Showtime for Anton and Erin as Strictly duo celebrate Fred, Ginger, Chaplin and Elton

Terpsichorean twirlers Anton du Beke and Erin Boag toast their return to the dancefloor in their first tour since early 2020

LONGSTANDING, long-dancing ballroom couple Anton du Beke and Erin Boag are reunited in Showtime at York Barbican tomorrow night (18/2/2022).

After a fallow 2021, when the pandemic put paid to their tour plans, the Strictly Come Dancing alumni have been on the road since January 28 this winter, playing 30 dates that will take in further shows in Yorkshire at Hull New Theatre on February 22 and 23.

“Not only 2021 was lost,” says Strictly judge Anton. “We lost shows in 2020 as well; we were into the last week of our tour, when were going to play York and then go onto Scotland, so it’s been a while since we danced together.”

Sevenoaks-born Anton, 55, and New Zealander Erin, 46, are taking to the dance floor in Showtime, a “glittering tribute to some of the world’s greatest icons of entertainment”: Fred Astaire and Ginger Rogers, Frank Sinatra, Judy Garland, Charlie Chaplin, Shirley Bassey, Tom Jones, Liza Minelli, Elton John and more besides.

Glittering tribute: Anton and Erin are ready to dazzle in Showtime

Returning to dancing after sitting down through the 2021 series of Strictly on the judging panel, Anton says: “To be honest with you. it’s been like ‘wow, I only feel like I’m 28’ because there’s a lot of experience to fall back on.

“We did a few special shows at the back end of last year, like one night in Leeds, where we were only there to do a couple of numbers, and my biggest concern was ‘would the suit still fit’. It did! Then Erin asked, ‘would you do up my zip’, and her dress fitted perfectly too.”

Erin says: “I’m fit! There aren’t many dancers at my age still going strong, but I am, though I’m not the same [dancer] as I was 20 years ago – or even two years ago. But keeping fit is the easiest part. The hardest part is the technical side, but I’ve been really looking forward to the tour as I don’t think anyone will notice that!

“Maybe adrenaline can get you through the first few shows and the presence of an audience can do that too, as well as working with people again, performing with a big orchestra. It’s all about the enjoyment of getting back to dancing again.”

“It’s all about the enjoyment of getting back to dancing again,” says Erin Boag

Six months of preparation have gone into Showtime, a show produced by Raymond Gubbay that combines the dazzle of ballroom couple Anton and Erin with “stunning costumes, fabulous live vocals, a high-energy dance ensemble and a sensational 23-piece orchestra”.

“We have a new sound company working with us, great lighting and costumes,” says Anton. “When there has been no shows, it’s been so much more than Erin and me not being able to put on a show. No shows means no frocks, no work for sound engineers. That’s why it’s important that now that shows are back, the message is clear that people can feel safe to come into a theatre.

“It’s also important that people work harder to make the experience enjoyable, with venues going the extra mile. We get that venues need to be safe, but their job is to make it enjoyable within the safety guidelines. Don’t be officious, be welcoming!”

Anton And Erin in Showtime, York Barbican, tomorrow (18/2/2022), 7.30pm; Hull New Theatre, February 22 and 23, 7.30pm. Box office: York, yorkbarbican.co.uk; Hull, hulltheatres.co.uk.

Copyright of The Press, York

REVIEW: Jools Holland & His Rhythm & Blues Orchestra, York Barbican, 5/11/2021

Jools Holland: No Friday fry-up at Wackers, but a feast of a blues, ska and boogie-woogie set with Chris Difford, Lulu and Ruby Turner at full power at York Barbican

JAUNTY Jools Holland loves York. One of his favourite gigs, one of his favourite places, he says, as he makes his dapper way to the grand piano.

“Well, he would say that, wouldn’t he”, you might sneer, “he’s just playing to the crowd”. Let CharlesHutchPress know if he uttered the same sentiment at Harrogate Conference Centre tonight!

The thing is, Londoner Jools does love York, and in particular he loves the pensioner’s meal deal with a free cup of tea at Wackers. Except that, on arrival, he discovered his favourite fish and chip joint was no more; the chips were down, permanently; another sad change since he last toured pre-pandemic.

He cheered, we cheered, he shouted, we shouted, as he played the chirpy ringmaster once more, introducing his speciality acts, bantering to and fro with the full house, and revelling in the company of his restored rhythm and blues orchestra.

After all those Covid months of cobwebbed closure and silent nights, the sight of a stage stuffed to the gills with brilliant players brought joy uncontained to a Barbican gathering that was up for a party from the off.

To one side were Jools’s brother, Christopher, beneath a natty hat on keyboards, guitarist Mark Flanagan and stand-up bassist Dave Swift. Squeezed in at the back was Gilson Lavis, as imperturbable as the late Charlie Watts, on drums.

To the other side was a multi-storey horn section, and to misappropriate the style of a certain Christmas Carol: on the fifth day of November, York-loving Jools gave to us: three trumpet players, three trombones, five gold saxophones. Forever on the move, in the swing, they urged each other on, enjoying each solo spotlight as much as the audience.

In the middle, pulling the strings, was Jools. Oh, and yes, sir, he can boogie, boogie woogie, all night long, or more precisely from 8.20pm to 10.07pm, on his piano. A big screen showed his flying fingers in close-up and the cut of his dandy tailoring too.

That screen combined graphics with live footage, opening with the image of theatre curtains, later showing photographs of Holland, Lavis and special guest Chris Difford in Squeeze days.

Jools plugged his new lockdown album Pianola. Piano & Friends – out on November 19 on Warner Music – most notably for the irresistibly perky, fabulously funky single Do The Boogie, co-written with Mousse T, and when filling in for Tom Jones’s vocal on the soulful Forgive Me. Morris Dance, an instrumental homage to his dog of that name, was a blast too.

The vocalists kept a’coming: tour regulars Louise Marshall and Lucita Jules; then Chris Difford, immaculate in a blue suit, white shirt and scholarly specs, with a deliciously dry-humoured line in anecdotes.

Take Me I’m Yours acquired ska trim, a 1974 Difford-Holland composition was aired for the first time, and a big-band Cool For Cats ended with Difford clouded in dry ice as he recalled Cliff Richard’s propensity for doing likewise whenever he shared the Top Of The Pops studio with Squeeze. “I thought he had no legs,” deadpanned Difford, newly tagged “Cliff Difford” by Jools as he departed.

From The Selecter’s Pauline Black to Marc Almond to Beth Rowley, Jools has had a canny knack of picking just the right vocalists for framing their songs in ska, blues and brass-powered settings. To that list now add Marie McDonald McLaughlin Lawrie.

Yes, enter Lulu, now 73, all in black, even for the darkest of dark glasses, for an unnamed opening shot of the blues and a quick dig at British music for being “wet” before The Beatles before a knock-out version of Ray Charles’s Hit The Road Jack. Glasses off, how else she could she finish but with her teen anthem. Well, you know, you make her wanna Shout. Come on now, who didn’t join in, hands jumping, heart’s bumping? We all did!

How could Jools top that? It must be time for blues royalty, Ruby, Ruby, Ruby. Here comes Ruby Turner, first warming up with a couple of looseners, then hitting her stride in I Wish I Knew How It Would Feel To Be Free, and then…the moment. Ruby Turner overdrive, as she reached for gospel glory in Peace In The Valley, waking up the entire neighbourhood. The Barbican rocked, the earth moved, time for a breather.

Of course the triple-decker encore had to have the obligatory Enjoy Yourself as the meat in Jools’s sandwich. The years may be going by as quickly as you wink, but how good it felt to still be in the pink on a Friday night in York, as the fireworks went off all around us in the night sky as we departed.

Review by Charles Hutchinson

Jools Holland & His Rhythm & Blues Orchestra play Leeds First Direct Arena on December 17; doors, 6.30pm. Box office: firstdirectarena.com.