Tag: Victoria Wood

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What’s On in Ryedale, York and beyond. Hutch’s List No. 17, from Gazette & Herald

Kristian Barley’s Adam, left, Steve Tearle’s Bernadette and Matthew Clarke’s Tick in NE Theatre York’s Priscilla, Queen Of The Desert

FROM Priscilla in the outback to dark thriller The Psychic, the Romanian Richard III to Neon Crypt’s Holmes and Watson, Charles Hutchinson picks the week ahead’s best shows and gigs.

Musical of the week: NE Theatre York in Priscilla, Queen Of The Desert The Musical, Joseph Rowntree Theatre, York, until Saturday, 7.30pm plus 2.30pm Saturday matinee

STEVE Tearle, creative director of NE Theatre York, plays Bernadette, joined by Matthew Clarke as Tick and Kristian Barley as Adam, in the adventure of two drag artists and a trans woman embarking on a life‑changing road trip across the Aussie outback in their battered tour bus, discovering the power of love, identity, acceptance and true friendship.

“As they head west through the Australian desert to chase a dream aboard their lavender bus, our three terrific travellers come to the forefront of a comedy of errors,” says Tearle, whose high-energy production also features Helen Greenley as Shirley, Ben Rich as Jimmy, Steve Perry as Bob, the mechanic, Ali Butler-Hind as his wife Cynthia, plus disco divas Perri Ann Barley, Melissa Boyd and Aileen Hall. Box office: 01904 501935 or josephrowntreetheatre.co.uk.

Andy Nyman, left, and Jeremy Dyson in rehearsal for their world premiere of The Psychic at York Theatre Royal. Picture: Manuel Harlan

World premiere of the week: The Psychic, York Theatre Royal, today to May 23

“IS any of it real,” ask Jeremy Dyson and Andy Nyman in The Psychic, the latest spook-fest from the writer-director duo behind Ghost Stories. In their twisted new thriller, popular TV psychic Sheila Gold loses a high-profile court case that brands her a charlatan, costing her not only her reputation but also a fortune in legal fees.

When a wealthy couple ask Sheila to conduct a séance to attempt to make contact with their late child, she senses an opportunity to bleed them for money. What follows makes her question everything she has ever believed and leads her on a journey into the darkest corners of her life. Box office: 01904 623568 or yorktheatreroyal.co.uk.

Gemma Curry in Hoglets Theatre’s Spooky Shakespeare Suitcase Theatre

Children’s show of the week: Hoglets Theatre presents Spooky Shakespeare Suitcase Theatre, York International Shakespeare Festival, York St John University Creative Centre Auditorium, today, 6.30pm

HAGS, hauntings, hobgoblins and more emerge from the spooky suitcase owned by Lady Macbeth (Dotty to her friends). These spectres from performances past must retell their stories before they can find peace in the literary afterlife, but are they friends or will we need to be vanquished back into the supernatural suitcase?

Written, crafted and performed by Hoglets Theatre founder, director, writer and performer Gemma Sharp, this funny, energetic children’s theatre experience presents a world of hand-made puppets, music and storytelling, all performed from a single suitcase. “No prior knowledge of Shakespeare is required,” she says. Box office: https://yorkshakes.co.uk/programme-2026/spooky-shakespeare-suitcase-theatre/.

Dirty Ruby: Playing the blues at Milton Rooms, Malton

Blues gig of the week: Ryedale Blues Club presents Dirty Ruby, Milton Rooms, Malton, tomorrow, 8pm

SPECIALISING in sharp-edged blues rock, East Midlands five-piece Dirty Ruby have drawn comparison with 1970s’ acts Stone The Crows and Vinegar Joe with their energetic combination of  Hammond organ, beautiful bluesy guitar, tight rhythm section and soulful  lead vocals. After a five-track EP and debut single, they are working on completing their debut album. Box office: 01653 696240 or themiltonrooms.com.

Paulus The Cabaret Geek in the Victoria Wood tribute Looking For Me Friends

Tribute of the week: Looking For Me Friend: The Music Of Victoria Wood, Milton Rooms, Malton, Friday, 7.30pm

PAULUS The  Cabaret Geek and pianist Michael Roulston marks the tenth anniversary of Victoria Wood’s death in Looking For Me Friend. Directed by Sarah-Louise Young (from An Evening Without Kate Bush), the show is filled with  Wood’s best-loved songs, such as Ballad of Barry & Freda’ (Let’s Do It) and It Would Never Have Worked. Box office: 01653 696240 or themiltonrooms.com.

Sarah McQuaid: Playing Helmsley Arts Centre on Friday

Folk gig of the week: Sarah McQuaid, Helmsley Arts Centre, Friday, 7.30pm

SINGER and songwriter Sarah McQuaid draws on her seven albums of velvet-voiced folk songs, performed with wit and warmth in concert on acoustic and electric guitars, keyboards and occasionally drums.

Born in Spain, raised in Chicago, holding dual Irish and American citizenship and now settled in rural England, she brings the eclecticism of her background to  her contemplative ballads, playful blues and atmospheric instrumentals, her  music inviting reflection, connection and a deep appreciation of the quiet power of a well-crafted song. Box office: 01439 771700 or helmsleyarts.co.uk.

Eduardo Martín & Ahmed Dickinson Cárdena

Guitar concert of the week: Eduardo Martín & Ahmed Dickinson Cárdenas, National Centre for Early Music, Walmgate, York, Friday, 7.30pm

GRAMMY nominee composer Eduardo Martín and virtuoso classical guitarist Ahmed Dickinson Cárdenas combine in an intergenerational duo that celebrates the depth and diversity of Cuban guitar music, weaving together classical, Afro-Cuban, jazz, rock and cinematic influences into a vibrant and emotionally rich dialogue.

Together, Martín and Dickinson Cárdenas embody a powerful artistic synergy. More than a concert, their collaboration is a sonic journey where generations meet, traditions evolve and Cuban identity resonates on a global stage. Box office: 01904 658338 or ncem.co.uk.

Liviu Cheloiu in Richard III – The Man at York International Shakespeare Festival. Picture: Teatrul Tony Bulandra

Discontented son of York of the week: Tony Bulandra Theatre in Richard III – The Man, York International Shakespeare Festival, Theatre@41, Monkgate, York, Friday, 7.30pm

SHAKESPEARE’S “most captivating character” returns to York in Targoviste company Tony Bulandra Theatre’s Richard III – The Man, performed in Romanian with English surtitles by versatile actor and festival director Liviu Cheloiu, celebrated in the Eastern European country for his film roles and theatre work.

Exploring themes of power and its corrupting allure, the nature of evil, the manipulation of language and the thin lines between reality and fiction, the show delves into Richard III’s psyche while attempting to relate the Bard’s description – or character assassination? – with the historical truth about the Yorkist Plantagenet king in a series of scenes inspired by the Bard’s plays, showcasing Richard’s chameleon-like personality to reveal how he utilises those around him to achieve his goals. Box office: yorkshakes.co.uk or tickets.41monkgate.co.uk.

Laura Castle’s Dr Watson, left, and Laura McKeller’s Sherlock Holmes in Neon Crypt’s The Hound Of The Baskervilles

Mystery thriller of the week: Neon Crypt in The Hound Of The Baskervilles, Theatre@41, Monkgate, York, May 5 to 9, 7.30pm plus 2.30pm Saturday matinee

JOIN York company Neon Crypt for side-splitting stupidity, hot dog disguises and absolute terror in Jamie McKeller’s staging of Peepolykus co-artistic director John Nicholson’s incredibly high-brow adaptation of Sir Arthur Conan Doyle’s mystery The Hound Of The Baskervilles.

Sherlock Holmes (Laura McKeller) and Dr Watson(Laura Castle) are summoned to investigate the ancient curse of the Hound of the Baskervilles and unravel the mysterious death of Sir Charles Baskerville, found dead on his estate with a look of terror still etched on his face and the paw prints of a gigantic hound beside his body. Look out for Michael Cornell popping up as Sir Henry Baskerville and Yokel 2. Box office: tickets.41monkgate.co.uk.

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York musical comedy duo Fladam head to Edinburgh Festival Fringe for first time

“It’s been a long time coming,” say Fladam, as York musical comedy act make their Edinburgh Festival Fringe debut this summer

FLADAM, the York musical comedy duo of Florence Poskitt and Adam Sowter, are making their Edinburgh Festival Fringe debut all this month.

At 4pm each day until August 29 – except August 16 – they will be performing A Musical Comedy Hootenanny! at The Pleasance at The EICC [Edinburgh International Conference Centre].

Followers of York’s musical theatre and theatre scene will be familiar with Florence, wide-eyed northern character actress, comic performer, singer, dancer and multi-instrumentalist, and Adam, face-pulling character actor, comic performer, pianist, harmonica and ukulele player, singer, composer, comedy songwriter and cartoonist.

A couple both on and off stage, they have branched out into presenting their own heartfelt, humorous songs and sketches, tackling the topical with witty wordplay, uplifting melodies, a dash of the Carry On! comic spirit, admiration for the craft of Morecambe & Wise, Bernard Cribbins and Victoria Wood, and an old-school sense of charity-shop comedic fashion.

You may have heard them in their regular slot on Harry Whittaker’s Saturday show on BBC Radio York; or seen an early taster of A Musical Comedy Hootenanny! in Fladam & Friends at Theatre@41, Monkgate, last November, or spotted them among the five-minute showcases at York Theatre Royal’s Love Bites in May 2021 and Green Shoots in June this year.

Topical yet nostalgic: York musical comedy duo Florence Poskitt and Adam Sowter. Picture: Charlie Kirkpatrick

Now comes the giant leap: heading to the Scottish capital to be among more than 3,000 shows at the 75th anniversary Fringe on its return from Covid hibernation.

“It’s been a long time coming,” says Adam. “We’d planned to perform there in 2020, before Covid struck. We were going to do a small-scale show at a venue we knew, Greenside, but now we’ve ended up at one of the Pleasance venues this year: a cabaret spot they’ve opened at the EICC called the Lammermuir Theatre.”

The two-year delay has worked out well. “Our plan was to go back to Greenside, but then we saw that a bursary scheme was available through York Theatre Royal in association with the Pleasance,” says Adam.

“We had an interview with Juliet [Theatre Royal creative director Juliet Forster], and though we weren’t selected, they said, ‘we really like you’, and the Pleasance offered us a slot.”

Better still, York Theatre Royal paid for Fladam’s Fringe registration and the Pleasance waivered a deposit. “We’ve been extremely lucky because from the first ticket onwards that we sell, we take 50 per cent,” says Florence.

Fladam’s official poster for the 2022 Edinburgh Fringe Festival. Artwork design: Steph Pyne

“We’ve also had support from friends in York and we’ve received £400 from the Pleasance Debut Fund scheme to support debutant performers playing for more than a week in venues with fewer than 150 seats.”

Fladam’s Edinburgh bow is an introductory show that captures the spirit of their topical yet somehow nostalgic songs. “Our humour isn’t racy, but there’s a little hint of Carry On to it,” says Adam. “Well, there’s a dabbling of ‘racy’ in there,” interjects Florence.

“It’s sort of ‘Greatest Hits of Fladam’,” continues Adam. “We’re exploring different styles of performance, making sure it’s a varied hour, where we play lots of different characters, present familiar things in a new way and add new things.

“Like how we’ve re-written a country song that didn’t work as a country song. It now has new lyrics, which we’ll have to remember for a new version for the finale!

“I’m sure that the show we finish with on August 29 will be completely different from the first one as we’re still an evolving act and we’ll continue to evolve.”

Expect puppetry: Fladam add another dimension to their musical comedy act. Picture: Charlie Kirkpatrick

Fladam have progressed from bedroom beginnings to the stage. “We’ve gone from recording videos of songs on phones from the corner of our bedroom in lockdown to doing it live, first with one number at Love Bites and then last November’s show with friends, when we had to rehearse in the kitchen,” says Adam. “Now we’re developing again.

“Having a long run at the Fringe, we can try things out, playing to totally different audiences over so many performances – and with our shows being topical we may well have to update and re-write things. We’ve already adjusted our Boris Johnson song after what’s happened to him.”

Florence is relishing the Fringe experience. “What’s great is that so many people want to see musical comedy shows,” she says. “One of the joys of being here is that you never know who you might meet for future collaborations, which was one of the lovely things about doing Love Bites and Green Shoots at the Theatre Royal.”

Fladam will benefit from spreading their wings from York. “This is our first time playing to a ‘cold audience’ after playing mainly to our friends in York,” says Florence. “The advice from [York theatre director and actor] Maggie Smales was to talk to the audience to establish a connection with them, and I’ll be handing out biscuits and Adam will be playing the piano before we start.”

Spending a month in Edinburgh will be a learning curve for Adam and Florence. “We’re not producers, so we have to do our own publicity, organise the posters, build our props, do everything ourselves, and that’s where the Theatre Royal and the Pleasance have been really supportive when we’ve dropped them an email asking for their advice,” says Adam.

Whisking up gentle comedy: the comic craft of Florence Poskitt and Adam Sowter

“That’s all helped us to mount an Edinburgh show for the first time, when you know you’re going to make mistakes and it’s not just an easy home run.”

What definitely has worked is their Fringe poster with its combination of photography by Charlie Kirkpatrick and a design by Steph Pyne. “It’s a bit retro, a bit Morecambe & Wise,” says Adam. “The first design played too much on being like a Seventies’ tribute, so we’ve dialled that down to still be a little nostalgic but above all quirky and colourful.”

Florence is chuffed. “We’ve had do many people tell us, ‘that really captures you and what you’re all about’,” she says. “Our style of humour is gentle, like Morecambe & Wise’s humour was so warm and lovely. We like to do songs that are clever and make you smile at the same time.”

Fladam: A Musical Comedy Hootenanny, Lammermuir Theatre, The Pleasance at Edinburgh International Conference Centre (EIFF),Venue 150, 4pm daily, until August 29, except August 16. Box office: 0113 556 6550 or pleasanceco.uk.

Fladam also will do six 20-minute street-busking spots at St Andrew’s Square and Cathedral Square from August 19.

Fladam: Making their Edinburgh Festival Fringe debut with backing from York Theatre Royal and the Pleasance
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Fladam and their friends are up for a Saturday musical comedy hootenanny

Fladam musical comedy duo Florence Poskitt and Adam Sowter

PUT York actors Florence Poskitt and Adam Sowter together and they become Fladam, a musical comedy duo with a regular radio slot and a live show coming up at Theatre@ 41, Monkgate, York.

Make that two shows: Fladam and Friends’ Musical Comedy Hootenanny! will be performed at 2.30pm and 7.30pm on Saturday (20/11/2021).

Devotees of York’s musical theatre and theatre scene will be familiar with Florence, northern character actress, comic performer, singer, dancer and multi-instrumentalist, and Adam, character actor, comic performer, pianist, harmonica and ukulele player, singer, composer, comedy songwriter and cartoonist.

A couple both on and off stage, they have branched out into presenting their own heartfelt, humorous songs, tackling the topical with witty wordplay, uplifting melodies and a dash of the Carry On! comic spirit.

“After our (almost) live debut at York Theatre Royal in the Love Bites nights in May, we’re coming home to host our very own Musical Comedy Hootenanny,” they say. “Enjoy special guests, fabulous Fladam originals and comic classics from Morecambe & Wise, Bernard Cribbins and Victoria Wood. What are you waiting for? ‘Let’s do it’!”

Fladam has progressed from bedroom to stage. “This is our first full-scale live show,” says Adam. “We’ve gone from recording videos of songs on phones from the corner of our bedroom in lockdown to doing it live, first with one number at Love Bites and now this show with friends.”

“With nowhere to rehearse, we’re rehearsing in the kitchen, to my parents’ delight,” says Florence.

Each Saturday, at 12.45pm, Fladam can be heard on Harry Whittaker’s show on BBC Radio York. “The challenge is to write a topical new song each week, recording it with an introduction, and sending it in on an MP3,” says Adam. “Simple as that!”

Fladam’s poster for Saturday’s shows at Theatre@41, Monkgate, York

When Fladam met up with CharlesHutchPress, Adam and Florence had just spent half-term at Eureka!, the National Children’s Museum, in Halifax. “We spent a week being pirates, playing Captain Jack and Polly Roger in our Pirate Adventure,” says Florence.

“It came about through the company I work with when I do cruise ships,” says Adam. “They have many pies in the oven, including at Eureka!, where last year I played a vampire, Count Dracula, and they asked me, ‘Do you want to do another show?’ for half-term week.”

Yes, he would, albeit with only one day’s rehearsal with Florence. “We did the show four times a day, half an hour each show, starting with me doing a monologue, and by the Thursday my voice  had gone, so Adam had to go on and improvise!” says Florence, who studied last year on a year-long “Project A” course, run through Newcastle Theatre Royal, that ended up being conducted largely on Zoom under Covid restrictions.

“Though we did also get a lot of lessons on the main stage, wearing masks, as no productions could take place on there, but we couldn’t put on a single live show during the course.”

Now, Florence has a new day job at York Gin’s shop in Pavement, as well as her Fladam commitments, joined by three friends for this weekend’s shows: Alexandra Mather, fresh from playing Pamina in York Opera’s production of Mozart’s The Magic Flute; Andrew Isherwood, one of the Clowns in York Settlement Community Players’ illness-curtailed run of The 39 Steps last week, and Andrew Roberts, who starred in Rowntree Players’ modern account of Agatha Christie’s Spider’s Web in late-September.

“When we were doing our little videos, we did a Dad’s Army section for VE Day, and had Andrew Roberts and Alex involved in that,” says Adam.

“Andrew Isherwood does a very good Tom Lehrer, as well as being like Eric Morecambe meets Rik Mayall.”

What’s in store on Saturday? “We’ll be doing plenty of comedy covers as well as our own songs, where we’ll plunder our archives and stuff we’ve done for Harry’s radio shows,” says Florence.

Adam Sowter, Florence Poskitt and Alexandra Mather in rehearsal for Saturday’s Fladam & Friends’ Musical Comedy Hootenanny!

“We’ll be paying tribute to people who’ve inspired us, like Bernard Cribbins, Morecambe & Wise, George Formby, Victoria Wood and Monty Python…and maybe there’ll even be some puppets! Well, definitely a fish puppet, Mr Fish, for our spoof children’s show number.”

Adam adds: “One of the things we have to do is look at the old songs through 2021 eyes, acknowledging that a song is of its time, so we have to be a bit ‘woke’, like with Monty Python’s Lumberjack Song.

“Our set will be like a 1970s’ television special, with one side of the stage being like Eric and Ernie’s flat, and the show itself will be more like our little fantasy (as if you were watching Morecambe & Wise).

“Morecambe & Wise’s humour is so warm and lovely, and our style of humour is gentle too; we like to do songs that are clever and make you smile at the same time.”

Look out for a pantomime finale. “We’ll do a little pantomime from the songs we’d written for a panto last year that ended up being on a podcast, because of the Covid lockdown, after we were contacted to do a charity pantomime,” says Florence, who played Tommy the Cat, from Dick Whittington, while Adam played a full-of-beans Jack.

What is in the pipeline for Fladam in 2022? “We’ll see how this show goes and then look to develop it, possibly with a view to taking it to the Edinburgh Fringe next year, or maybe the year after, after we first planned to go to the Fringe two years ago, until Covid stopped that,” says Florence.

“We’re also looking to perform at At The Mill  at Stillington Mill, which we’d really love to do.”

Fladam and Friends’ Musical Comedy Hootenanny!, Theatre@41, Monkgate, York, November 20, 2.30pm and 7.30pm. Box office: tickets.41monkgate.co.uk.