James Swanton: Returning to York Medical Society with his Dickensian ghost stories
FROM Dickensian ghost stories and Gothic tales to mischievous mice and a festive talent showcase, ’tis the season to be out and about, reports Charles Hutchinson.
Storyteller of the week: James Swanton presents Charles Dickens’ Ghost Stories, York Medical Society, Stonegate, York, until Sunday
YORK storyteller supreme and Gothic actor James Swanton returns to York Medical Society with two of Dickens’ seasonal ghost stories: The Haunted Man, a neglected Gothic classic (November 27, 7pm) and A Christmas Carol, Scrooge’s saga (November 28, 7pm, and November 30, 2pm and 6pm).
“Their words unlock a world teeming with chain-rattling spectres, with dark and shadowy doubles, with Ghosts of Christmases Past and Present and Yet To Come,” he says. “These tales chill the marrow and tickle the funny bone, but always they enchant, as only the works of a master storyteller can.” Box office for returns only: 01904 623568 or yorktheatreroyal.co.uk.
Steve Tearle: Directing NE Theatre York in Charlie And The Chocolate Factory
Musical of the week: NE Theatre York in Roald Dahl’s Charlie And The Chocolate Factory, Joseph Rowntree Theatre, York, tonight to Friday, 7.30pm; Saturday, 2.30pm and 7.30pm
DIRECTED by Steve Tearle, this musical will take you to a world of pure imagination in Roald Dahl’s devilishly delicious tale of young golden ticket winner Charlie Bucket entering the scrumptious chocolate factory. There, he and his grandpa Joe, along with five more children, will meet the mysterious confectionary wizard Willy Wonka for an adventure like no other.
“The story of chocolate is at the very heart and history of this amazing city and it is only fitting that NE Theatre York brings Charlie And The Chocolate Factory to York,” says Tearle. Box office: 01904 501935 or josephrowntreetheatre.co.uk.
Rebecca Vaughan: Telling haunting tales of the festive season at Theatre@41
Frailties of human nature of the week: Dafyd Productions in Christmas Gothic, Theatre@41, Monkgate, York, Thursday, 7.30pm
REGULAR York frequenters Dafyd Productions return with Christmas Gothic, an invitation to enter into the Christmas spirit as spectral woman (Rebecca Vaughan) tells haunting tales of the festive season, lighting a candle to the frailties of human nature and illuminating the chilling depths of bleak wintry darkness. Box office: tickets.41monkgate.co.uk.
Tucking into the cheese at A Christmas Mousequerade at Fairfax House
Mischievous mice takeover of the week: A Christmas Mousequerade at Fairfax House, Castlegate, York, until January 4 2026
FAIRFAX House’s much-loved Christmas display returns for 2025 with a new theme of A Christmas Mousequerade, combining more mice than ever before in the “ultimate 18th century house party”.
A multitude of mice is dressed in hand-crafted and exquisitely miniature Georgian finery, custom made by Fairfax House volunteers, as you step into the glittering world of Georgian York and join the Fairfax family’s preparations for the most spectacular ball of the season. Tickets: https://fairfaxhouse.co.uk/event/christmas-at-fairfax-house/.
Poetry gig of the week: Stairwell Books presents Poetry For All, National Centre for Early Music, York, Friday, 7.30pm
THIS annual event is designed to remove as many barriers as possible from enjoying live poetry events. All poems are projected on a screen, and BSL (British Sign Language) interpreted by Dave Wycherley and Vicci Ackroyd in a venue with fab acoustics and level access throughout.
Headliners Dominic Berry and Pete Kalu will be supported by five York poets, co-hosted by Fay Roberts and Rose Drew. Service dogs are welcome; entry for carers is free. VI tarot card reader Gillian Avart will read your potential future. Look out for special guests too. Box office: 01904 658338 or ncem.co.uk.
Kevin Daniel: Relatable storytelling at Milton Rooms, Malton. Picture: Steve Best
Ryedale comedy gig of the week: Hilarity Bites Comedy Club, Kevin Daniel, Paul Tonkinson and Stephanie Laing, Milton Rooms, Malton, Friday, 8pm
KEVIN Daniel combines a commanding stage presence with relatable storytelling and jokes aplenty. Paul Tonkinson, Yorkshireman, marathon runner and two-time Time Out Comedian of the Year, is noted for his effervescent physicality and skilful impressions, bringing alive exuberant, tender comic reflections of love, family and the day-to-day idiosyncrasies of 21st century living.
“Goofy and peculiar” host Stephanie Laing, an Edinburgh Fringe regular since 2010, fuses silliness, filth and unusual observations, underpinned by a disarming honesty and charming vulnerability. Box office: 01653 696240 or themiltonrooms.com.
The Catenary Wires team up with poet Brian Bilston at Pocklington Arts Centre
Poetry-and-song union of the week: Brian Bilston & The Catenary Wires, Pocklington Arts Centre, Friday, 8pm
POET Brian Bilston started out by sharing his brief, direct, and witty poems online and now has more than half a million followers on social media. The Catenary Wires comprise Amelia Fletcher, Rob Pursey and Ian Button, who also play as Heavenly, whose T-shirt Bilston was spotted wearing at one of his gigs.
Word reached Fletcher and Pursey, introductions were made, friendships were formed, and the Sounds Made By Humans album took shape: a collection of songs, where words and music have become intertwined. Friday’s first half features a solo spoken-word set by Bilston and a music set by The Catenary Wires; in the second, they unite to perform tracks from the album. Box office: 01759 301 5 or pocklingtonartscentre.co.uk.
Poet Brian Bilston
Talent showcase of the week:HAC Studio Bar Festive Open Mic, Helmsley Arts Centre, Saturday, 7.30pm
HELMSLEY Arts Centre plays host to a cosy evening for creatives to share their talents in the relaxed and friendly environment of the Studio Bar. Mulled wine and mince pies are on the menu and festive tunes will be the order of the day.
This Open Mic is a comfortable space for both seasoned performers and those taking the stage for the first time, as well as anyone who wants to enjoy a drink from the bar and be entertained by Ryedale talent. No need to book to listen or perform, just turn up.
Jake Lambert: The Sunshine Kid with bright ideas at Pocklington Arts Centre
Debut tour of the week: Jake Lambert, The Sunshine Kid, Pocklington Arts Centre, Saturday, 8pm
RAPIDLY rising stand-up comic Jake Lambert has chalked up more than 500 million views of his online videos featuring his gag-filled storytelling. Having supported Michael McIntyre on his worldwide tour, he is undertaking his inaugural international tour with his show The Sunshine Kid, selling out across the UK, Europe and Australia. Box office: 01759 301 5 or pocklingtonartscentre.co.uk.
Thornton Le Dale Ukuleles: Christmas concert at Kirk Theatre
Christmas Singalong of the week: Thornton Le Dale Ukuleles and Scoble and Friends, Kirk Theatre, Pickering, December 4, 7.30pm
THORNTON Le Dale Ukuleles’ Christmas Singalong is divided into two parts, kicking off with Scoble and Friends, a small group of talented singers and musicians.
Thornton Le Dale Ukuleles, the brainchild of leader John Scoble, will fill the stage with 40 players. Scoble provides tuition free of charge, while singer-songwriter David Swann gives lessons too. The group performs all genres of music, but virtually no George Formby, playing the melody as well as strumming and complementing ukuleles with other instruments. Box office: 01751 474833 or kirktheatre.co.uk.
Follow the Yellow Brick Road at Christmas at Castle Howard: The Wonderful Wizard Of Oz
FROM The Wizard Of Oz wonderland at Castle Howard to daytime dancing at York Barbican, Gothic tales to Dickensian ghost stories, ’tis the season to be out and about, reports Charles Hutchinson.
Christmas transformation of the week: The Wonderful Wizard Of Oz, Castle Howard, near York, until January 4 2026
CASTLE Howard becomes an immersive Christmas experience, dressed in set pieces, decorations, floristry, projections, lighting and sound for The Wonderful Wizard Of Oz, set to delight tens of thousands of visitors over seven weeks.
Created by CLW Event Design, headed up by Charlotte Lloyd Webber and Adrian Lillie, the show-stopping Emerald City High Street in the Long Gallery is the highlight of this winter’s transformation, with life-size fabricated shop fronts inspired by York’s Shambles, while the 28ft Christmas tree sparkles in the Great Hall. Leeds theatre company Imitating The Dog has provided the projections and soundscapes. Tickets: castlehoward.co.uk.
Day Fever co-founders Jonny Owen and Vicky McClure: Bringing the fun of daytime dancing to York Barbican on Saturday
Dance party of the week: Day Fever, York Barbican, Saturday, 3pm to 8pm
LAUNCHED in early 2024 by Trigger Point actress Vicky McClure, filmmaker and broadcaster Jonny Owen, Reverend & The Makers frontman Jon McClure (no relation), brother Chris McClure and Sheffield businessman James O’Hara, Day Fever has fast become a cultural sensation, built on people craving a space to let loose, laugh and dance, all before 8pm.
“It feels like a massive house party at your nan’s,” says Vicky. “No drama, no egos, just people acting daft, getting dressed up and having the best time.” No dress code, no pressure, only wall-to-wall feel-good tunes and an open invitation to dance like nobody’s watching. Box office: yorkbarbican.co.uk.
The Primitives: Playing The Crescent tonight
Indie gig of the week: The Primitives, The Crescent, York, Saturday, 7.30pm
COVENTRY band The Primitives emerged from the UK independent music scene in 1984 with a sound that distilled the shimmering guitar chime of The Byrds, the buzzsaw style of The Ramones and Sixties’ girl group melodies into quickfire pop gems. After debut album Lovely, breakthrough single Crash and further albums Pure and Galore, they split in 1992, only to re-form in 2009.
This year, Elefant Records released the double vinyl collection Let’s Go Round Again – Second Wave Singles & Rarities 2011-2025, adding new material to A sides, B sides and more besides from the past 14 years. Tonight they head to York with a line-up featuring original members Tracy Tracy, vocals, Paul Court guitar/vocals, and Tig Williams, drums. Box office: thecrescentyork.com.
Musical of the week: NE Theatre York in Roald Dahl’s Charlie And The Chocolate Factory, Joseph Rowntree Theatre, York, Saturday and Sunday, 2.30pm and 7.30pm; November 25 to 28, 7.30pm; November 29, 2.30pm and 7.30pm
DIRECTED by Steve Tearle, this musical will take you to a world of pure imagination in Roald Dahl’s devilishly delicious tale of young golden ticket winner Charlie Bucket entering the scrumptious chocolate factory. There, he and his grandpa Joe, along with five more children, will meet the mysterious confectionary wizard Willy Wonka for an adventure like no other.
“The story of chocolate is at the very heart and history of this amazing city and it is only fitting that NE Theatre York brings Charlie And The Chocolate Factory to York,” says Steve. Box office: 01904 501935 or josephrowntreetheatre.co.uk.
Mohammed Moussa: Headlining Say Owt’s bill on Sunday at The Crescent
Poetry gig of the week: Say Owt presents Mohammed Moussa, The Crescent, York, Sunday, midday
YORK spoken-word collective Say Owt welcomes Gaza Poets Society founder, Palestinian poet and podcaster Mohammad Moussa to The Crescent. Now living in Turkey, he writes with urgency, humour and hope, seeking to build connections across borders.
Supporting Mohammed on Sunday’s bill of shared personal stories will be York-based poets Nadira Alom and Minal Sukumar. Nadira writes about mental health and her experiences as a woman and a Muslim; Minal is a writer, performance poet and doctoral researcher at the Centre for Women’s Studies, University of York. Box office: thcrescentyork.com.
James Swanton: Returning to York Medical Society with a brace of Charles Dickens’ ghost stories
Storyteller of the week: James Swanton presents Charles Dickens’ Ghost Stories, York Medical Society, Stonegate, York, November 24 to 30,Monday, Tuesday, Thursday, Friday, 7pm; Sunday, 2pm and 6pm
YORK storyteller supreme and Gothic actor James Swanton returns to York Medical Society with two of Dickens’ seasonal ghost stories: A Christmas Carol, the famous saga of Scrooge (November 25 and 28, 7pm, and November 30, 2pm and 6pm), and The Haunted Man, a neglected Gothic classic (November 24 and 27, 7pm).
“Their words unlock a world teeming with chain-rattling spectres, with dark and shadowy doubles, with Ghosts of Christmases Past and Present and Yet To Come,” he says. “These tales chill the marrow and tickle the funny bone, but always they enchant, as only the works of a master storyteller can.” Box office: 01904 623568 or yorktheatreroyal.co.uk.
Meanwhile, Robert Lloyd Parry’s performance of three M R James ghost stories, Not Truly Dead, at Theatre@41, Monkgate, York, on November 23 (7.30pm) has sold out.
O’Hooley & Tidow: Playing NCEM
Folk gig of the week: O’Hooley & Tidow, So Long For Now, National Centre for Early Music, York, November 26, 7.30pm
AFTER 15 years of performing together, eight studio albums, four BBC Folk Award nominations, composing Gentleman Jack as the BBC/HBO drama theme tune and gigs at hundreds of UK and European venues and festivals, Yorkshire folk duo Belinda O’Hooley & Heidi Tidow have made the momentous decision to say farewell for now to explore other adventures.
To help their loving and loyal audiences process this news, they are embarking on one last tour of all their favourite venues from over the years, taking in the NCEM next Wednesday. Tickets update: Sold out. For returns only, ring 01904 658338.
Ross Noble: Geordie surrealist tapping into his Cranium Of Curiosities at the Grand Opera House, York
Comedy gig of the week: Ross Noble, Cranium Of Curiosities, Grand Opera House, York, November 26, 8pm
THE Wizard of Waffle, the Rambler Royale, the Noodlers’ Noodler is touring a tornado of tangents. “What the show will be about is anybody’s guess, but that’s all part of the fun when you look inside my Cranium of Curiosities,” says Newcastle-upon-Tyne stand-up comedian and actor Ross Noble, who cut his comedy teeth in York as the bygone Comedy Shack’s master of ceremonies at The Bonding Warehouse. Box office: atgtickets.com/york.
Rebecca Vaughan: Telling haunting tales of the festive season in Dafyd Productions’ Christmas Gothic at Theatre@41, Monkgate
Frailties of human nature of the week: Dafyd Productions in Christmas Gothic, Theatre@41, Monkgate, York, November 27, 7.30pm
REGULAR York frequenters Dafyd Productions return with Christmas Gothic, an invitation to come in from the cold and enter into the Christmas spirit as a dark and spectral woman (Rebecca Vaughan) tells haunting tales of the festive season, lighting a candle to the frailties of human nature and illuminating the chilling depths of the bleak, wintry dark. Box office: tickets.41monkgate.co.uk.
What’s On in Ryedale, York and beyond. Hutch’s List No. 49, from Gazette & Herald, 19/11/2025 onwards
Adrian Lillie and Charlotte Lloyd Webber, of CWL Design, standing by the 28ftChristmas tree in the Great Hall at Castle Howard, where their Wonderful Wizard Of Oz immersive experience enchants until January 4. Picture: Tom Arber
SNOW storms with clowns, Castle Howard’s immersive Wonderful Wizard Of Oz and Count Arthur Strong and Adam Z Robinson’s solo takes on A Christmas Carol put the ‘yes’ into November for Charles Hutchinson.
Christmas transformation of the week: The Wonderful Wizard Of Oz, Castle Howard, near York, until January 4
CASTLE Howard becomes an immersive Christmas experience, dressed in set pieces, decorations, floristry, projections, lighting and sound for The Wonderful Wizard Of Oz, set to delight tens of thousands of visitors over a seven-week period.
Created by CLW Event Design, headed up by Charlotte Lloyd Webber and Adrian Lillie, the show-stopping Emerald City High Street in the Long Gallery is a highlight of this winter’s transformation, with life-size fabricated shop fronts inspired by York’s Shambles, while the 28ft Christmas tree sparkles in the Great Hall. Leeds theatre company Imitating The Dog has provided the projections and soundscapes. Tickets: castlehoward.co.uk.
Slava’s SnowShow: Arrival in York coincides with forecasts of snow across the North
Weather forecast of the week: Slava’s SnowShow, Grand Opera House, York, 7.30pm, today to Saturday; 2.30pm, tomorrow and Saturday; Sunday, 2pm and 6pm
ENTER an absurd and surrealistic world of “fools on the loose” in Slava Polunin’s work of clown art, wherein each scene paints a picture: an unlikely shark swimming in a misty sea; clowns and the audience tangled up in a gigantic spider’s web; heart-breaking goodbyes with a coat rack on a railway platform, and audience members being hypnotised by giant balloons. The finale is an “out-of-this-world snowstorm”. Box office: atgtickets.com/york.
Kerry Godliman: Welcome to the life of a middle-aged woman who has outsourced her memory to her phone in Bandwidth. Picture: Aemen Sukka, of Jiksaw
Straight-talker of the week: Kerry Godliman: Bandwidth, York Theatre Royal, tonight, 7.30pm
WHILE parenting teenagers, bogged down with knicker admin and considering dealing HRT on the black market, Kerry Godliman can’t remember what was in her lost mum bag after outsourcing her memory to her phone. Welcome to the life of a middle-aged woman who lacks the bandwidth for any of this.
Godliman, comedian, actor, writer, podcaster and broadcaster, from Afterlife, Taskmaster and Trigger Point, builds her new stand-up show on straight-talking charm and quick wit. Box office: 01904 623568 or yorktheatreroyal.co.uk.
York artist Lesley Birch at work in her studio for her Flower Power exhibition at Pyramid Gallery, York. Picture: Esme Mai Photography
Blooms of the week: Lesley Birch: Flower Power and Jacqui Atkin: Ceramics, Pyramid Gallery, Stonegate, York, until mid-January 2026, Monday to Saturday, 10am to 5pm
LESLEY Birch is showing 22 paintings from her Flower Power series in an exhibition that coincides with the publication of her small artbook of the same title by independent York publisher Overt Books, also featuring Esme Mai’s photographs of Lesley’s home studio and the York artist’s free-verse musings. On show too are Pottery Showdown potter Jacqui Atkin’s ceramics.
Dickens of a good show: Count Arthur Strong Is Charles Dickens in A Christmas Carol, York Barbican, tomorrow, 8pm; Whitby Pavilion Theatre, November 23, 7.30pm; Scarborough Spa Theatre, November 27, 8pm
IN response to public pressure, doyen of light entertainment and raconteur Count Arthur Strong is extending his fond farewell with new dates aplenty for his one-man interpretation of A Christmas Carol, performing his own festive adaptation in the guise of literary great and travelling showman performer Charles Dickens. Box office: York, yorkbarbican.co.uk; Whitby, whitbypavilion.co.uk; Scarborough, scarboroughspa.co.uk.
Gerard Hobson: Cut out for three days of Christmas art
Christmas exhibition of the week: Gerard Hobson, 51, Water Lane, Clifton, York, Friday and Saturday, 10am to 4pm; Sunday, 12 noon to 4pm
YORK printmaker Geard Hobson’s artwork comprises hand-coloured, limited-edition linocut prints and cut-outs focused on nature and wildlife, inspired by the countryside around where he lives in York.
As well as prints and bird, animal, tree and mushroom cut-outs, he creates anything from cards, mugs, cushions and coasters to chopping boards, lampshades, tea towels, notepads and wrapping paper. This week’s festive exhibition focuses on Christmas gifts, cards, prints and cut-outs.
Mexborough poet Ian Parks holding a copy of his new book The Sons Of Darkness And The Sons Of Light. The Basement at City Screen Picturehouse awaits on Friday
Word-and-song gathering of the week: Navigators Art presents An Evening with Ian Parks and Friends, The Basement, City Screen Picturehouse, York, Friday, 7.30pm
YORK arts collective Navigators Art plays host to An Evening with Ian Parks and Friends, where Parks reads from his new collection, The Sons Of Darkness And The Sons Of Light, and will be in conversation with Crooked Spire Press publisher Tim Fellows.
Joining Parks will be award-winning York novelist and poet Janet Dean, poet and critic Matthew Paul and singer-songwriter Jane Stockdale, from York alt-folk trio White Sail. Tickets: £5 in advance at bit.ly/nav-events or £8 on the door from 7pm.
Rant: Scottish quartet of fiddle players heads for Helmsley Arts Centre
Fiddlers of the week: Rant, Helmsley Arts Centre, Friday, 7.30pm
SCOTTISH chamber-folk fiddlers Rant return to the road after releasing third album Spin last year, featuring their ambitious, bold and reflective reinterpretation of influential tracks by bands and players from across the globe from their formative years.
In the line-up are Bethany Reid, from Shetland, Anna Massie and Lauren MacColl from the Highland peninsula of the Black Isle, and Gillian Frame, from Arran, whose live set reflects years of honing their sound together and their love for the music of each home region through their writing, repertoire and stories. Box office: 01439 771700 or helmsleyarts.co.uk.
Adam Z Robinson: Playing Scrooge and 27 more characters in A Christmas Carol at Helmsley Arts Centre
Ryedale solo show of the week:The Book of Darkness & Light Theatre Company in A Christmas Carol, Helmsley Arts Centre, Saturday, 7.30pm
MARLEY was dead.. to begin with. So starts The Book of Darkness & Light Theatre Company’s ghostly staging of Charles Dickens’s festive tale, performed by Adam Z Robinson, whose solo adaptation “teases out the gothic aspects” and requires him to play 28 characters.
Join miserly misery Ebenezer Scrooge on a supernatural journey into the past, present and yet-to-come. The chilly atmosphere of Victorian London is brought to life and the spirits of Christmas return from the dead, all through the spellbinding art of storytelling that combines gripping narration with eerie recorded voices and an immersive soundscape. Box office: 01439 771700 or helmsleyarts.co.uk.
Becky, left, and Rachel Unthank: Playing All Saints Church, Pocklington, this weekend
Recommended but sold out already: The Unthanks At 20, All Saints Church, Pocklington, Saturday, 7.30pm
POCKLINGTON’S Hurricane Promotions bring North Eastern folk band The Unthanks to All Saints Church as part of their 20th anniversary scaled-back, intimate series of shows in support of “today’s best small venues”.
The Unthanks play Pocklington fresh from singing sisters Rachel and Becky Unthank and pianist Adrian McNally being part of the cast of eight for the October 22 to November 2 theatre piece for Bradford UK City of Culture 2025, creating and performing the music for Javaad Alipoor’s staging of York author Fiona Mozley’s Booker Prize-shortlisted novel, Elmet.
The show poster for The Sounds Of Simon at the Kirk Theatre, Pickering
Tribute show of the week: The Sounds Of Simon, The Music of Paul Simon and Art Garfunkel, Old Friends, Kirk Theatre, Pickering, Saturday, 7.30pm
THE Sounds Of Simon, the UK’s longest-running tribute to Paul Simon and Art Garfunkel, takes a musical journey from their years as Simon and Garfunkel to the successes of their solo careers, as they explore the friendship that led to songs such as Mrs Robinson, The Sound Of Silence and Bridge Over Troubled Water, onwards to You Can Call Me Al, Graceland and Garfunkel’s Bright Eyes.
The show incorporates elements of the duo’s famously fractious relationship, as well as replicating their beautiful harmonies, complemented by video clips, stories and memories from more than 50 years. Box office: 01751 474833 or kirktheatre.co.uk.
Anna Soden: No bum deal, bum steer or bum’s rush, for that would be a bummer at tonight’s hour of comedy, It Comes Out You Bum, at The Old Paint Shop
FROM royal history re-told to Dickens’ ghost stories, magical monsters to banjo brilliance, Charles Hutchinson delights in October’s diversity.
Homecoming of the week: Anna Soden, It Comes Out Your Bum, The Old Paint Shop, York Theatre Royal Studio, tonight, 8pm
NOW based in Brighton but very much shaped in York, comedian, actor, writer, TikTok sensation and award-nominated Theatre Royal pantomime cow in Jack And The Beanstalk, Anna Soden delivers her debut hour of madcap comedy, full of brainwaves, songs, revenge and talking out your ass. Box office: 01904 623568 or yorktheatreroyal.co.uk.
Robin Simpson: Monster storyteller and York Theatre Royal pantomime dame, performing at Rise@Bluebird Bakery
Spooky entertainment of the week: Robin Simpson’s Magic, Monsters And Mayhem!, Rise at Bluebird Bakery, Acomb, York, Sunday, doors 4pm
YORK Theatre Royal pantomime dame Robin Simpson – soon to give his Nurse Nellie in Sleeping Beauty this winter – celebrates witches, wizards, ghosts and goblins in his storytelling show.
“The audience is in charge in this interactive performance, ideal for fans of spooky stories and silly songs,” says Robin. “The show is perfect for Years 5 and upwards, but smaller siblings and their grown-ups are very welcome too.” Tickets: bluebirdbakery.co.uk/rise.
Out for revenge: Henry VIII’s wives turn the tables in SIX The Musical, returning to the Grand Opera House, York, from Tuesday. Picture: Pamela Raith
Recommended but sold-out already: SIX The Musical, Grand Opera House, York, October 14 to 18; Tuesday & Thursday, 8pm; Wednesday & Friday, 6pm and 8.30pm; Saturday, 4pm and 8pm
FROM Tudor queens to pop princesses, the six wives of Henry VIII take to the mic to tell their tales, remixing 500 years of historical heartbreak into an 80-minute celebration of 21st century girl power. Think you know the rhyme? Think again. Divorced. Beheaded. LIVE!
Lucy Moss and Toby Marlow’s hit show is making its third visit to York, but it’s third time unlucky if you haven’t booked yet. Like Anne Boleyn’s head, every seat has gone.
Eddi Reader: Performing with her full band at The Citadel
Seven-year itch of the week: Hurricane Promotions presents Eddi Reader, The Citadel, York City Church, Gillygate, York, October 15, 7.30pm
EDDI Reader, the Glasgow-born singer who fronted Fairground Attraction, topping the charts with Perfect, also has ten solo albums, three BRIT awards and an MBE for Outstanding Contributions to the Arts to her name.
Straddling differing musical styles and making them her own, from the traditional to the contemporary, and interpreting the songs of Robert Burns to boot, she brings romanticism to her joyful performances, this time with her full band in her first show in York for seven years. Eilidh Patterson supports. Box office: ticketsource.co.uk.
Damien O’Kane and Ron Block: Banjovial partnership at the NCEM
Banjo at the double: Damien O’Kane and Ron Block Band, The Banjovial Tour, National Centre for Early Music, York, October 15, 7.30pm
GROUNDBREAKING banjo players Damien O’Kane and Ron Block follow up their Banjophony and Banjophonics albums with this month’s Banjovial and an accompanying tour.
O’Kane, renowned for his work with Barnsley songstress Kate Rusby, is a maestro of Irish traditional music, here expressed on his Irish tenor banjo; Block, a key component of Alison Krauss & Union Station, infuses his signature five-string bluegrass banjo with soulful depth and rhythmic innovation. Together, their styles intertwine in an exhilarating dance of technical mastery. Box office: 01904 658338 or ncem.co.uk.
Francis Rossi: Solo show of song and chat at York Barbican. Picture: Jodiphotography
Hits and titbits aplenty: An Evening of Francis Rossi’s Songs from the Status Quo Songbook and More, York Barbican, October 16, 7.30pm
IN his one-man show, Status Quo frontman Francis Rossi performs signature Quo hits, plus personal favourites and deeper cuts, while telling first-hand backstage tales of appearing more than 100 times on Top Of The Pops, why they went on first at Live Aid, life with Rick Parfitt, notching 57 hits, fellow stars and misadventures across the world. Box office: yorkbarbican.co.uk.
James Swanton: Halloween beckons, so here comes his double bill of Dickens’ ghost stories at York Medical Society. Picture: Jtu Photography
Ghost stories of the week: James Swanton presents The Signal-Man, York Medical Society, Stonegate, York, October 16, 17, 20 to 23, 7pm; October 27 and 28, 5.30pm and 7.30pm
A RED light. A black tunnel. A waving figure. A warning beyond understanding. Here comes the fear that someone, that something, is drawing closer. Gothic York storyteller James Swanton returns to York Medical Society with The Signal-Man, “one of the most powerful ghost stories of all time and certainly the most frightening ever written by Charles Dickens”.
Swanton pairs it with The Trial For Murder, wherein Dickens treats the supernatural with just as much terrifying gravity. Tickets update: all ten performances bar October 21 have sold out. Box office: 01904 623568 or yorktheatreroyal.co.uk.
Natnael Dawitin in Shobana Jeyasingh Dance’s We Caliban, on tour at York Theatre Royal. Picture: Foteini Christofilopoulou
Dance show of the week: Shobana Jeyasingh Dance in We Caliban, York Theatre Royal, October 17, 7.30pm (with post-show discussion) and October 18, 2pm and 7.30pm
SHOBANA Jeyasingh turns her sharp creative eye to Shakespeare’s final play The Tempest in a new co-production with Sadler’s Wells. A tale of power lost and regained, the play is the starting point for Jeyasingh’s dramatic and contemporary reckoning, We Caliban.
Written as Europe was taking its first step towards colonialism, The Tempest is Prospero’s story. We Caliban is Caliban’s untold story that started and continued long after Prospero’s brief stay. Performed by eight dancers, complemented by Will Duke’s projections and Thierry Pécou’s music, this impressionistic work draws on present-day parallels and the international and intercultural discourse around colonialism, as well as Jeyasingh’s personal experiences. Box office: 01904 623568 or yorktheatreroyal.co.uk.
John Bramwell: Playing solo in Pocklington
As recommended by Cate Blanchett: John Bramwell, Pocklington Arts Centre, October 17, 8pm
HYDE singer, song-spinner and sage John Bramwell, leading light of Mercury Prize nominees I Am Kloot from 1999 to 2014 and screen goddess Cate Blachett’s “favourite songwriter of all time”, has been on a never-ending rolling adventure since his workings away from his cherished Mancunian band.
His sophomore solo album, February 2024’s The Light Fantastic, will be at the heart of his Pocklington one-man show. . “After both my mum and dad died, I started writing these songs to cheer myself up,” Bramwell admits with trademark candour. “The themes are taken from my dreams at the time. Wake up and take whatever impression I had from what I could remember of my dream and write that.” He promises new material and Kloot songs too. Box office: 01759 301547 or pocklingtonartscentre.co.uk.
Velma Celli: York drag diva lighting up Yorktoberfest at York Racecourse. Picture: Sophie Eleanor
Festival of the week: Yorktoberfest, Clocktower Enclosure, York Racecourse, Knavesmire, York, October 18, 1pm to 5pm and 7pm to 11pm; October 24, 7pm to 11pm; October 25, 1pm to 5pm and 7pm to 11pm
MAKING its debut in 2021, Yorktoberfest returns for its fifth anniversary with beer, bratwurst and all things Bavarian. Step inside the giant marquee, fill your stein at the Bavarian Bar with beer from Brew York and grab a bite from the German-inspired Dog Haus food stall.
The Bavarian Strollers oompah band will perform thigh-slapping music and drinking songs; York drag diva Velma Celli will add to the party atmosphere with powerhouse songs and saucy patter. Doors open at 6.30pm and 12.30pm. Tickets: ticketsource.co.uk/yorktoberfest.
In Focus:Charlie Higson and Jim Moir: A Very Short But Epic History Of The Monarchy, York Theatre Royal, Oct 13, 7.30pm
In the frame: Author Charlie Higson and artist Jim Moir discuss royalty and comedy at York Theatre Royal on Monday
36 kings. Five queens. Two comedy legends. Join Charlie Higson and Jim Moir (alias Vic Reeves) for the rip-roaring story of every English ruler since Harold was shot in the eye at the Battle of Hastings.
Higson has always been interested in the story of the fabled English monarchy: from the b*stardly to the benevolent,the brilliant to the brutal. “Far from being a nice, colourful pageant of men and women in funny hats waving to adoring crowds, it’s a story of regicide, fratricide, patricide, uxoricide and mariticide (you might have to look those last two up),” he says.
Launched for the coronation of his namesake King Charles III, Charlie’s podcast Willie, Willie, Harry, Stee takes a deep dive into the murky lives of our monarchs. Now, his new book of the show features illustrations by artist Jim Moir, his compadre in comedy.
On Monday, Charlie and Jim will first share stories from their comic collaborations over 30 years, including Shooting Stars, Randell And Hopkirk Deceased and The Smell Of Reeves and Mortimer. Then they will take the plunge into the storied history of this most treasured of institutions. Bloody treachery? Check. Unruly incest? Check. Short parliaments? Check. A couple of Cromwells? Check.
Their rip-roaring journey takes in the Normans, Tudors and Stuarts, not to mention the infamous Blois (how can we forget them?), tin an “utterly engrossing and grossly entertaining primer on who ruled when and why – with never-before-seen illustrations”!
A signed copy of Higson & Moir’s book Willie, Willie, Harry, Stee: An Epically Short History Of Our Kings and Queens (RRP £22) is included when purchasing Band 1 (£55) tickets, available for collection on the night. Box office: 01904 623568 or yorktheatreroyal.co.uk.
York ghost storyteller James Swanton: Returning to York Medical Society for a second season of The Signal-Man performances. Picture: Jtu Photography
AFTER a sell-out run last Halloween, gothic York actor James Swanton is reviving his solo production of Charles Dickens’s The Signal-Man from October 16 to 28.
A familiar face from Inside No. 9 and The First Omen, he will give ten performances of his solo show at York Medical Society, Stonegate, York, before transferring to the Charles Dickens Museum in London.
Each performance will incorporate a second Dickens’s ghost story, The Trial For Murder, and the show will run as a partner event with the York Ghost Merchants, in Shambles, whose annual Ghost Week celebrations will take over the city from October 25 to November 2.
“Last year, I was shocked when every performance of The Signal-Man sold out more than a month in advance,” says James. “I think that had a lot to do with the wild popularity of the York Ghost Merchants! I’ve therefore scheduled twice as many performances this Halloween.”
All but one performance – October 21 – has sold out already, matching the popularity of his annual performances of Dickens’s Christmas ghost stories, A Christmas Carol, The Haunted Man and The Chimes since 2018.
“The Signal-Man ranks among the most famous ghost stories of all time – subtle and mysterious, but gradually building to a devastating conclusion,” says James Swanton
Here James discusses Dickens’s storytelling prowess with CharlesHutchPress
If at first you succeed, do The Signal-Man again, but what might differ from last Halloween?
“This year, I’m relieved to have had first-hand experience of the show actually working in performance! That should make everything more collected and confident, though I hope without losing the quiet mesmeric charge. It’s a strikingly different energy to most Dickens, which is where the M. R. James comparisons come in.”
What makes York Medical Society such an ideal setting?
“I enjoy a black-box theatre space, but it’s difficult to beat the immersive feel of antique wood panelling, latticed windows and an open fireplace. The room in which I’m performing puts me in mind of the tavern in Barnaby Rudge. Perfect for relating ghostly tales!”
What form does the partnership with York Ghost Merchants take?
“It’s mainly about connection and community; the Ghost Merchants are always giving back to York. Those who are in the city for Ghost Week may stumble on my storytelling thanks to the Merchants – and in turn, my shows may tip them off to things going on elsewhere.
“I feel this is one story that works far better when spoken out loud than read in private,” says James Swanton of The Signal-Man
“We’ve been collaborating since early 2020 – pre-pandemic! – when I gave a rendition of M. R. James’s Canon Alberic’s Scrap-Book at their Shambles premises. Each ticket included a tie-in yellow-eyed ghost, patterned after the demon in the story. Highly collectable now, I’d imagine.”
How does The Signal-Man differ from Dickens‘s Christmas ghost stories?
“It’s a rather darker show, ranking among the most famous ghost stories of all time – subtle and mysterious, but gradually building to a devastating conclusion.
“I’ve now performed it everywhere from Gad’s Hill – the country house at which Dickens died in 1870 – to a Category C prison. Everywhere it holds audiences riveted. I first gave The Signal-Man with the York Ghost Merchants as one of their online streams during the pandemic, so it’s fitting to be collaborating with them again.”
Without giving away the ending, what happens in The Signal-Man and why does it suit live performance?
“In short form, a wandering gentleman befriends a lonely signal-man on an isolated stretch of railway. He there hears about the signal-man’s uncanny supernatural experiences.
“I feel this is one story that works far better when spoken out loud than read in private. Simon Callow agreed with me after he recorded it as an audio drama.
“Dickens is essentially the character actor’s Shakespeare,” says James
“Even so, I’d recommend that people familiarise themselves with the text in advance. The final revelation takes some digesting, not unlike the ending of Nicolas Roeg’s Don’t Look Now. But once the core idea sinks in, it’s forever burned into the memory.”
Likewise, what happens in The Trial For Murder and why does it suit live performance?
“A city gentleman does jury service at the Old Bailey and begins to catch sight of an unsettling figure whose face is ‘the colour of impure wax’. People don’t generally know this story – it also goes by the unhelpful title ‘To Be Taken With A Grain Of Salt’ – so there’s a vital element of surprise.
“After all, a courtroom is itself a type of theatre, and this narrative’s structure is deliberate, verging on procedural, which contrasts well with the shocks.
“The Trial For Murder is less well known [than The Signal-Man] – and in my opinion, something of a neglected classic. Like The Signal-Man, it feels imbued with the spirit of M. R. James. So many of Dickens’s ghosts are family-friendly – just think of A Christmas Carol and how well it lends itself to the Muppets! None of that with these tales. Keep your children away.”
The poster for James Swanton’s double bill of ghost stories for Halloween at York Medical Society
How come you performed The Signal-Man at a Category C prison?
“This came about after an approach from A. G. Smith, who’s highly regarded as a ghostly storyteller through his touring work with Weeping Bank. The prison offered that rare thing: an audience who not only wanted but needed to be told a story.
“They were among the best I’ve ever had; certainly the most attentive. I’m sure they understood the signal-man’s feelings of entrapment in ways I can’t begin to imagine.”
What keeps drawing you back to Dickens?
“His invented people are irresistible; Dickens is essentially the character actor’s Shakespeare. That said, his narration interests me more and more with the passage of time. And there’s rather a lot of that in these two pieces! The eye-catching grotesques melt away and the storyteller takes centre stage.”
James Swanton (in the mirror) and Julia Garner in the film poster for Apartment 7A
What else is coming up for you? Any filming commitments?
“There’s the odd project in the offing, though nothing nailed down. I’ve been continuing my association with Hammer Films this month. They put me back into Christopher Lee’s Creature make-up for last week’s premiere of their restored Curse Of Frankenstein, where I was honoured to shake hands with 90-year-old cast member Melvyn Hayes. Young Frankenstein himself!
“I’ll also be guesting at Manchester’s Festival of Fantastic Films closer to Halloween. But most of the year is now blocked out with stage work, including my return to York Medical Society in the last week of November with A Christmas Carol and The Haunted Man. Tickets are now on sale.”
And finally, James, why should audiences see The Signal-Man?
“Come to The Signal-Man if you want to experience old-fashioned theatrical storytelling in the pricelessly atmospheric setting of York Medical Society. Roger Clarke, esteemed author of A Natural History Of Ghosts, has been good enough to call me ‘the best interpreter of Charles Dickens’s ghost stories alive’. I’ll be doing my chilling best to live up to that praise.”
James Swanton presents The Signal-Man, York Medical Society, Stonegate, York, October 16 to 28, 7pm, except October 27 and 28 at 5.30pm and 7.30pm.Tickets are on sale too forCharles Dickens’s Ghost Stories, The Haunted Man, November 24 and 27, 7pm; A Christmas Carol, November 25 and 28, 7pm; November 30, 2pm and 6pm.Box office: 01904 623568 or yorktheatreroyal.co.uk.
James Swanton in ghost story-telling mode at York Medical Society
James Swanton on York’s history of trains and ghosts and Dickens’s railway links
“YORK is as much a city of trains as ghosts. The National Railway Museum is celebrating its 50th anniversary with the opening of its refurbished Station Hall.
“It’s also been an interesting year for Dickens’s links with the railways. 2025 marks 160 years since the Staplehurst accident – a horrifying train crash from which Dickens was lucky to escape with his life.
“It’s this trauma that inspired him to write The Signal-Man, which might also be considered the last story that Dickens completed. All that followed were collaborative works and an unfinished novel.
“Incredibly, Dickens died on the fifth anniversary of the Staplehurst crash. Given that The Signal-Man is so much about our inability to escape our fates, that feels eerily significant.
“I was pleased when the Charles Dickens Museum commissioned me to create a show based on the incident in June. We gave it a sensational title: Killing Dickens!”
James Swanton working with Mark Gatiss. Picture: Sonchia Lopez
Did you know?
JAMES Swanton often appears on film as all manner of demons and monsters. Last year, he was seen in Apartment 7A, Tarot, The First Omen and the final series of Inside No. 9.
He also has a keen interest in the history of screen horror. “Many people first encounter The Signal-Man through the 1976 Ghost Story For Christmas starring Denholm Elliott,” he says.
“In 2023, I became a part of the BBC’s modern Ghost Stories For Christmas tradition – playing the Mummy in Mark Gatiss’s Lot No. 249, chasing poor Kit Harington down those country roads at night – so I’d like to think I’m well placed to present such terrors on stage.
“Recently, I was reunited with Lot No. 249’s make-up man, the Oscar- winning Dave Elsey, to re-create Christopher Lee’s Creature from The Curse Of Frankenstein, in aid of a documentary on the new Blu-ray release. At last, I can say I’ve been employed by Hammer Films!
“I’d stop short of saying I’m now Christopher Lee’s representative on Earth, but it was certainly a singular honour.”
Alison times three in Fun Home: Libby Greenhill as ‘medium’ Alison, Claire Morley as Alison and Hattie Wells as ‘small’ Alison. Picture: Mike Darley
APOLOGIES for the tardiness of this review, delayed by five days of binging on Prague culture. Nevertheless, it is not too late to see Pick Me Up Theatre’s York premiere of Jeanine Tesori and Lisa Kron’s award-garlanded musical Fun Home.
Well, hopefully not too late to acquire a ticket for tonight or tomorrow. York Medical Society’s Theatre Room is one of York’s more compact performance spaces (capacity 60, for lectures; 45, for cabaret; 24, for board meetings). And now 40 for Fun Home.
Director-designer Robert Readman gives the portrait-bedecked room more of a drawing-room entertainment vibe, or maybe a parlour. Make that a funeral parlour, as a funeral home – or ‘Fun Home’ as the Beckdel family call their unconventional Pennsylvanian abode – is where ‘small’ Alison and brothers Christian (Oliver Smith) and John (Teddy Alexander) play and make up songs amid the coffins.
Young Alison (Hattie Wells) is one of three Alisons in Fun Home, whose story is drawn from cartoonist Alison Beckdel’s graphic memoir Fun Home: A Family Tragicomic. Omnipresent is adult Alison (Claire Morley), at the age of the 43 – the same age that her father, suicidal spoiler alert, stood in front of a truck – looking back on her childhood and her coming out at 19 at university in New York (‘medium’ Alison, played by 16-year-old Libby Greenhill).
“It’s such a moving and unusual story and I love the score and the book,” says Readman, who rates five-time Tony winner Fun Home among his very best productions.
He is not wrong. Hattie Wells reveals a precocious talent, so confident on stage already, singing brightly and delivering a spot-on American accent, as her Alison shows a preference for jeans over dresses and a love of drawing. Her solo rendition of Ring Of Keys, is a high-point of a musical that eschews an interval to achieve maximum impact.
Likewise Libby Greenhill shows maturity beyond her years in her account of ‘medium’ Alison, with her love of literature and first love for fellow student Joan (Britney Brett), expressed so humorously and passionately in the song I’m Changing My Major To Joan. She is particularly impressive in the scenes where she craves her parents’ response to telling them by letter that she is a lesbian.
Alison’s mother, Helen (Catherine Foster, in fine singing voice), is a professional actress, but the focus is on her home life, where husband Bruce (Dale Vaughan) is a towering mass of complexities, contradictions, gaslighting control and linear, intolerant thinking, yet with a teacher’s love of literature, a reckless streak and an expressive sideline in house restorations.
Doors to the Theatre Room are kept open for the corridor sounds of Bruce kicking out in anger, shouting in foul-mouthed froth at his wife and introducing ‘small’ Alison to her first dead body, adding to their shock value.
Bruce is homosexual, and not a closet one, openly hitting on students (played by Cain Branton) without regard for his wife’s feelings. Vaughan’s frank, fearless, frightening performance is one of the best on the York stage this year.
Everything is observed by Morley’s Alison, drawing and writing captions for her memoir, trying to make sense of it all, not least her father’s suicide, and she does so with a mixture of humour and tragedy in Morley’s first musical since her All Saints schooldays. And she really can sing! Who knew!
Oh, and if you miss tonight or tomorrow’s shows, you could always head to Manchester for the Royal Exchange production from July 3 to August 1 next summer.
Pick Me Up Theatre in Fun Home, York Medical Society, Stonegate, York, tonight and tomorrow, 7.30pm Content guidance: Themes of LGBTQ+, suicide and strong language. Parental guidance: 12 plus. Box office: ticketsource.co.uk/pickmeuptheatre.com.
Alison times three: Libby Greenhill, left, Hattie Wells and Claire Morley in the Fulford Social Hall rehearsal room for Pick Me Up Theatre’s Fun Home. Picture: Kevin Greenhill
PICK Me Up Theatre’s York premiere of Jeanine Tesori and Lisa Kron’s award-garlanded musical Fun Home opens at the York Medical Society, Stonegate, on September 10.
Director-designer Robert Readman was thrilled when the rights became available. “I jumped at the chance to produce this amazing Broadway musical – it’s such a moving and unusual story and I love the score and the book,” he says.
“It’s a remarkable show that won Tony awards for best musical, score, book, leading actor and direction, and we’re very lucky to have such a magnificent, tight cast to bring to life Alison Bechdel’s best-selling graphic novel, based on her own life. And I feel the atmospheric, very intimate venue of the York Medical Society will work so well for our production.” Please note, the seating capacity is only 40, so prompt booking is advised.
First staged in the UK at the Young Vic in London in 2018, but yet to play the West End, Fun Home now makes its Yorkshire debut with its story of Alison at three stages of her life as memories of her 1970s’ childhood in a funeral home merge with her college love life and her coming out.
Claire Morley in rehearsal for Fun Home. Picture: Kevin Greenhill
When her father dies unexpectedly, graphic novelist Alison dives deep into her past to recall the volatile, brilliant, one-of-a-kind man whose temperament and secrets defined her family and her life. Moving between past and present, Alison relives her unique childhood at the family’s Bechdel Funeral Home, her growing understanding of her own sexuality and the looming, unanswerable questions about her father’s hidden desires.
“Fun Home is a refreshingly honest, wholly original musical about seeing your parents through grown-up eyes as Alison looks back on her complex relationship with her father and finds they had more in common than she ever knew,” says Robert.
Readman’s cast will be led by Claire Morley as adult Alison, aged 43, Libby Greenhill as Medium Alison, aged 19, and Hattie Wells as Young Alison, aged nine, joined by Catherine Foster as Helen, Alison’s mother, Dale Vaughan as Bruce, Alison’s father, Teddy Alexander as John, Oliver Smith as Christian, Britney Brett as Joan and the multi-role-playing Cain Branton as JRoy/Pete/Mark/Bobby.
“Fun Home is one of those cult musicals where if you know it, you rave about it,” says Claire, who is performing in her first musical since playing a Ronette in Little Shop Of Horrors in her All Saints schooldays. “If you don’t know the show but come next week, I’m hoping it will become some people’s favourite musical.
Libby Greenhill’s Medium Alison: “Some of her scenes about self-identity and discovering she’s a lesbian are quite funny,” she says. Picture: Kevin Greenhill
“I’ve known about the show for some time, though I’ve never seen it, but I love the songs. I’ve used Maps for auditions and Changing My Major (Libby’s solo in our show), at drama school, and when I saw Pick Me Up Theatre were doing it, I thought ‘this is my chance’.”
Libby, 16, who is studying for A-levels in Classical Civilisation, Religious Studies and English Language (“my passion”), was the first to be cast by Readman in December. All Saints pupil Hattie followed later that month, picked while starring in Pick Me Up’s Oliver!, when appearing in Fagin’s gang alongside her mother Rhian’s Mrs Sowerberry.
Looking ahead, Hattie, aged 11, has been cast as one of two Annies in York Light Opera Company’s production of Annie at York Theatre Royal next February.
Claire’s Alison will be omnipresent on stage. “Her memories make these characters emerge from her past. In one song, I sing that she’s 43, a similar age to when her father committed suicide, and so throughout the show she’s looking back on her life, her teenage days and childhood, and her relationship with her father.”
Young Alison actressHattie Wells singing in the Fulford Social Hall rehearsal room. Picture: Kevin Greenhill
Libby says: “The musical is based on Alison Bechdel’s graphic novel, where she’s looking back over her memories, switching between 19-year-old Alison, in her first year at college in Pennsylvania, and 11-year-old Alison, and there’s no dragging in this show. It’s very immersive, about one hour 40 minutes long, so there’s no interval.”
Claire says: “The show builds to this dramatic event, so if it had an interval, it would break the momentum, and staging it in the round with the audience on all sides will benefit the show too.”
Hattie has found herself growing into the role. “It felt weird at first because things didn’t all make sense to me, and it seemed quite strange, especially when Bruce [the father] is really angry, when it’s very scary as Dale [Vaughan] is really good at being angry,” she says. “It’s helped to watch clips on YouTube and to work with Robert in rehearsals.”
Libby stresses that Fun Home is not a dark comedy but has elements of both. “There are dark things with the father, and then, in some of Medium Alison’s scenes about self-identity and discovering she’s a lesbian, they’re quite funny,” she says.
“Ultimately it’s life-affirming as Alison tries to work out how to move on while reconciling herself with how she was emotionally manipulated,” says Claire. “I think everyone who comes to the show will recognise something from their own lives, although it’s very specifically one person’s memories – and it’s definitely not all doom and gloom. It’s a good musical where people will come up with differing interpretations.”
The three Alisons will be seldom seen on stage together. “There’s only one moment where we acknowledge each other,” says Hattie.
Pick Me Up Theatre in Fun Home, York Medical Society, Stonegate, York, September 10 to 19, 7.30pm plus 2.30pm Saturday and Sunday matinees. Content guidance: Themes of LGBTQ+, suicide and strong language. Parental guidance: 12 plus. Box office: ticketsource.co.uk/pickmeuptheatre.com.
Pick Me Up Theatre’s show poster for Fun Home at York Medical Society
Willow artist Laura Ellen Bacon in the saloon at her Whispers Of The Wilderness exhibition at Beningbrough Hall. Picture: Anthony Chappel-Ross
WILLOW sculptures, outdoor cinema, musical premieres and the Yellow Brick Road are beckoning Charles Hutchinson.
Exhibition opening of the week: Laura Ellen Bacon, Whispers Of The Wilderness, Exploring Wilderness Gardens, Beningbrough Hall, near York, until April 12 2026, Tuesday to Sunday, 11am to 4pm
WHISPERS Of The Wilderness brings together contemporary large-scale willow sculptures by Laura Ellen Bacon, historic pieces from across the National Trust collection to showcase Wilderness Gardens through time and a new drawing studio designed by artist Tanya Raabe-Webber.
Complemented by a new soundscape, audio chair, sketches of the developing sculptures and more, the exhibition is a sensory experience across the first-floor Reddihough Galleries and Great Hall. Tickets: nationaltrust.org.uk/visit/yorkshire/beningbrough.
Heath Ledger and Julia Stiles in 10 Things I Hate About You, Sunday’s screening at Picturehouse Outdoor Cinema at York Museum Gardens
Film event of the week: City Screen Picturehouse presents Picturehouse Outdoor Cinema, York Museum Gardens, York, Stop Making Sense (PG), tonight, 6.30pm; 10 Things I Hate About You (12A), Sunday, 6.30pm
JONATHAN Demme’s Stop Making Sense, capturing David Byrne’s Talking Heads in perpetual motion at Hollywood’s Panatges Theatre in December 1983, re-emerges in a 40th anniversary restoration of “the greatest concert film of all time”.
Joseph Gordon-Levitt, Allison Janney, Julia Stiles and Heath Ledger star in 10 Things I Hate About You, wherein Cameron falls for Bianca on the first day of school, but not only his uncool status stops him from asking her out. Blankets, cushions and small camping chairs are allowed. Box office: picturehouses.com/outdoor-cinema/venue/york-museum-gardens.
Hal Cruttenden: Reflecting on the insanity of modern politics at Burning Duck Comedy Club. Picture: Matt Crockett
“Take no prisoners” gig of the week: Hal Cruttenden Can Dish It Out But Can’t Take It, Theatre@41, Monkgate, York, tonight, 8pm
HAL Cruttenden promises to stick it to ‘The Man’, as long as ‘The Man’ does not stick it back to him. Expect hard-hitting pontificating on middle-aged dating, social media, the insanity of modern politics and his daughters loving him but not respecting him. Box office: tickets.41monkgate.co.uk.
Artist Kerry Ann Moffat with her oil painting Sunlight Catching Wooden Sculpture at the Created In York pop-up gallery in High Petergate, York
Pop-up art space of the week: Created In York, hosted by Blank Canvas by Skippko charity, 22 High Petergate, York, 10.30am to 5pm, Thursdays to Saturdays; 11am to 4pm, Sundays
CHAMPIONING change through creativity, York art charity Skippko’s rolling programme of three-week Created In York shows is running in High Petergate until December 2025 in tandem with York Conservation Trust. On show until September 14 are oil paintings by Kerry Ann Moffat and linocuts and woodblock prints by Rachel Holborow.
York RI Golden Rail Band:Performing Sounding Brass and Voices with York RI Golden Railway Band. Picture: Keith Meadley
Musical partnership of the week: Sounding Brass and Voices, York Philharmonic Male Voice Choir and York RI Golden Rail Band, Joseph Rowntree Theatre, York, tonight, 7.30pm
YORK Philharmonic Male Voice Choir and York RI Golden Rail Band reunite for a fourth joint concert in a tender and thrilling pairing of brass and voices, celebrating 100 years of music.
“From romantic film music to toe-tapping hits, there will be something for everyone,” says Golden Rail Band conductor Nick Eastwood. Box office: 01904 501935 or josephrowntreetheatre.co.uk.
Musicals Across The Multiverse choreographer Connie Howcroft, right, working on moves with Zander Fick, Ben Holeyman, Abbie Law and Lauren Charlton-Matthews
Interdimensional journey of the week: Wharfemede Productions in Musicals Across The Multiverse, Theatre@41, Monkgate, York, September 10 to 13, 7.30pm and 2.30pm Saturday matinee
DIRECTOR Helen “Bells” Spencer and musical director Matthew Clare follow up 2023’s Musicals In The Multiverse 2023 with another blend of iconic musical theatre hits reconfigured with surprising twists.
“Think unexpected style swaps, minor to major key switches, gender reversals, era-bending reinterpretations, genre mash-ups and more,” says Bells.” Box office: tickets.41monkgate.co.uk.
Debbie Isitt’s cast in rehearsal for the world premiere of Military Wives – The Musical at York Theatre Royal. Picture: Danny With A Camera
World premiere of the week: Military Wives – The Musical, York Theatre Royal, September 10 to 27, times vary
YORK Theatre Royal stages the world premiere of writer-director Debbie Isitt’s musical based on the 2019 film, rooted in Gareth Malone’s The Choir: Military Wives project.
Faced with husbands and partners being away at war, the women are isolated, bored and desperate to take their minds off feelings of impending doom. Enter Olive to help them form a choir. Cue a joyous celebration of female empowerment and friendship, courage and ‘unsung’ heroes. Box office: 01904 623568 or yorktheatreroyal.co.uk.
Libby Greenhill’s Medium Alison, left, Hattie Wells’s Young Alison and Claire Morley’s Alison in Pick Me Up Theatre’s Fun Home
York premiere of the week: Pick Me Up Theatre in Fun Home, York Medical Society, Stonegate, York, September 10 to 19, 7.30pm plus 2.30pm Saturday and Sunday matinees
ROBERT Readman directs the York premiere of Jeanine Tesori and Lisa Krow’s five-time Tony Award winner, based on Alison Bechdel’s graphic novel.
When her volatile father dies unexpectedly, Alison (Claire Morley) recalls how his temperament and secrets defined her family and her life. Moving between past and present, she relives her unique childhood at the family’s Bechdel Funeral Home, her growing understanding of her sexuality and the looming, unanswerable questions of her father’s hidden desires. Box office: ticketsourse.co.uk/pickmeuptheatrecom.
Rob Newman: Wondering where we are going in Where The Wild Things Were at The Crescent
The future, now: Burning Duck Comedy Club presents Rob Newman, Where The Wild Things Were, The Crescent, York, September 11, 7.30pm
ROB Newman wants to discuss where we are and where we are going, from future cities and philistine film directors to Dorothy Parker’s Multiverse Diaries. Throw in Pythagorean gangsters, intellectual bingo callers and a crazy character called Arlo for a comedic “tour-de-force utterly unlike anything else you will ever see anywhere else”. Box office: thecrescentyork.com.
Mick Tickner: Headlining the Funny Fridays bill at Patch
Comedy gathering of the week: Funny Fridays, at Patch, Bonding Warehouse, Terry Avenue, York, September 12, 7.30pm
AFTER May and June sell-outs and a summer break, Funny Fridays returns for a third night of stand-up hosted by promoter and comedian Katie Lingo. On the £10 bill are 2023 Hull Comedian of the Year Hannah Margaret, Jamie Clinton, Kerris Gibson, James Earl Marsters and headliner Mick Tickner. Box office: eventbrite.co.uk/e/funny-fridays-at-patch-tickets-1473792325519?aff=oddtdtcreator.
Erin Childs’ Dorothy with Toto (Freddie) in York Stage’s The Wizard Of Oz
Ruby slippers of the week: York Stage in The Wizard Of Oz, Grand Opera House, York, September 12 to 20, times vary
UNDER Nik Briggs’s direction, York Stage skips down the Yellow Brick Road as Erin Childs’ Dorothy, Toto and her friends, the Scarecrow (Flo Poskitt), Tin Man (Stu Hutchinson), and Cowardly Lion (Finn East), journey to the Emerald City to meet the Wizard (Ian Giles).
In navigating the enchanting landscape of Oz, Dorothy is watched closely by Glinda, the Good Witch (Carly Morton) as the Wicked Witch of the West (Emily Alderson) plots to thwart Dorothy’s quest and reclaim the magical ruby slippers. Box office: atgtickets.com/york.
Libby Greenhill’s Medium Alison, Hattie Wells’s Young Alison and Claire Morley’s Aliso in Pick Me Up Theatre’s Fun Home. Picture: Matthew Kitchen
YORK company Pick Me Up Theatre will stage Jeanine Tesori and Lisa Kron’s award-garlanded musical Fun Home at the York Medical Society, Stonegate, York, from September 10 to 19.
Please note, the seating capacity is only 40, so prompt booking is advised at ticketsource.co.uk/pickmeuptheatrecom for this electrifying version of Alison Bechdel’s graphic novel.
The winner of five Tony Awards on Broadway, Fun Home opened at the Young Vic, London, in 2018 to sell-out audiences. Now comes its York premiere, directed and designed by Robert Readman.
Dale Vaughan’s Bruce, Alison’s father in Pick Me Up Theatre’s Fun Home. Picture: Matthew Kitchen
Meet Alison at three stages of her life as memories of her 1970s’ childhood in a funeral home merge with her college love life and her coming out.
When her father dies unexpectedly, graphic novelist Alison dives deep into her past to tell the story of the volatile, brilliant, one-of-a-kind man whose temperament and secrets defined her family and her life. Moving between past and present, Alison relives her unique childhood at the family’s Bechdel Funeral Home, her growing understanding of her own sexuality and the looming, unanswerable questions about her father’s hidden desires.
Director Robert Readman was thrilled when the rights to Fun Home became available. “I jumped at the chance to produce this amazing musical – it is such a moving and unusual story and I love the score and the book,” he says.
“Fun Home is a refreshingly honest, wholly original musical about seeing your parents through grown-up eyes as Alison looks back on her complex relationship with her father and finds they had more in common than she ever knew.
Pick Me Up Theatre’s poster for next month’s production of Fun Home at York Medical Society
“It’s a remarkable show that won Tony awards for best musical, score, book, leading actor and direction, and we’re very lucky to have such a magnificent, tight cast to bring to life Alison Bechdel’s best-selling book, based on her own life. And I feel the atmospheric, very intimate venue of the York Medical Society will work so well for our production.”
Readman’s cast will be led by Claire Morley as Alison, Libby Greenhill as Medium Alison and Hattie Wells as Young Alison, joined by Catherine Foster as Helen, Dale Vaughan as Bruce, Alison’s father, Teddy Alexander as John, Oliver Smith as Christian, Britney Brett as Joan and the multi-role-playing Cain Branton as JRoy/Pete/Mark/Bobby. Natalie Walker is the musical director.
Pick Me Up Theatre in Fun Home, York Medical Society, Stonegate, York, September 10 to 19, 7.30pm plus 2.30pm Saturday and Sunday matinees Content guidance: Themes of LGBTQ+, suicide and strong language. Parental guidance: 12 plus. Box office: ticketsource.co.uk/pickmeuptheatre.com.
Stephen Smith in his quadruple bill of Edgar Allan Poe horror stories. Picture: Cat Humphries
THREEDUMB Theatre’s One Man Poe will return to York on June 1, switching to Theatre@41, Monkgate, after a sold-out 2024 show at the York Medical Society.
“Last June we presented our quadruple bill of Edgar Allan Poe stories at the Stonegate venue, selling out our one-night-only performance weeks in advance,” says director and performer Stephen Smith.
“The show went on to sell out its entire 21-show run at the 2024 Edinburgh Fringe, also winning the Spookies Award for Best Horror Solo Show.
Stephen Smith in One Man Poe. Picture: Alya Sayer
“We’re bringing the show back to York for another spooky summer show, but this time we’re ‘upscaling’ to the wonderful team at Theatre@41 for a 2025 Edinburgh Fringe preview at 6pm.”
To commemorate the 175th anniversary year of Edgar Allan Poe’s mysterious death in 1849, Smith performs four of the American author’s most spine-chilling classics, back to back and unabridged: The Tell-Tale Heart, The Pit And The Pendulum,The Black Cat and The Raven.
Poe’s archaic language, paired with Smith’s award-winning tour-de-force performance offers gothic horror fans and classical literature lovers an atmospheric evening rich with imaginative storytelling in a “marathon of the macabre”.
Stephen Smith: Returning to York for an Edinburgh Fringe preview of One Man Poe. Picture: Alya Sayer
“I was a huge fan of the late Roger Corman/Vincent Price’s Poe-cyclewhen a child, reigniting my love of classical horror stories during the pandemic by creating online renditions of Poe’s work via Facebook Live,” says Stephen, who formed Threedumb Theatre in Liverpool and is now based in London. “When the theatres reopened, I combined four of Poe’s most popular pieces in a solo show and named the extravaganza One Man Poe.”
First performed in 2021 at Watford Palace Theatre, One Man Poe has had multiple runs in London, on tour in the UK and internationally in Dubai and Off-Broadway in New York. Since its American premiere in 2022 at the Poe Fest International in Baltimore, Maryland, and the Poe Museum in Richmond, Virginia, One Man Poe has been booked for those events on an annual basis.
The140-minute show features music by Joseph Furey and sound design by Furey and Django Holder and is supported by Watford Palace Theatreand theLiverpool Institute for Performing Arts (LIPA). Box office: https://tickets.41monkgate.co.uk.
Isobel Staton’s Mary in York Mystery Plays Supporters Trust’s A Nativity for York on dress rehearsal night at The Tithe Barn, Nether Poppleton. Picture: John Saunders
IT is time for pantomime, festive exhibitions, ghost stories, Elvis blues and a snow bear, as Charles Hutchinson welcomes winter.
Christmas message of hope of the week: York Mystery Plays Supporters Trust presents A Nativity for York, The Tithe Barn, Nether Poppleton, York, today, 2.30pm and 7.30pm; St James the Deacon Church Hall, Acomb, December 5 and 6, 7.30pm; St Oswald’s Church Hall, Fulford, December 7, 2.30pm and 7.30pm.
PAUL Toy’s community production recalls when the Mystery Plays were banned in the 17th century for being too Roman Catholic. Performers were forced to perform illegally in the houses of sympathisers, always looking out for establishment forces.
“Although A Nativity for York reflects the experience of those dedicated but frightened performers, the story itself mirrors the trouble many people are experiencing today: a homeless couple, seeking shelter, with their new-born child being forced to flee to another country, but there is news of great hope and joy.” Box office: 0333 666 3366, ympst.co.uk/nativitytickets or on the door.
Rob Cotterill as The Mad Hatter in Pop Yer Clogs Theatre’s Alice In Wonderland
Through the rabbit hole: Pop Yer Clogs Theatre in Alice In Wonderland, Theatre@41, Monkgate, York, today at 2.30pm and 7.30pm
FOLLOW young Alice on her adventures underground as she navigates her way through an imperfect and unfamiliar world. Discover a place where absurdity is the norm, logic is turned on its head and animals can talk in York company Pop Yer Clogs Theatre’s flamboyant staging for age five upwards.
Join her as she encounters many weird, wonderful and colourful characters, from the Queen of Hearts to the Cheshire Cat and the Mad Hatter. Answers to riddles are non-existent, tales lack morals and injustice looms large in this Lewis Carroll tale, full of fantasy, imagination and fun, where every time is “tea-time” and nothing is ever really as it seems. Box office: tickets.41monkgate.co.uk.
Wicked return: Paul Hawkyard’s Abanazar in York Theatre Royal’s Aladdin
Look who’s back: Aladdin, York Theatre Royal, December 3 to January 5 2025
PAUL Hawkyard’s villain returns to York after a winter away doing panto in Dubai to renew his Theatre Royal double act with Robin Simpson’s dame, playing bad-lad Abanazar to Simpson’s Dolly (not Widow Twankey, note) in the fifth collaboration between Theatre Royal creative director Juliet Forster and Evolution Productions script writer Paul Hendy. Look out for CBeebies’ Evie Pickerill as the Spirit of the Ring. Box office: 01904 623568 or yorktheatreroyal.co.uk.
Dani Harmer’s Fairy Bon Bon in Beauty And The Beast at the Grand Opera House, York. Picture: Charlie Kirkpatrick
Changing of the old guard to the new: Beauty And The Beast, Grand Opera House, York, December 7 to January 5 2025
EXIT the Dame Berwick Kaler, Martin Barrass, David Leonard, Suzy Cooper and AJ Powell era. Enter Tracy Beaker star Dani Harmer as Fairy Bon Bon; Jennifer Caldwell, from SIX The Musical, as Belle; Samuel Wyn-Morris, from Les Miserable, as The Prince; comedian Phil Reid as Louis La Plonk; dame Leon Craig, from Everybody’s Talking About Jamie, as his larger-than-life mum, Polly La Plonk; Phil Atkinson, from The Bodyguard, as dastardly Hugo Pompidou and David Alcock, from SAS Rogue Heroes, as Clement. George Ure directs 2019 Great British Pantomimes Award winner Jon Monie’s script. Box office: atgtickets.com/york
James Swanton: Christmas ghost stories from the pen of Charles Dickens
Storyteller of the week: James Swanton presents Ghost Stories for Christmas, York Medical Society lecture hall, until December 5, 7pm
YORK actor James Swanton returns to York Medical Society to tell Charles Dickens’s Ghost Stories for Christmas. “Each of them brims with Dickens’s genius for the weird, which ranges from human eccentricities to full-blown phantoms,” he says of his hour-long shows. “Dickens’s anger at social injustice also aligns sharply with our own – and in this age of rising austerity and fascism, we’re feeling the bite more than ever,” he says.
December 5’s performance of The Haunted Man has sold out; hurry, hurry to acquire tickets for A Christmas Carol on December 2, 3 or 4. Box office: 01904 623568 or yorktheatreroyal.co.uk.
R M Lloyd Parry: MR James Project storyteller
More ghosts in York: Nunkie Theatre Company, Count Magnus, Two Ghost Stories by M R James, Theatre@41, Monkgate, York, Sunday, 7.30pm
THE ghost stories of M R James amuse and terrify as powerfully today as they did when first written more than a century ago. Nunkie Theatre Company brings two of these spine-chillers to life in R M Lloyd Parry’s thrilling one-man show.
In Count Magnus a travel-writer’s over-inquisitiveness leads to a diabolical chase from darkest Sweden to rural Essex. Denmark is the setting for Number 13, where a hotel room with the famously unlucky number conceals a ghastly, baffling secret. Tickets update: SOLD OUT.
Tom Mordell’s Polaris the Snow Bear and Danny Mellor’s Sammy the Seal in Badapple Theatre Company’s Polaris The Snow Bear. Picture: Karl Andre
Children’s show of the week: Badapple Theatre Company in Polaris The Snow Bear, The Mount School, York, December 7, 3pm, and on tour in Yorkshire and beyond until January 5 2025
MEET Polaris, the travelling snow bear and star of Kate Bramley’s new family Christmas show for Green Hammerton’s Badapple Theatre Company. On his journey to find renowned naturalist Mr Hat-In-Burrow, many complicated and comedic adventures ensue as Polaris (Tom Mordell) tries to put everything right, saving the Polar world in time for Christmas with the help of reluctant sidekick Sammy the Seal (Danny Mellor).
Further Yorkshire dates include: tonight, 7pm, Kilham Village Hall; December 1, 7pm, Old Girls’ School, Sherburn in Elmet; December 3, 7pm, Green Hammerton Village Hall; December 11, 7.30pm, Bishop Monkton Village Hall; December 17, 6pm, The Cholmeley Hall, Brandsby; December 28, 2pm, Ampleforth Village Hall, and December 30, 4.30pm, East Cottingwith Village Hall. Full details and tickets: badappletheatre.co.uk or 01423 331304.
Gifts of Christmas on display at the Bar Convent Living Heritage Centre
Christmas exhibition of the week: Gifts Of Christmas, Bar Convent Living Heritage Centre, Blossom Street, York, until December 19, open 10am to 5pm, Monday to Saturday; last admission 4pm
BAR Convent is sparkling with a dazzling tree decorations and new exhibition on this year’s festive theme of Gifts of Christmas. On show is a collection of digital art inspired by Viborg, where heritage intersects with cutting-edge technology, while young creatives from Blueberry Academy, Our Lady Queen of Martyrs, St George’s RC Primary and York College (ESOL students) are exploring the theme too. Glass cabinets showcase pop-punk tributes to the Book of Kells and the works of William Blake. Tickets: barconvent.co.uk.
1812 Theatre Company’s poster for Pinocchio at Helmsley Arts Centre
1812 pantomime for 2024: 1812 Theatre Company in Pinocchio, Helmsley Arts Centre, 2.30pm matinees, December 7, 8, 14 and 15; 7.30pm evening shows, December 7, 10 to 14
HELMSLEY Arts Centre artistic director Natasha Jones directs 1812 Theatre Company in Tom Whalley’s version of Pinocchio. Geppetto (Oliver Clive), an old toy maker, always longed for a son of his own. One starry night, helped by the Blue Fairy (Nicky Hollins) and a cheeky little Jiminy Cricket (Millie Neighbour), his wish comes true and his latest puppet, Pinocchio (Esme Schofield), comes to life.
However, the magical puppet catches the eye of evil showman Stromboli (Ben Coughlan). Aided by Dame Mamma Mia (Martin Vander Weyer) and her hapless son Lampwick (Joe Gregory) from the pizzeria, will Pinocchio learn in time what it takes to be a “real boy”? Box office: 01439 771700 or helmsleyarts.co.uk.
One Knight with you: Steve Knight in his Elvis Christmas Special at the Joseph Rowntree Theatre, York
To avoid a Blue Christmas, book now: Elvis Christmas Special, Tribute by Steve Knight, Joseph Rowntree Theatre, York, December 22,7.30pm
STEVE Knight embodies the spirit and energy of Elvis Presley as he brings a Christmas flavour to his tribute act that has played Las Vegas to London. Presented by Wryley Music, he combines spot-on vocals with a dynamic stage presence and an uncanny resemblance to the King of Rock’n’Roll. Backed by a full band, he takes a festive journey through Elvis’s greatest hits. Box office: 01904 501935 or josephrowntreetheatre.co.uk.
In Focus: Jo Walton’s exhibition, Steel, Copper, Rust, Gold, Verdigris, Wax, at Bluebird Bakery, Acomb Road, Acomb, York
Jo Walton setting up her exhibition at Bluebird Bakery, Acomb. Behind her is one of her artworks and graffiti artist Sam Porter’s wall painting of an Eastern Bluebird. “The bluebird is beautiful, though some people think it’s a Kingfisher, which is crazy, isn’t it!”
WHEN Rogues Atelier artist, interior designer, upholsterer and Bluebird Bakery curator of exhibitions Jo Walton asked poet Nicky Kippax to put words to images she had sent her, she responded with “The heft of a cliff and a gathering of sea fret”. Spot on, Nicky.
Into the eighth month of recovery from breaking her right leg, Jo is exhibiting predominantly large works that utilise steel, copper, rust, gold, verdigris and wax in Nicky’s bakery, cafe and community centre, in Acomb Road, Acomb, York, whose interior she designed in 2021.
Jo has curated exhibitions in the bakery by Mark Ibson, Rosie Bramley, Liz Foster, Carolyn Coles, Rob Burton and Robin Grover-Jacques, but not shown her own work there until now. Why? “I have my own space [at Rogues Atelier] too, and I’ve also been juggling with the availability of other artists,” she reasons.
Jo’s creative year has been shaped by her leg break. “I was visiting Mark Ibson’s gallery at the old blacksmith’s in Bishop Wilton, when I walked around the back with my daughter and I just fell over. That was at the end of April, just after York Open Studios,” she says.
“I’m only just walking OK now. I’ve still got a slight limp. I had to have a pin put through my ankle, and a plate inserted too, as well splints. Everything in my life came to a complete standstill. All the work and holiday plans stopped, though I did manage to get a couple of paintings done for North Yorkshire Open Studios, going round on my “scooter” to get them completed.”
Earlier in the year, Jo had done an upholstery re-fit upstairs at Ambiente Tapas, in Goodramgate, York, and designed the interior for the new Bluebird Bakery in Butcher Row, Beverley.
For her Acomb exhibition and winter shows at Rogues Atelier, Jo “has been able to work properly at full tilt since September, mainly making smaller pieces”. “But I also had to catch up on so many upholstery orders, delivering what I’d promised but I’d had to put off while I recuperated.
“At Bluebird Bakery, there’ll be big works, all 80cms by 80cms, while all the smaller pieces will be on show at Rogues Atelier, when we do our winter open studios shows along with PICA Studios today [November 30] and tomorrow [10am to 5pm both days], then December 7 [10am to 5pm] and December 8 [11am to 5pm].”
Looking ahead to 2025, Jo will be exhibiting at Pyramid Gallery, in Stonegate, York, in July after being offered a solo show by owner and curator Terry Brett. The exhibition will combine Jo’s big artworks with ceramic vases and vessels and dried metal arrangements to evoke how all the pieces would complement each other in a home setting.
Prompted by putting Nicky Kippax’s poetry on the walls by her artworks in the past, “I’m planning to incorporate her words in the paintings, which I’ve been wanting to do for a long time,” says Jo. “It was the sort of work that first attracted me as an art college student in Harrogate and then at Bradford University.”
As Neil Young once sang, rust never sleeps, certainly not in Jo Walton’s art.
Jo Walton, Steel, Copper, Rust, Gold, Verdigris, Wax, on show at Bluebird Bakery, Acomb Road, Acomb, York, until January 23 2025
Jo Walton: back story
Jo Walton, at Rogues Atelier Art Studio, on the get-around “scooter” that enabled her to complete works for her North Yorkshire Open Studios exhibition after breaking her right leg in a fall
GRADUATED from Bradford University with degree in Fine Art in 2005. Founded community arts centre in Walmgate, York, and delivered community art projects at York Art Gallery.
In 2012, she founded Rogues Atelier Art Studio in Fossgate, York, where she creates abstract land/sea/colour-scapes focusing on horizons, using gold, silver, copper, metal leaf, oil paint and wax, playing with oxidation – rust, verdigris – on plastered wooden panels.
Her work is inspired by extensive travel, sailing in her twenties and delivering yachts, preceded by her childhood years living in Australia.
Jo participates regularly in York Open Studios, Staithes Art and Heritage Festival, Saltaire Open Village and, more recently, in North Yorkshire Open Studios. She has held solo exhibitions at Pyramid Gallery, Stonegate, York, and has been commissioned to curate exhibitions there.
Jo is known for her industrial-styled commercial interiors, designing for bars and shops. She designed and project-managed The Angel On The Green, Bishopthorpe Road, and Bluebird Bakery, in Acomb Road, Acomb, Shambles Market, York, Kirkgate Market, Leeds, and Butcher Row, Beverley.
A note on rust in Jo Walton’s work
Jo Walton’s artwork on show at Bluebird Bakery, Acomb
THE method to preserve and prevent further rusting of the metal plate has been researched, tried and tested by Jo for more than 12 years, to the point where she is certain of its durability. The first successful pieces are in her home, where she reports no change.
“I’ve been fascinated by rust forever,” she says. “Growing up in Australia with the red dust and the searing heat burning everything, I was fascinated by rusted metals and especially by the colours they gave off: those absolutely beautiful colours.
“Then I got rust spots on my jeans that wouldn’t come out. I thought, ‘there might be something in this’, so I looked at printing with rust, which took a while to work out. People liked them, and once I began printing onto metal plate, people loved them – especially men.
“What I’m playing with in my works is the shine of the gold through the matt of the paint. I’m using oil paints, whereas the classic iconic art used egg tempera. It’s painted on to gold metal leaf, so it’s textured, painted black and then polished.
“When I went to Bradford University, my first instinct was to paint almost in the iconic style, but it was the time of Tracey Emin and the Young British Artists, which was a sad time to go to university to study Fine Art if you wanted to do traditional techniques, like I did!
“They were all into modern art, but if I’d stuck to my feelings about the traditions of art, I would never have done the rust works!”
