More Things To Do in York & beyond when Beethoven project goes public for first time. Hutch’s List No. 38, from The Press, York

York Beethoven Project: Reassembling today to workshop and play Symphony No. 3, Eroica

A BIG orchestra, a psychedelic inflatable crab, veteran singers, a blues troubadour and a  Spanish guitarist rub shoulders in Charles Hutchinson’s cultural diary.

Groundbreaking concert of the week: York Beethoven Project, An Evening of Revolutionary Music, Joseph Rowntree Theatre, York, today, 7.30pm

TODAY’S York Beethoven Project Come and Play workshop day climaxes with tonight’s performance of Beethoven’s No. 3 in Eb Major Op 55: Eroica in the project’s first pubic concert. The 40-piece orchestra will be the biggest ever to play the JoRo.

In addition, The White Rose Singers will be performing revolutionary musical theatre songs from Les Miserables, West Side Story, Carousel, James Robert Brown and more. Box office: 01904 501935 or josephrowntreetheatre.co.uk.

Artist Jason Wilsher-Mills at work in Peashom Park for his Jason Beside The Sea exhibition at Woodend Gallery, Scarborough. Picture: Tony Bartholomew

Exhibition launch of the week: Jason Wilsher-Mills: Jason Beside The Sea, Woodend Gallery, The Crescent, Scarborough, today until January 4 2025, Monday to Friday, 10am to 5pm; Saturdays, 10am to 4pm.

LOOK out for a giant inflatable sculpture of a psychedelic crab and colourful digital wallpaper featuring a pair of lovers inspired by Scarborough’s Peasholm Park in Jason Wilsher-Mills’s larger-than-life exhibition, a colourful explosion of artwork characters that reveals the stories of his memories of childhood seaside holidays, 1970s’ working-class experience and disability.

Scarborough Triptych, a three-panel wallpaper of argonaut characters, includes the Manchester Argonaut, inspired by Joy Division singer Ian Curtis. Wilsher-Mills, a Yorkshire-based disabled artist, will give a gallery talk on October 12. Gallery entry is free.

How long ago? Paul Carrack celebrates the 50th anniversary of his first hit at York Barbican. Picture: Nico Wills Cornbury

Ace memoir of the week: Paul Carrack, How Long: 50th Anniversary Tour 2024, York Barbican, tonight, 7.30pm

IN 1974, Sheffield musician Paul Carrack was in “fun London band” Ace when he wrote How Long, a song that would reach number three in the US Billboard Hot 100 and the Top 20 in the UK Singles Chart. Phil Collins named it among his top ten favourites in a 1981 issue of Smash Hits.

“‘How Long is probably the first song I wrote,” recalls Carrack, now 73. I wrote the song about a real situation, a situation that many people could relate to. Little did I know that it would become a classic and touch the hearts of so many.”  His 50th anniversary tour takes a journey through his career, from his days with Ace, Squeeze and Mike + The Mechanics to his solo years. Box office: yorkbarbican.co.uk.

David Essex: Career-spanning concert at York Barbican

Rocking on: David Essex, York Barbican, September 17, doors 7pm

PLAISTOW singer, composer and actor David Essex, 77, plays York on his 20-date British tour, his first since 2022. His set list will span his entire repertoire, drawing on his 23 Top 30 hits and a career that has taken in playing Jesus in Godspell, Che in Evita, That’ll Be The Day, Silver Dream Machine and his own musicals Mutiny! And All The Fun Of The Fair.

The likes of Rock On, Lamplight, Hold Me Close, Gonna Make You A Star, A Winter’s Tale and Oh, What A Circus will surely feature. Box office: yorkbarbican.co.uk.

Charlie Parr: Showcasing blues and folk songs of community and communing with nature at Pocklington Arts Centre

Troubadour of the week: Charlie Parr, Pocklington Arts Centre, September 19, 8pm

RAISED in Austin, Texas, and now living in the Lake Superior port town of Duluth, folk troubadour and bluesman poet Charlie Parr has recorded 19 albums since 2002, this year releasing Little Sun, full of stories celebrating music, community, and communing with nature.

Taking to the road between shows, this American guitarist, songwriter, and interpreter of traditional music writes and rewrites songs as he plays, drawing on the sights and sounds around him, his lyrical craftsmanship echoing the songs of his working-class upbringing, notably Folkways legends Lead Belly and Woody Guthrie. Box office: 01759 301547 or pocklingtonartscentre.co.uk.

Iago Banet: Fingerstyle acoustic guitarist plays solo in Helmsley. Picture: Sue Rainbow

Guitarist of the week: Iago Banet, Helmsley Arts Centre, September 20, 8pm

IAGO Banet, “the Galician King of Acoustic Guitar” from northern Spain, visits Helmsley on the back of releasing his third album, the self-explanatory Tres, in 2023.

Featured on BCC Radio 2’s The Blues Show With Cerys Matthews, this solo fingerstyle acoustic guitarist has played such festivals as Brecon Jazz, Hellys International Guitar Festival and Aberjazz, displaying skill, complexity and versatility in his fusion of gypsy jazz, blues, Americana, country, Dixieland, swing, pop and folk. Box office: 01439 771700 or helmsleyarts.co.uk.

Ryans Adams: Heading back to York Barbican

Return of the week: Ryan Adams, Solo 2024, York Barbican, September 20, doors 7pm

NORTH Carolina singer-songwriter Ryan Adams returns to York Barbican next week after playing a very long, career-spanning set there with no stage lighting – only his own side lamps – in April last year. This time he will be marking the 20th anniversary of 2004’s Love Is Hell and tenth anniversary of 2014’s self-titled album, complemented by Adams classics and favourites. Adams, who visited the Grand Opera House in 2007 and 2011, will be performing on acoustic guitar and piano. Box office: yorkbarbican.co.uk.

Setting up camp: Julian Clary extends his western-themed tour into 2025. Harrogate and York await

Show announcement of the week: Julian Clary, A Fistful Of Clary, Harrogate Theatre, May 2 2025, 7.30pm; Grand Opera House, York, May 25 2025, 7.30pm

JULIAN Clary is extending his A Fistful Of Clary stand-up tour to next spring. “Oh no, do I have to do this?” he asks. “Rylan and I were going to go back-packing in Wales. Sigh.”

Yee-haw, The Man With No Shame is adding 28 dates, Harrogate and York among them. “Yes, it has a Western theme,” Clary confirms, setting up camp for his comedy. “It was only a matter of time before I eased myself into some chaps.” Box office: Harrogate, 01423 502116 or harrogatetheatre.co.uk; York, atgtickets.com/york.

In Focus: Rehearsed reading of Alan Ayckbourn’s Father Of Invention, Stephen Joseph Theatre, Scarborough, Sunday, 3pm

The Stephen Joseph Theatre artwork for Alan Ayckbourn’s Father Of Invention

THE first ever public performance of the AI-futuristic Father Of Invention, written by Alan Ayckbourn in lockdown, will be given in a fundraising rehearsed reading at the Stephen Joseph Theatre, Scarborough on Sunday (15/9/2024) at 3pm.

Ayckbourn directs a cast of Bill Champion, Paul Kemp and Frances Marshall from his 90th play, Show & Tell, joined by Ayckbourn alumni Liza Goddard, Elizabeth Boag, Laurence Pears and Naomi Petersen. This will be the first time the Scarborough writer-director, 85, has heard the work read aloud.

“Take a look at their rollcall of Ayckbourn-written-and-directed shows – we reckon they’ve racked up an impressive 39 between them,” says SJT press officer Jeannie Swales. “We haven’t counted last year’s reading of Truth Will Out, only shows that had a full production either here at the SJT or at The Old Laundry Theatre, Bowness-on-Windermere, including Show & Tell. Mind you, that’s still not quite half of the Ayckbourn canon of 90!”

One of a handful of dramas penned by Ayckbourn in the creative cocoon of his Scarborough home during the pandemic, Father Of Invention takes its title from its central character of technology magnate Lord Onsett, who has passed away.

“Lord Onsett was an entrepreneur who made billions from the rapid acceleration of Artificial Intelligence,” says Sir Alan. “His company introduced the now ubiquitous Artificial Sentient Lifeforms, which carry out vast swathes of jobs for humanity from cleaning to security.

“His family are gathered to discuss how his enormous estate will be divided but as ever with Lord Onsett, there are a few surprises in store…”

Leading the gaggle of familiar faces will be “our old friend” Liza Goddard, who has appeared in Ayckbourn premieres of If I Were You, Snake In The Grass, Life & Beth, Communicating Doors, Life Of Riley and The Divide.

The omnipresent Bill Champion has roles in Comic Potential, Haunting Julia, GamePlan, FlatSpin, RolePlay, A Chorus Of Disapproval, Intimate Exchanges, Woman In Mind, Absurd Person Singular, Surprises, Arrivals & Departures, Farcicals, Henceforward…, No Knowing, By Jeeves, Season’s Greetings, The Girl Next Door, Welcome To The Family and now Show & Tell to his name.

Paul Kemp has made his mark in This Is Where We Came In, Drowning on Dry Land, Private Fears In Public Places, The Champion Of Paribanou, Woman In Mind, My Wonderful Day and The Divide, this summer adding Show & Tell to that list.

York actress Frances Marshall has appeared in premieres of A Brief History Of Women, Joking Apart, Season’s Greetings, Family Album and Truth Will Out; Elizabeth Boag in Arrivals & Departures, Farcicals, Roundelay, Confusions, Hero’s Welcome, The Divide, Family Album and  Truth Will Out; Naomi Petersen in By Jeeves, Joking Apart, Better Off Dead, Birthdays Past, Birthdays Present, Haunting Julia, The Girl Next Door, Constant Companions and Truth Will Out.

All money raised from the rehearsed reading will go towards the SJT’s New Work Fund, helping the theatre to present new work on its two stages and to nurture new talent.

Ticket availability is “limited”. Hurry, hurry, to book on 01723 370541 or sjt.uk.com.

Wilsher-Mills evokes memories of seaside holidays, the magic of younger times and love in Jason Beside The Sea show

Scarborough Crab, by Jason Wilsher-Mills, at Woodend Gallery, Scarborough. Picture: Tony Bartholomew

LOOK out for a giant inflatable sculpture of a psychedelic crab and colourful digital wallpaper of a pair of lovers, inspired by Peasholm Park, in Jason Wilsher-Mills’s larger-than-life exhibition at Woodend Gallery, Scarborough.

His colourful explosion of artwork characters, revealing the stories of his memories of childhood seaside holidays, 1970s’ working-class experience and disability, will be on show from September 14 to January 4 2025.

The Scarborough Crab sculpture features a tattoo design, 1970s’ psychedelic prints and seagull sidekick. The Scarborough Love digital fabric print wallpaper is themed around a willow pattern, utilising the story of two doomed lovers that decorates many blue-and-white plates.

“I love the fact that here in Scarborough there is a place that has been dedicated to this love story, so I decided to update the story and make it even more ‘Scarborough’,” says Jason, a Yorkshire-based disabled artist, who was born in Wakefield.

“When asked what my work is about, I simply say, ‘Think I, Daniel Blake meets the Beano’,” says artist Jason Wilsher-Mills, pictured on a visit to Peasholm Park in Scarborough. Picture: Tony Bartholomew

“My willow pattern features some of the designs I saw in Peasholm Park, alongside seaside ephemera, such as rope and seashells, and references to the north, with the Yorkshire Rose featured in the border. 

 “I’ve created my own Scarborough lovers, who meet and fall in love: the rocker with his Kiss Me Quick hat on, and the blonde, with her beehive hair, and Mod jacket, adorned with a target, which was so favoured by the scooter fashionistas that visited the town in the 1960s and ’70s.” 

 Visitors also should seek out Wilsher-Mills’s Scarborough Triptych: a three-panel wallpaper featuring argonaut characters inspired by his Jason And His Argonauts exhibition. Among them is the Manchester Argonaut, inspired by Joy Division singer Ian Curtis. 

Sarah Oswald, interim chief executive at Scarborough Museums and Galleries, says: “We’re really excited to have welcomed Jason to Scarborough over the past few months as he developed his response to the town’s heritage, character and people.

A detail from Jason Wilsher-Mills’s inflatable sculpture Rhubarb Totem at Woodend Gallery, Scarborough. Picture: Tony Bartholomew

“We believe everyone, young and old, will find something to connect with in this exhibition. In Scarborough Crab and Scarborough Love Jason has created two new iconic pieces that capture the essence of Scarborough and his own experience and memories.”

Wilsher-Mills will give a talk at Woodend Gallery on October 12 on how he captures childhood memories, popular culture and social history through his psychedelic, pattern-clashing inflatable sculptures and wallpapers.

His large-scale, humorous, challenging work embraces cutting-edge technologies, vibrant use of colour and disabled activist messaging that transcends into individual characters, who carry a story and journey to each new town. “When asked what my work is about, I simply say, ‘Think I, Daniel Blake meets the Beano’,” says Jason.

Summing up Jason Beside The Sea, he says: “Ultimately, it’s a story about love, a reminder of the magic of younger times and caring for everybody.”

Artist. Jason Wilsher-Mills at work on his research visit to Peasholm Park in Scarborough. Picture: Tony Bartholomew

Keep an eye on scarboroughmuseumsandgalleries.org.uk for further details of the talk.

Jason Wilsher-Mills: Jason Beside The Sea, Woodend Gallery, The Crescent, Scarborough, September 14 to January 4 2025, Monday to Friday, 10am to 5pm; Saturdays, 10am to 4pm. Gallery entry is free. His exhibition Jason and The Adventure Of 254 runs at Wellcome Collection, London, until January 12 2025.

Did you know?

JASON Beside The Sea is part of Connecting Coastal Cultures, an Arts Council England-funded project, delivered by Scarborough Museums and Galleries in partnership with Crescent Arts, to raise the profile of art in the north, providing opportunities for artists from the area to exhibit in regional venues.

Did you know too?

EARLIER this year, from February 24 to June 2, Wilsher-Mills exhibited Are We There Yet? at Ferens Gallery, Hull. Created in response to disabled communities in Hull, Wakefield and Manchester, his theatrical portraits and sculptures reflected aspects of his personality, memory and disability. This year too, he has exhibited The Argonaut at Dusseldorf’s Balloon Museum.

What’s On in Ryedale, York and beyond when crabs turn psychedelic. Here’s Hutch’s List No. 32, from Gazette & Herald

Works by Alison Diamond, centre, Ade Adesina RSA, right, and Ian Burke, left, on show at Helmsley Arts Centre

FROM African storytelling to Milton Jones’s puns, Will Young’s joyous pop to Jason Wilsher-Mills’s inflatable psychedelic crabs, Charles Hutchinson finds reasons to smile.

Triple bill of the week: Three Approaches To Relief Painting by Alison Diamond, Ade Adesina RSA & Ian Burke, Helmsley Arts Centre, until November 1

THIS exhibition brings together three separate approaches to relief printing but a shared love of hand-made printing, lino cutting and woodcut.

Ade Adesina RSA, a Nigerian artist living in Aberdeen, has won the 2023 Academies des Beaux-Arts annual prize. Ian Burke, from Staithes, and Alison Diamond, from County Durham, produce work in regional galleries and print fairs. The connection between all three is the use of relief print to achieve something personal and produce multiple images.

Anna Hibiscus’ Song: Theatrical story of self-discovery from Nigeria at York Theatre Royal

Children’s show of the week: Utopia Theatre and Sheffield Theatres present Anna Hibiscus’ Song, York Theatre Royal, tomorrow and Friday, 10am and 1pm; Saturday, 11am and 2pm

THIS is the story of a young African girl named Anna Hibiscus, who lives in Ibadan, Nigeria, where she is so filled with happiness that she feels like she might float away. The more she talks to her family about it, the more her happiness grows. The only thing to do is…sing!

Told through music, dance, puppetry and traditional African storytelling, this theatrical story of self-discovery is adapted for the stage by director Mojisola Kareem from the book by Atinuke and Lauren Tobia. Suitable for children aged three upwards and their grown-ups. Box office: 01904 623568 or yorktheatreroyal.co.uk.

Snake Davis: Making the saxophone talk at Helmsley and Pocklington

Snake at the double: Snake Davis, Helmsley Arts Centre, Friday, 7.30pm; Pocklington Arts Centre, Saturday, 8pm

THE choice is yours: Snake Davis solo, with his multitude of saxophones, in Helmsley on Friday, or Snake’s four-piece band – sax, guitar, bass and drums – in Pocklington on Saturday.

The first gig will be an informal acoustic evening of music and chat in two parts, showcasing his musical dexterity and the stories behind his work as a sax hired gun to the stars. The second night promises “something for everybody, from floaty to dance-able, from soul through pop to jazz and world, original material and classic sax pieces such as Baker Street and Night Train”. Box office: 01439 771700 or helmsleyarts.co.uk; Pocklington, 01759 301547 or pocklingtonartscentre.co.uk.

Milton Jones: Not short of shirts for his Ha!Milton tour

Comedy gig of the week: Milton Jones, Ha!Milton, Grand Opera House, York, Saturday, 7.30pm

THIS is not a musical. Milton Jones is tone deaf and has no sense of rhythm, he admits, but at least he doesn’t make a song and dance about it. Instead, he has more important things to discuss. Things like giraffes…and there’s a bit about tomatoes.

The shock-haired, loud-shirted master of the one-liner promises a whole new show of daftness. “You know it makes sense,” he says. Box office: atgtickets.com/york.

Will Young: Showcasing Light It Up’s joyous pop at Grand Opera House, York. Picture: Jamie Noise

Pop gig of the week: Will Young, Grand Opera House, York, Sunday, 7.30pm

MARKING the August 9 release of his Light It Up album, Will Young is embarking on his most intimate tour yet, an up-close-and-personal evening of acoustic performances, stories and conversation across 50 dates.

The ten tracks are a return to embracing joyous unashamed pop music for Young, who has teamed up with new collaborators pHD, the Scandinavian pop production/writing duo with Kylie and Little Mix credits, as well as reuniting with Groove Armada’s Andy Cato and long-term writing partners Jim and Mima Elliot, for “the go-to pop album for a dance, for a cry and for a celebration”. Box office: atgtickets.com/york.

The Beauty Of Being Herd: Ruth Berkoff’s debut show is “for anyone who’s ever found it hard to fit in”

Sheep and cheerful:  Ruth Berkoff: The Beauty Of Being Herd, Theatre@41, Monkgate, York, September 12, and Terrington Village Hall, near Malton, September 28, both 7.30pm

HAVE you ever felt like an outsider? Hannah has. Her solution? She has decided to live as a sheep. “But don’t worry, she’s thought it all through. She’s even got a raincoat. And she’d love to tell you all about it at her Big Goodbye Party. Everyone is invited,” says Leeds writer-performer Ruth Berkoff, introducing her hour of comedy, original songs, heartfelt sharing and even a rave.

“Whether you’re shy, neurodivergent, have accidentally put your foot in it or simply had to spend time with people that weren’t ‘your people’, this is a show for anyone who’s ever found it hard to fit in.” Box office: York, tickets.41monkgate.co.uk; Terrington, terringtonvillagehall.co.uk.

Scarborough Crab: Jason Wilsher-Mills’s inflatable psychedlic crab installation at Woodend Gallery, Scarborough. Picture: Tony Bartholomew

Exhibition launch of the week: Jason Wilsher-Mills: Jason Beside The Sea, Woodend Gallery, The Crescent, Scarborough, September 14 to January 4 2025, Monday to Friday, 10am to 5pm; Saturdays, 10am to 4pm

LOOK out for a giant inflatable installation of a psychedelic crab and colourful digital wallpaper featuring a pair of lovers inspired by Scarborough’s Peasholm Park in Jason Wilsher-Mills’s larger-than-life exhibition, a colourful explosion of artwork characters that reveals the stories of his memories of childhood seaside holidays, 1970s’ working-class experience and disability.

Scarborough Triptych, a three-panel wallpaper of argonaut characters, includes the Manchester Argonaut, inspired by Joy Division singer Ian Curtis. Wilsher-Mills, a Yorkshire-based disabled artist, will give a gallery talk on October 12. Gallery entry is free.

Setting up camp: Julian Clary is bringing his western-themed stand-up show A Fistful Of Clary to Harrogate and York

Gig announcement of the week: Julian Clary, A Fistful Of Clary, Harrogate Theatre, May 2 2025, 7.30pm; Grand Opera House, York, May 25 2025, 7.30pm

JULIAN Clary is extending his A Fistful Of Clary stand-up tour to next spring. “Oh no, do I have to do this?” he asks. “Rylan and I were going to go back-packing in Wales. Sigh.”

Yee-haw, The Man With No Shame is adding 28 dates, Harrogate and York among them. “Yes, it has a Western theme,” Clary confirms, setting up camp for his comedy. “It was only a matter of time before I eased myself into some chaps.” Box office: Harrogate, 01423 502116 or harrogatetheatre.co.uk; York, atgtickets.com/york.

Vintage Sitwell photographs at Woodend donated to Scarborough Museums Trust

Andrew Clay, chief executive of Scarborough Museums Trust, with archive material donated by William Sitwell in the Sitwell Library at Woodend, Scarborough. Picture: Tony Bartholomew.

UNIQUE vintage photographs depicting Woodend, in its days as the private Scarborough summer home of the Sitwell literary family, have been donated to Scarborough Museums Trust by a descendant, journalist William Sitwell.

William is the grandson of writer Sacheverell Sitwell, who, together with brother Osbert and sister Edith, spent many summers at the house in The Crescent in the late 19th and early 20th centuries.

The most famous of the three siblings, William’s great-aunt Edith, was born at Woodend in 1887. William writes for The Daily Telegraph, among other publications, and is a judge on BBC1’s MasterChef.

The Sitwell conservatory at Woodend, Scarborough, in the late 19th or early 20th century. Copyright: Scarborough Museums Trust

When clearing out family belongings, he came across photos that show Woodend, now a creative industries centre, in its heyday as a family home, with a spacious entrance hall, busy living rooms and a palm-filled glasshouse.

William Sitwell says: “I’ve visited Scarborough on many occasions and have always relished a trip to Woodend, now a creative hub run by a collection of talented people my ancestors would be proud of.

“But it’s always strange walking around a museum and wondering what it must have been like as a home, with the presence of my eccentric forebears. When I came across these old photographs, the settings looked familiar and then I realised they were of Woodend, fully furnished and looking very Victorian.

The Sitwell conservatory today, now the Woodend Gallery. Picture: Tony Bartholomew

“I knew at once that they should be sent to Andrew Clay [chief executive of Scarborough Museums Trust], who would cherish them and share them with visitors. They bring a wonderful insight to a lost era.”

Clay says: “The vintage photographs of Woodend are delightful. We have often wondered what these rooms looked like when the Sitwell family lived here and now we have a tantalising glimpse of Woodend in that era.

“It is fascinating to see the beautiful furnishings that once adorned these spaces. They conjure up a long-lost age of elegance and remind us today how sophisticated life on The Crescent really was. We are very grateful to William Sitwell for making this gift and we look forward to keeping in touch.”

Scarborough Museums Trust’s venues – Scarborough Art Gallery, the Rotunda Museum and the Woodend Gallery – are closed during Lockdown 3, but the trust hopes to be able to put the photographs on public display as soon as possible.

Another room at Woodend, from the Sitwell archive material donated to Scarborough Museums Trust by William Sitwell