Shadow and Light chapel installation brings messages of Hope to Let There Be Light! festive celebrations at Bar Convent

Hope: Shadow and Light: global drawing installation in the Bar Convent chapel, in Blossom Street, York. Picture: Greg McGee

HOPE: Shadow and Light, the new luminous installation in the 18th century chapel, takes centre stage in Bar Convent Living Heritage Centre’s Christmas experience in York.

Under the title of Let There Be Light!, the 17th century Blossom Street convent is aglow with a twinkling tree and decorative decorations, complemented by window displays of the Nativity.

Hope: Shadow and Light is a collaborative community work of art that not only responds to the Bar Convent’s Christmas theme but forms part of a global drawing campaign that originated in Viborg, Denmark, one of York’s fellow UNESCO Creative Cities of Media Arts.

Run in partnership with Greg and Ails McGee’s York arts charity New Visuality and installation artist Nick Walters, the installation projects more than 200 drawings from 15 countries on five continents on to the chapel dome, alongside work created in York as part of the #DrawWithDenmark – Green Together 2023 Campaign.

Councillor Martin Sanderhoff, from Viborg Kummune, Denmark, addressing the launch of Hope: Shadow and Light at Bar Convent Living Heritage Centre. Picture: Greg McGee

“Drawing is a universal language,” says Bar Convent marketing, PR and volunteering manager Lauren Masterman. “This global campaign uses creativity to generate positive change in a way that makes the world come together; a message that particularly emanates at Christmas.

The “visual conversation” has been joined by York schools Our Lady Queen of Martyrs and St George’s RC Primary; learners from Blueberry Academy; ESOL [English for Speakers of Other Languages] students from York College, and York’s Civic Party, led by the Lord Mayor of York, the Reverend Councillor Chris Cullwick. All art has been distilled into the video installation in the chapel and accompanying exhibition.

Greg McGee, New Visuality co-director and According To McGee art dealer, says: “Art is what makes life better than art, so we owe huge thanks to Bar Convent for reminding us of what a great thing UNESCO’s designation of York as a City of Media Arts is.

“We’re also grateful to City of York Council’s wards and more than 100 hundred of York’s young people who joined us to get creative, especially with working in tandem with Viborg’s globe-straddling Draw with Denmark campaign.

The window display of the Nativity at Bar Convent Living Heritage Centre. Picture: Frank Dwyer

“The results are here to view in the Bar Convent chapel, illuminated so beautifully by projectors from York’s XR Stories that let us paint in light. I’m also thanking in advance members of the public who are continuing to co-create with us by grabbing a blank tag, filling in their prayer, hope, and aspiration for next year for us to include in this ever-evolving exhibition.”

After attending the official launch event, City of York Councillor Jo Coles, executive member for health, wellbeing and adult social care, posted on social media: “It’s tough out there – the mental health of many has been affected. We’re all looking for hope wherever we can find it.

“Thanks to the Bar Convent, New Visuality, York UNESCO City of Media Arts and Guild of Media Arts, a long-standing partnership between City of York Council and Viborg, and some very tenacious individuals, we have a beautiful new exhibition to give us just that.

“Beautiful drawings by children from across the world, including many here in York, have been brought to life thanks to the amazing skills from the Viborg Animation Festival. All projected on to the ceiling of the beautiful Bar Convent chapel. Go see it! It’s stunning!”

City of York Councillor Jo Coles (Labour, Westfield Ward) speaking at the Hope:Shadow and Light launch event

In attendance too as part of a Viborg delegation’s three-day visit to York was Viborg Kummune councillor Martin Sanderhoff, who said: “The Draw with Denmark project, started in Covid to express what ‘hope’ meant to children, showed the power of drawing and creativity for young people. Drawing is needed for creative thinking to address and conquer our problems.

“We now have a global drawing campaign where 6,000 children from 45 countries, from Europe to  Africa to America, are expressing hope under this year’s theme of Green Together.”

Bar Convent festive visitors also can experience the Georgian parlour, dressed for Christmas and a special Christmas display in the exhibition.

Let There Be Light! runs at Bar Convent Living Heritage Centre, Blossom Street, York, until December 19. Admission to the Hope: Shadow and Light installation and Georgian parlour is free; the Bar Convent exhibition, Secrets and Spies, costs £6, concessions £4, children £2, family ticket £12, at barconvent.co.uk. Opening hours: Monday to Saturday, 10am to 5pm; last admission, 4pm.

Greg McGee, New Visuality co-director, left, Henrik Holmskov, Focal Point of Viborg UNESCO Creative City of Media Arts, Chris Bailey, Focal Point of York UNESCO Creative City of Media Arts, Sister Patricia Harriss, of Bar Convent, Councillor Martin Sanderhoff, from Viborg Kummune, Jane LH Jensen, director of Viborg Animation Festival, and Ails McGee, New Visuality co-director at the launch of the Hope: Shadow and Light installation

Creative Connections: York and Viborg

THE UNESCO Creative Cities of York and Viborg, Denmark, are working together to improve life for citizens, to make the cities more liveable and to boost the economy.

Delegates from Viborg returned to York from December 5 to 7 to broaden the conversation between the cities, bringing together elected members, higher education, creative industries and business representatives and public health managers.

Those delegates were Councillor Martin Sanderhoff, Viborg Kummune, Henrik Holmskov, Focal Point of Viborg UNESCO Creative City of Media Arts, and Jane LH Jensen, director of Viborg Animation Festival and visibility director of Viborg Animation Workshop.

The aim is to explore the benefits from the creative sector becoming a permanent feature of the political landscape in both cities and regions.

The dialogue between York and Viborg started with ‘Hope’. In 2020, in the depths of lockdown during the Covid 19 pandemic, children and young people were among that hardest hit, shut out of school and away from their friends and wider communities.

In Denmark, Viborg City of Media Arts initiated the Draw with Denmark project, inviting children from around the world to submit drawings of ‘Hope’ to a team of creative animators. Children in York’s schools, led by REACH, the city’s creative education partnership, embraced the opportunity and had the chance to see their drawings exhibited in cities worldwide, as “the world became whole again and it was possible to think beyond confining walls”.

Since then, York and Viborg have continued to discuss shared opportunities and challenges for culture and creativity to make more successful, sustainable communities.

In 2022, with the support of the UK Department of Business and Trade, a Creative Export visit to Viborg was organised for York small creative businesses, while York welcomed two artists from Viborg to run family drawing workshops during the Viking Festival.

York media artist Kit Monkman, whose artwork People We Love was first installed in York Minster for Mediale 2020, remade the work with the participation of Viborg residents for exhibition in the Danish cathedral.

In April, York played host to Denmark’s Ambassador and Cultural Attache to the UK, as well as the UK’s Ambassador to UNESCO, and the deputy chief executive of Arts Council England, as an intensive three-day Study Visit by all 19 municipalities from Midtjylland in Denmark learned of creative approaches to common concerns, covering digital transformation of culture, cultural wellbeing and support for culture.

Chris Bailey, Focal Point of York UNESCO Creative City of Media Arts, says: “Creativity and culture are key to the future success of both of our cities in so many ways. We want to encourage York’s brilliant creative sector to take advantage of the opportunities to work with Viborg, a city with which we share so much history.”

Creative Connections: York and Viborg

THERE are 25 Media Arts Cities in the UNESCO Creative Cities group, the latest designations being for Caen, Casablanca, Novi Sad and Oulu.

The range of work York has undertaken through the Media Arts network over the past eight years includes:

Contributing to specialist conferences, e.g. in Gwangju, Changsha;

Supporting artists for residency or exhibitions in Guadalajara, Austin;  

Enabling artist-to-artist collaborations such as City to City with Cali, Karlsruhe, Austin;

Hosting Media Arts Cities’ first meeting in 2018 in York.

York has been the deputy coordinator of Media Arts Cities for the past six years and has been working bilaterally with Viborg since the Danish city was designated a UNESCO Creative City of Media Arts in 2019 in the most fruitful collaboration to date.

Since 2020’s Draw With Denmark launch, York’s creative education partnership, REACH, has continued its engagement with Viborg every year. Drawings have been seen, sometimes animated, other times projected sky-high on the side of buildings, and have been celebrated at conferences around the world.

Further major projects, for instance in performance and in heritage interpretation, are distinctly possible, suggests Chris Bailey. “If these are not be isolated successes, we have to embed the relationship at all political levels and secure community support.

“With more creative organisations involved in the conversation, we believe there will be a steady flow of projects of all sizes, both as part of normal business or with additional funding. December’s visit provided an opportunity to identify potential partners and areas for further collaboration between Viborg and York.”

Did you know?

THE Guild of Media Arts is York’s membership organisation for the creative sector. The Guild is the Focal Point of York UNESCO Creative City of Media Arts

People We Love digital art installation graces the chapel at Castle Howard

Digital artist Kit Monkman, of KMA, with his latest People We Love installation at Castle Howard. Picture: Charlotte Graham

YORK digital artist and filmmaker Kit Monkman’s People We Love installation explores “the invisible transaction between a person, a piece of art and that emotion which bonds us all”. Love.

The latest edition of KMA’s community-inspired artwork has taken over the Chapel at Castle Howard, near York, where a bank of five high-definition screens is showing portraits of the estate community, residents and visitors filmed in March as they gaze at a picture of their choice. A picture you never see, but you will feel each unspoken story as the faces tell the tale of a person they love.

After gracing York Minster twice (the first run was stopped by Covid), followed by Pittsburgh, USA, Viborg, Denmark, and Selby Abbey, North Yorkshire, the latest KMA installation is once more designed by Monkman and produced by York-based Mediale.

“Each installation is a portrait of a community at that moment,” says Mediale founder and creative director Tom Higham. “What’s really exciting is doing a series of different places that collectively make a 21st century portraiture archive.

“York Minster was an awe-inspiring space for the installation, but there is something more intimate about the experience here in the Chapel. You can’t compete with the grandeur of the place, but you provide something that is complementary.”

The Castle Howard setting enables moving images of the digital age to stand alongside the grandeur, oil-painted portraiture and collections of the John Vanbrugh-designed stately home.

“Viewers of People We Love will meet the penetrating gaze of the work’s subjects, never knowing who the focus of their detailed attention is,” says Kit.

“In the most direct sense, the aesthetic subjects of the installation, the people we love, are absent, and can only be conjured into existence through an act of imagination on the viewer’s behalf. The work turns on this notion, the notion that love and empathy start as an act of imagination.”

A study of people studying faces in People We Love in the Chapel at Castle Howard. Picture: Charlotte Graham

People We Love finds its inspiration in The Life And Opinions Of Tristram Shandy, Gentleman by Coxwold clergyman, humorist and novelist Laurence Sterne. First published in York in 1759, the book contains a blank page for the reader to imagine, draw or write about a person they love.

Participation in the Castle Howard project was by open invitation to attend the late-March filming. Among the faces is the Honourable Nick Howard, present occupant of the 18th century stately pile, in informal attire of black T-shirt and unbuttoned work shirt.

“It was brave of him, maybe that’s the right word, maybe the wrong word, to do it,” says Kit. “This house is full of portraits denoting power and stature and yet these portraits are about vulnerability, showing these really honest, vulnerable faces close up.

“If you sit in the Chapel for a long time with these faces, in the beautiful chapel light, you will have an inner dialogue with them. You absolutely will start to project a story on to them, or at least have an empathetic response.”

Among those meeting the gaze of the faces on screen on the opening day were Tim and Delia Madgwick, from nearby Yearsley. “The installation feels quite benign but also radical,” she says. “So much of our culture today is about attention-seeking, but this really repays quiet attention if you’re prepared to spend time with it,” says Delia.

“There was something that was all encompassing about being filmed, holding a photograph of Tim, being asked questions. All your senses were at play and it felt like you were in the womb. You had a sense of being very safe.”

Delia took part in People We Love after undergoing chemotherapy for breast cancer, being filmed when she had no hair but had no qualms about facing the KMA camera for the six-and-a-half-minute recording.

“I didn’t feel self-conscious, even knowing it was going to be out there for hundreds of people to see. It was an extremely appropriate moment to do it, and that moment was all that mattered,” she says. “I found Kit’s approach very welcoming and comforting.”

“There is something more intimate about the experience here in the Chapel,” says Mediale creative director Tom Higham

After deliberation, Tim was her choice for her photo. “My daughter said, ‘Good! I’d have been worried if you hadn’t done that’!” says Delia.

Tim selected one from their time in Australia. “It was a lovely picture of us taken in Perth, Western Australia in 1982/1983 , when we decided we couldn’t stay over there. It’s that moment, looking at it, where you think, ‘where have the last 40 years gone? How things have changed’.”

Delia put herself forward to be filmed first. “Afterwards, I said to Tim, ‘you must do it too’, ” she recalls of her experience.

“It was very emotional, when you reflect on having been together for 44 years and the challenges we have been through this winter” says Tim. “I looked at the photograph for some time on the day, so it was on mind, and as you look at it, you realise the essence of the person you’re looking at hasn’t changed.

“In fact it has developed and matured, and what has changed is that life experiences have added to it. We could reflect on our good fortune when thinking things were not quite so fortunate.”

Coming next for People We Love will be a return to Viborg Cathedral for a new installation of Danish faces from September 2023 after an installation of York faces there last autumn. ArtHouse Jersey will follow. “Some discussions are under way for 2024, but nothing is locked in yet,” says Mediale’s Tom Higham.

People We Love is on show in the Chapel at Castle Howard, near York, until October 15, open 10am to 4pm, as part of the general admission ticket at castlehoward.co.uk.

Copyright of The Press, York