Tag: York Chamber Music Festival 2026

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More Things To Do in York and beyond from September 12. Hutch’s List No. 37, from The York Press

The poster for the Pigeon Paint Off at City Screen Picturehouse, York, On Saturday

A COMPETIVE Pigeon Paint Off, the biggest of book fairs, top-drawer chamber music and Wright&Grainger’s new material are among Charles Hutchinson’s recommendations for a particularly intriguing week ahead.  

Bird show of the week: Dead Toe Society presents Pigeon Paint Off, City Screen Picturehouse, York, Saturday, 12 noon to 5.30pm

THE inaugural Pigeon Paint Off creative fundraising event in support of Columba Sanctuary and Advocacy for Pigeons features a live art competition with 11 artists and resulting picture auction, complemented by a Pigeon Social and Pigeon-themed Pub Quiz from 6pm, with the quiz starting at 7pm. Look out too for bird-themed arts and crafts on sale and a raffle with “some snazzy prizes”.

“Watch talented artists bring original works to life, each one inspired by our feathered friends, in two rounds of one-hour paint-offs with audience votes deciding the champion,” says organiser Sam Crick. “You’ll also be able to learn more about why pigeons are suffering, the issues they are facing, why they need our support and how you can help advocate for their wellbeing.” Tickets:https://www.tickettailor.com/events/deadtoesociety/2373410. 

Book event of the week: York National Book Fair, Knavesmire Suite, York Racecourse, Knavesmire, Saturday, 10am to 5pm

AT Britain’s largest antiquarian book fair, 186  ‘bookshops’ are set up under one roof with prices ranging from only a few pounds to tens of thousands for more than 100,000 books. All subjects, all dates, from medieval to ultra-modern, are on sale, along with ephemera, manuscripts, prints, photographs and posters, while trade stands are selling marbled papers and binding materials.

York Racecourse offers unlimited free parking and a free shuttle bus is running from the Memorial Gardens on Railway Street to Knavesmire every 30 minutes. Tickets on the door cost £2. Alternatively, head to https://yorkbookfair.com/one-day-complimentary-ticket-2/ to book a complimentary ticket. Children aged under 16 are admitted for free

Classical festival of the week: York Chamber Music Festival, Saturday and Sunday

THIS year’s festival has invited six of the best string players in Europe – Charlotte Scott and Tim Crawford, violins, Simone van der Giessen and Lilli Maijala, violas, and Adrian Brendel and festival artistic director Tim Lowe, cellos, to participate, along with regular festival artist Katya Apekisheva, the British-based Russian pianist.

On Saturdayy, at 1pm, at St Saviourgate Unitarian Chapel, Brendel plays Imogen Holst’s The Fall Of The Leaf and J. S. Bach’s Cello Suite No 2 in D Minor; at 7.30pm, at the Sir Jack Lyons Concert Hall, University of York, all seven perform Mendelssohn’s Piano Trio No 1 in D minor Op 49, Mahler’s Piano Quartet (movement) in A minor – Nicht zu schnell and Brahms’s Piano Quartet in C minor Op 60. All but Apekisheva return for Beethoven’s String Quintet in C Major Op. 29 and Brahms’s String Quintet in F major, Op. 88, on Sunday at 3pm at St Olave’s Church, Marygate. Box office: ycmf.co.uk or 01904 658338.

Artist trail of the week: Staithes Festival of Arts and Heritage, Staithes, near Whitby, Saturday and Sunday, 10am to 5pm

DISCOVER 113 artists exhibiting across 67 venues through Staithes. Explore galleries, cottages, studios and hidden spaces transformed into exhibition venues across the fishing village. Find out who is taking part at https://www.staithesfestival.com/festival/artists.php.

Enjoy live music, buskers, creative workshops, demonstrations, outdoor cinema, family activities and festival extras too. For the full event programme, go to: https://www.staithesfestival.com/festival/events.php.

Americana gig of the week: James Felice & William Lawrence, Pocklington Arts Centre, Saturday, 8pm

JAMES Felice and  drummer William Lawrence, two members of New York State’s  Felice Brothers, are taking to the road to perform songs from their respective solo works in a dreamy and quiet evening of Americana music and storytelling. James and William last appeared at Pocklington Arts Centre alongside Ian Felice and Jesske Hume in the Felice Brothers gig in June 2021. Box office: 01759 301547 or pocklingtonartscentre.co.uk.

Songs old and new of the week: Michael Ball, Glow UK Tour, York Barbican, Saturday, doors 7pm

MUSICAL star and radio and TV presenter Michael Ball promotes his 23rd solo album, Glow, on his 25-date tour.

“There’s probably only one thing I enjoy more than being in the studio – writing, producing and singing songs with people I love – and that’s taking it all out on the road and performing those songs, as well as all the old favourites to the audiences I love,” he says. Liss Jones supports. Box office: yorkbarbican.co.uk.

Comedy gig of the week: Urzila Carlson, Fatty On A Yacht, York Barbican, Sunday, 8pm

SOUTH African-New Zealander Urzila Carlson returns to the UK with her understated punchlines and signature deadpan delivery in Fatty On A Yacht. Ever felt like you don’t belong? Like everyone else got the memo – and you turned up in the wrong outfit, on the wrong day, on the wrong yacht? Carlson’s new show is for anyone who has ever tried to squeeze into a space, physical or social, and thought “This can’t be right”. “It’s about not fitting in, standing out and laughing about it anyway,” she says. Box office: yorkbarbican.co.uk.

Country gig of the week: Ward Thomas, Celebrating 10 Years Of Cartwheels Tour, York Barbican, September 14, 7.30pm

HAMPSHIRE twin sisters Catherine and Lizzy Ward Thomas perform their second album in its entirety, revisiting the record – written at home and in Nashville – that made history as the first by a British country act to top the UK Albums Chart in 2016.

“We had to plan a celebration for its ten-year anniversary,” says Lizzy. “We’ll be bringing our full band, doing a type of show we haven’t done in a long time.” The Wandering Hearts support. Box office: yorkbarbican.co.uk.

New music, words and stories of the week: Wright& Grainger, Scratch An Itch, Theatre@41, Monkgate, York, September 18, 7.30pm

 IN a rare little moment of public-facing recklessness, Easingwold duo Wright&Grainger have some brand new stuff they wish try out in front of, and with, some other people. “It’ll defo involve a piano,” say Alex and Phil. “It’ll defo have music and words and story.

“There’s some tasty clues to follow, some sweet ideas to develop, some scary instincts to trust. And now there’s this big and warm open invite to you, to come join. So please do. We’d love that. Fingers crossed it’ll be good.” Box office: tickets.41monkgate.co.uk.

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Festival of the week: York Chamber Music Festival, September 11 to 13

Tim Lowe: York Chamber Music Festival founder, artistic director and cellist

SINCE its founding by cellist Tim Lowe in 2013, York Chamber Music Festival has gone from strength to strength.

This year the festival has invited six of the best string players in Europe – Charlotte Scott and Tim Crawford, violins, Simone van der Giessen and Lilli Maijala, violas, and Adrian Brendel and Lowe, cellos, to participate, along with regular festival artist Katya Apekisheva, the British-based Russian pianist.

This week’s event at the National Centre for Early Music (NCEM), Walmgate, Union Chapel, St Saviourgate, Sir Jack Lyons Concert Hall, University of York, and St Olave’s Church, Marygate Lane, celebrates the brilliance of the chamber music repertoire, focused on the radiant, melody-rich string quintets of Mendelssohn and Brahms.

Pianist Katya Apekisheva

Across the weekend, festival-goers can experience music in all imaginable instrumental combinations, from the profound intimacy of Brendel’s solo cello recital featuring Bach’s Suite No. 2, to a dynamic duo performance by Lowe and Apekisheva and expansive works for quartet and quintet.

Headline highlights include Mendelssohn’s Piano Trio in D minor — hailed by Schumann as “the master trio of our age” — and Chopin’s lyrical Cello Sonata, his undisputed chamber masterpiece.

“We are also thrilled to present Beethoven’s rare and sublime C Major String Quintet, an 1801 gem that features a slow movement of breathtaking warmth and beauty that bridges his early classical style with the vast ‘inner world’ slow movements he became famous for later in life,” says artistic director Lowe.

Violinist Charlotte Scott

Violinist Tim Crawford. Picture: Andrej Grilc

After last year’s festival, Lowe was gratified to receive this message among the audience feedback: “What spontaneity, what passion, what delight in collective music-making, what beauty! They listen and respond to each other, play for, and to, and with their friends (as they so obviously are), sharing their pleasure with us – and we are privileged to overhear that love for and engagement with the music, true chamber-music playing.”

The full programme can be found at the festival website: https://www.ycmf.co.uk/2026-programme. Tickets are available from the NCEM box office, at St Margaret’s Church, Walmgate, York. Alternatively, book at ycmf.co.uk or phone 01904 658338 in office hours. A Festival Saver ticket offers extra value for those wanting to attend multiple concerts. Those aged 18 and under can enjoy free admission to all events.  

Cellist Adrian Brendel. Picture: Peter Adamik

Festival programme in brief:

Today, 1pm to 2pm, Unitarian Chapel, cello recital, Tim Lowe and Katya Apekisheva play Mendelssohn’s Variations Concertantes, Chopin’s Cello Sonata and Martinů’s Rossini Variations.

Today, 7.30pm, NCEM, Charlotte Scott, Tim Crawford, Simone van der Giessen, Lilli Maijala, Tim Lowe and Adrian Brendel play Joseph Haydn’s String Quartet in D major, Op. 20, No. 4, Sergei Rachmaninoff’s ‘Romance’ from String Quartet No. 1 (Andante espressivo) and Felix Mendelssohn’s String Quintet No. 2 in B flat major, Op.87.

Nordic viola player Lilli Maijala

Tomorrow, 1pm to 2pm, Unitarian Chapel,  cello recital, Adrian Brendel plays Imogen Holst’s The Fall Of The Leaf and J. S. Bach’s Cello Suite No 2 in D Minor.

Tomorrow, 7.30pm, Sir Jack Lyons Concert Hall, Charlotte Scott,Tim Crawford, Simone van der Giessen, Lilli Maijala, Tim Lowe, Adrian Brendel and Katya Apekisheva play Felix Mendelssohn’s Piano Trio No 1 in D minor Op 49, Gustav Mahler’s Piano Quartet (movement) in A minor – Nicht zu schnell (not too fast) and Johannes Brahms’s Piano Quartet in C minor Op 60.

Sunday, 3pm to 4.30pm, St Olave’s Church, Charlotte Scott,Tim Crawford, Simone van der Giessen, Lilli Maijala, Tim Lowe and Adrian Brendel play Ludwig van Beethoven’s String Quintet in C Major Op. 29 and Johannes Brahms’s String Quintet in F major, Op. 88.

Viola player Simone van der Giessen

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REVIEW: Steve Crowther’s verdict on York Chamber Music Festival Launch Concert, Tim Lowe and Stephen Gutman, National Centre for Early Music, York, May 15

York Chamber Music Festival director and cellist Tim Lowe

THE recital was billed as the Festival Launch Concert – Gems of the Romantic Cello, but as the York Chamber Music Festival itself does not begin until September, I’m not entirely sure the description quite worked.

In truth, it felt more like a “taster” concert: a glimpse of what audiences might expect from this well-established and prestigious event later in the year.

That idea of a “taster” could — just — be applied to the opening work in the programme, Beethoven’s 12 Variations on “See The Conqu’ring Hero Comes”, WoO 45, for cello and piano, written when Beethoven was only 26 years old.

To be sure, he had already published significant works around this period — the Piano Trios, Op.1, the Piano Sonatas, Op.2, and his first two piano concertos — but it was as a virtuoso pianist that he initially established himself in Vienna. That background is reflected in the unusually substantial piano part.

The theme itself is based on the famous chorus from Handel’s Judas Maccabaeus, a composer Beethoven greatly admired. I really enjoyed the way the performers projected the reshaping of this famous ceremonial tune through the work’s changing moods and textures.

At first, the short movements came across as decorative, but from Variation 3 onwards the interplay became far more engaging. Here, cellist Tim Lowe’s agile playing danced around the melody while pianist Stephen Gutman’s accompaniment shimmered in the background.

The expressive cello line in Variation 5 felt almost operatic, while the witty exchanges and unexpected accentuation of Variation 7 were great fun. Even more thrilling were the technical fireworks of Variation 11. Indeed, it was the sheer exuberance of the performance that proved so enjoyable.

If describing the Beethoven as a “taster” work might be a slight stretch, it certainly applies to Richard Strauss’s Cello Sonata in F major, Op.6. Strauss began writing the work at the age of only 17 — an age when most young men are taking their first tentative steps into adulthood via their local pub.

The opening Allegro con brio was full of energy and passion. The roles of both players are very much equal, and Lowe and Gutman clearly relished the challenges. What struck me most was the orchestral nature of the writing: thick textures and an expansive Romantic atmosphere, especially in the development section.

Like the opening movement, the closing Finale: Allegro vivo featured exhilarating quickfire exchanges and extended virtuoso passages, particularly for the cello. The exhilarating dash to the finish line was genuinely thrilling.

Pianist Stephen Gutman

Yet it was the warm intimacy of the central Andante ma non troppo that left the strongest impression. Here, Lowe’s melodic playing glowed, amplified and sustained by Gutman’s tender support. But the partnership was very much one of equals, and the two players complemented each other superbly.

Camille Saint-Saëns’s Cello Sonata No.1 in C minor, Op.32 (1872), is surely one of the great Romantic works for cello and piano. The performers instinctively projected the dark, turbulent character of the opening Allegro. Lowe’s playing possessed the necessary dramatic nobility, while Gutman’s piano drove the music forward with urgency and weight.

The dialogue between the performers was powerful, while the sudden bursts of lyricism and the virtuosity of the closing passages fully convinced. Much the same could be said of the closing Allegro moderato, this time propelled by an almost relentless rhythmic momentum. Echoes of Beethoven? Maybe.

Once again, however, it was the central Andante tranquillo sostenuto that made the deepest impression. The sheer elegance of the playing was genuinely delightful.

One of the most striking features of the work was the dramatic use of the cello’s lowest string — the C string. The sound Lowe produced was dark and resonant, creating an almost orchestral quality throughout the sonata, and not only in the outer movements. In the Andante, that darker quality softened into warmth — a kind of chocolate-rich intimacy that proved utterly seductive.

This is a typical characteristic of Lowe’s instrument – the cello made by Carolus Tononi in Bologna in 1716 – and it may also explain the occasional blurring of the pitch centre in the higher positions.

The programme closed with Robert Schumann’s Adagio and Allegro, Op.70, surely one of the finest short chamber works of the Romantic era. Originally written in 1849 for horn and piano, it was later rearranged — with Schumann’s blessing — by the cellist Friedrich Grützmacher for cello and piano.

I’m glad he did, because Lowe’s warm cello tone drew out and intensified the yearning quality of the Adagio. Both players shaped the movement beautifully, capturing its introspective character withreal sensitivity.

The pivotal transition to the explosive energy of the Allegro was entirely convincing. Schumann marks the music Rasch und feurig (“Fast and fiery”), and indeed it was.

Lowe’s cello playing displayed a dazzling, heroic character, filled with sweeping runs, dramatic leaps and sharp exchanges with Gutman at the piano. What really elevates the movement, however, is the brief glimpse back towards the earlier tenderness — a fleeting glance over the shoulder before the inevitable drive towards the triumphant conclusion.

I don’t usually like encores. They are almost invariably unnecessary, creating a self-indulgent buffer that obscures the impact of a concert’s true ending. But I really did like this one: Schumann’s Five Pieces in Folk Style (Fünf Stücke im Volkston), Op.102, No.2 (Langsam). A sublime melody, beautifully played, reminding me why I fell in love with Robert Schumann’s music all those years ago.

Review by Steve Crowther

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What’s On in Ryedale, York & beyond. Hutch’s List No. 19, from Gazette & Herald

Cone, by Alison Jagger, on show at WET Bar & Plates, York

FROM street photography to Jack The Ripper investigations, German comedy about the English weather to Canadian naughtiness, Charles Hutchinson highlights all manner of cultural delights ahead.

Photographic show of the week: Alison Jagger, After The Crowds, WET Bar & Plates, Micklegate, York, until June 3

AS a lone traveller and self-confessed free spirit, York street photographer Alison Jagger draws inspiration from the urban landscape, whose vitality she loves to capture with her mobile phone camera.

“There is nothing better than waking up in an unfamiliar city and recording its character, colour and vibrancy through my curious lens,” says Jagger. After The Crowds is the second in RARE Collective’s programme of solo exhibition at James Wall and Ella Williams’ indie wine bar and restaurant in aid of SASH (Safe and Sound Homes), the York youth homelessness charity.

Pink Moors, oil on canvas, by Louise Davies

Exhibition of the week: Louise Davies and Glassmakers, Journey In Colour, Pyramid Gallery, Stonegate, York, until July 4

PAINTINGS and etchings by South East London artist and printmaker Louise Davies are complemented by glass by Allister Malcolm, Madeleine Hughes, Margaret Burke, Charlie Burke and Amelia Burke.

Davies, a Fellow of the Royal Society of Painter-Printmakers, combines fluid lines and rich colour in vibrant landscape prints and oil paintings. Gallery owner Terry Brett drove to Stourbridge to pick up glass works by Malcolm and his workshop assistant, Hughes. Margaret Burke, son Charlie and his wife, hot glass specialist Amelia, run the hand-blown glass studio E&M Glass at The Old Bakery, Sarn Bridge, Malpas, Cheshire.

Martha Godber’s Jesse North in her new play Jesse North Is Broken. Picture: Ian Hodgson

Solo show of the week: John Godber Company presents Martha Godber in Jesse North Is Broken, York Theatre Royal Studio, tonight, 7.45pm; tomorrow, 2.30pm & 7.45pm

JESSE North, 25, from Hull, is a carer on minimum wage, keeping the elderly alive while trying to live her own messy, chaotic life. Told over one night, writer-performer Martha Godber’s play follows Jesse from care shift to the dance floor, from the late-night kebab to an early-morning call-out as she battles the system that undervalues her and the city that shapes her, all while her ADHD-fuelled thoughts and anxious mind crave order in the chaos.

“Both political and personal, the show shines a light on working-class survival in Britain today – where carers are underpaid, the care system is crumbling and young women are left to piece themselves together in a society that keeps breaking them,” says Martha, whose solo play is directed by Millie Gaston. A post-show discussion follows tonight’s performance. Box office: 01904 623568 or yorktheatreroyal.co.uk.

The poster for James Morrison’s 20 Years Of Undiscovered Tour, bound for York Barbican

Anniversary of the week: James Morrison, 20 Years Of Undiscovered, York Barbican, tonight, doors 7pm

UNDISCOVERED was the number one debut album that changed everything for Rugby soul singer-songwriter and guitarist James Morrison (or James Morrison Catchpole to give him his full name). Back then, he was fitting carpets by day, playing open mics by night and driving up and down to London at any spare moment, taking meeting after meeting with multiple record companies.

On his 18-date May and June tour, 2007 British Male Solo Artist BRIT award winner Morrison is playing Undiscovered in its entirety in a set taking in big hits such as You Give Me Something and Wonderful World, fan favourites The Pieces Don’t Fit Anymore and This Boy, rarely performed gems One Last Chance and How Come and highlights from his six-album songbook, topped off by 2025’s Top Five success Fight Another Day. Cordelia supports. Tickets update: limited availability at yorkbarbican.co.uk.

Wehn and where: Henning squeezing every German joke out of the British weather at Grand Opera House, York

York comedy gig of the week: Henning Wehn, Acid Wehn, Grand Opera House, York, tomorrow, 7.30pm

GERMAN Comedy Ambassador Henning Wehn takes an unbiased look at climate change. “It’s a topic sure to delight audiences and no surprise,” he says. “After all, everyone loves talking about the weather. Rain or shine, all will be fine. Or maybe it won’t. Who knows?! Come along. Or else.” Box office: atgtickets.com/york.

The poster for Stephen Morgan’s show An Evening With Jack The Ripper

Reopening the greatest unsolved case in criminal history: Steve Morgan in An Evening With Jack The Ripper, Milton Rooms, Malton, tomorrow, 7.30pm

PRODUCER and broadcaster Steve Morgan conducts Ripper walks through London’s East End, where he retraces the steps of the notorious killer through the Whitechapel streets he stalked in 1888, when a series of women were murdered brutally between August and November.

The identity of the killer remains a mystery. Was he a doctor, a sailor, a soldier or some kind of religious zealot intent on ridding the streets of vice? Now Morgan has adapted his walk talk for the stage to explore the Ripper’s motives and investigate how he escaped detection. Box office: 01653 696240 or themiltonrooms.com.

York Chamber Music Festival director and cellist Tim Lowe

Festival launch of the week: Tim Lowe (cello) & Stephen Gutman (piano), Gems Of The Romantic Cello, National Centre for Early Music, York, Friday, 7.30pm

DIRECTOR and cellist Tim Lowe previews the 2026 York Chamber Music Festival (September 11 to 13) in concert with pianist Stephen Gutman in a passionate exploration of expressive and beautiful works from the cello and piano repertoire.

Their programme will be the same as they played at St Mary le Strand, London, last Wednesday: Beethoven’s 12 Variations on See The Conquering Hero Comes from Handel’s Judas Maccabaeus; Saint-Saëns’ Cello Sonata No 1 in C Minor; Richard Strauss’s Cello Sonata in F Major and Schumann’s Adagio and Allegro. Box office: eventbrite.co.uk.

Kathryn Roberts and Sean Lakeman: Hand in hand for folk night at Helmsley Arts Centre

Folk gig of the week: Kathryn Roberts and Seth Lakeman, Helmsley Arts Centre, Friday, 7.30pm

KATHRYN Roberts and Sean Lakeman’s creative bond spans 30 years, from being young trailblazers in 1990s’ folk supergroup Equation to twice being named Best Duo at the BBC Radio 2 Folk Awards. Their live shows are brimful of charm, wit and musical mastery of songs of emotional depth, as captured on 2025’s Another Day At The Circus, their first live concert album. Box office: 01439 771700 or helmsleyarts.co.uk.

Tom Stade: Naughty By Nature mischief-making

Ryedale comedy gig of the week: Tom Stade, Naughty By Nature, Helmsley Arts Centre, Saturday, 8pm

CANADIAN stand-up Tom Stade is back on the road with his 2025 Edinburgh Fringe hit, wherein he playfully dishes out more of his insightful observations in a night of mischievous and uncompromising comedy. His credits include the Have A Word Pod podcast, Channel 4’s Comedy Gala, Michael McIntyre’s Comedy Roadshow, The John Bishop Show and Live At The Apollo. Box office: 01439 771700 or helmsleyarts.co.uk.

The poster for Scarborough Theatre Company’s first visit to Kirk Theatre, Pickering, with Joseph & The Technicolor Dreamcoat

Musical of the week: Scarborough Theatre Company in Joseph & The Technicolor Dreamcoat, Kirk Theatre, Pickering, May 22, 7.30pm; May 23, 2.30pm and 7.30pm; May 24, 2.30pm

DIRECTED by Alex Weatherhill, Scarborough Theatre Company will be performing in Pickering for the first time, presenting Andrew Lloyd Webber and Tim Rice’s debut  musical Joseph And The Amazing Technicolor Dreamcoat with a combination of unforgettable songs, dazzling costumes and electrifying energy.

Having staged The Addams Family, Kinky Boots, White Christmas and The Wizard Of Oz on the East Coast, now Weatherhill oversees a tale of betrayal, hope and triumph in a story that continues to inspire audiences of all ages, driven by pastiches of many musical styles. Box office: 01751 474833 or kirktheatre.co.uk.

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