Why the glum face, Dame Trott (Robin Simpson)? Blame the pandemic yet again as York Theatre Royal calls off the last week of performances of the Travelling Pantomime. Picture: Ant Robling
THE wheels have come off York Theatre Royal’s Travelling Pantomime within touching distance of the final curtain.
The rapid rise in York’s Coronavirus cases has brought the runaway success of the sold-out show to a shuddering halt as the Covid curse strikes yet again.
Despite no recorded transmission of the virus at any performance so far, the Theatre Royal has decided the show must not go on, foregoing the resumption its 70-minutes-straight-through, socially distanced, Covid-secure touring production, having initially added a handful of post-Christmas shows.
The rolling seven-day Covid rate for the City of York Council area in the week to December 23 was 218.4 per 100,000 population, higher than the regional average of 189.1 for Yorkshire and The Humber, and the big-city rates of 172.4 in Sheffield, 190.6 in Bradford and 184.8 in Leeds, but still much lower than the national average for England of 401.9.
The figure is higher than the average of 174.7 for North Yorkshire and 179.1 for East Yorkshire. Most disturbingly, York’s rate his risen steeply since a figure of 65 cases per 100,000 population a fortnight ago, an acceleration to which the influx of rule-breaking Tier 3 visitors and Christmas shoppers is thought likely to have contributed.
Travelling Pantomime director Juliet Forster with writer Paul Hendy, right, and York Theatre Royal chief executive Tom Bird. Picture: Ant Robling
Explaining the decision, Theatre Royal chief executive Tom Bird says: “It is with great regret we have decided that the pantomime will not resume for its post-Christmas performances. This has been a tough decision to make, but we feel it is the right one.
“I pay tribute to the whole of the York Theatre Royal team for producing so many performances under such extraordinary conditions, and their diligence and hard work is borne out by the fact that we have no recorded transmission of the virus at the pantomime.”
After two previews at the Theatre Royal, the Travelling Pantomime team took the show to community venues in Tang Hall, Dunnington, Wigginton, Holgate, Clifton Moor, Elvington, Poppleton, Acomb, Carr Lane, Strensall, Copmanthorpe, Fulford, Heworth and Guildhall, to meet the aim of visiting all 21 wards in the city.
This week’s performances by Josh Benson’s comic turn, Robin Simpson’s dame, Anna Soden’s fairy, Faye Campbell’s hero and Reuben Johnson’s villain would have taken the company close to that target by the December 31 finale.
Well travelled: York Theatre Royal’s Travelling Pantomime cast and crew for performances across a multitude of York wards this month
“The theatre wants to thank the brilliant audiences, who have supported the pantomime in their local venues, and City of York Council, who have helped to distribute over 200 free tickets to families in need on the run-up to Christmas.”
Box-office staff will be in touch with ticket holders for cancelled performances in the next few days. Those shows would have taken place at Moor Lane Youth Centre, Dringhouses, last night; Southlands Methodist Church Hall, Bishopthorpe Road, tonight, and York Theatre Royal, tomorrow and Thursday.
The York Theatre Royal pantomime, co-produced with 2020 pantomime partners Evolution Productioms, will return to the main house for Cinderella from December 3 to January 2 2022.
Now that the Traveling Pantomime van has parked up for the last time, CharlesHutchPress can reveal that each audience’s vote to pick a panto from Dick Whittington, Jack And The Beanstalk and Snow White And The Seven Dwarfs in reality came down to a choice of two.
Courtesy of writer Paul Hendy, each show’s early gag about the Rule of Six ruled out the Seven Dwarfs. “We had to lose one of the dwarfs,” said Robin Simpson’s dame. “Wasn’t Happy!” Boom! Boom!
Brought to its knees: York Theatre Royal’s Travelling Pantomime loses out to the city’s rising Coronavirus cases. No joke for comic turn Josh “Just Joshing” Benson et al. Picture: Ant Robling
YORK’S other pantomime, York Stage’s Jack And The Beanstalk, will continue to run at Theatre @41 Monkgate, unless the Government’s Covid briefing tomorrow pronounces a change in York’s Tier 2 status.
Writer-director Nik Briggs’s show has upcoming performances until January 3 2021 with full details at yorkstagepanto.com. Watch this space for an update tomorrow.
Blending into the scenery: Alex Weatherhill’s Dame Nanna Trott in an anything-but-smoothie moment in York Stage’s Jack And The Beanstalk. Picture: Kirkpatrick Photography
CHRISTMAS is on the way, in whatever form the Government allows you to wrap it up, but tiers will not be shed in the world of entertainment.
Charles Hutchinson picks his way through what’s on in the days ahead and in 2021 too.
Jessa Liversidge: Celebrating her favourite musical icons of the 1960s, 1970s and 1980s at Sunday’s concert
Nostalgic concert of the week: Jessa Liversidge, Songbirds, Joseph Rowntree Theatre, York, Sunday, 7.30pm
YORK’S unstoppable force for the joy of singing, Jessa Liversidge, will present her celebration of female icons at the reopened JoRo this weekend, accompanied by pianist Malcolm Maddock.
Expect an eclectic mix of vintage pop, musical theatre and comedy from the 1960s, ’70s and ’80s. “One minute I may be in full, high-energy Victoria Wood flow,” she says. “Moments later, I could be totally still, lost in a Kate Bush or Karen Carpenter song, and then I’ll go straight into theatrical mode for Sondheim’s Send In The Clowns.”
Have yourself a medley little Christmas: York Guildhall Orchestra musicians box up their musical gift for you
Home comfort and joy: York Guildhall Orchestra’s Lockdown Christmas Medley, on YouTube
PERFORMED by more than 50 amateur York musicians, all playing in their own home, then seamlessly stitched together for YouTube by John Guy’s technical wizardry, here comes York Guildhall Orchestra’s Christmas Medley.
Arranged by conductor Simon Wright, they keep to the Wright time as they “play together” for the first time since February’s York Barbican concert, medleying their way through Hark!, The Herald Angels Sing, Ding Dong!, Silent Night And We Wish You A Merry Christmas. View their four-minute smile at https://www.youtube.com/watch?v=WuoW6gvkGxk.
Elf and safety: Daisy Dukes Winter Wonderland, the Covid-secure drive-in cinema, parks up at Elvington Airfield tomorrow
Drive-in home for Christmas: Daisy Dukes Winter Wonderland, Elvington Airfield, near York, December 18 to 20
NOT only have Vue York at Clifton Moor and Everyman York, in Blossom Street, reopened but 2020’s socially distanced, car-contained drive-in boom hits the Christmas movie market from tomorrow too.
The apostrophe-shy Daisy Dukes Drive-in Cinema takes over Elvington Airfield for three days to show: December 18, from 12 noon, Frozen 2, Home Alone, Edward Scissorhands and Die Hard; December 19, from 12 noon, Elf, How The Grinch Stole Christmas, Gremlins and Bad Santa; December 20, from 11am, The Polar Express, Home Alone 2, Batman Returns and Love Actually.
Clowning around: Magic Carpet Theatre in Magic Circus
Children’s virtual show of the week outside York: Pocklington Arts Centre presents Magic Carpet Theatre in Magic Circus, from Saturday
POCKLINGTON Arts Centre is to stream Magic Carpet Theatre’s show Magic Circus from 2.30pm on December 19, available on YouTube for up to seven days.
Directed by Jon Marshall with music by Geoff Hardisty and effects by Theatrical Pyrotechnics, this fast-moving hour-long show, full of magical illusions, comedy, circus skills and puppets, tells the humorous tale of what happens to the ringmaster’s extravaganza after the artistes and elephants fail to arrive and everything has to be left in the hands of the clowns. Disaster!
What a Carr-y on: Alan Carr rearranges York Barbican gigs for 2021…and 2022
Who should have been in York this week? Alan Carr: Not Again, Alan!, York Barbican, now re-scheduled
ALAN Carr, comic son of former York City footballer Graham Carr, had been booked in to perform Not Again, Alan! at York Barbican again and again this week, four nights in fact, from Wednesday to Saturday, on his first tour in four years.
Covid kicked all that into touch, but all tickets remain valid for the new dates. December 16 2020 is now in the diary for January 14 2022; December 17 for January 15 2022; December 18 for December 18 2021, and December 19 for the same day next year.
TV and radio presenter Carr will muse on the things that make his life weird and wonderful, from his star-studded wedding day to becoming an accidental anarchist; from fearing for his life at border control to becoming a reluctant farmer. “Three words spring to mind,” he says. “Not again, Alan!”
Crystal clear: Fairfax House raises a glass to a Georgian Christmas in A Season For Giving
Exhibition for the winter: A Season For Giving, Fairfax House, York, running until February 7
THE Christmas installation at the Georgian home of the Terry family, Fairfax House, ironically will not be open from December 21 to January 5, so catch it before then or afterwards (Tuesdays to Sundays, 11am to 4pm).
On a festive journey through the townhouse collections, room by room, magical scene by magical scene, meet Noel Terry for a 1940s’ family Christmas, join a raucous Georgian Christmas dinner party, and much more besides. Visits must be pre-booked.
Having a ball: Amy J Payne, Julia Mariko Smith and Marie Claire Breen in Whistle Stop Opera: Cinderella for Opera North
Opera North at Christmas: Whistle Stop Opera: Cinderella, ONDemand from today
OPERA North’s Whistle Stop Opera version of Cinderella was booked into the NCEM in York and Pocklington Arts Centre but Covid ruled No Show. Instead, parents and children aged five upwards can enjoy it online at home over the school holidays.
Filmed at Leeds City Varieties Music Hall, John Savournin’s magical musical production stars Marie Claire Breen as Cinderella, Amy J Payne as Prince/Stepmother and Julia Mariko Smith as Fairy Godmother, drawing on various versions of the rags-to-riches tale, such as Rossini’s La Cenerentola, Massenet’s Cendrillon, Pauline Viardot’s operetta Cendrillon and Rodgers and Hammerstein’s musical Cinderella. For more details on how to watch, go to operanorth.co.uk
Braced for it: Van Morrison will play two nights at York Barbican next May
Big-name Irish signings for York Barbican in 2021: Van Morrison, May 25 and 26, and Chris De Burgh and Band, October 15
NORTHERN Irishman Van Morrison, 75, has booked a brace of Barbican gigs for the spring; Southern Irishman Chris De Burgh, will follow him to York next autumn.
In September, Morrison launched three protest songs, one every two weeks, railing against safety measures to prevent the spread of Covid-19: Born To Be Free, As I Walked Out and No More Lockdown. Will he unmask any of them next May? Wait and see.
De Burgh & Band’s only Yorkshire date of The Legend Of Robin Hood & Other Hits tour will support his upcoming album of the same name (except for the Other Hits part, obviously).
Arrowing experience: Chris De Burgh & Band will perform his 2021 tour show, The Legend Of Robin Hood & Other Hits, at York Barbican
And what about?
JUST a reminder, York has two pantomimes on the go: York Theatre Royal’s newly extended Travelling Pantomime tour of the city and York Stage’s “musical with pantomime braces on”, Jack And The Beanstalk, at Theatre @41 Monkgate.
You’ve got to fight for your right to panto: Faye Campbell’s hero takes on Reuben Johnson’s villain in York Theatre Royal’s Travelling Pantomime. Picture: Ant Robling
Switched on at all times: Robin Simpson’s joke-generation dame lights up York Theatre Royal’s Travelling Pantomime. All pictures: Ant Robling
REVIEW: York Theatre Royal’s Travelling Pantomime, Jack And The Beanstalk, New Earswick Folk Hall, York, 5/12/2020
NO Rolling Stones show goes by without rock’n’roll’s greatest paleontological survivor, Keith Richards, leaning into his microphone to mumble: “It’s good to be here…it’s good to be anywhere”.
Lo and behold, “It’s great to be here…it’s kind of great to be anywhere,” says York Theatre Royal Travelling Pantomime’s comic turn, Josh “Just Joshing” Benson, at the outset of Saturday evening’s Covid-secure, socially distanced, temperature-tested, bubble-seated pantomime.
How right he is. Saturday was day four of the new dawn of the York Theatre Royal pantomime, the first after 40 years in the wildness of the Dame Berwick Kaler era. Until Covid-19 became the joyless new villain, out to destroy the land of theatre, Cinderella was to have marked the transition from Kaler capers to a new partnership with regular Great British Pantomime Award winners Evolution Productions.
On his knees but not for long: York Theatre Royal’s inexhaustible pantomime comic turn Josh Benson
When invitations to the ball turned to cinders, chief executive Tom Bird, creative director Juliet Forster and Evolution writer-director Paul Hendy decided to tear up the script and compose three new ones instead to take the panto to the people.
Hence it is indeed great to be here, there and everywhere, because, while the Theatre Royal main stage awaits resuscitation in 2021, the Travelling Pantomime will definitely be pitching up at 16 of York’s 21 wards, possibly more if Covid-safe passage can yet be guaranteed to others. At least four more shows are being lined up for after Christmas and a recording of the second-night preview will be made available for streaming soon too.
On Saturday, New Earswick Folk Hall was transformed into a theatre for the first time, creating an impromptu stage with Hannah Sibai’s red-curtained, green-framed travelling theatre frontage and a traditional pantomime backdrop.
It’s all about the bass: York Theatre Royal’s multi-tasking fairy, singing captain and musician Anna Soden
Everything is slimmed down – a cast of five, no ensemble, no live band, no interval, no panto cow, but less just means being more inventive and cramming so much into what we are told will be an hour but stretches gladly well beyond.
Edinburgh Fringe shows work to tight running times, and quality, not quantity, rules here too. To Paul Hendy, that means bottling up the “the essence of panto” and right now, in Covid-19 2020, that essence is Joy.
Once we are introduced not just to Just Josh’s rubber-bodied comic, but also Robin Simpson’s classic dame, Faye Campbell’s modern hero, super-tall Reuben Johnson’s villain and Anna Soden’s trumpet/guitar/bass-playing fairy, we must vote for our choice of show: Dick Whittington, Jack And The Beanstalk or Snow White And The Seven Dwarfs. Seven dwarves, note; there is a knock-out joke a’coming.
Hitting the Jack-pot: Faye Campbell’s super hero in Jack And The Beanstalk
Jack won out on Saturday: Josh becoming, well, Josh, with the daftest streak of blond in his hair since Kevin Petersen pummelled 158 against Australia with a skunk plonked on his bonce in 2005. He is a lovably daft ball of energy, cheeky but not saucy, and if he kept his magic tricks up his sleeve this time, what an asset for the future.
Simpson, on loan from Huddersfield’s Lawrence Batley Theatre, is the penniless but pun-full, mirthful Dame Trott, reaching for both a cuppa and the gin; Johnson, all in black with a dash of red to match his Russian accent, is a Flesh Creep with an amusingly dismissive air and a mischievous hint of Borat.
Campbell’s Jack must fight the old prejudices against girls being fit for purpose for heroic tasks while keeping the name Jack. Soden’s rapping, funky, blue and pink-haired Fairy is more likely to hit the bass line than wave a wand, as flashy as her lit-up boots.
Kill-joy: Reuben Johnson’s Flesh Creep in Jack And The Beanstalk
Juliet Forster directs with momentum, brio and thrills rather than frills, complemented by Hayley Del Harrison’s fun, compact choreography and musical director James Harrison’s rapid-fire bursts of high-energy songs.
Yes, there is a beanstalk and a Giant called Pundemic. Above all, York Theatre Royal have hit the jackpot with Paul Hendy’s script-writing prowess, love of a double-act routine and a knowingly contrived, convoluted path to a pay-off line.
He handles the pandemic crisis with a success rate to make the Government jealous, throwing in topical references galore with witty, often unpredictable Pandemime punchlines, but nothing insensitive in such traumatic times.
Writer Paul Hendy: Bottling the essence of pantomime, labelled with joy
A magazine title slapstick to-and-fro between Benson and Simpson is already a contender for panto scene of the year, and if there are jokes for adults, Hendy favours a Gilbert O’Sullivan song title, rather than adult material or in-jokes.
Pantomime 1, Pandemic 0, the Travelling Pantomime triumphs on its already sold-out run to December 23. Hendy will be back next winter for the full Evolution to roll out; Benson is due to return to the Victoria Theatre panto in Halifax next Christmas, alas, but his Theatre Royal day will surely come, even if he can’t magic his way out of that one.
YES, YES, YES! York children’s entertainer, magician and actor Josh Benson celebrates the opening of York Theatre Royal’s Travelling Pantomime, wherein he plays the comic’s role. Picture: Ant Robling
THIS is a sentence that could not have been foreseen at the outset of 2021: all performances of York Theatre Royal’s Travelling Pantomime have sold out.
This was the year when the first Theatre Royal and Evolution Productions co-production of the post-Dame Berwick Kaler era should have been Cinderella, but Covid-19 cancelled all invitations to the ball.
Instead, in a tempestuous year like no other for theatre at large, the Theatre Royal vowed that if audiences could not come to the theatre, then now was the time to take theatre to the people.
Permitted by the Government’s Covid-secure regulations to “go to work” to rehearse behind closed doors through Lockdown 2, creative director Juliet Forster’s Travelling players have now been given the green light for the December tour by York’s Tier 2 status.
Time for a cuppa: Josh Benson, the comic, and Robin Simpson, the new York Theatre Royal dame, in the Travelling Pantomime. Picture: Ant Robling
Preview performances last night and tonight on a pop-up stage at the Theatre Royal – the first shows inside the St Leonard’s Place building since the March shutdown – will warm up comic Josh Benson, dame Robin Simpson, fairy Anna Soden, hero Faye Campbell and villain Reuben Johnson for socially distanced shows in Covid-secure church halls, village halls, community centres, schools, a reading room and even an hotel.
Chief executive Tom Bird is delighted the show can go ahead, or, more precisely, each show’s audience choice from three pantomimes penned by Evolution Productions’ Paul Hendy: Dick Whittington, Jack And The Beanstalk and Snow White.
“A huge amount of work has gone into the Travelling Pantomime already, organising everything with the venues, and it’s great that every show has sold out, so people are really interested in getting back to seeing shows,” he says.
“The plan was to tour to all 21 York wards, and it’s touch and go whether we’ll do that, but we’ve added Strensall – sold out already! – to take the total to 16 and we’re still in negotiations with others.
York Theatre Royal creative director and Travelling Pantomime director Juliet Forster, chief executive Tom Bird and Evolution Productions director and pantomime writer Paul Hendy
“The venues have to be right, we have to be sure they are Covid-safe and that’s quite a challenge in some venues, but we’re still hopeful of adding a few more.”
For those unable to see a live performance, the Theatre Royal will be filming tonight’s preview on the Theatre Royal main stage for streaming from a date yet to be confirmed.
Tom watched the tech rehearsal last Friday, as the treading of boards returned to the Theatre Royal. “The whole atmosphere felt heavy with emotion,” he says. “After the year we’ve all had, it must be like a shop opening again or a pub landlord re-opening.
“Just seeing the lights on and watching Juliet directing, it’s so exciting to be back, not yet back as we knew it before, but at least we’re back. Being on home turf for the first game of the season feels good.”
Lights on again at last: York Theatre Royal prepares for last night’s first preview of the Travelling Pantomime. Picture: Livy Potter
Tom believes the early decision to mount a Travelling Pantomime in a year of so much uncertainty has proved judicious. “We felt basically that for a number of reasons getting out and about was the best way to go this year. We know that transport can be complicated in the pandemic, so it’s best to keep the shows local,” he says.
“We could have done shows to 344 people with social distancing at the Theatre Royal, and that would have been completely legal, but we still felt the Travelling Pantomime was the best thing for now, showing a generosity of spirit to the city.
“Mounting a Christmas show was always going to be a logistical Everest in 2020, whether at the Theatre Royal or on the road, but it just felt crucial to do it. It’s so important for us, it truly is, because you want to give people a laugh but also to remind people that we are here.”
Rehearsals have been joyful, even under the shadow of the pandemic. “Juliet has really enjoyed it; the creative team have really enjoyed it, and we have a good mix of actors, some comparatively new to pantomime, some who’ve done zillions.
Ready to travel: York Theatre Royal Travelling Pantomime players Robin Simpson (the dame), Faye Williams (the hero), Reuben Johnson (the villain), Anna Soden (the fairy) and Josh Benson (the comic). Picture: Ant Robling
“Every week in rehearsals and every second day during the production run, they’re being Covid-tested, which does put everyone at east. It costs quite a lot, but it’s absolutely been worth it.”
Tom has had to oversee a pandemic-blighted year when ticket income all but dried up until the Travelling Pantomime; the neighbouring De Grey Rooms lease was not renewed, and 16 redundancies had to be made.
In October, the Theatre Royal was awarded £230,000 from the Government’s Culture Recovery Fund to help the theatre until March, having earlier received £196,493 from Arts Council England’s Emergency Response Fund in July to cover the fallow months until September.
The latter grant will facilitate the Theatre Royal looking to the future, with Tom taking on the new title of chief executive, replacing his executive director tag. “It’s more for ease of messaging within the system. It’s just for tidying things up,” he says. “Nothing more than that.”
“Mounting a Christmas show was always going to be a logistical Everest in 2020, whether at the Theatre Royal or on the road, but it just felt crucial to do it,” says chief executive Tom Bird
Juliet Forster switches from associate director to creative director. “I’m not the world’s biggest fan of ‘associate’ titles, especially when Juliet is absolutely crucial to the theatre – she’s been with the Theatre Royal for 13 years.”
After focusing on Pop Up On The Patio festival and the Traveling Pantomime since summer, now Tom and the artistic planning team, including producer Thom Freeth and artistic associate John Wilkinson, are turning their attention to re-opening the Theatre Royal.
“Over the past few weeks we’ve started to arrive at a position where we’re formulating a way of re-opening with social distancing, as we’ve been in receipt of funds [from the Culture Recovery Fund],” says Tom.
“We don’t yet have a date in mind, but we’re planning to open maybe sooner than the spring. We’ll get through the pantomime first and then make an announcement not long after that.”
For full details on the York Theatre Royal Travelling Pantomime itinerary, go to yorktheatreroyal.co.uk.
Travelling players: York Theatre Royal pantomime stars Robin Simpson’s dame, Faye Williams’ hero, Reuben Johnson’s villain, Anna Soden’s fairy and Josh Benson’s comic. Picture: Ant Robling
EXIT LOCKDOWN 2, enter Tier 2 for York and North Yorkshire, Tier 3 for next-door neighbours The Humber and West Yorkshire.
That means plenty of openings and re-openings for Charles Hutchinson to highlight, but no roads leading to Leeds, Hull or…Pocklington.
The pantomime season in York
NO Dame Berwick Kaler comeback in Dick Turpin Rides Again at the still-closed Grand Opera House, alas, but after two nights at the Theatre Royal this week, York Theatre Royal’s Travelling Pantomime will be making its way around York’s wards until December 23.
Dame for a laugh: Alex Weatherhill’s Dame Trott in York Stage’s Jack And The Beanstalk at Theatre @41 Monkgate, York. Picture: Charlie Kirkpatrick
Audience members will vote for whether they want to see Jack And The Beanstalk, Dick Whittington or Snow White. All performances have sold out but more may yet be added.
Tickets are still available for York Stage’s Jack And The Beanstalk, directed by Nik Briggs and choreographed by West End hotshot Gary Lloyd at Theatre @41 Monkgate from December 11 to January 3. Fans of York drag diva Velma Celli should look out for creator Ian Stroughair’s transformation into baddie Flesh Creep.
The Marian Consort: Live at the NCEM for the York Early Music Christmas Festival and online for York Christmas At Home
Festival at the double for 2020: York Early Christmas Music Festival, National Centre for Early Music, York, December 4 to 12 and York Christmas At Home, December 11 to 13
THE 2020 York Early Music Christmas Festival will be not one, but two festivals, one at the NCEM, the other online. Festive concerts will be performed with Covid-secure safety measures and cabaret-style seating at St Margaret’s Church, Walmgate, York, complemented by a new digital weekend festival.
York Christmas At Home will be streamed from December 11 to 13, with the Yuletide music concerts available on demand throughout the Christmas period until January 6 2021.
Performing live will be Palisander, The Marian Consort, Illyria Consort, Joglaresa, The York Waits and Bethany Seymour, Helen Charlston, Frederick Long and Peter Seymour. Add The Chiaroscuro Quartet, Matthew Wadsworth and Kate Bennett Wadsworth, Spiritato!, Steven Devine and Stile Antico to that list for the At Home programme.
On your mask, get set, go: Susan Bower’s Christmas Party 2020, newly on show at Kentmere House Gallery, York
Post-Lockdown 2 gallery re-opening: Kentmere House Gallery, Scarcroft Hill, York, from this evening (3/12/2020)
NEW work by Susan Bower, John Thornton and Rosie Dean has arrived at Kentmere House Gallery in good time for Christmas. Ann Petherick will re-open her home art-space tomorrow evening from 6pm to 9pm, followed by weekend opening each Saturday and Sunday until December 20 from 11am to 5pm.
Oils, watercolours, pastels and original prints by 70 British artists are on display, along with books, greetings cards and Christmas cards exclusive to the gallery.
Visits arranged by appointment will be resuming too, on 01904 656507 or 07801 810825 or by emailing ann@kentmerehouse.co.uk.
Climate change: Danny Mellor and Anastasia Benham in Badapple Theatre Company’s The Snow Dancer
Christmas snow: Badapple Theatre Company, in The Snow Dancer, Joseph Rowntree Theatre, York, December 5, 2.30pm, 7.30pm; December 6, 1pm, 6pm
GREEN Hammerton’s Badapple Theatre revive their 2019 Christmas hit, The Snow Dancer, for two days only at the Covid-secure JoRo Theatre, newly equipped with chair wraps to denote the socially distanced seating plan.
Last year’s cast of Anastasia Benham and Danny Mellor will re-assemble to perform writer-director Kate Bramley’s cautionary global-warming tale, set in the Great Wood, where something is awry.
Welcome back: Stu Freestone wants a word with you at Say Owt’s December 11 return to live performance
Owt and about again: Say Owt word weavers at The Crescent, York, December 11, 7pm
SAY Owt, York’s loveable gang of performance poets, are back in live action for the first time since the summer for a night of socially distanced spoken word at The Crescent, re-opening that night with Covid-secure measures and a seated capacity of 60.
Stepping up to the mic will be Say Owt’s A-team of Henry Raby, Hannah Davies, Stu Freestone and Dave Jarman, joined by special guest poets Katie Greenbrown and Ruth Awolola.
“The night will feature a set of banging poems, full of wit and humour to warm your soul this December,” says artistic director Raby. “Expect some brand-new pieces, improv poetry and a few silly surprises hiding up our spoken-word sleeves.”
A guided quest with Potions Professor, magical spells and afternoon tea add up to A Very Magical Christmas on the streets of York
New children’s attraction of the week in York: A Very Magical Christmas, York city centre, until January 5
FROM the creators of A Very Magical Adventure comes A Very Magical Christmas: a live interactive theatrical quest with magical spell-casting and a fun, festive afternoon tea with special effects to knock your socks off. Even a visit from old St Nicholas is promised.
The quest will begin at St Michael le Belfrey, where you will meet your guide, the Potions Professor from Old Jacob’s School of Magic, who will teach you how to cast spells and find clues that will lead you to the secret location of the wizard school. For more details, go to averymagicaladventure.co.uk.
A Peter Rabbit Winter Adventure Activity Trail: Solve clues at Beningbrough Hall on various dates in December
Children’s attraction of the week outside York: A Peter Rabbit Winter Adventure Activity Trail, Beninbrough Hall, Beningbrough, near York, December 5 and eight other open days, 10am to 3pm
GRAB a £2 goody bag per child while stocks last, complete with an activity sheet, pencil, certificate, badge and play pack, to embark on a family-friendly Peter Rabbit Winter Adventure Trail in the Beningbrough Hall gardens and grounds.
The task is to solve the clues to help Peter and his friends prepare for the winter ahead, while spotting nature in all its seasonal glory. Expect to find Mrs Tiggy-Winkle, Mr Jeremy Fisher, Flopsy, Mopsy and Cotton-tail before having your photograph taken beside the Peter Rabbit board.
Do check availability of the goody bags before setting off at nationaltrust.org.uk/beningbrough-hall-gallery-and-gardens
Ghost story for Christmas: Alan Ayckbourn has voiced all the roles for the Stephen Joseph Theatre’s audio version of his 1994 play Haunting Julia. Picture: Tony Bartholomew
And what about?
TUNE into Alan Ayckbourn’s ghost story for a winter chill, his 1994 play Haunting Julia, in an audio version for the Stephen Joseph Theatre, Scarborough, with all three roles voiced by Ayckbourn, at sjt.uk.com/event/1078/haunting_julia until January 5.
Don’t miss the SJT’s Christmas show, Nick Lane’s one-woman version of The Snow Queen, starring Polly Lister at some shows, Jacoba Williams at others, from December 7 to 31.
York Barbican has been busy booking shows for 2021: artist and TV presenter Grayson Perry’s existentialist distraction from the very meaningless of life, A Show For Normal People, September 6; London indie-pop trio Scouting For Girls, October 10; astronaut Tim Peake’s Journey Into The Unknown, November 2, and comedian Sarah Millican’s Bobby Dazzler, November 12 and 13.
“You’ll leave safe and warm in the knowledge that nothing really matters anyway,” promises Grayson Perry
We face the second wave…but somewhere on the horizon….
AFTER the tiers of a clown, now comes the even greater frustration of Lockdown 2 from today, knocking the growing revival of arts, culture and life in general back into hibernation.
Nevertheless, in one chink of light, Culture Secretary Oliver Dowden has decreed that theatre companies can continue rehearsing shows in Covid-secure workspaces, behind closed doors, with a view to lockdown being lifted in early December.
Whether that turns out to be a mere fairytale, only time will tell, so please forgive the unpredictability of what may or may not be happening.
Charles Hutchinson picks through the debris of Lockdown 2 to find signs of artistic life for now and the months ahead.
Films, films and yet more films: Aesthetica Short Film Festival has a feast of film to enjoy while being stuck at home in lockdown
It’s started and it won’t finish until November 30: Aesthetica Short Film Festival online
YORK’S tenth anniversary Aesthetica Short Film Festival opened on Tuesday, switching from a spread of historic and modern locations to a digital and live-streamed festival for home entertainment, enlightenment and education on phones, TV sets, tablets and computers.
Films in competition at ASFF 2020 will span animation, documentary, drama, dance, fashion and thriller. This year they will be released in six strands this week, with no fewer than ten programmes per day under the strand titles of Just Another Day On Earth; Humans And Their Environment; Connections: People, Places and Identity; Breaking Down Barriers; Reclaiming Space: Universal And Personal and Keep On The Sunny Side Of Life.
Masterclasses, guest speakers, panel discussions, guest film programmes and an industry market are further highlights of an online festival unimpeded by the new lockdown. Go to asff.co.uk for tickets and to download the full programme.
Kate Bramley’s latest podcast: “Some strange and wonderful goings on at the allotment”
Fighting off the new lockdown blues: Badapple Theatre’s Theatre On Your Desktop podcast
GREEN Hammerton’s Badapple Theatre Company has added a new Kate Bramley play to its Theatre On Your Desktop series as it extends its lockdown season of free podcasts.
Click on https://badappletheatreonyourdesktop.podbean.com/ for The World Is Still Next Door, artistic director Bramley’s account of some strange and wonderful goings on at the allotment as Mo and her young son search for a place to fight off the lockdown blues.
Set during four sunny days in May in deep lockdown, Bramley’s play seeks to capture the power of soundscapes to inspire imagination. “I got really interested in the idea of creating a new short piece with many voices of varying ages and accents, as well as delving into sound montages that evoke settings from our local Yorkshire all the way to Watamu Beach in Kenya,” says Kate. “With a bit of Badapple signature magic-realism thrown in for good measure.”
All roads lead to…21 York wards for York magician and entertainer Josh Benson in York Theatre Royal’s Travelling Pantomime next month
Travelling Pantomime, not travailing pantomime, as the show must go on…hopefully: York Theatre Royal’s alternative neighbourhood watch
YORK Theatre Royal began rehearsals in the billiards room on Tuesday for associate director Juliet Forster’s Travelling Pantomime production.
It could still be pot luck whether the first collaboration between Evolution Pantomimes and the Theatre Royal will go ahead, everything hanging on Lockdown 2’s fate, but plans are taking rapid shape to cement the itinerary for a tour of 21 York wards from December 3, plus York Theatre Royal performances too.
Just Josh magician and entertainer Josh Benson, Robin Simpson’s Dame Dolly, Anna Soden’s Fairy/Singing Captain, Faye Campbell’s Jack/Dick and Reuben Johnson’s villainous Fleshcreep/Ratticus Flinch will rehearse three pantomimes, Jack And The Beanstalk, Dick Whittington and Snow White, all scripted by Evolution’s Paul Hendy, for each show’s audience to vote for which panto they want to see.
Bean team: top row, from left, Jordan Fox, May Tether, Ian Stroughair and Livvy Evans; bottom row, Alex Weatherhill, Emily Taylor, Matthew Ives and Danielle Mullan
The other Jack And The Beanstalk in York this Christmas: York Stage at Theatre @41 Monkgate, York, December 11 to 30
YORK Stage are going full team ahead with their inaugural pantomime, to be staged in the Covid-secure John Cooper Studio, where Perspex screens will be in place for the first time for the traverse staging.
Writer-director Nik Briggs has added West End choreographer Gary Lloyd to his production team, proclaiming: We’re taking our West End-worthy panto to the next level with the addition of Gary to our company.”
Jordan Fox, May Tether, Livvy Evans, Alex Weatherhill, Ian Stroughair, Danielle Mullan, Emily Taylor and Matthew Ives will be the cast bringing life to Briggs’s debut panto script.
Yorkshire Pudding Song: Martin Barrass will lead the Song Sheet singing at Bev Jones Music Company’s Strictly Xmas In The Park concert
Barrass is back: Bev Jones Music Company in Strictly Xmas In The Park, Rowntree Park, Amphitheatre, York, December 13, 2pm
MARTIN Barrass will be starring in a York pantomime after all this winter. Dame Berwick’s perennial comic stooge may be missing out on the Covid-cancelled Kaler comeback in Dick Turpin Rides Again at the Grand Opera House, but now he will lead the pantomime section of Strictly Xmas Live In The Park.
As part of Bev Jones Music Company’s Covid-secure, socially distanced, open-air performance, Barrass will tell a few jokes and orchestrate the song-sheet rendition of You Can’t Put A Better Bit Of Batter On Your Platter Than A Good Old Yorkshire Pud.
Barrass will wear black and pink to honour the late Bev’s favourite colour combination.
Helen Charlston: Performing at the York Early Music Christmas Festival
Early notice: York Early Music Christmas Festival, National Centre for Early Music, York, December 4 to 13
AS the NCEM website states: “We are planning for these concerts to go ahead and are still selling tickets. If the situation changes, we will of course be in touch.”
Fingers crossed, then, for a socially distanced festival in St Margaret’s Church, Walmgate, featuring Palisander, The Marian Consort, Illyria Consort, Joglaresa, The York Waits and Bethany Seymour, Helen Charlston, Frederick Long and Peter Seymour.
Among the highlights, on December 9, festival favourites The York Waits will present The Waits’ Wassail: Music for Advent and Christmas: Carols, songs and dance from across medieval and renaissance England and Europe, played on shawms and sackbuts by York’s Renaissance town band.
Duran Duran: Making their Scarborough Open Air Theatre debut next summer
A hat-trick of new shows on the East Coast: Duran Duran, Lewis Capaldi and Snow Patrol at Scarborough Open Air Theatre
IN quick succession, Duran Duran, Lewis Capaldi and Snow Patrol have been confirmed for Cuffe and Taylor’s ever-expanding programme at Britain’s biggest purpose-built outdoor concert arena.
Booked in for July 7, Birmingham glam pop band Duran Duran will introduce their first new material since 2015, alongside such favourites as Save A Prayer, Rio, Girls On Film and The Reflex.
Lewis Capaldi: “Buzzing” to be back at Scarborough Open Air Theatre in 2021
Glaswegian singer-songwriter Lewis Capaldi sold out two nights at Scarborough OAT in 2019 and says he is “buzzing” to be returning on July 25 next summer. “It’s a great venue, the crowds there are always unreal and so here’s to another unforgettable night,” he says.
Snow Patrol’s sold-out 2020 Scarborough show had to be scrapped under Covid restrictions but Gary Lightbody’s band are now booked in for July 3 2021. Tickets for all three shows go on sale tomorrow morning at 9am via scarboroughopenairtheatre.com.
Kate Rusby at Christmas…now online
And what about?
THE Kate Rusby At Christmas tour will not be happening, ruling out her South Yorkshire pub carol concert at York Barbican on December 20.
However, in response to the Covid restrictions, the Barnsley folk nightingale has decided to go online instead, presenting Kate Rusby’s Happy Holly Days on December 12 at 7.30pm (GMT). Expect all the usual Rusby Christmas ingredients: sparkly dress, twinkling lights, her regular folk band, her “brass boys”, Ruby the reindeer and a fancy-dress finale.
Tickets go on sale on Friday (6/11/2020) via https://katerusby.com/happy-holly-day/
Pledge Ahead is just the ticket for audiences to support York Theatre Royal “at this critical time”
YORK Theatre Royal is launching Pledge Ahead, an initiative that asks audiences and the wider community for financial support, seven deeply wounding months into the Coronavirus arts crisis.
The pledge will take the form of buying vouchers that can be exchanged later for theatre tickets once the still-closed building re-opens. More details can be found at yorktheatreroyal.co.uk.
Launching the scheme, executive director Tom Bird said: “Lots of people have been asking what they can do to help the theatre at this critical time.
“By pledging ahead, our audiences can continue to support us while our building is closed and look forward to using their vouchers as soon as we are able to re-open our doors and welcome everyone back.”
The plea comes “at this critical time” when the Theatre Royal has revealed it has cut its permanent staff by one third – seven voluntary redundancies and nine staff made redundant – after extensive consultations.
In a further cost-cutting measure, the Theatre Royal also has confirmed it will not be renewing its lease of the neighbouring De Grey Rooms, home to rehearsals, workshops, staff offices and the below-stairs costume store, as well as weddings, parties, award ceremonies and performances in the glorious ballroom.
“It has been a devastating time for everyone involved but the theatre will survive and we are now looking ahead and planning for the future,” says executive director Tom Bird
The “hand-back” will be completed this week after 11 years of renting the Grade 2-listed neo-classical Victorian building from York Conservation Trust.
The costume hire business will be re-located and will re-open in January; further announcements are awaited on exactly where, along with long-term plans for rehearsals, workshops and staff rooms once the Theatre Royal can re-open.
Bird said: “We have been forced to take some very difficult cost-saving decisions. It has been a devastating time for everyone involved but the theatre will survive and we are now looking ahead and planning for the future.”
Along with the redundancies, many more staff have taken cuts in hours and wages, to ensure the theatre survives, and the Government’s soon-to-disappear furlough scheme has played its supportive part too.
However, 89 per cent of York Theatre Royal’s annual income is generated through selling tickets and from associated revenue streams, such as the bars and café, from the tens of thousands of people who come through the doors of a theatre that underwent a £6.1 million redevelopment completed in 2016.
The Theatre Royal – the longest-running theatre in England outside London – reopened on April 22 that year with a new roof, an extended and re-modelled front-of-house area and a refurbished, reconfigured and redecorated main auditorium, with major improvements to access and environmental impact too.
Decked out: Hannah Sibai’s design for York Theatre Royal’s Pop-Up On The Patio festival in August
Since the Covid-enforced closure in March, the Theatre Royal has reduced its costs “significantly”, the redundancies being the most draconian step so far.
“Like almost everywhere in British theatre, we have sadly had to reduce our team in order for the Theatre Royal to survive and provide a theatre for the community.
“There was zero ambiguity that it might have to happen, but all theatres are in this situation and I’m pleased that we have not closed any department, so we maintain producing expertise across the staff.”
Since lockdown, performances have been restricted to a Pop-Up On The Patio festival of 12 shows by diverse York performers on the Theatre Royal terracing from August 14 to 29, with a maximum audience of 35 at each show.
Cinderella shall not go to the ball this winter on the main stage, but instead the Theatre Royal and new pantomime partners Evolution Productions have announced the Travelling Pantomime, starring York magician, panto comic turn, actor and children’s entertainer Josh Benson.
The dates are yet to be announced, but the small-scale tour will visit sports centres, social clubs, halls and community centres in all 21 wards in York in December and January.
Pantomime this way: Josh Benson is full of beans as he looks forward to leading the York Theatre Royal Travelling Pantomime to Holgate, Heworth and 19 more destinations besides. Picture: Anthony Robling
At each socially-distanced, Covid-secure performance, the audience will vote whether to watch Aladdin, Jack And The Beanstalk or Dick Whittington, all scripted by Evolution director and producer Paul Hendy and directed by Theatre Royal associate director Juliet Forster.
Meanwhile, the Theatre Royal expects to learn on Monday (October 5) whether its bid for a grant from the Government’s £1.57 billion Culture Recovery Fund has been successful…or not.
The theatre received £196,493 from Arts Council England’s Emergency Fund to help to cover July to September 30’s costs, and the latest grant application is “not a million miles from that figure,” confirmed Bird.
“The problem with an old building that’s so huge and hard to heat is that it costs £475,000 a year just to keep it open, without staffing, to cover heating, lighting, water and safety.
“Under Covid restrictions, things like the patio season and Travelling Pantomime are our direction of travel right now.
The team behind the York Theatre Royal Travelling Pantomime: Theatre Royal associate director Juliet Forster, executive director Tom Bird and Evolutions Productions director, producer and writer Paul Hendy
“It’s been brilliant to have done the patio shows and we’re totally over the moon with how that went; it was terrific giving local artists the chance to perform. Now we’re looking at further options for outdoor shows in York until it’s viable and safe to be back indoors.
“But we’re always mindful of the risk of a local lockdown, and the main task is to safeguard the future of the theatre and that’s going well but it’s a big fight.”
The Culture Recovery Fund grant, if approved, would cover October to March 31. “It’s a little bit more about recovery this time,” says Bird. “Last time, the ACE grant was about ‘What do you need right now not to collapse?’.
“We have interpreted the guidance for a grant in the best way we can and we hope the Department of Culture, Media and Sport and the Arts Council will see fit to support us in the best manner possible.”
Today, by the way, is Creative Performance Protest Day, a rallying call to “to highlight the Government’s failure to support the performing arts sector throughout the Covid-19 pandemic”.
Trafalgar Square, London, at midday will be among the focal points of a campaign whose urgency has been heightened by Chancellor Rishi Sunak’s new Job Retention Scheme not accommodating freelance arts workers in its definition of “viable” jobs.
