The launch of the Return Of The Oaks mural in Acomb
THE launch of Art Of Protest’s new mural and street benches drew a big community turnout to Front Street, Acomb, York, last Saturday .
The Return Of The Oaks mural is part of the wider project designed to return nature to the high street.
Eight public benches have been painted to denote the trees in Acomb, each featuring a carved-out leaf emblem. The trees’ names feature on the benches, serving as a reminder of the diverse ecology in the area.
In the week leading up to last Saturday’s launch, residents and visitors praised the installation for its brightness and welcoming vision.
The views of the Acomb community were central to the designs. A comprehensive engagement programme featuring 17 events and street art workshops at locations in Acomb captured residents’ wishes. This conveyed the community’s strong voice, now reflected in the geometric design.
An innovative Street Art Academy trained up the community and four residents were chosen to take part in the talent development programme and assist on the mural. This has created a legacy, boosting the skills and confidence of the participants.
Art Of Protest creative director Jeff Clark said: “I’m beyond pleased to say that this public art project has been a huge success. Getting to know the Acomb community was not only paramount to influencing the design of the artwork but also a real pleasure in itself.”
Art Of Protest lead artist Tom Jackson said: “Working on a project in the place where I live is a privilege. My children and I will walk past this mural almost every day, and I’m fortunate that the people of Acomb have embraced it in such a positive way.”
A mood of celebration and excitement marked the weekend event at the mural. The Lord Mayor of York, Sheriff and councillors took part in the pop-up street art workshops.
Art Of Protest organised an exhibition of the community art produced from the engagement sessions, held at Rise@ Bluebird Bakery in Acomb Road.
The Rt Hon Lord Mayor of York, Councillor Margaret Wells, said: “It was great to be at the event at the weekend to see the amazing new artwork and other changes around Acomb. This is an incredible piece of work which speaks volumes about working together as a community.
“It is wonderful to see the links to Acomb’s heritage and the local woodland within the paintings. Thank you to everyone involved.”
Councillor Katie Lomas, City of York Council executive member with responsibility for finance and major projects, said: “I am very proud of Acomb and the way the local community has come together to shape these recent changes. This new artwork is a fantastic addition and really pulls together all the work that has been going on to improve the area.
“The wider scheme, funded through the Government’s UK Shared Prosperity Fund, has seen some real investment in the area over recent months. It has brought not only this incredible artwork but also upgraded seating, planting, wayfinding and many other improvements to help ensure Front Street is a great place to be for years to come.
“I would like to thank everybody involved in making this happen and anyone who has got involved along the way. I especially want to pay tribute to the wider engagement work done by the Art Of Protest team to engage and inspire young people across the Acomb area, making sure they know that art is for them too.”
Acomb resident Kat Hunt, mother of one of the talent development students, said: “Throughout the project and the community engagement sessions, my daughter has developed new skills and she has so much more confidence in her artwork as a result. It’s really inspired her. It’s fantastic that Acomb now has such vibrant artwork, inspired by the views of the community.”
Art Of Protest, York’s urban art and engagement specialists, are experts in ‘placemaking’ and approved ‘Alternative Providers’, offering a Street Art Academy through the Danesgate Community Pupil Referral Unit. “We are driven by partnering with the local community, public sector and businesses to transform spaces through public art,” says Jeff. “If you would like to work with us, please contact us at info.aopprojects@gmail.com.”
The Return Of The Oaks art project is part of the broader scheme to improve Front Street and create a more accessible, vibrant, people-friendly space. City of York Council received £570,000 of UK Shared Prosperity Funding to deliver Phase 2 improvements that include new seating and planters, improved Blue Badge parking, wide and level pedestrian crossings, wayfinding signs and upgraded public loos.
Art Of Protest creative director Jeff Clark with Gemma Waygood-Senior, project manager for the Return Of The Arks project in Front Street, Acomb. All pictures: Jeff Clark
ART Of Protest has installed the Return Of The Oaks benches in Acomb, York, ahead of Saturday’s mural and bench “reveal” and celebration event in Front Street and Cross Street.
That afternoon comes the opportunity to meet the artists, join in creative spray paint activities and see the unveiling of the mural from 4pm. Further celebrations will follow with a DJ set and community art show at Rise@Bluebird Bakery, in Acomb Road, from 6pm.
Eight wooden benches have been transformed, each painted with a leaf design from the woodland to reflect links to nature.
Return Of The Oaks mural artist Tom Jackson and Art Of Protest workshop leader Chloe Mae. “Both live within a mile of the mural, and this is the closest paint project to their homes they have ever done,” says Jeff Clark
This follows an extensive programme of engagement events and workshops, led by Chloe Mae where Art of Protest gathered the views and ideas of the Acomb community and gained an understanding of what people would like to see.
Alongside the benches, Art of Protest has been working on the new mural that aims to capture the spirit and sense of community in Acomb.
This art project is part of the wider scheme to improve Front Street and create a more accessible, vibrant, people-friendly space. City of York Council received £570,000 of UK Shared Prosperity Funding to deliver these Phase 2 improvements, including new seating and planters, improved Blue Badge parking, wide and level pedestrian crossings, wayfinding signs and upgraded public loos.
The Oak bench from Art Of Protest’s Return Of The Oaks project in Front Street, Acomb
Councillor Katie Lomas, executive member with responsibility for Finance and Major Projects, said: “This is an incredibly exciting part of the project and it is great to see even more improvements take shape on Front Street.
“This scheme is funded through the government’s UK Shared Prosperity Fund and is helping to create a more accessible and attractive space for people to live, work, shop or visit.
“The newly painted benches are a very welcome addition and do a fantastic job of brightening up the area. The designs for both the artwork and wider Phase 2 improvements are based on significant engagement with the local community, so it will be great to be able to celebrate the progress with local people this weekend.
“I am very much looking forward to seeing the finished mural and would encourage those who live or spend time in Acomb to come along and get involved.”
Chloe Mae and Tom Jackson take advantage of Thursday’s sunny, dry weather to work on the Return Of The Oaks mural in Acomb
Art Of Protest creative director Jeff Clark said:“It was great to see the evolution of the project, taking the community on the journey and developing local talent through the Street Art Academy and artist Tom Jackson, Art Of Protest’s production manager and one half of the Static street art duo with Craig Evans. The feedback was inspirational and there is so much love and pride in the community.
“We are celebrating the return of local trees and a wonderful idea of each bench having a local leaf emblem, so visitors to the area can say ‘see you at the oak bench’.
“Each bench also has a carved-out leaf emblem so they are accessible and engaging. The return of the oaks is then incorporated into the mural design. We are so grateful to the Acomb community, the support and great ideas. Please come and celebrate as this is your hard work.”
Taking shape: Art Of Project workshop leader Chloe Mae, centre, working on the mural with Art Of Protest production manager and Static artist Tom Jackson and Sarah, from the Street Art Academy
“We are passionate about getting the community involved,” says Art Of Protest Projects founder and creative director Jeff Clark
ART Of Protest (AOP) has been awarded a UK Shared Prosperity Fund grant by City of York Council to create a more vibrant, people-friendly, accessible space for all in Front Street, Acomb.
The grant will go towards installing a community mural and eight benches as part of a wider regeneration of Front Street.
Art Of Protest Projects, a social impact enterprise founded in 2016 and based in York, engages communities in place-making and public art, with its team of professional creatives, artists and storytellers having delivered a series of projects in York and beyond so far.
Many of the team reside in Acomb, making the latest project close to their hearts, and already AOP is proactive within the Acomb community, presenting their flagship creative learning workshops at York High School and Inspire Academy.
Founder and creative director Jeff Clark says: “We want to deliver something that the Acomb community can be proud of for decades to come. It’s not just about creating art, it’s about listening to the views of the people.”
Councillor Katie Lomas, City of York Council Executive Member with responsibility for Finance and Major Projects, says: “It is great to see the Front Street project taking another step forward and this is a very exciting part of the transformation. So far, we have seen new seating and planters installed, upgraded public toilets, improved Blue Badge parking and removed a significant number of bollards.
“We are looking forward to working closely with artists at Art Of Protest Projects to introduce public art to the area, which 68 per cent of respondents supported during our consultation last spring. We will continue listening to the community and get to the heart of what residents would like to see.
“It is vital that the local community is involved and helps to shape these designs, which will be part of Front Street for years to come, so I’d encourage everyone who lives or spends time in Acomb to share your thoughts. I would also like to thank everyone for their patience while work is ongoing in the area, and I look forward to seeing more of these improvements take shape as the project progresses.”
Jeff adds: “AOP aims to creatively engage and impassion individuals of all capabilities and backgrounds to build local capacity and skills. We believe that art is a common and universal language where people of all ages, creeds and beliefs can meet, engage and connect.”
AOP has tight deadlines set by UK Shared Prosperity Fund to complete the installation by the end of March, preceded by a series of open consultation events running during the last week of January and the first week of February.
Art Of Protest’s poster invitation to mural and benches engagement sessions in Acomb
Spray paint mural engagement sessions will be held at Acomb Explore Library on January 27, 5pm to 7pm, The Place, Acomb, January 28, 4pm to 5.30pm, and Gateway Centre, Acomb, February 3, 5pm to 7pm. Paint-a-pot benches engagement sessions will take place at The Place on January 29, 3.30pm to 4.30pm, and Acomb Explore Library on January 31, 10am to 12 noon.
Jeff says: “We want to build on the community consultations that have already taken place, listening to the views to celebrate Acomb’s heritage, to be bright, fun and inviting.”
For the mural consultations, he explains: “We are arranging a series of workshops at local schools, as well as creative spray paint workshops where participants can take away their own piece of art home and inspire the design brief for the mural. The mural will be a community totem, carefully crafted and shaped by community input”.
For the bench consultations, Jeff says: “Accessibility is really important and there is also an opportunity to signpost the local community to our green spaces and celebrate local flora. The bench engagement sessions will be an opportunity to chat about what you want to see, as well as paint your own plant pot to take away a seedling or plant.
“The curators’ responsibility is to capture as many Acomb residents’ voices and project them into one shared vision. We love the local area and want to create a legacy piece that celebrates all the local green spaces as well as Acomb’s connection to the oak trees.”
You can book for the engagement events at eventbrite.co.uk/o/art-of-protest-projects-40881047083 or by emailing workshops.aopprojects@gmail.com.
AOP is arranging drop-in sessions on Front Street with everyone welcome at The Place on January 30, 10am to 12 noon, Bluebird Bakery, February 1, 3pm to 5pm, and Gateway Centre, February 4, 2.30pm to 4.30pm.
A key aspect of the project is the Street Art Academy, delivered in partnership with The Place with its ethos to create, collaborate and increase curiosity, confidence and capability. This structured programme will up-skill and create cultural capital and legacy by providing career pathways in the creative industries.
In addition, a talent development opportunity will become available for participants to shadow the creation of the mural.
“We are passionate about getting the community involved,” says Jeff. “What’s really unique about the programme is the Street Art Academy focused on skills development and capacity building.
“AOP would love to hear from the local community and will be arranging a celebration event following the installation of the mural and benches with details to follow. If you have any queries, please get in touch with workshop.aopprojects@gmail.com.”
Colour & Light: York BID free event returns to York Minster from February 12
YORK Minster’s South Transept is to be illuminated with York wildlife down the centuries for the return Colour & Light from February 12 to March 2.
Building on the impact of the 3D projection mapping illuminations at York Minster in 2023 and York Art Gallery in 2024 that drew tens of thousands of spectators from York and beyond, this year’s large-scale visual arts project will highlight the city’s heritage and creativity once more in celebration of the city’s UNESCO Media Arts status.
This free event promises a “mesmerising projection” of famous and lesser-known stories of York’s animal world, from the peregrine falcons that call the Minster home and the foxes that roam the city after dark, to the horses on which the Romans rode into Eboracum and the legendary dragons carved into York’s history.
Carl Alsop, operations manager at York BID, says: “Colour & Light is fast becoming a highlight of York’s cultural calendar. The event started at York Minster in 2023, so we’re proud to partner with them again for our 2025 event.
“We’re particularly excited as this year’s projections showcase the diversity of wildlife and unique animal stories that makes York so special. By encouraging families and visitors to explore the city centre during these quieter months, we’re not only creating magical experiences but also supporting local businesses and reinforcing York’s vibrant evening economy.”
Colour & Light 2024 on the frontage of York Art Gallery
Lisa Power, York Minster’s head of events and participation, says: “We are thrilled to welcome Colour & Light back to York Minster this February. The inaugural display in 2023 saw the city welcome tens of thousands of people during what is often the coldest, darkest and quietest time of the year.
“This year’s projections will bring York Minster’s heritage to life, this time through a spectacular display of flora and fauna illuminating the cathedral’s South Transept. We hope that this beautiful display will once again remind everyone that York is open all year round!”
Colour & Light will run nightly from 6pm to 9pm with projections on a ten-minute loop. The final hour each evening will feature a designated quiet hour with reduced noise and crowd levels, ensuring everyone can enjoy the event. No tickets are required.
Colour & Light 2025 is funded by the UK Government through the UK Shared Prosperity Fund, highlighting the importance of investing in cultural initiatives to support local economies and enhance community well-being.
Visitors are invited to explore York’s shops, restaurants and cafés as part of their evening. Join the conversation on social media via #ColourAndLight2025.
Matheea Ellerby’s Sparkle, front left, Jade Farnill’s Jingle and Dylan Allcock’s “Daredevil” Dave feeling the full force of “Elfomatic Motion” in Pocklington Arts Centre’s The Elves And The Shoemaker Save Christmas. Picture: Abbi Eliza Photography
THE day before had been the Relaxed performance, watched by 130 people, appreciating Pocklington Arts Centre’s all-embracing community consideration in providing such a no-bounds show.
Attended by CharlesHutchPress, Tuesday’s matinee drew a smaller attendance, concentrated towards the front, with a couple of raucous young gents leading the laughter enthusiastically further back.
Such are the differing challenges that face a cast, in this case a young company featuring Liverpool Institute for Performing Arts graduate Matheea Ellerby in her professional debut alongside 2023 Hammond School musical theatre performance graduate and fellow Godber Theatre Foundation member Jade Farnill.
National Elf Service, Pocklington Division: Matheea Ellerby’s Sparkle, left, Jade Farnill’s Jingle and Dylan Allcock’s “Daredevil” Dave. Picture: Abbi Eliza Photography
Joining them is the more experienced Dylan Allcock, regular contributor to the world’s longest- running comedy sketch show, NewsRevue, and in-house composer for the comedy improv troupe The Noise Next Door.
He collaborates frequently with writer Elizabeth Godber and the John Godber Company, latterly serving as musical director for Elizabeth’s 2023 premiere of The Remarkable Tale of Dorothy Mackaill at East Riding Theatre, Beverley.
Produced by venue director Angela Stone, this Christmas show, the first in-house production in Pocklington Arts Centre’s 23-year history, has the Godbers of East Yorkshire at its core: Elizabeth as writer and her mother, the actress, playwright, director, drama teacher and youth theatre leader Jane Thornton, on playful directorial duty.
Writer Elizabeth Godber
In keeping with John Godber’s plays and productions, Elizabeth and Jane have their actors breaking down theatre’s fourth wall from the off, introducing the elves who work on Santa’s shelves for the National Elf Service, Pocklington Division.
Meet Ellerby’s Sparkle and Farnill’s Jingle, with their East Yorkshire vowels, and Lancashire interloper Allcock’s “Daredevil” Dave, with his Accrington burr and additional credit as keyboard-playing musical director and composer. Teamwork and bags of individual personality pepper their performances.
Survey Rick Kay’s set design, crammed with wooden panels, frost-dusted tree branches, propped-up skis, ladder, candy canes, boxes, battered armchair, patchwork quilt and Christmas stockings, plus Allcock’s keyboard, and everything is there for theatre of the imagination to take off.
What’s inside the box: Matheea Ellerby’s Sparkle, left, Jade Farnill’s Jingle and Dylan Allcock’s “Daredevil” Dave discover the elves’ Christmas presents.Picture: Abbi Eliza Photography
What’s that flashing away at the back? “It’s an EPS” explains the trio in red & green and trainers. “The Elf Positioning System”. This alarm device will help them carry out their tasks before Christmas Eve turns into Christmas Day in a race against time to help the shoemaker and Santa complete Christmas orders.
Their tasks? They include perking up a Christmas tree and its moody fairy (played delightfully glumly by Ellerby) and helping a girl (Farnill) whose nights are made sleepless by the bumps in her mattress (you will love the explanation). Then coaxing the runaway Gingerbread Man (Allcock in a gingerbread Santa’s hat, courtesy of costume artist Kate Noble) to return to work in a overrun bakery in York.
“GBread”, as he calls himself on social media, has ambitions to be a pop star on East Yorkshire’s Got Talent. Cue Allcock in Elton John glasses knocking out a rather fine song with aplomb.
Jane Thornton: director
The elves propel themselves from task to task, destination to destination, with the aid of Elfomatic Motion: the chance to turn boxes and skis into hair-raising modes of transportation that go down equally well with energetic cast and enthusiastic audience.
The skis, for example, are accompanied by the Ski Sunday theme in the eye of a storm as they confront the Snow Queen with her climate change plans to freeze everywhere from Hull to Howden to Pocklington.
How will the titular but so-far absent Shoemaker, as well as the elves, save Christmas? You will have to see the show to find out, but Elizabeth Godber’s comment on the potentially damaging impact of new technology is a chip off playwright father John’s political block, another tool to writing characterised by impish humour, fun, magic, mystery and a dash of pathos.
Christmas chestnuts such as Jingle Bells and Rockin’ Around The Christmas Tree add to the festive cheer, topped off by a singalong rendition of Wizzard’s I Wish It Could Be Christmas Everyday beneath a spinning mirror ball.
Christmas 2023 saved, another in-house festive family show surely will follow next winter as Angela Stone continues to put her stamp on Pocklington Arts Centre in the post-Janet Farmer era.
Performances: December 14, 7.30pm; December 15 and 16, 1.30pm and 7.30pm. Box office: 01759 301547 or pocklingtonartscentre.co.uk.
IN FOCUS: Pocklington Arts Centre’s auditorium improvements from Feb 2024
Pocklington Arts Centre’s auditorium: Upgrades incoming
POCKLINGTON Arts Centre is to receive funding from the UK Shared Prosperity Fund to make significant accessibility improvements to the auditorium.
The Government’s Levelling Up funding for PAC will include an upgrade to the existing seating, with a new demountable seating system to be installed that will increase comfort for visitors and be flexible to meet demand for different types of performance.
In addition, access to wheelchair users and those with mobility limitations will be improved and handrails will be installed to offer better support when using the stairs to move around the auditorium.
The seating configuration will remain unchanged, enabling regular visitors to continue to book their favourite seat position, but the scheme also allows for improved usage of the back row area to accommodate up to four wheelchairs with designated companion spaces.
The auditorium design – a former cinema – has been challenging to be inclusive for wheelchair users and those with mobility restrictions to perform on stage, but the new plans include the installation of a stair-lift to the backstage area to make accessibility much more adaptable. This is likely to be complete by mid-2024.
Pocklington Arts Centre’s Forgotten Voices community choir member Lynn Drury has felt frustrated at being unable to access the stage easily as a performer alongside her fellow singers.
“I have been campaigning for accessibility improvements to make the performance area more inclusive for those of us who are restricted in getting to the stage due to every direction being reliant on stairs to get on and off,” she says.
“On a good day, I can be assisted, but on a bad day the extra physical effort required can leave me in pain for days. I am so looking forward to these improvements and know that many people in my position will benefit from this.”
PAC director Angela Stone says: “We are grateful to East Riding of Yorkshire Council, who administer the UK Shared Prosperity Fund, for recognising the significant impact this project will have on our community and our commitment to inclusivity and accessibility.
“20 per cent match funding has been allocated from our reserve funds as a contribution to the overall scheme of works, which will include the replacement of carpeting, decoration and the installation of LED house lights to improve energy efficiency and light quality.”
Pocklington Arts Centre’s stage: Accessibility improvements to be installed
Pocklington Town Council Mayor, Councillor Roly Cronshaw, says: “We support these improvements and look forward to seeing the results when the full scheme concludes by mid-2024.
“A lot of work has already been done to ensure a thorough procurement process and we are very grateful to Councillor Sue Carden, a retired quantity surveyor, for her significant contribution to the management of the project”.
The majority of the building work will begin in January 2024, with preparations for the work scheduled from Monday, December 18.
“Pocklington Arts Centre staff and volunteers recognise the positive impact these changes will have on the visitor experience, but also wish to respect the heritage of the existing seating,” says Angela.
“A bank of three seats will be retained and, where possible, other seats may be re-utilised elsewhere. It is anticipated that there may be around 180 seats available for collectors to purchase by donation. Anyone interested should contact boxoffice@pocklingtonartscentre.co.uk.
“Any funds received through the sale or auction of these seats will be reinvested in the arts centre for ongoing maintenance and improvements.”
A number of seat plaques will be retained and a campaign to “sponsor a seat” is being launched today (15/12/2023), offering patrons the opportunity to have their name fixed to the seat for the planned unveiling during next February.
Pocklington Arts Centre will be closed to the public from Thursday, December 21. The community café will reopen from Tuesday, January 9 and Singing for Fun from Thursday, January 11 in the studio space, which will remain accessible during the works.
PAC’s other community groups will meet in the Studio during this time and new members will be welcomed to: Forgotten Voices on Tuesdays, from 7pm to 8.45pm, from January 9, Wolds Wonders on Wednesdays, 10am to 3pm, from January 10, and Thunk-It Youth Theatre on Wednesdays, 4.30pm to 5.30pm, age six to 11, and 5.30pm to 6.30pm, age 11+, from January 10. Pre-booking is required on 01759 301547 or at pocklingtonartscentre.co.uk.
The first live public performance in the revamped auditorium will be Top Secret: The Magic Of Science on Saturday, February 10 at 2.30pm.
