild’ Bill Hickok lead director Sophie Cooke’s cast for Sammy Fain and Paul Francis Webster’s musical Calamity James.
Deadwood’s citizens are content with their ways of life: supporting their fort of soldiers and socialising at the beloved Golden Garter saloon. However, when a new face blows in from the Windy City to create a stir, friendships will be formed, long-time loyalties tested and perhaps even secret love revealed. Box office: 01904 501935 or josephrowntreetheatre.co.uk.
Alexander Flanagan Wright in Wright & Grainger’s Helios at Theatre@41, Monkgate
Ancient & modern drama of the week: Wright & Grainger in Helios, Theatre@41, Monkgate, York, February 5, 7.30pm
EASINGWOLD theatre-makers Alexander Flanagan Wright and Phil Grainger begin their new partnership with Theatre@41 by re-visiting Helios, wherein a lad lives half way up a historic hill, a teenager is on a road trip to the city in a stolen car and a boy is driving a chariot, pulling the sun across the sky.
In Wright’s story of the son of the sun god, Helios transplants the Ancient Greek tale into a modern-day myth wound around the winding roads of rural England and into the everyday living of a towering city. “It’s a story about life, the invisible monuments we build to it, and the little things that leave big marks,” he says. Box office: tickets.41monkgate.co.uk.
Robin Simpson in rehearsal for Catherine Dyson’s The Last Picture, premiering at York Theatre Royal Studio
Solo show of the week: The Last Picture, York Theatre Royal Studio, February 5 to 14, except February 8, 7.45pm, plus Wednesday and Saturday 2pm matinees
ROBIN Simpson follows up his sixth season as York Theatre Royal’s pantomime dame by playing a dog in York Theatre Royal, ETT and An Tobar and Mull Theatre’s premiere of Catherine Dyson’s The Last Picture, directed by John R Wilkinson.
Imagine yourself in a theatre in 2026. Now picture yourself as a Year 9 student on a school trip, and then as a citizen of Europe in 1939 as history takes its darkest turn. While you imagine, emotional support dog Sam (Simpson’s character)will be by your side in a play about empathy – its power and limits and what it asks of us – in a story of our shared past, present and the choices we face today. Box office: 01904 623568 or yorktheatreroyal.co.uk.
The poster for Super Furry Animals’ summer concert at York Museum Gardens
Gig announcement of the week: Live At York Museum Gardens presents Super Furry Animals, York Museum Gardens, July 11
FUTURESOUND completes the line-up for its third Live At York Museum Gardens season with Welsh art-rock icons Super Furry Animals, celebrating more than 30 years together with multicolour hits and off-piste deep cuts, lovingly handpicked from nine albums.
Gruff Rhys, Huw Bunford, Cian Ciarán, Dafydd Ieuan and Guto Pryce are returning to the concert platform in 2026 for the first time in ten years. Joining them in York will be special guests Baxter Dury, Los Campesinos!, Divorce and Pys Melyn. Tickets for SFA, along with Liverpool’s Orchestra Manoeuvres In The Dark on July 9 and South Yorkshire ’s Self Esteem on July 10, are on sale at futuresoundgroup.com/york-museum-gardens-events.
Super Furry Animals: Playing first concerts in ten years in 2026, including Live At York Museum Gardens headline show
In Focus: Norwell Lapley Productions in Tales From Acorn Wood, York Theatre Royal, February 3 to 5
JULIA Donaldson and Axel Scheffler’s beloved Tales From Acorn Wood stories are brought to life in an enchanting lift-the-flap experience where poor old Fox has lost his socks. Are they in the kitchen or inside the clock?
Rat-a-tat-tat! Who’s keeping tired Rabbit awake in a children’s show that also invites you to join in with Pig and Hen’s game of hide-and-seek and discover the special surprise that Postman Bear is planning for his friends.
Rabbit’s Nap in Tales From Acorn Wood
Packed full of songs, puppetry and all the friends from Acorn Wood, this show featuring Fox’s Socks, Rabbit’s Nap, Hide-and-Seek Pig and Postman Bear comes from the team behind Dear Zoo Liveand Dear Santa.
Writer Julia Donaldson says: “I am really happy that the Tales From Acorn Wood are now moving to the stage. Fans of the books are bound to enjoy seeing the four main characters, Fox, Bear, Pig and Rabbit, brought to life through Norwell Lapley Productions’ clever staging.
“Live performance and songs are both very close to my heart and I am sure this production will delight children and families.” Performances: Tuesday, 1.30pm; Wednesday and Thursday, 10.30am and 1.30pm. Box office: 01904 623568 or yorktheatreroyal.co.uk.Age guidance: One plus.
Pick Me Up Theatre’s poster for Next To Normal at Theatre@41, Monkgate, York
AFTER directing Cole Porter’s Anything Goes with such pizzazz, Andrew Isherwood takes the reins again for Pick Me Up Theatre’s spring production of Next To Normal at Theaytre@41, Monkgate, York.
Winner of three 2009 Tony Awards including Best Musical Score and the 2010 Pulitzer Prize, Brian Yorkey and Tom Kitt’s intimate exploration of family and illness, loss and grief explores how one suburban household copes with crisis and mental illness.
Dad Dan is an architect; Mom rushes to pack lunches and pour cereal; their daughter and son, Natalie and Gabe, are bright, wise-cracking teens, appearing to be a typical American family. Their lives are anything but normal, however, because mother Diane has been battling manic depression for 16 years.
Combining Yorkey’s book and lyrics with Kitt’s music, Next To Normal takes audiences into the minds and hearts of each character, presenting the family’s story with love, sympathy and heart.
Isherwood’s cast comprises Monica Frost as Diane; Dale Vaughan as Dan; Niamh Rose as Natalie; Matthew Warry as Gabe; Fergus Green as Henry and Ryan Richardson as Dr Fine/Dr Madden.
Isherwood is joined in the production team by musical director James Robert Ball and producer/designer Robert Readman.
Pick Me Up Theatre in Next To Normal, Theatre@41, Monkgate, York, March 25 to April 4; 7.30pm except March 29; 2.30pm, March 28, 29, April 4. Box office: https://tickets.41monkgate.co.uk/seasons/eb56fa81-e805-45d4-99e5-81e3cdf15cf9.
Fergus Powell’s Moonface Martin, left, and Adam Price’s Billy Crocker in Pick Me Up Theatre’s Anything Goes at Theatre@41, Monkgate, York. Picture: Felix Wahlberg
SEEING out the old year, welcoming in the new, Charles Hutchinson refuses to advocate putting your feet up in the festive season.
All aboard for the last chances to see: Pick Me Up Theatre in Anything Goes, Theatre@41, Monkgate, York, today to December 30
CLIMB aboard the S.S. American as it sets sail in Andrew Isherwood’s all-singing, all-dancing staging of Anything Goes, Cole Porter’s swish musical, charting the madcap antics of a motley crew leaving New York for London on a Christmas-themed steamer.
Meet nightclub singer/evangelist Reno Sweeney (Alexandra Mather) and lovelorn Wall Street broker Billy Crocker (Adam Price), who has stowed away on board in pursuit of his beloved Hope Harcourt (Claire Gordon-Brown). Alas, Hope is engaged to fellow passenger Sir Evelyn Oakleigh (Neil Foster). Enter second-rate conman Moonface Martin (Fergus Powell) to join Reno in trying to help Billy win the love of his life. Box office: tickets.41monkgate.co.uk.
Frances Marshall of History Riot: Presenting Tales From The Trail at York Castle Museum
Family-friendly performances of the week: History Riot in Tales From The Trail, York Castle Museum, Eye of York, York, today (27/12/2025) to January 3, except January 1, between 10am to 5pm daily
HISTORY Riot return to York Castle Museum with Tales From The Trail, an array of family-friendly performances, with start times being advertised at the admissions desk each day. Join two madcap Victorian characters for an urgent shopping trip on the Victorian street of Kirkgate this festive season.
The billboard poster for The Tubs & Bull’s co-headline show at The Crescent, York
Double bill of the week: The Tubs and Bull, The Crescent, York, tonight, 7.30pm
IN A Please Please You Seasonal Rock’n’Roll Party, The Tubs and Bull team up for a co-headline show, featuring Dan Lucas at the double, complemented by some friends DJing in the bar.
Cardiff indie rock band The Tubs comprises Lucas, Owen Williams, Max Warren and Taylor Stewart; York alt. rock band Bull features songwriting frontman Tom Beer, guitarist Lucas, drummer Tom Gabbatiss, bassist Kai West and keyboard player and vocalist Holly Beer. Box office: thecrescentyork.com/events/the-tubs-bull/.
Aoife Kenny’s Aurora and Christian Mortimer’s Prince Michael of Moravia in Sleeping Beauty at York Theatre Royal. Picture: S R Taylor Photography
Still time for pantomime: Sleeping Beauty, York Theatre Royal, until January 4
YORK Theatre Royal creative director Juliet Forster directs returnee dame Robin Simpson’s Nurse Nellie, Jocasta Almgill’s Carabosse, Tommy Carmichael’s Jangles, CBeebies star Jennie Dale’s Fairy Moonbeam, Aoife Kenny’s Aurora and Harrogate actor Christian Mortimer’s Prince Michael of Moravia in Sleeping Beauty.
Written as ever by Paul Hendy, the Theatre Royal’s festive extravaganza is co-produced once more with award-winning Evolution Productions. Look out too for Kris Madden’s pyrotechnics: he indeed the fire starter, twisting, turning fire starter. Box office: 01904 623568 or yorktheatreroyal.co.uk.
Turning ugly: Luke Attwood’s Melody Hard-Up and Brandon Nicholson’s Harmony Hard-Up in UK Productions’ Cinderella at the Grand Opera House, York. Picture: Charlie Kirkpatrick
Still time for more pantomime: Cinderella, Grand Opera House, York, until January 4
CORONATION Street star Lisa George’s Fairy Godmother leads the Grand Opera House pantomime cast, joined by Tobias Turley (ITV’s Mamma Mia I Have A Dream) as Prince Charming and West End star Rachel Grundy (Rocky Horror Picture Show, Legally Blonde) as Cinderella in UK Productions’ Cinderella, scripted by award-winning Jon Monie.
Directed by Ellis Kerkhoven, West End drag stars Luke Attwood and Brandon Nicholson double down on the rather saucy mayhem in Ugly Sisters mode, joined in the capering comedy corner by Jimmy Bryant’s Buttons. Box office: atgtickets.com/york.
The creative team behind The Wonderful Wizard Of Oz at Castle Howard. Picture: Tom Arber
The Yellow Brick enters the home straight: The Wonderful Wizard Of Oz, Castle Howard, near York, until January 4
CASTLE Howard is transformed for winter into an immersive Christmas experience, dressed in set pieces, decorations, floristry, projections, lighting and sound for The Wonderful Wizard Of Oz.
Created by CLW Event Design, headed up by Charlotte Lloyd Webber and Adrian Lillie, the show-stopping Emerald City High Street in the Long Gallery is the highlight, with life-size fabricated shop fronts inspired by York’s Shambles, while the 28ft Christmas tree sparkles in the Great Hall. Leeds theatre company Imitating The Dog provides the spectacular projections and soundscapes. Tickets: castlehoward.co.uk.
Snow show in A Winter Adventure at JORVIK Viking Centre
Deep freeze: A Winter Adventure at JORVIK Viking Centre, York, until February 22 2026
A WINTER Adventure brings a new wintery experience to the underground York visitor attraction, where the 10th century Vikings are celebrating Yule with natural decorations hung on their houses. For the first time, visitors can peer through Bright White’s time portal into the blacksmith’s house excavated on this site in the 1970s, seeing what it would have been like to live there.
They will then board a time sleigh to travel back in time around the backstreets, transformed by Wetherby set dressers EPH Creative, who have covered streets and houses in a thick blanket of snow, bathed in cold blue lighting.Pre-booking is essential for all visits to JORVIK at jorvikvikingcentre.co.uk.
Fever presents: Candlelight: Best Of Bridgerton On Strings, National Centre for Early Music, Walmgate, York, January 3, 6.30pm; Candlelight: Tribute To Queen & More, 8.30pm
DEAREST Reader, Lady Whistledown has given her verdict: the event of the season is here! Bathed in the soft glow of candlelight, favourite melodies from Shondaland’s Bridgerton series on Netflix are re-imagined by the New World String Quartet in a magical 60-minute performance of Candlelight: Best Of Bridgerton On Strings.
Later that same night, Candlelight presents the music of Queen and More in a live, hour-long multi-sensory musical experience featuring We Will Rock You, Somebody To Love, Radio Ga Ga, Killer Queen, We Are The Champions, Another One Bites the Dust, Bohemian Rhapsody and many more. Box office: support.feverup.com.
Ancient Hostility: Passionate political and personal song in harmony at Navigators Art’s A Feast Of Fools III
Navigators Art presents A Feast Of Fools III, The Black Swan Inn, Peasholme Green, York, January 4, 7.30pm, doors 7pm
WELCOME to A Feast Of Fools III, York arts collective Navigators Art’s sign-off to “Holiday’s end – the last gasp of Mischief” in a celebration of Twelfth Night and Old Christmas packed with live folk music and a nod to the pagan and the impish.
On the bill will be: Ancient Hostility, performing passionate political and personal song in harmony; North West folk duo Joshua Arnold and Therine, presenting vocal-led trad and experimental versions of British folk songs; Pefkin, whose ritualistic hymnals draw heavily on the landscape and the natural world, and White Sail, York’s multi-instrumental alt-folk legends. Box office: www.ticketsource.co.uk/navigators-art-performance.
Pickering Musical Society’s principal panto players for Snow White at Kirk Theatre, Pickering
First panto of the New Year: Pickering Musical Society in Snow White, Kirk Theatre, Pickering, January 14 to 25, 7.15pm, except January 19; 2.15pm, January 17, 18, 24 and 25
DIRECTED for the tenth year by resident director Luke Arnold and writer by Ron Hall, Pickering Musical Society’s 2026 pantomime combines comedy, spectacle, festive magic, dazzling scenery and colourful costumes.
The show features such principals as Marcus Burnside’s Dame Dumpling, Danielle Long’s Prince Valentine, Alice Rose’s Snow White, Paula Cook’s Queen Lucrecia and Sue Smithson’s Fairy Dewdrop. Audiences are encouraged to book early to avoid disappointment. Box office: 01751 474833 or kirktheatre.littleboxoffice.com.
Emily Chattle’s Lowen and Ceridwen Smith’s Granbow in a magical scene in Next Door But One’s Christmas show with a difference, When Robins Appear. Picture: James Drury
FESTIVE shows, carol concerts, dancing with Anton and a musical aboard a Christmas steamer fill Charles Hutchinson’s in-box for December delights.
A different kind of Christmas show of the week: Next Door But One in When Robins Appear, Clifton Explore, December 18,5.30pm;York Explore, December 20 and 21, 11am and 2pm
WRITTEN and directed by Next Door But One artistic director Matt Harper-Hardcastle, When Robins Appear follows two friends as they face the big changes of moving house, starting new schools and a first Christmas without Grandma, when the festive sparkle seems to be missing.
Helped by a magical Robin (played by Ceridwen Smith), 12-year-old Ellis (Annie Rae Donaghy) and Lowen (Emily Chattle) are whisked away on a heart-warming journey through their favourite wintery memories to find the magic again. Soon they discover that the real sparkle of Christmas will not be found under the tree, but in the laughter, love and unforgettable moments we share together and that can live forever in our hearts. Tickets update: Sold out, for returns only, go to: www.nextdoorbutone.co.uk.
Adam Price’s Billy Crocker, left, Alexandra Mather’s Reno Sweeney and Fergus Powell’s Moonface Martin in Pick Me Up Theatre’s Anything Goes at Theatre@41, Monkgate, York. Picture: Felix Wahlberg
Full steamer ahead of the week: Pick Me Up Theatre in Anything Goes, Theatre@41, Monkgate, York, until December 21, then December 27 to 30
CLIMB aboard the S.S. American as it sets sail in Andrew Isherwood’s all-singing, all-dancing staging of Anything Goes, Cole Porter’s swish musical, charting the madcap antics of a motley crew leaving New York for London on a Christmas-themed steamer.
Meet nightclub singer/evangelist Reno Sweeney (Alexandra Mather) and lovelorn Wall Street broker Billy Crocker (Adam Price), who has stowed away on board in pursuit of his beloved Hope Harcourt (Claire Gordon-Brown). Alas, Hope is engaged to fellow passenger Sir Evelyn Oakleigh (Neil Foster). Enter second-rate conman Moonface Martin (Fergus Powell) to join Reno in trying to help Billy win the love of his life. Box office: tickets.41monkgate.co.uk.
Winter WonderBand: Performing Joy Illimited album at Helmsley Arts Centre
The cover artwork for Winter WonderBand’s Joy Illimited album
Christmas folk concert of the week: Winter WonderBand, Helmsley Arts Centre, tomorrow, 7.30pm
CHAMBER folk quartet Winter WonderBand comprises Saul Rose (from Faustus, War Horse and Waterson Carthy) on melodeon; Maclaine Colston (Pressgang and Kings Of Calicutt) on hammered dulcimer; Beth Porter (SpellSongs and Bookshop Band) on cello and Jennifer Crook (Broken Road and Cythara) on harp and guitar.
Together they play winter and festive-themed acoustic music and songs, traditional, modern and original, as heard on debut album Joy Illimited, released on December 1. Box office: 01439 771700 or helmsleyarts.co.uk.
The Icons Of Soul: In serenading mood at Milton Rooms, Malton, on Saturday
Christmas soul parties of the week: The Magic Of Motown, York Barbican, tomorrow, 7.30pm; The Icons Of Soul, Milton Rooms, Malton, Saturday, 8pm
ON its 20th anniversary tour, The Magic Of Motown travels down nostalgia avenue in celebration of Marvin Gaye, Diana Ross, Stevie Wonder, The Temptations, The Supremes, The Four Tops, Martha Reeves, Mary Wells, The Isley Brothers, The Jackson 5, Smokey Robinson and Lionel Richie at York Barbican on Thursday. Box office: yorkbarbican.co.uk.
Two nights later, direct from the United States, The Icons Of Soul serenade Malton’s audience with soul classics and slick dance routines as they celebrate 1960s and 1970s’ vocal groups such as The Drifters, The Temptations, The Stylistics and Tavares. Be prepared to dance all night long. Box office: 01653 696240 or themiltonrooms.com.
The poster for Pocklington Arts Centre’s Christmas show, Elizabeth Godber’s Jingle All The Way
Deer double act of the week: Jingle All The Way, Pocklington Arts Centre, until December 23
FROM the team behind The Elves And The Shoemaker Save Christmas and Jack Frost’s Christmas Wish comes Elizabeth Godber’s latest Christmas family adventure, co-directed by Jane Thornton with musical direction by Dylan Allcock.
Reindeer siblings Rex (Emilio Encinoso-Gil) and Rosie(Hannah Christina) are reluctant to start at a new school just before Christmas, especially when that school is the East Riding Reindeer Academy, home of supreme athletes. Santa, however, has a position free on his sleigh squad; could this be Rex’s big chance? Box office: 01759 301547 or pocklingtonartscentre.co.uk.
Eve Lorian: Conducting Prima Choral Artists’ Family Christmas Concert at St Olave’s Church, Marygate, York
Choral concert of the week: Prima Choral Artists, Family Christmas Concert, St Olave’s Church, Marygate, York, Saturday, 4pm to 5pm
PRODUCED and conducted by Prima Choral Artists director Eve Lorian, Saturday’s concert unites her choir with the New World String Quartet, organist James Webb and pianist Greg Birch in reflective and cheerful Christmas celebrations.
Here come high-spirited festive classics, modern choral arrangements and string and organ repertoire, including works by Tchaikovsky and Rawsthorne. Box office: primachoral.com and on the door.
Festive song and dance with Anton Du Beke and terpsichorean friends at York Barbican
Dandy dancing of the week: Christmas With Anton Du Beke & Friends, York Barbican, Sunday, 5pm
EMBARK on a dazzling journey into a festive wonderland as Strictly Come Dancing judge and ballroom king Anton Du Beke joins forces with his dynamic live band, vocalist Lance Ellington and troupe of dancers for a magical evening of cherished Christmas songs, captivating dance and festive humour. Box office: yorkbarbican.co.uk.
Recommended but sold out already is Robert Plant’s Saving Grace gig, Ding Dong Merrily, at York Barbican on December 23 (doors 7pm), when Plant, co-vocalist Suzi Dian drummer Oli Jefferson, guitarist Tony Kelsey, banjo and string player Matt Worley and cellist Barney Morse-Brown showcase September 26’s Saving Grace album, “a song book of the lost and found”.
Pickering Musical Society in pantoland: Starting off the new year in Snow White at Kirk Theatre, Pickering
Booking recommended now: Pickering Musical Society in Snow White, Kirk Theatre, Pickering, January 14 to 25, 7.15pm, except January 19; 2.15pm, January 17, 18, 24 and 25
INTEREST has been “extraordinary” for Pickering Musical Society’s January 2026 pantomime, directed for the tenth year by resident director Luke Arnold. More than 1,000 tickets have sold already; January 18’s 2.15pm performance has sold out and several others are close behind.
Written by Ron Hall, the show combines comedy, spectacle, festive magic, dazzling scenery and colourful costumes and features such principals as Marcus Burnside’s Dame Dumpling, Danielle Long’s Prince Valentine, Alice Rose’s Snow White, Paula Cook’s Queen Lucrecia and Sue Smithson’s Fairy Dewdrop. Audiences are encouraged to book early to avoid disappointment. Box office: 01751 474833 or kirktheatre.littleboxoffice.com.
