Steve Cassidy: Performing at York’s Community Carol Concert at York Barbican
TICKETS are still available for York’s annual Community Carol Concert at York Barbican on December 12.
The ever-popular festive event is making its Sunday afternoon return after last year’s Covid-enforced cancellation.
All the participants who missed out in 2020 have taken up the invitation to take part in 2021: Shepherd Group Concert Brass Band, Dringhouses Primary School Choir, Clifton Green Primary School Choir, Stamford Bridge Community Choir and York singer Steve Cassidy.
The community carols will be conducted by musical director Mike Pratt and the 2pm concert will be co-hosted by the Reverend Andrew Foster and BBC Radio York presenter Adam Tomlinson.
Concert proceeds will be shared by the Lord Mayor and Sheriff of York’s Christmas Cheer Fund, along with St Leonard’s Hospice, the charity nominated by The Press, York.
Organising secretary Graham Bradbury says: “We’ve worked very closely with York Barbican and all the performers to make sure everyone is agreeable, working to strict guidelines, and to ensure the audience will feel comfortable and safe in the auditorium to enable them to enjoy a much-needed festive fillip.”
Around 800 tickets have sold so far, meaning that plenty are still on sale at £8, adults; £6, seniors and under 14s; £24, family (two adults, two children). The box office is online only at yorkbarbican.co.uk.
“I’ve lived my dreams,” says John Barrowman. “My new show is a celebration of that wonderful journey”
MUSICAL theatre star John Barrowman will bring his new show I Am What I Am – West End To Broadway to York Barbican on May 20 2022.
Tickets go on sale on Friday, December 3 at 10am at yorkbarbican.co.uk for Barrowman’s return to the Barbican for the first time since May 2015.
“From the West End to Broadway, this has been the amazing journey of my musical theatre career,” says Barrowman. “I’ve worked with Andrew Lloyd Webber, Stephen Sondheim, Cameron Mackintosh, to name a few.
“I’ve performed at the National Theatre and on Broadway. I’ve lived my dreams. My new show is a celebration of that wonderful journey. I’ll perform songs from the biggest musicals I’ve starred in and perhaps one or two that I haven’t.
“Mix in a couple of duets. Sprinkle in a few surprises. This will be a show to remember. This has been a difficult time for many, so join me for a night of laughter and love and the best of musical theatre.”
John Barrowman is “the ultimate crossover artist”: he can sing, dance, act, present and on occasion he judges too.
The poster for John Barrowman’s I Am What I Am 2022 Tour
His journey to success on both sides of the Atlantic began in 1989 in musical theatre, making his West End debut as Billy Cocker opposite Elaine Paige in Cole Porter’s musical Anything Goes.
Leading West End roles ensued in Matador, Miss Saigon, The Phantom Of The Opera and Sunset Boulevard, one he reprised in New York.
His other musical theatre credits include Putting It Together on Broadway and The Fix at London’s Donmar Warehouse, bringing him an Olivier nomination for Best Actor in a Musical.
The National Theatre revival of Anything Goes transferred to the Theatre Royal, Drury Lane, but better still his performance – one of his favourites – as Albin in La Cage Aux Folles won him the What’s On Stage Best Takeover Role Award.
From that show, I Am What I Am has become his signature tune, always his choice to close his concert shows.
The Proclaimers’ tour poster for their 2022 travels
SCOTTISH twin brothers The Proclaimers will return to York Barbican on October 19 on their 35-date British and Irish tour next autumn.
In doing so, Craig and Charlie Reid, 59, will complete a hattrick of October gigs at the Barbican after shows there on October 25 2015 and October 17 2018 – their last York gig – on their Angry Cyclist Tour.
The 2022 itinerary will take in further Yorkshire concerts at Bradford S George’s Hall on October 13 and Sheffield City Hall on October 20.
Next year will see The Proclaimers heading into the recording studio to record their 12th studio album, followed by festival appearances in the summer and an opening spot at Paul Heaton and Jacqui Abbott’s outdoor concert at Doncaster Keepmoat Stadium on July 23.
The bespectacled Reid brothers emerged 35 years ago with their debut album This Is The Story and top three single Letter From America, since when their songs of poignancy, emotional honesty, political fire and wit have become staples at weddings, funerals and everything in between.
Carving out a niche in the netherworld where pop, folk, new wave and punk collide, The Proclaimers have enjoyed gold and platinum singles and albums in Britain, the United States, Canada, Australia and New Zealand.
When David Tennant picked The Proclaimers for his opening song on BBC Radio 4’s Desert Island Discs in 2009, the Reids’ fellow Scotsman said: “I could have chosen any and every track from this band, probably my favourite band of all time. They write the most spectacular songs, big hearted, uncynical passionate songs.” He selected Over And Done With, from This Is The Story, should you be wondering.
York tickets go on sale on Friday (26/11/2021) at 10am at yorkbarbican.co.uk; Doncaster, Friday, 9.30am, at gigsandtours.com and ticketmaster.co.uk.
Avalanche Party: Party night at Young Thugs Studio in York. Picture: Jason Ferdinando
YOUNG Thugs Studio is marking the refurbishment of its recording studios in South Bank Social Club, Olvington Terrace, York, with a Saturday launch party from 7pm to 11pm.
This celebration of “some of the best music our region has to offer” will feature feral North York Moors garage-punk psych rock band Avalanche Party and Hull’s fast-emerging Low Hummer.
Formed in 2014, Avalanche Party revel in an “intense and immediate sound, so new yet so familiar, brimming with an urgency that explodes off the stage like the front lines of a war you didn’t even realise was being fought”.
Every note is played through white knuckles, every word spat through gritted teeth, as heard on 2019’s debut album, 24 Carat Diamond Trephine.
Low Hummer’s “woozy indie pop with a beautiful world view” was last heard in York when they opened for Manic Street Preachers at York Barbican on October 4.
Saturday’s gig will be preceded by a formal opening, conducted by the Lord Mayor of York, the Reverend Councillor Chris Cullwick, at 10am that morning.
Steve Pemberton, left, and Reece Shearsmith: Giving the inside story on Inside No. 9 at York Barbican
ARE you ready to step through the door marked No. 9, ask Reece Shearsmith and Steve Pemberton as the Inside No. 9 duo invite you to join them at York Barbican on December 10?
To celebrate the release of The Insider’s Guide To Inside No.9, Hull-born Shearsmith and Pemberton will take to the York stage at 7.30pm for an informative, humorous guide to the creation of their dark-humoured BAFTA-winning BBC comedy anthology.
Prompted by host Mark Salisbury, author of The Insider’s Guide, they will share behind-the-scenes stories and shocking secrets from memorable episodes.
“There may be singing. And dancing,” say Pemberton and Shearsmith. “And as we respond to fan questions, every night [on the tour] will be completely unique.”
Pemberton and Shearsmith forged their comedy partnership in student days at Bretton Hall College, near Wakefield, West Yorkshire, where they first linked up with League Of Gentlemen cohort Mark Gatiss, being joined later by Leeds-born Jeremy Dyson.
First aired on BBC2 on February 5 2014 and now running to six series, Inside No. 9 comprises self-contained stories with dark themes that centre on different characters, each one set inside either a mansion, a dressing room or a flat numbered No. 9.
Tickets for the inside track on Inside No. 9: An Evening With Reece Shearsmith & Steve Pemberton go on sale on Friday at 10am at yorkbarbican.co.uk. Further Yorkshire shows: Hull City Hall, December 14; Harrogate Convention Centre, December 19; box office: ticketmaster.co.uk.
The tour poster for Inside No. 9: An Evening With Reece Shearsmith & Steve Pemberton
Seasick Steve: Just him, his home-made guitar and you at York Barbican tonight
CHARLES Hutchinson recommends veteran blues at the double, quilts, a dating show, chaotic Hitchcockian comedy capers, a Brahms Requiem and a Geordie comic out to dazzle.
Solo show of the week: Seasick Steve, Just Steve, A Guitar And Your Tour, York Barbican, tonight, 8pm
LAST year, American DIY blues veteran Seasick Steve released two albums, July’s Love & Peace and November’s Blues In Mono, his tribute to trad acoustic country blues recorded with a microphone from the 1940s as Steve performed the songs direct to an old tape machine.
Now, York-bound Steve says: “I‘m lookin’ forward to coming and playing for y’all. Just gonna be me, you and my guitar. A few songs and a few stories, kinda like we just hangin’ out together! Gonna be fun. See ya there.” Tickets update: limited availability at yorkbarbican.co.uk.
Sanna Buck, Stephen Wright and Aran MacRae look on as a prone Daniel Boyle takes centre stage in rehearsal for York Settlement Community Players’ The 39 Steps. Picture: John Saunders
Play of the week: York Settlement Community Players in The 39 Steps, Theatre@41, Monkgate, York, tonight until Sunday
PATRICK Barlow’s riotous West End comedy hit marks the Settlement Players’ return to live performance for the first time since March 2020.
Harri Marshall’s cast of eight takes on the challenge of combining John Buchan’s 1915 novel with Alfred Hitchcock’s 1935 film scenes in a blend of virtuoso performance and wildly inventive stagecraft, playing 150 characters between them as the mysterious 39 Steps chase Aran MacRae’s Richard Hannay’s on a nationwide manhunt. Box office: tickets.41monkgate.co.uk.
Hey, it’s The Manfreds: Playing the Grand Opera House, York, tonight
Nostalgia ain’t what it used to be? It’s even better at Maximum Rhythm N’ Blues with The Manfreds and Georgie Fame, Grand Opera House, York, tonight, 7.30pm
THE Manfreds and Georgie Fame team up for a celebration of Sixties rhythm & blues in an all-star line-up with hits galore to match.
Original Manfred Mann members Paul Jones, Mike Hugg and Tom McGuinness are joined by Family’s Rob Townsend on drums, Marcus Cliffe on bass and Simon Currie on saxophone and flute, plus former member Mike D’Abo to share lead vocals, and Blue Flames leader Fame on keyboards. Box office: atgtickets.com/york.
Ready to dazzle: Sarah Millican kicks off a three-night run at York Barbican tomorrow
Three-night run of the week: Sarah Millican: Bobby Dazzler Tour, York Barbican, tomorrow to Sunday, 8pm
SOUTH Shields humorist Sarah Millican’s new show, Bobby Dazzler, is doing the rounds on her sixth international tour.
“You’ll learn about what happens when your mouth seals shut, trying to lose weight but only losing the tip of your finger, a surprisingly funny smear test, and how truly awful a floatation tank can actually be,” says Millican, who has “spent the last year writing jokes and growing her backside”. Tickets update: limited availability at yorkbarbican.co.uk.
Masks, of the non-Covid protection variety, will be worn by participants in ventriloquist Nina Conti’s dating show. Picture: Matt Crockett
Game show of the week: Nina Conti: The Dating Show, Grand Opera House, York, tomorrow, 7.30pm
FAST-TALKING, faster-thinking ventriloquist Nina Conti and her cheeky Monkey host a pioneering new dating show for participants picked from the York audience.
What’s in store for the chosen ones? Apparently “she’ll be like Cilla Black with masks. Derailed. Not so much a Blind Date as a re-voiced one.” In a nutshell, they wear masks, she/Monkey talks, with no promise that true love will be found. Box office: atgtickets.com/york.
Matthew Miller’s Golden Bird quilt from his Cloth & Colour installation at York Theatre Royal from Saturday
Exhibition launch of the week: Matthew Miller’s Cloth & Colour quilts, York Theatre Royal foyer, from Saturday to November 30
BASED in London, but from York, multi-media artist Matthew Miller launches his debut quilt installation in the first Beyond The Gallery Walls pop-up project to be mounted by Lotte Inch Gallery.
Artist Matthew and curator Lotte will be hosting the launch from 11.30am to 1.30pm on Saturday, happy to discuss his Cloth & Colour quilt designs. Interested in the ecological use of fabric in quilting, Matthew has used end-of-roll and pre-worn fabrics throughout his series of vibrant collages in cloth.
Alex Ashworth: Baritone soloist for Brahms’s Ein Deutsches Requiem at Saturday’s concert by the Chapter House Choir. Picture: Debbie Scanlan
Classical choral concert of the week: Chapter House Choir, York Minster, Saturday, 7.30pm
THE Chapter House Choir performs Brahms’s Ein Deutsches Requiem at York Minster in a rare opportunity to hear Brahms’s own arrangement written for piano – more intimate and transparent – with baritone Alex Ashworth, soprano Susan Young and pianists Eleanor Kornas and Polly Sharpe as the soloists.
This will be complemented by the world premiere of Lillie Harris’s Comfort, specially commissioned for Saturday’s concert. Box office: 01904 557200 or at yorkminster.org.
Open on Saturday: Carolyn Coles’s studio at South Bank Studios
Christmas shopping? Present opportunity at South Bank Studios’ Art & Craft Winter Fair, Southlands Methodist Church, Bishopthorpe Road, York, Saturday, 10am to 5pm
THE South Bank Studios artists’ group open their doors and studios to the public this weekend, when 28 artists will be exhibiting jewellery, ceramics, lino prints, textile art and fine art paintings and prints, all available to buy, just in time for Christmas. Entry is free.
Among those taking part are Carolyn Coles, Caroline Utterson, Jane Dignum, Lincoln Lightfoot, Richard Whitelegg, Mandi Grant and Fiona Lane. York Music Centre’s Senior Concert Band, Guitar Ensemble, Senior Folkestra and Big Band will be playing, and the icing on the cake will be the church team’s homemade refreshments.
Voila! C’est La Voix
Most glamorous show of the weekend:La Voix, Grand Opera House, York, Saturday, 7.30pm
FEISTY, flame-haired Royal Family favourite La Voix – the drag artiste creation of Chris Dennis – takes on the big divas and makes them her own in her Grand Opera House debut in The UK’s Funniest Redhead.
Billed as her “most glamorous show yet”, the 2014 Britain’s Got Talent semi-finalist will be combining stellar songs and saucy gags, high energy and diva impersonations, glamour and gowns – eight of them – as she switches between the vocal tropes of Tina Turner, Shirley Bassey, Liza Minnelli, Judy Garland and Cher at the click of a finger. Box office: atgtickets.com/york.
Millie Manders and The Shutup: Definitely not shutting up at the Fulford Arms on Sunday night
Gig with attitude of the week: Millie Manders & The Shutup, Fulford Arms, York, Sunday, 8pm
MILLIE Manders & The Shutup spark up cross-genre punk with a lyricism that pokes fun, draws you in or leaves you questioning social norms, teamed to vocal dexterity, grinding guitars, irresistible horn hooks and a pumping rhythm section.
The Londoners will be airing songs from October 2020’s debut album, Telling Truths, Breaking Ties. Box office: seetickets.com/event/millie-manders.
Willy Mason: Nine-year gap after he made a record called Carry On, but carry on he does at last with Already Dead album and tour date in York. Picture: Ebru Wildiz
Overdue return of the week: Willy Mason, supported by Voka Gentle, The Crescent, York, Tuesday, 7.30pm; standing show
NEW York singer-songwriter and lovely chap Willy Mason returns with Already Dead, his fourth album of characterful, sharp left-field pop, folk and Americana but his first since 2012’s Carry On.
“Magic, miracles, ghosts, world leaders; these days it seems there’s little left to believe in,” says Mason. “Lies outweigh truth and even truth can be dangerous.
“Already Dead explores honesty and deception, anonymity in the digital age, good intentions with unexpected consequences, freedom, colonialism, love, God and purpose, because now is the time to restore some much-needed faith.” Box office: thecrescentyork.seetickets.com/event/willy-mason.
Soft Cell: 40th anniversary home-coming concert in Leeds. Picture: Andrew Whitton
Oh, and amid all these York events, here is the gig of the week outside the city walls: Soft Cell, Leeds 02 Academy, Saturday, doors, 6pm
IN 1981, Leeds synth-pop pioneers Soft Cell topped the charts with their Northern Soul cover, Tainted Love. This weekend, they play a 40th anniversary home-coming gig with an early start, kicking off with a DJ from 6pm.
LGBTQ icon Marc Almond and producer/instrumentalist Dave Ball will play two sets: the first from 7pm embracing songs from their back catalogue and previewing their first album in 20 years, Happiness Not Included, out on BMG on February 25 2022.
In the second, from 8.20pm, they will perform 1981 debut album Non-Stop Erotic Cabaret in full for the first time. Cue Say Hello, Wave Goodbye, Bedsitter, Memorabilia et al. Box office: myticket.co.uk/artists/soft-cell
All smiles: Marti Pellow returns to the concert platform tomorrow night
GET your dancing shoes on, it’s time to party with Marti, says that Pellow fellow ahead of the opening night of the first leg of his Greatest Hits Tour at Scarborough Spa Theatre tomorrow (9/11/2021).
Next spring’s second leg will bring the former Wet Wet Wet frontman, soulful solo singer and musical theatre star to Hull New Theatre on April 25 and York Barbican on May 3.
“Throughout lockdown, I was inundated by beautiful messages from fans, asking me to please organise a tour once we come out of these terrible times. Twelve million people tuned in for the Lockdown Sessions I did and each one of you has inspired me to make this tour happen this year,” says the 56-year-old Scotsman.
Expect both Wet Wet Wet and solo material. “I finally wanted to put together a show that would celebrate all the wonderful music throughout my career and that I – and I know all of you – fell in love with again through the sessions.
“All through lockdown, when I could only communicate with my fans through my social-media platforms, you – the fans – would ask me to sing songs from the beginning of my career right up to the present day.
“It was a joy to get such great feedback from everyone and got me thinking about a greatest hits tour, where we could all enjoy those songs again and where I could enjoy singing them.”
Cover versions are promised too: “During the sessions, I also got to cover songs from other songwriters that were either favourites of mine, or had been suggested by you all,” says Marti. “I think they resonated with everyone so much that I’m looking forward to including some of them in the shows.”
Selections from Marti’s March 2021 album, Stargazer, will feature as well. “I finally got to write the songs that let me pay homage to all my heroes. I can’t wait to sing those songs live for the first time,” he says.
Tomorrow, the wait will be over. “It’s all about connection, all the things we love about live music that were taken away as we navigated the last year and a half in the strangest time that has ever happened to my industry, when we’ve lost friends from the industry that make performers look good: the sound engineers; the tech crews, the riggers,” says Marti.
“It’s all about connection,” says Marti Pellow as he whet, whet, whets his appetite for launching his Greatest Hits Tour tomorrow in Scarborough
“I could do certain things to keep myself busy, but though you can prepare for a rainy day, you can’t prepare for a rainy year and a half, and our industry was the first to go into storage and the last to come out.”
Marti’s Lockdown Sessions kept that all-important connection with fans with those 12 million hits. “Incredible! Here’s how it happened. I’m going about my business, and I got this wee email from the guys that run my social media, who sent me a wee message from someone asking if I’d sing a song for a relative who had Covid, so I recorded a song into my phone, hoping she would recover, and the response I got to that song was phenomenal,” he recalls.
The series of recordings ensued. “It worked for me because it wasn’t just ‘digital noise’. It really was a sense of connection, and I got just as much from them as everyone else who watched them did,” says Marti.
“James Taylor sent me an email after I did one of his songs and Annie Lennox wrote me a beautiful message too.
“I sang whatever took my fancy or whatever anyone asked for. Me and my musical producer, Grant Mitchell, created the tracks during the daytime, with me recording in the spare bedroom, where there are all these pro-tools going on, and Grant doing all the arrangements, creating the tracks, putting the reverb on.
“You can still see them on Facebook and my YouTube channel, and I also did lots of Q and A stuff, talking about growing up in Clydesdale.”
Now he can look forward to the tour’s opening night, as he enthuses about his fans: “You spoke and I listened. This brand-new Greatest Hits Tour is about finally being able to come together to celebrate love, life, and remember those we may have lost along the way.
“Most of all, it’s about enjoyment and celebrating the here and now. Get your dancing shoes on – it’s time to party with Marti!”
First stop, Scarborough Spa Theatre. “You have to have fish and chips in Scarborough, because we all have so many memories around fish and chips, debating about where you can find the best fish supper,” he says. Any recommendations for Scarborough, let Marti know via his social media.
Marti Pellow: Greatest Hits Tour opens at Scarborough Spa Theatre tomorrow (9/11/2021); box office, scarboroughspa.co.uk. Also: Hull New Theatre, April 25 2022, hulltheatres.co.uk; York Barbican, May 3, yorkbarbican.co.uk.
Jools Holland: No Friday fry-up at Wackers, but a feast of a blues, ska and boogie-woogie set with Chris Difford, Lulu and Ruby Turner at full power at York Barbican
JAUNTY Jools Holland loves York. One of his favourite gigs, one of his favourite places, he says, as he makes his dapper way to the grand piano.
“Well, he would say that, wouldn’t he”, you might sneer, “he’s just playing to the crowd”. Let CharlesHutchPress know if he uttered the same sentiment at Harrogate Conference Centre tonight!
The thing is, Londoner Jools does love York, and in particular he loves the pensioner’s meal deal with a free cup of tea at Wackers. Except that, on arrival, he discovered his favourite fish and chip joint was no more; the chips were down, permanently; another sad change since he last toured pre-pandemic.
He cheered, we cheered, he shouted, we shouted, as he played the chirpy ringmaster once more, introducing his speciality acts, bantering to and fro with the full house, and revelling in the company of his restored rhythm and blues orchestra.
After all those Covid months of cobwebbed closure and silent nights, the sight of a stage stuffed to the gills with brilliant players brought joy uncontained to a Barbican gathering that was up for a party from the off.
To one side were Jools’s brother, Christopher, beneath a natty hat on keyboards, guitarist Mark Flanagan and stand-up bassist Dave Swift. Squeezed in at the back was Gilson Lavis, as imperturbable as the late Charlie Watts, on drums.
To the other side was a multi-storey horn section, and to misappropriate the style of a certain Christmas Carol: on the fifth day of November, York-loving Jools gave to us: three trumpet players, three trombones, five gold saxophones. Forever on the move, in the swing, they urged each other on, enjoying each solo spotlight as much as the audience.
In the middle, pulling the strings, was Jools. Oh, and yes, sir, he can boogie, boogie woogie, all night long, or more precisely from 8.20pm to 10.07pm, on his piano. A big screen showed his flying fingers in close-up and the cut of his dandy tailoring too.
That screen combined graphics with live footage, opening with the image of theatre curtains, later showing photographs of Holland, Lavis and special guest Chris Difford in Squeeze days.
Jools plugged his new lockdown album Pianola. Piano & Friends – out on November 19 on Warner Music – most notably for the irresistibly perky, fabulously funky single Do The Boogie, co-written with Mousse T, and when filling in for Tom Jones’s vocal on the soulful Forgive Me. Morris Dance, an instrumental homage to his dog of that name, was a blast too.
The vocalists kept a’coming: tour regulars Louise Marshall and Lucita Jules; then Chris Difford, immaculate in a blue suit, white shirt and scholarly specs, with a deliciously dry-humoured line in anecdotes.
Take Me I’m Yours acquired ska trim, a 1974 Difford-Holland composition was aired for the first time, and a big-band Cool For Cats ended with Difford clouded in dry ice as he recalled Cliff Richard’s propensity for doing likewise whenever he shared the Top Of The Pops studio with Squeeze. “I thought he had no legs,” deadpanned Difford, newly tagged “Cliff Difford” by Jools as he departed.
From The Selecter’s Pauline Black to Marc Almond to Beth Rowley, Jools has had a canny knack of picking just the right vocalists for framing their songs in ska, blues and brass-powered settings. To that list now add Marie McDonald McLaughlin Lawrie.
Yes, enter Lulu, now 73, all in black, even for the darkest of dark glasses, for an unnamed opening shot of the blues and a quick dig at British music for being “wet” before The Beatles before a knock-out version of Ray Charles’s Hit The Road Jack. Glasses off, how else she could she finish but with her teen anthem. Well, you know, you make her wanna Shout. Come on now, who didn’t join in, hands jumping, heart’s bumping? We all did!
How could Jools top that? It must be time for blues royalty, Ruby, Ruby, Ruby. Here comes Ruby Turner, first warming up with a couple of looseners, then hitting her stride in I Wish I Knew How It Would Feel To Be Free, and then…the moment. Ruby Turner overdrive, as she reached for gospel glory in Peace In The Valley, waking up the entire neighbourhood. The Barbican rocked, the earth moved, time for a breather.
Of course the triple-decker encore had to have the obligatory Enjoy Yourself as the meat in Jools’s sandwich. The years may be going by as quickly as you wink, but how good it felt to still be in the pink on a Friday night in York, as the fireworks went off all around us in the night sky as we departed.
Review by Charles Hutchinson
Jools Holland & His Rhythm & Blues Orchestra play Leeds First Direct Arena on December 17; doors, 6.30pm. Box office: firstdirectarena.com.
RUSSELL Watson, ‘the People’s Tenor’, does not sing to live but lives to sing.
Armed with that philosophy, reinforced by so many months of stage inactivity enforced by the Covid pandemic, the Salford tenor is back on the road for his Celebrating The 20th Anniversary Of The Voice tour, playing York Barbican on Sunday afternoon.
That classical-pop crossover debut entered the Official Classical Artist Album Chart at number one on release in September 2000, becoming that year’s biggest classical seller as it peaked at number five in the UK album chart.
Watson’s journey took him from a Salford estate, a bolt-cutter by day, a working men’s club act at night, to performing for popes and presidents and singing at Champions League and rugby cup finals and a Commonwealth Games opening ceremony.
Along the way, he has overcome two brain tumours, and now he is performing once more, singing his most loved songs and career highlights from the past two decades. “It’s become much more relevant to me these last 18 months or so that I don’t sing to live, I live to sing,” says Russell.
“It’s something that is very personal to me, so when I’m not in tune with performance, the adrenaline rush and the thrill that it gives me to be on stage in front of an audience, it fundamentally affects me and who I feel as I am as a human being.”
Looking back over the long months of lockdowns, Russell says: “At the start, it didn’t feel like too much of a struggle. It was more like a chance to regroup and think, as well as rest my voice, as I’ve been touring constantly for 20 years with only small gaps in between.
“Once I’d done the I’m A Celebrity… show and winter had set in, though, I can admit I really struggled. Obviously, we’ve gone through the darkest of times and there are many, many people way worse off than me, but it still wasn’t easy. The entertainment and hospitality industry has really been left behind.”
“I’m here for a reason; I will be back on stage,” vowed Russell Watson as lockdowns dragged on. Picture: Mark Hayman
Hence Russell could not wait to set foot on the stage once more on September 19 at Woking’s New Victoria Theatre. “It’s felt like an eternity these last 18 months, like I’ve lost my purpose. I just want to get back out on that stage again and do what I love doing more than anything in the world. I’m just so thrilled to get that opportunity to do that again,” he said at the time.
“I remember my wife saying, ‘oh god, are you ever going to get back on stage?’, and my response was to think, ‘I’m here for a reason; I will be back on stage’.
“I didn’t go through what I did 12 years ago for nothing. I’ve had a few scares, the lumps on my vocal cords being cut out in 2003, the tumours, and I have to take medication every day, but there’s never a day I feel sorry for myself. Life is so short and as you grow older you become more aware of the generational changes.
“As a child, at eight, all I wanted to do was kick a ball around, with three generations around me. My great grandparents have gone, my grandparents have gone, and now there’s only one generation before me, and the years just seem to go by quicker. Where’s this year gone? It’s like, can we just slow down, it’s going too quickly.
“That’s why I don’t take anything for granted. Mentally I still feel like I’m in my 20s, and the body’s not too bad!”
As for the voice, “It’s funny; it once got to the point of wondering if anyone was going to ask how I was, rather than just my voice, as if the voice was a separate entity, but in some ways it still is,” Russell says.
“On some days, I can feel dreadful, but the voice will be fine, and on other days, I’ll be on top of the world, but the voice isn’t quite there. As a singer, you’re balancing on the high wire; that’s where you are when you’re singing some of the great arias; hitting those vocal peaks is like walking a tightrope.”
As Russell built up his voice for touring again, he recalls doing his vocal scales one day in his games room, acoustically the most resonant space in his home: “I was doing a bit of Donizetti, on my own, no-one else in the house, and coming up to the big note, I hit it clean as a whistle. Afterwards, I had tears in my eyes: it’s just so good to be singing again, so pure and so clean.
The poster for Russell Watson’s 2021 tour, marking 20 years since the chart-topping debut success of The Voice
“I feel like I’m back in heaven. The only time I feel trepidation is if I can feel a sore throat coming and I feel great but the voice doesn’t.”
How does Russell feel about being “The People’s Tenor”? “It’s like a term of endearment,” he says. “In my early days, people saw me as this young man who came from nowhere with very little formal training and wasn’t a stereotypical classical singer. My background was as someone who spent the first six years of my professional life working 12-hour shifts on a factory floor in Salford.
“My only knowledge of classical music and opera came from my grandmother playing music on an old radiogram in the corner at her home in Atherton.”
Calling a debut album The Voice proved to be inspired too, rather than an act of chutzpah. “It was never meant to be some kind of pretentious statement!” he says.
That voice has been back in action in the recording studio too, recording the 20th anniversary album 20. “It’s basically reimagining my favourite 14-15 songs over the last 20 years,” says Russell. “There were the obvious ones that had to be in there, those ones the fans always demand, like Nessun Dorma and Volare. They made it straight on to the record.
“Another easy choice was Where My Heart Will Take Me, the theme from Star Trek: Enterprise. That was such a career highlight for me, to be asked to sing something that’s going to go down in history forever. I watched Star Trek as a kid, so it was a real shock that out of all the artists in the world, Paramount chose me to do that. I’ve always been very proud to have been involved with that.
“Overall, the album kind of chose itself, though there are still a few that maybe could have been there too, such as You Raise Me Up.”
The Voice: the album cover in 2000
Having decided to make new recordings, rather than merely assembling a greatest hits compilation, Russell and producer Ian Tilley then had to settle on whether to re-work the songs or mirror the original tracks.
“Some were definitely approached differently,” Russell says. “Where My Heart Will Take Me, for example, we completely rewrote that into a ballad. I’m so pleased with how that turned out, versus the old version, which is very Eighties’ rock in its approach, like a Rod Stewart track or something.
“We’ve brought that into a more modern-sounding piece; it’s less of a statement and more reflective. Volare and O Sole Mio were changed more subtly, just in terms of tempo and rhythm, which worked really nicely. You don’t mess with the core classical tracks like Nessun Dorma, though; you don’t start rewriting Puccini.”
Reflecting on his career path ahead of turning 55 on November 24, Russell says: “I do feel in many respects that I’ve been very lucky with what I’ve achieved. When I look back on it though, a great deal of that success has come from my own hard work and drive, as well as constantly thinking about what’s coming over the hill and responding to it before it arrives.
“I won’t sit and think about storm clouds ahead, I’ll do something about it. I’m in charge of my own career now and am already planning two years ahead at least. The only way you can sustain long-term success is with drive and long-term planning, as you can’t stay in the same place forever.
“That’s why the repertoire changes all the time, too. Doing a soul record, or Sinatra and Nat King Cole covers, brings new people into what you do. You need to follow your instincts, which is something the music industry doesn’t do enough of.”
Looking to the future, Russell says: “I just hope the next 20 years don’t go so quickly!”
Russell Watson: 20th Anniversary of The Voice, York Barbican, Sunday, 3pm. Box office: yorkbarbican.co.uk.
IRISH comedian and television presenter Dara Ó Briain will ask So…Where Were We? when he resumes touring next year, playing York Barbican on December 15.
By the end of his Voice Of Reason travels, Ó Briain had performed the show 180 times over two years and across 20 countries, from Auckland to Reykjavik, from Moscow to New York, and by March 2020 he was ready for a break.
“I would now like to apologise for saying that and will never wish for anything like that again,” he says, vowing never to stop again, “because that’s clearly what caused all this trouble”. Oh, and he ate a bat, he reasons.
Expect stories, one-liners, audience messing and tripping over his words in Dara Ó Briain’s So…Where Were We? tour show
In So…Where Were We?, Ó Briain will hardly mention the last year and a half, “because, Jesus, who wants to hear about that, but will instead fire out the usual mix of stories, one-liners, audience messing and tripping over his words because he is talking too quickly, because he’s so giddy to be back in front of a crowd”.
Ó Briain, 49, has become an ultra-familiar face on British television, hosting BBC Two’s long-running panel show Mock The Week, Stargazing Live and Robot Wars, along with Dave’s Go 8 Bit and Comedy Central’s re-boot of the quiz show Blockbusters.
Add to that list Three Men In A Boat, Three Men In Another Boat, Three Men In More Than One Boat, Three Men Go To Ireland, Three Men Go To Scotland and Three Men Go To Venice; Dara Ó Briain’s Science Club; Dara & Ed’s Great Big Adventure and Dara & Ed’s Road To Mandalay; Dara Ó Briain: School Of Hard Sums and Tomorrow’s Food.
Next, Ó Briain will host Channel 4’s daytime quiz One & Six Zeros, where contestants will compete to win a grand prize of £1,000,000.
Dara Ó Brian’s last visit to York Barbican came on the Voice Of Reason tour in 2019
Ó Briain has five stand-up DVDs with Universal Pictures to his name: Dara Ó Briain Live At The Theatre Royal (2006); Dara Ó Briain Talks Funny Live In London (2008); This Is The Show (2010); Craic Dealer (2012) and Crowd Tickler (2015). 2018’s Voice Of Reason was filmed exclusively for the BBC.
Ó Briain has put pen to paper for three non-fiction children’s books published by Scholastic UK: Beyond The Sky: You And The Universe (2017), Secret Science: The Amazing World Beyond Your Eyes (2018) and Is There Anybody Out There? (2020).
The golden-tongued County Wicklow storyteller last played York Barbican on his Voice Of Reason tour in March 2019, following his Crowd Tickler gig there in November 2015. Tickets for his 2022 return go on sale from November 5 at yorkbarbican.co.uk.
