York, So Good They Named It Once, by Harland Miller, oil on canvas, 2024, ©
Harland Miller. Picture: David Westwood, © White Cube
AHEAD of the March 14 opening of his XXX exhibition, York-raised artist Harland Miller has donated a trio of oil paintings from his Bad Weather Paintings series to York Art Gallery.
This Pop Art suite pays homage to three Yorkshire destinations close to the Yorkshireman’s heart: Whitby, Scarborough and York.
Painted exclusively for the Exhibition Square gallery, the works comprise two large-scale canvasses, a 2024 painting of the centrepiece of his Covid-curtailed 2020 exhibition, York, So Good They Named It Once, and Whitby, The Self Catering Years, and one work on paper, Scarborough, Have Faith In Cod.
Inspired by his upbringing in 1970s’ Yorkshire, Miller creates colourful and graphically vernacular works that convey his love of popular language and attest to his enduring engagement with its narrative, aural and typographical possibilities.
The donated works are a celebration of his home city and childhood memories and the gallery is delighted to receive this thoughtful gift.
Whitby, The Self Catering Years, by Harland Miller, oil on canvas, 2024, © Harland
Miller. Picture: David Westwood, © White Cube
“I wrote a short story once titled ‘It was after I was born that all this started to happen’, and for me ‘all of this’ started to happen in York,” says Miller, who will turn 61 on March 11. “Naturally these were things that were happening for the very first time: first job, a paper round, first kiss on Oggy’s pond.
“Fast forwarding to what was probably my most influential initiation as an artist, which was undoubtedly the first time I saw great art in the flesh so to speak, and that for sure was at the York Art Gallery.
“With its very civic facade, it wasn’t a place as a kid then that you would just wander into, but once I had…and hadn’t been thrown out, I became a regular visitor. I saw some great individual shows there but always loved to wander around the permanent collection and particularly the seascapes.”
Miller continues: “Fast forwarding again, this time some 40 odd years, and after showing my own work in York Art Gallery, and again, not being thrown out! I was so moved by the reaction, that after the gallery closed, a week after the exhibition had opened, due to Covid, I felt very keenly that I wanted people to experience my work for longer than that.
“I wasn’t sure how much longer, but you can’t get much longer than forever and that seemed to just about cover it. I really hope that other young artists will get as much pleasure as I have from wandering around the gallery and I hope that my paintings will be a part of that.”
Scarborough, Have Faith in Cod, by Harland Miller, oil on paper, 2024, © Harland
Miller. Picture: Theo Christelis, © White Cube
Dr Beatrice Bertram, senior curator at York Art Gallery, says: “We have harboured a long-term ambition to acquire Harland’s work and are thrilled to finally be able to represent this internationally significant artist in our collection.
“These fantastic works were created exclusively for us in 2024 and are quintessentially Miller in character: immediately recognisable, beautifully painted and subtly witty. All three will make fantastic additions to our permanent collection, and we’re particularly pleased to be able to share his new painterly, expressive version of York, So Good They Named It Once with audiences here in Miller’s home city – the original York!
“During the forthcoming Harland Miller: XXX exhibition, these wonderful works will be displayed in our first-floor galleries for visitors to see. We are incredibly grateful to Harland for his generous gift and continued support of the gallery.”
To commemorate the donation, in tandem with curated art marketplace Avant Arte, Miller is releasing a limited-edition print of York, So Good They Named It Once, based on his original painting of the same name. This edition aims to raise funds for York Art Gallery.
The 27-colour silkscreen print with spot colours on 600gsm Somerset Tub Sized Radiant White paper will measure 100 by 66 cm and will be available in an edition of 50 exclusively on avantarte.com this April.
York-raised artist Harland Miller with his title work for the XXX exhibition at York Art Gallery. Picture: Ollie Hammick, copyright of White Cube, 2019
Miller’s much-anticipated XXX, billed as a nationally important exhibition for York, Yorkshire and Great Britain, will run from March 14 to August 31, open Wednesday to Sunday, 10am to 5pm.
Represented as ever by White Cube, Miller will showcase paintings and works on paper from his Letter Paintings series, stirred by his upbringing in 1970s’ Yorkshire and an itinerant lifestyle in New York, New Orleans, Berlin and Paris during the 1980s and 1990s.
Coinciding with the release of a book of the same title by Phaidon, XXX features several new Miller works, including one that celebrates his home city, in a hard-edged series that melds the sacred seamlessly with the everyday, drawing inspiration from medieval manuscripts, where monks often laboured to produce intricate illuminated letters to mark
the beginning of chapters.
In these works, the Yorkshire Pop artist uses bold colours and typefaces to accentuate the expressive versatility of monosyllabic words and acronyms such as ESP, IF and Star.
The exhibition will be accompanied by a Q&A with the artist plus community activities to “inspire, inform and involve all”. Tickets: yorkartgallery.org.uk/tickets.
Back to front: Harland Miller walks towards his Pelican Books spoof dust jacket York, So Good They Named It Once at York Art Gallery in February 2020. Picture: Charlotte Graham