“Dancing is a way of reminding ourselves there is love in the world,” says Rick Witter of Shed Seven’s new single, Let’s Go Dancing
SHED Seven release anthemic slow burner Let’s Go Dancing today as the latest single from their chart-topping sixth studio album A Matter Of Time.
Already a fan favourite from the York band’s recent sold-out shows, the song is a plea for one final chance when all appears to be lost, a message of hope at a time when the odds seem stacked against you.
“Dancing, depending on the style of course, can be personal or indeed involve multiple people,” says lyricist and singer Rick Witter. “It may include a certain amount of close contact and can create unforgettable moments.
“It can be filled with romance or alternatively it could be an opportunity to let your hair down and get loose. In this day and age, where we are potentially only six feet away from some kind of hatred and negativity, it’s a way of reminding ourselves there is love in the world. I can hear music and I can see lights, so let’s go dancing…”
Let’s Go Dancing is accompanied by a video animated by Nicolás Morera, of Digifish, and directed by Paul Banks, Shed Seven guitarist, erstwhile art college student and creative director of Digifish, the York and Manchester music video production company. To view, head to: https://www.youtube.com/watch?v=wUDzUx31iDE
From March 1, the single is available from https://store.shedseven.com/ in a limited-edition run of 500 7” red vinyl copies, each signed individually by the band and hand numbered. The B-side will be a demo of Let’s Go Dancing.
The Sheds’ 30th anniversary kicked off with A Matter Of Time becoming their first ever number one in the UK Official Albums Chart. This summer’s celebratory outdoor concerts at York Museum Gardens on July 19 and 20 sold out almost instantly, bolstered by the intriguing prospect of support slots by special guest Peter Doherty, from The Libertines, after his vocal collaboration with Witter on A Matter Of Time’s closing track, Throwaways.
Also in the diary is the Sheds’ appearance at Blossoms’ 30,000-capacity Big Bank Holiday Weekend at Wythenshawe Park and Gardens, Wythenshawe, Manchester, on August 25. A Shedcember winter tour will be upcoming too.
Seeking the light: York singer-songwriter Benjamin Francis Leftwich. Picture: Harry Pearson
YORK singer-songwriter Benjamin Francis Leftwich will play a home-city concert this summer, but make sure to arrive early.
He will be opening Futuresound’s 5pm triple bill at York Museum Gardens on July 18 as the first of two special guests for headlining Scottish-Italian singer-songwriter Jack Savoretti, with Irish blues and folk musician Foy Vance as the other.
First comes tomorrow’s release of his fifth studio album in 13 years, Some Things Break, the follow-up to 2021’s To Carry A Whale as Ben continues a fruitful partnership with Dirty Hit Records, the label that made him its first signing in 2011 at the age of 21.
“Given the way the music industry is shaping up, maybe I’ll release albums more regularly than I do now, but I’ll just release them when I’m proud of something, though I definitely need guidance to say, ‘time to go, it’s ready’,” he says.
“In this case, we wrote about 20 to 30 songs, done at different stages. Some artists will just write ten songs and release them all on a record, but for me, I need to make mistakes along the way, try things out, and the more I write, the clearer my goal is.”
He kept Dirty Hit in the loop all the way, as the recordings progressed with Grammy Award-winning producer Jimmy Hogarth and the album became more focused.
The cover artwork for Benjamin Francis Leftwich’s new album, Some Things Break, out tomorrow on Dirty Hit Records
When judging a song, “my fear has got less thanks to God over the last few years,” says Ben. “But I’m not immune to needing friends, people who aren’t in the industry, to say what they think, feeding off their energy, because they’re less invested in the music industry politics. Ultimately, I want a song to be in everyone’s heart.”
Some Things Break was composed over two years, at locations across the globe, from Ben’s adopted home of Tottenham, London, to Nashville, Washington to Stockholm.
The recording sessions found him collaborating with fellow songwriters Mikky Ekko, The 1975’s Jamie Squire and Jon Green for an album with a broader range, both musically and vocally, combining his acoustic guitar at times with piano, choirs, drumbeats and effects in a layered soundscape.
“I do think these are the most emotional, spiritual songs I’ve done, where I thought I’d sing them in a higher range, but actually the voice has gone down – a bit of crooning! – and it’s nice to have those two voices,” says Ben, 34.
“The song always guides me, especially at the point of the vocal delivery or the choice of key. My thing is ‘whatever is best for the song’, if a friend is way better at playing the piano or Jimmy being better for a guitar part.
“Just by sheer chance, I did all the first album [2011’s Last Smoke Before The Snowstorm] in York, but now I have access to musicians all over. It’s been a long, long journey, starting 15 years ago, but I now feel God puts people in my path and I’ve got so lucky that people come my way.”
“I keep my head in the clouds but my feet on the ground,” says Benjamin Francis Leftwich. Picture: Harry Pearson
Take The 1975’s Jamie Squire, for example. “I had a message 12 years ago from Jamie saying ‘I’m a friend of Matt Healy [The 1975’s lead singer]…I really love your music,” Ben recalls. “I invited him to work with me, and he’s one of the best musicians I’ve ever met.”
Latterly Ben and Jamie have been working in London with Scottish singer-songwriter Katie Gregson-MacLeod, and Ben will link up with The 1975 pianist Jamie for his eight-date spring tour in support of the new album, opening at Leeds Brudenell Social Club on April 4.
Ben’s songwriting wanderlust took him to Nashville twice last year for three weeks each in April and October. “That’s where I met Mikky Ekko – best known for writing that beautiful song Stay, the Rihanna hit – and we wrote the most explicit song I’ve ever done, about my father [the late University of York politics lecturer Adrian Leftwich].
“I love writing songs that move people, and I was lost for so long that I feel like I’m almost making up for the time that I wasted. My diary is busy, busier than ever. I’m so lucky. I keep my head in the clouds but my feet on the ground.”
Tickets for April 4 at Leeds Brudenell Social Club: www.benjaminfrancisleftwich.com
Tickets for July 18 at York Museum Gardens: https://futuresound.seetickets.com/event/jack-savoretti/york-museum-gardens/2929799
Jack Savoretti: First York appearance since 2017. Picture: Supplied
JACK Savoretti is to headline July 18’s triple bill at York Museum Gardens with support from special guests Foy Vance and York singer-songwriter Benjamin Francis Leftwich.
London-born acoustic singer-songwriter Savoretti, 40, has released seven studio albums and one compilation, Songs From Different Times, since 2007.
Savoretti, whose exotic full name is Giovanni Edgar Charles Galletto-Savoretti, previously played York in an intimate gig at Fibbers on July 16 2017, when promoter Mr H, alias legendary York club boss Tim Hornsby, enthused: “He’s a class act, a modern-day troubadour, a thrilling performer, a giant.
“Our hero may have started as a lonely acoustic troubadour, relying on not much more than his songs and that careworn growl, but we’re now witnessing a gorgeous widescreen sweep, drawing on a rich Italian heritage, with Morricone-like flourishes and battlefield last stands.”
Storytelling Bangor bluesman Foy Vance
Such sentiments still stand, rubber-stamped by the chart accolade of Savoretti hitting number one with his past two studio albums, March 2019’s Singing To Strangers, recorded at Ennio Morricone’s studio in Rome, and June 2021’s Europiana, conceived in lockdowns at Jack’s Oxfordshire home. A deluxe edition, Europiana Encore, followed in 2022.
In an Instagram post last November, Savoretti revealed he was “in the studio, where we are putting the final touches to the new album”.
The title and release date details are yet to be announced but CharlesHutchPress’s early request for an interview elicited this response from Chelsea Bakewell, marketing manager for concert promoters Futuresound: “Jack’s team mentioned they are pausing on interview until the album is out so this isn’t something which can be facilitated at this moment in time I’m afraid.” Watch this space!
Northern Irish storytelling bluesman, survivor, rocker and folk hero Foy Vance, 49, will be returning to York for the first time since headlining York Barbican on his Signs Of Life tour in August 2022.
Now living in Tottenham, London, York singer-songwriter Benjamin Francis Leftwich, 34, will release his fifth studio album, Some Things Break, next Friday on Dirty Hit Records, his regular home since becoming the label’s first signing at the age of 21 in 2011.
Composed over the past two years at locations across the globe, from London to Nashville, Washington to Stockholm, Some Things Break was produced by Grammy Award-winning Jimmy Hogarth and features collaborations with fellow songwriters Mikky Ekko, Jamie Squire and Jon Green.
Benjamin Francis Leftwich: New album to be released on February 9. Picture: Harry Pearson
The track listing will be: I’m Always Saying Sorry; Moon Landing Hoax; Break In The Weather; New York; Some Things Break; Spokane, Washington; God’s Best; A Love Like That; Only You and Don’t Give Up on The Light.
“Learning to hold onto certain things and let go of others, with as much grace as possible, I feel like I’m hiding less on this record,” says Leftwich. “Ultimately, I think it’s a record about a kind of slow acceptance that some things break and, for me, sometimes that’s necessary for healing.”
Singer, songwriter and guitarist Leftwich will open his eight-date spring tour at Leeds Brudenell Social Club on April 4, where he will be accompanied by The 1975’s Jamie Squire on piano. For tickets, head to: www.benjaminfrancisleftwich.com
Leftwich has played myriad concerts in York over the past 15 years, none more contrasting than an exclusive, intimate album launch gig for Gratitude at the 50-capacity FortyFive Vinyl Café, Micklegate, on March 15 2019, followed only a fortnight later by York Minster, the largest Gothic cathedral in Northern Europe.
Savoretti’s concert will be part of a four-night run of Futuresound promotions at York Museum Gardens. York’s revitalised Britpop survivors, Shed Seven, will ride in on a crest of a wave for sold-out 30th anniversary gigs on July 19 and 20, with The Libertines’ Peter Doherty in support, after topping the album charts for the first time with A Matter Of Time on January 12.
The fourth concert will be announced soon.
The poster for Jack Savoretti’s July 18 concert at York Museum Gardens
Feel the heat: Shed Seven could be hot news this week in the album chart
YORK band Shed Seven are on the cusp of hitting the maximum high after 30 years of chasing rainbows. New album A Matter Of Time is standing proud at number one in the midweek chart.
Their sixth studio album and first for their new home of Cooking Vinyl is on course to see the Britpop alumni become the first York group to top the UK album chart, giving them the perfect start to their 30th anniversary celebrations. Come Friday afternoon, all will be revealed.
Earlier today, the Sheds posted on Facebook: “We’re over the moon to confirm that A Matter Of Time is #1 in the midweek album chart!! Thank you all SO MUCH for buying the album and getting us to this amazing position.
“It’s not a done deal yet as we’re against the usual major label artists, so now more than ever, if you can buy a copy or download the album, it makes a huge difference to our chart position. Unfortunately streaming doesn’t make a big difference. https://shedsevenn.lnk.to/AMOT”
“We’d also be the first ever artist from YORK to get a #1 album, so let’s bring it home!!!!” they added.
That claim is not strictly true, however: All of 60 years ago, York-born composer John Barry wrote the score for the James Bond film Goldfinger, whose soundtrack album topped both the British and American charts, knocking The Beatles’ A Hard Day’s Night off its perch in July 1964.
The promotional campaign has caught fire from the pre-sale start last autumn. All test pressings? Sold out. Limited-edition Blood Records vinyl edition? Sold out. Live edition of the album? Sold out.
Album release shows at Pryzm, Kingston upon Thames, on January 25, HMV Empire, Coventry, on January 26 and Project House, Armley Road, Leeds, on January 27 – the only times the Sheds will play A Matter Of Time in its entirety, coupled with a greatest hits set – all sold out too.
Timed to coincide with the album’s release last Friday, a ten-day record store tour began with meet & greet and signing appearances at HMV York, in Coney Street, and earlier that day at The Vinyl Whistle, in Headingley, Leeds, where the Sheds performed in stripped-back mode.
Shed Seven’s Paul Banks, left, Tim Wills, Rick Witter, Tom Gladwin and Rob ‘Maxi’ Maxfield in York Museum Gardens, where they will play two sold-out 30th anniversary shows this summer
The tour takes vocalist Rick Witter, guitarist Paul Banks, bassist Tom Gladwin and 2022 recruits Tim Wills, keyboards, and Rob ‘Maxi’ Maxfield, drums, to London, Southampton, Brighton, Bristol, Birmingham, Leamington Spa, Nottingham, Manchester, Liverpool, Glasgow and back to London.
At the weekend, Witter and Gladwin joined hosts Tim Lovejoy and Simon Rimmer in Channel 4’s Sunday Brunch studio, “chatting and cooking on gas”, followed later by a full band performance at the end of the show. “It will be the talk of the town!” they promised beforehand, in a reference to one of the album tracks.
Time matters, but it is not too late to support Shed Seven’s quest for the number one spot. A Matter Of Time is available to buy at shedsevenn.lnk.to/AMOTPR, with a range of album bundles and a new Going For Gold coloured vinyl LP format, exclusive to Banquet Records and limited to 300 copies.
Standing on the edge of achieving a new peak, the Sheds have returned to their roots with a deluxe digital download format that combines A Matter Of Time with Changed Giver, a stripped-back unplugged re-make of their 1994 debut album, Change Giver, recorded at Reel Studios in Elvington.
While Shed Seven have been a mainstay on the album charts over the past 30 years, their highest-charting record to date is 1999’s Going For Gold. That greatest hits collection peaked at number seven although 1996’s A Maximum High, 1998’s Let It Ride and 2017’s Instant Pleasures all made the Top Ten.
This summer, the Sheds will mark their 30th anniversary by playing two homecoming shows in York Museum Gardens on July 19 and 20 that sold out rapidly. Their special guest will be Peter Doherty, who contributes harmonies to the new album’s closing song, Throwaways.
Sheds’ vocalist Rick Witter enthuses: “Can you believe that after 30 years in the business, this album will be our highest-charting entry? We are also within reach of potentially getting our first number one album – we’d be the first band from York to reach the top! Thank you for all the support over the years and for A Matter Of Time. It’s genuinely appreciated. We have lots more planned throughout the year.”
Confirmed already is Shed Seven’s appearance at Blossoms’ Big Bank Holiday Weekend at Wythenshawe Park, Manchester, on August 25.
Expect more anniversary celebrations to be announced soon.
Shed Seven at last Friday’s meet & greet and signing session upstairs at HMV York
Shed Seven band members Paul Banks, left, Tim Wills, Rob ‘Maxi’ Maxfield, Rick Witter and Tom Gladwin at today’s meet & greet and signing session upstairs at HMV York
LET’S go. Shed Seven launched their 30th anniversary celebrations today with the release of sixth studio album A Matter Of Time, an accompanying video for opening track Let’s Go and an hour-long late-afternoon meet & greet, photo opportunity and signing session at HMV York.
Earlier in the day, the York band played in stripped-back mode at The Vinyl Whistle, in Headingley, Leeds, signing copies there too.
Released on their new home of Cooking Vinyl, A Matter Of Time has achieved a “phenomenal” amount of pre-orders, resulting in all copies of the live edition, Blood Records vinyl and all test pressings selling out months in advance.
The Sheds are marking the album’s release with a ten-date record store tour as A Matter Of Time looks set to become their highest-charting album ever: a record held by their 1999 compilation, Going For Gold: Greatest Hits, which peaked at number seven.
The campaign to take the Sheds to a maximum chart high has been bolstered by today’s announcement of a new Digital Deluxe edition of the new album that adds a re-recorded version of their September 1994 debut album, Change Giver, now retitled Changed Giver, available at store.shedseven.com.
“Let’s Go is the Sheds’ inner rock animal rearing its head and showing its teeth,” says Rick Witter
“2024 marks the 30th anniversary of our debut album,” says the Sheds’ website. “’To mark the occasion, we’ve taken a trip down memory lane and revisited the entire album in recording sessions at Reel Studios in Elvington, giving it a stripped-back, unplugged vibe that we think sounds amazing.
“We’ve poured our hearts into re-recording these songs, rediscovering the magic of the songs that started it all. It’s been a fantastic journey, and we’ve fallen in love with them all over again.”
Physical formatsof A Matter Of Time can bought at shedsevenn.lnk.to/AMOTPR, available as signed copies, vinyl and cassette editions in various colours, a regular CD and a deluxe edition with three extra tracks, Watch Out World, Feels Like Heaven and Starlings (demo).
The video for the raucous, punk-tinged rock’n’roller Let’s Go captures incendiary footage from July 15’s sold-out 6000-capacity headline show at Leeds Millennium Square last summer.
Hot news: The cover artwork for Shed Seven’s new album, A Matter Of Time, out today
Frontman Rick Witter, 51, says: “Let’s Go was always intended to be the grand opener to the album. It shows a statement of intent. It’s the Sheds’ inner rock animal rearing its head and showing its teeth. It’s an invite for us all to hold hands and travel the globe. It’s tight, frenetic and a potential punch in the gut. Let’s go!”
A Matter Of Time features Sheds stalwarts Witter on vocals, Paul Banks on guitar and Tom Gladwin on bass, joined by 2022 recruits Rob ‘Maxi’ Maxfield, from Audioweb, on drums and Tim Wills, from Ian Brown’s band, on keys.
The recording sessions in Spain reunited the Sheds with Youth, the Grammy Award-winning producer of their 2017 comeback album Instant Pleasures, and mixing was by Cenzo Townshend, whose credits include Florence + The Machine and Inhaler.
The singles In Ecstasy (featuring Happy Mondays’ Rowetta), Starlings, F:K:H and Talk Of The Town were introduced to a rapturous reception on last autumn’s headline tour. Further tracks include the sky-scraping melancholia of Let’s Go Dancing, the dreamy folk-rock of Tripping On You, complete with backing vocals from Reverend & The Makers’ Laura McClure and the buoyant, vintage Britpop vibes of Ring The Changes.
The curtain comes down with a special collaboration with long-term Shed Seven fan Peter Doherty, who contributes vocal harmonies to Throwaways.
The artwork for Changed Giver, Shed Seven’s re-recording of 1994 debut album Change Giver, available to download with the digital edition of A Matter Of Time
This month’s Stripped Back, Signing and Meet & Greet record store tour will take the Sheds to London, Southampton, Brighton, Bristol, Birmingham, Leamington Spa, Nottingham, Manchester, Liverpool, Glasgow and back to London.
They will end the month with a series of sold-out album release shows at Pryzm, Kingston upon Thames, on January 25; HMV Empire, Coventry, on January 26 and Project House, Armley Road, Leeds, on January 27 at 7pm, promoted by Leeds record store Crash Records. Each night, the Sheds will play A Matter Of Time in its entirety – for the only time, exclusive to these gigs – plus a greatest hits set.
This summer’s special 30th anniversary concerts at York Museum Gardens on July 19 and 20 have sold out too. Peter Doherty will be the guest act on both nights. “We discussed adding a third night but thought selling out two so quickly was a good look – and we’re going to announce a big Shedcember tour sometime soon,” says Rick. “We’re conscious of overkill, even though I’m sure a third night would have gone pretty quick.”
Look out too for Shed Seven’s appearance at Blossoms’ Big Bank Holiday Weekend at Wythenshawe Park, Manchester, on August 25. Box office: ticketmaster.co.uk/blossoms-tickets.
Expect further 30th anniversary plans to be announced in the near future. Watch this space.
“We’re going to announce a big Shedcember tour sometime soon,” says Shed Seven’s Rick Witter. Picture: Barnaby Fairley
Shed Seven: Launching new album with meet & greet at HMV, York, on Friday
WHAT lies ahead in the New Year? Charles Hutchinson picks his path through highlights across the city’s venues.
It’s only A Matter Of Time before: Shed Seven release their new album
YORK band Shed Seven will mark the January 5 release of their sixth studio album, A Matter Of Time, on new home Cooking Vinyl with a meet & greet/signing session that day at HMV, in Coney Street, York, at 4.30pm (tickets: shedsevenn.lnk.to/instores). Their midday appearance and stripped-back performance on the same day at Vinyl Whistle, in Otley Road, Headingley, Leeds, has sold out.
In the summertime, when the weather is hopefully fine, The Sheds will celebrate their 30th anniversary with a brace of outdoor concerts in York Museum Gardens on July 19 and 20, supported by Peter Doherty, no less. Both have sold out already. Box office: seetickets.com.
Joseph Rowntree Theatre Company cast members peer out through and beneath the JoRo curtain in Curtains
It’s Curtains for…Joseph Rowntree Theatre Company, Joseph Rowntree Theatre, York, February 7 to 10, 7.30pm and 2.30pm Saturday matinee
WHEN the leading lady of a new musical mysteriously dies on stage, a plucky local detective must solve this 1959 case at Boston’s Colonial Theatre, where the entire cast and crew are suspects in Kander & Ebb’s musical with a book by Rupert Holmes. Cue delightful characters, a witty and charming script and glorious tunes in the Joseph Rowntree Theatre Company’s staging of Curtains. Box office: 01904 501935 or josephrowntreetheatre.co.uk.
Steve Mason: Independent Venue Week gig at The Crescent. Picture: Gavin Watson
Beta times ahead: Brudenell Presents Steve Mason, The Crescent, York, January 30, 7.30pm
SCOTTISH indie songwriter Steve Mason, founder of The Beta Band, returns to The Crescent as part of Independent Venue Week. Combining a rare melodic gift with an itch to experiment, as heard on his 2023 album Brothers & Sisters, he investigates where the boundaries lie between the craft of songwriting, technology and free expression.
Taking part in Independent Venue Week too will be Leeds band English Teacher, whose January 28 night of dreamy pop and post-punk noise has sold out already. Box office: thecrescentyork.com.
Monster show: The Apatosaurus in Jurassic Live, bound for York Barbican
Dinosaurs take over York: Jurassic Live 2024 World Tour, York Barbican, February 16, 5pm; February 17, 11am and 3pm; February 18, 1pm
LIFE-SIZED monstrous beasts roar into York in an interactive all-star theatrical spectacular featuring the world’s only Tylosaurus in a giant tank (new for 2024), the last flying Pterodactyl, a Tyrannosaurus Rex called Suzie and more dinosaur species than any other show on Earth.
Join little Amber, Ranger Joe, Ranger Nora and the rest of the Jurassic Live rangers on a musical journey to help save the day from an evil man who is trying to shut down the Jurassic facility. Box office: yorkbarbican.co.uk.
Amber Davies’s Hollywood prostitute Vivian Ward and Oliver Savile’s wealthy businessman Edward Lewis in Pretty Woman: The Musical at Grand Opera House, York
Most anticipated touring musical: Pretty Woman: The Musical, Grand Opera House, York, February 20 to 24, 7.30pm plus 2.30pm, Wednesday and Saturday
BILLED as “Hollywood’s ultimate rom-com, live on stage”, Pretty Woman: The Musical is set once upon a time in the late 1980s, when Vivian (Amber Davies) meets Edward (Oliver Savile) and her life is changed forever.
Strictly champ Ore Oduba’s Happy Man/Mr Thompson and Natalie Paris’s Kit De Luca will be in the cast too for a musical featuring original music and lyrics by Bryan Adams and Jim Vallance and a book by Garry Marshall and the film’s screenwriter, J.F. Lawton. Box office: atgtickets.com/york.
The tour poster for Wise Children’s Blue Beard, opening the bl**dy door at York Theatre Royal from February 27
World premiere of the season: Emma Rice’s Wise Children in Blue Beard, York Theatre Royal, February 27 to March 9, 7.30pm and 2pm Thursday and 2.30pm Saturday matinees
BLUE Beard will be Wise Children’s fourth visit to York after Wise Children, Malory Towers and Wuthering Heights, this time in a co-production between Emma Rice’s Bristol company, York Theatre Royal, Birmingham Rep, HOME Manchester and the Royal Lyceum, Edinburgh.
Rice brings her brand of theatrical wonder to the beguiling and disturbing folk tale of Bluebeard meeting his match when his young bride discovers his dark and murderous secret. Summoning all her rage, all her smarts and all her sisters, she vows to bring the curtain down on his tyrannous reign. Box office: 01904 623568 or yorktheatreroyal.co.uk.
Rob Auton: At his most Rob Auton in The Rob Auton Show at The Crescent, York
Welcome home: Rob Auton, The Rob Auton Show, Burning Duck Comedy Club, The Crescent, York, February 28, 7.30pm
AFTER nine Edinburgh Fringe shows on themes as diverse as the colour yellow, the sky, faces, water, sleep, hair, talking, time and crowds, York writer, comedian, artist and actor Rob Auton delivers his most autobiographical work, exploring the memories and feelings that create his life on a daily basis. Box office: thecrescentyork.com.
Rhod Gilbert’s poster for his tour show with a Giant Grapefruit at York Barbican
Comedy comeback : Rhod Gilbert & The Giant Grapefruit, York Barbican, June 20, 8pm
IN his last show, The Book Of John, firebrand Welsh comedian Rhod Gilbert dealt with “some pretty pungent life citrus” and an idiot called John. Little did he know that things were about to turn even more sour.
Gilbert, 55, required surgery for metastatic cancer of the head and neck as well as chemotherapy and radiotherapy, receiving his first clear cancer scan in October after undergoing treatment.
“Not bitter, he’s bouncing back and feeling remarkably zesty”, returning with a dark, passionate and way-too-personal tour show that squeezes every last drop out of life’s latest curveballs…with a little help from an old adversary. Box office: yorkbarbican.co.uk.
Jason Donovan: Doin’ fine at York Barbican in…wait for it…2025
Even further ahead:Jason Donovan, Doin’ Fine 25 Tour, York Barbican, March 8 2025, 8pm
IF 2023 was the year of Kylie, all that attention on Tension, Padam Padam and ITV’s An Audience With, then 2025, yes 2025, promises a York date with her Neighbours beau, Jason Donovan, in celebration of his “incredible ride” through 35 years in music, theatre, film and television.
His long-awaited sequel to Doin’ Fine 90 will feature Jason’s most beloved songs from his stage shows, nods to his TV times in Neighbours and Strictly Come Dancing and his biggest pop hits. Box office: yorkbarbican.co.uk.
In Focus: York Actors Collective in Beyond Caring, Theatre@41, Monkgate, York, cleaning up from February 6 to 10
Neil Vincent, left, Clare Halliday, Chris Pomfrett, Victoria Delaney and Mick Liversidge in rehearsal for York Actors Collective’s February production of Beyond Caring
YORK Actors Collective follows March 2023’s debut production of Joe Orton’s Entertaining Mr Sloanewith Beyond Caring, a play that highlights the social damage inflicted by zero hours contracts.
Devised by Alexander Zeldin and the original Yard Theatre cast in East London in 2014, later transferring to the National Theatre, the story of agency cleaners at a meat factory will be directed in York by Angie Millard, working with a cast of Victoria Delaney, Clare Halliday, Mick Liversidge, Chris Pomfrett and Neil Vincent.
Over 90 unbroken minutes, Beyond Caring follows two women, Becky and Grace, and one man, Sam (replacing Sarah from past productions in a directorial decision), as they confront the reality of low wage, zero-hour contract employment, never sure of how many hours they have to work, when they will be paid and whether their ‘job’ will continue.
Director Angie Millard says: “This play is remarkable in its structure and power. It totally represents 2024 where many workers are on the breadline, trapped in employment with no guarantee of further work and no way to improve their position.
“What drew me to the play, however, is the message it conveys about people surviving and keeping a sense of humour. I loved the intensity of the piece with its silences, its disappointments and its determination to get pleasure out of the smallest things. It gave me hope.”
Stage managed by Em Peattie, Millard’s production will play nightly at 7.30pm, Tuesday to Friday, followed by Saturday shows at 2.30 and 5.30pm. “Ticket sales for our first production indicated that a Saturday matinee was very popular,” says Angie.
“We thought that having two early Saturday performances would give the audience an opportunity to see the show and still have time to go for a drink or meal afterwards, making a night of it.” Box office: tickets.41monkgate.co.uk.
Chris Pomfrett and Victoria Delaney in rehearsal for Beyond Caring
Shed Seven: 30th anniversary celebrations in 2024. Picture: Barnaby Fairley
SHED Seven will mark their 30th anniversary next year with a brace of “extraordinary” outdoor concerts in York Museum Gardens on July 19 and 20. Tickets go on sale on Friday (3/11/2023) at 9am at seetickets.com.
“It’s been a long time coming, and now we can finally announce two special homecoming shows,” says the York band’s website.
“We’re already planning something truly extraordinary for these shows, so you can expect special guests and grand ideas galore. It’s going to be a jubilant celebration of the last 30 years of Shed Seven and a performance like nothing we’ve done before.”
The announcement continues: “We’re thrilled to be joined by special guests Peter Doherty, The Lottery Winners, Brooke Combe, Serotones and Apollo Junction throughout the weekend.”
Doherty recorded a guest vocal for Throwaways, the closing track of Shed Seven’s upcoming sixth studio album, A Matter Of Time, when his band, The Libertines, were at work on new recordings in their Margate studio.
Throwaways is an anything-but-throwaway duet with Sheds’ singer Rick Witter. “We played Bingley Festival a couple of summers ago when The Libertines were headlining the main stage, and as we played, there was Peter at the side of the stage, singing along to all our songs,” recalls Rick.
“When I met him afterwards, he said he used to sit on his bed learning our guitar parts, so I said, ‘would you sing on our new album?’.
“We sent Peter the song Throwaways and he did some harmonising and ad-libbing. It’s a song about outsiders. We’ve always been outsiders, and The Libertines have that about them too.”
A Matter Of Time will be released on Shed Seven’s new label, Cooking Vinyl, on January 5 2024 and can be pre-ordered from shedseven.com.
This will be the first Sheds’ album to feature new members Rob ‘Maxi’ Maxfield, from Audioweb, on drums and Ian Brown band member Tim Willis on keys, along with Witter, guitarist Paul Banks and bass player Tom Gladwin, band stalwarts from the Britpop era.
Did you know?
SUPPORT act Serotones feature Rick Witter’s son, Duke, on vocals, alongside original Sheds’ drummer Alan Leach’s son, Sonny, on guitar.
Did you know too?
SHED Seven’s Museum Gardens shows will be celebrating the 30th anniversary of their debut single for Polydor Records, the double A-side Mark and Casino Girl (March 7 1994), and debut album Change Giver (September 5 2024), rather than the 30th anniversary of the year they formed in York (1990).
Summer Sizzler season on its way to City Screen Picturehouse, in Coney Street, York
CITY Screen Picturehouse, in York, is reducing ticket prices from July 25 to September 2 in a Summer Sizzler discount offer.
General admission will cost £7.99 – down from the standard £12.50 – for all films; £4.99 for Picturehouse Members.
“This offer includes all the best new blockbusters and family movies, as well as Picturehouse’s curated arthouse line-up and regular screenings of vintage classics,” says general manager Cath Sharp. “We’re also extending these great prices for our weekend of Outdoor Cinema at York Museum Gardens from August 5 to 7. With an unmissable summer of cinema approaching, this offer arrives at the perfect time.”
Among the summer releases heading for City Screen are Where The Crawdads Sing, Olivia Newman’s dramatic adaptation of Delia Owens’ novel, starring Daisy Edgar-Jones, from Friday; David Leitch’s action-thriller Bullet Train, starring Brad Pitt, from August 5, and Jordan Peele’s blockbuster horror movie Nope from August 12.
Daisy Edgar-Jones in Where The Crawdads Sing, opening at City Screen, York, on Friday
The Outdoor Cinema programme will show Ridley Scott’s 40th Anniversary release of Blade Runner (cert 15) on August 5; Steven Spielberg’s West Side Story (12A) on August 6 and a Sing-A-Long screening of Disney’s Encanto (U), directed by Jared Bush and Byron Howard, on August 7, all starting at 7.30pm.
In an opportunity to revisit film history, look out for Picturehouse’s reDiscover strand, celebrating the work of German filmmaker Wim Wenders; the Kids In America season, dedicated to 1990s’ American teen movies, and European Summers, a timely toast to the joy of summer holidays on screen in timeless continental favourites.
The Summer Sizzler reductions will extend to families: children’s tickets will be £4.99 and City Screen will continue to offer its Family Ticket deal, where adults pay children’s prices when visiting in a group of four.
Steven Spielberg’s West Side Story: City Screen Outdoor Cinema screening in York Museum Gardens
Admission to City Screen’s mid-morning Kids’ Club shows and a selection of family films over the summer will remain at £3, as will Toddler Time, City Screen’s unique programming strand screening 30 to 40-minute programmes for toddlers. Check listings for more details, advises Cath.
Annual Picturehouse Membership gives visitors up to ten free cinema tickets, along with ten per cent off all food and drinks, invitations to special previews and priority booking for the most popular films and events.
“City Screen also boasts a lively cafe bar with outdoor seating on the river and our menu is bursting with innovative home-made offers, many of them vegan and vegetarian,” says Cath. “The menu can be found on our website.”
York Light Opera Company’s performers and production team for A Night With The Light
FROM open-air films to the Proms, Early Music festival connections to Nordic sunshine, Charles Hutchinson’s summer season is in full bloom.
York Light Opera Company in A Night With The Light, Friargate Theatre, Friargate, York, today at 2.30pm and 7.30pm
UNDER the direction of Jonny Holbek and musical direction of Martin Lay, York Light presents a feel-good programme of powerful, funny, emotive and irreverent numbers from favourite musicals and new ones too.
Look forward to songs from Hamilton, Waitress, Wicked, Chicago, Chess, Avenue Q, The Phantom Of The Opera, Les Misérables, The Sound Of Music and plenty more. “Come join us as we have Magic To Do!” say Jonny and Martin. Box office: 01904 655317 or ridinglights.org/a-night-with-the-light/.
West Side Story: One of the films to be shown at Picturehouse Outdoor Cinema in York Museum Gardens
Films under the stars: Picturehouse Outdoor Cinema, York Museum Gardens, York, tonight and tomorrow; August 5 to 7, 7.30pm
PICTUREHOUSE, owners of City Screen, York, present two weekends of open-air cinema with a summer vibe.
Tonight’s Grease (Sing-A-Long) (PG) will be followed by tomorrow’s 70th anniversary celebration of Singin’ In The Rain (U).
Next month’s trio of films opens with a 40th anniversary screening of Blade Runner (15) on August 5; next comes Steven Spielberg’s 2021 re-make of West Side Story (12A) on August 6; last up, Disney’s Encanto (Sing-A-Long) (U) on August 7. Box office: picturehouses.com/outdoor-cinema/venue/york-museum-gardens.
Off to the coast: a-ha head for Scarborough Open Air Theatre tomorrow
The sun always shines on…a-ha, Scarborough Open Air Theatre, tomorrow, gates, 6pm
NORWEGIAN synth-pop trio a-ha head to the Yorkshire coast on their 2022 World Tour of Europe, the United States and South America, 40 years since forming in Oslo.
Vocalist Morten Harket, guitarist Pal Waaktaar-Savoy and keyboardist Magne Furuholmen will be releasing a new album in October, True North, their first collection of new songs since 2015’s I, recorded in two days 25km inside the Arctic Circle.
Will they preview new songs alongside the familiar Take On Me, The Sun Always Shines On TV, Hunting High And Low and Stay On These Roads? Find out on Sunday. Box office: scarboroughopenairtheatre.com.
Christina Bianco’s LV and Ian Kelsey’s Ray Say in The Rise And Fall Of Little Voice at York Theatre Royal
Play of the week: Glass Half Full Productions in The Rise And Fall Of Little Voice, Monday to Saturday, 7.30pm; 2pm, Thursday; 2.30pm, Saturday
YORK actor Ian Kelsey returns to his home city to play viperous talent-spotting agent Ray Say in his Theatre Royal debut in a new tour of Jim Cartwright’s bittersweet comedy-drama, directed by Bronagh Lagan.
Coronation Street star Shobna Gulati plays louche, greedy, loud mother Mari Hoff and American actress and YouTube sensation Christina Bianco, her daughter LV, the recluse with the hidden singing talent for impersonating Judy Garland, Shirley Bassey et al. Can Ray draw her out of her shell and with what consequences? Box office: 01904 623568 or yorktheatreroyal.co.uk.
The Sixteen: Returning to York Minster for York Early Music Festival2022
Festival of the week: York Early Music Festival 2022, July 8 to 16
YORK Early Music Festival returns to a full-scale live programme for the first time since 2019 under the theme of connections.
“Concerts are linked together through a maze of interconnecting composers,” says festival administrative director Delma Tomlin. “We’re delighted to be able to shine a light on the many connections that hold us together in the past and into the future.”
At the heart of the 2022 festival will be three 7.30pm concerts in York Minster by The Sixteen (July 9, the Nave); The Tallis Scholars (July 11, Chapter House) and the Gabrieli Consort & Players (July 13, the Nave). For the full programme and tickets, head to: ncem.co.uk.
Skylights: Playing their biggest gig yet at Leeds O2 Academy
York gig of the week in Leeds: Skylights, Leeds O2 Academy, July 9, doors, 7pm
YORK indie-rockers Skylights play “the biggest gig of our lives” next weekend up the road in Leeds, where previously they have sold out Leeds University and The Wardrobe and performed at Leeds United’s centenary celebrations in Millennium Square in October 2019.
Four Acomb lads in the 30s, singer Rob Scarisbrick, guitarist Turnbull Smith, drummer Myles Soley and bassist Jonny Scarisbrick, will perform to 2,300 fans in celebration of their debut album, What You Are, reaching number 34 in the charts in May. Box office: academymusicgroup.com.
Natasha Agarwal: Soprano soloist at York Proms
Picnic party of the week: York Proms, York Museum Gardens, York, July 10, gates, 4pm
MUSICAL director Ben Crick conducts the 22-piece Yorkshire Festival Orchestra in next weekend’s performance of classical and film pieces, a special Platinum Jubilee section in the second half and a rousing Proms finale.
Soloists will be soprano and dancer Natasha Agarwal, who performed in Opera North’s Carmen, and bass-baritone John Anthony Cunningham, who has chalked up principal roles with English National Opera, Opera North and the Royal Opera House.
York Proms founder Rebecca Newman’s special appearance includes a tribute to her husband and co-founder, Jonathan Fewtrell, who died suddenly in 2020. The Fireworkers provide a firework finishing flourish. Box office: 01904 555670 or yorkproms.com/tickets.
Calling Planet Earth: Elegy to the Eighties at York Barbican
New Romantic nostalgia in the air: Calling Planet Earth, York Barbican, January 21 2023, 8pm
THIS New Romantic Symphony takes a journey through the electrifying Eighties’ songs of Duran Duran, Spandau Ballet, The Human League, Ultravox, Tears For Fears, Depeche Mode, Orchestral Manoeuvres In The Dark, Japan, ABC and Soft Cell.
Calling Planet Earth combines a live band with symphonic arrangements and vocals in a show designed to “simply define a decade”. Box office: yorkbarbican.co.uk or ticketmaster.co.uk.
Reyahn King: Leaving her post as chief executive of York Museums Trust after seven years . Picture: Richard Kearns
REYAHN King is to step down as chief executive officer of York Museums Trust to be the National Trust for Scotland’s director of heritage properties in a summer return to her birthplace.
Reyahn has been in post since September 2015, leading the independent charity that cares for the City of York’s collections and operates York Castle Museum, Yorkshire Museum, York Museum Gardens, York Art Gallery and York St Mary’s.
As CEO, she has steered York Museums Trust through one of the toughest periods in its history, when facing the need for lockdowns in the Coronavirus pandemic.
During her seven-year tenure, Reyahn has achieved great change for the trust. Under her leadership, she introduced a new vision and mission that puts audiences and communities at the heart of its work, while strengthening the charity’s fundraising activity and generating increased revenue from commercial activities.
York Art Gallery has presented such public exhibitions as the Grayson Perry: The Pre-Therapy Years ceramics and chart-topping Leeds band Kaiser Chiefs’ award-winning fusion of art and sound, When All Is Quiet, as well as championing experimentation in Strata- Rock- Dust- Stars.
Alongside this step change in the public programme, Reyahn oversaw the opening of two new permanent galleries: Jurassic Yorkshire at the Yorkshire Museum and Shaping The Body at York Castle Museum.
Cocktail Party, 1989, from last year’s Grayson Perry: The Pre-Therapy Years exhibition at York Art Gallery
Reyahn will leave a lasting legacy for York Museums Trust, having overseen the acquisition of the St Mary’s Abbey 13th-century Limoges Figure of Christ and the Ryedale Roman Bronzes, soon to go on display at the Yorkshire Museum in April 2022. She worked with City of York Council, stakeholders and the public to develop a compelling vision for York Castle Museum.
Reyahn has been a leading figure within the museum sector championing inclusion, diversity and equality. She has championed the inclusion of diverse and underrepresented artists within the public programme, with exhibitions such as Sounds Like Her and The Sea Is The Limit. and has led a significant internal inclusion, diversity and anti-racism culture change programme at York Museums Trust.
As chair of the York Cultural Leaders Group, Reyahn led the development of York’s Culture Strategy, which sets out to “create a more collaborative, higher-profile cultural city that truly benefits residents”.
Reyahn says: “It has been a joy and a privilege to lead the amazing staff at York Museums Trust and to be part of York’s cultural scene. I’m thrilled to be joining National Trust for Scotland at a time when NTS is doing such important work for Scottish culture, heritage and nature.”
James Grierson, York Museums Trust’s chair, says: “Reyahn has been a wonderful chief executive, modernising the organisation and culture of York Museums Trust, bringing in some great new talents, enriching our collections and staging some important and inspiring exhibitions.
“She led the leadership team’s highly professional response to the enormous challenges of the last couple of years and, notwithstanding the shadow the pandemic has caused, leaves the trust in good heart.
“The richness of experience she has had in York will, I am sure, be put to very effective use with the National Trust for Scotland and, while my fellow trustees and I will be sorry to lose her, Reyahn leaves behind a significant legacy, and one of the most exciting jobs in the sector, and I’m confident that her successor will be very well placed to take York Museums Trust on the next stage of its journey.”
Kaiser Chiefs band members at the December 2018 launch of their When All Is Quiet: Kaiser Chiefs In Conversation With York Art Gallery exhibition, winner of the Museums + Heritage Award for Partnership of the Year
Phil Long, chief executive of the National Trust for Scotland, says: “The National Trust for Scotland’s portfolio of properties is the foundation of all that we do. Caring for them also means caring for the stories of Scotland and enabling everybody to find out about and be inspired by our shared heritage.
“That’s why Reyahn’s appointment is so important for the trust and, given her track record of success with York Museums Trust and other organisations, we are delighted that she will be joining us to bring to the trust her experience and insight.”
Recruitment for Reyahn King’s successor in York will begin this spring.
Reyahn King: the back story
AS chief executive of York Museums Trust, Reyahn has strategic and operational responsibility for museums, an art gallery, botanic gardens, scheduled monuments and Museums Development Yorkshire.
Before moving to York, Reyahn had been head of the Heritage Lottery Fund West Midlands, director of art galleries at National Museums Liverpool and head of interpretation and exhibitions/masterplan at Birmingham Museums & Art Gallery.
Reyahn is an experienced leader who brings people together to develop new visions for culture and heritage. She is on the board of Culture Perth and Kinross and is thrilled to be returning to work in the country of her birth as the National Trust for Scotland’s director of heritage properties from this summer.
Passionate about diversity and equality, Reyahn began her career as a curator and programmer who produced exhibitions notable for their relevance to a wider, more diverse range of audiences, such as curating the ground-breaking Ignatius Sancho: An African Man Of Letters at the National Portrait Gallery, London.
