York Open Studios 2025 Archives

April 9, 2025April 11, 2025

What’s On in Ryedale, York and beyond. Hutch’s List No. 14, from Gazette & Herald

Mr Willy Wonka, played by Jonathan, in Ryedale Youth Theatre’s Charlie And The Chocolate Factory at the Milton Rooms, Malton

MISSING out on Gary Oldman’s sold-out Krapp’s Last Tape on his York Theatre Royal return? Charles Hutchinson digs up plenty of consolation prizes.

Ryedale musical of the week: Ryedale Youth Theatre in Charlie And The Chocolate Factory, Milton Rooms, Malton, tonight to Saturday, 7.15pm plus 2pm Thursday and Saturday matinees

RYEDALE Youth Theatre brings Roald Dahl’s Charlie And The Chocolate Factory to the Malton stage in a magical adventure that journeys into Willy Wonka’s fantastical world.

Expect stunning performances and enchanting music in a family-friendly production perfect for all ages. Only 100 tickets are still available after sales of 1,200. Box office: yourboxoffice.co.uk/ryedale-youth-theatre.

Inspired By Theatre’s principal cast members in Rent, playing the Joseph Rowntree Theatre, York, from tomorrow

York musical of the week: Inspired By Theatre in Rent, Joseph Rowntree Theatre, York, tomorrow to Saturday, 7.30pm plus 2.30pm Saturday matinee

YORK company Inspired By Theatre follow up Green Day’s American Idiot with another groundbreaking rock musical, Jonathan Larson’s Tony Award-winning story of love, resilience and artistic defiance.

Set in New York City’s East Village at the height of the AIDS epidemic, Rent follows a group of young artists struggling to survive, create and hold on to hope in the face of uncertainty. Box office: 01904 501935 or josephrowntreetheatre.co.uk.

Welcome back: Gary Oldman in the York Theatre Royal dressing rooms

York theatre event of the year: Gary Oldman in Krapp’s Last Tape, York Theatre Royal, April 14 to May 17

ONCE the pantomime Cat that fainted thrice in Dick Whittington in his 1979 cub days on the professional circuit, Oscar winner Gary Oldman returns to the Theatre Royal to perform Samuel Beckett’s melancholic, tragicomic slice of theatre of the absurd Krapp’s Last Tape in his first stage appearance since the late-1980s.

“York, for me, is the completion of a cycle,” says the Slow Horses leading man. “It is the place ‘where it all began’. York, in a very real sense, for me, is coming home. The combination of York and Krapp’s Last Tape is all the more poignant because it is ‘a play about a man returning to his past of 30 years earlier’.” Tickets update: New availability of returns and additional seats on 01904 623568 or at yorktheatreroyal.co.uk.

Abigoliah Schamaun: In pursuit of the “Holy Visa” in Legally Cheeky, on tour at Pocklington Arts Centre

Comedy gig of the week: Abigoliah Schamaun, Legally Cheeky, Pocklington Arts Centre, tomorrow, 8pm

ABIGOLIAH Schamaun thought she had it all; the flat, the career, the life partner. This US transplant was living the American Dream…in London. Then one day, the Wicked Witch of Westminster, told Abigoliah to click her sparkly heels and go “home”. In that moment, everything changed. To lose would mean losing everything.

Abigoliah’s quest for the Holy Visa began, and the fight was very much on. Legally Cheeky charts her journey in a heart-warming tale of highs, lows, twists and turns as she recounts the year that shook her and partner Tom to the core. Box office: 01759 301547 or pocklingtonartscentre.co.uk.

Snake Davis, right, will be teaming up with Stu Collingworth at Helmsley Arts Centre on Friday night

Jazz gig of the week: Snake Davis with Stu Collingworth, Helmsley Arts Centre, Friday, 7.30pm

SAXOPHONIST to the stars Snake Davis will be joined by Hammond organist, composer and vocalist Stu Collingwood for an evening of soul pop and jazz. Davis performs regularly with famous artists at huge venues but is “far happier being himself at Helmsley Arts Centre”.

Collingworth has toured with Tony Christie, Alan Barnes and Elaine Delmar and has a residency at Charts in Newcastle. He and Davis have enjoyed a creative partnership for a decade, fired by a love of melody and groove. Box office: 01439 771700 or helmsleyarts.co.uk.

Aleysha Jade in Curious Investigators at Pocklington Arts Centre on Saturday. Picture: Grant Archer

Family show of the week: One Tenth Human in Curious Investigators, Pocklington Arts Centre, Saturday, 1.30pm

SCRIBBLE and Clipboard have a job to do, sorting out the recycling, but Scribble keeps finding new things to investigate. When she discovers a mysterious egg hidden in the rubbish, the pair needs the audience’s help to rescue an unborn chick. Can you save a mysterious egg from a smashing and what will you discover along the way?

Curious Investigators is a cracking adventure, created in collaboration with engineering experts from Lancaster University, in a delightfully surprising, highly visual show for three to seven-year-olds and their grown-ups, hatched by One Tenth Human. Box office: 01759 301547 or pocklingtonartscentre.co.uk.

Wrongsemble in Three Little Vikings, a story of cooperation, bravery and making your voice heard at Helmsley Arts Centre

Children’s show of the week: Wrongsemble in Three Little Vikings, Helmsley Arts Centre, Saturday, 2.30pm

A TRIO of brave little Viking girls saves the day in Leeds company Wrongsemble’s bold and funny adventure story for little rebels by Bethan Woollvin, creator of Little Red and I Can Catch A Monster.

Once upon a time in a Viking village, everything seems to be going wrong. Chickens are disappearing, trees are falling down. When the silly Chieftain will not listen to the three littlest Vikings, can they work together to figure out how to save the day in a 50-minute tale of cooperation, bravery and making your voice heard. Suitable for age three upwards. Box office: 01439 771700 or helmsleyarts.co.uk.

Mark Druery: Taking part in York Open Studios this weekend

Art event of the month: York Open Studios, Saturday and Sunday, 10am to 5pm

YORK Open Studios showcases 160 artists and makers at 117 locations in its largest configuration yet in its 24 years. Artists and makers, including 38 new participants, span ceramics, collage, digital art, illustration, jewellery, mixed media, painting, printmaking, photography, sculpture, textiles and wood, Full details and an interactive map can be found at yorkopenstudios.co.uk; brochures in shops, galleries, cafes and tourist hubs. Admission is free.

The Divine Comedy’s Neil Hannon: New album and York Barbican autumn date. Picture: Kevin Westenberg

Gig announcement of the week: The Divine Comedy, York Barbican, October 21

NEIL Hannon will promote The Divine Comedy’s 13th studio album, September 19’s Rainy Sunday Afternoon, on a 16-date autumn tour. Tickets will go on sale on Thursday, April 17 at 10am at https://www.yorkbarbican.co.uk/whats-on/the-divine-comedy-2025/.

Written, arranged and produced by Hannon and recorded at Abbey Road Studios, the album spans his usual range of emotions – sad, funny, angry and everything in between – as he “works through some stuff”: mortality, memories, relationships and political and social upheaval.

April 1, 2025April 12, 2025

Artist Jill Tattersall and ceramicist Sylvia Schroer keep The Wolf At The Door on show on April 5 & 6 and April 12 & 13 UPDATED

MIXED media artist Jill Tattersall and ceramicist Sylvia Schroer unite for an Artists’ Open House at Jill’s studio, The Wolf At The Door, 11 Mount Parade, York, on April 5 & 6 and April 12 & 13 in an alternative to the York Open Studios on those two weekends.

“All are welcome from 10am to 4pm each day,” says Jill. “It’s not a formal open house/studio, more an informal chance to see friends (and anyone interested), show some new and ongoing work and some of the processes involved, and generally catch up on life after a long and drear winter.

“I’ll be joined by my friend Sylvia Schroer with her innovative and distinctive ceramics. Always good to have excellent company when opening the doors.”

Dr Schroer had been set to take part in York Open Studios at Lady Kell Gardens in Haxby, but instead she will be showing her sensitive figurative sculptures – busts and torsos – as well as hand-built and wheel-thrown functional and decorative pottery at Wolf At The Door after being “deselected” since the 2025 brochure was printed.

“I had done a lot of work preparing for York Open Studios but was sadly unable to take part,” Sylvia posted on Facebook on March 27. “I was absolutely heartbroken and it was costing me a lot of money. So I am very glad to be able to show my work at an independent open house with such a fantastic artist and lovely person as @jilltattersallartist.” More on this subject later.

Jill jumped at the chance to offer Sylvia an exhibition space, in keeping with her long-standing commitment to collaboration. “I have 20 years’ experience of taking part in and helping to run Open Studio schemes in Newark, Lincolnshire and Brighton and try to avoid wearisome and unnecessary politics,” she says.

“An artist’s life has never been an easy one, and current world events don’t help. Mutual support and collaboration are essential to us all. We just need to get on, represent local artists, and create some colour and joy and fun for the local community. So much needed right now!”

Jill Tattersall’s Wolf At The Door studio in Mount Parade, York

Why call the studio Wolf At The Door, Jill? “There is a Wolf, a large one,” she says. “When I spent more than ten years or so in Brighton, sculptor Iaian Tatam made the Wolf from recycled materials and, more than life-size, it became part of our lives.

“This was what set the tone for some truly interesting and offbeat collaborations. Brighton was a good place for this! We held many art-related events, as well as taking part in Brighton and Hove Artists’ Open House.

“We wanted to embrace and celebrate all aspects and varieties of art and to have some fun at the same time! Some of our collaborations and star turns involved: books, paintings and sculptures, recitals, previews and performances, garden art, ceramics, puppetry, science…you name it!”

Reflecting on those south coast days, Jill says: “I do miss the Brighton Wolf At The Door events when we hosted so many inspirational creative people: artists, writers, actors and singers even! Though a propos of that, I shall again be taking part in Brighton and Hove Artists’ Open House all May as part of the wonderful Art In Bloom.”

Jill has brought her brushes and brio to York, setting up her Artists’ Open House days and taking part in The Other Collective exhibition at Bluebird Bakery, Acomb, in February and March, featuring five artists not selected for York Open Studios 2025: Jill, Rob Burton, Liz Foster, Ric Liptrot and Lu Mason. Or “the Five Refusés”, as former medieval French university lecturer Jill called them.

Down the years, Jill has taken part in many exhibitions, projects and commissions. “My work’s all over the place, from Peru to Tasmania, even the official residence in Rwanda,” she says.

“My main obsession is with patterns. They’re all around us; we’re made up of them ourselves. Force meets counter-force and patterns emerge: coasts and weather systems, stars and galaxies, trees and blood vessels, maps and mazes. It’s where science and art intersect!

“I constantly experiment with materials and techniques, often using my own hand-made paper and water-based paints, inks, dyes and pigments to build up intense and glowing colour. Throwaway or reclaimed elements often sit side by side with gold and silver leaf. Value, price, worth…who decides.”

Sylvia Schroer in the basement at Wolf At The Door

Jill, whose latest works take the theme of sunshine, will be holding a solo show at Bluebird Bakery, Acomb, from May 5 to the end of June and will make her North Yorkshire Open Studios debut on June 7 & 8 and June 14 & 15, from 10am to 5pm, followed by a further NYOS weekend on November 1 & 2, from 11am to 4pm. More than 200 artists will be taking part” in an event that she describes as “friendly and collaborative”.

Now, let’s return to Sylvia Schroer’s frustrations with York Open Studios. In an earlier Facebook post on March 13, she wrote: “I did not withdraw from York Open Studios. I would not have withdrawn after the directory was printed unless I was ill. This would have been letting down visitors – who in my case would be travelling to an out-of-town venue. It would have been letting down artists with whom I was sharing a venue & working with.

“I had been making and preparing work for months for Open Studios and was greatly looking forward to taking part. So, I was upset when I missed the email/ deadline for the Taster [at the Hospitium, York Museum Gardens, on March 22 and 23] – by one working day – along with others and told I couldn’t take part.”

She went on: “Although I had already made all due apologies I was informed of my deselection on 3/3/25 & informed I had upset others & broken the Terms & Conditions by speaking out.

“We are trying our best here as artists and Open Studios is important financially, so deselection can feel like losing a job. It’s sad for us and hard for us and I don’t think it has to be like this. Other cities don’t run their Open Studios like this. It’s hard when an artist isn’t selected or is deselected & I see artists being very upset indeed & hard hit financially. Why not print a bigger directory? We pay to be part of Open Studios and pay £hundreds in commission. £thousands in some instances.”

Her post concluded: “Speaking out here [on Facebook] will probably result in my being refused the right to apply ever again. But I do not want to be part of something that humiliates artists, punishes them and makes them feel their work isn’t good enough. I am looking forward to a more joyful experience showing my work at an independent artist’s house/studio.”

In a further statement, Sylvia said: “Unfortunately I had a disagreement with the chair/committee and there was no way to resolve it. It was never my intention to cause offense (sic) and hurt. I just wanted my work and that of other artists who had missed an email about the Hospitium Taster event (and just missed the deadline of Feb 14^th) to be included. I apologise, once again, for any offense (sic) I may have caused.”

An interview with York Open Studios 2025 chair Christine Storrs will appear in The York Press and at charleshutchpress.co.uk on Thursday.

Visitors to Wolf At The Door on the first weekend of Jill Tattersall and Sylvia Schroer’s exhibition

UPDATE, 11/4/2025

How did the first weekend go, Jill?

“WE had a truly delightful and inspiring weekend: 240 visitors (a third or so of last year’s total, but plenty) and massive appreciation, pleasure – and fascinating conversations. The weather of course helped. A mix of repeat visitors and new friends in the making – and some sales (though not an easy year for that I guess.)

“There seems a strong will for more creative effort and collaboration in York. I had some really good talks with younger visitors as well as older ones.

“So it has worked beautifully. I love the interchange of ideas and information, the coincidences – and the sociability. And, somehow, we’ve squeezed it all in.

“Times are bleak and, for many, there’s not much cash to spare. Our main aim is to celebrate art and to share some light and colour so, truly, no-one should feel pressure to buy.

“Just come and enjoy yourself (I do hope!). My art concentrates on light and dark, colour and natural patterns (such as the starling murmurations so much discussed amongst us all). Sylvia’s work in the basement has attracted lots and lots of praise for its inventiveness and variety.”

Comments in the Wolf At The Door visitors’ book on the first weekend. “A huge thank-you to all our visitors of last weekend,” says Jill. “We had a truly delightful, sun-filled time opening the house and studio and chatting to old friends and, it feels, new”

February 8, 2025March 20, 2025

‘Missed off the billing for York Open Studios 2025’, here comes The Other Collective show at Bluebird Bakery in Acomb

Lu Mason’s rag rug Agitate Educate Organise, her spin on the “Educate, agitate, organise” slogan first coined by by the Social Democratic Federation, a British socialist organisation whose members included artist William Morris, in a 1883 pamphlet

CURATED by Bluebird Bakery, in Acomb, York, The Other Collective brings together the work of Lu Mason, Ric Liptrot, Rob Burton, Liz Foster and Jill Tattersall until March 13.

“These wonderful artists were all missed off the billing for York Open Studios 2025 and we felt that was a real shame,” says Bluebird boss Nicky Kippax. “So The Other Collective was born and we hope the work will get a lot of interest from our customers.”

Self-taught artist and retro DJ Lu Mason started making rugs in the early 1980s but stopped for nearly 25 years when she worked as an occupational therapist. She took up rug making again during the pandemic lockdown and has not looked back since. “I love using recycled materials and hessian and the simplicity of the materials and process,” she says.

“As an occupational therapist, some of the ‘just do it’ approach to creative activities – i.e. use what you’ve got, even if it isn’t perfect – has definitely crossed over to my own practice at home and in my studio.”

Lu applies her distinctive figurative shapes in her rag rugs, created with wool she has gathered together, and uses unusual media, from cut paper and recycled wool to Perspex and spray paint, in her towering mobiles, dramatic murals and installations and bold jewellery too.

“Be true to yourself, not what other people expect of you,” she says. “It takes time to find your own individual ‘style’, but actually every single thing you do will have your identity all over it.”

Lu made Royal Academy of Arts history in 2021 when her Magician work was the first rag rug to be displayed in the RA’s Summer Exhibition.

*“I am a great believer in supporting the high street,” says artist Ric Liptrot*

Ric Liptrot, whose parents ran a newsagents in Runcorn, has drawn buildings in York since moving here 15 years ago, now with a particular focus on shops, pubs and cafes in the city, not least on independent businesses on the eve of closure.

“I am a great believer in supporting the high street,” says Ric, whose original artwork is created using collage, acrylic paint, stencils and dip pen. “Limited-edition prints are available as well as greetings cards and calendars.”

Ric has just completed a residency at York Conservation Trust, where he was commissioned to paint five large plywood panels. Each panel focused on a quarter of central York with the fifth illustrating the “cultural” quarter. These panels now hang at De Grey House, in St Leonard’s Place, York.

*Rob Burton: Celebrating colour, texture, fabric in layers of imagery*

Rob Burton is a researcher, Teesside University academic and “critical artist”, working in textile art, whose research explores themes of memory, post-memory, hauntology*, identity and space, loss and transformation.

“My textile and fibre art practice textuality develops a conceptual dialogue between the innovative use of analogue, traditional approaches to making, and contemporary, emerging techniques and digital technologies,” says Rob.

He creates colourful printed textile, fabric and mixed-media artworks that represent the stories we tell. “Inspired by literature, iconography and personal stories, my latest works celebrate colour, texture, fabric in layers of imagery,” he says.

“In symbols, colours, shapes and digitally printed photographs, the unexpected often arises and visual tales arise.”

*Liz Foster: Her work centres around ideas of memory and the passing of time*

Born in Leeds in 1971 and now based near York, Liz Foster studied Fine Art (Drawing and Painting) at the Glasgow School of Art, later undertaking an MA at the University of Hull, where she researched visual perception theory in relation to contemporary painting practice.

“My work centres around ideas of memory and the passing of time, which I explore through the application of abstract imagery, repetition and animated mark-making,” says Liz, who uses colour with a playful and intuitive approach.

“My paintings are abstract, reflecting my thoughts, feelings and memories but not illustrating them. The material quality of the paint is equally as important as the theme and colour is always central to what I do.

“Painting is a fundamental expression of who I am, it is my language. I find joy in the materials and each work is a new adventure, posing questions and challenges that are limitless and fascinating.”

Liz has exhibited widely, including at the Royal Academy Summer Exhibition, London Art Fair, Royal Scottish Academy, Mercer Art Gallery, Harrogate, Ferens Gallery , Hull, and York Art Gallery. She has work in both public and private collections, selling within Great Britain and abroad, and she has been long-listed for the John Moores Prize twice.

*The Shipping Forecast, Weather map, hand-made paper on marouflaged board, by Jill Tattersall*

Jill Tattersall works from a studio just off The Mount, in York, that she calls The Wolf at the Door. “There is a Wolf, a large one,” she says.

She has done many exhibitions, projects and commissions. “My work’s all over the place, from Peru to Tasmania, even the official residence in Rwanda,” says Jill, who lived in Brighton before moving to York.

She has been part of open studio networks in various places, helping to run them too, and she will be taking part in North Yorkshire Open Studios for the first time in June, as well as holding a solo show at Bluebird Bakery, Acomb, from May 5 to the end of June.

“My main obsession is with patterns,” says Jill. “They’re all around us; we’re made up of them ourselves. Force meets counter-force and patterns emerge: coasts and weather systems, stars and galaxies, trees and blood vessels, maps and mazes. It’s where science and art intersect!

The Other Collective exhibition is on show at Bluebird Bakery, Acomb Road, Acomb, York, until March 13.

Exhibitions coming up at Bluebird Bakery in 2025, curated by Rogues Atelier artist, upholsterer and interior designer Jo Walton: Three Printmakers, from March 13; Jill Tattersall, from May 8; Clare M Wood, from July 3; Mandi Grant, from August 28; Di Gomery, from October 23 and Donna Taylor, from December 18.

*What is hauntology?

IN the words of Wikipedia: “Hauntology is a range of ideas referring to the return or persistence of elements from the social or cultural past, as in the manner of a ghost.

“The term is a neologism, fusing ‘haunting’ and ‘ontology’, introduced by French philosopher Jacques Derrida in his 1930 book Spectres Of Marx.”