More Things To Do in York and beyond when taking Steps to entertainment. Hutch’s List No. 5, from The York Press

Robin Simpson in The Last Picture at York Theatre Royal Studio, Picture: S R Taylor Photography

MUSICALS aplenty and a posthumous debut exhibition for two York artists are among Charles Hutchinson’s favourites for February fulfilment.

Solo show of the week: The Last Picture, York Theatre Royal Studio, until February 14, 7.45pm except Sunday,  plus Wednesday and Saturday 2pm matinees

ROBIN Simpson follows up his sixth season as York Theatre Royal’s pantomime dame by playing a dog in York Theatre Royal, ETT and An Tobar and Mull Theatre’s premiere of Catherine Dyson’s anti-Fascist monodrama The Last Picture, directed by associate artist John R Wilkinson.

Imagine yourself in a theatre in 2026. Now picture yourself as a Year 9 student on a school museum trip, and then as a citizen of Europe in 1939 as history takes its darkest turn. While you imagine, emotional support dog Sam (Simpson’s character) will be by your side in a play about empathy – its power and limits and what it asks of us – built around a story of our shared past, present and the choices we face today. Box office: 01904 623568 or yorktheatreroyal.co.uk.

Colour & Light turns the spotlight on Viking invader Eric Bloodaxe among York’s rogues, scoundrels and historical figures in Double Take Productions’ light installation at York Castle Museum and Clifford’s Tower. Picture: David Harrison

Illumination of the week: Colour & Light, York Castle Museum and Clifford’s Tower, York, until February 22, 6pm to 9pm

YORK BID is bringing Colour & Light back for 2026 on its biggest ever canvas. For the first time, two of York’s landmark buildings are illuminated together when York Castle Museum and Clifford’s Tower become the combined canvas for Double Take Projections’ fully choreographed projection show, transforming the Eye of York.

Presented in partnership with York Museums Trust and English Heritage, the continuous, looped, ten-minute show bring York’s historic rogues, scoundrels, miscreants, mischief makers and mythical characters to life in a family-friendly projection open to all for free; no ticket required.

    Suede: Showcasing Antidepressants album on York Barbican return

    Recommended but sold out already: Suede, York Barbican, tonight, doors 7pm

    AFTER playing York Barbican for the first time in more than 25 years in March 2023, Suede make a rather hastier return on their 17-date Antidepressants UK Tour when Brett Anderson’s London band promote their tenth studio album.

    “If [2022’s] Autofiction was our punk record, Antidepressants is our post-punk record,” says Anderson. “It’s about the tensions of modern life, the paranoia, the anxiety, the neurosis. We are all striving for connection in a disconnected world. This was the feel I wanted the songs to have. This is broken music for broken people.” Box office for returns only: yorkbarbican.co.uk.

    Sara Pascoe: Contemplating smart and astute nocturnal thoughts in I Am A Strange Gloop

    Comedy gig of the week: Sara Pascoe, I Am A Strange Gloop, York Theatre Royal, tonight, 7.30pm

    HAVE you ever been awake in the middle of the night and thought something so smart and astute that you could not wait for the world to wake up for you to tell them? “This show is that thought, in that it doesn’t make much sense and is a bit weird on reflection,” says Dagenham comedian, actress, presenter and writer Sara Pascoe.

    In I Am A Strange Gloop, Sara & Cariad’s Weirdos Book Club podcaster and former The Great British Sewing Bee host Pascoe reveals how her children don’t sleep, her kitchen won’t clean itself and her husband “doesn’t want to be in it”. Box office: 01904 623568 or yorktheatreroyal.co.uk.

    Sally Ann Matthews’ supermarket boss Patricia in Here & Now The Steps Musical. Picture: Danny Kaan

    Comedy and Tragedy show of the week: Here & Now, The Steps Musical, Grand Opera House, York, February 10 to 15, Tuesday to Saturday, 7.30pm; Wednesday and Saturday, 2.30pm; Sunday, 3pm

    PRODUCED by Steps, ROYO and Pete Waterman, Here & Now weaves multiple dance-pop hits by the London group into Shaun Kitchener’s story of supermarket worker Caz and her fabulous friends dreaming of the perfect summer of love.

    However, when Caz discovers her “happy ever after” is a lie, and the gang’s attempts at romance are a total tragedy, they wonder whether love will ever get a hold on their hearts? Or should they all just take a chance on a happy ending? Look out for Coronation Street star Sally Ann Matthews as supermarket boss Patricia. Box office: atgtickets.com/york.

    Gi Vasey’s Annas and Joseph Hayes’ Caiaphas in Inspired By Theatre’s Jesus Christ Superstar. Picture: Dan Crawfurd-Porter

    Boundary-pushing theatre show of the week: Inspired By Theatre in Jesus Christ Superstar, Joseph Rowntree Theatre, York, February 11 to 14, 7.30pm plus 2.30pm Saturday matinee

    YORK company Inspired By Theatre’s gritty, cinematic and unapologetically powerful staging of Jesus Christ Superstar presents director Dan Crawfurd-Porter’s radical new vision of Andrew Lloyd Webber and Tim Rice’s 1971 musical.

    On Gi Vasey’s shifting building-block set design, part temple, part battleground, the story unfolds through visceral movement, haunting imagery and a pulsating live score, capturing Jesus’s final days as loyalties fracture, followers demand revolution and rulers fear rebellion. Box office: 01904 501935 or josephrowntreetheatre.co.uk.

    Annie at the double: Hope Day, left, and Harriet Wells will be sharing the title role in York Light Opera Company’s musical. Picture: Matthew Kitchen Photography

    The sun’ll come out, not tomorrow, but from Thursday at: Annie, York Light Opera Company, York Theatre Royal, until February 21, 7.30pm, except February 15 and 16; matinees on February 14, 15 and 21, 2.30pm; February 19, 2pm

    MARTYN Knight directs York Light Opera Company  for the last time in the company’s first staging of Charles Strouse, Martin Charnin and Thomas Meehan’s Annie in 25 years.

    This heart-warming tale of hope, family, and second chances, packed with such knockout songs as Tomorrow, Hard Knock Life and You’re Never Fully Dressed Without A Smile, stars  Annabel van Griethuysen as Miss Hannigan, Neil Wood as Daddy Warbucks and  Hope Day and Harriet Wells, sharing the role of Annie. Box office: 01904 623568 or yorktheatreroyal.co.uk.

    Liz Foster: Exploring memory, landscape and the childhood feeling of being immersed in wild places in Deep Among The Grasses

    Exhibition launch of the week: Liz Foster, Deep Among The Grasses, Rise:@Bluebird Bakery, Acomb, York, February 12 to April 10

    YORK artist Liz Foster’s new series of abstract paintings, Deep Among The Grasses, invites you into rich, expansive imagined spaces where she explores memory, landscape and the childhood feeling of being immersed in wild places.

    Full of colour, feeling and atmosphere, this body of work is being shown together for the first time. Everyone is welcome at the 6pm to 9pm preview on February 12 when Leeds-born painter, teacher and mentor Liz will be in attendance.

    Craig David: Performing his TS5 DJ set at York Racecourse Music Showcase weekend

    Gig announcement of the week: Craig David presents TS5, York Racecourse Music Showcase Weekend, Knavesmire, York, July 24

    SOUTHAMPTON singer-songwriter and DJ Craig David will complete this summer’s music line-up at York Racecourse after earlier announcements of Becky Hill’s June 27 show and Tom Grennan’s July 25 concert.

    David, 44, will present his TS5 DJ set on Music Showcase Friday’s double bill of racing and old-skool anthems, from R&B to Swing Beat, Garage to Bashment , plus current  House hits, when he combines his singing and MC skills. Tickets: yorkracecourse.co.uk; no booking fees; free parking on race day.

    Ice amid the January rain: York Ice Trail 2026

    Festival of the week: Make It York presents York Ice Trail, An Enchanted City, York city centre, today and tomorrow, 10.30am to 4pm

    THE streets of York will be transformed into An Enchanted City, where a spell has been cast, as ice sculptures, alive with enchantment, appear across the city’s cobbled and narrow streets.

    Created by Icebox, 36 sculptures inspired by magic, mystery, the weird and wonderful will make an extraordinary trail, but who cast the spell and why? Follow the trail to uncover the truth. Pick up a trail map from the Visit York Visitor Information Centre to tick off all the sculptures; collect a special sticker on completion. 

    The sculptures will be: Ice Ice Baby (neon photo opportunity), provided by Make It York; Igloo 360 Photobooth, Party Octopus; The Ice Village (curated market); All Aboard for Railway Stories, National Railway Museum; Bertie the Shambles Dragon, Shambles Market Traders; The Wizard of Ouse!, City Cruises York and Mr Chippy; The Enchanted Chocolate Bar, York’s Chocolate Story.

    Drake’s Spellbound Catch, provided by Drake’s Fish and Chips; Sword in the Stone, York BID; The Yorkshire Rose by Kay Bradley, Bradley’s Jewellers; Saint William’s Poisoned Chalice, York Minster; Toadstool House, York BID; York Park & Brrr-ide, First Bus; Wizard Teddy Bear, Stonegate Teddy Bears; Bettys Bern Bears, Bettys; The Magic of Connection, Grand Central Rail.

    Lord of the Lodging, provided by The Judge’s Lodging; The Ice Wall (photo opportunity), Make It York; Spellbound Train Ticket, The Milner York; From Grand Roots, Magic Blooms, The Grand, York; Hobgoblin, York BID; Enchanted, Icebox; Wade The Giant, North York Moors National Park; Let It Sew, Gillies Fabrics; The Hungry Dragon, Ate O’clock; Barghest, York BID.  

    The Prophet Hen, provided by SPARK: York; Jack Frost, York BID; Wings of Ice, Merchant Adventurers’ Hall; Magic Mixie Monster, York Mix; Mjolnir – The Bringer of Lightning, Murton Park; Beaky Blinder the Puffin, RSPB; Food and Drink Area; Ice Masterclass (paid experience); The Snow Block (photo opportunity), Make It York, and Live Ice Carving (from 12 noon each day).

    In Focus: Navigators Art performance & exhibition, The Basement, City Screen Picturehouse, York, Sunday, 5pm

    Penesthilia, by Penny Marrows

    TO mark the opening of Penny Marrows and J P Warriner’s posthumous exhibition at City Screen Pictiurehouse, Penny and artist Timothy Morrison’s son, London jazz guitarist Billy Marrows, performs tomorrow with Portuguese Young Musician of the Year 2025 Teresa Macedo Ferreira, supported by lutenist Simon Nesbitt. Admission is free.

    The exhibition launch follows at 6pm, celebrating two late York artists whose paintings were never exhibited in their lifetimes.

    Born in 1951, Penny grew up in Tockwith, west of York, and attended Mill Mount Grammar School for Girls before studying 2D and 3D art at York College, training as a sculptor, then taught art in prisons and adult education in London.

    On returning to Yorkshire, she painted and drew trees, landscapes and portraits for 30 years, including her self-portrait as an heroic winged figure.

    Her exhibition is curated by husband Timothy Morrison, York artist and teacher, who says: “I met her in a printmaking evening class in Brixton, where Penny made linocuts and engravings of alarmingly aggressive-looking mythical beasts.

    “Billy came along…and as a teenager fell in love with the guitar and jazz, and went on to study at Royal Academy of Music.

    “Fast forward to early 2023 when Penny was diagnosed with pancreatic cancer, Billy started sending little video recordings of his music to cheer her up (and me). New compositions, and duets with Teresa [Macedo Ferreira].

    Penny Marrows in her garden

    “The Beech Tree had its premiere at Penny’s funeral, and some of these pieces became Billy’s first album, Penelope, released soon after in her memory. So far it’s raised almost £7,000 for World Child Cancer.”

    In 2025, Penelope was shortlisted in the category of Best New Album in the Parliamentary Jazz Awards. “Penny doesn’t know about all this, nor that thanks to Billy’s music her paintings have had an extraordinary resurrection.

    “The trauma of the illness, combined with major retro-refit work in the house, meant that the paintings were buried in the chaos. We found them at the back of a huge pile. First exhibited at the funeral, they’ve since gone round the world beautifully emblazoned on Billy’s album covers.”

    Penny loved trees, especially walking through woods. “The paintings seemed to burst from nowhere at the time, almost with a secretive devil-may-care diffidence, but are actually distillations of detailed observational sketchbook drawings done in the Howardian Hills while we collected wood for our stove,” says Timothy.

    “Her early notebooks tenderly catch details of family life in Tockwith with an almost Bonnard-like natural draughtsmanship. My garden is a beautiful sculpture garden.

    “If Penny is anywhere, she’s in the trees, both in the paintings and out there. Her work inspires my own drawings; I think of her as Daphne and I often depict her as a bird perched humorously and enquiringly on her very own branch.

    “I would like to thank Richard Kitchen, who greatly encouraged me to curate this show of Penny’s work, and for making it possible.”

    J P Warriner’s work Untitled, featuring in Navigators Art’s exhibition

    BORN in Ireland in 1935, J P (John)Warriner lived most of his life in York, where he died in 2019 aged 84. “He has no surviving family or partner,” says Navigators Art’s Richard Kitchen. “Research indicates he was a brilliant and kind man, and a grandfather figure to troubled local youth.”

    John was a contemporary figurative painter whose style spanned surrealism, post pop, erotic and neo-mythic genres. Married to Effie, the couple had two children, Ronald and Nigel, who both died tragically young.

    “John seemed to have taken to painting to heal from the losses he and Effie endured,” says his exhibition curator, Cath Dickinson, of Notions Vintage. “He remains somewhat of an enigma, with little recorded about his life or artistic endeavours.

    “We know that he was a retired Nestle employee, living in Acomb, suspected to have hailed from Omagh, County Tyrone. With no social media or websites to dissect, no records of known influences or potential drivers, the journey of discovery about JP is just beginning.”

    Local accounts reveal that he was a much loved go-to grandfather figure to all the children in his street in Foxwood, Acomb, never missing a birthday or Christmas, delivering shortbread and fixing many broken bikes.

    In a strange encounter, curator Cath Dickinson, who has been collecting paintings by John for five years, met someone who knew a friend and neighbour of John by chance.

    “I discovered that John had been more than a friendly neighbour but amentor to troubled local adolescents and young people who were struggling with the temptations of life in the hedonistic 1990s and 2000s,” says Cath.

    Artist J P Warriner with “our Amy”

    “John had a particularly close friend, mentee and muse in ‘Our Amy’, a wonderful young mum who was full of life, and had a fantastic sense of humour. John became Amy’s mentor and confidante and tried to not only guide but also record many of the pivotal moments in her tragically shortened life.”

    Exhibition visitors hopefully will be able to discover and share more of the  history of John’s painting and subjects. “The main part is in tribute and memory to Amy and John and their bond which transcended generations and societal norms,” says Cath. “John’s works have been likened to Alasdair Gray and Grayson Perry. They span decades and observe war, tragedy, comedy, temptation, love and loss.

    After the exhibition in memory of John, Effie and Amy ends on March 6, some of John’s works will be available to buy from notionsvintageyork.com at 6 Aldwark Mews, York, YO1 7PJ.

    “This joint exhibition has been both a labour of love and a voyage of discovery for its two curators,” says Richard. “Come and discover the work of two wonderful creative artists and their vibrant contrasting styles and subject matter.”

    Penny Marrows & J P Warriner, City Screen Picturehouse, York, on show until March 6, open daily from 10.30am until closing time.

    Did you know?

    BILLY Marrows also played at The Basement, City Screen Picturehouse, on February 5 with Di-Cysgodion, a contemporary jazz quartet making waves in the capital and touring the north following their appearance at London’s Vortex Jazz Club. 

    Billy will return to The Basement with the Billy Marrows Band on March 26 in a 7.30pm concert promoted by Jazztones at 7.30pm. Tickets: TicketSource booking at bit.ly/nav-events.

    The quartet brings together exciting London jazz scene improvisers to present York-born Billy’s boundary-pushing compositions, where they explore the relationship between improvisation and composition, incorporating grooves from across the globe and taking inspiration from many genres, including contemporary jazz, funk, progressive jazz and classical.

    Penny Marrows’ artwork for Billy Marrows’ album Penelope, which received a four-star review in Jazzwise

    Joining Billy, electric guitar and compositions, will be Chris Williams,  alto sax (Led Bib, Sarathy Korwar, Grande Familia, Let Spin), Huw V Williams, double bass (Gruff Rhys, Ivo Neame, Chris Batchelor, Di-Cysgodion) and Jay Davis, drums (Mark Lockheart, Eddie Parker, Elliot Galvin, Di-Cysgodion).

    Their debut album, Dancing On Bentwood Chairs, will be released on February 13, and this concert forms part of the accompanying tour,

    Billy, who grew up in Sheriff Hutton, near York, studied jazz guitar at the Royal Academy of Music. He also leads the chamber-jazz project Grande Família, whose appearances have taken in top British venues, Scarborough Jazz Festival and a sold-out residency at Pizza Express Jazz Club, Soho.

    In addition, Billy performs with Docklands Sinfonia, Tom Ridout Quintet, Chelsea Carmichael, Patchwork Jazz Orchestra and Di-Cysgodion. For more details, go to:
    billymarrows.com.

    Navigators Art to participate in 2023 York Festival of Ideas with triple venture of art, music & words and film projects. UPDATED with Richard Kitchen interview 26/5/2023

    Mapped Head 1, by Nick Walters, from Navigators Art’s Hidden Treasures exhibition for the 2023 York Festival of Ideas

    YORK creative collective Navigators Art & Performance are contributing a three-part project to the 2023 York Festival of Ideas, inspired by the festival theme of Rediscover, Reimagine, Rebuild.

    The trio of shows and events celebrates rarely seen works in York Art Gallery, books in the city library and intriguing aspects of York life and culture that people might not notice from day to day or even be aware of.

    For Hidden Treasures, five artists have sought out unfamiliar but inspiring aspects of York, reinterpreting them in their own way for an exhibition to be hosted by York Explore Library and Archive, in Museum Street, from May 27 to July 6.

    Katie Lewis uses textiles and other media to reflect the story behind Thomas Baker’s Crazy Kate in the Treasures from the Stores collection at York Art Gallery.

    Nick Walters animates and illuminates on screen the textures of John Davies’s Mapped Head 1, as observed by fellow characters from other works in the collection.

    Peter Roman explores the library’s treasures, using collage, paint and typography to delve into the world of books and finding lyrical inspiration from York wordsmiths along the way.

    Richard Kitchen switches from his trademark collage format to the camera, pairing it with manual and digital tools to reveal jewel-like qualities in city streets, walls and other surfaces.

    Timothy Morrison summons the spirits of Vladimir Tatlin and Greg Curnoe to reveal an artist’s perspective on everyday objects through a variety of materials.

    Entry will be free during normal library opening hours. More information can be found at: https://yorkfestivalofideas.com/2023/throughout/hidden-treasures/

    Navigators Art’s poster for the Living Treasures performance at The Basement, City Screen Picturehouse, York

    On June 10, Navigators Art writers, musicians and performers present Living Treasures, an evening of original music and words at The Basement, City Screen Picturehouse, Coney Street.

    For this 7.30pm celebration of secrets of York life and culture, from folk, punk and poetry to fine art via the city streets, they have sought out “hidden treasures” to reinterpret in song and spoken word.

    Musical performers include members of the White Sail alt. folk band, Navigators’ composer Dylan Thompson, singer-songwriters Miri Green and Cai Moriarty and up-and-coming York band The Corsairs.

    For more information and bookings, head to: https://www.eventbrite.com/e/living-treasures-tickets-621690722687

    The poster for Navigators Art’s screening of Martin Nichols’ film There’s Another Country at City Screen Picturehouse, York

    In Navigators Art’s third festival event, Brighton director Martin Nichols’ film There’s Another Country will be shown at City Screen Picturehouse on Sunday, June 11 at 11am.

    Nichols’ kaleidoscope of post-Brexit Britain unearths parallel traumas in public and private lives while simultaneously anticipating a rediscovery of the radical transforming spirit of 1945 in the immediate aftermath of the Second World War.

    For more information and bookings, visit: https://www.picturehouses.com/movie-details/018/HO00012927/there-s-another-country

    Here CharlesHutchPress discusses all things Rediscover, Reimagine, Rebuild with Navigators Art co-founder and artist Richard Kitchen

    How did you hit on the tripartite format for this event, Richard?

    “Originally, we envisaged an exhibition based on York Art Gallery’s Treasures From The Store collection of rarely seen art works, hence our title Hidden Treasures. Our artists would reinterpret some of those works in their own way to suit the festival theme of Rediscover, Reimagine, Rebuild. We also planned a performance art, music and movement event to take place in the gallery itself.

    “We were very pleased that York Explore offered to host the exhibition as we’d been wanting to show something there for some time. As it happened, the gallery said they’d be in mid-changeover so we had to change tack. We expanded the brief beyond York Art Gallery to include works of literature and physical aspects of York itself.

    “This will also be the basis for the performance event, which will now be on stage in The Basement at City Screen. Again, the performers have created new work based on a rediscovery of something unfamiliar about York that inspired them.

    “The film came along a little later and although it isn’t based on York it is very much about rediscovering aspects of the past and how they inform the present both personally and politically.”

    How did the partnership with York Festival of Ideas come to fruition?

    “I’ve always enjoyed the festival and its range of events. I wanted Navigators to be involved to round off our first 15 months of activity. This year’s theme appealed, so I drafted a proposal for our involvement, which they accepted. We’re very proud to be part of it and they’ve been very accommodating of changes we’ve had to make as our plans developed.”

    How does the festival theme of Rediscover, Reimagine, Rebuild resonate with the aims of Navigators Art & Performance?

    “In all sorts of ways! Variously, our artists have rebuilt careers, reinvented themselves and how they work, and pursued new directions in life as well as art.

    “As a group we’ve achieved extraordinary things from very little. Having no physical studio to work in and no funding, we’ve had to seek out places in which to show our work.

    “The StreetLife project, in Coney Street, was a milestone for us and helped put us in the centre of artistic activity in York. I think we’ve shown people how much can be done with imagination and enterprise.

    “It’s been about giving ourselves permission to do something when no-one else will. I’d say that has positive implications for society and how it might change for the better.”

    York band The Corsairs: Playing the Living Treasures bill at The Basement, City Screen Picturehouse on June 10

    York is full of hidden treasures! Is that an inevitable problem for a city so rich in history or a joy when such a treasure is put on show and prompts an artistic response?

    “Not a problem at all, unless the focus (and public funding) is always on the same high-profile things. Art and culture in this city are alive and well and there’s a lot going on, but it’s not all about tourist attractions and the well-heeled establishment.

    “Anything that communicates beyond the heritage trail, makes an impact on the average resident and encourages all levels of society to engage with creative activity is a blessing. Our group seeks out and celebrates the less obvious and tries to make such things more accessible and better appreciated.”

    Who put together the June 10 event. How were the Living Treasures acts chosen?

    “Some of them appeared last November at our Coney St Live Jam event for StreetLife and impressed us enough to ask them back. We knew they’d be able to come up with new work based on the themes and we’ve given them more space this time to show what they can do.

    “One of them actually chose themselves: The Corsairs cheekily advertised in our visitors’ book last December and I liked their attitude. They turned out to be a very exciting discovery. Then we reached out to a few writing and other creative groups to encourage under-represented performers to get involved.”

    How did you discover the film There’s Another Country?

    “It’s directed by one of my oldest friends, Martin Nichols. After many years exploring familial and social issues in writing and film, he’s found the perfect vehicle for his concerns. It’s highly original in style and while moving and beautiful, it’s also highly critical, irreverent and angry.”

    What would a York version of that film look like?

    “It’s not ‘about’ any particular place. Its range of reference encompasses a 1913 Welsh mining village, the Second World War, a suburban town in the 1970s and recent anti-government demonstrations in London. It’s pretty universal. A York version would just have the Minster in the background!”

    What’s next for Navigators Art?

    “We’ll be compiling our next collection of pictures and words for the York Zine Fest in July. We’ll have a spot at the York River Art Market in August and then a short and well-deserved rest before our next show at Micklegate and Fossgate Socials. Nothing concrete for next year as yet but we’re already getting involved in some major plans.”

    Navigators Art & Performance: the back story

    ESTABLISHED in 2019, this group of York creatives has expanded to a collective of 12 artists, writers, performers, musicians and a composer.

    Their mission is to work with community groups and projects, to enhance and creatively interpret their activities for as wide an audience as possible.

    In January 2023 they completed a three-month residency at the StreetLife hub in Coney Street, York, presenting a large-scale exhibition and a charity fundraising performance.

    They encourage enquiries from potential collaborators, particularly those who are less established or underrepresented, via navigatorsart@gmail.com; likewise head that way for sales and commissions.

    Keep an eye on Navigators Art on Instagram and Facebook at: @navigatorsart.

    Detail of interior window, Huntington, by Richard Kitchen, from the Navigators Art exhibition at York Explore Library and Archive

    UPDATE: 12/6/2023: What was the reaction to Living Treasures and There’s Another Country?

    “WE have had the most extraordinary weekend,” says Navigators Art co-founder Richard Kitchen. “Mark Nichols’ film, a kaleidoscope of post-Brexit Britain, generated a passionate discussion with the audience at City Screen Picturehouse.

    “Saturday’s Living Treasures in The Basement at City Screen sold out. The performers were tremendous and the more experimental improvised pieces involving musicians from very different backgrounds, ages and experiences worked superbly well.

    “The audience loved it and we’ve been offered a regular spot at The Basement. We actually have plans for a fluid Navigators ‘big band’ to work up some pieces for performance, such as ambient pieces, songs, spoken-word interactions and experimental collaborations.

    “It felt very special and inspiring and perhaps the beginning of a unique venture in York.”

    Exit Piccadilly Pop Up, but Navigators Art gains new momentum with Moving Pictures exhibition at City Screen. What next?

    Cillian Murphy’s Thomas Shelby, from Peaky Blinders, by Steve Beadle in Navigators Art’s Moving Pictures exhibition at City Screen Picturehouse, York

    WELCOME to the next chapter in the story of Navigators Art, the York group of artists that found a temporary home at the Piccadilly Pop Up Collective studios and gallery in the old York tax office.

    Given notice to vacate the expansive HRMC building in Piccadilly by December 28, to enable redevelopment to start, they have ridden the blow they always knew was coming by mounting an exhibition in the café and on the first-floor corridor gallery at the City Screen Picturehouse in Coney Street until April 15.

    For their first post-lockdown project, two founder Navigators, Steve Beadle and Richard Kitchen, have invited fellow artist and teacher Timothy Morrison to join them in the Moving Pictures: From Fan Art To Fine Art exhibition.

    Presumably that show title is a nod to films being moving pictures, Richard? “Of course!” he says. “And that’s why we’re glad City Screen wanted us to show there. But the title is deliberately ambiguous, and we’ve responded to it accordingly. There are works that relate to cinema and other media but also many of them interpret ‘Moving’ in other ways.”

    That Old Devil Moon, collage, by Richard Kitchen

    “Moving” has always been part of Kitchen and Beadle’s artistic endeavours, first as part of a group of MA student artists at York St John University that set up Navigators Art in 2019. Then, as postgraduates, they worked at The Malthouse, the studios and social space set up in a derelict warehouse in The Crescent in November 2019, and latterly at Piccadilly Pop Up, where they exhibited as part of a team and initiated community engagements, such as mentoring young emerging artists from York College.

    “Now, the redevelopment of Piccadilly has prompted us to look to resurrect Navigators as a channel for making and showing work,” says Richard, who has taught literature and theatre in Britain and Spain, as well as pursuing his cross-disciplinary artistic practice, fuelled by drawings, paintings, photography and poetry.

    “My collage work is influenced by the impact of time, nature and people on the environment,” he says. “It finds value in the unloved and the discarded and suggests we can make sense of a world in crisis – and perhaps re-make it, better – by editing together fragments of experience that offer us hope.”

    Richard should have been exhibiting elsewhere in April but the exit from the Piccadilly premises brought him an additional consequence. “I was selected for York Open Studios 2022 but I was later disqualified because we lost the studios in December and the York Open Studios admin team said it was too late to find me another space,” he says.

    When it was beautiful: Marcelo Bielsa in his now-terminated days at Leeds United, by Steve Beadle

    Nevertheless, the Moving Pictures show gives him an April window, alongside Hull artist Steve Beadle, who pursued a more abstract direction while studying Fine Art at Manchester Metropolitan and York St John University but has returned to a more familiar portrait and figurative style, inspired by characters in the films and popular entertainment that inspired him to make art in the first place. 

    Based in York, he works in oil, gouache, watercolour and pencil, creating framed originals and prints and framed originals, and he is always available for portrait commissions.

    Moving Pictures’ third artist, Timothy Morrison, has exhibited widely across the UK and in Schleswig Holstein and his work is in the collection of the V&A Museum, London. In 2011-2012, he curated the ArchitekturalReinstallationestival festival at various sites in York. At City Screen, he is exhibiting two “Modern Altarpieces”.

    “Art is the religion, and they are ideal for private devotion in the home,” he says, describing works that display a narrative of travel, enlightenment, longing, memory, central urban experiences, metro systems, Magnetic Fields (Champs Magnétiques) and constructivism. “The pictures can’t move, but our eyes and thoughts can,” he propounds.

    Modern Altarpieces, by Timothy Morrison, inviting “private devotion” in the cafe at City Screen

    Delighted to be exhibiting at City Screen, Steven says: “The café  wall is wonderful; that old brick. Very textural, very organic. Bigger works in particular benefit from being displayed there.

    “The upstairs gallery is a more traditional white-wall area, ideal for smaller pieces as you can get right up close. Some of our work rewards a look at the details. We were lucky to be offered both spaces at the same time, which is quite unusual, especially as it coincides with the York Open Studios season.”

    Looking ahead, Richard and Steven hope to open up the Navigators Art group to others and to establish a fluid collective of artists, writers and other creatives. 

    “We encourage enquiries from potential collaborators, particularly those who are less established and have no regular platform for displaying work,” says Steven. “Navigators can be found on Instagram and Facebook as @navigatorsart.”

    Charles Laughton’s Quasimodo in The Hunchback Of Notre Dame, by Steve Beadle, in the Navigators Art show at City Screen

    Richard adds: “We’re trying hard to forge ahead as a working unit after the disappointments of losing the Piccadilly studios and consequently York Open Studios too. The group is growing, and we’ll be curating the visual art aspect of York Theatre Royal’s Takeover week from May 9.

    “After that, we’re thinking about a series of themed exhibitions featuring a variety of artists and disciplines and we’ll be seeking appropriate venues. We’d welcome suggestions and offers.

    “We also want to revive Wordhoard, an event celebrating art and the spoken word, which Steve and I started when we were at The Malthouse studios but went on hold when Covid struck.”

    Is there any likelihood of a new home for the artists that gathered in Piccadilly? “There is no news yet,” updates Richard. “We’d love to hear out of the blue that there’s a brilliant empty building just waiting for us! Please email navigatorsart@gmail.com.

    Brave New World, by Richard Kitchen

    “Steve and I became the main motivators at Piccadilly in terms of community outreach, events and promotion. Some of the others weren’t really involved beyond their own interests, which undermined the collective ideal.

    “When it came to an end, however unfortunate it was, it felt like the right time. However, we’d like to host some of the younger artists again who miss their studio space and can’t afford normal rent rates in York.

    “It’s a thousand pities that a building like the former HRMC tax office that housed us can’t be taken over and maintained as a vibrant arts centre and community resource. That’s really what we’re after; that’s our ideal. Resources for residents!”

    Over the two years at Piccadilly, each week’s artworks, whether painting, drawing and sculpture, or collage, murals, graffiti, street art and photography, went on public view on Saturday afternoons as part of a scheme run by the charity Uthink P.D.P.

    The poster for Navigators Art’s Moving Pictures exhibition

    “What we miss most, aside from the working space, is the interaction with visitors to the gallery on Saturdays,” says Richard. “For us, it wasn’t just a chance to sell our work. We came to realise that the true value of 23 Piccadilly was in what you couldn’t put a price on.

    “Namely, the joy we gave to people who didn’t know what to expect; the safe place of escape and motivation we represented for the unfortunate and the down at heart; the inspiration we gave to other artists; the proof we provided of what can be achieved without money or other good fortune.

    “Almost without knowing it, we took it beyond its initial premise and turned it into a very special environment with a part to play in people’s wellbeing and motivation as well as its cultural impact. That’s what we hope to continue to represent in this city and encourage in other creatives here and elsewhere.”

    Navigators Art’s Moving Pictures exhibition runs at City Screen Picturehouse, York, until April 15. Admission is free.