Ed Atkin, winner of last year’s Yorkshire’s Got Talent competition, who will perform at Sunday’s showcase
YORKSHIRE’S Got Talent – Live! is NOT a contest, more a celebration of the best of the White Rose’s young dance, comedy and music performers, at the Joseph Rowntree Theatre, York, on Sunday.
“This weekend’s show isn’t actually a competition,” explains Nathan Lodge. “The competition happened in 2020 throughout lockdown and concluded last September last year with Edward (Ed) Atkin as the overall winner.
“During the online contest, the group on Facebook reached more than 4,000 followers and the final public vote for the winner had 1,378 votes.”
The competition was brought to life by York theatre student Hannah Wakelam, who wanted to raise money for the JoRo, where she first cut her performing teeth.
Nathan Lodge: One of the judges for last year’s contest, who will sing at Sunday’s show
“There were three judges throughout the process,” says Nathan, a West End regular and cruise-ship vocal captain, from York. “Alongside me were Amelia Urukako, owner of Upstage Academy in Ripon, and Laura Pick, from Wakefield, who’s playing Elphaba in Wicked in the West End, all of us hailing from Yorkshire.”
The overall winner was decided by a combination of the judges, a public vote and a panel of theatre industry experts: Rachel Tucker, Kerry Ellis, Natalie Paris, Matthew Croke, Nicolas McClean and Paul Taylor-Mills.
“We promised the contestants who made the top 13 – the top ten plus three judges’ wildcards – that they could do a live show, so a year later, with a couple of date changes thanks to Covid!, we’re fulfilling our promise!”
2020 contestant Sam Rippon: In Sunday’s line-up for Yorkshire’s Got Talent – Live
Yorkshire’s Got Talent – Live features eight of the top ten acts from the competition: winner Ed Atkin, fellow finalists Fladam (Florence Poskitt and Adam Sowter) and Jordan Wright, plus contestants Sam Rippon, Daisy Winbolt-Robertson, Harvey Stevens, Florence Taylor and Richard Bayton.
“The evening will feature an eclectic mix of musical theatre, opera, comedy and dance, and we promise a thoroughly entertaining show, bursting with joie de vivre, from these stars of the future,” says Nathan.
The event will be hosted by Jordan Langford, from Scarborough, who will sing too. He had a career in musical theatre before becoming a theatre creative and is soon to study for an MA in contemporary directing practice at Rose Bruford College, London.
Hannah Wakelam: York theatre student set up last year’s Yorkshire’s Got Talent contest to raise funds for the Joseph Rowntree Theatre
“Sadly, Laura Pick has a Sunday matinee schedule now in Wicked, post-Covid reopening, so she’s unable to perform with us but wishes she could,” says Nathan. “We’ll miss her!
“I’ll be performing in the evening, including singing a duet with winner Ed Atkin, who was my wildcard act to join the top ten of the competition. Just before the pandemic, I was the vocal captain performing on board M/S Color Fantasy.”
The band will be led by musical director Matthew Peter Clare on an evening when everyone will be giving their services for free. “Nobody is getting paid,” says Nathan. “Instead, all the profits from Sunday’s fundraiser will go to the Joseph Rowntree Theatre to add to the total raised by the competition last year.”
Tickets for the 7pm show are on sale on 01904 501935 or at josephrowntreetheatre.co.uk.
Hands up if you love Heathers The Musical. Picture: Pamela Raith
Heathers The Musical, Leeds Grand Theatre, until Saturday. Box office: 0113 243 0808 or at leedsheritagetheatres.com
LEEDS Grand Theatre is the first theatre in the world to host a touring production of Heathers The Musical.
No wonder the first-night audience was “super-excited” – everything has to be prefixed with “super” these days” – in a theatre so happy to be back to full capacity under Step 4 relaxation.
It was a predominantly young crowd, from late teens to twenties, and largely unmasked, for a show based on Michael Lehmann’s savagely satirical cult 1988 teen movie, an all-American high-school black comedy with Winona Ryder and Christian Slater appeal.
1988? Long before the stalls crowd were born, and yet the in-crowd knew the story, just as they knew the songs too – especially signature song Seventeen – from a musical premiered at Joe’s Pub, in New York City, in September 2010 but only brought over to London in 2018.
How come they cheer the first sight of the too-cool-for-school, ever-so-cruel trio of Heathers, the dead-mean clique with their croquet-mallet disdain at Westerberg High? Maybe they went down to London? Maybe they have the West End cast recording? More likely, they have tapped into the Heathers The Musical phenomenon on TikTok, apparently.
Here’s a quick refresher course for those new to class: Westerberg High pupil Veronica Sawyer (Rebecca Wickes) is just another nobody dreaming of better days at school, until she joins the Heathers clique: leader Heather Chandler (Maddison Faith) and her acolytes Heather Duke (Merryl Ansah) and Heather McNamara (Lizzy Parker).
Whereupon mysterious teen rebel Jason ‘JD’ Dean (Simon Gordon) – his outsider mystery denoted by always wearing black – arrives at Westerberg to teach her that “while it might kill to be a high-school nobody, it is murder being a somebody”. So begins a twisted teen relationship, sure to end more unhappily than a jaunty John Hughes movie.
Lehmann set his savvy, subversive, iconoclastic teen drama against Westerberg High’s tide of dangerously competitive, destructive, dysfunctional social rules, where you could drown in derision, potentially to the point of contemplating suicide, unless you showed the resolute spirit of a Veronica to break the monopoly of priapic sports jocks and hateful Heathers…with fatal consequences.
Now, in 2021, Heathers is darkly topical with teen suicides troubling headline writers, psychologists, parents and school heads alike, although here those suicides are being faked by a vengeful teen sociopath killer. The fact that the school principal and pupils believe they are suicides is arguably more disturbing: collateral damage amid the adolescent angst, turf wars, underdogs and bitches of the school room.
If you want everything to be heightened still more, turn a film into a musical, the opera of our times, and Heathers is duly blessed with top-grade lyrics and music by Laurence O’Keefe and Kevin Murphy, big on drama, cheese and heart-breaking balladry, for a macabre story of broken childhoods, eating disorders, bullying, lies, shootings and suicide. This is the stuff of opera indeed, but now with to-die-for snappy, cynical, yet sincere dialogue.
Consequently, Heathers is an adrenaline shot of a show with the darkness, sharpness and sass – and the knockout tunes – to give it the allure of a Wicked The Musical or Hairspray, although maybe not quite the devoted following of Richard O’Brien’s The Rocky Horror Show.
Veteran impresario Bill Kenwright. who knows a winner when he sees one, is producing this tour in tandem with Paul Taylor-Mills, employing American screen and stage director Andy Frickman to steer a thrilling, dead-funny yet poignant production, one where plenty more than the two leads shine.
Wickes’s Veronica is a steely girl-next-door; Gordon’s magnetic, brooding outsider, JD, sparks love, scorn and fear in equal measure. Her voice stirs and yearns; his voice enchants and ensnares with its beauty.
Faith’s sharp-dressed Heather Chandler looks the natural, click-of-a-finger leader, venomous when provoked, but beneath the surface swagger lies needy insecurity and human frailty.
Liam Doyle and Rory Phelan’s dumb-and-dumber Kurt and Ram transform from jock jerks to lovable eye candy and camp-comedy double act once stripped to their underpants; Georgina Hagen’s teacher Ms Fleming and Mhairi Angus’s neglected Martha “Dumptruck” Dunnstock vie for Heathers’ outstanding vocal cameo; Andy Brady and Kurt Kansley bring bags of personality and humour to assorted school principal/dad/coach roles.
David Shields’ designs, colourful, impressively mobile, smart and very Eighties’ USA, delight too. Of York interest, Gary Lloyd, who choreographed York Stage’s 2020 pantomime, Jack And The Beanstalk, brings his West End panache to dance routines that fill the Leeds Grand stage with energy, slick movement and bravura style, especially when the Heathers strut to the fore.
He uses the chorus to the full too, and among the ranks is a face familiar to York audiences, May Tether, who must have caught Lloyd’s eye when starring as Jill in York Stage’s panto. Let’s hope the understudy opportunities come her way on tour because May has an exuberant talent for musical theatre that deserves to be untethered.
Dear Diary,please note a second Yorkshire chance to see Heathers The Musical comes at Sheffield Lyceum Theatre from September 14 to 18. Box office: sheffieldtheatres.co.uk.
Marks: 8/10
NEWSFLASH: 27/8/2021
HERE comes May-hem!
CharlesHutchPress concluded the Heathers The Musical “school report” with the “hope that understudy opportunities come May Tether’s way on tour because she has an exuberant talent for musical theatre that deserves to be untethered”.
Sure enough, a tweet from the York Stage favourite of Goole roots confirms May has played the female lead, Westerburg High pupil Veronica Sawyer, at the Liverpool Empire.
At 9.43 this morning, May tweeted: “So I made my debut as Veronica Sawyer in the @HeathersMusical UK tour and stayed on for the following two-show day… what a thrill, I’m still in shock, you corn nuts are beautiful! In the wise words of @OfficialTracieB I let Liverpool AVVV ITTTTT.”
May Tether in her Liverpool Empire dressing room as she plays Veronica Sawyer for the first time on the Heathers The Musical tour
