AS PARTING lines go, Robert Plant’s sign-off goes straight to the top: “See you again. We’ll be everywhere, forever.”
Now 74, but as well preserved as ever, Plant seems to have been musically rejuvenated by his incredible Saving Grace band and intent of creating his own version of Bob Dylan’s Never Ending Tour.
In unshowy jeans and black T-shirt, he seemed totally immersed in the set, watching everything and everyone like some well-intentioned hawk.
It would be easy for a leonine rock star to bask in the adulation and recreate his former glories. Plant has never wanted to take that path. Despite being probably the biggest star to grace a York stage this year, he clearly wanted to cut the full-house adoration short to focus on the songs.
“I love you Robert,” someone piped up towards the end, to be met with a good-natured “It’s far too late for that!”
Support act Burr Island were also good natured, their four-part harmonies impressing. Coming across like the better-off West Country cousins of Dexys Midnight Runners, the group are still in their thrall of their influences (Simon and Garfunkel, Crosby, Stills and Nash and Harvest Moon-era Neil Young) but have the talent – if not the rough edges – to reach their own audience.
Saving Grace’s set of what might loosely be called Americana comprised a mix of traditional tunes, West Coast classics, more contemporary covers, Plant originals and four Zeppelin numbers in acoustic form.
Musically scintillating, Plant has assembled an absolutely cracking band. Happy to step aside, the spotlight was often somewhere other than him. This underlined with light what was blindingly obvious: this is a band performance, not a frontman and some hired guns.
Singing harmonies and co-lead was Suzi Dian, whose voice was totally simpatico with Plant’s but giving a depth and richness that recalled two of country music’s finest: Gram Parsons and Emmylou Harris.
Dian sang lead on Orphan Girl, written by Gillian Welch but better known for Harris’s cover. Dian’s voice has some of the thin steel that characterises Harris’s voice, but has a richer palette to draw on. Plant and Dian rarely took their eye off the other while singing.
Each of the band had numerous standout moments, for example Barney Morse-Brown’s cello acted like the bass, but also created a wonderfully unexpected segment of the radical reworking of Neil Young’s For The Turnstiles.
Matt Worley on banjo and strings was a cut above and also took on a vocal on the traditional What Is The Soul Of A Man. On drums, Oli Jefferson never went anywhere near a four-on-the-floor beat as he wove a rich sound tapestry on his 1930s’ vintage kit.
This is Plant’s Black Country Grand Union Station (with Alison Krauss of course, Plant’s former singing partner). On this form, no other band could touch them, the dynamics, the imagination and the prowess on show (but never overplayed).
The music was full of twists and turns, often evoking a powerful Spanish, Middle Eastern sound. Plant exemplified this, using that big voice of his with the care of a maestro, often cruising with power in reserve.
It was a treat to hear Moby Grape’s West Coast gem It’s a Beautiful Day Today, which sounded fresh and full of promise (sadly no room in the set for Naked If I Want To, but I can dream).
Occasionally Plant let loose and showed us his Zepp chops, with the band seemingly pinching themselves. The Led Zeppelin covers (Ramble On, Four Sticks, Friends and The Rain Song) were tastefully done and arranged to fit into the style of the set, not stand out. Each was treated to a warm welcome and The Rain Song particularly glistened with mystery.
To be critical, a third of the songs were the same as his April 2022 performance at the Grand Opera House, York, and the encores added nothing new musically. The band appear to be playing a very similar set each night on this tour, so there is none of the jeopardy you might get seeing Dylan.
Instead, you get a supremely well-executed set of songs that seem to have been worked through down to the last intake of breath. The 95-minute set flew by: the rich cherry on a fine year for live music in York.
Wrapping: Beware!There are many versions of Kylie Christmas Fully Wrapped, not least multiple coloured vinyl with various sleeves. There is a fabulous zoetrope vinyl, plus alternative digital versions, and some of the early physical versions came with an added signed print. However, only those bought via Amazon include the omnipresent Christmas number one hit XMAS. Choose carefully!
Gifts inside: Kylie Christmas Fully Wrapped is basically a re-pressing of Kylie’s decade-old Christmas album. So, we get another chance to hear Kylie’s duet with Frank Sinatra (Santa Claus Is Coming to Town) and 100 Degrees, featuring sister Danni Minogue, along with new songs XMAS, Hot In December, This Time Of Year and Office Party. As if Kylie has ever been to such a social occasion!
Style: Kylie is a brand. A very successful brand. This is very similar to every other Kylie album of upbeat disco and stylish ballads with a touch of jingle bells. What’s not to like?
’Tis the reason to be jolly: Kylie is on board to be the first female artist to score a UK Number One album in five consecutive decades! So, from the 1980s to the 2020s, Kylie has been part of our lives. She is a bedrock in our society and mostly brings us great joy.
Scrooge moan: Surely fans should have been offered a completely new set of songs. There are enough Christmas songs available. And it’s a disgrace that new hit song XMAS is only available from one singular online outlet (in digital and physical formats)!
White Christmas? Although Bing Crosby’s classic isn’t on offer, we have Kylie’s versions of It’s The Most Wonderful Time Of the Year, Let It Snow, I Wish It Could Be Christmas Everyday and, best of all, Santa Baby.
Blue Christmas? Kylie always blows the blues away!
Stocking or shocking? We can only imagine that Kylie wears the finest of silk stockings. This is perfect fare for everyone who shares that fantasy.
Record sleeve in a jumper style: Kate Rusby’s 20: Christmas Is Merry
Kate Rusby, 20: Christmas Is Merry (Pure Records) ****
Wrapping: Artwork and design by Tom Pitts at Hand Drawn Pixels, featuring a knitted Christmas jumper front of bells, trees, snowflakes, reindeer and brass instruments, all key to Rusby’s Christmas folk carol concerts. Inside are photos from past concerts (fancy dress finale et al), previous Christmas album artwork and Kate’s sleeve notes that end with “Here’s to the next 20 years, who’s in?? Xx”.That would take to Kate to age 72…and maybe another six, seven, eight festive albums!
Gifts inside: Marking 20 years of Christmas concerts with her folk band and “the Brass Boys”, and mirroring the 20 and 30 albums that landmarked previous touring anniversaries, double album Christmas Is Merry combines 17 live recordings from 2020 to 2024 with new acoustic recordings, featuring Damien O’Kane on acoustic and electric guitar and Duncan Lyall on piano and Moog (on Wren), recorded at Barnsley nightingale Rusby’s Singy Songy Studios.
Style: Too-jolly-for-killjoy-Victorian-churches South Yorkshire pub carols (Bradfield, Sunny Bank, Hark Hark), “Rusbyfied” Christmas shopping songs (The Most Wonderful Time, Winter Wonderland), rediscovered novelty records (Arrest These Merry Gentlemen, Hippo For Christmas) and Rusby winter originals (Holly King, Glorious, The Frost Is All Over, Little Jack Frost and the New Year’s dawn greeting of Let The Bells Ring) make for the merriest (Here We Come A Wassailing), occasionally bleakest (Paradise) Yorkshire Christmas, with Cornish escapee Christmas Is Merry for good company.
’Tis the reason to be jolly: Quintet of new acoustic versions (Kris Kringle, Little Jack Frost, Hippo For Christmas, Holly And The Ivy and The Wren) and the bracing brace of variations on While Shepherds Watched (Sweet Chiming Bells, Sweet Bells).
Scrooge moan: Where is the third regular Rusby variation on While Shepherds Watched, Hail Chime On? Mind you, at least 30 spins on While Shepherds are doing the pub rounds.
White Christmas? No, not that ubiquitous chestnut, but a winter chill spreads through The Frost Is All Over, Little Jack Frost and Glorious, with its broken-winged angel in a frozen tree.
Blue Christmas? More green, red, gold and white than blue, although the brass infusions in Little Town Of Bethlehem will bring a tear, such is its hymnal beauty.
Stocking or shocking? It may shock you to learn that Christmas Is Merry is Rusby’s eighth, yes, eighth Christmas album after 2008’s Sweet Bells, 2011’s While Mortals Sleep, 2015’s The Frost Is All Over, 2017’s Angels And Men, 2019’s Holly Head, 2020’s Happy Holly Day (Live) and 2023’s Light Years. Here she comes a wassailing again, with a winter-warmer perfect for all “Holly heads” (Kate’s Christmas variation on ‘petrol heads’).
Available only via Kate Rusby’s official website, at https://katerusby.com/album/20-christmas-is-merry/ or through Proper Music (as well as on her “craft shop” merchandise table on the now concluded Christmas Is Merry tour that visited York Barbican on December 11).
Emily Chattle’s Lowen and Ceridwen Smith’s Granbow in a magical scene in Next Door But One’s Christmas show with a difference, When Robins Appear. Picture: James Drury
FESTIVE shows, carol concerts, dancing with Anton and a musical aboard a Christmas steamer fill Charles Hutchinson’s in-box for December delights.
A different kind of Christmas show of the week: Next Door But One in When Robins Appear, Clifton Explore, December 18,5.30pm;York Explore, December 20 and 21, 11am and 2pm
WRITTEN and directed by Next Door But One artistic director Matt Harper-Hardcastle, When Robins Appear follows two friends as they face the big changes of moving house, starting new schools and a first Christmas without Grandma, when the festive sparkle seems to be missing.
Helped by a magical Robin (played by Ceridwen Smith), 12-year-old Ellis (Annie Rae Donaghy) and Lowen (Emily Chattle) are whisked away on a heart-warming journey through their favourite wintery memories to find the magic again. Soon they discover that the real sparkle of Christmas will not be found under the tree, but in the laughter, love and unforgettable moments we share together and that can live forever in our hearts. Tickets update: Sold out, for returns only, go to: www.nextdoorbutone.co.uk.
Adam Price’s Billy Crocker, left, Alexandra Mather’s Reno Sweeney and Fergus Powell’s Moonface Martin in Pick Me Up Theatre’s Anything Goes at Theatre@41, Monkgate, York. Picture: Felix Wahlberg
Full steamer ahead of the week: Pick Me Up Theatre in Anything Goes, Theatre@41, Monkgate, York, until December 21, then December 27 to 30
CLIMB aboard the S.S. American as it sets sail in Andrew Isherwood’s all-singing, all-dancing staging of Anything Goes, Cole Porter’s swish musical, charting the madcap antics of a motley crew leaving New York for London on a Christmas-themed steamer.
Meet nightclub singer/evangelist Reno Sweeney (Alexandra Mather) and lovelorn Wall Street broker Billy Crocker (Adam Price), who has stowed away on board in pursuit of his beloved Hope Harcourt (Claire Gordon-Brown). Alas, Hope is engaged to fellow passenger Sir Evelyn Oakleigh (Neil Foster). Enter second-rate conman Moonface Martin (Fergus Powell) to join Reno in trying to help Billy win the love of his life. Box office: tickets.41monkgate.co.uk.
Winter WonderBand: Performing Joy Illimited album at Helmsley Arts Centre
The cover artwork for Winter WonderBand’s Joy Illimited album
Christmas folk concert of the week: Winter WonderBand, Helmsley Arts Centre, tomorrow, 7.30pm
CHAMBER folk quartet Winter WonderBand comprises Saul Rose (from Faustus, War Horse and Waterson Carthy) on melodeon; Maclaine Colston (Pressgang and Kings Of Calicutt) on hammered dulcimer; Beth Porter (SpellSongs and Bookshop Band) on cello and Jennifer Crook (Broken Road and Cythara) on harp and guitar.
Together they play winter and festive-themed acoustic music and songs, traditional, modern and original, as heard on debut album Joy Illimited, released on December 1. Box office: 01439 771700 or helmsleyarts.co.uk.
The Icons Of Soul: In serenading mood at Milton Rooms, Malton, on Saturday
Christmas soul parties of the week: The Magic Of Motown, York Barbican, tomorrow, 7.30pm; The Icons Of Soul, Milton Rooms, Malton, Saturday, 8pm
ON its 20th anniversary tour, The Magic Of Motown travels down nostalgia avenue in celebration of Marvin Gaye, Diana Ross, Stevie Wonder, The Temptations, The Supremes, The Four Tops, Martha Reeves, Mary Wells, The Isley Brothers, The Jackson 5, Smokey Robinson and Lionel Richie at York Barbican on Thursday. Box office: yorkbarbican.co.uk.
Two nights later, direct from the United States, The Icons Of Soul serenade Malton’s audience with soul classics and slick dance routines as they celebrate 1960s and 1970s’ vocal groups such as The Drifters, The Temptations, The Stylistics and Tavares. Be prepared to dance all night long. Box office: 01653 696240 or themiltonrooms.com.
The poster for Pocklington Arts Centre’s Christmas show, Elizabeth Godber’s Jingle All The Way
Deer double act of the week: Jingle All The Way, Pocklington Arts Centre, until December 23
FROM the team behind The Elves And The Shoemaker Save Christmas and Jack Frost’s Christmas Wish comes Elizabeth Godber’s latest Christmas family adventure, co-directed by Jane Thornton with musical direction by Dylan Allcock.
Reindeer siblings Rex (Emilio Encinoso-Gil) and Rosie(Hannah Christina) are reluctant to start at a new school just before Christmas, especially when that school is the East Riding Reindeer Academy, home of supreme athletes. Santa, however, has a position free on his sleigh squad; could this be Rex’s big chance? Box office: 01759 301547 or pocklingtonartscentre.co.uk.
Eve Lorian: Conducting Prima Choral Artists’ Family Christmas Concert at St Olave’s Church, Marygate, York
Choral concert of the week: Prima Choral Artists, Family Christmas Concert, St Olave’s Church, Marygate, York, Saturday, 4pm to 5pm
PRODUCED and conducted by Prima Choral Artists director Eve Lorian, Saturday’s concert unites her choir with the New World String Quartet, organist James Webb and pianist Greg Birch in reflective and cheerful Christmas celebrations.
Here come high-spirited festive classics, modern choral arrangements and string and organ repertoire, including works by Tchaikovsky and Rawsthorne. Box office: primachoral.com and on the door.
Festive song and dance with Anton Du Beke and terpsichorean friends at York Barbican
Dandy dancing of the week: Christmas With Anton Du Beke & Friends, York Barbican, Sunday, 5pm
EMBARK on a dazzling journey into a festive wonderland as Strictly Come Dancing judge and ballroom king Anton Du Beke joins forces with his dynamic live band, vocalist Lance Ellington and troupe of dancers for a magical evening of cherished Christmas songs, captivating dance and festive humour. Box office: yorkbarbican.co.uk.
Recommended but sold out already is Robert Plant’s Saving Grace gig, Ding Dong Merrily, at York Barbican on December 23 (doors 7pm), when Plant, co-vocalist Suzi Dian drummer Oli Jefferson, guitarist Tony Kelsey, banjo and string player Matt Worley and cellist Barney Morse-Brown showcase September 26’s Saving Grace album, “a song book of the lost and found”.
Pickering Musical Society in pantoland: Starting off the new year in Snow White at Kirk Theatre, Pickering
Booking recommended now: Pickering Musical Society in Snow White, Kirk Theatre, Pickering, January 14 to 25, 7.15pm, except January 19; 2.15pm, January 17, 18, 24 and 25
INTEREST has been “extraordinary” for Pickering Musical Society’s January 2026 pantomime, directed for the tenth year by resident director Luke Arnold. More than 1,000 tickets have sold already; January 18’s 2.15pm performance has sold out and several others are close behind.
Written by Ron Hall, the show combines comedy, spectacle, festive magic, dazzling scenery and colourful costumes and features such principals as Marcus Burnside’s Dame Dumpling, Danielle Long’s Prince Valentine, Alice Rose’s Snow White, Paula Cook’s Queen Lucrecia and Sue Smithson’s Fairy Dewdrop. Audiences are encouraged to book early to avoid disappointment. Box office: 01751 474833 or kirktheatre.littleboxoffice.com.
A shoe-in for the new Paul: Miles Frizzell, right, takes up his seat as The Bootleg Beatles’ Paul McCartney, making his tour debut in 5: The Concert. Picture: Copyright, The Bootleg Beatles
THE Bootleg Beatles’ latest tour, 5: In Concert, introduces the tribute band’s “new Paul McCartney” in a show built around the Fab Four’s five top-selling albums.
Playing 14 pre-Christmas British dates, including York Barbican on December 15, as part of a huge 2025-2026 European tour, Miles Frizzell, from Nashville, Tennessee, will make his Bootleg debut on this run, performing songs from 1965’s Rubber Soul, 1966’s Revolver, 1967’s Sgt. Pepper’s Lonely Hearts Club Band, 1968’s The Beatles (aka “The White Album”) and 1969’s Abbey Road.
“It’s all here…the iconic mop tops and the Chelsea boots, the Vox amps and the Chesterfield suits,” promises The Bootleg Beatles’ multi-media show. “Each tiny vocal inflection and each witty Beatle quip, all meticulously studied on this Magical Mystery trip. It’s not the Beatles but you simply won’t believe it.”
How come a 21-year-old American from the country capital of Nashville, Tennessee, was drawn to playing Liverpudlian Paul McCartney in The Bootleg Beatles? “The Beatles’ music has always been in my family,” says Miles. “My dad was a huge fan, my mum was a fan, and when I was 12/13, I ‘rediscovered’ a couple of songs I first hear when I was five or six, and I became really obsessed with them.
“The songs they wrote; how they they wrote them; how they dressed…it all became a huge part of my life. Even learning to play the guitar upside down. Some believed it might never happen, but here I am, playing Paul.
“There are some drawbacks to playing guitar this way. Like, usually, in any guitar shop, there are no guitars that I can play. But there are definitely some pros too.
“First of all, I’m going on tour making my British debut in the greatest Beatles’ tribute show in the world, so that can’t be bad!”
This tour is only the second time that Miles has travelled to Britain. “The first was for my audition, meeting the rest of the band for the first time when I auditioned by Putney Bridge in London,” he says.
“There were about 130 people people overall that auditioned, and there were four or five others auditioning on that day, so it was quite competitive. I met only one other, Joe Kane. We had a good chat, talked about The Beatles; how much we both loved them.”
Miles was picked for Paul and returned to UK to rehearse with his new Fab Four compadres from November 18. They first time they would play together would be at the Liverpool Philharmonic Hall, in The Beatles’ home city, on December 7. What a baptism of fire!
“I’m an American, but you just listen to The Beatles so much, so you can just pick up the accent. Anybody could do it. It just takes time!” he says.
“It’s been a long road, and especially now I’m finding little things with the accent. The music came first for me. I learned how to play like Paul, sing like Paul, singing like a Brit, a Scouser, but The Beatles were also impersonating the American style, so I’m learning as an American how to be a British person, a Scouser and yet American too. We’ve had fun ‘Scousing around’ and I’m enjoying that challenge of ‘Can you tell that I’m an American?’!”
The poster for The Bootleg Beatles’ 5:The Concert itinerary in 2025-2026
It had to be Paul for Miles. “Not only is he a songwriting genius, but also he has this cheeky charm about him, though John [Lennon] was the witty one,” he says. “Paul always feels like the main one, and I don’ think The Beatles could have continued after [manager] Brian Epstein died without Paul leading them. He wasn’t everything in The Beatles but he was the glue.”
The new tour show, 5: In Concert, will take The Beatles’ story from appearing on the Ed Sullivan Show in their iconic suits and white shirts, through green lapels, red satin shirts – the Budokan look, one of Miles’s favourites – and onwards to Sgt. Pepper and the White Album.
“I get to wear a flashy pink suit for that one. It’s an exciting wardrobe change,” he says. “For Abbey Road, you can’t go wrong with what they wore on that iconic album cover, with George in his famous jean look.” And Paul in bare feet, of course!.“We’ve been thinking about that; we’ve kicked around the idea of me being barefooted, in sandals or in Beatle boots.”
To find out what the decision was, you will have to attend Monday’s concert. Miles, meanwhile, is decisive on his favourite of the five albums featuring in the show. “It’s a hard question to answer. It’s always different, actually listening to the album rather than dissecting them,” he says.
“Listening to them, Abbey Road might be my favourite, but getting ready for the tour, I feel I really fancy ‘The White Album’ now. Great orchestration, great songs, and, man, weren’t they in their prime! It feels so Beatley, this band playing great songs and rocking out.”
Still rocking out, after all these years, is one Paul McCartney. “I got to see Paul in Nashville and, two days later, at Atlanta, Georgia. I didn’t meet him but he did wink at me!” says Miles. “Seeing him, it felt spiritual.
“Paul played at this place called The Pinnacle [in the Buckhead neighbourhood of Atlanta]. It holds only 4,000, which is a small venue for Paul, where tickets cost $1,500. I couldn’t make that happen, but I ended up at the last minute going to the venue just to get a glimpse of him as his entourage arrived.
“We went to the box office on the off-chance, and they now had tickets going for 300 dollars for general admission standing tickets, which means you can get as close to the stage as possible. We got to the front, in the middle! Like the Pinnacle name, it was my pinnacle of going to gigs. It was truly incredible!”
Miles continues: “The fact that you can still see Paul McCartney in the flesh, and he still looks great and sounds great, is fantastic. Not everyone gets that opportunity – and with John [Lennon] and George [Harrison], you can only go from the videos now.”
It was only at this point that CharlesHutchPress enquired if Miles had past experience of playing Paul. “I’ve been doing it professionally for four years, since I was 17,” he reveals. “I perform in the USA in The Fab Four show, the Emmy-winning American tribute show, and I also work with a show called 1964 – The Tribute, Forever Abbey and Classical Mystery Tour. I play Paul in all those.”
Ah, right, that’s why it’s a thumbs-up to Miles being picked as “the new Paul” in The Bootleg Beatles.
The Bootleg Beatles, 5: In Concert, York Barbican, December 15, 7.30pm; Sheffield City Hall, December 19, 7pm. Box office: York, yorkbarbican.co.uk; Sheffield, sheffieldcityhall.co.uk; also bootlegbeatles.com/gigs.
Next Door But One movement director Bailey Dowler, left, with writer-director Matt Harper-Hardcastle and cast members Ceridwen Smith, centre, Annie Rae Donaghy and Emily Chattle rehearsing for their Explore York library tour of When Robins Appear
CAROL concerts, festive shows and a musical aboard a Christmas steamer fill Charles Hutchinson’s in-box for December delights.
A different kind of Christmas show of the week: Next Door But One in When Robins Appear, York Explore, today and tomorrow, 11am and 2pm; Tang Hall Explore, December 15, 5.30pm;Clifton Explore, December 18,5.30pm;York Explore, December 20 and 21, 11am and 2pm
WRITTEN and directed by Next Door But One artistic director Matt Harper-Hardcastle, When Robins Appear follows two friends as they face the big changes of moving house, starting new schools and a first Christmas without Grandma, when the festive sparkle seems to be missing.
Equipped with the help of a magical Robin (played by Ceridwen Smith), 12-year-old Ellis (Annie Rae Donaghy) and Lowen (Emily Chattle) are whisked away on a heart-warming journey through their favourite wintery memories to find the magic again. Soon they discover that the real sparkle of Christmas will not be found under the tree, but in the laughter, love and unforgettable moments we share together and that can live forever in our hearts. Tickets update: Sold out. For returns only, go to: www.nextdoorbutone.co.uk.
Adrian Cook’s Captain, top, Alexandra Mather’s Reno Sweeney and Leo Portal’s Ship’s Purser in Pick Me Up Theatre’s Anything Goes
Full steamer ahead of the week: Pick Me Up Theatre in Anything Goes, Theatre@41, Monkgate, York, until December 21, then December 27 to 30
DITCH York’s December chills and climb aboard the S.S. American as it sets sail in Andrew Isherwood’s all-singing, all-dancing staging of Anything Goes, Cole Porter’s swish musical, charting the madcap antics of a motley crew leaving New York for London on a Christmas-themed steamer.
Meet nightclub singer/evangelist Reno Sweeney (Alexandra Mather) and lovelorn Wall Street broker Billy Crocker (Adam Price), who has stowed away on board in pursuit of his beloved Hope Harcourt (Claire Gordon-Brown). Alas, Hope is engaged to fellow passenger Sir Evelyn Oakleigh (Neil Foster). Enter second-rate conman Moonface Martin (Fergus Powell) to join Reno in trying to help Billy win the love of his life. Box office: tickets.41monkgate.co.uk.
Dr Lara McClure: Weird and wonderful storytelling in Christmas Presence
Cabaret night of the week: Baps & Buns Burlesque, Rise@Bluebird Bakery, Acomb, York, tonight, 7pm
YORK burlesque artiste Freida Nipples hosts her last Baps And Buns Burlesque of 2025 at Bluebird Bakery, joined by drag queens and acrobatic acts for a night of debauched and glamorous cabaret in Acomb. Sorry to raise hopes, but this one is waiting list only at bluebirdbakery.co.uk.
You may have better luck for Christmas Presence, Dr Lara McClure’s weird and wonderful stories for the festive season, on December 17 at 8.30pm. Tickets: bluebirdbakery.co.uk.
Jingle All The Way cast members Emilio Encinoso-Gil and Hannah Christina in rehearsal with musical director Dylan Allcock for Elizabeth Godber’s Christmas play at Pocklington Arts Centre
Deer double act of the week: Jingle All The Way, Pocklington Arts Centre, until December 23; relaxed performance on December 14, 1.30pm
FROM the team behind The Elves And The Shoemaker Save Christmas and Jack Frost’s Christmas Wish comes Elizabeth Godber’s latest Christmas family adventure, co-directed by Jane Thornton with musical direction by Dylan Allcock.
Reindeer siblings Rex (Emilio Encinoso-Gil) and Rosie(Hannah Christina) are reluctant to start at a new school just before Christmas, especially when that school is the East Riding Reindeer Academy, home of supreme athletes. Santa has a position free on his sleigh squad; could this be Rex’s big chance? Box office: 01759 301547 or pocklingtonartscentre.co.uk.
Eve Lorian: Conducting Prima Choral Artists in Christmas concerts at St Olave’s Church, Marygate, York tonight and next Saturday
Choral concerts of the week: Prima Choral Artists, Family Christmas Concerts, St Olave’s Church, Marygate, York, today and December 20, 4pm to 5pm; Choirs At Christmas, Joseph Rowntree Theatre, York, December 16 to 18, 7.30pm
PRODUCED and conducted by Prima Choral Artists director Eve Lorian, these concerts combine her choir with the New World String Quartet, organist James Webb and pianist Greg Birch in reflective and cheerful Christmas celebrations. Here come high-spirited festive classics, modern choral arrangements and string and organ repertoire, including works by Tchaikovsky and Rawsthorne. Box office: primachoral.com and on the door.
The Joseph Rowntree Theatre plays hosts to three magical fundraising evenings of Christmas classics from Tuesday to Thursday. The Shepherd Brass Band’s brace of Gala Christmas Concerts on December 19 and 20 at 7.30pm are fully booked. Box office: 01904 501935 or josephrowntreetheatre.co.uk.
Christmas Carols composer Don Pears, left, York Guildhall Orchestra leader Fiona Love, producer Bob Whitney and conductor Simon Wright
Album launch of the week: A Christmas Selection Box, A Music Night Production with Don Pears and Singphonia Singers, Joseph Rowntree Theatre, York, tomorrow, 7pm
THE Singphonia Singers, a group of talented performers formed by York composer Don Pears, showcases Don and Jo Pears’ festive album Christmas Carols in A Christmas Selection Box. The album will be on sale at Sunday’s concert or can be downloaded from Spotify, Apple iTunes and Amazon Music. Box office: 01904 501935, josephrowntreetheatre.co.uk or on the door.
Steve Cassidy: Performing at York’s Annual Community Carol Concert at York Barbican
Family festive fun of the week: York’s Annual Community Carol Concert, York Barbican, tomorrow, 2pm
SUNDAY is the time to don Christmas jumpers and Santa hats for York’s Annual Community Carol Concert, where Shepherd Brass Band, St Paul’s CE Primary School Choir, All Saints RC School Choir andAmber Ford join special guest Ken Humphreys for an afternoon of Christmas cheer.
Carol concert regular Steve Cassidy sings with the ensemble, while the community singing will be led by musical director Mike Pratt. The Reverend Andrew Foster and Adam Tomlinson will be on hosting duty. Box office: yorkbarbican.co.uk.
The poster for The Bootleg Beatles’ Monday concert at York Barbican, focusing on the Fab Four’s five biggest-selling studio albums
Tribute show of the week: The Bootle Beatles, 5: The Concert, York Barbican, December 15, 7.30pm
THE Bootleg Beatles follow up their celebration of songs from The Beatles’ quintet of films with another Famous Five. This time, the focus is on the Fab Four’s top five-selling albums, the Bob Dylan-influenced Rubber Soul, the experimental Revolver, Sgt. Pepper’s Lonely Hearts Club Band, heralding the Summer of Love and psychedelia, The White Album, with its glorious mish-mash of styles, and their grand finale, Abbey Road. Box office: yorkbarbican.co.uk.
Recommended but sold out already: Jools Holland and His Rhythm & Blues Orchestra with special guests Imelda May, Ruby Turner, Louise Marshall and Sumudu Jayatilaka, at York Barbican on December 17, 7.30pm.
Jools Holland: Sold-out return to York Barbican on December 17
Festive folk concert of the week: Green Matthews, Midwinter Revels, National Centre for Early Music, York, December 16, 7.30pm
FOLK duo Chris Green and Sophie Matthews complete a hat-trick of festive visits to the NCEM on Tuesday, following up A Christmas Carol: In Concert and A Brief History Of Christmas with Midwinter Revels.
Spanning several centuries, this celebration of Yuletide Past promises to warm the cockles of even Scrooge’s heart with Christmas carols, winter folk songs, tunes and weird and wonderful instruments, all complemented by Green Matthews’ trademark wit. Box office: 01904 658338 or ncem.co.uk.
Chris Green and Sophie Matthews: Returning to NCEM full of Christmas cheer
Recommended but sold out alas: Chapter House Choir, Carols By Candlelight, The Nave, York Minster, December 19, 7.30pm
IN The 60th anniversary of the Chapter House Choir, the candlelit Nave of York Minster will play host to Carols By Candlelight, the York choir’s much-loved seasonal tradition, directed by Ben Morris.
A rich selection of carols both old and new will be complemente by the Chapter House Youth Choir, under Charlie Gower-Smith’s direction, alongside festive favourites from the Handbell Ringers. A new commission by French composer Héloïse Werner, marking the choir’s milestone, receives its world premiere. Doors open at 6.45pm.
Christmas stories of the week:John Osborne presents: There Will Be Tinsel, Rise@Bluebird Bakery, Acomb, York, December 19, 7.30pm
STEP into the magic of the season with theatre-maker and BBC Radio 4 regular John Osborne, who bedecks the Rise stage in tinsel and Christmas lights for a night of festive poems and stories.. Box office: https://bluebirdbakery.co.uk/rise.
Kate Rusby singing in a winter winderland. Picture: David Angel
KATE Rusby, Barnsley nightingale, or the “first lady of folk” as her website now calls her, transforms into a Robin redbreast at this festive time of year.
No Yorkshire Christmas would be complete without her alternative carol services, where Kate in sparkly dress reunites her regular folk boys with her guest Brass Boys, glistening instruments standing out against black shirts, as they perform carols deemed too jolly by Victorian glums but resurrected by South Yorkshire pubs for “sings” with a pint in hand from late-November to the New Year.
Over 20 years now, these festive concerts have expanded to take in “Rusbyfied” takes on “Christmas shopping songs”, rediscovered quirky novelties (Hippo For Christmas, Sid Kipper’s Arrest These Merry Gentlemen) and Kate’s own winter songs.
Live recordings from the past five years have been assembled for Kate 20: Christmas Is Merry, a double album on sale only at katerusby.com, through Proper Records and on her tour merch table, or “Craft Shop”, as Kate is wont to call it.
Christmas is all the merrier for the inclusion of five new acoustic recordings [Kris Kringle, Little Jack Frost, Hippo For Christmas, Holly And The Ivy and The Wren) on Kate’s eighth Christmas record. Yes, a remarkable eighth. Sweet bells, what an achievement.
And everything is merrier still for her 20th anniversary being her best, boldest and brightest show yet by our leader of “Holly heads”. Everything has been not so much thrown at it as thoughtfully thought through. We are used to Ruby the nodding reindeer being to the side of the stage, but now her lights change, and on the opposite side sits a lit-up Father Christmas.
Kate’s microphone stand is bedecked as ever with festive foliage; lighting interweaves with winter greenery across the stage apron; a Christmas tree with a star atop and presents at its base, stands at the back. For the first time, Duncan Lyall has not only a Moog at hand but also the 1980s’ organ rescued from the skip grave by Kate after last year’s closure of The Royal Hotel, in Dungworth, brought an end to the pub ‘sings’ there (thankfully now revived in the village hall).
Kate Rusby: A festive fixture at York Barbican, already booked in for December 10 2026
Christmas Is Merry’s stage has been fitted out as retro pub of the Seventies: red (hopefully not sticky) carpet; stools and tables teeming with glasses (“not cleared from the night before,” notes Kate), even a bar with pumps, steaming mulled wine and decorative foil garlands. The ghosts of Slade, Wizzard, Elton John , Gilbert O’Sullivan, John Lennon and Greg Lake hits, Eric & Ernie and Benny Hill’s Ernie could all be popping in.
Over the years, Kate has decorated the back wall of her stage in myriad ways, most memorably with giant crocheted snowflakes. Now she has embraced new technology, as four picture frames light up projections, first with KATE spelled out in knitted white, then with Christmas wrapping paper designs, snowy landscapes, winter windows and, most impactful of all, an animated sequence for the chilling story of the Holly King, the climax to the first set.
Holly King is testament to how rounded, how complete, Kate’s festive musical landscape has become as accordion player Nick Cooke switches to doubling with Josh Clark on thunderous percussion, while Lyall’s Moog is eerier than ever.
Kate’s compositions are now cornerstones of her set, from the stillness of a Christmas Day’s walk in The Frost Is All Over, to the broken angel in the tree as morning awakes in Glorious, and best of all, the New Year’s dawn on a Cornish beach of Let The Bells Ring.
Kate’s Christmas concerts are nights of fresh joy, yet steeped in nostalgia of Christmases past, and so your reviewer is twice reduced to tears, first in Little Town Of Bethlehem, where the brass playing is so sublime atop Kate’s chorister purity.
Later, her proclamation of Let The Bells Ring, and with it Kate’s wish for love to prevail, has CharlesHutchPress transported to a better place, yet still close at hand in God’s Own Country against the grain of the relentless grind of warmongering politicos, such folly amid the holly, so at odds with Kate’s voice as pure as new-fallen snow.
The cover artwork for Kate Rusby’s eighth Christmas album: Kate Rusby 20 Christmas Is Merry, released on December 5
Kate is joker and jester, yet as wise as Shakespeare’s Fools in her trademark banter, her storytelling illuminating the path through each song, whether the reason behind so many versions of While Shepherds Watched, or the inspiration for her own winter songs, or the inclusion of a Cornish folk carol (Christmas Is Merry).
Kate trips the light fantastic through such festive chestnuts as The Most Wonderful Time Of The Year, Winter Wonderland and the encore-closing Yorkshire Merry Christmas, while the likes Of Hark Hark , Sweet Chiming Bells, Here We Come A Wassailing and encore staple Sweet Bells make you thankful the South Yorkshire carollers gave the cold shoulder to those Victorian killjoys.
These Christmas concerts have acquired their own traditions: Kate’s sales pitch for the merch table (new album; natty new blue, white and red Christmas jumpers, and accompanying scarf and bobble hat, given a Rusby catwalk twirl); audience participation in a recording of a kazoo rendition of Sweet Bells; and Kate vacating the stage for “girly songs” to be replaced by “manly” reels led by the impish Irishman Damien O’Kane on banjo.
Oh, and the fancy-dress finale, this year resplendent in the theme of Frozen, the brass boys attired as Trolls, Kate as Kristoff and O’Kane as Olaf, the snowman, an all-consuming costume that has fingers striving to poke their way through huge twig fingers to play guitar, all adding up to a sight as gloriously wild and freewheeling as a school Nativity play.
Let’s meet again this time next winter. Glory be, Kate has confirmed her return to York Barbican on December 10 2026; tickets are on sale already at yorkbarbican.co.uk.
Christmas Is Merry indeed. “Let the bells ring”, sings Kate, “There is nothing now I fear/Let the sun rise on a happy new year.” Let’s raise a glass to that.
Wanderful: Lisa George’s Fairy Godmother in Cinderella at the Grand Opera House, York
CHRISTMAS music and pantomimes aplenty dominate Charles Hutchinson’s recommendations for December fun-filled fulfilment.
Having a ball: Cinderella, Grand Opera House, York, until January 4 2026
CORONATION Street star Lisa George’s Fairy Godmother leads the cast of Tobias Turley’s Prince Charming, Bradley Judge’s Dandini and West End actress Rachel Grundy’s Cinderella in UK Productions’ Cinderella, scripted by Jon Monie.
Directed by Ellis Kerkhoven, West End drag stars Luke Attwood and Brandon Nicholson bring the mayhem in Ugly Sisters mode as Harmony and Melody Hard-Up, joined in the comedy corner by Jimmy Bryant’s Buttons. Box office: atgtickets.com/york.
Radiant: Jennie Dale’s Fairy Moonbeam in Sleeping Beauty at York Theatre Royal. Picture: Pamela Raith Photography
No sleep till January 4: Sleeping Beauty, York Theatre Royal
YORK Theatre Royal creative director Juliet Forster directs returnee dame Robin Simpson’s Nurse Nellie, Jocasta Almgill’s Carabosse, Tommy Carmichael’s Jangles, CBeebies star Jennie Dale’s Fairy Moonbeam, Aoife Kenny’s Aurora and Harrogate actor Christian Mortimer’s Prince Michael of Moravia in Sleeping Beauty.
Written once more by Paul Hendy, the Theatre Royal’s festive extravaganza is co-produced with award-winning Evolution Productions, the same team behind All New Adventures Of Peter Pan, Jack And The Beanstalk and last winter’s Aladdin. Box office: 01904 623568 or yorktheatreroyal.co.uk.
Hooked: Jamie McKeller savours the role of Captain Hook in Rowntree Players’ The Pantomime Adventures Of Peter Pan at the JoRo. Picture: Matt Hillier
Putting ‘Pan’ into pantomime: Rowntree Players in The Pantomime Adventures Of Peter Pan, Joseph Rowntree Theatre, York, Wednesday to Friday; Saturday, 2pm and 7.30pm
HEAD to the fantastical world of Neverland in Howard Ella and Gemma McDonald’s pantomime for Rowntree Players. Cling on to your seats as Hannah King’s Peter Pan and the Lost Boys do battle with Jamie McKeller’s rather nasty Captain Hook and his even nastier bunch of pirates.
Fear not as Michael Cornell’s Nanny McFlea and McDonald’s ever-eager apprentice Barkly are on hand to assist in the most ridiculous of ways. Box office: 01904 501935 or josephrowntreetheatre.co.uk.
Paul Toy: Directing York Mystery Plays Supporters Trust in A Nativity For York
Nativity play of the week: York Mystery Plays Supporters Trust in A Nativity For York, All Saints Church, North Street, York, tonight, 7.30pm
USING medieval scripts from the York Cycle of Mystery Plays and music both medieval and folk in style, Paul Toy’s community cast tells a familiar story of a marvellous birth, threaded with humour, reverence and, sadly, hatred, where candlelight emphasises the constant struggle of the light against the darkness.
The performance lasts one hour with no interval. Refreshments will be available. Box office: 033 666 3366, ympst.co.uk/york-nativity or on the door.
Kate Rusby: Winter wonderland of South Yorkshire folk carols at York Barbican
Alternative carol concert of the week: Kate Rusby, Christmas Is Merry, York Barbican, tomorrow, 7pm
BARNSLEY folk nightingale Kate Rusby plays her regular festive fixture at York Barbican, returning with her folk band and the Brass Boys for two sets of jolly carols from South Yorkshire’s pubs, Christmas chart chestnuts and original winter songs.
Christmas Is Merry marks her 20th anniversary of these winter warmers, drawing on her six studio Christmas albums: 2008’s Sweet Bells, 2011’s While Mortals Sleep, 2015’s The Frost Is All Over, 2017’s Angels And Men, 2019’s Holly Head and 2023’s Light Years. Box office: yorkbarbican.co.uk.
Musical director Dylan Allcock in rehearsal with cast members Emilio Encinoso-Gil and Hannah Christina for Elizabeth Godber’s Jingle All The Way at Pocklington Arts Centre
Deer duo of the week: Jingle All The Way, Pocklington Arts Centre, tomorrow to December 23; relaxed performance on December 14, 1.30pm
FROM the team behind The Elves And The Shoemaker Save Christmas and Jack Frost’s Christmas Wish comes Elizabeth Godber’s latest Christmas family adventure, co-directed by Jane Thornton with musical direction by Dylan Allcock.
Reindeer siblings Rex (Emilio Encinoso-Gil) and Rosie(Hannah Christina) are reluctant to start at a new school just before Christmas, especially when that school is the East Riding Reindeer Academy, home of supreme athletes. Although Rosie fits in quickly, Rex struggles to find where he belongs, but a school-wide competition might change all that. Santa has a position free on his sleigh squad; could this be Rex’s big chance? Box office: 01759 301547 or pocklingtonartscentre.co.uk.
Setting sail in Pick Me Up Theatre’s Anything Goes: Reno Sweeney (Alexandra Mather, second from left)and her Angels, Sophie Curry, left, Chloe Branton and Sophie Kemp. Picture: Felix Wahlberg
Getting a kick out of you musical of the week: Pick Me Up Theatre in Anything Goes, Theatre@41, Monkgate, York, Friday to December 30
DITCH York’s December chills and climb aboard the S.S. American as it sets sail in Andrew Isherwood’s all-singing, all-dancing staging of Anything Goes!, Cole Porter’s swish musical, charting the madcap antics of a motley crew leaving New York for London on a Christmas-themed steamer.
Meet nightclub singer/evangelist Reno Sweeney (Alexandra Mather) and lovelorn Wall Street broker Billy Crocker (Adam Price), who has stowed away on board in pursuit of his beloved Hope Harcourt (Claire Gordon-Brown). Alas, Hope is engaged to fellow passenger Sir Evelyn Oakleigh (Neil Foster). Enter second-rate conman Moonface Martin (Fergus Powell) to join Reno in trying to help Billy win the love of his life. Box office: tickets.41monkgate.co.uk.
Swinton & District Excelsior Band: Festive cheer at Milton Rooms, Malton
Afternoon of festive music and joy: Swinton & District Excelsior Band’s Christmas Spectacular, Milton Rooms, Malton, December 14, 2pm
THIS musical matinee with the Swinton & District Excelsior Band features the senior band, training band and beginners’ group, who perform a joyful mix of carols and seasonal favourites with festive cheer for all the family. A raffle and retiring collection will boost band funds. Entry is free but donations are welcome at the close. To book, go to: ticketsource.co.uk/swinton-district-excelsior-band/t-nolgkxa.
Bill Scott & Friends: In concert at Kirk Theatre, Pickering
Yuletide Tales of the week: Bill Scott & Friends, Kirk Theatre, Pickering, December 17, 7.30pm
THIS Christmas celebration “in harmony with a difference” comes to Pickering for the first time as vocal quartet Bill Scott, Lesley Machen, Jan Burtenshaw & Tim Tubbs perform a seasonal programme of carols, songs, poems and readings in every mood, from sacred, secular and lyrical to comic, sad and joyous.
Whether moved by the solemn beauty of a traditional carol or lifted by a light-hearted poem, this Yuletide fusion of music and tales promises to be a magical gathering. Box office: 01751 474833 or kirktheatre.co.uk/events/yuletide-tales/.
Wanderful: Coronation Street star Lisa George’s Fairy Godmother in Cinderella at the Grand Opera House, York
CHRISTMAS music and pantomimes aplenty dominate Charles Hutchinson’s recommendations for December fun-filled fulfilment.
Having a ball: Cinderella, Grand Opera House, York, today until January 4 2026
LEEDS lad Bradley Judge’s Dandini joins the star-studded cast of Lisa George (Coronation Street) as Fairy Godmother, Tobias Turley (ITV’s Mamma Mia I Have A Dream) as Prince Charming and West End star Rachel Grundy (Rocky Horror Picture Show, Legally Blonde) as Cinderella in UK Productions’ Cinderella, scripted by Jon Monie.
Directed by Ellis Kerkhoven, West End drag stars Luke Attwood and Brandon Nicholson bring the mayhem in Ugly Sisters mode as Harmony and Melody Hard-Up, joined in the comedy corner by Jimmy Bryant’s Buttons. Box office: atgtickets.com/york.
The Marian Consort: Performing with English Cornett & Sackbut Ensemble at York Early Music Christmas Festival on December 8
Festival of the week: York Early Music Christmas Festival, mainly at National Centre for Early Music, York, until December 14
HIGHLIGHTS at this Yuletide feast of music spanning the centuries, complemented by contemporary tunes, include Yorkshire Bach Choir & Yorkshire Baroque Soloists performing Hayden’s The Creation tonight and The Chiaroscuro Quartet and Consone String Quartet uniting tomorrow for Mendelssohn’s Octet in E flat major Op 20.
The Marian Consort teams up with the English Cornett & Sackbut Ensemble in Looking Bach To Palestrina on December 8 and Fieri Consort Singers and Camerata Øresund present Christmas Cantatas by Christopher Graupner and English Tavern Songs on December 12. Among further festival performers will be mezzo-soprano Helen Charlston, Dowland’s Foundry, Apollo5, Lowe Ensemble, Irish folk singer Cara Dillon and Joglaresa. For the full programme and tickets, go to: ncem.co.uk. Box office: 01904 658338.
York Theatre Royal’s pantomime cast in rehearsal for Sleeping Beauty. Picture: SR Taylor Photography
No sleep till January 4: Sleeping Beauty, York Theatre Royal
YORK Theatre Royal creative director Juliet Forster directs returnee dame Robin Simpson’s Nurse Nellie, Jocasta Almgill’s Carabosse, Tommy Carmichael’s Jangles, CBeebies star Jennie Dale’s Fairy Moonbeam, Aoife Kenny’s Aurora and Harrogate actor Christian Mortimer’s Prince Michael of Moravia in Sleeping Beauty.
Written once more by Paul Hendy, the Theatre Royal’s festive extravaganza is co-produced with award-winning Evolution Productions, the same team behind All New Adventures Of Peter Pan, Jack And The Beanstalk and last winter’s Aladdin. Box office: 01904 623568 or yorktheatreroyal.co.uk.
Hannah King’s Peter Pan in The Pantomime Adventures Of Peter Pan, Rowntree Players’ festive visit to Neverland
Putting ‘Pan’ into pantomime: Rowntree Players in The Pantomime Adventures Of Peter Pan, Joseph Rowntree Theatre, York, today, 2pm and 7.30pm, Sunday, 2pm and 6pm; December 9 to 12, 7.30pm; December 13, 2pm and 7.30pm
JOIN Wendy, John and Michael as they fly with Peter Pan to the fantastical world of Neverland in Howard Ella and Gemma McDonald’s pantomime for Rowntree Players. Cling on to your seats as Peter and the Lost Boys do battle with Jamie McKeller’s rather nasty Captain Hook and his even nastier bunch of pirates. Fear not as Nanny McFlea and her ever eager apprentice Barkly are on hand to assist in the most ridiculous of ways. Box office: 01904 501935 or josephrowntreetheatre.co.uk.
Bec Silk’s Robin Hood and writer Martin Vander Weyer’s Dame Daphne in 1812 Theatre Company’s pantomime Robin Hood’s Helmsley Adventure
Ryedale pantomime opening of the week: 1812 Theatre Company in Robin Hood’s Helmsley Adventure, Helmsley Arts Centre, today, 2.30pm and 7.30pm; Sunday, 2.30pm; December 9 to 12, 7.30pm; December 13, 2.30pm and 7.30pm; December 14, 2.30pm
HELMSLEY Arts Centre artistic director Natasha Jones directs company-in-residence 1812 Theatre Company in this traditional panto with a Knock Knock Joke Contest, scripted by dame Martin Vander Weyer.
Robin Hood will be rescuing the lovely Maid Marian from the wicked Sheriff of Pickering, while Black Swan landlady Dame Daphne will lead the merriment and mayhem. Knock Knock! Who’s there? Daphne! Daphne who? Daph-nitely book early to avoid disappointment on 01439 771700 or at helmsleyarts.co.uk.
Singer Dene Michael, dressed as a pineapple, in the finale to Kim Hopkins’s documentary film Still Pushing Pineapples, showing at City Screen Picturehouse on Sunday
Documentary film screening of the week; Still Pushing Pineapples (12A), City Screen Picturehouse, York, Sunday, 5pm
BLACK Lace’s Agadoo has been voted the most infuriating song of all time. What happens when you are forever associated with such a Marmite hit; what comes after fleeting fame, and what does it mean to grow old still chasing a dream?
Perennial pineapple pusher and former Yorkshire band member Dene Michael is still singing the derided party anthem across fading clubland UK: a story now told in Selby-raised filmmaker Kim Hopkins’s humorous, moving, warts’n’all documentary, a pineapple slice of working-class social realism wrapped inside a road movie and abiding love story. Dene Michael, Hopkins and producer Margareta Szabo will hold a post-show Q&A. Box office: picturehouses.com/cinema/city-screen-picturehouse.
A Nativity For York director Paul Toy
Nativity play of the week: York Mystery Plays Supporters Trust in A Nativity For York, All Saints Church, North Street, York, December 10, 7.30pm
USING medieval scripts from the York Cycle of Mystery Plays and music both medieval and folk in style, Paul Toy’s community cast tells a familiar story of a marvellous birth, threaded with humour, reverence and, sadly, hatred, where candlelight emphasises the constant struggle of the light against the darkness.
The performance lasts one hour with no interval. Refreshments will be available. Box office: 033 666 3366, ympst.co.uk/york-nativity or on the door.
Christmas will be merry for Kate Rusby at York Barbican on December 11
Carol concert of the week: Kate Rusby, Christmas Is Merry, York Barbican, December 11, 7pm
BARNSLEY folk nightingale Kate Rusby plays her regular festive fixture at York Barbican, returning with her folk band and the Brass Boys for two sets of jolly carols from South Yorkshire’s pubs, Christmas chart chestnuts and original winter songs.
Christmas Is Merry marks her 20th anniversary of these winter warmers, drawing on her six Christmas studio albums: 2008’s Sweet Bells, 2011’s While Mortals Sleep, 2015’s The Frost Is All Over, 2017’s Angels And Men, 2019’s Holly Head and 2023’s Light Years. Box office: yorkbarbican.co.uk.
Hyde Family Jam’s poster for their brace of Christmas jamborees at The Crescent, York on December 11 and 12
Christmas knees-up of the week: Hyde Family Jam, The Crescent, York, December 11, 7.30pm
FRIENDS! Come celebrate another Christmas with a right thorough knees-up at The Crescent with York buskers supreme Hyde Family Jam, a traditional-looking folk band that couldn’t be less traditional. They perform the songs they love from any decade, any genre, in any way they fancy, played as fast and loud as possible. “We call it ‘folk gone wrong’,” they say. “Expect a few special festive bonuses too!” Box office: thecrescentyork.com.
Recommended but sold out already: Hyde Family Jam’s December 12 gig and The Howl & The Hum’s traditional special Crescent Christmas gig, led as ever by Sam Griffiths after leaving York and Leeds for London.
Setting sail in Pick Me Up Theatre’s Anything Goes: Reno Sweeney (Alexandra Mather, front centre) and her Angels, Sophie Curry, left, Chloe Branton and Sophie Kemp. Picture: Felix Wahlberg
Getting a kick out of you musical of the week: Pick Me Up Theatre in Anything Goes, Theatre@41, Monkgate, York, December 12 to 30
DITCH York’s December chills and climb aboard the S.S. American as it sets sail in Andrew Isherwood’s all-singing, all-dancing staging of Anything Goes!, Cole Porter’s swish musical, charting the madcap antics of a motley crew leaving New York for London on a Christmas-themed steamer.
Meet nightclub singer/evangelist Reno Sweeney (Alexandra Mather) and lovelorn Wall Street broker Billy Crocker (Adam Price), who has stowed away on board in pursuit of his beloved Hope Harcourt (Claire Gordon-Brown). Alas, Hope is engaged to fellow passenger Sir Evelyn Oakleigh (Neil Foster). Enter second-rate conman Moonface Martin (Fergus Powell) to join Reno in trying to help Billy win the love of his life. Box office: tickets.41monkgate.co.uk.
Michael Ball’s poster for his Glow UK Tour 2026, taking in Yorkshire gigs at Bradford Live (September 2), Sheffield City Hall (September 5) and Hull Connexin Live (September 6), as well as York Barbican (September 12)
Concert announcement of the week: Michael Ball, Glow UK Tour, York Barbican, September 12 2026
MUSICAL star and radio and TV presenter Michael Ball will promote his 23rd solo album, Glow, on next year’s 25-date tour. “There’s probably only one thing I enjoy more than being in the studio – writing, producing and singing songs with people I love – and that’s taking it all out on the road and performing those songs as well as all the old favourites to the audiences I love,” he says. “It’s going to be an exciting year, and I can’t wait to see you all.’’ Box office: https://www.yorkbarbican.co.uk/whats-on/michael-ball-2026/.
In Focus: The Christmas Collection at Pyramid Gallery, York, until January 12 2025
Bowl Of Apricots, acrylic painting, by Anita Klein
PYRAMID Gallery’s Christmas Collection, in Stonegate, York, features works by London artist and printmaker Anita Klein, York ceramicist Ben Arnup, Peak District sculptor Paul Smith, South Staffordshire mosaic artist Amanda Anderson and York floral artist Lesley Birch.
Exhibiting too will be Canadian-born painter, printmaker and cartographer Mychael Barratt, Oswestry ceramicist Jacqui Atkin and Perthshire oil painter artist and printmaker Ian MacIntyre, complemented by bird and fish blown glass by Bruce Parks, bronzes by David Meredith, Nerikromi vessels by York ceramist Patricia Qua and studio jewellery for the Christmas season by 50 British makers.
Curator Terry Brett, who has owned the gallery for 31 years, has invited Anita Klein to fill the walls with 15 linocut original prints, new aquatint etchings and two paintings.
Bee Eater, ceramic vase, by Jacqui Atkin
“The gallery has enjoyed a long, unbroken relationship with Anita as a supplier of her extensive catalogue of prints that form a diary of her family life,” he says.
“Over the 28 years in which she has shown more than 800 different pictures at Pyramid Gallery, we have watched her career progress to the point where Anita has become one of the most collectable printmakers in the UK. It seems very fitting that she is the main focus of the Christmas Collection.”
As well as showing new linocut prints, Anita is selling copies of her book Out Of The Ordinary – 40 Years Of Print Making, featuring illustrations of 550 of her best-loved prints, published by Eames Fine Art.
The Christmas Collection at Pyramid Gallery is open 10am to 5pm, Monday to Saturday, 11am to 4pm, Sundays, until January 12 2026. Closed on Christmas Day, Boxing Day and New Year’s Day.
Christmas Is Merry for Kate Rusby: “It just seemed the perfect title for the tour that celebrates 20 years of my Christmas gigs,” she says
BARNSLEY folk nightingale Kate Rusby returns as bright as a festive robin to York Barbican on December 11 on her 20th anniversary Christmas Is Merry tour.
Kate, who turned 52 today (4/12/2025), will cherry pick from her seven winter albums, 2008’s Sweet Bells, 2011’s While Mortals Sleep, 2015’s The Frost Is All Over, 2017’s Angels And Men, 2019’s Holly Head, 2020’s Happy Holly Day (Live) and 2023’s Light Years.
In the company of her regular band, coupled with the added warmth of “the Brass Boys”, Kate combines carols still sung in South Yorkshire pubs with her winter songs and favourite Christmas chestnuts. As ever, look out for the festive fancy dress finale and maybe her new Christmas Chill version of The Wren@20.
Here Kate discusses the magic and joy of Christmas songs past and present with CharlesHutchPress.
The 2025 tour has a new title, Christmas Is Merry. Why did you choose that one, Kate?
“We recorded a gorgeous song called Christmas Is Merry a few years ago, and it’s a favourite of ours to play live now. It just seemed the perfect title for the tour that celebrates 20 years of my Christmas gigs. We all have such a great time on the tour, we just adore it and are very, very merry and giddy throughout, so the title just fitted.”
What will be the new elements of the latest round of Kate Rusby Christmas concerts: New set design? New additions to the set list?
“Ooooh, absolutely new set; it’s going to be so fab! I can’t give any spoilers, but when people walk into the auditorium hopefully they’ll love it. We’re going retro is the only clue I’ll give!
Kate Rusby’s cover artwork for her 2023 Christmas album, Light Years
“As for the set list, as it’s celebrating 20 years, we’ve tried to include audience faves and our faves from over the years, which actually match up!”
What will be the band line-up for this winter’s tour?
“Same as last year, my band of six: myself, Damien O’Kane, acoustic guitars, electric guitars and banjo; Duncan Lyall, double bass and Moog; Sam Kelly, guitars, bouzouki and vocals; Nick Cook, accordions and electric guitar, and Josh Clarke, percussion.
“Plus my fabulous brass lads: Gary Wyatt, cornet; Lee Clayson, flugelhorn horn; Robin Taylor, euphonium; Chris Howlings, French horn, and Nick Etheridge, tuba. So that’s 11 on stage in total including lil’ old me.
“It’s our biggest tour of the year, so we have more of our incredible crew, lights, set etc, all travelling round in a big truck. Every single one of them is a true gem and talented beyond belief. I’m so lucky to work with them all.”
What are the ingredients that go into making the perfect Christmas album? The familiar, the unfamiliar, the new and the old?
“Exactly that! I like to include something for everyone! On each Christmas album I’ve made, there are songs from the South Yorkshire pub-sings, to songs more recognisable, to classics we hear every year (but Rusby-fied, of course!)
“I like to search for more quirky, funny songs that appeal to the younger generation, (Hippo For Christmas or I’m Getting Nothing For Christmas, for instance) and then I also include songs I’ve written, about the New Year bells ringing in a new start [Let The Bells Ring] or about a lost angel I imagined sitting in a tree in our snowy garden [Glorious].”
Kate Rusby in wintertime. Picture: David Angel
How come you have made so many Christmas albums, whereas Michael Buble and Kylie Minogue both keep re-releasing the same one?!
“Ha!!! Aw, I love Michael Buble and Kylie, they’re both very cool. I see Kylie has just released a new song called XMAS. I love it. I suppose I just have way too many songs I still want to record, from the pub-sings round here and beyond. I love researching and discovering new cool Christmas songs, and I love writing them too, so there’s no way I’m done yet!”
How come there are so many versions – and variations – of While Shepherds Watched? Where do you keep finding them?
“I know them from the ‘pub-sings’ around this area of South Yorkshire, where more than 30 different versions still exist! The South Yorkshire carols are something I am truly passionate about, and the very reason I started our Christmas tour in the first place.
“The carols were lost to the rest of the country, (apart from a little pocket of Cornwall, where they have similar carols and some totally different!), so I wanted to show them off and spread them around again, and here we are 20 years later! I just love it.”
Will it be roast turkey or goose or neither for the Rusby-O’Kane household on Christmas Day?
“Ooh, we’re going turkey this year! We did have goose for a few years but we’ve gone back to turkey. With all the trimmings of course, even down to bread sauce. Whoop!”
Do you have a favourite Christmas album in the Rusby household?
“There tends to be a LOT of singing at a Rusby family Christmas, but I love listening to Louis Armstrong’s Christmas music. It feels me with warmth and always makes me smile.”
Banjo players Damien O’Kane and Ron Block: Teaming up for third album together, Banjovial, Kate Rusby’s pick of 2025
Which album have you enjoyed discovering this year that you would recommend giving as a Christmas present?
“I have to say one of my faves from this year is hubby Damien O’Kane’s new album Banjovial. His third album he’s recorded with fellow banjo legend Ron Block. “Ron plays with Alison Krauss; in fact he’s been her right hand banjo man for more than 30 years.
“Dee and Ron became best banjo buddies a few years ago and he’s played on my last few albums. He’s so great, as is Damien, and together they make the best, happy, uplifting, sunshine-in-a-bottle music! Fully recommended!”
Do you have recording plans for 2026?
“Yes, I have a plan! An album I’ve been wanting to record for a wee while, so I’ll be getting stuck into that when my girls [Phoebe Summer and Daisy Delia] are back to school in January. It’ll probably be released around the middle of the year I think.”
Kate Rusby: Christmas Is Merry, York Barbican, December 11, 7pm. Box office: yorkbarbican.co.uk. Her tour visits Bradford St George’s Hall (December 5, bradford-theatres.co.uk); London (Dec 7); Manchester (Dec 9); Llandudno (Dec 10); York (Dec 11); Gateshead (Dec 13); Sheffield City Hall (Dec 14, sheffieldcityhall.co.uk); Brighton (Dec 16); Bristol (Dec 17); Nottingham (Dec 19) and Cambridge (Dec 20.)
On a separate matter
You played Ryedale Festival this summer at the Milton Rooms, Malton, with the Singy Songy Session Band, performing latest album When They All Looked Up. What do you recall of that experience?
“AW it was so gorgeous! What a beautiful little hall, we loved it. Our girls came along as did my parents, and other friends of the family so it was just fab. The audience were really great too, and probably the smartest dressed audience I have ever had!”
Here comes Kate Rusby’s Christmas album number EIGHT, 5/12/2025
The cover artwork for Kate Rusby’s eighth Christmas album, Christmas Is Merry
KATE Rusby is marking her 20th anniversary of Christmas shows with an exclusive and limited-run double CD of magical, joyful festive music.
Kate Rusby 20 Christmas Is Merry will be available only via Kate’s official website, at https://katerusby.com/album/20-christmas-is-merry/, through Proper Music and on the Christmas merchandise table, with digital release across all major platforms. Look out too for new Christmas jumpers, scarves and bobble hats on the Christmas Is Merry tour table that visits Bradford St George’s Hall, December 5, York Barbican, December 11, and Sheffield City Hall, December 14.
Mirroring 2012’s 20 and 2022’s 30 albums that celebrated two and three decades of touring, Kate Rusby 20 Christmas Is Merry combines 17 live recordings from the past five years’ Christmas carol concerts with new acoustic re-workings of five “Rusbyfied” festive favourites, Kris Kringle, Little Jack Frost, Hippo For Christmas, Holly And The Ivy and The Wren, each warm and tender, intimate and timeless, comforting and transcendent.
The full track listing is: Disc 1, Hark Hark; Christmas Is Merry; Holly King; Sweet Chiming Bells; The Frost Is All Over; Arrest These Merry Gentlemen; Paradise; The Most Wonderful Time; Sunny Bank; Little Town Of Bethlehem and Sweet Bells.
Disc 2, Bradfield; Glorious; Winter Wonderland; The Moon Shines Bright; Here We Come A Wassailing; Let The Bells Ring and 2025 acoustic recordings of Kris Kringle; Little Jack Frost; Hippo For Christmas; Holly And The Ivy and The Wren.
Kate Rusby 20 Christmas Is Merry, Pure Records, released on December 5 2025
Michael Ball’s poster for his Glow UK Tour 2026, when he will play Yorkshire shows at Bradford Live, Sheffield City Hall, Hull Connexin Live and York Barbican
MUSICAL star and radio and TV presenter Michael Ball will promote his 23rd solo album, Glow, on next year’s 25-date tour.
“There’s probably only one thing I enjoy more than being in the studio – writing, producing and singing songs with people I love – and that’s taking it all out on the road and performing those songs, as well as all the old favourites to the audiences I love,” he says.
“I hope you enjoy the new album, and I hope you come to see us on tour next year. It’s going to be an exciting year, and I can’t wait to see you all.’’ Tickets go on general sale on Friday at 9am at https://www.yorkbarbican.co.uk/whats-on/michael-ball-2026/.
Featuring original material, Glow will be released “early next year” and will be available via the Michael Ball store at https://michaelball.tmstor.es/. Fans can pre-purchase the album now to gain exclusive tour access, starting today at 9am.
Ball will be on the road from August 26 to October 2 2026 on his Glow UK Tour, whose itinerary takes in further Yorkshire concerts at Bradford Live on September 3, Sheffield City Hall, September 5, and Hull Connexin Live, September 6. Box office: livenation.co.uk; gigsandtours.com or michaelball.co.uk.
Michael Ball: back story
BORN in Bromsgrove on June 27 1962, Great Britain’s “leading musical theatre star” is a double Olivier Award-winning, Grammy-nominated, multi-platinum recording artist and radio and televison presenter.
For more than 40 year, he has starred in West End and Broadway musical theatre productions, winning critical acclaim, a devoted following and awards for his stage work and recording career.
His theatre credits include Edna Turnblad in Hairspray (ENO/Coliseum); Javert in Les Misérables – The Staged Concert (Gielgud Theatre & UK/Australia Arena Tour); Anatoly in Chess (ENO/Coliseum); Mack in Mack And Mabel (Chichester/UK Tour), and Sweeney Todd in Sweeney Todd and The Demon Barber Of Fleet Street (West End), winning Olivier Award for Best Actor in a Musical.
Further credits include Edna Turnblad in Hairspray (Original West End cast), winning Olivier Award for Best Actor in a Musical; Kismet (English National Opera); Patience (New York City Opera); The Woman In White (West End/Broadway); Chitty Chitty Bang Bang (West End); Passion, The Phantom Of The Opera, Aspects of Love (West End/Broadway), and creating the role of Marius in Les Misérables (Original West End cast).
TV credits include the Victoria Wood BBC TV film, That Day We Sang, opposite his Sweeney Todd co-star, Imelda Staunton.
He presents his own show on BBC Radio 2 on Sundays. On TV, he has hosted The Michael Ball Show on ITV1, his first TV travelogue, Wonderful Wales on Channel 5 and an Easter Sunday special for the BBC.
Tours UK regularly as a concert artist, selling millions of albums over the past 40 years, as well as performing in Australia, China, USA and Japan. In 2007, he made his BBC Proms debut in An Evening With Michael Ball at Royal Albert Hall, London, marking the first time a musical theatre star had been given a solo concert at the Proms.
