FOOTBALL gaffer Neil Warnock will give a donation from every ticket sold for his Are You With Me? show at York Barbican to the York City FC Foundation.
Warnock, who left his latest post at Aberdeen in the Scottish Premiere League after only 33 days as interim manager on March 9, will be in York on May 31 for a show rearranged from June 15 2023.
The record-breaking boss – a specialist in promotion chasing and relegation fire-fighting alike – has committed to supporting the community projects of each professional club in the towns and cities he will be visiting for six shows in May and June.
“I love going around the country talking about my career and football in general, trying to make people smile along the way,” says Warnock, 75, who lives in Cornwall.
“To now also be raising funds for the very important community projects York City foundation undertake makes the night extra special. It’s a fabulous club and city, and I can’t wait to be there with a few very special guests too, including some legends of the club.”
Warnock made four appearances as a winger for York City in 1978. He worked as a chiropodist for eight years and went on to be the official Guinness World Records holder for achieving the most promotions in football – eight in total – including taking Scarborough FC into the old fourth division of the Football League as GM Vauxhall Conference champions in 1986-87. He has managed 17 different clubs over 44 years, including Sheffield United and Leeds United, overseeing more than 2,000 games.
Darren Kelly, York City’s general manager, says: “We are delighted and very grateful to Neil for this generous gesture to donate ten per cent of every ticket sold for his show in York.
“Neil is a real legend of football, and I am sure York City fans will turn out in numbers to see the show and in the process support the very important work the York City foundation does in the community.”
IT began with a chance conversation on a Museum Gardens bench on a summer’s day.
It ended with 140 portraits by a Wigginton artist from a family of football haters who became a season ticket holder, cheering on York City at the LNER Community Stadium as promotion to the National League was clinched last Saturday.
Sue Clayton’s portraits will be revealed en masse on Saturday at the York City Football Club Fans’ Centenary Celebration at Cliffe Village Institute, near Selby, where Bubwith-born club legend Chris Topping (463 appearances,1968-1978) will perform the opening ceremony at the 10am to 4pm event.
A3 prints of the entire collection will be available for the first time at the celebration: mounted and ready to pop into a frame for £25 each or £40 for a framed version.
“This year-long project came about from having a chat last year with Michael Miles, a lifelong York City fan who creates the Y-Front fanzine,” says Sue. “The passion Michael showed for his club captured my attention: it was one of those conversations where someone’s passion for something sparks your own interest to listen to them.
“I suggested I should paint a few fan portraits. Then, when he mentioned it would be the club’s centenary this year, I realised a new art project was germinating in my mind and I was fizzing with creativity.”
At first, Sue anticipated painting maybe ten portraits from the photographs and stories sent to her. Instead, the project grew and grew, not even stopping at 100 paintings to mark 100 years.
“It was so strange really, a total perseverance on my behalf, with many 3am finishes,” she says. “In reality it may have been prudent to stop when I reached 100 but I still had images I wanted to paint; I wanted to do the fans justice.”
Each 30cm square in size, the portraits span multiple media, from watercolours to oils, acrylics to charcoal, pencil to collage. “In the collection, there are brides, babies, fans pictured in celebration sadly no longer with us, sisters, dads and sons, friendships…the full range of life in all its glorious forms,” says Sue, who is now adding former players to her portrait portfolio.
She is drawn to “painting portraits of people whose stories I want to tell”, such as her exhibition of children and young adults with Down Syndrome, entitled 21, on display in the Tent of Hope at the NHS York Vaccination Centre at Askham Bar, York, last May and June.
“I’m equally passionate about making art accessible to all and love the concept of art meeting football,” she says. “A wonderful year-long journey has led me to the fantastic warmth of the fan community. From knowing so little about football, my son James and I are now fully signed-up season ticket holders roaring with the crowds on the terraces, culminating in the amazing play-off final last weekend.”
Sue believes passion creates the best portraits. “As an artist, I was on a roll with this project and became very quickly immersed within it. The range and scope of the photos sent in could let my imagination free, and it enabled me to paint such a range of ages within the series,” she says.
“From a sitter’s perspective, I think the fan in the act of celebrating, oblivious to all, just consumed with joy, is really delicious to paint. Equally, the moment capturing a fan watching the team intensely, apprehension etched on their face tells a great story.”
Saturday’s celebration is taking place at Cliffe on account of Michael Miles living there. “There’s quite a gathering of fans in the village, who call themselves ‘The Cliffe Minstermen’,” says Sue.
“Michael was eager to create an event just for the fans. The response has been phenomenal, with offers of help, sponsorship from the fans and fabulous raffle prizes donated. It’s a perfect chance to gather and celebrate not just the centenary but last week’s victory to go up a division.”
Look out for Jack Radcliffe’s match reports from the 2021-2022 season, on full display on Saturday. “Jack, who, like my son James, has Down Syndrome, has captured the hearts of the team, in particular goalie Pete Jameson, and the fans too,” says Sue. “His match reports are superb with such honesty and integrity. He led the team on to the pitch for the final game and did the lap of honour with them.”
“Football-type” food and drink will be available; a colouring competition for children promises fabulous prizes, and the raffle prizes will range from football kits and signed footballs, to a portrait commission from Sue and signed lyrics from Shed Seven’s Rick Witter for the club’s terrace anthem, Chasing City Rainbows.
The legacy of Sue’s portraits will build. “Work will begin soon on a book about the portrait project and some of the wonderful stories behind the faces,” she says. “I believe so strongly that these stories should not be lost and want them to be part of the archives for the club’s centenary.
“The portraits will form a large art installation inside the fanzone at the LNER Community Stadium later in the year as a permanent feature, and the Give It A Go Joe drama group has expressed an interest in developing these stories further to create some community theatre. Not bad from a chat on a park bench, eh?!”
As for the future of the original portraits, “some will go on display in York Hospital, and I would dearly love to show them again in their entirety in York centre before the collection will be broken up at the end of the year. If any galleries, museums or community spaces are interested, I would love to hear from them via sueclaytonart@gmail.com.”
CharlesHutchPresshas a hatful of questions for artist Sue Clayton
Just how exciting was last Saturday’s play-off final?
“OH my!! Fab-u-lous!! I was already in bits when Jack [Radcliffe] led out the players to start the game. What a superstar Jack is and a great ambassador for the club. When that second goal went in, it was just amazing!
“The feeling of ‘we’ve got this…we’ve really got this’! Y-Front fanzine editor Michael Miles said he’d worked out he’d been supporting York for 34 years with three promotions; James and I come along and we’re promoted in our first year! Who knows what next season will bring at this rate!”
Were the stories you were sent as important as the photographs you transformed into portraits?
“Often the stories came after the photos were sent. I can’t say they directly informed my paintings but I did have a wry smile on my face with some as fans had told me some of their escapades.
“The one portrait that did affect me profoundly was the painting of Phil, the fan who was working as a teacher in Ukraine. His daily posts on Twitter, sharing the terror of the situation, haunted me. His portrait is painted in blue and yellow as a testament to this time.
“I’m hoping that more anecdotes and tales will emerge at Saturday’s event as the fans see the whole collection. There will be a book there to write down any memories and I will be interviewing fans as my next mini-project to get those stories down before they are lost.”
How did you settle on the 30cm square size and the wide range of materials for the portraits?
“I decided on the 30cm square format as I knew there would be a lot of paintings. I like a square, I feel it’s more contemporary and I always feel it works well if I want to closely crop an image and focus in on the action of the face.
“I’ve used a wide range of mediums because that’s me, I suppose! I enjoy the luscious butteryness of oils, the quick drying and layering of acrylics and the wonderful flow of watercolours. Spoilt for choice!
“I did worry that the whole collection might not adhere to one particular style: would people realise they were all by the same artist? It’s often advised to pursue a particular style so that your work is recognisable, but I’ve long decided to just do ‘me’ and try not to play to any rules.”
Last year, when announcing this project in CharlesHutchPress, you said you were “not a follower of football myself”. Earlier this month, you told the Yorkshire Post: “I grew up in a football-hating family, never watched football and we were the least sporting family going.” How come you have caught the York City bug, along with James, both becoming season ticket holders?
“Well, obviously I didn’t know what I was missing! Initially, I suppose I went for a bit of research to find out what it was all about. I soon became caught up with the match; it was a glorious day and the season had just begun. Having a season ticket meant I saw the same faces each match; a smile and a nod to other fans led on to conversations and before you know it ,you are part of a community.
“It’s not just the game of football, it’s the fans, the people who work with the team, the stadium, the traditions. It has also become a chance to share something special with James.”
Saturday’s centenary event carries the promise of “full football-type food and drink”. What represents such delights to you?!
“The warm smell of a fresh pie wafting by as the fans make their way to the seats (I have got to say, I have never tasted anything so good as the pie in Bromley!) I notice quite a few fans still like their Bovril.
“For the event on Saturday, the lads have arranged local pies, pasties, sausage rolls and peas. There’ll also be a curry or chilli and chips.”
How come Rick Witter is donating his Chasing City Rainbows lyrics to Saturday’s celebration?
“Shed Seven’s Chasing Rainbows was adopted as York City’s song when it came out in 1996 and was sung on the terraces by City fans. It can be heard at most matches. Rick has kindly supported Saturday’s raffle for the fans by sending in a hand-written, reworded version for the fans to now say ‘Chasing City Rainbows’. A lovely collector’s piece for both City fans and music fans.”
How will the portrait book project progress?
“The book is still an embryo of an idea but it will happen! I’d love for all the images to be recorded in one book alongside the fans’ stories. I kind of feel it is my duty to record this project, so that it’s not forgotten, archived away for future fans, along with the stories. My daughter Lily is a passionate reader and writer, so this will be a joint project with her.”
When will your portrait installation be in place at the LNER Community Stadium?
“No date as yet, as I have only just finished painting them. Talks will begin soon to get the ball in motion.”
What will be your next project?
“The book – a new, uncharted territory for me. I’ll also work on a range of portraits of ex- players. There’s a wonderful network out there; fans are loyal and never forget their heroes, so I think it’s time to honour them.
“But hey, who knows? I might find myself chatting to someone on a park bench again and that spark of an idea begins again. It certainly opened up a whole new exciting challenge for me last time.”
THIS is not a good time to be infectious, but Matt Woodcock is exactly that. In a good way and in a God way.
Back in the day at The Evening Press, his cub-reporter enthusiasm brought him exclusives that escaped all others. He loved a story, he loved people, and he had a gift, shared with his journalist dad John, for easing his interviewees into opening up before they knew it.
He was Woody, Oasis fan, York City fan, and suddenly, to his own surprise – and even more so to his “extremely non-religious” father – Jesus fan.
His Damascene conversion came on the road to Selby [Magistrates Court], forced to pull into a layby when struck by dizziness, brought on by “an overwhelming sense that God had something urgent he wanted to tell me”.
The priesthood is a vocation, and Woody had been called. Exit journalism, enter a new path for the rookie Rev that has taken him to Hull and back to York as the Reverend Matt Woodcock, C of E curate, daily diarist, book writer and Pause For Thought broadcaster on Zoe Ball’s BBC Radio 2 show.
John was so furious at Woody “throwing away his career”, he refused to attend his leaving party – as Matt recalled with fond laughter this afternoon – yet if journalism and the priesthood overlap, it is in the mutual ability to communicate, to use words, in impactful ways.
The difference is putting those words into action, his flock Revved up by the curate’s egging-on. Then add Matt’s boundless honesty, humour, even irreverence, to his love of God, and Dr John Sentamu, who ordained him when Archbishop of York, is moved to say: “Spirit dwells in him, taking him on an adventurous Jesus-shaped journey.”
That quote can be found on the sleeve of Being Reverend, Matt’s diary book follow-up to his 2016 bestseller, Becoming Reverend, out today (29/10/2020) in paperback, eBook and unabridged audiobook, recorded by Matt over two days.
“It’s already sold out on Amazon on pre-orders,” says Matt. “People have been ringing me to say they can’t get it.” Demand will grow even higher after the Daily Mail runs extracts, likely to be in Saturday and next Monday’s editions.
In a nutshell, Being Reverend is the story of newbie vicar Matt Woodcock trying to breathe new life into Britain’s biggest yet emptiest church, the 700-year-old Holy Trinity in Hull’s Old Town, while trying not to ruin his home life with Anna and their teething twins. It is a story of faith, real ale…and camels.
What a first posting post-training for Reverend Matt, who had earlier made his mark at St Paul’s Holgate in York, when running The Lounge nights with such guests as Dr Sentamu and booking Shed Seven for their first gig after re-forming.
“Holy Trinity is the largest parish church by area in the country. I called it ‘God’s Aircraft Hangar’,” he says, at a socially distanced meeting at Dyls, sporting an Oasis face mask in vicarly black and white. “It’s so massive, I used to go for a cycle ride around the aisles on the way home from the pub!”
From the start, he named his dislikes as pews, dull sermons and organs, and his philosophy is constantly uplifting. “I just think my job is to raise a few smiles, make people think and spread the joy that faith can enrich your life,” he says.
“I’m on a mission to stop making church and faith a thing of dullness. We’ve done dullness in the Church of England for centuries, but I say, ‘make it interesting, make people respond, even make them angry, make them think about their faith’, when somehow we’ve made it dreadfully dull.
“I think Jesus would be turning over tables now, not because of money lenders, but because church is dull.”
Being Reverend collates Matt’s diary entries from his first 18 months at Holy Trinity. “I’ve written a diary every day since 2009, when all this ‘From News To Pews’ stuff happened,” he says. “I was told do so by Sister Cecilia Goodman at St Bede’s [Pastoral Centre in York], where I’d sit in a room for six hours and I’d come out floating.
“She’d give me questions to think about and I’ve kept a diary ever since, 650 words every day, good, bad or ugly.”
His growing passion for poetry, fuelled initially by the works of University of Hull librarian Philip Larkin, has informed his own writing. “I love the pithy way poets write: there’s so much power in a sentence with a real directness to it. That’s why some people said reading my first book was like being hit by a blunt instrument because you’re not prepared for it.
“My style works for quips but when I write about sadness or tragedy, there’s no warning. I go straight in. Journalism taught me that the editing part is the most important, deciding what to take out.”
In younger days, Matt had written diaries, but never sustained them through a year. “I started a few but it was all about girls and my terrible failures, so they always ended pretty quickly. But now I couldn’t let a day go by without doing my diary. It’s become an obsession.”
Big church. Tiny congregation. Freezing cold. Welcome to Holy Trinity, Matt, taking on a church in the last-chance saloon. “They were about to mothball the church; the congregation was only ten to 15; they were losing £1,000 a week,” he recalls. “You have to remember it was right in the middle of Hull, so it would have been like mothballing York Minster, but it had become a blind spot to the city.”
Enter Reverend Matt, in the role of “pioneer vicar”. “My job was two-fold: Engage with the community outside the church and start using this building in a creative way,” he says. “For Holy Trinity not to be at the centre of the community was a travesty.”
Gradually, the church became both a cultural and spiritual hub, home to a theatre group as much as prayers in the chapel. The first headline-making big hitter was the Real Ale Festival, drawing 4,000 pint punters. “Hull CAMRA had previously held it at Hull City Hall but said ‘it’s too hot in there, it’s ruining the beer’,” says Matt.
“They said, ‘how about asking that nutty vicar at Holy Trinity?’, and when I told the church council it would generate £3,500 in three days, all their hands went up! That put us on the map, so did the theatre shows, artisans’ markets, and Ralph McTell played a concert there too.”
Holy Trinity participated in Hull’s year as the City of Culture, further momentum for the church. “At the same time, the congregation started to grow because people were thinking, ‘hey, what’s going on here on Sundays?’,” says Matt.
“What I learnt was that when you have the courage to make changes, beautiful things happen.” So much so that Dr Sentamu re-dedicated Holy Trinity as Hull Minster in 2017.
Matt would leave his “labour of love” after seven years to return to York. “It was the wildest, most beautiful time. We were part of this revolution in Hull,” he says, but it came at a cost. “At times, I barely saw my wife, and it could have ended in divorce.
“The irony in those first 18 months was the people closest to me saw me least. Anna nearly left me during that time. She’d had enough, and I’m ashamed to say that. There was a massive cost to my personal life in the work I was doing.
“I wasn’t around enough for my children, but I wouldn’t change anything in the world for being a dad. Anna is a real saint in all this. I now realise you have to find a balance in life and I’ve learnt about that.
“I always promised Anna, who’s a real family person, that one day we would move back to York to be close to her family, and we have done that.”
Matt is now employed as a “Multiply Minister”, charged with building church participation for the under-50s at St Barnabas, Leeman Road, and St Paul’s, Holgate.
“I always say my calling is to bring the average age down from 108,” he says. “I have to build a new church community of 20 to 40 year olds, to do church in a new way.”
From mountain-walking to volleyball, pub gatherings to theatre trips – before Covid restrictions – Matt has built up a sense of belonging to a community that turns into an exploration of faith.
“The biggest lesson I’ve learnt is that being cautious gets you absolutely nowhere. Jesus calls us to the full life and that means being brave enough to take risks and to be people-centric,” he says.
“I just love people. They are a constant fascination. They are my oxygen. They are why I get up in the morning. Every morning, I read a bit of Jesus and every day I try to be a little more like him. Keeping it simple.
“If I’ve got this faith thing wrong, I still believe trying to live life like Christ brings you the most joy, the most fun, but sometimes we’ve lost that simplicity of purpose.”
Matt describes the task facing priests as “being like a tragi-comedy”. “But if you don’t have positivity, what’s the opposite? It’s minus four in the church, the average age is 108, and I’ve been in a pulpit looking out at a dozen people trying to sit as far from each other as possible.
“So, you have to have positive vibes, hope; hope goes a long way. So does humour; being given permission to laugh.
“I know I’m a loudmouth and I’m too much for some people – I remember kicking a ball around the aisles at a baptism and trying to kick it into the font…that was going too far! – but I love getting alongside people and trying to enrich their lives, and loving people is a non-negotiable part of being a vicar.”
Becoming Reverend closes the diary after 18 months because it is always good to go out on a high, that high being the day the “nutty vicar” excelled himself by arranging for camels to participate in a Nativity Play through the streets of Hull on the busiest shopping day of the year.
“I realised no-one was coming to the church at Christmas, so I said ‘let’s take a Nativity Play out of the church with actors, and why don’t we have camels?’,” says Matt. “I think the council gave us £5,000 and someone found this place where you could hire camels, sheep and a donkey. It became this massive thing, parading through the streets – and we made the pages of the Hull Daily Mail.”
Matt is already planning his next book. “It’ll be about male friendship, how buttoned up we are, how we struggle to open up to each other about our soulful side,” he says. Who better to stir up that discussion than the frank and fearless Reverend Matt?
Being Reverend, A Diary, by Matt Woodcock is published today by Church House Publishing.