AcombFest street art festival drew 12,000 over three days. Next year’s plans to be announced at PaintJam art sale on Sept 12

Curtis Hylton’s Owl mural on the Acomb Post Office wall, created at AcombFest

ACOMBFEST, York’s first International street art festival, attracted 12,000 people to Acomb as art and community bonded from July 3 to 5. 

Record numbers were drawn to churches, food vendors, bars and in particular to the four new street murals by Australian photorealist SMUG, Reading wildlife artist Curtis Hylton, Sheffield’s Peachzz and Bristol-based, Acomb-raised SledOne, commissioned by event curators Art Of Protest on the festival theme of Return To Nature.

A PaintJam, curated by RARE Collective’s Sharon McDonagh and Sola at The Carlton Tavern in support of charity partner SASH, York (Safe and Sound Homes), hosted nine live paintings by York and international artists Boxxhead, HazardOne, Lady Mkei, Lincoln Lightfoot, Liskbot, Nicolas Dixon, Sola, spAm (Sharon McDonagh) and VYZ. Hundreds bought artwork and prints created by the artists to raise vital funds for SASH. 

Acomb business owner Simon Taylor, of the Post Office/Taylors of Acomb, hosted Reading wildlife muralist Curtis Hylton’s spray-painting of his new owl mural, now resplendent on an external wall.

“We’ve seen a boost in business already, with people coming into the shop to ask about the artwork and in turn buying products from us,” said Simon. “The response from the public has been amazing; we have people gathering outside and sharing their positive views. I can’t wait to see what the future holds for Acomb and I hope more events like this can return.” 

Fishponds Wood’s moth “reveal” on the Sunday morning when hundreds of people gathered in the woods to release moths to the accompaniment of a five-piece band. A record-breaking 750 people visited Holgate Mill to view Jim Grant and Ben Grant’s light installation Rock Soil Sky on July 4 and 5: the highest number of visitors at the windmill over a weekend. 

St Stephen’s church turned into a gallery over the weekend, hosting original works by Damien Hirst and Tracey Emin, complemented by work by Acomb artists.

The Reverend Matt Woodcock said: “People were streaming into church, queuing to get into church. The art exhibition has been a smash hit. I never thought I’d see the day!” 

Creative events and activities were centred on Front Street with free street art workshops. Venues included Bluebird Bakery, The Hand, SoJo, The Crooked Tap, The Sun Inn and The Fox.Each venue had its own bespoke offer: from bush craft and nature art to water art and artist talks. 

Jimmy Hebbron, owner of The Crooked Tap, said: “This weekend has brought local businesses together, world-class art to our walls and put plenty of money behind the bar. Our food vendors on Friday night sold out at record time!

“Hosting workshops made our venue packed out from 11.30 am and the music took us until close. Please leave feedback on the event so that we can secure funding for AcombFest next year!” 

Community activities include a community cinema at Acomb Explore library and spoken word at Books & Bevs. Acomb Methodist Church was packed all weekend with an artist market by That Acomb Arty Thing and activities that kept hundreds of families busy.

On September 12, artworks created at the RARE Collective PaintJam will be auctioned off at an event hosted at the Carlton Tavern in aid of SASH. Plans for next year’s follow-up festival will be revealed. 

The festival was shaped by speaking to more than 1,100 residents that co-produced the important theme around returning to nature. Funding was all provided by York and North Yorkshire Combined Authority Vibrant and Sustainable High Street Fund, Great Acomb Community Forum, City of York Council, York St John University, business and the community.

“The Art Of Protest and AcombFest team would like to say a huge thank-you to all involved,” says Jeff Clark. “No matter how big or small, the support and love for the festival has been truly mind blowing. Thank you from the bottom of our hearts.“ 

Wellbeing guaranteed at Beningbrough Hall after In The Moment exhibition is extended

Smiling at Doing, Thinking, Speaking, by Lisa Milroy, from Arts Council Collection, Southbank Centre, London © Lisa Milroy. Picture: © National Trust/Anthony Chappel-Ross

IN The Moment: The Art of Wellbeing will be in the moment for much longer than first planned at Beningbrough Hall, Gallery and Gardens near York.

The show was scheduled to close this autumn, but after a temporary closure enforced by Covid-19 lockdown restrictions, the exhibition run is being extended to October 31 2021.

First opened in the spring in the Saloon Galleries at the National Trust country house, In The Moment explores how art can help relaxation and provide a break from life’s daily worries.

Ecclesia, by Bridget Riley, from Arts Council Collection, Southbank Centre, London © Bridget Riley 2020. Picture: © National Trust/Anthony Chappel-Ross

Presented in tandem with the Arts Council Collection, the show was inspired by research that affirms visiting an art gallery is good for your health.

In this instance that means viewing works by such high-profile artists as L.S. Lowry, Tracey Emin, Damien Hirst, Henry Moore and Marc Chagall. The combination of sculpture, colour and intricate sketching alongside video allows visitors to explore their own personal responses to the art.

Covid-secure safety measures are in place at Beningbrough Hall, including a new one-way route to allow for social distancing that utilises the spiral servants’ staircase.

Doryphoros, by Matthew Darbyshire, from Arts Council Collection, Southbank Centre, London © the artist. Gift of the artist, 2017. Picture: © National Trust /Anthony Chappel-Ross

Ann Jones, curator at the Arts Council Collection, says: “We are delighted that In The Moment has reopened at Beningbrough Hall and will be extended until October 2021, enabling more people to see the exhibition.

“Its theme of wellbeing is particularly pertinent at this moment and we hope that visitors will find seeing the art works an uplifting experience.”

The Great Hall and Saloon Galleries are playing host to 14 “engaging and different” artworks, curated to encourage visitors to explore the “five ways to wellbeing”. Namely, to connect, to be active, to give, to keep learning and to take notice. 

Birds, 2012, by Tracey Emin, from Arts Council Collection, Southbank Centre, London © the artist. Picture: © National Trust /Anthony Chappel-Ross

Among the exhibits are the translucent and colour-shifting Doryphoros sculpture by Matthew Darbyshire, standing tall in the Great Hall; the bold hues of Orange No.1 by Basil Beattie in the Saloon and the immersive detail of Doing, Thinking, Speaking by Lisa Milroy.

To see Ecclesia by Bridget Riley, visitors will need to visit Beningbrough Hall before the end of this year because this piece was committed to another exhibition before the agreed extension.

The galleries are sited primarily on the first floor of the hall, where other rooms not part of the exhibition remain closed. To add to their wellbeing, visitors can explore the eight acres of gardens, now awash with autumn colours and a bountiful harvest in the walled garden.

Untitled from the series Where We Belong, by Alejandra Carles Tolra, from Arts Council Collection, Southbank Centre, London. © the artist. Picture: © National Trust /Anthony Chappel-Ross

The stables shop and restaurant are open with spaced-out seating both indoors and outside and takeaway options are available too.

Beningbrough Hall, Gallery and Gardens, near York, is open Wednesday to Sunday, 10am to 3.30pm until November 1; during November, Friday to Sunday, then weekends until March plus the festive Bank Holidays and school half-term in February. Extended opening will resume in Spring 2021.

Booking is recommended to guarantee admission by 3pm the day before, although it is not always needed on quieter days mid-week. Go to: https://www.nationaltrust.org.uk/beningbrough-hall-gallery-and-gardens