What’s On in Ryedale, York and beyond when seeking that lovely jubbly feeling. Hutch’s List No. 38, from Gazette & Herald

Lethal tea maker: The Black Widow at York Dungeon

DEL Boy in a musical, a Dungeon murderess, a Greek teen tragedy and gruesome Tower tales promise entertainment and enlightenment, advises Charles Hutchinson.   

New attraction of the week: The Black Widow, York Dungeon, Clifford Street, York, daily from 10am

HERE comes this Hallowe’en season’s new show at York Dungeon. Be prepared to encounter the grim tale of Britain’s first female serial killer: Mary Ann Cotton.

A north easterner with a propensity for lacing tea with a drop of arsenic, the Black Widow was convicted of only one murder but is believed to have killed many others, including 11 of her 13 children, and three of her four husbands. Box office: thedungeons.com/york/tickets-passes/. Pre-booking is essential.

Sam Lupton’s Del Boy on a date with Georgina Hagen’s Raquel in Only Fools And Horses The Musical at the Grand Opera House, York

“Plonker” musical of the week: Only Fools And Horses The Musical, Grand Opera House, York, until Saturday, 7.30pm plus 2.30pm matinees today and Saturday

BASED on John Sullivan’s long-running BBC One series, his son Jim Sullivan and comedy treasure Paul Whitehouse’s West End hit, Only Fools And Horses The Musical, combines 20 songs with an ingenious script.

“Join us as we take a trip back in time to 1989, where it’s all kicking off in Peckham,” reads the 2024-25 tour invitation. “While the yuppie invasion of London is in full swing, love is in the air as Del Boy sets out on the rocky road to find his soul mate, Rodney and Cassandra prepare to say ‘I do’, and even Trigger is gearing up for a date (with a person!).” Box office for the last few tickets: atgtickets.com/york.

Chris Mooney and Helen “Bells” Spencer in Jason Robert Brown’s The Last Five Years, the debut collaboration between Black Sheep Theatre Productions and Wharfemede Productions

Debut of the week: Wharfemede Productions & Black Sheep Theatre Productions in The Last Five Years, National Centre for Early Music, St Margaret’s Church, Walmgate, York, tonight to Saturday, 7.45pm

HELEN Spencer and Nick Sephton launch their new York company, Wharfemede Productions, in tandem with Black Sheep Theatre Productions, by staging The Last Five Years, Jason Robert Brown’s emotive musical story of two New Yorkers, rising novelist Jamie Wellerstein and struggling actress Cathy Hiatt, who fall in and out of love over the course of five years.

Combining only two cast members, York theatre scene luminaries Chris Mooney and Spencer, with a seven-piece band, expect an intimate and emotive evening of frank storytelling and gorgeous music. Box office: ticketsource.co.uk/wharfemede-productions-ltd.

Alexander Flanagan-Wright in Helios, his modern take on the Fall of Phaeton, performed under the Great Hall dome at Castle Howard

Theatrical event of the week: Wright & Grainger in Helios, The Great Hall, Castle Howard, near York, today, 5pm and 7.30pm

A LAD lives halfway up an historic hill. A teenager is on a road trip to the city in a stolen car. A boy is driving a chariot, pulling the sun across the sky. In a play about the son of the god of the sun, Helios transplants the Ancient Greek tale into a modern-day myth wound round the winding roads of rural England and into the everyday living of a towering city.

“It’s a story about life, the invisible monuments we build to it, and the little things that leave big marks,” says writer-performer Alexander Flanagan-Wright, who presents his delicate tale with a tape-player beneath the Great Hall dome’s mural, painted by 18th century Venetian painter Antonio Pelligrini, whose depiction of the Fall of Phaeton was the thematic inspiration behind Helios. Box office: castlehoward.co.uk.

Alison Weir: Gruesome tales of executions, beheadings and Royal intrigue from 900 years at the Tower Of London

Literary event of the week: Kemps Bookshop Presents Alison Weir – Ghosts & Gruesome Tales Of The Tower, Milton Rooms, Malton, tonight, 7.30pm

IF any place could lay claim to a host of tortured souls and ghosts, it would be the Tower of London. Historian Alison Weir regales her Malton audience with chilling ghostly tales of grim events, bloody deeds, intrigues and violent deaths the Tower has witnessed over 900 years and the ghosts that reputedly haunt it. After her talk, she will take questions and sign copies of her books. Box office: 01653 696240 themiltonrooms.com.

Mary Bourne, left, and Jessa Liversidge: Uplifting journey of song in Songbirds at Helmsley Arts Centre

Songbirds: A Celebration of Female Musical Icons, with Jessa Liversidge and Mary Bourne, Helmsley Arts Centre, October 25, 7.30pm

DEVISED and performed by vocalists Jessa Liversidge, from Easingwold, and Mary Bourne, from Kingston upon Thames, Songbirds is an uplifting journey of song, celebrating “some of the most iconic female singers and songwriters ever known”, from Carole King and Annie Lennox to Kate Bush and Adele. Special guests include HAC Singers and Easingwold Community Singers. Box office: 01439 771700 or helmsleyarts.co.uk.

Nadia Reid: Making her Band Room debut on the North York Moors

Moorland gig of the season: Nadia Reid, The Band Room, Low Mill, Farndale, North York Moors, October 26, 7.30pm

THE Band Room promoter Nigel Burnham first tried to book New Zealand singer-songwriter sensation Nadia Reid on her first British tour in 2017. “Persistence has paid off,” he says, welcoming her to “the greatest small venue on Earth” as part of a series of intimate, magical solo shows.

Noted for her evocative lyrics and introspective, folk-infused soundscapes, Reid has been described as “an understated, wise guide through uncertain territory”, drawing comparison with Joni Mitchell, Laura Marling, Gillian Welch and Sandy Denny. Latest album Out of My Province took her to Matthew E White’s Spacebomb Studios in Richmond, Virginia, where producer Trey Pollard surrounded her songs in luminous washes of southern country soul. Box office: 01751 432900 or thebandroom.co.uk.

Elbow: Headlining first day of second season of Live At York Museum Gardens concerts

Show announcement of the week: Futuresound Group presents Live At York Museum Gardens, Elbow, July 3 2025

GUY Garvey’s Mercury Prize-winning Bury band Elbow are confirmed as the first headliner for Futuresound’s second Live At York Museum Gardens concert weekend, after the sold-out success of Shed Seven’s 30th anniversary shows and Jack Savoretti this summer.

Elbow will be supported by Ripon-born, London-based singer-songwriter Billie Marten and Robin Hood’s Bay folk luminary Eliza Carthy & The Restitution. The York exclusive postcode presale (for YO1, YO24, YO30, YO31 and YO32) goes on sale today at 10am at https://futuresound.seetickets.com/event/elbow/york-museum-gardens/3195333?pre=postcode. General sales open at 10am on Friday at https://futuresound.seetickets.com/event/elbow/york-museum-gardens/3195333.

In Focus: Nunnington Hall Autumn Festival, October 19 and 20

Nunnington Hall: Autumn garden tours next weekend

VISITORS to the National Trust property of Nunnington Hall, near Helmsley, can enjoy the manor house being decorated for autumn next weekend.

The garden team will be running garden tours and apple-juicing demonstrations, and there will be an opportunity to do autumn-themed crafts.

Programming and  partnerships officer Elena Leyshon says: “We’re delighted that our annual Autumn Festival will be returning to Nunnington Hall this year. Visitors can explore the hall decorated for autumn and join our garden team on orchard and wildlife tours, and live apple-juicing demonstrations.

“We’ll have a range of local makers and creators demonstrating and selling their work, from willow weaving to felting.

“There will also be some delicious autumnal treats in the tearoom to enjoy, so come along and enjoy a sweet treat in our tearoom and celebrate the best of the autumnal season with us.”

Robert Dutton and Andrew Moodie’s exhibition, A Yorkshire Year, continues at Nunnington Hall and will be be open to visitors over the festival weekend.

Nunnington Hall  Autumn Festival, October 19 and 20, 10.30am to 5pm each day, with last entry at 4.15pm. Visiting stalls will be on site until 4pm. No booking is required. Normal property admission applies, with free admission for National Trust members and under fives.

More Things To Do in York and beyond when seeking that lovely jubbly feeling. Hutch’s List No. 42, from The Press, York

Lethal tea maker: The Black Widow at York Dungeon

DEL Boy in a musical, a Dungeon murderess, a Greek teen tragedy and a top-Rankin Scottish detective are well worth investigating, advises Charles Hutchinson.   

New attraction of the week: The Black Widow, York Dungeon, Clifford Street, York, from today, from 10am

THIS Hallowe’en season’s new show at York Dungeon opens today. Be prepared to encounter the grim tale of Britain’s first female serial killer: Mary Ann Cotton.

A north easterner with a propensity for lacing tea with a drop of arsenic, the Black Widow was convicted of only one murder but is believed to have killed many others, including 11 of her 13 children, and three of her four husbands. Box office: thedungeons.com/york/tickets-passes/. Pre-booking is essential.

Jude Kelly: Striving for a gender-equal world in The WOW Show

The WOW factor: The WOW Show with Jude Kelly, York Theatre Royal, tomorrow, 7.30pm

WOMEN of the World founder, chief executive officer and theatre director Jude Kelly CBE was director of West Yorkshire Playhouse, Leeds, from 1990 to 2002 and London’s Southbank Centre from 2006 to 2018 and set up the WOW Foundation charity in 2010 to achieve a gender-equal world.

In an evening of optimism, determination and laughter, she explores “our often exasperating and confusing journey towards gender equity, covering everything from money, sex, race, food, and ageing”. Expect personal anecdotes, guests and big ideas. “The message is: If you are a woman or you know a woman, please show up!” says Jude. Box office: 01904 623568 or yorktheatreroyal.co.uk.

Sam Lupton: Playing Del Boy in Only Fools And Horses The Musical at the Grand Opera House, York

“Plonker” musical of the week: Only Fools And Horses The Musical, Grand Opera House, York, October 14 to 19, 7.30pm plus 2.30pm Wednesday and Saturday matinees

BASED on John Sullivan’s long-running BBC One series, his son Jim Sullivan and comedy treasure Paul Whitehouse’s West End hit, Only Fools And Horses The Musical, combines 20 songs with an ingenious script.

“Join us as we take a trip back in time to 1989, where it’s all kicking off in Peckham,” reads the 2024-25 tour invitation. “While the yuppie invasion of London is in full swing, love is in the air as Del Boy sets out on the rocky road to find his soul mate, Rodney and Cassandra prepare to say ‘I do’, and even Trigger is gearing up for a date (with a person!). Meanwhile, Boycie and Marlene give parenthood one final shot and Grandad takes stock of his life and decides the time has finally arrived to get his piles sorted.” Box office: atgtickets.com/york.

Gray O’Brien in the role of Inspector John Rebus in Rebus: A Game Called Malice at York Theatre Royal. Picture: Nobby Clark

Thriller of the week: Rebus: A Game Called Malice, York Theatre Royal, October 15 to 19, 7.30pm; 2pm, Wednesday, Thursday; 2.30pm, Saturday

SCOTTISH crime writer Ian Rankin’s much-loved detective, John Rebus, takes to the stage in a new storyco-written with Simon Reade. Gray O’Brien, from Coronation Street, Casualty and Peak Practice, plays Rebus in a cast also featuring Abigail Thaw and Billy Hartman.

When a splendid Edinburgh mansion dinner party concludes with a murder mystery game, suddenly a murder needs to be solved. However, guests have secrets of their own. Among them is Inspector John Rebus, but is he Is playing an alternative game, one to which only he knows the rules? Rankin will attend the October 18 post-show discussion with the cast. Box office: 01904 623568 or yorktheatreroyal.co.uk.

Chris Mooney and Helen Spencer: Playing lovers with opposite takes on their relationship in The Last Five Years at the NCEM, York. Picture: Simon Trow

Debut of the week: Wharfemede Productions & Black Sheep Theatre Productions in The Last Five Years, National Centre for Early Music, St Margaret’s Church, Walmgate, York, October 17 to 19, 7.45pm

HELEN Spencer and Nick Sephton launch their new York company, Wharfemede Productions, in tandem with Black Sheep Theatre Productions, by staging The Last Five Years, Jason Robert Brown’s musical story of two New Yorkers, rising novelist Jamie Wellerstein and struggling actress Cathy Hiatt, who fall in and out of love over the course of five years.

Combining only two cast members, York Theatre scene luminaries Chris Mooney and Spencer, with a small band, expect an intimate and emotive evening of frank storytelling and gorgeous music. Box office: ticketsource.co.uk/wharfemede-productions-ltd.

Alexander Flanagan-Wright in Helios, a modern take on an Ancient Greek myth, performed under the Great Hall dome at Castle Howard

Theatrical event of the week: Wright & Grainger in Helios, The Great Hall, Castle Howard, near York, October 17, 5pm and 7.30pm

A LAD lives halfway up an historic hill. A teenager is on a road trip to the city in a stolen car. A boy is driving a chariot, pulling the sun across the sky. In a play about the son of the god of the sun, Helios transplants the Ancient Greek tale into a modern-day myth wound round the winding roads of rural England and into the everyday living of a towering city.

“It’s a story about life, the invisible monuments we build to it, and the little things that leave big marks,” says writer-performer Alexander Flanagan-Wright, who presents his delicate tale with a tape-player beneath the Great Hall dome’s mural, painted by 18th century Venetian painter Antonio Pelligrini, whose depiction of the Fall of Phaeton was the thematic inspiration behind Helios. Box office: castlehoward.co.uk.

Squeeze: 50th anniversary celebrations at York Barbican

Recommended but sold out already: Squeeze, York Barbican, October 18, doors 7pm

DEPTFORD’S answer to The Beatles mark their 50th anniversary as Chris Difford and Glenn Tilbrook manage to Squeeze in hit after hit, like pulling musses from a shell. Don’t miss the support act, one Badly Drawn Boy.  

Strictly between us: Husband-and-wife dancers Aljaž Škorjanec and Janette Manrara look forward to A Night To Remember at York Barbican next June

Show announcement of the week: Aljaž Škorjanec and Janette Manrara: A Night To Remember, York Barbican, June 1 2025

STRICTLY Come Dancing favourites Aljaž Škorjanec and Janette Manrara – married since 2017 – will be touring next year with A Night To Remember, featuring an ensemble of “some of the UK’s very best dancers and singers”.

 Aljaž, partnering Tasha Ghouri in the 2024 series, and It takes Two presenter Janette will “perform stunning routines to an eclectic array of music”, spanning the Great American songbook through to modern-day classics, backed by their own big band, fronted by boogie- woogie star Tom Seal. Box office: yorkbarbican.co.uk/whats-on/aljaz-and-janette-a-night-to-remember.

In Focus: Black Treacle Theatre in Accidental Death Of An Anarchist, Theatre@41, Monkgate, York, Oct 15 to 19

Superintendent Curry (Chris Pomfrett) and DI Daisy (Adam Sowter) are pushed to
the edge by The Maniac (Andrew Isherwood), when they are surprised in Accidental Death Of An Anarchist. Picture: John Saunders

BENT police and politics come under fire in York company Black Treacle Theatre’s provocative production of Dario Fo’s uproarious farce Accidental Death Of An Anarchist next week.

In a new adaptation by Tom Basden, creator of Plebs and Here We Go, the setting is updated to the rotten state of present-day Britain.

The satirical play is set in a police station where a suspect has “accidentally” fallen to his death, but did he jump or was he pushed? As the police attempt to avoid yet another scandal, a mysterious imposter (the Maniac) is arrested and brought in for questioning.

Seizing the chance to put on a show, he leads the officers in an ever-more ridiculous reconstruction of their official account, exposing their cover-ups, corruption and (in)competence.

The original 1970 Italian farce by Nobel Prize winner Dario Fo and Franca Rame was based on the real-life case of an anarchist suspected of a bombing, who plunged to his death from a Milan police station in suspicious circumstances and was later exonerated. Now comes the British re-boot.

The Maniac (Andrew Isherwood) peruses the Anarchist’s case file as Inspector
Burton (Paul Osborne) interrupts him

Director Jim Paterson says: “I’m really excited to bring this new adaptation of one of my favourite plays to York. Dario Fo was a master of using comedy to talk about the social and political issues of the day – particularly state corruption and hypocrisy.

“What Tom Basden’s version does brilliantly is bring the plot bang up to date in both setting and references, taking in police scandals and political issues of recent years – as well as packing it full of hilariousjokes! It’s fast, furious and funny, and I can’t wait for opening night.”

Lead actor Andrew Isherwood says: “Playing the Maniac, I get the opportunity to play multiple roles, with a variety of voices, which is always fun for me as I really enjoy getting the chance to play around, have some fun and indulge a little bit, which I don’t normally get to express in the same show.

“I think audiences will get a real kick out of the bizarre nature of this show, with all its twists and turns and bitingly satirical elements woven in, all performed by a brilliantly talented cast!”

PC Joseph (Guy Wilson) attempts to keep a record of the increasingly complex story being spun in Accidental Death Of An Anarchist. Picture: John Saunders

Black Treacle Theatre in Accidental Death Of An Anarchist,Theatre@41, Monkgate, York, October 15 to 19, 7.30pm plus 2.30pm Saturday matinee.Box office:  https://tickets.41monkgate.co.uk. Running time: Two hours 15 minutes, including interval.  

In the cast will be: The Maniac – Andrew Isherwood; Inspector Burton – Paul Osborne; DI Daisy – Adam Sowter; PC Joseph – Guy Wilson; Superintendent – Chris Pomfrett; Fi Phelan/PC Jackson – Jess Murray.

Production team: Director, Jim Paterson; lighting designer, Adam Kirkwood; set designer, Richard Hampton; costume/props, Maggie Smales.

Did you know?

Black Treacle Theatre’s past productions were: Constellations (March 2022), Iphigenia In Splott (March 2023) and White Rabbit, Red Rabbit (November 2023), all at Theatre@41, Monkgate, York.

Last Chance To See: Jack Ashton starring in Little Women at York Theatre Royal, today at 2.30pm and 7.30pm

Jack Ashton as Professor Bhaer in Little Women at York Theatre Royal. Picture: Charlotte Graham

STARRING in a much-loved television series can be a boon or a bother for an actor who becomes identified with a particular character. Directors may be reluctant to offer different sorts of role.

Happily, Jack Ashton, best known as the Reverend Tom Hereward in BBC One’s Sunday night staple Call The Midwife, has escaped being typecast. So much so that in York Theatre Royal’s production of Louisa May Alcott’s coming-of-age classic Little Women, he is playing not one but two very contrasting characters.

The link is that both are suitors of the titular Little Women – John Brooke and Professor Bhaer, the love interests for Meg and Jo March. Not that Jack downplays the problems of leaving Call The Midwife after five years as the vicar of Poplar in the series set in an East End Anglican convent in the late 1950s and 1960s.

“It was difficult, more difficult than I thought,” he admits. “It was hard for a few years for my agent to get me seen for something. If you’re known as a particular character, it can be hard to do something that’s opposite to that and challenge yourself, which is what you want to be as an actor.”

In the past Jack has said that Call The Midwife changed his life, a reference to becoming a father – of Wren, six, and Lark, two – through his relationship with co-star Helen George. “It was a lovely time in my life,” he says. So much so that the last time he acted in York, in Strangers On the Train at the Grand Opera House in March 2018, newly-born Wren came on tour with them.

Jack Ashton’s John Brooke and Ainy Medina’s Meg March in Little Women, adapted by Anne-Marie Casey, at York Theatre Royal. Picture: Charlotte Graham

Juliet Forster’s production of Little Women at York Theatre Royal, where he has performed since his early days as an actor, certainly offers the chance to do something different: two different characters in one show.

One of them, Professor Bhaer, requires a German accent, necessitating Jack to work with a voice coach.

He has not read Little Women, although he has seen Great Gerwig’s 2019 film version, and coincidentally has just finished working with Saoirse Ronan, who played burgeoning writer Jo March in the American movie.

While he has not worked previously with any of the Little Women cast members, he has done so with director Juliet Forster, York Theatre Royal’s creative director.

She directed him in productions that have punctuate his life, going from a young man fresh out of drama school in 2006 to present-day leading man, appearing in Twelfth Night and the Studio double bill of Escaping Alice and End Of Desire, as well as The Guinea Pig Club and The Homecoming under former artistic director Damain Cruden’s direction.

Jack Ashton rehearsing the role of Professor Bhaer in Little Women. Picture: S R Taylor Photography

York remains one of his favourite places. “It’s such a great city. I love coming back, it’s a no-brainer when that kind of offer, like Little Women, comes along,” says Jack.

“I have really good friends in York and I’ve befriended Rita and Paul, the original people on the digs list. I got so lucky because I stayed with them the first time and have continued to stay with them every time since.”

He is realistic about the pitfalls of being an actor. “Sometimes people think an actor’s life is quite glamorous. We just audition and audition, and sometimes people say ‘yes, we want you’. Most of the time they say, ‘no thank you very much’.”

He has several projects waiting to be seen, including Jonatan Etzler’s satirical comedy Bad Apples – the one with Saoirse Ronan – and a small role in Lockerbie, a Sky drama series about one man’s battle to learn the truth about the Pan Am Flight 103 bomb explosion over the Scottish town on December 21 1988. He continues to play Harry Chilcott in BBC Radio 4’s long-running series The Archers too.

Returning to the topic of Little Women, does he have any sisters? “Two older sisters,” he replies. “I can definitely relate to not being able to get a word in edgeways.”

Box office: 01904 623568 or yorktheatreroyal.co.uk.

“We just audition and audition, and sometimes people say ‘yes, we want you’. Most of the time they say, ‘no thank you very much’,” says actor Jack Ashton

What happens when you nick a car and stick it through a hedge? Here comes Wright & Grainger’s Helios at Castle Howard

Alexander Flanagan-Wright in a scene from Helios

WHERE better for Wright & Grainger to stage their modern take on the Ancient Greek myth of Helios than underneath the dome of Castle Howard’s Great Hall.

The dome mural, painted by Venetian painter Antonio Pelligrini between 1709 and 1712, depicts the Four Elements, the Twelve Figures of the Zodiac and Apollo and the Muses.

This ethereal work climaxes with the tale of Phaeton falling from his father’s chariot. Encouraged to look higher and higher, the viewer finally meets the dizzying spectacle of Apollo’s son plunging to Earth, the chariot crashing into the river.

The Fall of Phaeton happens to be the thematic inspiration behind Easingwold storytellers Alexander Flanagan-Wright and Phil Grainger’s opus too, premiered at the Stilly Fringe at Stillington Mill, near York, in July 2023, and later that summer in the former Women’s Locker Room at Summerhall at the Edinburgh Fringe.

What happens, Alex? “A lad lives halfway up a historic hill,” he elucidates. “A teenager is on a road trip to the city in a stolen car. A boy is driving a chariot, pulling the sun across the sky.

“In a story about the son of the god of the sun, Helios transplants the Ancient Greek tale into a modern-day myth wound round the winding roads of rural England – and into the everyday living of a towering city. It’s a story about life, the invisible monuments we build to it, and the little things that leave big marks.”

In the wake of their oft-performed, internationally acclaimed myth hits Orpheus, Eurydice and The Gods The Gods The Gods – joined for the first time by Half Man Hall Bull at this summer’s Edinburgh Fringe – Alex and Phil invite audiences to “join them in a grand room with a tape player-and a delicate tale to tell” in performances of Helios at 5pm and 7.30pm.

Alex and Phil have a history of staging performances at Castle Howard, ranging from Gobbledigook Theatre’s The Tales Of Beatrix Potter in the Walled Garden to The Guild Of Misrule’s peripatetic The Great Gatsby and Gobbledigook Theatre/The Flanagan Collective’s Orpheus that turned the Grecian Hall into a disco.

Now comes Helios, performed by Alex to a cinematic score by Phil. “To be honest, it was Abbi [Alex’s sister Abbigail Ollive, director of marketing and visitors at Castle Howard] who suggested it this time. When she first saw Helios at Edinburgh, she said, ‘oh, you know there’s a painting of the Fall of Phaeton in the Great Hall?, and I had to say ‘No’, but very quickly I thought, ‘we should definitely find time to do a show under such a piece of art’. Hopefully it’ll be an historically significant night.”

What drew Alex to re-telling the fateful tale of Phaeton in modern-day rural England? “There was something about this kind of need to prove yourself. These two young lads are kind of doing that ‘My dad’s better than your dad’ thing, where there’s a need to prove ‘I’m worth what I said I’m worth’ by doing something stupid,” he says.

“It’s that thing of wanting to be greater than you are and trying to do something that’s beyond your capacity,” says Alex

“I guess, in part, it’s the way you grow up in school, claiming ‘I am this or I am that’, and then someone says, ‘Yeah? Prove it’. It’s validating that space you take up in the world.

“It felt like it was a story that had a real tenacity to it, and then, like in loads of Ancient Greek myths, it speaks about how our landscape is laid out. Reflecting on how we grow up in our landscape, and how these stories define our day-to-day existence, it was a story well worth thinking about.”

Ancient becomes modern as Phaeton trying to ride his father’s chariot through the sky becomes “Phaeton having his mate Michael nick a car and then sticking it through the hedge”. “It’s that thing of wanting to be greater than you are and trying to do something that’s beyond your capacity,” says Alex. “That thrust of going too far to try to get the respect you’re pushing to achieve.

“You think, ‘what is that need in us now in a contemporary telling’ and you find the answer in something you remember in a story your mate told you.

“This is the interesting thing: why are you’re trying to go beyond these limits or trying to respond to someone else or a lack of something, rather than celebrating the beautiful things you have achieved.”

Alex continues: “Bragging is a want of broader satisfaction. It’s a loss of something, a lack of something, in everyone when growing up; you’re trying to compensate for something that otherwise means you don’t feel like you’re living life to the fullest.

“In our story of Helios we talk a lot about how it’s a show about facts in our world, how you live in relation to them, if you define them or they define you. There’s a bit in the show where they’re discussing their relationship with the sun. The sun being there means we can exist, but we like to define the sun: we are what defines us; that thing of saying ‘without us, the sun would be nothing’.

“We measure everything by the sun, but when you grow up there are so many other factors you are measured by and you understood what you’re in control of, rather than being controlled by. You brag less because you understand more.”

Why are we drawn to reckless speed in our youth? “I wonder why that is. I don’t know the answer, I don’t have an answer to posit. It starts with that joy of the bike, or roller skates, that joy of going really fast. I don’t know if it ever changes, though maybe we temper it.” says Alex.

Wright & Grainger present Helios in the Great Hall, Castle Howard, near York, October 17, 5pm and 7.30pm. Box office: castlehoward.co.uk.

The Great Hall and the Fall of Phaeton: the back story

THE Great Hall is the crowning masterpiece of dramatist-turned-architect John Vanbrugh’s design for Castle Howard, commissioned by the 3rd Earl of Carlisle.

From outside, the dome presents Castle Howard with a unique silhouette; on the inside, rising 70 feet into the air, it is a triumph of theatre and space. Massive columns, filled with carved decoration, rise in the four corners of the hallway; two large arches open to reveal the walls and staircases beyond; a balcony traverses the upper level, and above is the lantern and gallery with light flooding in from the eight windows.

The painted decoration, executed by the Venetian artist Antonio Pellegrini between 1709 and 1712, depicts the Four Elements, the Twelve Figures of the Zodiac and Apollo and the Muses.

This ethereal work climaxes with the tale of Phaeton falling from his father’s chariot. Encouraged to look higher and higher, the viewer finally meets the dizzying spectacle of Apollo’s son plunging to earth.

The 3rd Earl and Vanbrugh revelled in the playful ironies of this dramatic tale of ambition and fall, which gently mocked their own aspirations.

The dome was destroyed by a fire in 1940, and Pelligrini’s Fall of Phaeton was lost too. Following the reconstruction of the dome in 1960-61, a Canadian artist, Scott Medd, was commissioned to re-create the scene.

More Things To Do in York & beyond from Nov 11. Hutch’s List No. 46, from The Press

Tracy-Ann Oberman’s Cable Street pawnbroker and single mother Shylock in the 1936 East End with fascism on the rise. Picture: Mark Senior

POLITICAL dramas, a heap of big comedy names, a newly revived Eighties’ band and a belated American debut will keep Charles Hutchinson out and about.

Controversial play of the week: The Merchant Of Venice 1936, York Theatre Royal, Tuesday to Saturday, 7.30pm, plus 2pm Thursday and 2.30pm Saturday matinees

WATFORD Palace Theatre’s ground-breaking touring production of Shakespeare’s The Merchant Of Venice has been adapted and directed by Brigid Larmour from an original idea by co-creator and actress Tracy-Ann Oberman.

As the tide of fascism swells in 1936, Oberman’s Shylock is a strong-willed single mother who runs a pawnbroking business from her house in Cable Street, where Oswald Mosley’s Blackshirts will soon march. Box office: 01904 623568 or yorktheatreroyal.co.uk.

Ross Noble: Geordie surrealist in his natural habitat in Jibber Jabber Jamboree at Grand Opera House, York

Comedy at the treble at Grand Opera House, York: Dave Gorman, Monday, 7.30pm; Ross Noble, Wednesday, 8pm; Paul Smith, 7.30pm

DAVE Gorman’s Powerpoint To The People show aims to demonstrate that a powerpoint presentation need not involve a man in a grey suit standing behind a lectern and saying “next slide please”. Far more important things demand analysis, he urges.

Geordie surrealist Ross Noble returns to York on his 21st tour, Jibber Jabber Jamboree, for another journey into inspired, improvised nonsensical comedy with detours galore. Paul Smith’s Joker gig, full of audience interaction and everyday true stories, has sold out. Box office: atgtickets.com/york.

Fame Hasn’t Changed Me, by Susan Bower, from Kentmere House Gallery’s winter exhibition

Exhibition launch of the week: Not Black Friday But Colour Friday!, Kentmere House Gallery, Scarcroft Hill, York, until December 22

ORIGINAL art by more than 70 artists features in the Christmas exhibition at Kentmere House Gallery. “Among them is Jonathan Hooper, a Leeds painter deservedly becoming recognised, winning awards and now showing in London and at the Millenium Gallery in Sheffield,” says gallery owner and curator Ann Petherick.

“Then there’s Susan Bower, a Marmite painter – most love her, a few don’t! Look out for Andrew Morris’s delightful view of Knaresborough’s marketplace. We have new work arriving all the time.” Open any day, 11am to 5pm; ring 01904 656507 or 07801 810825 or take pot luck. 

Kirkgate, Leeds, by Jonathan Hooper, from Kentmere House Gallery’s winter show

Tribute show of the week: The Chicago Blues Brothers, Cruisin’ For A Bluesin’ Tour, Grand Opera House, York, November 12, 7.30pm

JOIN Jake and Elwood, The Sweet Soul Sisters and the amazing CBB Band for a hand-clapping, foot-stomping, hard-hitting night of soul, rhythm & blues, country and Motown. Expect exuberant spirit, irresistible energy and even a few surprises. Box office: atgtickets.com/york.

Raqhael Harte as Sophie Goodman, Mick Liversidge as Phil Goodman and Ian Giles as Ratko Ilich in Lumar Productions’ premiere of Sea Stones. Picture: Chris Mackins

Premiere of the week: Lumar Productions in Sea Stones, Theatre@41, Monkgate, York, Tuesday to Saturday, 7.30pm plus 2.30pm Saturday matinee

AFTER eight novels and a regular column in The York Press, Tim Murgatroyd has written his debut play, an emotional, suspenseful night of the soul when four people are brought together in a lonely house by the sea.

Two fathers. Two daughters. Each confronted with the consequences of the past as a high tide is turning and tests to their relationships are escalating. Tests that might cost them not only their dearest hopes and loves, but their very lives. “The truth can set you free. Or drown you,” says Murgatroyd. Box office: tickets.41monkgate.co.uk.

Phil Grainger, left, and Alexander Flanagan Wright: Performing Orpheus at Rise@Bluebird Bakery, Acomb

Double act of the week: Wright & Grainger in Orpheus, Rise@Bluebird Bakery, Acomb, York, Wednesday, 7pm to 9pm

ALEXANDER Flanagan Wright and Phil Grainger’s Greek myth adaptation in spoken word and song heads to Rise after Adelaide Fringe award-winning success in Australia and at the Edinburgh Fringe, as well as back home at Stillington Mill.

Dave is turning 30. Eurydice is a tree nymph. Bruce Springsteen is on the karaoke. Cue a tale of dive bars, side streets, ancient gods and how far you would go for love. Box office: bluebirdbakery.co.uk/rise.

Long time coming: Ben Folds will stride into the Grand Opera House for his overdue York debut on Thusday

Gig of the week: Ben Folds, What Matters Most Tour, Grand Opera House, York, Thursday, 7.30pm

AT 57, North Carolina pianist, songwriter, author and podcast host Ben Folds plays his debut York show in support of What Matters Most, his first studio album since 2015.

At the only Yorkshire gig of his nine-date British and Irish tour, Folds will be combining his new material with songs from his 35-year career. Guitarist and singer Lau Noah, from Catalonia via New York, is the support act. Box office: atgtickets.com/york.

Snake Davis: Sax to the max at Pocklington Arts Centre

Jazz gig of the week: Snake Davis & Friends, Pocklington Arts Centre, Thursday, 8pm

JAZZ At PAC presents Snake Davis, saxophonist to the stars, from Paul McCartney, James Brown, Tina Turner and Eurythmics to Take That, Amy Winehouse, M-People and Lisa Stansfield.

First making his mark in York band Zoot & The Roots, Davis plays not only the saxophone family, but  flutes, whistles and an ancient Japanese wind instrument, the Shakuhachi, too. Box office: 01759 301547 or pocklingtonartscentre.co.uk.

Haircut 100: Wearing their favourite shirts at York Barbican on Friday

Fantastic day to see: Haircut 100, York Barbican, Friday, 8pm

NICK Heyward’s short-lived Brit-funk band Haircut 100 are back together after more than 40 years, following up May’s Pelican West 40th anniversary shows in London and Oxford with the 15-date Haircut 100% Live tour that ends in York, their only Yorkshire location.

“We are coming back with a tour to beat all tours this autumn,” says Beckenham-born Heyward, now 62. “All the hits that you love [Favourite Shirts (Boys And Girls), Love Plus One, Fantastic Day et al] and new tracks that we are bursting to share with you.” The support act will be Brighton band of brothers Barbara. Box office: yorkbarbican.co.uk.

The tour poster for Only Fools And Horses The Musical, bound for York next year

Lovely jubbly look-ahead: Only Fools And Horses The Musical, Grand Opera House, York, November 5 to 9 2024

DIRECT from a four-year sold-out West End run, Only Fools And Horses The Musical is heading to York in Paul Whitehouse and Jim Sullivan’s show, based on John Sullivan’s record-breaking 1980s’ BBC comedy.

Directed by Caroline Jay Ranger, it features a script and original score by John’s son and Whitehouse, bringing Peckham rogues Del Boy, Rodney, Grandad, Cassandra, Raquel, Boycie, Marlene, Trigger, Denzil, Mickey Pearce, Mike the Barman and the Driscoll Brothers to the stage with wide-boy humour and 20 songs. Bonnet de douche! Box office: atgtickets.co.uk.

Sarah Millican: Fully booked run at York Barbican

Recommended but sold out already

THREE nights, three sell-outs for South Shields humorist Sarah Millican at York Barbican from November 14 to 16 on her Late Bloomer tour, where she discusses Sarah then and now, dinners and lady gardens at 8pm nightly. Come along, laugh at her, with her, beside her, reads the invitation.  

Zeus: Once the ancient Greek god of the sky, lightning, thunder, law and order; now a champion dog with a lead role in York Theatre Royal’s pantomime Jack And The Beanstalk

In Focus: Best dog in show: Zeus the collie collars role in Jack And The Beanstalk

YOUNG Kennel Club Crufts trophy winner Zeus has won a lead role in this winter’s pantomime at York Theatre Royal.

The six-year-old Border Collie, from York, will make his stage debut alongside EastEnders star Nina Wadia, returnee panto dame Robin Simpson and CBBC’s Raven star James Mackenzie in Jack And The Beanstalk from December 8 to January 7 2024.

A theatre spokesperson says: “Zeus’s amazing audition gave us all paws for thought. He’s a natural stage performer whose dogged determination to win the role was a real tail-wagging moment.”

Already Zeus is a winner on the canine stage with three Young Kennel Club Crufts trophies to his credit. Those closest to him say he is very agile and loves to play but has an “off switch”and likes to wind down too.

Pantomime director Juliet Forster was delighted to hear that Zeus is “very eager to please, playful and up for learning” as she will be training him for his acting debut.

Zeus loves cream cheese, squeezy cheese too, and sometimes has carrots for breakfast. He eats at the table and even has his own chair. His favourite toys are balls and he has a collection of soft toys.

Zeus enjoys rounding up horses but not, as you might expect from a Border Collie, rounding up sheep. He is, however, best friends with two sheep, Maisie Midnight Fluffington and Wallace.

Pull the udder one: Anna Soden goes solo as Dave the Cow in Jack And The Beanstalk

He is yet to meet cows but will have his first close encounter with the bovine world in the rehearsal room as one of his co-stars will be Dave the Cow.

Dave is a rare breed of pantomime cow. “You’d almost think Dave is human,” says York actor and musician Anna Soden, who will inhabit the role on her own, rather than the usual two people squeezed uncomfortably into a cow costume.

Writer Paul Hendy, director of York Theatre Royal’s producing partner Evolution Productions, says: “In 19 years of writing and producing pantomimes, we’ve never had a human cow before. We wanted to do something different and director Juliet Forster was very open to that. It makes more opportunities in the show for the cow. It’s a much bigger part than usual. Dave is very much one of the gang.

“Our company is called Evolution for a reason: we are constantly evolving. One of the reasons pantomime has survived for 150 years or more is that it changes. There has to be a formula but within that you have to be original.”

Evolution is producing three Jack And The Beanstalk pantomimes around the country this winter. York has Dave; the shows at The Grove, Dunstable (starring EastEnders’ Steve McFadden, by the way), and Theatre Severn, Shrewsbury, will have a more traditional cow.

Meanwhile, the Theatre Royal’s legendary pantomime cow Patrica is heading for pastures new this Christmas with a role in Bridlington Spa Theatre’s pantomime, Beauty And The Beast.

Patricia’s career has taken in television appearances in The Crystal Maze with pantomime stalwart Christopher Biggins and Bargain Hunt, as well as starring in her own series of moo-vies on You Tube.

York Theatre Royal presents Jack And The Beanstalk, December 8 to January 7 2024. Box office: 01904 623568 or yorktheatreroyal.co.uk.