From Russia with gloves off as Settlement Players run riot in Government Inspector

Director Alan Park, back row, right, and his ensemble cast for Government Inspector at Theatre@41, Monkgate, York. Picture: John Saunders

THEATRE@41 chair and actor Alan Park is in the director’s seat for the first time in 15 years, steering the York Settlement Community Players through the Russian political quagmire of Government Inspector.

David Harrower’s adaptation of Nikolai Gogol’s satirical exposé of hypocrisy and corruption in high places will run from tomorrow at Theatre@41, Monkgate, York, where Park’s ensemble cast of eccentrics will undertake a fun, chaotic journey through 1980s’ Soviet Russia in a plot rooted in a simple case of mistaken identity.

“Communism is collapsing, it’s every man, woman and dog for themselves. What could possibly go wrong?” asks Alan, as the bureaucrats of a small Russian town are sent into a panic by news of the government inspector’s imminent arrival.

Harrower’s version premiered at the Warwick Arts Centre in May 2011 and transferred to the Young Vic, London, later that year. Now it provides “the perfect platform” for Settlement Players’ 14-strong ensemble.

”Directing this production came out of me having performed Tom Stoppard’s The Real Thing with Settlement at the Theatre Royal Studio in February,” says Alan.

“I enjoyed the acting company, the production team and the whole creative process so much that when the call-out came for a director this autumn, I was keen to do a play with lots of actors.

“There are some incredibly talented actors in York, and I wanted to do something that would bring the best out of them as an ensemble, playing loads of parts, and I needed a play that would facilitate that.”

Gogol’s Government Inspector was suggested to him, and once he came across Harrower’s adaptation, it was the perfect fit. “David’s version is fun, it’s fast-moving; the dialogue zips along, and it really lends itself to these 14 actors, who have created the community of this Russian town, where they are all out for their own interests only…and then discover the government inspector is coming to town,” says Alan.

He last directed a play in his professional acting days in London, where he ran workshops and oversaw youth productions. “I’ve been looking to do something for a while, but there has never been the window of opportunity, as I have a full-time job as well as running Theatre@41 and performing in plays.” He is a father too. “My kids look at me and wonder who I am!” he says.

He has revelled in directing Harrower’s script. “I looked at a few adaptations as I wanted to find a good translation, and this one stood out. Julian Barratt, from The Mighty Boosh, was in the Young Vic production, and this was the script that I couldn’t put down. It told the plot really well and suited what I wanted to do.”

Going flat out: York Settlement Community Players’ cast members in rehearsal for this week’s riotous production of Government Inspector. Director Alan Park looks on, left. Picture: John Saunders

Settlement Players’ staging of Government Inspector comes against the backdrop of Putin’s stultifying dictatorship and warmongering. “We can’t get away from it being a Russian play! It’s a great satire on Russia, and there’s never been a better time to poke fun at what Russia still appears to stand for.

“Harrower has set it in the late-1980s, when everything was crumbling in Russia, and if we’re making any comment on Russia, it is that the whole thing is ridiculous. There’s no way anyone would think that the Russian way is the best way forward.”

Rather than attempting Russian accents, Alan has encouraged his cast members to use their own accents. “I was inspired to do that by the Chernobyl TV series,” he says.

In choosing that cast, Alan was keen to avoid holding auditions with three faces staring out from behind a desk. “Instead we had workshops, playing games, and went from there,” he says.

“There will be familiar actors, but not necessarily in familiar roles, like Andrew Roberts, who’s not done big roles before, playing Khlestakov [the inspector’s role]. Mike Hickman, who was in The Real Thing, is a fabulously instinctive performer, who just gets it straightway, and he’s perfect for the Mayor, who’s losing his grip on everything and gradually losing control.

“He’s also a massive fan of Tony Hancock, who appeared in The Government Inspector in 1958, and so he’s delighted to be doing this play.”

Adam Sowter and Florence Poskett, from the York musical comedy duo Fladam, have amusing cameo roles as the Police Superintendent and Mishka respectively, while University of York drama student Katie Leckey will bring her physical comedy skills to Dobchinsky and Pearl Mollison steps out from the wings to play the Mayor’s daughter after several years of stage managing shows.

Musical director Jim Paterson will lead a live band, made up of cast members, such as Matt Pattison on guitar, Sowter on keyboards and Poskitt on accordion, through a liberal dose of Eighties’ rock ballads.

Judith Ireland’s costume designs, all Eighties’ tracksuits, suits and shoulder pads, will complement a Brutalist set of grey blocks and faded Russian graffiti.

“My main aim is that the production should be actor led, and I’m always keen for a set to let the actors do what they want,” says Alan. “That’s why there’ll just be the blocks, and slogans on every wall, with Russian propaganda to represent the decaying town.”

York Settlement Community Players in Government Inspector, Theatre@41, Monkgate, York, tomorrow (24/10/2023) to Saturday, 7.30pm and 2.30pm Saturday matinee. Box office: tickets.41monkgate.co.uk.

Why January 1 is the day to start reading Alex Johnson’s Art Day By Day almanac

Author and journalist Alex Johnson with his latest book, Art Day By Day. Picture: Vincent Franklin

LOOKING for a cultural book to read one day at a time in 2022? Look no further than Art Day By Day, 366 Brushes With History, edited by Alex Johnson, freelance journalist, writer, design and lifestyle blogger and half-decent snooker player, formerly of this parish.

Published by Thames & Hudson, Alex’s daily almanac presents a selection of historical art events for every day of the year, from the momentous and headline-grabbing to the intimate, amusing, and illuminating; from Donatello to Dennis the Menace, Fabergé to Ferris Bueller’s Day Off, Spain to Senegal.

As Alex puts it, by taking a novel approach to the history of art, Art Day By Day “aims to change the pace at which the story is told”. Hence CharlesHutchPress’s advice to browse it in daily instalments.

Educated in York at Bootham School and trained in print journalism at the Yorkshire Evening Press, as it then was, this polymath of the written form contributes regularly to the Independent, Fine Books magazine and The Idler (on snooker, sheds and microarchitecture) from his St Albans home.

He runs the blogs Bookshelf (on creative bookcase designs) and Shedworking (a term he coined about garden offices) and has now added to that list his sites on tiny houses and “pubworking” (whose day is yet to come, he says). Oh, and he co-created the two The Writers Game games, Classic Authors and Modern Authors, with Laurence King.

Already he has written and edited such books as Bookshelf, Improbable Libraries, A Book Of Book Lists, Book Towns, Shelf Life, The Haynes Shed Manual, Edward Lear And The Pussycat (The Adventures Of Famous Writers And Their Pets), Menus That Made History, How To Give Your Child A Lifelong Love Of Reading and A Soundtrack For  Life (Classical Music To Take You Through The Day) for Scala Radio.

Now he has edited Art Day By Day, “snapshots of the most exciting, unusual and noteworthy art events from around the world and throughout history, told through direct testimonies, eyewitness accounts and contemporary chroniclers”.

“I’ve always been interested in dates and almanacs,” says Alex, who studied Modern History at The Queen’s College, Oxford. “I’d done a couple of books with Thames & Hudson before, so they were perfect for this one.

“The truth is, with nearly all my book covers, I have no input. The publishers send me the cover, saying ‘everyone really likes it’, and I can’t really say ‘No’!” says Alex Johnson. “I think this one works really well”

“Lockdown was a good time to be able to sit down and research it, and like my other books, it’s a book about something I’d like to read about.

“I did lots of arts modules at university as part of my history studies, from Anglo-Saxon art to Renaissance art. Most Oxford History degrees weren’t very flexible but by chance they had several good art modules.”

How did Alex select the subject matter for each day? “There were some things I knew I wanted to write about and some things that jumped out as I looked through the dates; or going through letters and thinking, ‘I want to do something on that’,” he says.

“I wanted it to be as broad as possible, taking in film, comic strips, photography, architecture, even album covers, as well as those things you might expect, like Michelangelo’s Sistine Chapel ceiling and Edvard Munch’s The Scream being stolen, because I didn’t want it to be too highbrow.

“At first it was a case of narrowing it down for each day, then getting down to the last few dates and thinking, ‘nothing happened on that day’, but I was determined to try to avoid too much ‘this or that artist was born or died on this day’, which I thought I could just put at the bottom.”

Comedian Tony Hancock is among the eye-catching entries, for the London premiere of his first leading film role in The Rebel on March 2 1961. “I’ve always been a big Hancock fan, and that was one of the ones I wanted to shoe in, where he played an appalling, childish, inept artist in Paris,” says Alex.

He likes the thought that going down “interesting rabbit holes” could lead readers to other places. “I really hope that they will have the same feeling as I did when they read about the first Fabergé egg and then want to read something far more interesting than those 400 words that will lead them somewhere else,” he says.  “Likewise, by reading condensed versions of some of Van Gogh’s letters, I hope they will seek out more of his letters.”

Artwork – save for the cover design – does not feature in the book. “It’s a shame, but it would have made the book even bigger than its 464 pages, but it’s not like the art is hidden away. If I can find it, then other people can!” urges Alex.

The cover for Alex Johnson’s next book, Rooms Of Their Own

Summing up his philosophy behind Art Dy By Day, he says: “Art is all around us, whether a Woodstock festival poster, a Superman comic or Dennis the Menace’s 1951 debut in The Beano, so that’s why it’s art in the broadest sense, and in many ways, the book is not about art but creative production.

“It would be easy just do something that just features the Great Masters, but there’s no point in doing that, just repeating what we already know, with nothing new added, but this book pinpoints moments of inspiration, when something happened, rather than highlighting great trends.

“It’s about the human side of it all, as things happen to people doing their job, rather than just sitting and pondering!”

Alex has two more books in the pipeline. First up is Rooms Of Their Own: Where Great Writers Write, whether beds, sheds, cafés bathrooms, basements or libraries, published by Frances Lincoln (Quarto) in April with illustrations by James Oses.

The second will be one of Alex’s list books, this one for the British Library, The Book Of Book Jokes, coming out in June. “The trouble with a joke is that you look at it and think, ‘is that still funny?’!” he says. “Some of them are appallingly corny, some are highfalutin. Some are in French or German.”

In the meantime, this is the day when you should buy Alex Johnson’s Art Day By Day. After all, it was included in the arts section of Guardian Bookshop Christmas gift guide.

What features on the Leap Year day of February 29 in Art Day By Day? Sculptor Augusta Savage is born, 1892.

Alex Johnson’s Twitter profile at @shedworking: Writer. Books (art, sheds, food, music, bookish subjects). Columns (@finebooks + @idler). All sorts (@Independent since 2007). Coined term ‘shedworking’.

Where does Alex write and edit? “I used to work from a shed but now removed temporarily to the cellar.”