Tag: York Light Opera Company

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More Things To Do in York and beyond light nights. Plenty of stuff and Nunsense in Hutch’s List No. 26, from The Press, York

Sing something wimple: Emily Rockliff’s Sister Robert Anne to the fore in a rehearsal for York Light Opera Company’s Nunsense: The Mega-Musical

FROM nuns in a riotous revue to a celebration of Caribbean culture, The Fonz’s memoirs to Ballet Black’s heroes of dance, Charles Hutchinson’s arts diary matches the June sunshine.  

York musical of the week: York Light Opera Company in Nunsense: The Mega-Musical!, Theatre@41, Monkgate, York, 7.30pm, June 26 to 28, July 2 to 5; 3pm; June 29 and 30, July 6

AFTER the unfortunate passing of four beloved sisters in a “culinary catastrophe”, the remaining Little Sisters of Hoboken find themselves in a sticky situation. To raise funds for a proper burial (and perhaps a new cook), the nuns take centre stage for a riotous revue unlike any other.

Director Neil Wood brings Dan Goggin’s musical to mega-sized life in a version that boasts an expanded cast, new characters and even more musical mayhem. Box office: tickets.41monkgate.co.uk.

Lynda Burrell, left, and Catherine Ross, founders of exhibition curators Museumand, at the launch of 70 Objeks & Tings at York Castle Museum. Picture: Gareth Buddo

Exhibition of the week: 70 Objeks & Tings, York Castle Museum, until November 4; Mondays, 11am to 5pm, Tuesday to Sunday, 10am to 5pm

70 OBJEKS & Tings, a celebration of 75 years of Caribbean culture, showcases 70 items that connect us to the Windrush Generation in an “extraordinary exhibition of the ordinary”.

Curated by mother and daughter Catherine Ross and Lynda Barrett, founders of Museumand, the National Caribbean Heritage Museum, it features objects that combine familiarity and practicality and have been passed down the generations. On show are cooking and household goods, food packaging and beauty supplies, funeral items, music, games, books and newspapers. Tickets: yorkcastlemuseum.org.uk. 

Alexandra Kidgell: Soprano soloist for Haydn’s The Creation at York Minster

Classical concert of the week: York Musical Society, Haydn’s The Creation, York Minster, tonight, 7.30pm

FOUR years later than first planned – blame Covid – York Musical Society performs Haydn’s oratorio The Creation under the baton of musical director David Pipe. The choir and orchestra will be joined by soloists Alexandra Kidgell, soprano, Nathan Vale, tenor, and Thomas Humphreys, baritone.

The Creation was composed in 1797, following Haydn’s visits to London, when he was inspired by hearing Handel’s great oratorios, such as the Messiah, sung by huge choral gatherings.

“Haydn’s oratorio is one of the most upbeat and enjoyable works in the repertoire, with plenty of drama for the chorus to bring to life,” says Pipe. “We are excited to have the chance to perform The Creation in York Minster’s inspiring surroundings.” Box office: 01904 623568, at yorktheatreroyal.co.uk or on the door.

Mostly Autumn: Highly summer concert at The Crescent tonight

York band of the week: Mostly Autumn, The Crescent, York, tonight, 7.30pm

MOSTLY Autumn may have been called “the best band you have never heard”, but that is a misnomer in their home city of York, where Bryan Josh and Olivia Sparnenn-Josh’s classic rock combo play tonight.  

Twenty years of gigging, whether headlining or supporting Blackmore’s Night, Uriah Heep, Jethro Tull and Bryan Adams, goes into performing their combination of Seventies’ rock and prog-rock, peppered with a sense of the future. Box office: thecrescentyork.com.

Henry Winkler: American actor discusses The Fonz and more on Sunday

Coolest show of the week: Henry Winkler, The Fonz & Beyond, Grand Opera House, York, tomorrow, 7.30pm

HEY, Happy Days star HenryWinkler shares stories of his life on the 50th anniversary of his time in Hollywood after being told he would “never achieve”.

The Emmy award-winning actor, author, director and producer, now 78, is promoting his Being Henry memoir as he reflects on his sitcom days as The Fonz, the Happy Days role that defined a generation of cool, as well as subsequent appearances in Arrested Development, Parks And Recreation and Barry. Box office: atgtickets.com/york.

Tom Jones: Returning to Scarborough Open Air Theatre for the first time since July 2022

Coastal gig of the week: Tom Jones, Scarborough Open Air Theatre, June 26, gates open at 6pm

SEATED tickets have sold out for Welsh whirlwind Tom Jones’s outdoor gig in Scarborough but that still leaves room for standing. Sixty years since releasing his first single, Chills And Fever, in 1964, he is still blowing those bellows as powerfully as ever at 84, having made history as the oldest man to notch up a number one with an album of new material in the UK Official Album Charts in 2021 with Surrounded By Time, overtaking Bob Dylan.

Expect It’s Not Unusual, What’s New Pussycat?, Delilah, She’s A Lady, Green, Green Grass Of Home, Kiss, You Can Leave Your Hat On, Sex Bomb et al from Sir Tom. Box office: scarboroughopenairtheatre.com. Box office: scarboroughopenairtheatre.com.

Nathaniel Rateliff & The Night Sweats: Introducing new album South Of Here at York Barbican

Rhythm & blues gig of the week: Nathaniel Rateliff & The Night Sweats, York Barbican, June 27, doors 7pm

NATHANIEL Rateliff & The Night Sweats play York Barbican as the only Yorkshire venue on their six-date South Of Here summer tour.

Noted for supplying the zeal of a whisky-chugging Pentecostal preacher to songs of shared woes, old-fashioned rhythm & blues singer and songwriter Rateliff will be showcasing his Missouri band’s fourth studio album on the eve of its Friday release. William The Conqueror support. Box office: yorkbarbican.co.uk.

Crowning glory: Ballet Black in If At First, on tour at York Theatre Royal

Dance show of the week: Ballet Black: Heroes, York Theatre Royal, June 28, 7.30pm

CASSA Pancho’s dance company returns to York with the double bill Ballet Black: Heroes. Choreographer Mthuthuzeli November contemplates the meaning of life in The Waiting Game, a 2020 work infused with a dynamic soundtrack featuring the voices of Ballet Black artists.

Franco-British artist Sophie Laplane, choreographer-in-residence at Scottish Ballet, follows up her 2019 Ballet Black debut, Click!, with If At First, her exploration of “a more subtle heroism, a quieter triumph over adversity, in a struggle that unites us all”. Humanity, heroism and self-acceptance combine in this celebratory piece. Box office: 01904 623568 or yorktheatreroyal.co.uk.

Eliza Carthy: Performing solo at the NCEM, York, and Fylingdales Village Hall

Folk gigs of the week: Eliza Carthy, National Centre for Early Music, Walmgate, York, June 28, 7.30pm; Fylingdales Village Hall, Station Road, Robin Hood’s Bay, June 30, 7.30pm

ELIZA Carthy, innovative fiddler and vocalist from the First Family of Folk, heads from Robin Hood’s Bay to York for a solo gig at the NCEM. At once a folk traditionalist and iconoclast, she revels in centuries-old ballads and Carthy compositions alike.

In her 32-year career, Carthy has performed with The Imagined Village, The Wayward Band and The Restitution, collaborated with Paul Weller, Jarvis Cocker, Pere Ubu, Rufus & Martha Wainwright, Jools Holland, Patrick Wolf and Kae Tempest, served as president of the English Folk Dance & Song Society and artist in residence in Antarctica and been described by comedian Stewart Lee as “not the Messiah, but a very naughty girl”. Broadside balladeer Jennifer Reid supports at the York gig. Box office: York, for returns only, 01904 658338 or ncem.co.uk; Robin Hood’s Bay, trybooking.com/uk/events/landing/57434.

David Ward Maclean, centre, and musical friends Sarah Dean and Steve Kendra

Retirement concert of the week: David Ward Maclean and Friends, with special guest Edwina Hayes, Friargate Theatre, York, June 29, 6.30pm

YORK music scene stalwart and busker supreme David Ward Maclean plays his retirement gig with friends on the eve of his 66th birthday (June 30). “I’m retiring from all public performance, except the occasional open mic when I fancy it, maybe the odd charity appearance if requested, and will be focusing on finishing recording some 40 unreleased songs of mine,” he says.

Joining David will be The Howl & The Hum’s Sam Griffiths, Bradley Blackwell, Sarah Dean, Steve Kendra, Emily Lawler, Dan Webster, Paul Heaney, Al Hamilton, Robert Loxley Hughes, Amy Greene, Sarah Jennifer and special guest Edwina Hayes. Box office: wegottickets.com.

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What’s On in Ryedale, York and beyond as concerts return to Dalby Forest. Here’s Hutch’s List No. 21 from Gazette & Herald

Stuart Vincent’s Amir in The Kite Runner at York Theatre Royal. Picture: Barry Rivett

THE return of The Kite Runner and Forest Live, a mega-musical full of nuns and a new case for Holmes & Watson add intrigue and woodland joys to Charles Hutchinson’s week ahead.  

Play of the week: The Kite Runner, York Theatre Royal, running until Saturday, 7.30pm plus 2pm Thursday and 2.30pm Saturday matinees

DIRECTED by Giles Croft, Matthew Spangler’s adaptation of Khaled Hosseini’s novel presents a haunting tale of friendship that spans cultures and continents as it follows Amir’s journey to confront his past and find redemption.

In his childhood recollection, Afghanistan is on the verge of war and best friends Amir (Stuart Vincent) and Hassan (Yazdan Qafouri) are about to be torn apart. Amid the excitement of a Kabul kite-flying tournament, no-one can foresee the terrible incident that will shatter their lives forever. Box office: 01904 623568 or yorktheatreroyal.co.uk. 

Murder mystery to solve: Calf 2 Cow in Sherlock & Watson – A Murder In The Garden at Helmsley Walled Garden

Immersive murder mystery experience of the week: Calf 2 Cow, Sherlock & Watson – A Murder In The Garden, Helmsley Walled Garden, tomorrow, 7pm (gates, 6pm)

WHEN a body is mysteriously found lying in the middle of Landsdown Manor Gardens, the police have no option but to persuade Sherlock Holmes to take on his toughest case to date.

Assisted by the loyal Watson, the detective duo must battle through villains to discover who is behind the murder in Bath comedy troupe Calf 2 Cow’s new adaption, full of slapstick, multi-role playing and rock’n’roll, penned by artistic director Matthew Emeny. Bring chairs, blankets and picnics. Box office: 01439 771700 or helmsleyarts.co.uk.

Richard Hawley: Made in Sheffield, performing in Scarborough

Yorkshireman of the week: Richard Hawley, Scarbrough Spa, tomorrow (20/6/2024), 7.30pm

ON the heels of his Olivier Award-winning Sheffield musical Standing At The Sky’s Edge opening a six-month West End run at the Gillian Lynne Theatre, Richard Hawley showcases his ninth studio album In This City They Call You Love on his late-spring tour. Scarborough hosts the closing night. Box office: scarboroughspa.co.uk.

Nile Rodgers: Turning Dalby Forest into a disco floor with CHIC on Saturday, when Sophie Ellis-Bextor & Deco will be on the bill too

Welcome return of the week: Forest Live at Dalby Forest, near Pickering, Bryan Adams, Friday; Nile Rodgers & CHIC, Saturday; Richard Ashcroft, Sunday; gates 5pm

FORESTRY England revives Forest Live at Dalby Forest for the first time since 2019 for three nights of open-air concerts in aid of woodland conservation. Canadian rocker Bryan Adams, he of forest fame from (Everything I Do) I Do It For You for Robin Hood Prince Of Thieves, on Friday night will be followed by disco icons Nile Rodgers & CHIC on Saturday and the Wigan singer, songwriter and The Verve frontman Richard Ashcroft on Sunday. Box office: forestlive.com.

Jessa Liversidge: Two Bards And A Songbird, one concert and a workshop in Helmsley. Picture: David K Newton

English and Scottish union of the week: Jessa Liversidge, Two Bards And A Songbird, Helmsley Arts Centre, Saturday, 7.30pm

EASINGWOLD singer and choir leader Jessa Liversidge presents her celebration of song inspired by two bards: William Shakespeare and Robert Burns, from her native Scotland. Her heartfelt performance spans traditional folk, pop and musical theatre, sung to her piano accompaniment plus a loop pedal to layer melodies and sounds.

Audience suggestions are invited to enable Jessa to improvise a new song around a Shakespeare/Burns quotation. From 4pm to 6pm, she will host a harmony-singing workshop for participants to sing in the evening show, with a combined ticket available for the workshop and concert. Box office: 01439 771700 or helmsleyarts.co.uk.

York Light Opera Company cast members in rehearsal for Nunsense: The Mega-Musical

York musical of the week: York Light Opera Company in Nunsense: The Mega-Musical!, Theatre@41, Monkgate, York, 7.30pm, June 26 to 28, July 2 to 5; 3pm; June 29 and 30, July 6

AFTER the unfortunate passing of four beloved sisters in a “culinary catastrophe”, the remaining Little Sisters of Hoboken find themselves in a sticky situation. To raise funds for a proper burial (and perhaps a new cook), the nuns take centre stage for a riotous revue unlike any other.

Director Neil Wood brings Dan Goggin’s musical to mega-sized life in a version that boasts an expanded cast, new characters and even more musical mayhem. Box office: tickets.41monkgate.co.uk

Tom Jones: Returning to Scarborough Open Air Theatre, where he last performed in July 2022

Coastal gig of the week: Tom Jones, Scarborough Open Air Theatre, June 26, gates open at 6pm

SEATED tickets have sold out for Welsh whirlwind Tom Jones’s outdoor gig in Scarborough but that still leaves room for standing. Sixty years since releasing his first single, Chills And Fever, in 1964, he is still blowing those bellows as powerfully as ever at 84, having made history as the oldest man to notch up a number one with an album of new material in the UK Official Album Charts in 2021 with Surrounded By Time, overtaking Bob Dylan.

Expect It’s Not Unusual, What’s New Pussycat?, Delilah, She’s A Lady, Green, Green Grass Of Home, Kiss, You Can Leave Your Hat On, Sex Bomb et al from Sir Tom. Box office: scarboroughopenairtheatre.com.

Sully O’Sullivan: Putting the comedy boot in on June 28 in Malton. Picture: Andy Hollingworth

Comedy gig of the week: Hilarity Bites Comedy Club, Sully O’Sullivan, Don Biswas and host Danny Deegan, Milton Rooms, Malton, June 28, 8pm

SULLY O’Sullivan has played New Zealand, Australia, Croatia, Canada and all over Great Britain, now adding Malton to that list. Politically charged Don Biswas covers such subjects his Asian upbringing, his neuro-diversity as someone with dyspraxia, ADHD and ASD [Autism Spectrum Disorder], topped off with conspiracy theories.

Northern comedian, writer and actor Danny Deegan hosts the show with tales of mischief and multiple characters. Box office: 01653 696240 or themiltonrooms.com.

Alison Moyet: 40th anniversary album and 2025 tour, visiting York Barbican next February. Picture: Naomi Davison

Gig announcement of the week: Alison Moyet, York Barbican, February 20 2025

MARKING 40 years since she left Yazoo to launch her solo career, Essex soul singer Alison Moyet will play York Barbican on her 25-date 2025 itinerary, her first headline tour since 2017.  

After graduating from Brighton University in 2023 with a first-class degree in fine art printmaking, Moyet will combine art and music on her 18-track October 4 album, Key, creating the artwork as well as reworking singles, fan favourites and deep cuts, complemented by two new songs. Box office from 10am on Friday: yorkbarbican.co.uk/whats-on/alison-moyet-2025/.

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York Light to stage off-Broadway comedy Nunsense: The Mega-Musical with expanded cast and new characters

And then there were nuns: York Light Opera Company’s flyer for Nunsense: The Mega-Musical

THE Little Sisters of Hoboken will be bigger than ever in Nunsense: The Mega-Musical, York Light Opera Company’s summer show at Theatre@41, Monkgate, York.

Running from June 26 to July 6, the divine delights of Dan Goggin’s musical are being directed by Neil Wood with musical direction by Martin Lay.

“Get ready for a heavenly dose of laughter as we present a side-splitting extravaganza brimming with witty humour, toe-tapping tunes and heavenly hilarity,” says Neil.

In the wake of the unfortunate passing of four beloved sisters – now “chilling out in the freezer” after a “culinary catastrophe” involving soup – the remaining Little Sisters of Hoboken find themselves in a sticky situation. To raise funds for a proper burial – and perhaps a new cook! – the nuns take centre stage for a riotous revue like no other.

For the uninitiated, Dan Goggin’s 1985 off-Broadway musical promises a night of unforgettable entertainment, featuring:

● An all-singing, all tap-dancing cast of the Little Sisters of Hoboken, each with their own delightful personality.

● A script packed with jokes and side-splitting situations.

● Show-stopping song-and-dance numbers.

● A heart-warming message of community, perseverance and finding humour even, in the face of adversity.

Building on the success of last June’s “riotous, rude and relevant” I Love You, You’re Perfect, Now Change, York Light will stage a “mega-sized version” of Goggin’s show with an expanded cast, new characters and even more musical mayhem.

“It’s an absolute pleasure to return to York Light Opera Company to direct their summer show for the second year running,” says Neil. “Nunsense: The Mega-Musical is an exciting, hysterical and entertaining show and I’ve been lucky enough to cast 12 exceptionally talented actresses who encapsulate their various characters to perfection. It’s a wonderful show, which I’m sure audiences will adore.”

One cast hitch has required a novel solution, Neil reveals: “As with producing any show, you come across little hiccups, and our Father Virgil [Matt Tapp] being sent to the Highlands a month before opening night is possibly the most extreme hiccup I’ve had to deal with as a director.

“So, what’s the solution?  Do you find one actor who can cover all ten shows at late notice? No! Instead, we’ve found ten actors who can do one night each with limited rehearsal! Keep your eyes on social media to find out who.”

Inspiration came from comedy national treasures Eric and Ernie. “I got the idea having seen the guest actors in The Play What I Wrote, which is a show based on the life of Morecambe and Wise, and it’s worked exceptionally well!” says Neil.

“We had such a good response from the gentlemen of York Light Opera Company and within days had managed to cast all ten performances. However, that’s just one little treat for the audience…

“…Throw in tap dancing, tightrope walking and ventriloquism and you know you are in for a night you will never forget.”

York Light Opera Company in Nunsense: The Mega-Musical; Theatre@41, Monkgate, York, June 26 to July 6, 7.30pm (except June 30, July 1 and July 6); 3pm, June 29 and 30, July 6.  Box office: tickets.41monkgate.co.uk.

Who’s who in the cast?

Reverend Mother Mary Regina: Joy Warner; Sister Mary Hubert: Clare Meadley (except July 5 and 6), Alison Davies , July 5 and 6; Sister Robert Anne: Emily Rockliff; Sister Mary Amnesia:  Annabel van Griethuysen; Sister Mary Leo: Emma Craggs-Swainston; Sister Julia, Child of God: Kathryn Addison, replacing Pascha Turnbull, with only five days of rehearsals to go; Sister Mary Brendan:  Sarah Foster; Sister Mary Luke: Chloë Chapman; Sister Mary Wilhelm: Madeleine Hicks; Father Virgil: as explained above; Brother Timothy: Ben Wood; Sister Mary John: Alison Davies (except July 5 and 6); Sister Mary Matthew: Amy Greene; Sister Mary Mark: Sophie Cunningham.

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REVIEW: York Light Opera Company in Disney’s The Little Mermaid, York Theatre Royal, making waves until Saturday ****

Pascha Turnbull’s Ursula, James Dickinson’s Flotsam and Adam Gill’s Jetsam in York Light Opera Company’s Disney’s The Little Mermaid. All pictures: Matthew Kitchen Photography

THREE matinees this week are testament to the family appeal of Disney’s aquatic adventure The Little Mermaid, a show ideal for half-term week.

Across the city from February 16 to 18 at York Barbican, a Tylosaurus, the largest predatory marine reptile to ever grace our oceans and now the largest marine puppet ever made, will be making a big splash in a purpose-built tank in Jurassic Live. “If you sit near the front, you will get wet,” comes the safety alert.

No such warning is necessary at the Theatre Royal, but in the absence of water, everything else is thrown at director/choreographer Martyn Knight’s hi-tech production: an LED screen by AV Matrix; flying by Blue Chilli Flying; images and animations by Broadway Media Distribution and additional scenic elements by Scenic Projects, Lowestoft, and Curtain Call Productions, Crewe.

Bon appetit: Zander Fick’s Chef Louis

The tentacle costume for 6ft tall Pascha Turnbull’s evil sea witch, the giant squid Ursula, has been made specially by Caroline Guy, to go with a spectacular array of sea-world costumes by Spotlight Costume Hire and additional costumes created by York Light.

Wardrobe coordinator Carly Price has overseen a sewing team of ten, complemented by 21 dressers at the theatre; ten people in Ellie Ryder’s wig, hair and make-up team; ten more in the stage crew, all serving a cast of 43. Set building took 14 people; Paul Laidlaw conducts an excellent nine-strong orchestra, three of them on keyboards.

Those numbers tell you this is a big, expensive show to mount, taking on the challenge of staging a musical produced originally by Disney Theatrical Productions, based on Hans Christian Andersen’s fairytale and John Musker and Ron Clements’s animated 1989 film for Disney.

Monica Frost’s Ariel in mermaid mode in Disney’s The Little Mermaid

Built on a book by Doug Wright, music by Alan Menken and lyrics by Howard Ashman & Glenn Slater, this is every inch a Disney show, in style, content and philosophy, but Knight’s cast still brings a York Light air to it too.

This is helped by the experienced presence of not only Turnbull’s terrific villain, Ursula, but also Neil Wood’s mandarin Grimsby, Martin Lay’s bird-brained Scuttle and in particular Rory Mulvihill’s stern King Triton, ruler of the underworld.

Turnbull’s Ursula and her henchmen with the flashing footwear, James Dickinson’s Flotsam and Adam Gill’s Jetsam, savour the dark side with more than a hint of pantomime villainy, and Turnbull’s rendition of Poor Unfortunate Souls is a formidable finale to Act One.

Neil Wood’s Grimsby and James Horsman’s Prince Eric

Jonny Holbek’s Caribbean crustacean, Sebastian the crab, carries the heaviest comedy load, and although painting a face red to deliver a calypso caricature in Under The Sea might not be on a par with a white actor blacking up as Othello in 2024, the Jamaican jive could sit awkwardly for those who cringed at Jar Jar Binks in Star Wars: The Phantom Menace.

Nevertheless, Holbek is such a personable presence on stage – witness his Dewey Finn lead turn in School Of Rock last November – that his Sebastian goes down well, breaking down theatre’s fourth wall in the style of a panto daft lad.

Under The Sea, by the way, is as big and bright and fun as the big ensemble number should be, while Monica Frost’s Ariel, the mermaid who makes a deal with Ursula to take on human form (at the cost of her voice), relishes her spotlight in Part Of Your World in a resolute lead performance.

Rory Mulvihill’s King Triton

Lay’s Scuttle and the Seagulls could not be more positive in Positoovity, danced to tap choreography by Rachel Whitehead, and if you want an actor to maximise a cameo with comic flair and French drama, step forward Zander Fick’s Chef Louis  in Les Poissons in the palace kitchen.

Roller-skating is all the rage under the sea for Triton’s daughters (Frost’s Ariel, Annabel Van Griethuysen’s Aquata, Helen Miller’s Andrina, Madeleine Hicks’s Arista, Chloe Chapman’s Atina, Sophie Cunningham’s Adella and Sarah Craggs’s Allana), who swish hither and thither and sing siren-style.

James Horsman’s Prince Eric, the royal who would prefer to be a sailor, is played as straight as a ruler, fitting the Disney tropes of dark hair, slim frame and mono-focus on his one – find his bride – task in hand.

Jonny Holbek’s Sebastian the crab and Ryan Addyman’s Flounder performing Under The Sea

Ryan Addyman, who had everyone talking about his Jamie New in York Stage’s  Everybody’s Talking About Jamie Teen Edition last June, was promptly head-hunted to play Flounder, and he anything but flounders as Ariel’s fabulous fish sidekick here. One to watch, definitely.

Dial M for Mermaid if you enjoy Disney with a York Light touch, colours galore, fairytale fantasy, Turnbull terrors and Mulvihill regal authority

Performances:  7.30pm nightly, plus 2.30pm, Wednesday, Thursday and Saturday matinees. Box office: 01904 623568 or yorktheatreroyal.co.uk.

Martin Lay’s Scuttle, front, and the Gulls dancing Positoovity in York Light’s tap number in Disney’s The Little Mermaid
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Squid’s in! Pascha Turnbull can’t wait for the sea-witching hour as underwaterworld villain Ursula in Disney’s The Little Mermaid

Pashca Turnbull in full regalia as Ursula, the sea witch, in York Light Opera Company’s production of Disney’s The Little Mermaid. Picture: Matthew Kitchen

WHY is the seaweed always greener in someone else’s lake? Find out in Disney’s The Little Mermaid, the spectacular finale to York Light Opera Company’s 70th celebrations that opens tonight (7/2/2024) at York Theatre Royal to coincide with half-term week.

Director Martyn Knight and musical director Paul Laidlaw are at the wheel for this underwater adventure with music by Alan Menken, lyrics by Howard Ashman & Glenn Slater and book by Doug Wright, based on Hans Christian Andersen’s 1837 fairytale and John Musker & Ron Clements’s 1989 animated film.

York Light bring LED projection, dazzling costumes and choreography by Rachel Whitehead to the timeless enchanting tale of Ariel, a mermaid who dreams of trading her tail for legs to explore the human world. Aided by mischievous sidekick Flounder and the cunning Ursula, Ariel strikes a bargain that will change her life forever, but all is not what it seems.

Ariel will be portrayed by Monica Frost, Flounder by Ryan Addyman, Sebastian the crab by Jonny Holbek, Prince Eric by James Horsman and King Triton by the York stage stalwart Rory Mulvihill.

Billed as “the now renowned witch performer”, Pascha Turnbull will play sea witch Ursula, the greedy squid with powers of dark magic that, spoiler alert, will lead to her banishment.

“I haven’t seen the live action re-make [Rob Marshall’s 2023 film] – on purpose! Melissa McCarthy plays Ursula in that version. No pressure there then!” says Pascha.

How would she describe Ursula? “I think she’s more than cunning. She’s sly, devious, manipulative…she’s just awesome! Some little girls dream of being princesses, but some dream of playing villains – like me! Baddies absolutely have more fun – and you don’t have to kiss anybody!

“The big powerful woman, the larger-than-life character, is just something I’ve always enjoyed. On top of that, my natural singing voice is alto –they tend to play villains – and I’m 6ft tall.”

Pascha Turnbull being made up for the role of evil squid Ursula in Disney’s The Little Mermaid. Picture: Matthew Kitchen

Armed with “lots of tentacles I have to co-ordinate”, Pascha forms a new York Light team with James Dickinson’s Flotsam and Adam Gill’s Jetsam. “We’re Team Evil, as we call ourselves. James and Adam are even taller than me, so we’re a formidable team when we’re on stage together!” she says.

“I’ve seen James and Adam in other shows, like Joseph And The Mazing Technicolor Dreamcoat, and James happens to work in the print industry, like me.”

Should you be wondering, Pascha and her brother Nick – even taller at 6ft 5ins – run Inc Dot Design & Print, in Seafire Close, York, a print and graphic design company set up by their father, John Turnbull, in 1980.

“I’ve always said it’s great to be tall because you always get served at the bar,” says Pascha, who will be part of a cast of 40 in York Light’s show, performing a suitably big solo number, Poor Unfortunate Souls, to boot. “That song sums up her manipulative nature. She’ll help people to live out their dreams, but there’s always a payment required!”

Looking forward to playing the York Theatre Royal stage, Pascha says: “York Light have always done their February shows there. It’s a heck of a feeling performing in such an iconic theatre building, and just having that professional experience around you is fantastic. Being back in that theatre makes you feel giddy,

“The fact that we’re doing this show over half-term means so many more people can see it, especially with all the matinees, and anything that encourages people into the theatre is a good thing. I’m very excited!”

York Light Opera Company in Disney’s The Little Mermaid, York Theatre Royal, tonight 7/2/2024) until February 17, except February 12. Box office: 01904 623568 or yorktheatreroyal.co.uk.

York Light Opera Company’s cast for Disney’s The Little Mermaid

Monica Frost’s Ariel

Ariel: Monica Frost
Ursula: Pascha Turnbull
Mersister Aquata: Annabel Van Griethuysen
Mersister Andrina: Helen Miller
Mersister Arista: Madeleine Hicks
Mersister Atina: Chloë Chapman
Mersister Adella: Sophie Cunningham
Mersister Allana: Sarah Craggs
Prince Eric: James Horsman

York Light debutant Ryan Adamson in the role of Flounder


Grimsby: Neil Wood
Flounder: Ryan Addyman
Sebastian: Jonny Holbek
Scuttle: Martin Lay
King Triton: Rory Mulvihill
Flotsam: James Dickinson
Jetsam: Adam Gill
Chef Louis: Zander Fick

Annabel van Griethuysen’s Mersister Aquata, “Ariel’s mean, ambitious and devious big sister”. Picture: Matthew Kitchen
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More Things To Do in York & beyond, when skies are dark or lights are bright. Here’s Hutch’s List No. 6 for 2024, from The Press

Neil Vincent, left, Clare Halliday, Chris Pomfrett, Victoria Delaney and Mick Liversidge in rehearsal for York Actors Collective’s Beyond Caring

A GLUT of York theatre companies, a nocturnal sky festival, a Yorkshire musical and a colourful installation light up the dark nights of February for culture guide Charles Hutchinson.

Social drama of the week: York Actors Collective in Beyond Caring, Theatre@41, Monkgate, York, Tuesday to Friday, 7.30pm; Saturday, 2.30pm and 5.30pm

DEVISED by Alexander Zeldin and the original Yard Theatre cast in London, this 90-minute play highlighting the social damage inflicted by zero-hours contracts forms York Actors Collective’s second production, directed by founder Angie Millard.

Performed by Victoria Delaney, Clare Halliday, Mick Liversidge, Chris Pomfrett and Neil Vincent, Beyond Caring follows meat-packing factory cleaners Becky, Grace and Sam on the night shift as they confront the reality of low wage employment, never sure whether their ‘job’ will continue. Box office: tickets.41monkgate.co.uk.

Robert Rice: Recital at Unitarian Chapel, St Saviourgate tonight


Late Music at the double: Steve Bingham, violin and electronics, 1pm today; Robert Rice, baritone, and William Vann, piano, 7.30pm tonight, Unitarian Chapel, St Saviourgate, York

PET Shop Boys’ It’s A Sin chills with Bach’s Allemande in D minor, while a tango from Piazzolla is thrown in for good measure, as Steve Bingham explores four centuries of solo violin music this afternoon. World premieres of David Power’s Miniatures, Wayne Siegel’s Salamander (violin and electronics) and Rowan Alfred’s Cuckoo Phase will be performed too.

York composer David Power has curated Robert Rice and William Vann’s evening recital, featuring the first complete performance of Power’s Three Char Songs (1985 and 2016). Works by Gerald Finzi, Cecil Armstrong Gibbs, Herbert Howells, Robert Walker, William Rhys Meek, Charlotte Marlow, Liz Dilnot Johnson, David Lancaster, Hannah Garton, Ruth Lee, Hayley Jenkins and Phillip Cooke. Power gives a pre-concert talk at 6.45pm with a complimentary glass of wine or juice. Tickets: latemusic.org or on the door.

Jonny Holbek as Sebastian in York Light Opera Company’s production of Disney’s The Little Mermaid. Picture: Matthew Kitchen

Nautical adventure of the week: York Light Opera Company in Disney’s The Little Mermaid, York Theatre Royal, February 7 to 17, except February 12

BASED on the classic 1989 Disney animated film, The Little Mermaid tells the enchanting story of Ariel, a mermaid who dreams of trading her tail for legs and exploring the human world. Aided by her mischievous sidekick, Flounder, and the cunning Ursula, Ariel strikes a bargain that will change her life forever.

Martyn Knight’s production for York Light features stunning projection, dazzling costumes, unforgettable musical numbers, such as Under The Sea and Kiss The Girl, and choreography by Rachael Whitehead. Box office: 01904 623568 or yorktheatreroyal.co.uk.

The poster for Colour & Light, soon to illuminate the facade of York Art Gallery

Installation launch of the week: Colour & Light, York Art Gallery, February 7 to 25

YORK BID is linking up with York Museums Trust for the return of Colour & Light: an innovative project that will transform the facade of York Art Gallery to counter the cold winter with a vibrant light installation.

This “high impact and large-scale visual arts project” uses 3D projection mapping to bring York’s iconic buildings to life, first York Minster last year, now York Art Gallery, where the projection will play every ten minutes from 6pm to 9pm daily in a non-ticketed free event.

Watching the detective: Steven Jobson’s Lieutenant Frank Cioffi in Joseph Rowntree Theatre Company’s Curtains. Picture: Jennifer Jones

It’s Curtains for…Joseph Rowntree Theatre Company, Joseph Rowntree Theatre, York, Wednesday to Saturday, 7.30pm and 2.30pm Saturday matinee

WHEN the leading lady of a new musical mysteriously dies on stage, a plucky local detective must solve this 1959 case at Boston’s Colonial Theatre, where the entire cast and crew are suspects in Kander & Ebb’s musical with a book by Rupert Holmes.

Cue delightful characters, a witty and charming script and glorious tunes in the Joseph Rowntree Theatre Company’s staging of Curtains. Box office: 01904 501935 or josephrowntreetheatre.co.uk.

Sunflower power: The Calendar Girls cast on tour at the Grand Opera House, York, from Tuesday to Saturday

Touring musical of the week: Calendar Girls The Musical, Grand Opera House, York, Tuesday to Saturday, 7.30pm plus 2.30pm Wednesday, Thursday and Saturday matinees

YOU know the story, the one where a husband’s death to leukaemia prompts a group of ordinary women in a small Yorkshire Women’s Institute to do an extraordinary thing, whereupon they set about creating a nude calendar to raise money for charity.

Premiered at Leeds Grand Theatre in 2015, Gary Barlow and Tim Firth’s musical is now touring with a cast of music, stage and television stars. Baring all will be Laurie Brett as Annie; Liz Carney as Marie; Helen Pearson as Celia; Samantha Seager as Chris; Maureen Nolan as Ruth; Lyn Paul as Jessie and Honeysuckle Weeks as Cora. Once more the tour supports Blood Cancer UK. Box office: atgtickets.com/york.

 Nicola Holliday (as Jean Tanner) and James Lee (as Charles Stratton) in rehearsal for Settlement Players’ Separate Tables. Picture: John Saunders

English manners of the week: York Settlement Community Players in Separate Tables, York Theatre Royal Studio, February 8 to 17, 7.45pm except Sunday and Monday, plus 2pm Saturday matinees

AFTER directing four Russian plays by Chekhov, Helen Wilson turns her attention to Separate Tables, two very English Terence Rattigan tales of love and loss, set in a shabby Bournemouth hotel in the 1950s.

Guests, both permanent and transient, sit on separate tables, a formality that underlines the loneliness of these characters in a play about class, secrets and repressed emotions. Chris Meadley, Paul French, Molly Kay, Jess Murray, Marie-Louise Feeley, Caroline Greenwood and Linda Fletcher are among the Settlement cast. Box office: 01904 623568 or yorktheatreroyal.co.uk.

Festival of the month: North York Moors and Yorkshire Dales Dark Skies Festival, February 9 to 25

TEAMING up for the ninth time since 2016, the North York Moors and Yorkshire Dales National Park authorities celebrate the jewels of God’s Own Country’s night sky this month.

Discover nocturnal activities to heighten the senses such as the Dark Skies Experience (February 9 to 25) night navigation (February 16); trail run and yoga (February 17, sold out); canoeing; planet trail and constellation trail at Aysgarth Falls (February 9 to 25); astrophotography workshops at Castle Howard (February 22), stargazing safaris, children’s daytime trails, art workshops and mindful experiences. More details: darkskiesnationalparks.org.uk; yorkshiredales.org.uk/things-to-do/whats-on/shows/dark-skies-festival/.

Richard Ashcroft: Heading to the woods for Forest Live at Dalby Forest in June. Picture: Dean Chalkley

Outdoor gig announcement of the week: Richard Ashcroft, Forest Live, Dalby Forest, near Pickering, June 23

FORESTRY England completes its Forest Live return to Dalby Forest for the first time since 2019 with Richard Ashcroft, the two-time Ivor Novello Award-winning Wigan singer, songwriter and frontman of The Verve.

Canadian rocker Bryan Adams and disco icons Nile Rodgers & CHIC were confirmed already for June 21 and 22 respectively. New addition Ashcroft’s set list will draw on his five solo albums, along with The Verve’s anthems Bittersweet Symphony, The Drugs Don’t Work, Lucky Man and Sonnet. Leeds band Apollo Junction will be supporting. Box office: forestlive.com.

In Focus: York Ice Trail, City of Dreams, York city centre, today and tomorrow, from 10am

York Ice Trail: City of Dreams this weekend

THE theme for York Ice Trail 2024 transforms York into the City of Dreams, inviting visitors to dream big.

The last York Ice Trail, in February 2023, drew 40,000 visitors to York to view 36 sculptures. Organised by Make It York, the 2024 event again sees the “coolest” sculptures line the streets of York, each conceived and sponsored by businesses and designed and created by ice specialist Icebox.

Sarah Loftus, Make It York managing director, says: “York Ice Trail is one of the most-loved events in the city for residents and visitors alike, and we’re excited to be bringing it back for another year in 2024. 

“It’s a huge celebration of our city and businesses, and the concept will inspire everyone’s inner child, encouraging people to let their imagination run wild.” 

Icebox managing director Greg Pittard says: “Returning to York for the 2024 Ice Trail is a true honour for us. The York Ice Trail holds a special place in our hearts, and we are thrilled to bring this year’s theme to life.

“Our talented team of ice carvers pour their passion into crafting magnificent ice sculptures that will transport visitors to a world of wonder and delight.”

The 2024 ice sculptures:

Our City Of Dreams, provided by Make It York, Parliament Street.

A Field Of Dreams, Murton Park, Parliament Street.

A Journey In ice, Grand Central, Parliament Street.

City Of Trees, Dalby Forest, Parliament Street.

Chasing Rainbows, in celebration of York band Shed Seven topping the UK official album chart in January, York Mix Radio, Parliament Street.

I’m Late, I’m Late! For A Very Important Date!, Ate O’Clock, High Ousegate.

Sewing Like A Dream, Gillies Fabrics, Peter Lane.

Mythical Beasts: The Yeti, York BID, Walmgate.

Hop On Your Bike, Spark:York, Piccadilly (Spark:York will be open from 12 noon).

Belle Of The Ball, York Castle Museum, Eye of York.

Brolly Walks, The Coppergate Centre.

Supporting Our Armed Forces, Crombie Wilkinson Solicitors, Clifford Street.

Mythical Beasts: The Kraken, York BID, Micklegate (moved from King’s Staith on account of high river levels).

The Slithering Serpent, The Potions Cauldron, Middletons, Skeldergate.

Oompa Loompas, York’s Chocolate Story, Middletons, Skeldergate.

Wonkavision, City Cruises, Middletons, Skeldergate.

The Golden Ticket, filled with Terry’s Chocolate Oranges, Middletons, at Middletons, Skeldergate.

Mythical Beasts: The Phoenix, York BID, Micklegate.

Throne Of Dreams, Storage King, Station Road.

York Principal, The Principal York, Principal Gardens.

A Hat Full Of Dreams, The Grand, York, Station Rise.

Judges And Dragons, The Judge’s Lodging, Lendal.

Your Key To The National Park, North York Moors National Park, Exhibition Square.

Mythical Beasts: The Unicorn, York BID, Gillygate.

Mythical Beasts, The Hydra, York BID, Goodramgate.

The Big Bad Wolf, York Minster, Minster Piazza.

Train Of Dreams, National Railway Museum, High Petergate.

Bradley’s Jewellers’ Christmas Robin Egg, Bradley’s Jewellers, Low Petergate.

Floating Dreams, Lucia Bar, Grape Lane.

Fly Into York With P&R, York Park & Ride, St Helen’s Square.

RMS Queen Mary, Betts, Davygate.

Dreaming Of Cut And Craft, Cut And Craft, St Sampson’s Square.

Live Carving, Make It York, St Sampson’s Square.

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York Light Youth and York Light Opera Company principals team up for York premiere of School Of Rock next week

Emma Louise Dickinson’s headteacher Rosalie Mullins and Jonny Holbek’s Dewey Finn rehearsing with the ensemble for York Light Youth’s School Of Rock

YORK Light Youth’s tenth anniversary show will be the York amateur premiere of School Of Rock, ready to rock at the Joseph Rowntree Theatre, York, from November 8 to 11.

Directed by Sue Hawksworth, this technically and musically challenging musical – music by Andrew Lloyd Webbber, lyrics by Glenn Slater, book by Julian Fellowes – will be performed by a cast combining young performers aged ten to 17 and adults from the York Light Opera Company in equal numbers: a unique occurrence for York Light.

Among the adult cast will be Megan Overton and Maddy Hicks, who both performed in York Light Youth’s first show, Joseph And The Amazing Technicolor Dreamcoat, in 2013 and are enjoying their return to the group.

Based on Richard Linklater’s 2003 American film, the storyline follows Jonny Holbek’s Dewey Finn, a failed wannabe rock star, who decides to make some cash by teaching at a prestigious prep school. Soon he discovers his students to be clueless about rock’n’roll, but he vows to mould them into a rock band to enter Battle of the Bands.

Bella Smith, Jonny Holbek, Finley Walters and Ollie Lee rehearsing a number in School Of Rock

Along the way, Dewey finds romance, self-worth and a proper job as he initiates the children and their parents in the beauty of rock.

Director Sue Hawksworth was formerly assistant director of York Light Opera Company for 18 years, working on diverse productions ranging from The Sound Of Music and Oliver! to South Pacific and The King & I, and she is no stranger to working with young people.

Assistant director Gavin Shaw has performed in many musical theatre productions, appearing as Officer Krupke in York Light Youth’s West Side Story in 2016. Martin Lay is the musical director, a post he has held for York Light Youth since 2019.

Playing opposite Jonny Holbek in his relentless lead role will be leading lady Emma Louise Dickinson’s formidable headteacher Rosalie Mullins. Jonny and Emma Louise last appeared together as Che and Eva Peron in York Light’s 2022 production of Evita.

For those about to rock: School Of Rock band members Ollie Lee, Finley Walters, Sam Brophy and Bella Smith

Flynn Coultous and Georgia Foster take on the roles of Ned Schneebly, Dewey’s long-suffering flatmate, and his girlfriend, Paty Di Marco. Best friends Flynn and Georgia have been performing together since they were seven and five respectively, ten years in total.

Flynn joined York Light Youth for Hairspray in 2019 and played a loud and comical Joe Vegas in last year’s production of Fame.

School Of Rock is unique among musicals because not one, but two bands play live on stage. The adult band, No Vacancy, features cast members and musicians Jonny Holbek, Mat Tapp, Ant Pengally and Kathryn Lay, along with musicians Ben Huntley on guitar and Mike Hampton on drums.

Jonny Holbek’s Dewey Finn rocks out with the ensemble in the School Of Rock rehearsal room

The young band, School Of Rock, comprises four highly talented musicians who have achieved great things already. On keys will be Sam Brophy, a 2022 finalist in the BBC’s Young Chorister of the Year competition. On guitar will be Ollie Lee, whose band Bangers And Thrash won Minster FM’s Battle of the Bands in 2019, when he was nine.

Double bassist Bella Smith took up playing bass guitar less than a year ago, very similar to the trajectory of her character, Kate, a cellist turned bass guitarist. Completing the line-up will be Finley Walters, already an accomplished drummer at the age of ten. Invited to perform at the RSL Virtual Music Festival in 2021, he opened with a solo drum performance.

“School Of Rock is a celebration of music, friendship and the power of self-expression,” says York Light chair and publicity officer Helen Eckersall. “We’re confident that audiences of all ages will thoroughly enjoy it. Don’t miss the York premiere of this amazing show.”

York Light Youth in School Of Rock, Joseph Rowntree Theatre, York, November 8 to 11, 7.30pm plus 2.30pm Saturday matinee. Box office: 01904 501935 or josephrowntreetheatre.co.uk.

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REVIEW: York Light Opera Company in I Love You, You’re Perfect, Now Change, Theatre@41, Monkgate, York ****

The magnificent seven in York Light’s I Love You, You’re Perfect, Now Change: Sanna Jeppson, left, Mark Simmonds, Monica Frost, Emily Hardy, James Horsman, Emma Dickinson and Richard Bayton. All pictures: Matthew Kitchen Photography

LOVELY show to finish off York Light’s 70th anniversary. Something a little different. All about love. That adds up to three reasons espoused by director Neil Wood to see the American musical comedy with the tripartite title.

I Love You, You’re Perfect, Now Change has its place in musical history as the second longest-running off-Broadway musical revue, premiered by the American Stage Company in 1996.  

Now it swaps New York for York while retaining its American accents for 20 vignettes of universal resonance, each delving into a different aspect of love and relationships, their joys and their challenges.

Those vignettes, humorous, honest, heartfelt, heartwarming and heartbreaking, are full of life, lust and love’s labours lost and found, charting the path from dating to marriage, parenthood to ageing.

Richard Bayton at the wheel, with passengers Emily Hardy, Monica Frost and Mark Simmonds in the On The Highway Of Love vignette

Writer and lyricist Joe DiPietro and composer Jimmy Roberts bring momentum, mischief, romance, frankness, sauce, familiarity, delight, jaw-dropping awkwardness, pathos and passion, surprise and shock, to savvy, soulful, sweet, sour, salacious scenes ranging in length from five to eight minutes, diverse in style, tone and content.

Updated in 2018 to reflect changing times and fads, some take the form of dialogue or a monologue; some are songs; others combine the two. Like a taster menu, there is always another juicy morsel coming along to savour in each 55-minute half.

On an end-on stage with tables and chairs on one side, a sofa bed on the other, those vignettes are in the hands of a cast of seven – spreading the roles wider than the original production’s quartet of actors – and each of York Light’s magnificent seven takes on at least six parts, some as many as eight.

Neil Wood, directing York Light for the first time, put his company through Laban technique rehearsals to settle on characterisation and movement, giving each scene due weight with an emphasis on exposing the vulnerability in so many of the lovers’ tales.

He is rewarded with performances that are truthful and comedic, moving and candid, playing to both individual and collective strengths in a whirl of costume and character changes relished by Richard Bayton, Emma Dickinson, Mark Simmonds and especially the chameleon Sanna Jeppsson and James Horsman. 

Mark Simmonds in Whatever Happened To Baby’s Parents?

Look out for Jeppsson’s arthritic hands when playing an old woman discussing love in a funeral parlour opposite Horsman in arguably the most affecting vignette, Funerals Are For Dating.

Emily Hardy and Monica Frost graduate from the York Light ranks to principal roles for the first time, Frost being particularly impressive, whether in the country pastiche Always A Bridesmaid or her confessional online dating monologue, The Very First Dating Video of Rose Ritz.  

Not since Lloyd Webber and Rice’s Joseph And The Technicolor Dreamcoat in their fledgling days has a musical pulled off so many pastiches, from country weepie to Luther Vandross soul, Ratpack smoothie to boastful rap, power balladry to Lloyd Webber and Rice themselves, demanding much of keyboardist Martin Lay’s resourceful band (with Rosie Morris on bass, Katie Maloney on reeds and Jez Smith on drums).

Billed as “riotous, rude and relevant”, I Love You, You’re Perfect, Now Change is indeed those three Rs, but it is also real, relatable and richly rewarding. We’ve all been there, done that, now watch love’s highs and woes from the safety of a ringside  seat. You will laugh, you will cringe, you may well cry too.

Performances: Tonight (Thursday) and Friday, 7.30pm; Saturday, 2.30pm and 7.30pm. Box office: tickets.41monkgate.co.uk.

Emily Hardy’s bride, James Horsman’s groom and Sanna Jeppsson’s priest in Wedding Vows
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York Light look at love in myriad forms in American musical comedy I Love You, You’re Perfect, Now Change UPDATED

York Light Opera Company’s Emma Dickinson, left, Richard Bayton, Monica Frost and Mark Simmonds in I Love You, You’re Perfect, Now Change. Picture: Matthew Kitchen Photography

RIOTOUS, rude and oh-so relevant, I Love You, You’re Perfect, Now Change promises shocks and surprises plus character and costume changes galore in York Light Opera Company’s hands from tonight.

Writer Joe DiPietro and composer Jimmy Roberts’ off-Broadway musical comedy is directed by Neil Wood at Theatre@41, Monkgate, York, in its 2018 updated revamp in a witty look at how we love, date and handle relationships.

Guiding love’s path through a series of comedic and poignant vignettes will be Richard Bayton, Emma Dickinson, James Horsman, Sanna Jeppsson, Mark Simmonds and Monica Frost and Emily Hardy in their first principal roles for York Light, as love lives are reflected in art, up close and personal.

“It holds the record as the second longest-running revue staged off-Broadway,” says Neil. “Originally it was done with a cast of four, but we decided to double it to eight to be able to swap things around, and when one cast member dropped out, we stuck to seven.

“We did the first read-through and sing-through in April, so it’s a quick turnaround for a show, but we’ve still had the time to explore a lot of multi-role playing. Some of the cast are playing as many as eight characters, so we did some Laban technique workshops, looking at how characters are created, getting inside them and how the actors move.”

Richard Bayton and Emily Hardy, front, with Monica Frost and Mark Simmonds rehearsing On The Highway To Love

His first step as the director was to find the world depicted in the show’s 20 vignettes. “Then you must find the key thing within each scene; those moments that are poignant; those moments that are the turning point for a character.

“To do that, we had a really rigid rehearsal timescale with only two scenes per night, to really explore each scene, one running to eight minutes, the others to five or six minutes. It’s not a sung-through musical; some scenes are purely dialogue; some scenes are just a song; others are a mix of dialogue and song.

“Those songs vary in style from a Luther Vandross-style soul number to a country music song and a Rat Pack-style number.”

In her York Light debut after performing for Pick Me Up Theatre and York Stage, Swedish-born Sanna Jeppsson will be playing eight roles. “They vary from young and bold to old and experienced; shy and timid to a downtrodden housewife; a happy single woman to a sporty type – a tennis player, though the only thing I do for that is carry a tennis racket!” she says.

“It’s a fantastic array of characters in a show that has such a variety of scenes that can be real or twist reality in others, where you can go more crazy with a character.”

James Horsman and Sanna Jeppsson rehearsing the scene where two old people in a funeral parlour discuss love’s labours lost and found

Neil chips in: “That’s when you have to decide whether a scene is naturalistic or you can break the fourth wall and be very Brechtian, grabbing the audience by the hand or talking directly to them.

“I’ve been really impressed with what the cast has done in making 3D characters. Once you’ve created a scene, you can develop those characters and they have to be true. As well as their physicality, you need to find their vulnerability.

“That’s a key thing we’ve worked on: the intimacy of the scenes where you’re almost a voyeur into people’s most vulnerable moments.”

Last seen on stage leading York Light’s cast in Sweeney Todd: The Demon Barber Of Fleet Street, Neil is enjoying pulling the strings from the director’s chair. “When we get into Theatre@41, half the fun will be the quick changes, with some full costume changes in only 30 seconds to the accompaniment of scene-change music,” he says.

“The show is split into two 55-minute halves with a 20-minute interval, and the joy for the audience is that everyone will see relationships on stage that they recognise or have been in themselves.

Sanna Jeppsson, left, Emily Hardy, Monica Frost, Richard Bayton, Mark Simmonds and James Horsman in York Light Opera Company’s rehearsal room

“It’s laugh-out-loud funny, a show where you will come out beaming from ear to ear – and you don’t have to think too hard either!”

For Sanna, the rehearsal process has contrasted with her past productions in York. “That’s because this show is so episodic, so it’s almost felt like a different play at each rehearsal, which has been fun as an actor,” she says. “Now it’ll be fascinating to see what kind of reaction we’ll get from the audience, as we bring all those scenes together.

“I’ve been there most nights, where we’ve rehearsed two scenes a night, and it hasn’t felt frantic at all, just enjoying developing new scenes at each rehearsal.”

Neil adds: “We’ve been lucky that we’ve been able to do it episodically, with the majority of the rehearsals being done chronologically, which has helped the cast.”

He savours the accumulative impact of the 20 vignettes. “It’s not just 20 one-act plays, but real people, real amotions, real life, and it’s our job to make each scene as realistic as possible; to find the truth of these people,” he says.

“What I love about Joe DiPietro’s writing is that you definitely get every character’s viewpoint in each scene. He’s very clever at doing that.

Emma Harrison, left, Sanna Jeppsson, Emily Hardy and Monica Frost in a music rehearsal for I Love You, You’re Perfect, Now Change

“In the updated version, there’s been a gender swap in the Two Franks scene, and if there’s one scene that’s a caricature, it’s that scene, but then the reality comes through.”

Neil believes he has come up trumps in finding a cast able to play multiple roles. Sanna, in turn, is thrilled to be taking on that challenge. “I’ve had my eyes on this show for many years, waiting for this opportunity after first hearing about it when I was training in London in 2013/2014,” she says.

“I thought, ‘I’d love to do a show with all these characters parts’, and now the chance has come. It’s everything I imagined it would be – and more. It’s been a joy to work on because the script is really good, the songs are really good…and the director is really good, obviously!”

Sanna will be playing characters ranging in age from 25 to 75, and as she added each new one in rehearsal, she found she could not decide on a favourite. She does, however, then highlight her scene with James Horsman, where they play two old people discussing love in a funeral parlour.

“It’s such a beautifully written scene that says so much with such carefully chosen words,” she says.

Sanna Jeppsson and Richard Bayton in a reflective moment during York Light’s rehearsals

Neil picks out Monica’s closing second-half monologue. “It’s set around online dating and that thing of what we want people to see, rather than who we are, and yet then she realises her true story is far more fascinating,” he says.

Twenty vignettes with so many characters call for a diversity of American accents. “I don’t think it would work if you were to transfer it to Yorkshire or France, but you can place it anywhere in America. Some of the scenes are very American,” says Neil.

“The rhythms of the language scream American,” says Sanna. “Though I did read that it has been translated into a number of languages and it’s been done with Australian accents, but not with British ones.”

“The country song, Always A Bridesmaid, needs to be sung in a Tammy Wynette style,” reemphasises Neil.  

As opening night arrives, he concludes: “This is a lovely show to finish off York Light’s 70th anniversary, something a little different, all about love.”

York Light Opera Company in I Love You, You’re Perfect, Now Change, Theatre@41, Monkgate, York, tonight (27/6/2023) until Saturday, 7.30pm plus 2.30pm Saturday matinee. Box office: tickets.41monkgate.co.uk.

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More Things To Do in York and beyond, in summer pumps and circumstances. Here’s Hutch’s List No.25 for 2023, from The Press

Opera singer Jennifer Coleman: Soprano soloist on song at York Proms

PROMS, outdoor festivals and carnivals, here comes the sun and summer fun as Charles Hutchinson reaches for the cream.

Outdoor event of the weekend: York Proms, Museum Gardens, York, Sunday, gates open at 5pm

BRITISH-IRISH soprano Jennifer Colemen, Opera North tenor Tom Smith and West End musical theatre singer, actress and TV presenter Shona Lindsay will be the soloists for Sunday’s York Proms.

Musical director Ben Crick conducts the 22-piece Yorkshire Festival Orchestra in a musical theatre tribute, from Rodgers and Hammerstein’s Carousel and Bernstein and Sondheim’s West Side Story through to Les Miserables and Wicked. The rousing Proms finale will be accompanied by The Fireworkers’ fireworks. Tickets update: sold out; waiting list for returns at yorkproms.com/contact.

Tom Smith: Tenor soloist at Sunday’s York Proms

Shakespeare Shorts: Twelfth Night, Barley Hall Great Hall, Coffee Yard, York, today, on the hour, every hour, from 11am to 3pm

SHAKESPEARE in only 15 minutes presents an immersive re-telling of Twelfth Night, the one with heaps of mistaken identities, cross-dressing and long-lost siblings.

Barley Hall’s costumed storyteller promises to “make simple a story that has even the characters confused, all while exploring themes of gender identity and the history of cross-dressing in theatre”. Barley Hall admission: barleyhall.co.uk.

Shakespeare Shorts: The artwork for the 15-minute Twelfth Night at Barley Hall

Strensall Community Carnival, Strensall Village Hall and Field, Northfields, Strensall, York, today, 12 noon to 5pm

BACK for its 8th year, Strensall Community Carnival has attractions for all the family, with a procession from Hurst Hall, a food court, 30-plus charity and business stalls and entertainment on the outdoor arena.

Look out for Ebor Morris, The Cadet Band, York Karaoke DoJo, Dynamics Band and Generation Groove in the arena; the Robert Wilkinson School Choir and Band and Mark’s Magic Kingdom Puppet Show in the main hall, and the Captivating Creatures animal show, medieval mayhem with the Knights of the Wobbly Table storytellers, Messy Adventures sensory play and Generate Theatre drama games in the outdoor space.

The Grand Old Uke of York: “Almost unplugged” at Stillington

Uke over there: The Grand Old Uke of York, At The Mill, Stillington, near York, tonight, 7.30pm

YORK collective The Grand Old Uke of York grace the At The Mill stage in an unusual twist to their norm: turning their usual set list on its head to bring gorgeous, pared-back vocals, buttery harmonies and ukuleles played with summery vibes – rather than their usual rock mode – to the garden.

Formed more than ten years ago, they love nothing more than to transform expectations of the ukulele’s bounds. Tonight is a rare chance to see the dynamic group stripped back and “almost” unplugged. Box office: tickettailor.com/events/atthemill/925922

 

Party time: Just Josh celebrates a decade of entertaining children’s parties with a JoRo show

Big kid of the weekend: Josh Benson: Just Josh’s 10th Birthday Party!, Joseph Rowntree Theatre, York, Sunday, 4pm

AFTER a decade of doing other kids’ parties, York family entertainer, magician and pantomime silly billy Josh Benson has decided he should have his own bash.

Expect all Just Josh’s usual mix of daft comedy chaos, magic, juggling, balloons, dancing and games, plus extra-special surprises. “It’s the perfect Sunday afternoon treat for the whole family,” he says. “Yes, even Dad. It is Father’s Day after all!” Ticket update: last few on 01904 501935 or at josephrowntreetheatre.co.uk.

The poster for York Printmakers’ summer showcase at Blossom Street Gallery

Exhibition of the week: York Printmakers: A Showcase, Blossom Street Gallery, Blossom Street, York, until July 31, open Thursdays to Sundays

SIXTEEN York Printmakers members demonstrate techniques and printing processes that date back hundreds of years through to those that push the boundaries of contemporary practice, with laser-cut plates, digital elements and 3D techniques.

Taking part are: Harriette Rymer; Lyn Bailey; Bridget Hunt; Carrie Lyall; Patricia Ann Ruddle; Jane Dignum; Jo Rodwell; Lesley Shaw; Phill Jenkins; Sally Parkin; Emily Harvey; Gill Douglas; Becky Long-Smith; Vanessa Oo; Sandra Storey and Rachel Holborow.

Two women up a hillside with ashes stuck to their trouser leg”: Terrain Theatre in Helen at Theatre@41

New play of the week: Helen, staged by Terrain Theatre/Theatre  503 at Theatre@41, Monkgate, York, Sunday, 7.30pm

HELEN is 40 when she loses her husband. Becca is 15 when her dad dies. Now it is only the two of them, what do they do next? From Maureen Lennon, the Hull-born writer of York Theatre Royal’s 2022 community play, The Coppergate Woman, comes Helen, a series of snapshots of their relationship’s joys and traumas, laughs and arguments over the next 40 years.

Presented by new northern company Terrain Theatre and directed by Tom Bellerby, this 85-minute play about love, death, grief, postnatal depression, eating disorders, alcoholism, dementia and cancer, and two women up a hillside with ashes stuck to their trouser leg, explores the thread that binds them together and the different ways they damage and save each other. Box office: tickets.41monkgate.co.uk.

The poster for the return of Mrs. Brown Rides Again: Heading to Hull in October

Comedy booking of the week: Mrs. Brown Ride Again, Hull Bonus Arena, October 27, 7.30pm, and October 28, 2pm and 7.30pm

BRENDAN O’Carroll and Mrs. Brown’s Boys will be back on stage in their “classic play” Mrs. Brown Rides Again from August to November. The only Yorkshire shows of the ten-venue tour with the television cast will be at Hull Bonus Arena in late-October.

Written by and starring O’Carroll as the beloved “Mammy”, the play finds Agnes Brown and her dysfunctional family romping their way through what seems to be her last days at home. After hearing of a plot by her children to have her put into a home, Agnes decides to prove them wrong by displaying a new lease of life. Box office: bonusarenahull.com.

The Prodigy: “Full attack mode, double barrel” at Leeds First Direct Arena this autumn. Picture: Andrea Ripamonti

Gig announcement of the week: The Prodigy, Army Of The Ants Tour, Leeds First Direct Arena, November 18

THE Prodigy’s Liam Howlett and Maxim will play Leeds on night three of their seven-date autumn arena tour after a spring and summer run of international festival headline dates. Support will come from Soft Play, the British punk duo of Laurie Vincent and Isaac Holman, formerly known as Slaves. 

“Army Of The Ants is a calling to The Prodigy peoples,” says Howlett. “We’re comin’ back for u the only way we know, full attack mode, double barrel.” Box office: tix.to/TheProdigy

Soft Cell’s Dave Ball and Marc Almond: Headlining Let’s Rock Leeds

Recommended but general and VIP admission sold out already: Let’s Rock Leeds, Temple Newsam, Leeds, today, gates 11am; 10.30pm finish

HOMECOMING Leeds duo Soft Cell and OMD top the bill at this retro festival. Tony Hadley, Midge Ure, Stray Cats’ Slim Jim Phantom, The Farm, The Real Thing, Roland Gift, Heatwave and Hue & Cry play too. For any form of tickets left, head to: letsrockleeds.com.

In Focus: York Light Opera Company in I Love You, You’re Perfect, Now Change, Theatre@41, Monkgate, York, June 27 to July 1

York Light Opera Company cast member Sanna Jeppsson

RIOTOUS, rude and relevant, Joe DiPietro and Jimmy Roberts’s off-Broadway musical comedy I Love You, You’re Perfect, Now Change looks at how we love, date and handle relationships.

In a revamp of the original 1996 production, York Light Opera Company stage this witty hit show with a cast of seven under the direction of Neil Wood, fresh from his menacing Sweeney in Sweeney Todd: Demon Barber Of Fleet Street. Martin Lay provides the musical direction for the two 7.30pm peformances and 2.30pm Saturday matinee.

Noted for its insights into human nature and catchy-as-a-Venus-flytrap songs,  I Love You, You’re Perfect, Now Change explores the joys and challenges of love in songs that chart the heart’s path from dating to marriage to divorce.

Guiding audiences through a series of comedic and poignant vignettes will be Richard Bayton, Emma Dickinson, Monica Frost, Emily Hardy, James Horsman, Sanna Jeppsson and Mark Simmonds.

Cue shocks, surprises and songs aplenty as our love lives are reflected in art, up close and personal. Box Office tickets.41monkgate.co.uk

The poster for York Light Opera Company’s I Love You, You’re Perfect, Now Change