The launch of the Return Of The Oaks mural in Acomb
THE launch of Art Of Protest’s new mural and street benches drew a big community turnout to Front Street, Acomb, York, last Saturday .
The Return Of The Oaks mural is part of the wider project designed to return nature to the high street.
Eight public benches have been painted to denote the trees in Acomb, each featuring a carved-out leaf emblem. The trees’ names feature on the benches, serving as a reminder of the diverse ecology in the area.
In the week leading up to last Saturday’s launch, residents and visitors praised the installation for its brightness and welcoming vision.
The views of the Acomb community were central to the designs. A comprehensive engagement programme featuring 17 events and street art workshops at locations in Acomb captured residents’ wishes. This conveyed the community’s strong voice, now reflected in the geometric design.
An innovative Street Art Academy trained up the community and four residents were chosen to take part in the talent development programme and assist on the mural. This has created a legacy, boosting the skills and confidence of the participants.
Art Of Protest creative director Jeff Clark said: “I’m beyond pleased to say that this public art project has been a huge success. Getting to know the Acomb community was not only paramount to influencing the design of the artwork but also a real pleasure in itself.”
Art Of Protest lead artist Tom Jackson said: “Working on a project in the place where I live is a privilege. My children and I will walk past this mural almost every day, and I’m fortunate that the people of Acomb have embraced it in such a positive way.”
A mood of celebration and excitement marked the weekend event at the mural. The Lord Mayor of York, Sheriff and councillors took part in the pop-up street art workshops.
Art Of Protest organised an exhibition of the community art produced from the engagement sessions, held at Rise@ Bluebird Bakery in Acomb Road.
The Rt Hon Lord Mayor of York, Councillor Margaret Wells, said: “It was great to be at the event at the weekend to see the amazing new artwork and other changes around Acomb. This is an incredible piece of work which speaks volumes about working together as a community.
“It is wonderful to see the links to Acomb’s heritage and the local woodland within the paintings. Thank you to everyone involved.”
Councillor Katie Lomas, City of York Council executive member with responsibility for finance and major projects, said: “I am very proud of Acomb and the way the local community has come together to shape these recent changes. This new artwork is a fantastic addition and really pulls together all the work that has been going on to improve the area.
“The wider scheme, funded through the Government’s UK Shared Prosperity Fund, has seen some real investment in the area over recent months. It has brought not only this incredible artwork but also upgraded seating, planting, wayfinding and many other improvements to help ensure Front Street is a great place to be for years to come.
“I would like to thank everybody involved in making this happen and anyone who has got involved along the way. I especially want to pay tribute to the wider engagement work done by the Art Of Protest team to engage and inspire young people across the Acomb area, making sure they know that art is for them too.”
Acomb resident Kat Hunt, mother of one of the talent development students, said: “Throughout the project and the community engagement sessions, my daughter has developed new skills and she has so much more confidence in her artwork as a result. It’s really inspired her. It’s fantastic that Acomb now has such vibrant artwork, inspired by the views of the community.”
Art Of Protest, York’s urban art and engagement specialists, are experts in ‘placemaking’ and approved ‘Alternative Providers’, offering a Street Art Academy through the Danesgate Community Pupil Referral Unit. “We are driven by partnering with the local community, public sector and businesses to transform spaces through public art,” says Jeff. “If you would like to work with us, please contact us at info.aopprojects@gmail.com.”
The Return Of The Oaks art project is part of the broader scheme to improve Front Street and create a more accessible, vibrant, people-friendly space. City of York Council received £570,000 of UK Shared Prosperity Funding to deliver Phase 2 improvements that include new seating and planters, improved Blue Badge parking, wide and level pedestrian crossings, wayfinding signs and upgraded public loos.
Art Of Protest creative director Jeff Clark with Gemma Waygood-Senior, project manager for the Return Of The Arks project in Front Street, Acomb. All pictures: Jeff Clark
ART Of Protest has installed the Return Of The Oaks benches in Acomb, York, ahead of Saturday’s mural and bench “reveal” and celebration event in Front Street and Cross Street.
That afternoon comes the opportunity to meet the artists, join in creative spray paint activities and see the unveiling of the mural from 4pm. Further celebrations will follow with a DJ set and community art show at Rise@Bluebird Bakery, in Acomb Road, from 6pm.
Eight wooden benches have been transformed, each painted with a leaf design from the woodland to reflect links to nature.
Return Of The Oaks mural artist Tom Jackson and Art Of Protest workshop leader Chloe Mae. “Both live within a mile of the mural, and this is the closest paint project to their homes they have ever done,” says Jeff Clark
This follows an extensive programme of engagement events and workshops, led by Chloe Mae where Art of Protest gathered the views and ideas of the Acomb community and gained an understanding of what people would like to see.
Alongside the benches, Art of Protest has been working on the new mural that aims to capture the spirit and sense of community in Acomb.
This art project is part of the wider scheme to improve Front Street and create a more accessible, vibrant, people-friendly space. City of York Council received £570,000 of UK Shared Prosperity Funding to deliver these Phase 2 improvements, including new seating and planters, improved Blue Badge parking, wide and level pedestrian crossings, wayfinding signs and upgraded public loos.
The Oak bench from Art Of Protest’s Return Of The Oaks project in Front Street, Acomb
Councillor Katie Lomas, executive member with responsibility for Finance and Major Projects, said: “This is an incredibly exciting part of the project and it is great to see even more improvements take shape on Front Street.
“This scheme is funded through the government’s UK Shared Prosperity Fund and is helping to create a more accessible and attractive space for people to live, work, shop or visit.
“The newly painted benches are a very welcome addition and do a fantastic job of brightening up the area. The designs for both the artwork and wider Phase 2 improvements are based on significant engagement with the local community, so it will be great to be able to celebrate the progress with local people this weekend.
“I am very much looking forward to seeing the finished mural and would encourage those who live or spend time in Acomb to come along and get involved.”
Chloe Mae and Tom Jackson take advantage of Thursday’s sunny, dry weather to work on the Return Of The Oaks mural in Acomb
Art Of Protest creative director Jeff Clark said:“It was great to see the evolution of the project, taking the community on the journey and developing local talent through the Street Art Academy and artist Tom Jackson, Art Of Protest’s production manager and one half of the Static street art duo with Craig Evans. The feedback was inspirational and there is so much love and pride in the community.
“We are celebrating the return of local trees and a wonderful idea of each bench having a local leaf emblem, so visitors to the area can say ‘see you at the oak bench’.
“Each bench also has a carved-out leaf emblem so they are accessible and engaging. The return of the oaks is then incorporated into the mural design. We are so grateful to the Acomb community, the support and great ideas. Please come and celebrate as this is your hard work.”
Taking shape: Art Of Project workshop leader Chloe Mae, centre, working on the mural with Art Of Protest production manager and Static artist Tom Jackson and Sarah, from the Street Art Academy
Static at work on converting a derelict Malton bus shelter into a vibrant expression of public street art. Picture: Brenna Hebrink, Art Of Protest Projects project support manager
WHAT should be done with a disused bus shelter in Malton? Food for thought in Yorkshire’s self-annointed “Food Capital”.
Step forward York arts and media company Art of Protest Projects, Malton Town Council and Static, a London artist duo with deep Scarborough roots, to administer a “public street art transformation” next to Malton Community Primary School in Highfield Road.
Static’s ex-pat North Yorkshiremen, Craig Evans and Tom Jackson, are celebrating creating their nearest painting to home after taking a derelict bus shelter and turning it into “a bright, energetic and colourful visual that completely changes the vibe of the street”.
Once an eyesore of a disused bus shelter, now “an urban art gem”, in Highfield Road, Malton
As Jeff Clark, director of Art Of Protest Projects explains: “The goal of this vibrant transformation is to uplift and bring people’s attention to a structural space that was once an eyesore, but through imagination and creativity has been turned into an urban art gem.”
You wait ages for one bus shelter transformation in Malton, then along comes…? “It’s just the first of many more facelifts the town will receive in the coming year,” promises Jeff. “Street art has a captivating way to not only visually change a landscape, but also to draw people towards certain areas and start conversations about what colour, pattern and design mean and how they amplify a background.”
Whether a town or business wants to send a message, make a space feel safe or simply elevate and beautify an eyesore, urban art is the most effective vehicle of which to do so, Jeff contends.
Art Of Protest Projects director Jeff Clark at the Coppergate Centre unveiling of The Postman’s Guardians Of York installations. He has overseen Static’s transformation of a Malton bus shelter too. Picture: Dave J Hogan
“To be given the opportunity to convert a shelter on a street that was a country road seemed like a fun and exciting way to change a landscape,” he says. “The fact that there is a school next door is what really got me excited.
“What’s better than being able to spark imagination and creativity into young people? We are so amped by the reception this shelter makeover has already received and cannot wait to continue splashing colour around Malton.”
Suitably ecstatic Static artist Craig Evans says: “It was great to take on and transform this overlooked and unassuming piece of public architecture. Being no longer in use and seemingly belonging to no-one, we hope that our intervention here will inject some colour and creativity into the area and inspire the children from Malton Community Primary School and the people of Malton to see the potential in more public places and to take a fresh look at their surroundings.”
The finishing touches: Static ready the Malton bus shelter facelift for its April 14 unveiling
Councillor Paul Emberley, Malton’s town mayor, enthuses: “This is a fantastic transformation of a once-scruffy bus shelter and brings a little more cheer to our amazing town. People love it.”
Malton town clerk Gail Cook concurs: “The shelter is a few metres away from two of our schools and we wanted to create something really special that would inspire the children too – and these talented artists, Craig and Tom, have well and truly delivered!”
Up the A64, Art Of Protest Projects have stationed a host of Guardians Of York on guard on the walls of York, combining street artworks of cultural heroes such as broadcaster and natural world activist Sir David Attenborough, newly crowned with mauve hair, on the riverside by Ouse Bridge with 11 murals to “honour and elevate pandemic key workers from York”.
York Hospital ICU anaesthetist Steve Wasowa mirrors his street art installation pose for The Postman’s Guardians Of York series. Picture: Dave J Hogan
In tandem with the York BID, Clark’s public art champions have worked with The Postman, the anonymous international street artist collective from Brighton, to create the ancient city’s first urban art installation.
The works, a kinetic fusion of the Pop Art palette and brash punk energy, celebrate the Guardians Of York, who helped to keep York moving when the city – and the world – came to a standstill during Covid-19 lockdowns.
Eleven essential workers, all of them York residents, were recorded by a professional film crew in the closed Debenhams store in Davygate, giving their account of the hardships of working through the upheaval created by the pandemic, and all had their portrait photographs taken.
Street artists The Postman with their Guardians Of York artwork of police officer Pauline Law. Picture: Dave J Hogan
Taking part were: Becky Arksy, primary school teacher; Pauline Law, police officer; Sally and Mark Waddington, York Rescue Boat; Martin Golton, street cleaner, and Steve Wasowa, ICU anaesthetist, York District Hospital.
So too were: Steve and Julia Holding, owners of the Pig and Pastry, in Bishopthorpe Road, and founders of the Supper Collective; Steven Ralph, postal worker; Gill Shaw, Boots retail worker, and Brenna Allsuch, ICU nurse, York District Hospital.
Their images have been transformed into murals by The Postman collective, whose favoured artistic medium is pop-culture paste-ups, rooted in punk iconography, wherein they express themselves in brightly coloured, edgy, urban portraits, varying from street artworks of Nelson Mandela in South Africa to pop stars in Los Angeles.
The Postman delivering a street art installation of The Pig And Pastry’s Julia Holding to Finkle Street
“As the Guardians project builds momentum, we realise more and more how important it is to tell the stories of the people behind the masks,” say the mystery duo with roots in graffiti culture. “The key workers that have carried us through the last year inspired us and made a difference to everybody’s lives.”
The Guardians Of York are on display on city-centre walls in a three-month installation from April 9 to July 9, in a show of gratitude to key workers timed to coincide with the relaxation of lockdown restrictions and the reopening of many of the city’s “non-essential” businesses from April 12.
Recalling the flour-based dissolving street art of York memorial artist Dexter, The Postman have applied their paper-based large-scale artworks to walls with wheat paste, their impermanent form of art fading and washing away over time, duly “creating a buzz as people seek them out before they disappear”.
The Postman sail their artwork of Sir David Attenborough aboard the York Rescue Boat at the Guardians Of York installation launch. Picture: Dave J Hogan
Mounting the Guardians Of York is a passion project for Jeff and The Postman. “They like to do street art that makes a difference, and my partner is an NHS frontline worker, so I’ve seen every day how Covid has worn them down, sacrificing their own health. It’s no wonder that nurses have gone down, had to stop working, because they’re frazzled,” he says.
“They’ve had to go into a war-like atmosphere, where normally you’d do a tour and then be sent home, for a break, but that’s not been the case. That’s why my heart and soul has gone into this project.” To watch a video about the project, go to: https://youtu.be/7cUpnE1M-sw
Static artists Craig Evans and Tom Jackson with their latest work, the transformed Malton bus shelter. Picture: Brenna Hebrink
Who are Static?
STATIC is the combined creative output of Scarborough-bred Craig Evans and Tom Jackson, who collided in 2006 in a derelict block of flats with a sea view and have since worked with assorted international galleries and painted murals in the UK and as far away as Japan.
The Static duo have been based in London since 2008 and are founding members of Wood Street Walls, where they spent two months renovating a disused school building to create a shared workspace, Wood Street Studios, for its opening in 2017.
One of the largest community street art projects in Britain, Wood Street Walls uses street art to drive awareness and funding for community schemes and projects involving children and education.
Static’s poster for their Born & Raised exhibition at the Art Of Protest Gallery, York, in October 2018
Static’s studio work is created using a combination of screen-printed and stencil/spray-painted techniques, and they also produce layered glass artworks that play with space and how perceived 2D visuals can shift to reveal a 3D picture. Their works are collected by the Saudi Royal family and musicians Natalie Appleton, of All Saints, and Liam Howlett, of The Prodigy, among others.
In 2018, Static held their first solo exhibition in their home county, presenting Born & Raised at the Art Of Protest Gallery’s original premises in Little Stonegate, York, from, October 19 to 31.
During their York residency, Evans and Jackson painted a floor mural in the Art Of Protest Gallery and a wall mural at Brew York, Walmgate. For more information on Static, go to: welikestatic.com.
Arabella, by Static, from their Born & Raised exhibition in York
