Katie Melia’s Chris, centre, and Alexa Chaplin’s Annie, right, in rehearsal with Sandy Nicholson’s Jessie in York Musical Theatre Company’s Calendar Girls The Musical
KATHYRN Addison is directing York Musical Theatre Company in Cheshire childhood friends Gary Barlow and Tim Firth’s musical account of a thoroughly Yorkshire true story, Calendar Girls, from Wednesday to Saturday at the Joseph Rowntree Theatre, York.
After the death of a much-loved husband, aYorkshire Dales group of Women’s Institute ordinary women decides to do an extraordinary thing. Led by Katie Melia’s Chris and Alexa Chaplin’s Annie, the friends vow to make an artistic nude calendar for a cancer charity, but discover that upturning preconceptions is a dangerous business, leading to emotional and personal ramifications that no-one could anticipate.
Yet their bold front brings each woman unexpectedly into flower in a tale that became a global phenomenon, spawning a million copycat calendars, Nigel Cole’s 2003 record-breaking film, Tim Firth’s stage play and Firth and Barlow’s musical (premiered under the title The Girls at Leeds Grand Theatre in November 2015).
Matching Chris and Annie’s friendship, Katie and Alexa have been friends since 2010. “We met when appearing in York Light Opera Company’s Crazy For You,” says Katie.
“We last worked together in Disenchanted, doing it for the second time last October,” says Alexa. “That time it was for Steve Coates Music Productions, which was cast and directed by Katie. We both played the same parts that we did for Pick Me Up Theatre [Katie’s Snow White and Alexa’s Cinderella] and got two of the original Princesses back, having first done it with Robert Readman in 2016. We’ve done such shows as Little Shop Of Horrors and Oliver!, and Calendar Girls must be about our seventh show together.”
Calendar Girls The Musical director Kathryn Addison
It turns out that Katie and Alexa are no strangers to a state of deshabille on stage. “We did Gypsy with Robert for Pick Me Up as two of the three strippers,” recalls Katie. “Neither of us had very much on in that one.”
Alexa was “very keen” to do Calendar Girls. Katie was “umming and ahhing”. “But only because it’s my 40th birthday on the Sunday after the show finishes, but when I realised who was going to be doing it, I thought, ‘I can’t miss out as it’s an amazing show with amazing people in it, like Alexa’.”
Addison’s cast also will feature Katie’s husband, who has stepped in to replace Ryan Stocks in the role of Annie’s husband, John Clarke. “That’s brilliant because they’ve been friends for 16 years,” says Katie, whose husband in Calendar Girls, Rod, will be played by Jack Hooper.
“It does help in this show because they’re such long-standing friendships, and we have to build something authentic and believable,” says Alexa.
Analysing her character Chris, Katie says: “She’s the more happy-go-lucky and feisty of the two, and she’s definitely Annie’s right-hand woman, keeping her grounded. She’s there as her relief, her support, her friend, with everything that Annie’s going through with losing her husband.
Alexa Chaplin’s Annie, front, in the rehearsal room for Kathryn Addison’s production
“You also see the vulnerable side of Chris through the struggles of her son, where she wants him to be everything she isn’t, but feels she is losing control of him because he’s being led astray by this rebellious girl when he’s on the path to be head boy.”
Assessing Annie’s character, Alexa says: “It’s a really emotional role. This is the most real character I’ve ever played and the most touching, and that’s quite a responsibility, but it’s also a fantastic stage role and I’ve been really enjoying the acting challenge of Annie being more of an introvert than Katie’s Chris, where she responds to Chris’s energy and humour. They’re quite a counterpart to each other, and above all Annie has to carry the show’s emotional load.”
Alexa lost a close friend to cancer. “But even without that, I’m moved sentimentally and empathetically by the music, so I find it very moving, because the script and lyrics are so well written,” she says.
“In the face of something tragic, you do still have to go to the supermarket and cook meals. It’s brilliantly observed [by Tim Firth] with ordinary life motoring on, amid the tragedy, with all the undercutting of emotion with wry quips being so Yorkshire.”
Katie adds: “John will make a quip at the most emotional moment, which is so relatable because that’s how we react to loss or pre-emptive loss.”
York Musical Theatre Company’s cast for Calendar Girls The Musical. Peter Melia will be replacing Ryan Stocks in the role of John Clarke
At the epicentre of Calendar Girls is the photo-shoot for the nude calendar. “I had a wobble a few weeks ago because of the reality of what’s required. You agree to do the show, knowing you will have to strip, then rehearsing in a dressing gown, but you’re aware there’ll be no clothing beneath that dressing gown when you get on stage!
“You also know that Chris is the one who champions doing the calendar and she’s the one who won’t be protected by props. I’ll just have some strategically placed ‘bunting’. I have to walk to the front of the stage, which I’d forgotten , so when it was all laid out to me, I thought, ‘I can’t do this’. At which point [husband] Peter said, ‘you signed up for it, it’s too late to back out now’!
“The thing is, the audience will not be judging on body type. It’s all about female empowerment.”
Alexa’s Annie will be “comfortably hidden behind watering cans and pot plants”. “Working together, it’s about thinking about sight lines and making everyone feel comfortable with the props and the solidarity of all doing it together: that teamwork and moral support,” she says.
York Musical Theatre Company’s line-up of Women’s Institute members for the Calendar Girls calendar
Katie adds: “We’ll be responsible for each other’s props for the photo shoot, so we’ve run the scene many times, thinking about ‘bigger buns’ or whatever. It’s not salacious or about ‘being sexy’. It’s about real women getting their kit off for a good cause – and we’ll have safety in numbers, where you can cover your ‘major modesty’!”
“And thankfully, unlike the original Calendar Girls, we will not be in the papers,” notes Alexa.
Addison’s directorial style will see Calendar Girls being ‘stripped back’ too, like a Yorkshire dry stone wall. “”It feels even more real because there’ll be no ‘jazz hands’,” says Katie.
York Musical Theatre Company in Calendar Girls The Musical, Joseph Rowntree Theatre, York, Wednesday to Saturday, 7.30pm plus 2.30pm Saturday matinee. Box office: 01904 501935 or josephrowntreetheatre.co.uk.