Livy Potter as Katy, left, and Alice Rose Palmer, as mum Natalie, in Louise Beech’s How To Be Brave at Gilling East Village Hall and Helmsley Arts Centre
FROM a devilish yet dotty canine musical to comedians having their moment, a film festival to glowing ghosts, Charles Hutchinson spots plenty to light up dark days ahead.
Touring play of the week: Other Lives Productions in How To Be Brave, Gilling East Village Hall, tomorrow, 7.30pm, and Helmsley Arts Centre, Friday, 7.30pm
IN 1943, Merchant Seaman Colin Armitage’s cargo ship was torpedoed by an Italian Navy submarine in the South Atlantic. He scrambled aboard a life raft. Fifty days later, HMS Rapid rescued him.
Colin was the grandfather of How To Be Brave playwright Louise Beech. Sixty-four years after his ordeal, Louise’s daughter, Katy, was diagnosed with Type 1 diabetes. In order to distract her during insulin injections Louise began to tell the story of Colin’s bravery and determination to survive.
Scenes in this resulting play alternate between the life raft and a house in Hull as York actors Jacob Ward and Livy Potter take the lead roles in Kate Veysey’s production. Box office: Gilling East, gillinjgeastevents@hotmail.co.uk; Helmsley, 01439 771700.
Man of The Moment: Ali Woods, playing York Barbican on his debut stand-up tour
Comedy men of The Moment: Mo Gilligan, In The Moment, York Barbican, tomorrow,8pm; Ali Woods, At The Moment, York Barbican, Friday, 8pm
THE moment has arrived for two comedy tour dates with similar show titles, first up the host of Channel 4’s The Lateish Show With Mo Gilligan, Londoner Mo Gilligan, on his In The Moment World Tour 2024.
The following night, half-English, half-Scottish comedian, podcaster and content creator Ali Woods plays York on his debut stand-up tour. At 30, this viral online sketch sensation has finally fallen in love with an amazing lady. “Come on an embarrassing and cathartic journey of teenage angst, relationship fails and learning how to live in the moment,” he says. Tickets update: available for both shows, whereas An Audience With Monty Don (November 11), Jamie Cullum (November 12), Sarah Millican: Late Bloomer (November 14) and Suzi Quatro ( November 15) have sold out already. Box office: yortkbarbican.co.uk.
Artist CJP with his work The Majestic Oak at Art Of Protest Gallery, York
Exhibition of the week: From Little Acorns Grow Mighty Hopes: An Exhibition of Hand-drawn Natural Wonders, Art of Protest Gallery, Walmgate, York, until November 16
ART Of Protest is the first gallery to show CJP’s work The Majesty Oak in an exhibition of original and rare limited-edition artwork. Look out for the Art Of Protest York Special Edition, only available to be ordered until November 16, featuring the River Ouse-dwelling Tansy Beetle, an elusive insect featured on a resplendent mural near York railway station.
“This is an amazing opportunity to own a truly unique celebration of British fauna with a very special York twist,” says gallery owner Craig Humble. “CJP will add a Tansy Beetle to each piece, along with the gold leafing of the branches.”
Very definitely Pride Of Prejudice * (*Sort Of), sending up Jane Austen affectionately in Isobel McArthur’s play at York Theatre Royal
Theatrical flourish of the week: Pride And Prejudice* (*Sort Of), York Theatre Royal, until Saturday, 7.30pm plus 2pm Thursday and 2.30pm Saturday matinees
MEN, money and microphones will be fought over in Pride And Prejudice* (*Sort Of), the audacious retelling of a certain Jane Austen novel, where the stakes couldn’t be higher when it comes to romance but it’s party time, so expect the all-female cast to deliver such emotionally turbulent pop gems as You’re So Vain and Young Hearts Run Free.
Writer Isobel McArthur directs this new production of her West End hit, Olivier Award winner for best comedy. Box office: 01904 623568 or yorktheatreroyal.co.uk.
In the driving seat: Kym Marsh’s Cruella De Vil in 101 Dalmatians The Musical. Picture: Johan Persson
Dog show of the week: 101 Dalmatians The Musical, Grand Opera House, York, until Saturday, 7pm plus 2pm today, Thursday and Saturday matinees
KYM Marsh’s Cruella De Vil leads the cast for this musical tour of Dodie Smith’s canine caper 101 Dalmatians. Written by Douglas Hodge (music and lyrics) and Johnny McKnight (book), from a stage adaptation by Zinnie Harris, the show is re-imagined from the 2022 production at Regent’s Park Open Air Theatre, London.
When fashionista Cruella De Vil plots to swipe all the Dalmatian puppies in town to create her fabulous new fur coat, trouble lies ahead for Pongo and Perdi and their litter of tail-wagging young pups in a story brought to stage life with puppetry, choreography, humorous songs and, yes, puppies. Box office: atgtickets.com/york.
3 Missing 10 Hours, directed by Fanni Fazakas, showing in the Animation programme at Aesthetica Short Film Festival 2024
York festival of the week: Aesthetica Short Film Festival, York city centre, today to Sunday, and UNESCO City of Media Arts EXPO, Guildhall, York, Thursday to Saturday
THE BAFTA-Qualifying Aesthetica Short Film Festival returns for its 14th year under the direction of Cherie Federico, this time integrating the tenth anniversary of York’s designation as Great Britain’s only UNESCO City of Media Arts. Fifteen venues will play host to 300 film screenings in 12 genres, Virtual Realty and Gaming labs, plus 60 panels, workshops and discussions. For the full programme and tickets, head to asff.co.uk.
The UNESCO EXPO will showcase the region’s creative sector, working in film production, games development, VFX (visual effects), publishing and design, with the chance to try out new projects and speak to creatives. Entry to the Guildhall is free.
Ghosts After Dark: New nocturnal complement to the Ghosts In The Gardens installation in York Museum Gardens
Nocturnal event of the week: Ghosts After Dark, York Museums Gardens, tomorrow to Sunday, 6.30pm to 9.30pm; last entry, 8.30pm
YORK Museums Trust and the York BID present the inaugural Ghosts After Dark, showcasing York’s rich tapestry of historical figures with light, sound and storytellers for four nights only.
Ticketholders will have the exclusive chance to experience York Museum Gardens like never before, by choosing their own path to explore 46 ghostly sculptures, hidden around the gardens and lit dynamically against an atmospheric background of smoke and sound. Box office: yorkshiremuseum.org.uk/ghosts-after-dark/.
Fishermen’s Friends: Playing York Barbican this week, then returning next October
Gig announcements of the week: Fisherman’s Friends, York Barbican, October 3 2025
IN celebration of performing sea shanties for more than 30 years across the world, Fisherman’s Friends will head out from the Cornish fishing village of Port Isaac to play a British tour split between 2025 and 2026.
York will come early, booked for night number two next October on a 32-date itinerary announced even before they have played their sold-out Barbican gig on Friday this week on their Rock The Boat tour, promoting fifth album All Aboard. Box office: yorkbarbican.co.uk.
Skylights: York band headline York Barbican for the first time tonight
FROM Skylights to Ghosts After Dark, a fiesta of film to a musical dog show, Charles Hutchinson spots plenty to light up these November nights.
York gig of the week: Skylights, York Barbican, tonight, doors 7pm
ANTHEMIC York indie band Skylights play their biggest home-city gig to date this weekend with support from Serotones and Pennine Suite.
Guitarist Turnbull Smith says: ‘We’re absolutely over the moon to be headlining the Barbican. It’s always been a dream of ours to play here. So to headline will be the perfect way to finish a great year. Thanks to everyone for the support. It means the world and we’ll see you all there.” Box office update: Standing tickets still available at ticketmaster.co.uk.
Rob Rouse: Headlining Laugh Out Loud Comedy Club at The Basement, City Screen Picturehouse, tonight
Comedy gig of the week: Laugh Out Loud Comedy Club, Rob Rouse, Peter Brush, Faizan Shan and Damion Larkin, The Basement, City Screen Picturehouse, York, tonight, 8pm
PEAK District comedian, television regular, Upstart Crow actor and self-help podcaster Rob Rouse, who trained as a geography teacher at the University of Sheffield, makes a rare York appearance with his hyperactive, loveable brand of comedy.
Harrogate Comedian of the Year 2012 Peter Brush combines a slight, bespectacled frame and scruffy hair with quirky one-liners and original material, delivered in an amusingly awkward fashion. Manchester comic Faizan Shah’s material makes light of growing up in an immigrant household with the mental health challenges it brings. Organiser Damion Larkin hosts as ever. Box office: 01904 612940 or lolcomedyclubs.co.uk.
Artist CJP with his work The Majestic Oak at Art Of Protest Gallery, York
Exhibition of the week: From Little Acorns Grow Mighty Hopes: An Exhibition of Hand-drawn Natural Wonders, Art of Protest Gallery, Walmgate, York, until November 16
ART Of Protest is the first gallery to show CJP’s work The Majestic Oak in an exhibition of original and rare limited-edition artwork. Look out for the Art Of Protest York Special Edition, only available to be ordered until November 16, featuring the River Ouse-dwelling Tansy Beetle, an elusive insect featured on a resplendent mural near York railway station.
“This is an amazing opportunity to own a truly unique celebration of British fauna with a very special York twist,” says gallery owner Craig Humble. “CJP will add a Tansy Beetle to each piece, along with the gold leafing of the branches.”
Pride And Prejudice * (*Sort Of): Making merry mayhem with Jane Austen’s novel at York Theatre Royal. Picture: Mihaela Bodlovic
Theatrical high spirits of the week: Pride And Prejudice* (*Sort Of), York Theatre Royal, November 4 to 9, 7.30pm plus 2pm Thursday and 2.30pm Saturday matinees
MEN, money and microphones will be fought over in Pride And Prejudice* (*Sort Of), the audacious retelling of a certain Jane Austen novel, where the stakes couldn’t be higher when it comes to romance but it’s party time, so expect the all-female cast to deliver such emotionally turbulent pop gems as Young Hearts Run Free, Will You Love Me Tomorrow and You’re So Vain.
Writer Isobel McArthur directs this new production of her West End hit, Olivier Award winner for best comedy and Emerging Talent Award winner in the Evening Standard Theatre Awards, now featuring University of York alumna Georgia Firth in the cast. Box office: 01904 623568 or yorktheatreroyal.co.uk.
On the spot: 101 Dalmatians The Musical takes up canine residence at the Grand Opera House from Tuesday. Picture: Johan Persson
Dog show of the week: 101 Dalmatians The Musical, Grand Opera House, York, November 5 to 9, 7pm plus 2pm Wednesday, Thursday and Saturday matinees
KYM Marsh’s Cruella De Vil leads the cast for this musical tour of Dodie Smith’s canine caper 101 Dalmatians. Written by Douglas Hodge (music and lyrics) and Johnny McKnight (book), from a stage adaptation by Zinnie Harris, the show is re-imagined from the 2022 production at Regent’s Park Open Air Theatre, London.
When fashionista Cruella De Vil plots to swipe all the Dalmatian puppies in town to create her fabulous new fur coat, trouble lies ahead for Pongo and Perdi and their litter of tail-wagging young pups in a story brought to stage life with puppetry, choreography, humorous songs and, yes, puppies. Box office: atgtickets.com/york.
3 Missing 10 Hours, directed by Fanni Fazakas, showing in the Animation programme at Aesthetica Short Film Festival 2024
York festival of the week: Aesthetica Short Film Festival, York city centre, November 6 to 10, and UNESCO City of Media Arts EXPO, Guildhall, York, November 7 to 9
THE BAFTA-Qualifying Aesthetica Short Film Festival returns for its 14th year under the direction of Cherie Federico, this time integrating the tenth anniversary of York’s designation as Great Britain’s only UNESCO City of Media Arts. Fifteen venues will play host to 300 film screenings in 12 genres, Virtual Realty and Gaming labs, plus 60 panels, workshops and discussions. For the full programme and tickets, head to asff.co.uk.
The UNESCO EXPO will showcase the region’s creative sector, working in film production, games development, VFX (visual effects), publishing and design, with the chance to try out new projects and speak to creatives. Entry to the Guildhall is free.
Ghosts After Dark: New nocturnal complement to the Ghosts In The Gardens installation in York Museum Gardens
Nocturnal event of the week: Ghosts After Dark, York Museums Gardens, November 7 to 10, 6.30pm to 9.30pm; last entry, 8.30pm
YORK Museums Trust and the York BID present the inaugural Ghosts After Dark, showcasing York’s rich tapestry of historical figures with light, sound and storytellers for four nights only.
Ticketholders will have the exclusive chance to experience York Museum Gardens like never before, by choosing their own path to explore 46 ghostly sculptures, hidden around the gardens and lit dynamically against an atmospheric background of smoke and sound. Box office: yorkshiremuseum.org.uk/ghosts-after-dark/.
Rag’n’Bone Man: Returning to Scarborough Open Air Theatre next summer
Gig announcements of the week: TK Maxx presents Scarborough Open Air Theatre, UB40 featuring Ali Campbell, July 6, and Rag’n’Bone Man, July 11 2025
“I THINK I’ve got the best reggae band in the world,” says UB40 legend Ali Campbell, who last played Scarborough OAT in 2021. “They are all seasoned musicians, who have spent all their lives in professional bands, and I feel so confident with them.” Support acts will be Bitty McLean and Pato Banton.
Triple BRIT Award and Ivor Novello Award winner Rag’n’Bone Man, alias Rory Graham, will follow up his 2023 Scarborough OAT show with a return next summer in the wake of his third album, What Do You Believe In? entering the charts at number three last Friday. His special guest will be Elles Bailey. Box office: ticketmaster.co.uk.
Show announcement of the year: Gary Oldman in Krapp’s Last Tape, York Theatre Royal, April 14 to May 17 2025
Gary Oldman reflecting on his first steps in professional theatre in the York Theatre Royal dressing rooms on his March visit
OSCAR winner Gary Oldman will return to York Theatre Royal, where he began his career as a pantomime cat, to direct himself in Krapp’s Last Tape next spring: his first stage appearance since the late-1980s.
The April 14 to May 17 2025 production of Samuel Beckett’s one-act monodrama was set in motion when Slow Horses star Oldman paid a visit to the St Leonard’s Palace theatre in March, when he met chief executive Paul Crewes.
“When Gary visited us at the beginning of the year, it was fascinating hearing him recount stories of his time as a young man, in his first professional role on the York Theatre Royal stage.,” says Paul.
“In that context when we started to explore ideas, we realised Krapp’s Last Tape was the perfect project. I am very happy that audiences will have this unique opportunity to see Gary Oldman return to our stage in this brand new production.”
Making plans: Actor and director Gary Oldman in discussion with York Theatre Royal chief executive Paul Crewes in the York Theatre Royal main house auditorium
Ticket prices start at £25, with priority booking for the York Theatre Royal Director’s Circle opening on November 6, YTR Members’ priority booking from November 11 and public booking on November 16, all from 1pm. To become a member and access priority booking, head to: https://www.yorktheatreroyal.co.uk/support-us/.
After graduating from Rose Bruford College of Speech and Drama, Londoner Oldman started out in the repertory ranks at York Theatre Royal in 1979 in such plays as Privates On Parade and She Stoops To Conquer and playing the Cat in Berwick Kaler’s third York pantomime, Dick Whittington, that Christmas.
Dame Berwick later told the Guardian in an interview in 2018: “Gary has gone on to become one of our greatest screen actors but I’m afraid he was a bit of a lightweight when it came to pantomime.
“He kept fainting inside the costume. On at least three occasions I had to turn to the audience and say, ‘Oh dear, boys and girls, I think the poor pussy cat has gone to sleep’!”
Gary Oldman as the Cat with dame Berwick Kaler, centre, in the 1979-1980 York Theatre Royal pantomime Dick Whittington. Picture: York Theatre Royal
Oldman, now 66, posted on Instagram: “My professional public acting debut was on stage at the York Theatre Royal. York, for me, is the completion of a cycle. It is the ‘where it all began’. York, in a very real sense, for me, is coming home.
“The combination of York and Krapp’s Last Tape is all the more poignant because it is ‘a play about a man returning to his past of 30 years earlier’.”
After cutting his teeth in York, New Cross-born Oldman went on to act at the Glasgow Citizens Theatre, the Royal Court, London, and the Royal Shakespeare Company. He then swapped theatre for film with break-our roles as Sid Vicious in Sid And Nancy (1986), Lee Harvey Oswald in JFK (1992) and Dracula in Bram Stoker’s Dracula (1992).
He later played Sirius Black in the Harry Potter film franchise and Commissioner Jim Gordon in Batman Begins, The Dark Knight and The Dark Knight Rises, won the 2018 Oscar, BAFTA and Golden Globe awards for Best Actor for his portrayal of Winston Churchill in Darkest Hour, and is now starring as obnoxious MI5 boss Jackson Lamb in the latest Apple+ series of British spy thriller Slow Horses.
Gary Oldman (third from the left in hat and glasses) in Privates On Parade at York Theatre Royal in 1979: one of his first professional performances after graduating from Rose Bruford College of Speech and Drama, in Sidcup, Kent, with a BA in Acting. Picture: York Theatre Royal
Oldman has been considering going back to the stage for a long time. “I have never been far from the theatre and, in fact, have been discussing plays and my return to the theatre for nearly 30 years,” he posted.
What happens in Krapp’s Last Tape, Samuel Beckett at his most theatre of the absurd? Each year, on his birthday, Krapp records a new tape reflecting on the year gone by.
On his 69th birthday, Krapp, now a lonely man, is ready with a bottle of wine, a banana and his tape recorder. Listening back to a recording he made as a young man, Krapp must face the hopes of his past self.
The melancholic, tragicomic role was premiered in 1958 by Patrick Magee and has been played by the likes of Albert Finney, Harold Pinter, John Hurt, Stephen Rea and Kenneth Allan Taylor, the long-running Nottingham Playhouse pantomime dame, writer and director, at York Theatre Royal in 2009.
Gary Oldman’s Cat in the 1979-1980 York Theatre Royal pantomime Dick Whittington. Picture: York Theatre Royal
Samuel Beckett (1906 – 1989): the back story
IRISH writer, dramatist and poet, specialising in theatre of the absurd. Wrote in English and French. Principal works for the stage included Endgame, Krapp’s Last Tape and Waiting For Godot. Awarded Nobel Prize for Literature in 1969.
Gary Oldman: Further screen appearances
TINKER, Tailor, Soldier, Spy (Academy Award and BAFTA nominations); Mank (Academy Award and Golden Globe Award nominations); Oppenheimer; The Book Of Eli; Meantime; The Firm; Prick Up Your Ears; Rosencrantz And Guildenstern Are Dead; State Of Grace; Romeo Is Bleeding; True Romance; Leon/The Professional; The Fifth Element; Immortal Beloved and Dawn Of The Planet Of The Apes, among many others.
Worked with directors Stephen Frears, Oliver Stone, Frances Ford Coppola, Luc Besson, Alfonso Curon, Chris Nolan, Tony Scott, Ridley Scott, Steven Soderbergh, David Fincher and Paulo Sorrentino.
Did you know?
IN 1995 Gary Oldman and producing partner Douglas Urbanski founded a production company, producing Oldman’s screenwriting and directorial debut, Nil By Mouth, winner of nine majot awards from 17 nominations.
Selected to open the main competition for the 1997 50th Anniversary of the Cannes Film Festival, where Kathy Burke won Best Actress. The same year, Oldman won Channel Four Director’s Prize at Edinburgh International Film Festival, British Academy Award (shared with Douglas Urbanski) for Best Film and BAFTA for Best Original Screenplay.
In Focus:Other Lives Productions in How To Be Brave, Theatre@41, Monkgate, York, Sunday, 7.30pm, and on tour
Livy Potter as Katy, left, and Alice Rose Palmer as mum Natalie in Louise Beech’s How To Be Brave
ON March 19 1943, just after midnight, Merchant Seaman Colin Armitage’s cargo ship, the Lulworth Hill, was torpedoed by an Italian Navy submarine in the South Atlantic. He scrambled aboard a life raft. Fifty days later HMS Rapid rescued him.
Colin was the grandfather of How To Be Brave playwright Louise Beech. Sixty-four years after his ordeal, Louise’s daughter, Katy, was diagnosed with Type 1 diabetes. In order to distract her during insulin injections Louise began to tell the story of Colin’s bravery and determination to survive.
The story inspiring ten-year-old Katy to be brave in the face of her diabetes is a true one. She has said that Grandad Colin’s experience made her determined to carry on when she wanted to give up and die: “If Grandad Colin can survive an ordeal like that, I can do anything. I can do these injections,” she said. And she has never faltered.
Director Kate Veysey with Rose’s seagull Gilbert
“We hope that by presenting this story we can inspired audiences in the East Riding and beyond,” says director Kate Veysey, a familiar name from both York Theatre Royal Youth Theatre and Next Door But One productions.
Scenes alternate between the life raft and Katy’s house in Hull as York actors Jacob Ward and Livy Potter take the roles of Colin Armitage and Rose (Katy, given a pseudonym), joined by Lex Stephenson as carpenter Ken Cooke, on the raft, Alice Rose Palmer as Natalie (alias mum Louise) and Alison Shaw as nurse Shelley. Age guidance: ten upwards (the show contains moderate bad language). Box office: tickets.41monkgate.co.uk.
Lex Stephenson, as Ken Cooke, left, and Jacob Ward, as Colin Armitage, in Other Lives Productions’ How To Be Brave
The Maniac (Andrew Isherwood), left, peruses the Anarchist’s case file as Inspector Burton (Paul Osborne) interrupts him in Black Treacle Theatre’s Accidental Death Of An Anarchist . Picture: John Saunders
FROM ‘Rocky 2’ for Jason Donovan to a music-hall spin on Shakespeare’s ‘Two Gents’, Charles Hutchinson looks at a mighty crowded week ahead.
Last chance to see: Black Treacle Theatre in Accidental Of An Anarchist, Theatre@41, Monkgate, York, today, 2.30pm and 7.30pm
YORK company Black Treacle Theatre stage Dario Fo and Franca Rame’s uproarious 1970 Italian farce in a new adaptation by Tom Basden, creator of Plebs and Here We Go, who updates the setting to the rotten state of present-day Britain.
Shining a satirical light on bent coppers, politicians and everything in between under Jim Paterson’s direction, the riotous drama is set in a police station where a suspect has “accidentally”’ fallen to his death, but did he jump or was he pushed? As the police attempt to avoid yet another scandal, a mysterious imposter (Andrew Isherwood’s Maniac) is brought in for questioning. Cue cover-ups, corruption and (in)competence. Box office: https://tickets.41monkgate.co.uk
Dinosaur World Live: Invading York Theatre Royal on Monday and Tuesday
Children’s show of the week:Dinosaur World Live, York Theatre Royal, October 21, 4.30pm; October 22, 10.30am and 4.30pm
DARE to experience the dangers and delights of dinosaurs in this mind-expanding, “roarsome” interactive Jurassic adventure, winner of the 2024 Olivier Award for Best Family Show.
Grab your compass and join Dinosaur World’s intrepid explorer on a venture across uncharted territories to discover a pre-historic world of astonishing, life-like dinosaurs. Meet a host of impressive creatures, not least every child’s favourite flesh-eating giant, the Tyrannosaurus Rex. A post-show meet and greet offers brave explorers the chance to make a new dinosaur friend. Box office: 01904 623568 or yorktheatreroyal.co.uk.
Jason Donovan, centre, as Dr Frank N Furter in The Rocky Horror Show, back at its regular York haunt, the Grand Opera House, next week
Touringmusical of the week: The Rocky Horror Show, Grand Opera House, York, October 21 to 26, Monday to Thursday, 8pm; Friday, Saturday, 5.30pm and 8.30pm
AUSRALIAN actor, pop singer and soap star Jason Donovan returns to the Grand Opera House in a musical theatre role for the first time since playing drag act Mitzi Del Bar in Prisclla, Queen Of The Desert in November 2015.
“Rocky is panto for adults,” says Jason, 56, who is reprising his role as sweet transvestite Dr Frank N Furter on tour, after 25 years, in Richard O’Brien’s cult send-up of horror and science-fiction B-movies as squeaky clean American college couple Brad and Janet end up in the mad, seductive scientist’s Transylvanian lair. Box office: atgtickets.york.com.
Tempest Wisdom: Directing York Shakespeare Project for the first time in The Two Gentlemen Of Verona
Play of the week: York Shakespeare Project in The Two Gentlemen Of Verona, Theatre@41, Monkgate, York, October 22 to 26, 7.30pm plus 2.30pm Saturday matinee
‘TWO Gents’: possibly Shakespeare’s first play and definitely the only one with a part for a dog. But can the newly employed performers at Monkgate Music Hall pull off their production?
Under-rehearsed knife throwers, strongmen, musicians and comedians must pool their skills in Tempest Wisdom’s dazzling take on this rarely performed comedy, delivered by York Shakespeare Project. “Book now for the event of the 19th century!” says Tempest. Box office: tickets.41monkgate.co.uk.
Steve Huison as his alter ego, working men’s club cabaret host Squinty McGinty, at The Crescent, York
Cabaret turn of the week, Steve Huison, Crescent Cabaret, The Crescent, York, October 23, doors, 6.30pm for 7.30pm start
AFTER exhibiting oil portraits of actors and musicians at Pyramid Gallery this summer, actor, artist and The Full Monty star Steve Huison presents The Crescent Cabaret in his guise as Squinty McGinty, “Agent to the Stars”, more usually to be found hosting Cabaret Saltaire.
Promoted in tandem with Pyramid Gallery owner and musician Terry Brett, who will make a stage appearance with Ukulele Sunshine Revival, this charity event will raise funds for Refugee Action York from meat raffle ticket sales at Huison’s affectionate, if outrageous, spoof of a typical northern working men’s club. Box office: thecrescentyork.com.
Company Wayne McGregor in Autobiography, on tour at York Theatre Royal. Picture: Andrej Uspenski
Dance show of the week: Company Wayne McGregor, Autobiography, V102 and V103, York Theatre Royal, October 25 and 26, 7.30pm
GENETIC code, AI and choreography merge in a Wayne McGregor work that reimagines and remakes itself anew for every performance. Layering choreographic imprints over personal memoir and in dialogue with a specially created algorithm that hijacks McGregor’s DNA data,Autobiography “upends the traditional nature of dance-making as artificial intelligence and instinct converge in creative authorship”.
Now, AISOMA, a new AI tool developed with Google Arts and Culture – “utilising machine-learning trained on hundreds of hours of McGregor’s choreographic archive – overwrites initial configurations to present fresh movement options to the performers, injecting unfamiliar and often startling content into the choreographic ecosystem”. “Life, writing itself anew,” explains McGregor. Box office: 01904 623568 or yorktheatreroyal.co.uk.
Nadia Reid: Making her Band Room debut on the North York Moors
Moorland gig of the season: Nadia Reid, The Band Room, Low Mill, Farndale, North York Moors, October 26, 7.30pm
THE Band Room promoter Nigel Burnham first tried to book New Zealand singer-songwriter sensation Nadia Reid on her first British tour in 2017. “Persistence has paid off,” he says, welcoming her to “the greatest small venue on Earth” as part of a series of intimate, magical solo shows.
Noted for her evocative lyrics and introspective, folk-infused soundscapes, Reid has been described as “an understated, wise guide through uncertain territory”, drawing comparison with Joni Mitchell, Laura Marling, Gillian Welch and Sandy Denny. Latest album Out of My Province took her to Matthew E White’s Spacebomb Studios in Richmond, Virginia, where producer Trey Pollard surrounded her songs in luminous washes of southern country soul. Box office: 01751 432900 or thebandroom.co.uk.
Elbow: First headliners confirmed for second season of Live At York Museum Gardens, staged by Futuresound Group next summer
Gig announcement of the week: Futuresound Group presents Live At York Museum Gardens, Elbow, July 3 2025
GUY Garvey’s Mercury Prize-winning Bury band Elbow are confirmed as the first headliner for Futuresound’s second Live At York Museum Gardens concert weekend, after the sold-out success of Shed Seven’s 30th anniversary shows and Jack Savoretti this summer.
Elbow will be supported by Ripon-born, London-based singer-songwriter Billie Marten and Robin Hood’s Bay folk luminary Eliza Carthy & The Restitution. Box office: futuresound.seetickets.com/event/elbow/york-museum-gardens/3195333.
Recommended but sold out: James Swanton presents The Signal-Man, York Medical Society, Stonegate, York, October 24 to 30, 7pm
James Swanton: sell-out run of The Signal-Man at York Medical Society. Picture: Jtu Photography
“SOMETHING unprecedented has happened: we’ve sold out the entire run over a month in advance! A first in my experience,” says York gothic actor and storyteller James Swanton ahead of the home-city leg of his Halloween Dickens show, The Signal-Man, with The Trial For Murder “thrown in for fun”.
“The Signal-Manis one of the most powerful ghost stories of all time and certainly the most frightening ever written by Charles Dickens. It’s paired here with The Trial For Murder, in which Dickens treats the supernatural with just as much terrifying gravity.”
James adds: “We’re privileged to be a partner event with the York Ghost Merchants for their annual Ghost Week celebrations.”
What happens in The Signal-Man? “A red light. A black tunnel. A waving figure. A warning beyond understanding. And the fear that someone – that something – is drawing closer,” says the storyteller of Dickens’s darkest explorations of the spirit world.
Over the past year, James has played monsters in The First Omen (20th Century Studios) and Tarot(Sony), as well as the title roles in two BBC chillers: The Curse Of The Ninth in Inside No. 9 and Lot No. 249, Mark Gatiss’s annual ghost story, a performance that spurred the Telegraph reviewer to call James “the scariest man on TV this Christmas”.
His Dickens work includes sell-out seasons of the Christmas Books at the Charles Dickens Museum, London, and his one-man play Sikes & Nancy at the West End’s Trafalgar Studios.
Are you too late for tickets for The Signal-Man? Fear not, James will be returning to York Medical Society from November 25 to 28 and December 2 to 5 for his annual performances of Dickens’s Christmas ghost stories, A Christmas Carol, The Chimes and The Haunted Man, suitable for age eight upwards. Tickets for these 65-minute 7pm performances are on sale on 01904 623568 or yorktheatreroyal.co.uk.
One ghost story will be told each night: November 25 to 27 and December 2 to 4, A Christmas Carol; November 28, The Chimes; December 5, The Haunted Man.
In Focus: Black Sheep Theatre Productions presents Songs For A New World, National Centre for Early Music, York, Oct 24 to 26
Co-director and actor Mikhail Lim in one of myriad posters for Black Sheep Theatre Productions’ production of Songs For A New World
YORK company Black Sheep Theatre Productions completes its October double bill of Jason Robert Brown productions with his 1995 theatrical song cycle Songs For A New World.
Tony Award-winning composer Brown is best known for his musicals Parade, 13 and The Last Five Years, the 2001 two-hander staged by Matthew Peter Clare’s company in collaboration with Wharfemede Productions at the NCEM last week.
First produced Off-Broadway at the WPA Theatre in New York, Songs For A New World defies conventional musical theatre formats. As described by Brown and original director Daisy Prince, the show is “neither musical play nor revue” but exists as a “very theatrical song cycle.”
“While it lacks a linear plot, the production explores universal themes such as hope, faith, love, and loss through a powerful collection of emotionally charged songs,” says Matthew, the production’s co-director, musical director and producer.
Black Sheep Theatre’s re-imagined production speaks directly to the growing uncertainty and tension of today’s political and social climate. Co-director Mikhail Lim and the creative team have crafted a fresh and relevant interpretation, designed to “resonate with audiences navigating the complexities of modern life”.
Songs For A New World cast member Rachel Higgs
This version expands the original cast of four to feature eight performers from York and beyond, creating a rich and multifaceted rendition.
“We believe this show will be a breakthrough in York’s theatre scene, offering something fresh, exciting, and deeply engaging,” says Mikhail. “The music alone will make audiences want to listen on repeat, but the show also connects emotionally, tugging on heartstrings and encouraging a renewed contemplation of today’s world.
“We hope audiences leave the theatre not only moved by the performances but also reflecting on the deeper themes we explore.”
After staging William Finn and James Lapine’s Falsettos at the Joseph Rowntree Theatre, now Black Sheep Theatre has worked meticulously on every aspect of Songs for A New World.
Ayana Beatrice Poblete and Reggie Challenger in Songs For A New World
“The team is confident that this production will be a definitive version of Brown’s iconic work, delivering a truly unforgettable experience to all who attend,” says Matthew.
Black Sheep Theatre Productions, Songs For A New World, National Centre for Early Music,St Margaret’s Church, Walmgate, York, October 24 to 26, 7.30pm plus 2.30pm Saturday matinee. Box office: ticketsource.co.uk.
Creative team: Co-director, musical director & producer: Matthew Peter Clare
Co-director: Mikhail Lim Assistant director & choreographer: Freya McIntosh
Cast: Ayana Beatrice Poblete; Katie Brier; Lauren Charlton-Mathews; Reggie Challenger; Rachel Higgs; Mikhail Lim; Adam Price and Natalie Walker.
DEL Boy in a musical, a Dungeon murderess, a Greek teen tragedy and gruesome Tower tales promise entertainment and enlightenment, advises Charles Hutchinson.
New attraction of the week: The Black Widow, York Dungeon, Clifford Street, York, daily from 10am
HERE comes this Hallowe’en season’s new show at York Dungeon. Be prepared to encounter the grim tale of Britain’s first female serial killer: Mary Ann Cotton.
A north easterner with a propensity for lacing tea with a drop of arsenic, the Black Widow was convicted of only one murder but is believed to have killed many others, including 11 of her 13 children, and three of her four husbands. Box office: thedungeons.com/york/tickets-passes/. Pre-booking is essential.
Sam Lupton’s Del Boy on a date with Georgina Hagen’s Raquel in Only Fools And Horses The Musical at the Grand Opera House, York
“Plonker” musical of the week: Only Fools And Horses The Musical, Grand Opera House, York, until Saturday, 7.30pm plus 2.30pm matinees today and Saturday
BASED on John Sullivan’s long-running BBC One series, his son Jim Sullivan and comedy treasure Paul Whitehouse’s West End hit, Only Fools And Horses The Musical, combines 20 songs with an ingenious script.
“Join us as we take a trip back in time to 1989, where it’s all kicking off in Peckham,” reads the 2024-25 tour invitation. “While the yuppie invasion of London is in full swing, love is in the air as Del Boy sets out on the rocky road to find his soul mate, Rodney and Cassandra prepare to say ‘I do’, and even Trigger is gearing up for a date (with a person!).” Box office for the last few tickets: atgtickets.com/york.
Chris Mooney and Helen “Bells” Spencer in Jason Robert Brown’s The Last Five Years, the debut collaboration between Black Sheep Theatre Productions and Wharfemede Productions
Debut of the week: Wharfemede Productions & Black Sheep Theatre Productions in The Last Five Years, National Centre for Early Music, St Margaret’s Church, Walmgate, York, tonight to Saturday, 7.45pm
HELEN Spencer and Nick Sephton launch their new York company, Wharfemede Productions, in tandem with Black Sheep Theatre Productions, by staging The Last Five Years, Jason Robert Brown’s emotive musical story of two New Yorkers, rising novelist Jamie Wellerstein and struggling actress Cathy Hiatt, who fall in and out of love over the course of five years.
Combining only two cast members, York theatre scene luminaries Chris Mooney and Spencer, with a seven-piece band, expect an intimate and emotive evening of frank storytelling and gorgeous music. Box office: ticketsource.co.uk/wharfemede-productions-ltd.
Alexander Flanagan-Wright in Helios, his modern take on the Fall of Phaeton, performed under the Great Hall dome at Castle Howard
Theatrical event of the week: Wright & Grainger in Helios, The Great Hall, Castle Howard, near York, today, 5pm and 7.30pm
A LAD lives halfway up an historic hill. A teenager is on a road trip to the city in a stolen car. A boy is driving a chariot, pulling the sun across the sky. In a play about the son of the god of the sun, Helios transplants the Ancient Greek tale into a modern-day myth wound round the winding roads of rural England and into the everyday living of a towering city.
“It’s a story about life, the invisible monuments we build to it, and the little things that leave big marks,” says writer-performer Alexander Flanagan-Wright, who presents his delicate tale with a tape-player beneath the Great Hall dome’s mural, painted by 18th century Venetian painter Antonio Pelligrini, whose depiction of the Fall of Phaeton was the thematic inspiration behind Helios. Box office: castlehoward.co.uk.
Alison Weir: Gruesome tales of executions, beheadings and Royal intrigue from 900 years at the Tower Of London
Literary event of the week: Kemps Bookshop Presents Alison Weir – Ghosts & Gruesome Tales Of The Tower, Milton Rooms, Malton, tonight, 7.30pm
IF any place could lay claim to a host of tortured souls and ghosts, it would be the Tower of London. Historian Alison Weir regales her Malton audience with chilling ghostly tales of grim events, bloody deeds, intrigues and violent deaths the Tower has witnessed over 900 years and the ghosts that reputedly haunt it. After her talk, she will take questions and sign copies of her books. Box office: 01653 696240 themiltonrooms.com.
Mary Bourne, left, and Jessa Liversidge: Uplifting journey of song in Songbirds at Helmsley Arts Centre
Songbirds: A Celebration of Female Musical Icons, with Jessa Liversidge and Mary Bourne, Helmsley Arts Centre, October 25, 7.30pm
DEVISED and performed by vocalists Jessa Liversidge, from Easingwold, and Mary Bourne, from Kingston upon Thames, Songbirds is an uplifting journey of song, celebrating “some of the most iconic female singers and songwriters ever known”, from Carole King and Annie Lennox to Kate Bush and Adele. Special guests include HAC Singers and Easingwold Community Singers. Box office: 01439 771700 or helmsleyarts.co.uk.
Nadia Reid: Making her Band Room debut on the North York Moors
Moorland gig of the season: Nadia Reid, The Band Room, Low Mill, Farndale, North York Moors, October 26, 7.30pm
THE Band Room promoter Nigel Burnham first tried to book New Zealand singer-songwriter sensation Nadia Reid on her first British tour in 2017. “Persistence has paid off,” he says, welcoming her to “the greatest small venue on Earth” as part of a series of intimate, magical solo shows.
Noted for her evocative lyrics and introspective, folk-infused soundscapes, Reid has been described as “an understated, wise guide through uncertain territory”, drawing comparison with Joni Mitchell, Laura Marling, Gillian Welch and Sandy Denny. Latest album Out of My Province took her to Matthew E White’s Spacebomb Studios in Richmond, Virginia, where producer Trey Pollard surrounded her songs in luminous washes of southern country soul. Box office: 01751 432900 or thebandroom.co.uk.
Elbow: Headlining first day of second season of Live At York Museum Gardens concerts
Show announcement of the week: Futuresound Group presents Live At York Museum Gardens, Elbow, July 3 2025
GUY Garvey’s Mercury Prize-winning Bury band Elbow are confirmed as the first headliner for Futuresound’s second Live At York Museum Gardens concert weekend, after the sold-out success of Shed Seven’s 30th anniversary shows and Jack Savoretti this summer.
Elbow will be supported by Ripon-born, London-based singer-songwriter Billie Marten and Robin Hood’s Bay folk luminary Eliza Carthy & The Restitution. The York exclusive postcode presale (for YO1, YO24, YO30, YO31 and YO32) goes on sale today at 10am at https://futuresound.seetickets.com/event/elbow/york-museum-gardens/3195333?pre=postcode. General sales open at 10am on Friday at https://futuresound.seetickets.com/event/elbow/york-museum-gardens/3195333.
In Focus: Nunnington Hall Autumn Festival, October 19 and 20
Nunnington Hall: Autumn garden tours next weekend
VISITORS to the National Trust property of Nunnington Hall, near Helmsley, can enjoy the manor house being decorated for autumn next weekend.
The garden team will be running garden tours and apple-juicing demonstrations, and there will be an opportunity to do autumn-themed crafts.
Programming and partnerships officer Elena Leyshon says: “We’re delighted that our annual Autumn Festival will be returning to Nunnington Hall this year. Visitors can explore the hall decorated for autumn and join our garden team on orchard and wildlife tours, and live apple-juicing demonstrations.
“We’ll have a range of local makers and creators demonstrating and selling their work, from willow weaving to felting.
“There will also be some delicious autumnal treats in the tearoom to enjoy, so come along and enjoy a sweet treat in our tearoom and celebrate the best of the autumnal season with us.”
Robert Dutton and Andrew Moodie’s exhibition, A Yorkshire Year, continues at Nunnington Hall and will be be open to visitors over the festival weekend.
Nunnington Hall Autumn Festival, October 19 and 20, 10.30am to 5pm each day, with last entry at 4.15pm. Visiting stalls will be on site until 4pm. No booking is required. Normal property admission applies, with free admission for National Trust members and under fives.
Elbow: July 3 headliners for next summer’s Live At York Museum Gardens concert series
GUY Garvey’s Mercury Prize-winning Bury band Elbow are confirmed as the first headliner for Futuresound’s second Live At York Museum Gardens concert weekend, after the sold-out success of Shed Seven’s 30th anniversary shows and Jack Savoretti this summer.
Elbow will be supported by Ripon-born, London-based singer-songwriter Billie Marten and Robin Hood’s Bay folk luminary Eliza Carthy & The Restitution.
The York exclusive postcode presale (for YO1, YO24, YO30, YO31 and YO32) goes on sale tomorrow at 10am at https://futuresound.seetickets.com/event/elbow/york-museum-gardens/3195333?pre=postcode. General sales open at 10am on Friday at https://futuresound.seetickets.com/event/elbow/york-museum-gardens/3195333.
Rachel Hill, project manager for Futuresound Group, said: “We are absolutely thrilled to be working with the York Museum Gardens team once more for another great event. This year was such a proud moment for all involved.
“Witnessing how incredibly important it is to the people of York, their support and how it was received is so heart-warming. Seeing the city come to light and witnessing the benefits of the economic impact was a wonderful thing.”
Richard Saward, head of operations at fellow event promoters, York Museums Trust, said: “We are excited to welcome the concerts back to York Museum Gardens in 2025. The events last year brought in new audiences to the city and the gardens, with the income we raised invested back into our museums, galleries and collections.”
Watch this space for further news of next summer’s Live At York Museums Gardens programme.
Specialist builder Leo Wolterbeek within the Mesolithic build at York Museum Gardens. Picture: Gareth Buddo
IT took four days for two Dutchmen to build “Britain’s oldest house” in York Museum Gardens, where the Mesolithic Hut will stand until September 1.
Made of reeds, matting and twine, the house design dates from 11,000 years ago, transporting visitors back to life in North Yorkshire in the Mesolithic age, the Middle Stone Age, between the Palaeolithic and the Neolithic.
Teams from York Museums Trust and the University of York have combined with experts in ancient technology and archaeology to build the replica house in front of the Yorkshire Museum, using evidence, techniques and materials, such as stone tools and plant materials, gleaned from the prehistoric archaeological site at Star Carr, five miles south of Scarborough, where the oldest known house in Britain was discovered.
University of York head of archaeology Professor Nicky Milner and postdoctoral research fellow Dr Jess Bates are spearheading the project with specialist craftsman Diederik Pomstra and builder Leo Wolterbeek and support from Dr Adam Parker, curator of archaeology at York Museums Trust, in a project made possible by £10,000 funding from the National Heritage Lottery Fund.
“Being an archaeologist is like being a detective, using clues to build the picture,” says Professor Nicky Milner, head of archaeology at the University of York. Picture: Gareth Buddo
Dr Parker says: “This is an extraordinary opportunity to experience a Mesolithic build, using evidence-based information such as the tools and the resources, much of which we are showing in the Yorkshire Museum.
“Taking our lead from Star Carr, we are able to harness and harvest materials from the environment that will be similar to the components these people utilised all those years ago.
“Displays at the museum includes the original implements and items left behind from the lives that unfolded there. It’s a chance to get to know and understand a relatively unknown period of history in a fun and open way for all ages. Come and see for yourself.”
Professor Milner says: “We invited Diederik and Leo from the Netherlands, who come over once a year to do experimental archaeological work, because they’re really skilled at prehistoric archaeological buildings.
“For example, they know what materials to use to make the twine for fastening. It’s about understanding the natural world and how to make things out of materials and how to make tools out of flint.”
Specialist craftsman Diederik Pomstra with Professor Nicky Milner and Dr Adam Parker. Picture: Gareth Buddo
The use of reed for the replica house is derived from the research at Star Carr. “We found post holes and a hollow that signified the oldest house in Britain. The soil there was darker and we can look at that soil with its high organic content, in particular the silica cells from different plants, and some of those looked like reeds,” says Prof Milner. “Star Carr was by the river, so there would have been reeds there.
“Jess [Dr Bates] spent three years doing a PhD looking at the flint finds at Star Carr under a microscope, and from that you can tell what the flint was used for: cutting up meat, processing fish; working with hides, bones, antlers and wood. So we begin to understand the activities in the house.
“We can use science to bring alive evidence. In terms of materials, there was a lot of organic material because the preservation was so good, and from the research we can put together a picture of what life was like; what their skills were.”
Prof Milner continues: “Being an archaeologist is like being a detective, using clues to build the picture, working in our experimental centre, where research gives you more questions to be answered.
Diederik Pomstra, left, Leo Wolterbeek, Professor Nicky Milner, of University of York, and Dr Adam Parker, of York Museums Trust, at the Mesolithic Hut build in York Museum Gardens. Picture: Gareth Buddo
“We have to be honest and say there’s an element of speculation, so we think they used reed to build the house as it was by the river, though we can’t confirm that. They may have used animal skins.”
Prof Milner stresses the importance of the partnership with York Museums Trust, whose Star Carr exhibition, Life After The Ice, at the Yorkshire Museum offers visitors the chance to learn more about the site and see tools, objects and ritual artefacts found there.
“We both want people to know about Star Carr, the house, and how we got to where we are now. I don’t mind if we are speculating because it gives everyone a chance to ask questions about the past,” she says.
“Star Carr was first excavated in the 1940s and became very famous in the archaeological world because of the incredible preservation of the site, but locally people didn’t know about it. I didn’t until I went to university and couldn’t believe it was on my doorstep, where I grew up!
Dr Jess Bates, from the University of York, with Elizabeth, left, and Eleanor Grahame-Clarke at the Mesolithic build. Picture: Gareth Buddo
“Since then, it’s been a passion of mine for everyone to learn about it as Star Carr is as important as Stonehenge.”
Dr Parker concurs: “Life After The Ice is our first exhibition after two years of having the Star Carr collection, and this is a Yorkshire collection on display in Yorkshire, informed by research happening in York, telling a story that’s important for us to tell, displaying an archive of international significance, presented in a way that maybe the university couldn’t do.
“This is a project that serves both research and public engagement, and the benefit of what we’re doing this month is that it brings the museum outside, and we hope that by people seeing one, they want to see the other.”
Free activities, such as storytelling with Hoglets Theatre Company and Into Wilderness Bushcraft Adventures, are running in a marquee next to the Mesolithic Hut until September 1, open daily from 10am to 4pm. Participating children must be accompanied by an adult at all times; full details can be found yorkshiremuseum.org.uk.
Access to the Museum Gardens and the Mesolithic build is free; there is a charge for entry to the museum, open 10am to 5pm.
Activities in marquee next to Mesolithic Hut, in front of Yorkshire Museum, Museum Gardens, Museum Street, York
Eleanor Grahame-Clarke learning skills from specialist builder Leo Wolterbeek in York Museum Gardens. Picture: Gareth Buddo
Creative Family Wednesdays: Star Carr Special, August 28, 10.30am to 3.30pm
DROP in anytime – no booking required – for artist-run creative workshops inspired by the Star Carr exhibition, delivered outdoors.
Star Carr Storytelling: August 29, 10.30am to 11.15am; 11.30am to 12.15pm; 2pm to 2.45pm and 3pm to 3.45pm. No need to book.
JOIN Hoglets Theatre, Gemma Curry’s York company, for an adventure into the prehistoric world of Star Carr in these immersive, outdoor story-telling sessions suitable for all the family.
Into Wilderness Bushcraft Adventures, August 30 to September 1,10.30am to 4pm drop-in sessions throughout the day. No booking required.
EXPERIENCE wild Britain from an Aboriginal bushcraft perspective and immerse yourself in the Mesolithic in these hands-on workshops led by the team at Into Wilderness.
In addition, a Star Carr Skills Weekend was held on August 17 and 18, when expert Chris Woodland’s drop-in sessions highlighted Mesolithic craftsmanship, using natural materials, and offered the chance to learn skills needed for everyday life at Star Carr, demonstrating how to turn nettles into twine and shale into decorative pendants.
Shed Seven performing Throwaways with special guest Peter Doherty at York Museum Gardens on July 19. Picture: Barnaby Fairley
Step One: Night two of the Sheds’ 30th anniversary homecoming concerts, Live At York Museum Gardens, presented by Futuresound, on July 20
Set list: Let’s Go; Speakeasy; Where Have You Been Tonight?; High Hopes (with Duke Witter); Dolphin; Devil In Your Shoes; Tripping With You (with Laura McClure); Bully Boy (with Huntington School Choir); Ocean Pie; Parallel Lines; In Ecstasy (with Rowetta); On Standby; Going For Gold; Suspicious Minds; Talk Of The Town; Getting Better; Let’s Go Dancing.
Encores: Room In My House; Throwaways (with Peter Doherty); Disco Down; Chasing Rainbows (with choir, McClure, Rowetta and support acts Doherty, Brooke Combe and Apollo Junction).
CharlesHutchPress viewpoint: As central as a centre-spot, standing with a cluster of chanting York City fans, former manager Michael Morton (February-August 2023) at their core, and a bunch of Sheds-loving former University of York students, meeting up from all over the country for the first time since 1997.
Different set list? Out went She Left Me On Friday (they left it out on Saturday), People Will Talk and The Heroes. In came: Where Have You Been Tonight? and Parallel Lines.
Other differences?
*Shed Seven arrived on stage at 8.30pm rather than 8.40pm.
*Different members of Huntington School Choir sang Bully Boy.
*The Sheds’ friend Stuart Allan, guitarist and vocalist in York band Johnny And The Dunebugs, guested on guitar throughout the Sheds’ set, introduced by Rick Witter as “the fifth Beatle”.
The same on both nights:
*The show-opening recorded poetry reading of The Boys Are Coming Home – a hymn of praise to York’s “characters, cobbles and quirks” – by Matt Abbott, Wakefield poet, educator, activist and former frontman and lyricist of Skint & Demoralised. Commissioned by guitarist Paul Banks.
*Backing singers Mary Pearce and Beverly Skeete, as featured on the Shed Seven albums Instant Pleasures, A Matter Of Time and the upcoming Liquid Gold.
*Special guests Laura McClure, from Reverend And The Makers, Rowetta, from the Madchester Nineties’ scene, and The Libertines’ Peter Doherty, all reprising their contributions to the Sheds’ number one album, A Matter Of Time.
*Brass section of Tim Hurst, trombone; Andy Cox, saxophone; Jamie Brownfield, trumpet.
*The presence of a film crew, led off on Friday by the camera following Rick Witter from the Museum Street entrance, “walking towards the stage like a boxer entering the ring” (to quote Ste’s comment on CharlesHutchPress’s review of the first night.
Why filming?
“The idea of filming the weekend is trifold,” says Rick. “We wanted to make a video for the most recent Liquid Gold release, Getting Better, which came out on Monday evening (July 22). Worth a watch!
“We’re also releasing a ‘Live At Museum Gardens’ variant to coincide with the release of Liquid Gold on September 27. And then possibly we’ll release a DVD of the Museum Gardens gigs, along with all the promo vids from A Matter Of Time onwards and a small documentary about the Sheds. The year of the Sheds indeed.”
Final CharlesHutchPress thoughts: Loved Room In My House and Talk Of The Town becoming latter-day crowd favourites already. Rick’s “dad dancing” with son and Serotones singer Duke in High Hopes. The set – pre-encores – closing with Let’s Go Dancing’s a cappella coda, “Lonely words seek an empty page/Curtain call, time to leave the stage/ It’s time to stop…”.
Peter Doherty and his dapper chapeau – plonked briefly on Witter’s head – loving every minute, whether in Throwaways or the everything-plus-the-kitchen-sink Chasing Rainbows finale. The departing hordes still singing Chasing Rainbows as they crossed Lendal Bridge, homeward bound and euphoric.
Step two: New single Waiting For The Catch and new album Liquid Gold
Shed Seven with Issy Ferris, of Ferris & Sylvester, guest vocalist on Liquid Gold orchestral reworking of Waiting For The Catch. Picture: Andy Little
“HI MATE. Sorry just shooting a video to a new song. It’s all go.” So messaged Rick Witter, on July 22, explaining his delay in answering a handful of CharlesHutchPress questions.
That song is new single Waiting For The Catch, a duet with Issy Ferris, of UK folk/rock/Americana duo Ferris & Sylvester, who released their second album, Otherness, on March 1 on Arch Top Records.
Premiered on the Zoe Ball Breakfast Show on BBC Radio 2 on August 8, Waiting For The Catch is a new reworking of an Instant Pleasures bonus track from the York band’s career-spanning orchestral album Liquid Gold. Watch here: https://www.youtube.com/watch?v=_HKKvnD-tII.
“Waiting For The Catch fits perfectly alongside some of our biggest hits,” says Rick. “The song has the classic ‘Can’t live with you, can’t live without you’ sentiment and we felt making it a duet would fit perfectly with the lyrical theme.
“So we invited the amazing Issy Ferris to add her beautiful voice to the track, which gives it a yearning, but also vengeful energy. You want to hear Shed Seven arena-sized? No problem, it’s our pleasure.”
Liquid Gold’s orchestral reinventions were recorded in collaboration with arrangers Fiona Brice and Michael Rendall. Brice had worked previously with Liam Gallagher and Placebo, while Rendall had teamed up with the Sheds for 2017’s Top Ten comeback album Instant Pleasures and A Matter Of Time.
“This year we celebrate 30 years as recording artists and, after reminiscing about our career, we thought we’d celebrate the milestone by revisiting some key songs from our past,” says Rick.
“The idea being that if we cherry picked a hatful of songs and recorded them now, it would be a coherent stroll down memory lane but also sit sonically beside A Matter Of Time. A logical next step.”
Rick continues: “We see this record as a gateway into the world of Shed Seven. We also felt that adding an orchestra to each track would lend the whole project a unique slant. The songs have become widescreen, full of colour.
“The original recordings will always hold a special place in our hearts but re-recording the chosen songs was an exciting prospect for us. It’s a gift from the band to our loyal supporters and will hopefully introduce some golden moments throughout our career to a whole new audience. Enjoy, and here’s to the next 30 years!”
A signed copy of Liquid Gold: One of multiple formats of the new album
Set for release on Cooking Vinyl on September 27, Liquid Gold can be pre-ordered at shedsevenn.lnk.to/LiquidGoldPR, with formats ranging from signed copies and vinyl to CD and cassette versions.
The Sheds have just launched a new bootleg edition, each with artwork individually hand-stamped by the band, that adds three songs from their BBC Piano Room session, a live recording of Casino Girl, and remix of In Ecstasy.
That Piano Room session in May saw the Sheds perform Chasing Rainbows, Talk Of The Town and a cover of Duran Duran’s Planet Earth with the BBC Concert Orchestra at Maida Vale studios.
The album track listing will be: Getting Better; Speakeasy; Devil In Your Shoes; On Standby; Going For Gold; Waiting For The Catch (featuring Issy Ferris); Better Days; Parallel Lines; Disco Down; Ocean Pie; new composition All Roads Lead To You and Chasing Rainbows.
A special Live @Museum Gardens 2CD edition can be pre-ordered at store.shedseven.com/product/148214?password=LG-YORK-EM. Featuring a bonus disc of live tracks recorded at the two shows, it comes with alternative artwork to commemorate the occasion.
In the immediate aftermath of the Museum Gardens shindigs, the Sheds released a video of the Liquid Gold version of Getting Better, filmed on and off stage over the two days, capturing the band, special guests Peter Doherty, Rowetta and Laura McClure and Friday support acts The Lottery Winners and Serotones, Huntington School choir and audience members…and Witter riding through York on a bike.
Or, as Black Arts PR’s press release puts it: “The video is a joyous celebration of one of the biggest highlights of Shed Seven’scareer. It captures every moment of the day: fans getting the party underway as they arrive; Rick Witter strolling through the audience and posing for photos and pinching a sip of beer; clips of friends including Peter Doherty, Lottery Winners, Rowetta, Laura McClure and Serotones (featuring Rick’s son Duke) all relishing the occasion; and the band embracing before they step on stage. The most emotional moment is saved until the end – the band taking their final bows in front of a sea of adoration.”
Post-gigs, The Shedsposted on social media: “Watch to the end, you won’t be disappointed… you might even feature. Enjoy and thanks once again for making this weekend so special.” Watch here: https://www.youtube.com/watch?v=mnJnjir47QE.
Already, the Sheds had previewed the album by releasing two tasters, Speakeasy and Devil In Your Shoes. Pre-orders for Liquid Gold have exceeded the numbers reached with January’s A Matter Of Time. Could Shed Seven notch up two number one albums in a year? Roll on September 27.
Step Three: T-T-T-Talk Of The Town in multiple towns and cities, 50 shows in all
Shed Seven doing a record store promotion for A Matter Of Time at HMV York in January
AFTER in-store performances and personal appearances, including HMV York, to launch A Matter Of Time in January and the 30th anniversary homecoming celebrations at York Museum Gardens in July, the Shed Seven boys are back in town after town over the rest of 2024.
First up comes a guest spot on Blossoms’ bill at Live From Wythenshawe Park Presents: Blossoms, Inhaler & More @ Wythenshawe Park, Manchester on August 25, followed by BBC Radio 2 In The Park at Moor Park, Preston, on September 8.
Next will be in-store appearances promoting Liquid Gold from September 8 to October 16 and a sextet of gigs in October combining playing 1994 debut album Change Giver in full with a greatest hits set too.
In the traditional biennial Shedcember slot will be a 23-date 30th Anniversary Tour, the Sheds’ biggest-ever winter itinerary, joined by special guests The Sherlocks. Back home in time for Christmas, Rick Witter and Paul Banks will bring down the curtain on the Sheds’ annus mirabilis with a brace of special acoustic duo performances at Huntington Working Men’s Club. Sheds’ bassist Tom Gladwin will do a DJ set each night
AUGUST
25th: Manchester, Wythenshawe Park (guests to Blossoms)
SEPTEMBER
8th: Preston, BBC Radio 2 In The Park
27th: Manchester, HMV (1pm – SOLD OUT)
27th: Bury, Wax & Beans (6pm – SOLD OUT)
28th: Birmingham, HMV (1pm – SOLD OUT)
28th: Leamington Spa, Head Records (5pm – SOLD OUT)
29th: London, Rough Trade East (5pm – SOLD OUT)
29th: London, Rough Trade East (7pm – SOLD OUT)
30th – Southampton, Vinilo (1pm – SOLD OUT)
30th: Brighton, Resident (6.30pm – SOLD OUT)
OCTOBER
1st: Bristol, Rough Trade (12 noon – LOW TICKETS)
1st: Bristol, Rough Trade (5pm – SOLD OUT)
2nd: Nottingham, Rough Trade (midday – SOLD OUT)
2nd: Nottingham, Rough Trade (6pm – SOLD OUT)
3rd: Sheffield, Bear Tree Records (midday – SOLD OUT)
3rd: Liverpool, Jacaranda (7pm – SOLD OUT)
4th: Newcastle, Beyond Vinyl (6.30pm – SOLD OUT)
10th: Kingston-upon-Thames, Pryzm (Change Giver show, hosted by Banquet Records)
11th: Kingston-upon-Thames, Pryzm (Change Giver show, hosted by Banquet Records – SOLD OUT)
12th: Coventry, HMV Empire (Change Giver show)
16th: Edinburgh, Assai Records (midday – SOLD OUT)
16th: Glasgow, HMV (5pm – SOLD OUT)
17th: Glasgow, SWG3 (Change Giver show, hosted by Assai Records)
18th: Manchester, Academy 2 (Change Giver show, hosted by Crash Records – SOLD OUT)
19th: Leeds, Beckett Student Union (Change Giver show, hosted by Crash Records – SOLD OUT)
Party time: Shed Seven’s Rob ‘Maxi’ Maxfield, left, Paul Banks, Rick Witter, Tom Gladwin and Tim Wills celebrate 30th anniversary on November and December tour
NOVEMBER – 30th ANNIVERSARY HEADLINE TOUR
14th: Sheffield Octagon (SOLD OUT)
15th: Cardiff University, Great Hall
16th: Liverpool University, Mountford Hall (LOW TICKETS)
18th: Halifax, Victoria Theatre (LOW TICKETS)
19th: Hull City Hall
21st: Aberdeen Music Hall (SOLD OUT)
22nd: Glasgow, O2 Academy (SOLD OUT)
23rd: Edinburgh, O2 Academy (LOW TICKETS)
25th: Leicester, O2 Academy (LOW TICKETS)
26th: Margate Dreamland
28th: Bristol O2 Academy (SOLD OUT)
29th: Newcastle O2 City Hall (LOW TICKETS)
30th: Leeds O2 Academy (SOLD OUT)
DECEMBER – 30th ANNIVERSARY HEADLINE TOUR
2nd: Oxford O2 Academy (SOLD OUT)
3rd: Lincoln Engine Shed (LOW TICKETS)
5th: Stockton Globe
6th: Manchester O2 Victoria Warehouse (SOLD OUT)
7th: Birmingham O2 Academy (SOLD OUT)
9th: Norwich, The Nick Rayns LCR, University of East Anglia (SOLD OUT)
10th: Cambridge Corn Exchange (LOW TICKETS)
12th: Bournemouth O2 Academy (LOW TICKETS)
13th: Nottingham Rock City (SOLD OUT)
14th: London O2 Academy Brixton (SOLD OUT)
DECEMBER – RICK WITTER & PAUL BANKS INTIMATE ACOUSTIC SHOWS
21st: York, Huntington Working Men’s Club (SOLD OUT)
22nd: York, Huntington Working Men’s Club (SOLD OUT)
Any remaining tickets are on sale via shedseven.com at https://gigst.rs/SS24.
Paul Banks and Rick Witter: Concluding Shed Seven’s 30th anniversary celebrations on home turf at Huntington Working Men’s Club on December 21 and 22. Picture: David Harrison
Jane Burnell: Buxton Opera soprano performing at tomorrow’s York Proms in York Museum Gardens
IN search of high-summer highlights, Charles Hutchinson finds Proms fireworks, outdoor cinema singalongs, a mad woodland king and comedy on the coast.
Musical picnic of the week: York Proms, York Museum Gardens, York, Sunday, general admission, 5.30pm; main stage concert, 7.45pm to 10.30pm
TICKETS are close to selling out for the York Proms, tomorrow’s picnic concert under the stars organised as ever by York soprano Rebecca Newman.
Conducted by Ben Crick, the orchestra will be joined by tenor Joshua Baxter and soprano Jane Burnell, both at present performing with Buxton Opera, for a programme of classical classics, operatic arias and film music, topped off with the flag-waving proms finale, decorated with a fireworks display. Box office: 01904 909487 or yorkproms.com.
Hoglets Theatre’s puppet of Badger for Gemma Curry’s new show, The Badger And The Coins, at York Explore & Archive today
Children’s show of the week: Hoglets Theatre in The Badger And The Coins, York Explore Library and Archive, Library Square, York, today, 11am to 11.45am
GEMMA Curry’s York company Hoglets Theatre presents The Badger And The Coins, an original play about love, courage and the belief that even the most unexpected companions can bring magic into our world, suitable for pre-school and primary school children.
Based on a Japanese folk tale, the story of an old man rescuing a mysterious Badger and triggering an amazing journey is powered by original songs, outrageous characters, beautiful hand-made puppets and Hoglets’ trademark energy and creativity. Box office: tickettailor.com/events/exploreyorklibrariesandarchives/1288717.
Cinema in the open air at Castle Howard this weekend, from Disney to Abba, Spielberg to Cruise. Picture: Castle Howard Estate
Outdoor film event of the week: Adventure Cinema at Castle Howard, near Malton, today and tomorrow
PACK a picnic for Castle Howard’s open-air outdoor cinema experience on a giant screen this weekend, presented in tandem with Adventure Cinema. This afternoon features a Sing-A-Long Edition of Disney’s Frozen (PG) at 1.30pm (gates 12 noon).
An Abba disco precedes Mamma Mia! Outdoor Cinema Extrabbaganza, this evening’s all-singing, all-dancing double bill of Mamma Mia! and Mamma Mia Here We Go Again at 6.30pm (gates 5pm). Tomorrow comprises Julia Donaldson & Axel Scheffler’s The Gruffalo/Stick Man (U) at 11am (gates 10am), Steven Spielberg’s dinosaur blockbuster Jurassic Park (PG) at 3pm (gates 1.30pm) and Tony Scott’s Top Gun, starring Tom Cruise, at 8pm (gate 6.30pm). Box office: adventurecinema.co.uk/venues/castle-howard.
Barn Owl, by Bryn Parry CBE, in the Sculpture In The Landscape exhibition at the Himalayan Garden and Sculpture Park, The Hutts, Grewelthorpe. Picture: Celestine Dubruel
Exhibition of the week: Sculpture In The Landscape, Himalayan Garden and Sculpture Park, The Hutts, Grewelthorpe, near Ripon, until November 3
THE 2024 Sculpture In The Landscape exhibition showcases 60 works for sale by artists across the United Kingdom, complementing the permanent sculptures on show at the Himalayan Garden.
Visitors are invited to explore the intricate sculptures set against verdant landscapes. From monumental installations to delicate works of art, each piece offers a perspective on the intersection of creativity and nature. Normal garden entry applies. Tickets: 01765 658009 or himalayangarden.com
Adderstone in the trees: Music, mystery and magic in the woodland company of Mad Sweeney, the Irish king, at the Forest of Flowers, Huby
Woodland folk event of the week: Sweeney Untethered by Adderstone, Forest of Flowers, Home Farm, Tollerton Road, Huby, York, tomorrow (28/7/2024), 1.30pm to 4pm
ADDERSTONE, the storytelling alt-folk duo of Cath Heinemeyer and Gemma McDermott, present Sweeney Untethered, the tale of a 7th century Irish king who went mad, as told and sung on a caper through the wild woods and meadows of the Forest of Flowers with refreshments after the 1.5-mile walk.
The music, mystery and magic-infused performance will immerse the audience in story and surroundings alike as Heinemeyer and McDermott take in the wildflowers, ponds, woodland and wildlife. Bookings: forestofflowers.co.uk/event-details.
The View: Returning to the concert platform after five-year hiatus
Return of the week: The View, The Crescent, York, August 2, 7.30pm
RESCHEDULED from June 15, Under The Influence presents Dundee indie-rock returnees The View in a night of Hats Off To Buskers classics, from Same Jeans to Wasted Little DJs and Superstar Tradesma, plus material from their first album in eight years.
Recorded with Grammy Award-winning producer Youth at Space Mountain, Granada, Exorcism Of Youth was released last August on Cooking Vinyl. Five years on from their departing gig at Dundee’s Caird Hall, original members Kyle Falconer (vocals/guitar), Kieran Webster (bass/vocals) and Pete Reilly (guitar) are back on the road. Box office: thecrescentyork.com. music, mystery and magic!
Bill Bailey: Comedy in the Scarborough sea air on August 2
Coastal gig of the week: Bill Bailey, Scarborough Open Air Theatre, August 2; gates open at 6pm
COMEDIAN, actor, musician, presenter, Never Mind The Buzzcocks team captain, Black Books sitcom star and 2020 Strictly Come Dancing champion Bill Bailey heads to the East Coast with his surrealist fusion of stories, poetry and wordplay that takes aim at the modern world’s absurdities, as aired in his Thoughtifier arena tour.
A veteran of the UK festival circuit, with appearances at Latitude, Glastonbury, Reading and Leeds, Sonisphere and the Eden Project, Bailey will have his array of weird and wonderful instruments on tap too for playful pastiches of Tom Waits, Kraftwerk et al. Box office: scarboroughopenairtheatre.com.
Chris Hagyard, pictured in Guys And Dolls mode, will be taking part in One Night Of Broadway Hits at the JoRo
Musical revue of the week: Steve Coates and Bev Jones Music Company present One Night Of Broadway Hits, Joseph Rowntree Theatre, York, August 3, 2.30pm and 7.30pm
BEV Jones Music Company performs hits from 26 musicals, including Guys And Dolls, in an unashamedly traditional fashion under the musical direction of James Rodgers.
His band is joined in this moving, lively and at times funny show by vocalists Chris Hagyard, Annabel Van Griethuysen, Anthony Pengelly, Ruth McNeil, Sally Lewis, Stephen Wilson, Geoff Walker and producer Lesley Jones, back on stage for this show, wearing a silver cat suit unseen since 2010, when she played Vera in Stepping Out. Box office: 01904 501395 or josephrowntreetheatre.co.uk.
Chrissie Hynde: The great Pretender, leading her band at York Barbican this autumn. Picture: Vi Price
Gig announcement of the week: The Pretenders, York Barbican, October 31
THE Pretenders are extending their sold-out British tour, adding a new date in York, in the wake of releasing Relentless, their 14th UK Top 40 entry and highest-charting record in 23 years, last September.
Fronted as ever by Chrissie Hynde, 72, the band is joining Foo Fighters on their American tour in July and August. Box office: yorkbarbican.co.uk/whats-on/the-pretenders/.
Soprano Jane Burnell: Performing at York Proms on Sunday
THE 2024 York Proms is close to selling out as the picnic concert with the fireworks finish returns to York Museum Gardens on Sunday.
Against the backdrop of the ruins of St Mary’s Abbey, organiser Rebecca Newman presents the 7.45pm programme of classical classics, operatic arias and film music, topped off by the de rigueur flag-waving proms finale under the stars.
Conducted by Ben Crick, the York Proms Orchestra will be joined by two rising stars of the opera firmament, tenor Joshua Baxter and soprano Jane Burnell.
“Joshua, who is in his early 30s, studied at the Royal Academy of Music and performs in opera and oratorio across the UK and Europe,” says Rebecca. “Jane, who studied at Leeds College of Music and the Royal Northern College of Music, in Manchester, is only in her mid-20s and has made her professional debut this year. Definitely one to watch.
“Jane has worked with our musical director, Ben Crick, who writes the arrangements for the orchestra and conducts on the day, and she knows Josh because they are working together at Buxton Opera Festival this summer.
Tenor Joshua Baxter: Heading from Buxton Opera Festival to York Proms on Sunday
“In an interview for the York Proms podcast, she told me they don’t actually sing together at Buxton, so this will be a nice treat for them to actually do that.”
Crick directs an orchestra put together expressly for the York Proms. “Many of them often perform with big orchestras all over the country,” says Rebecca.
“I’m really excited about this year’s programme and the line-up of music looks to be one of my favourites so far, with a selection that offers something for everyone. The arias include some really big, challenging and stunningly beautiful pieces that will be a real treat to hear from two really talented and accomplished performers.”
The podcast has been released this month to tap into the community that has built up since the event was established in 2017. “It has already seen close to 1,000 downloads, which is fantastic for a newly launched podcast,” says Rebecca.
“We plan to offer interviews and news via the podcast that complements the event, but also life in York more generally. There is so much to the York Proms that we can celebrate, aside from the music, including the history of the gardens and the people who make it possible.”
The 2024 York Proms box office is remaining open later than in past years. “We usually close it about five to seven days before the event, so we know the numbers we are expecting and can plan, or when it sells out – which last year happened almost two weeks before the day – but this year has been unprecedented with the extremely wet and cold weather,” says Rebecca.
York Proms organiser Rebecca Newman
“That definitely had an impact on ticket sales as we were significantly ahead of last year’s ticket sales by six weeks before the event, but I don’t blame people for not wanting to gamble with the weather.
“However, now that the forecast is looking great and the sales have picked up, we’re leaving the box office open for a little longer to allow the final few tickets to sell. There’s only ten per cent still remaining though, and the discounted ticket price has to end soon too, so if people are keen to come, don’t leave it too long or you might miss out.”
Proms-goers can bring picnics or head to The Sketch Box on site, offering filled flatbreads, cooked freshly to order in their pizza ovens, plus posh hot dogs, hot and cold drinks and sweet treats. The Northern Bistro will be selling drinks and sweet treats too and Acaster Malbus brewery Ainsty Ales is returning with a bar for the third year running.
“I take every opportunity to source suppliers from York and the surrounding area wherever possible and champion the amazing businesses we have in our area,” says Rebecca.
Gates open at 5pm for fast track and disabled ticket holders, 5.30pm for general admission, with the warm-up stage sparking into life at around 5.45pm. The main evening show starts at around 7.45pm and will be finished before 10.30pm.
Tickets can be bought online via yorkproms.com or in person via the Visit York Information Centre, in Parliament Street, in person or by calling 01904 909 487. For more information, visit yorkproms.com.
Jack Savoretti: “A typically charismatic, energetic performance” at York Museum Gardens. Picture: Paul Rhodes
FUTURESOUND’S inaugural Live At York Museum Gardens festival got off to a stellar start on Thursday. Headliner Jack Savoretti gave a typically charismatic, energetic performance that had the sell-out crowd in the palm of his Anglo-Italian hand.
The setting framed the evening to a tee, the musicians played in front of the Yorkshire Museum, with St Mary’s Abbey off to the side. No-one was looking at the ruins, however, and Savoretti had everyone’s attention.
He has gained a large and passionate following, with back-to-back number one albums. The women in the audience especially adore him, and it’s easy to see why. Blessed with good looks and the ability to write songs with broad appeal, he’s also a natural showman.
Homeward bound: York-born Benjamin Francis Leftwich, now based in London, returns home to sing of New York in old York. Picture: Paul Rhodes
“Singing for strangers” may be his daughter’s way of describing her dad’s job, but he has the master’s gift of shrinking an arena so everyone in the audience feels he’s singing to them.
The evening had begun slowly with opener Ellur, from Halifax, starting proceedings early, followed by Benjamin Francis Leftwich. Originally from York (and conceived in a haunted house nearby, he told us, perhaps with a wink) Leftwich is not an obvious party starter. Yet he provided an ideal accompaniment to match the early evening vibe.
Playing with Jamie Squire (touring keyboard player for The 1975), Leftwich’s confident set was mellifluous and tuneful – with New York the highlight. Paul Simon he isn’t, but his hotel-room confessions were played with endearing conviction and the old York links went over well.
Foy Vance: “Performing solo, he demonstrated that with a large crowd, a big voice is not enough to guarantee a successful performance”
Foy Vance by comparison was a disappointment. On record, this Irish lothario’s songs, in Tom Waits/Joe Henry territory and bubble wrapped in Muscle Shoals high-quality packaging, are highly listenable.
Performing solo, however, he demonstrated that with a large crowd, a big voice is not enough to guarantee a successful performance. The audience chatter continued uninterrupted. The queue for beer and wine lengthened. Further back, someone did the crossword. Vance still got a big hand – but this was not his night.
The crowd (some having travelled from Swansea and beyond) wanted something, anything, to get them moving. An outdoor concert, after all, is as much an occasion as a gig, and it needs something special.
As the cloudy light slowly dimmed, the real star turn emerged. Savoretti’s performance was day to night compared to what came before.
Jack Savoretti: “His songs are naturally big, more romantic than the Milk Tray Man, and crowd pleasing”. Picture: Paul Rhodes
His songs are naturally big, more romantic than the Milk Tray Man, and crowd pleasing. We Are Bound was typical while The Way You Said Goodbye is everything Savoretti does best.
Well accustomed to playing concerts on this scale, the set list was a masterclass; mixing audience favourites with new material off this year’s Miss Italia album, even getting the crowd to sing in Italian at one point. The stories may not be new, but Savoretti told them like he meant it.
The 16-song set steadily built up to a wonderful finale. Tie Me Down was unrestrainable and Dancing Through The Rain superb. Then to close, and underline his star credentials, You Don’t Have To Say You Love Me. Made famous by Dusty Springfield, then Elvis Presley, the song began life as the Italian Lo Che Non Vivo (Senza Te).
Savoretti channelled all three to set the seal on a wonderful performance. Bringing his son on stage for the ovation melted even the coldest of hearts still intact. Un tocco perfetto, maestro.
