‘David Gedge’s lyrics are cinematic, emotional and rich with story – they felt naturally theatrical,’ says York writer Matt Aston as he directs Reception, The Wedding Present Musical at Slung Low

York writer-director Matt Aston, left, walking through Leeds with The Wedding Present’s singer, lyricist, guitarist and only permanent member, David Gedge

THIS is a story of love gone wrong, love gone right and then love gone wrong again, in keeping with David Gedge’s songs that inspired Reception, The Wedding Present Musical.

Presented by Perfect Blue Productions and York writer-director Matt Aston’s company Engine House Theatre, the world premiere will be staged at Slung Low’s theatre space, The Warehouse, in Holbeck, Leeds, from August 22 to September 6.

The plot opens in 1985, the year when Leeds University mathematics student Gedge formed The Wedding Present. That summer, a group of Leeds friends is celebrating the end of university days, but life does not always work out as planned.

Events both unfold and entangle at a graduation ceremony, funeral, wedding and, of course, the receptions that follow over a span of five turbulent years. You should always keep in touch with your friends…or should you, asks Aston, as he explores how we grow together and apart.

Featuring songs by Leeds-born Gedge’s semi-legendary indie band, full of frantic energy and distorted guitars, and his more cinematic, French pop-inspired group Cinerama, this new musical heads back to the sticky dance floors and crimped hair of 1980s’ Leeds for a coming-of-age story of love, friendship, growing up, regret and reconnection.

Reception marks the 40th anniversary of The Wedding Present’s debut single, Go Out And Get ’Em Boy, the first of many to be aired by late-night BBC Radio One maverick John Peel, who once said: “The boy Gedge has written some of the best love songs of the rock’n’roll era. You may dispute this, but I’m right and you’re wrong!”

The “Weddoes” chalked up 18 Top 40 singles and built a devoted cult following – Aston, for example, has seen them in concert more than 50 times – drawn to the searing wit and narrative candour of Gedge’s arch, romantic yet perennially disappointed songs of love and longing, life’s high hopes and low blows, break-ups and breakdowns, chance and no chance.

The likes of  indie classics My Favourite Dress, Kennedy, Brassneck and Everyone Thinks He Looks Daft will be performed in new arrangements by Aston’s dynamic ensemble of actor-musicians, along with a new Gedge composition, written expressly for the premiere.

“It was almost 20 years ago when I had the first inkling that a Wedding Present musical might work,” says Matt. “David had returned to Leeds to perform a selection of his songs with the BBC Big Band for Radio 3.

“The arrangements for the songs were astonishing, as different as you could possible imagine but David’s lyrical and conversational storytelling still shone through. His lyrics are cinematic, emotional and rich with story – they felt naturally theatrical.

“Then later seeing Wedding Present and Cinerama concerts backed with 16-piece orchestras and full choirs helped cement the thought that the songs could work perfectly in a musical.

“Early in 2019 I met Tony Ereira, director of Leeds-based record labels Come Play With Me and Clue Records, at – where else?! – a Wedding Present gig in Leeds, and the idea of getting the play off the ground started take shape.

“Now, with this phenomenal cast of multi-talented actor-musicians, we’ve found the perfect group to bring that vision to life with heart, humour and edge. I couldn’t be more excited.”

Guitarist, lyricist and singer David is intrigued by what lies in store at The Warehouse: “When Matt approached me with the idea of a Wedding Present musical, I was intrigued…I’d never imagined my songs being used in a musical, but I loved how Mamma Mia! reimagined ABBA, and I’ve always been up for trying new things,” he says. “I’m excited to see how the show brings the songs to life in a new way.”

Tickets for a musical that “thrums with real emotion, biting wit and restless energy, like the band that inspired it” are on sale on 0113 213 7700 or at leedsplayhouse.org.uk. Wedding Guest table packages are available.

Writer-director Matt Aston, back row, left, and The Wedding Present and Cinerama frontman David Gedge, back row, right, with cast members for Reception: The Wedding Present Musical. Picture: Northedge Photography

Who will be in the cast for Reception, The Wedding Present Musical?

Zoe Allan as Rachel

Rachel is a confident yet vulnerable graduate of Leeds University who, having experienced loss and pain early in life, has carefully planned a future of love and security. Or so she thought.

Zoe is a passionate working-class performer from the North East with a versatile background across stage, screen and independent film projects. Her credits include Pippin, directed by Barbara Houseman, and When We Strike, an original musical developed by BYMT.

She graduated from Leeds Conservatoire’s Musical Theatre programme and is excited to be back in Leeds for this production.

Lawrence HodgsonMullings as Harry

Harry is Rachel’s first love. Leeds born and bred, he has never left Yorkshire and dreams of adventure before settling down.

Leeds native Lawrence can next be seen in Sally Wainwright’s Riot Women for Drama Republic and the BBC. His screen work includes Fool Me Once (Netflix), Catherine Called Birdy (Working Title), complemented by stage roles in The Enormous Crocodile (Leeds Playhouse/Regent’s Park), Dick Whittington (National Theatre), and The Panopticon (National Theatre of Scotland).

After cutting his teeth with Leeds Playhouse Youth Theatre, he trained at the Royal Conservatoire of Scotland and was a Spotlight Prize finalist. He is a violinist and baritone singer too.

Richard Lounds as John

John is Harry’s best friend. A couple of years older than the rest, he is a source of steady support and advice.

Richard is a performer, musician and dramaturg who trained at the Royal Central School of Speech and Drama. His credits include LIFELINE Off-Broadway(Signature Theatre, New York), The Storm Whale ((Little Angel, York Theatre Royal), The Secret Garden (Tabard Theatre), The Mould That Changed The World and Mr Men And Little Miss On Stage. As a vocalist, he has toured internationally and was a choral scholar at Merton College, Oxford.

Amara Latchford as Sally

Sally is Rachel’s best friend and John’s on/off girlfriend. She has loved university life but is ready for what’s next.

Amara is a graduate of Leeds Conservatoire’s Actor Musician programme, who plays piano, guitar and violin. Their credits include Vernon God Little (Leeds Conservatoire, 2024); The Boy Who Cried Wolf (Tutti Frutti, 2024); The Polar Express (London Euston, 20th Anniversary, 2024); The Storm And The Minotaur (Slung Low, 2025), and All My Pretty Ones (Birmingham Rep, 2025).

Particularly passionate about movement, and ways stories can be communicated through the body, they are training in Kung Fu and various dance styles. Drawing on their wealth of experience in songwriting and composing their own music, they aim to release an EP at the end of the summer.

They describe themselves as a creative octopus, with a vibrant curiosity and desire to explore as many creative avenues as humanly possible. Others have described Amara as a bold and fearless performer.

Matthew Bugg as Dad

Dad to Rachel and Joe, he has moved to Leeds to be close to them after a shared family tragedy.

Matthew, a theatre artist with 25 years’ experiences across many disciplines, is the creator of Miss Nightingale, writing, directing and performing in the hit musical that toured the UK five times between 2011 and 2017, then played the Vaults and Hippodrome Theatre in London.

Jack Hardy in rehearsal for his role as Keir/Keith/Kevin. Picture: Northedge Photography

He has worked as an actor, choreographer or composer on seven other West End shows including Zorro, The Secret Of Sherlock Holmes, Dear Lupin, Our Man In Havana and Cirque Berserk.

Touring works include: King Lear (ATG); Angelina Ballerina (UK and international tour); The Handyman; Star Quality; Lark Rise To Candleford; Quartet; The Hound Of The Baskervilles; Northanger Abbey; Jamaica Inn; Three Men In A Boat and numerous shows for the Agatha Christie Company.

He teaches musical theatre at Leeds Conservatoire and has extensive experience as a composer, lyricist and musical director. He is an active member of Mercury Musicals Development and a judge for the Stiles and Drewe songwriting competition.

Rebecca Levy as Estrella

Estrella is a mature, perpetual student, who has done course after course. She thinks she is better than everyone else… and probably is. But she means well.

Rebecca graduated from Mountview Academy of Theatre Arts in 2016 and is an actor, singer-songwriter and youth facilitator. Her credits include Rapunzel (Liverpool Everyman); Cinderella, Vernons Girls (Royal Court, Liverpool), A Letter To Harvey Milk and Mamma Mia! The Party. She released her debut album, How to Keep Your Girlfriend 101, in 2019. She is an emerging composer, with credits including Animal Farm for NYMT.

Hannah Nuttall as Jane

Jane is the quiet one of the group…most of the time. A Doris Day obsessive and happily single, she is not quite sure where life will take her next.

Hannah trained at Italia Conti Academy. Her credits include Yeast Nation (Southwark Playhouse), Dick Whittington, Sleeping Beauty and Cinderella (Theatre Royal Wakefield), Soho Songs (Crazy Coqs) and In The Time Of Dragons. She is a theatre educator and composer too, including for The Girl Who Saved The Sea (Beansprout Theatre Company).

Zach Burns as Joe

Joe is Rachel’s younger brother – a fact her friends never let him forget. Mature beyond his years, he is finding his place in the world.

Zach trained at the Royal Academy of Music. Credits include Yesterday (Workshop), Sleeping Beauty (Radlett Centre), and Potty The Plant (Edinburgh Fringe). He has recording credits as a vocalist on The Sandman (Netflix) and Idols (Yungblud) and is known for his work in new musical theatre and actor-musician collaborations.

Caitlin Lavagna as Emma

Emma is the rector of Leeds Minster, an upstanding and respected member of the local community.

Caitlin is a Welsh-Gibraltarian actor-musician, vocalist and multi-instrumentalist who graduated from Rose Bruford College. Credits include Housemates (Sherman Theatre, Cardiff), Operation Julie(Theatr na nÓg), Vernons Girls (Royal Court, Liverpool), and Fisherman’s Friends: The Musical.

Also a singer-songwriter, whose single October won Best Actress and Best Music Video at the Celynen Film Festival. She was named Best Female Act at the 2025 Radio Wigwam Awards. Drummer and vocalist for the band Big Wednesday.

Jack Hardy as Keir/Keith/Kevin

Barman at the pub that hosts all the receptions, although no-one ever gets his name right. A political activist with big ambitions, he is searching for his voice.

Leeds-born actor and musician Jack attained A Levels at CAPA College before continuing his journey at ArtsEd on the BA Acting course. From 2021 to 2024, he completed his training on the Actor Musician BA programme at Leeds Conservatoire. Multi-instrumentalist musician, playing piano, guitar, synth, bass, drums and voice. Passionate writer and songwriter with a love for stories that blend music and performance.

Matt Aston on a bench in Rowntree Park, York, when directing Park Bench Theatre under Covid restrictions. Picture: Livy Potter

Did you know?

RECEPTION writer-director Matt Aston’s credits include The Storm Whale and Grandad’s Island at York Theatre Royal and the Park Bench Theatre seasons in Rowntree Park, York, as well as directing Line Of Duty star Vicky McLure in Stephen Lowe’s Touched, James
Bolam in William Ivory’s Bomber’s Moon and David Mamet’s Oleanna with Alistair McGowan.

Artistic director of Engine House Theatre and winner of the Writers Guild of Great Britain Award for Encouragement of New Writing.

The Wedding Present to release 40th anniversary retrospective 40 on September 19 on vinyl and CD

Jonathan Hitchen’s artwork for The Wedding Present’s compilation album 40

ON September 19, CLUE Records will release 40, a “chronological, aural journey” through The Wedding Present’s album tracks, singles and B-sides. Frosted clear quadruple vinyl box sets and quadruple CD sets are available for pre-order at https://cluerecords.myshopify.com/collections/the-wedding-present-40.

After 13 studio albums, 20 compilations and a heap of singles, EPs, live albums and live sessions – with more on the way – 40 will be a “commemorative reflection of this complex and fascinating catalogue”.

Artwork by the Weddoes’ regular cover designer Jonathan Hitchen will be complemented by extensive sleeve notes by David Gedge, along with music writer Mark Beaumont. Gedge’s commentary provides an insight into the workings of his band and a track-by-track guide to the compilation.

The track listing will be: Side A/CD1, Go Out And Get ’Em Boy; You Should Always Keep In Touch With Your Friends; Anyone Can Make A Mistake; Everyone Thinks He Looks Daft; A Million Miles; My Favourite Dress.

Side B/CD1, Nobody’s Twisting Your Arm; Davni Chasy; Give My Love To Kevin (Acoustic Version); Kennedy; What Have I Said Now.

Side C/CD2, Bewitched; Take Me!; Brassneck; Crawl. Side D/CD2, Dalliance; Dare; Suck; Blonde; Corduroy. Side E/CD2, Heather; Blue Eyes; Come Play With Me; Flying Saucer; Click Click.

Side F/CD3, Spangle; Convertible; Montreal; Kansas; I’m From Further North Than You ; Interstate 5. Side G/CD4, Perfect Blue; Don’t Take Me Home Until I’m Drunk; Boo Boo; Deer Caught In The Headlights. Side H/CD4, Two Bridges; Rachel; I Am Not Going To Fall In Love With You; Science Fiction; Hot Wheels.

Two Big Egos In A Small Car podcast special with David Gedge

The Wedding Present’s David Gedge with Two Big Egos In A Small Car podcaster Charles Hutchinson, pictured outside Leeds University Union in April 2025

Listen to David Gedge discuss 40 years Of The Wedding Present, the Reception musical and his Rise@Bluebird Bakery show with Two Big Egos In A Small Car podcasters Charles Hutchinson and Graham Chalmers at:

https://www.buzzsprout.com/1187561/episodes/17507606-episode-233-interview-special-with-david-gedge-from-the-wedding-present

An Evening of Conversation and Music with David Gedge from The Wedding Present, Rise@Bluebird Bakery, Acomb Road, Acomb, York, 20/7/2025, 8pm, doors 7pm

David Gedge: 40 years of The Wedding Present

DAVID Gedge, long-time leader of The Wedding Present, discusses his “semi-legendary” Leeds indie band’s 40-year-career and his life in the music industry, in conversation with Amanda Cook at Rise@Bluebird Bakery, Acomb tonight.

York writer/director Matt Aston joins him too on the eve of rehearsals for Reception – The Wedding Present Musical, ahead of its premiere at Slung Low, The Warehouse, Holbeck, Leeds, from August 22 to September 6.  

Tonight’s event concludes with Gedge’s 20-minute acoustic set drawn from The Wedding Present’s cornucopia of arch, romantic yet perennially disappointed songs of love, life’s high hopes and woes, chance and no chance. Box office: eventbrite.com.

Listen to David Gedge discuss 40 years Of The Wedding Present, the Reception musical and his Rise@Bluebird Bakery show with Two Big Egos In A Small Car podcasters Charles Hutchinson and Graham Chalmers at:

https://www.buzzsprout.com/1187561/episodes/17507606-episode-233-interview-special-with-david-gedge-from-the-wedding-present

The Wedding Present’s David Gedge, right, with Reception writer-director Matt Aston walking through Leeds. They will discuss the new musical tonight at Rise@Bluebird Bakery, Acomb, York

As Shed Seven head out on tour with new album A Matter of Time on its way, Rick Witter has a word with Two Big Egos

Shed Seven: Autumn tour and new album. Picture: Barnaby Fairley

IN this special edition, Two Big Egos In A Small Car podcast duo Graham Chalmers and Charles Hutchinson interview Rick Witter, frontman of Shed Seven.

As the Sheds head out on an autumn tour, Rick discusses the story behind the York band’s new studio album, next January’s A Matter Of Time, early band names for Witter and Paul Banks in their schooldays, fresh band members, and what it takes to be among the great survivors of Britpop.

Head to: https://www.buzzsprout.com/1187561/13761949

What is the future of local journalism? Here comes the Sheffield Tribune’s new age

Sheffield Tribune’s logo

IN Episode 99, Two Big Egos In A Small Car culture podcasters Graham Chalmers and Charles Hutchinson ponder the way forward for news delivery with Sheffield Tribune arts writer Liz Ryan at the dawn of the substack.

Under discussion too are the community play 122 Love Stories at a ghostly Harrogate Theatre; Irish comedian Jason Byrne’s upcoming Unblocked tour show and Bob Dylan’s auction value as a one-off recording is sold as a “work of art”.

To listen, head to: https://www.buzzsprout.com/1187561/11013649

Edinburgh International Film Festival 2022 is full on for 75th anniversary celebrations

Kristy Matheson: New creative director of Edinburgh International Film Festival

EDINBURGH International Film Festival marks its 75th anniversary with a return to a full programme from August 12 to 20 under the leadership of a new creative director.

Back in tandem with the Scottish capital’s myriad festivals this month, the world’s oldest continually running film festival presents 87 new features, 12 short film programmes and two retrospectives in a resumption of a full-on, in-person event after the restrictions and challenges of the pandemic.

Newly at the helm is Kristy Matheson, a creative director looking to make her mark as she follows a raft of artistic directors that established and grew Edinburgh International Film Festival’s global clout.

Among those who contributed to the festival’s long-running success since its foundation in 1947 were journalist and film critic Hannah McGill, artistic director from 2006 to 2010; Mark Cousins, who made a big impact in all-too-brief tenure from 1996 to 1997 before blossoming into an award-winning documentary filmmaker, and Jim Hickey, who steered a golden era from 1981 to 1988.

Before that came Linda Myles, who ran EIFF with remarkable success on a small budget from 1973 to 1980, when she was first woman to occupy such a role at any film festival worldwide.

Not only did she pioneer screenings of the cream of the “New Hollywood” filmmakers of the day, such as Martin Scorsese, but Myles also initiated reappraisals and new viewpoints, most notably “The Women’s Event”, organised in tandem with Claire Johnston and Laura Mulvey at the 1972 EIFF.

This year marks the 50th anniversary of the women’s film festival presented by Myles to showcase films made by female directors. In recognition of this ground-breaking event, this summer’s EIFF will play host to Reframing The Gaze, a retrospective programme curated by Kim Knowles.

Kristy Matheson, previously director of film at Australia’s national museum of screen culture, ACMI, is thrilled to be propelling EIFF’s milestone anniversary year. “For our 75th anniversary, we’ve embraced the very essence of cinema: from its production to its exhibition, it’s a truly collective pursuit,” says the creative director.

“Working alongside a talented team of programmers and festival producers to craft our 2022 programme has been joyous. I look forward to welcoming audiences back to EIFF this August.”

The opening gala screening on August 12 will be a home-made product: Aftersun, the debut from Scottish filmmaker Charlotte Wells starring Normal People’s Paul Mescal, that heads homewards buoyed by prize-winning success at Cannes Film Festival.

Further highlights to note are Armağan Ballantyne’s comedy Nude Tuesday, picked for the inaugural Central Gala on August 16, and  After Yang, an American metaphysical science-fiction drama written and directed by Kogonada, starring Colin Farrell and Jodi Turner-Smith in the closing gala on August 20.

Look out too for Peter Strickland’s latest work, Flux Gourmet, featuring Asa Butterfield and Gwendoline Christie in the darkly comic tale of a performance art trio participating in an artist residency at the Sonic Catering Institute.

Screenings will take place at the festival’s home on Lothian Road, the Filmhouse, the Cameo Picturehouse, Everyman Edinburgh and Vue Edinburgh Omni.

The second major retrospective will focus on the work of performer and film director Kinuyo Tanaka (1909-1977), who played a key role in the history of Japanese cinema.

Further recommendations are Still Working 9 To 5, a documentary wherein Dolly Parton, Jane Fonda and Lily Tomlin reunite to investigate the fight for women’s rights they kickstarted half a decade ago, and Nothing Compares, Kathryn Ferguson’s documentary about iconoclastic Irish singer Sinead O’Connor.

Renowned for its commitment to internationalism and cultural engagement, EIFF embraces more than film screenings, taking in performances and industry dialogues too.

Presented as a special live performance, The Ballad Of A Great Disordered Heart is a new collaborative film by Lau folk musician Aidan O’Rourke, Becky Manson and former EIFF artistic director Mark Cousins about Edinburgh’s Old Town and the Irish communities who have called it home.

The 2022 festival sees the return of Film Fest In The City in St Andrew’s Square, where the open-air programme offers classics such as Crouching Tiger, Hidden Dragon, Shrek and 2001: A Space Odyssey.

This year’s programme has been brought together by a team of programmers led by Matheson, working alongside Manish Agarwal, Anna Bogutskaya, Rafa Sales Ross, Kate Taylor; animation programmer Abigail Addison; short film programmers Jenny Clarke (narrative) and Rohan Crickmar (non-fiction); black box programmer  Lydia Beilby and retrospective curator (2022 Theme) Kim Knowles.

Edinburgh International Film Festival is supported by Screen Scotland; the PLACE Programme (a partnership between the Scottish Government, City of Edinburgh Council and the Edinburgh Festivals); the Scottish Government, through the Festivals Expo Fund and the PLACE Resilience Fund; City of Edinburgh Council; EventScotland, part of VisitScotland’s Events Directorate, and the BFI Audience Fund, awarding National Lottery funding.

For tickets and programme details, head to www.edfilmfest.org.uk/

Two Big Egos In A Small Car culture vulture podcasters Graham Chalmers and Charles Hutchinson will preview the 2022 Edinburgh International Film Festival in the next episode before squeezing their egos into that compact automobile to head to Scotland next week.

Podcast question of the day: Are Fontaines DC in too much of a hurry?

The album artwork for Fontaines DC’s Skinty Fia

AS album number three arrives so soon, why are the Irish band being as prolific as the early Beatles? Two Big Egos In A Small Car culture podcasters Graham Chalmers and Charles Hutchinson discuss Skinty Fia in Episode 89.

Plus: what happens to the BBC when the licence fee ends? Anything else? Sheffield Leadmill update; The Divine Comedy at York Barbican review; Gary Barlow’s show with a difference, and why Mischief and Penn &Teller’s Magic Goes Wrong is wand-erful.

To listen, here is the link: https://www.buzzsprout.com/1187561/10570721

Kinks Kovered! Two Big Egos In A Small Car podcasters interview author Martin Hutchinson in Episode 86

The cover artwork for Martin Hutchinson’s On Track…The Kinks Every Album, Every Song, published by Burning Shed Books

ON Track…The Kinks Every Album, Every Song is the labour-of-love deep dive from music journalist, comedy writer and TV quizzer Martin Hutchinson.

In Episode 86 of Two Big Egos In A Small Car, culture podcasters Graham Chalmers and Charles Hutchinson [no relation] interview Martin about why he chose The Kinks for his debut book and what research he undertook.

Graham and Martin then discuss why The Kinks and Ray Davies stood out, assessing their standing in rock history and why they were never rated as an albums band at their Sixties and Seventies’ peak.

Martin reveals his favourite Kinks songs and albums and speculates whether Ray and brother Dave will ever make up and tour again.

To listen, here is the link: https://www.buzzsprout.com/1187561/10431451

More Things To Do in York and beyond the norm as horror shows and love stories beckon. List No. 73, courtesy of The Press

2,000 shows and counting: Kristian Lavercombe, as Riff Raff, far right, clocks up another milestone in The Rocky Horror Show on its return to York . Picture: David Freeman

LET’S do The Time Warp again? It’s just a jump to the left, and then a step to right, to enjoy plenty more of Charles Hutchinson’s recommendations.

Fancy dress invitation of the week: Richard O’Brien’s Rocky Horror Show, Grand Opera House, York, Monday to Saturday

KRISTIAN Lavercombe celebrates his 2,000th performance as Riff Raff as Richard O’Brien’s 1973 musical extravaganza enjoys yet another York run.

Alongside Lavercombe in Christopher Luscombe’s touring production will be 2016 Strictly Come Dancing winner Ore Oduba as preppy college nerd Brad Majors, Haley Flaherty as squeaky-clean fiancée Janet Weiss and Stephen Webb as castle-dwelling Transylvanian transsexual doctor Frank-N-Furter.

Cue fabulously camp fun and even camper costumes, shlock-horror comedy and science-fiction send-ups, audiences in fancy dress and sassy songs such as Sweet Transvestite, Science Fiction/Double Feature and The Time-Warp singalong. Box office: 0844 871 7615 or atgtickets.com/York.

New Beverly Cinema, by Imogen Hawgood, at According To McGee, York

Exhibition launch of the week: Imogen Hawgood and Horace Panter, Hyperrealism in America and Japan, at According To McGee, Tower Street, York, from 11am today until March 25

NEW According To McGee signing Imogen Hawgood, from County Durham, introduces her collection of realist paintings in a duo show with Pop artist and Ska legend Horace Panter, The Specials’ bassist.

Panter’s Edward Hopper-inspired depictions of Midwest motels, inner-lit Japanese kiosks and sun-warmed Coca-Cola crates complement Hawgood’s exploration of Americana icons and the idea of “the road” as a transitional landscape.

The vampire strikes back: Steve Steinman’s Baron von Rockula with his vampettes in Vampires Rock – Ghost Story

Rock horror show: Steve Steinman’s Vampires Rock – Ghost Train, Grand Opera House, York, tonight (12/3/2022), 7.30pm

NOTTINGHAM singer and producer Steve Steinman returns to York with his tongue-in-cheek show stacked high with rock anthems, guitar gods and vampy vampettes.

Steinman’s Baron von Rockula and his vampires take refuge in an old fairground’s ghost train as he seeks a new virginial wife after the death of his beloved Pandora. Ordering faithful sidekick Bosley to find him one, enter Roxy Honeybox.

Now in its 20th year, Vampires Rock sets a cast of singers, dancers and musicians loose on Queen, AC/DC, Bonnie Tyler, Meat Loaf, Bon Jovi, Journey and Guns N’ Roses chestnuts. Box office: 0844 871 7615 or atgtickets.com/York.

Glenn Tilbrook: Squeezing in hit after hit at The Crescent

York gig of the week: Glenn Tilbrook, The Crescent, York, Sunday, 7.30pm

THIS is a standing show…and an outstanding one too as endearing and enduring Deptford singer, songwriter, guitarist and troubadour Glenn Tilbrook makes his debut appearance at The Crescent.

More than 45 years after he first answered an ad placed by Chris Difford looking for like-minded sorts to form the band that became the evergreen Squeeze, an ending is nowhere in sight, even if he called his fourth solo album Happy Ending in 2014. Expect silver-tongued Squeeze and solo numbers, peppered with audience requests, tomorrow night.

Squeeze up, by the way, because this Gig Cartel-promoted gig has sold out. Fingers crossed for any returns (www.thecrescentyork.com), but otherwise you’re really up the junction for a ticket.

Alexander McCall Smith: Delving into his books at York Theatre Royal

Literary event of the week: Alexander McCall Smith, York Theatre Royal, Monday, 7.30pm

YORK Literature Festival plays host to Alexander McCall Smith as he discusses the new instalment in his long-running Scotland Street series, the warm-hearted, humorous and wise Love In The Time Of Bertie.

Fiona Lindsay pops the questions, intertwined with footage shot on location in Edinburgh, wherein McCall Smith invites guests into his study, where he writes surrounded by paintings and books, and visits key landmarks from the books.

The festival follows from March 18 to 27 with full details at yorkliteraturefestival.co.uk. Box office: 01904 623568 or at yorktheatreroyal.co.uk.

NOT Thu 17 March 2022 after all: It’s different for Joe Jackson now as York gig moves to the summer

Postponement of the week: Joe Jackson, Sing, You Sinners! Tour, York Barbican, moving from March 17 to July 29

BLAME Covid for this delay to only the second ever York concert of singer, songwriter and consummate arranger Joe Jackson’s 44-year career.

“After months of uncertainty, it finally became clear that continuing Covid restrictions (particularly on venue capacity) in certain countries, would make our Spring European Tour un-viable as planned,” says Jackson’s official statement. “We can’t tour at a loss, and the situation did not look like changing soon enough.”

Tickets remain valid for the new July 29 date when Jackson promises hits, songs not aired in years and new material. Box office: yorkbarbican.co.uk.

Sam Freeman: Thirty years of love burst out of his storytelling show in Harrogate and York

Storytelling show of the week: Sam Freeman, Every Little Hope You Ever Dreamed (But Didn’t Want To Mention), Cold Bath Brewery Co Clubhouse, Harrogate, Monday, 7.30pm; York Theatre Royal Studio, Friday, 7.45pm

FORMER York Theatre Royal marketing officer and 2009 TakeOver Festival co-director Sam Freeman heads back to his old stamping ground with his solo rom-com for the lonely hearted and the loved-up, armed with a projector, a notebook, wonky spectacles and nods to Richard Curtis’s Notting Hill.

Freeman, marketeer, occasional writer, director and stand-up comedian, combines storytelling and whimsical northern comedy in his multi-layered story of a chance encounter between two soulmates, how they fall in love, then part but may meet again. Box office: Harrogate, harrogatetheatre.co.uk; York, 01904 623568 or yorktheatreroyal.co.uk.

For Charles Hutchinson and Graham Chalmers’ interview with podcast special guest Sam Freeman, head to the Two Big Egos In A Small Car listening link at: https://www.buzzsprout.com/1187561/10231399.

Off to the woods: Northern Broadsides in As You Like It

Shaking up Shakespeare: Northern Broadsides in As You Like It, Stephen Joseph Theatre, Scarborough, Tuesday to Saturday; York Theatre Royal, March 23 to 26

MARKING Northern Broadsides’ 30th anniversary, artistic director Laurie Sansom’s diverse cast of 12 northern actors captures the “sheer joy of live performance and the crazy power of love to change the world” in his bold, refreshing take on Shakespeare’s most musical comedy.

Exiled from the court, high-spirited Rosalind, devoted cousin Celia and drag queen Touchstone encounter outlaws, changing seasons and life unconfined by rigid codes in the forest.

Gender roles dissolve and assumptions are turned on their head in a natural world of endless possibilities. Box office: Scarborough, 01723 370541 or sjt.uk.com; York, 01904 623568 or yorktheatreroyal.co.uk.

Lola May as daughter Aramide, Oyi Oriya as mother Omotola and Anni Domingo as grandmother Agbeke in Utopia Theatre’s Here’s What She Said To Me

Touring show of the week: Utopia Theatre in Here’s What She Said To Me, York Theatre Royal Studio, Thursday and Friday, 7.45pm

MEET Agbeke, Omotola and Aramide, three generations of proud African women connecting with each other across two continents, time and space, in Oladipo Agboluaje’s distaff drama, conceived and directed by York St John University graduate Mojisola Elufowoju.

Together the women share their struggles, their joys, tragedies and broken dreams, in order to find healing in the present. Box office: 01904 623568 or yorktheatreroyal.co.uk.

Cherie Federico, director of Aesthetica Short Film Festival, is this week’s special guest for Chalmers & Hutch’s arts podcast

Cherie Federico: Aesthetica Short Film Festival director

THE 11th Aesthetica Short Film Festival is running in York this week and online until November 30. No better time for Two Big Egos In A Small Car podcasters Chalmers & Hutch to invite director Cherie Federico for a chat about York’s fiesta of film.

Under discussion too in Episode 63 are: Adele’s algorithms; The Young’uns’ gig theatre in The Ballad Of Johnny Longstaff at York Theatre Royal, and are Public Service Broadcasting’s powers of Bright Magic fading?

To listen, head to: https://www.buzzsprout.com/1187561/9485479