Works by Alison Diamond, centre, Ade Adesina RSA, right, and Ian Burke, left, on show at Helmsley Arts Centre
FROM African storytelling to Milton Jones’s puns, Will Young’s joyous pop to Jason Wilsher-Mills’s inflatable psychedelic crabs, Charles Hutchinson finds reasons to smile.
Triple bill of the week: Three Approaches To Relief Painting by Alison Diamond, Ade Adesina RSA & Ian Burke, Helmsley Arts Centre, until November 1
THIS exhibition brings together three separate approaches to relief printing but a shared love of hand-made printing, lino cutting and woodcut.
Ade Adesina RSA, a Nigerian artist living in Aberdeen, has won the 2023 Academies des Beaux-Arts annual prize. Ian Burke, from Staithes, and Alison Diamond, from County Durham, produce work in regional galleries and print fairs. The connection between all three is the use of relief print to achieve something personal and produce multiple images.
Anna Hibiscus’ Song: Theatrical story of self-discovery from Nigeria at York Theatre Royal
Children’s show of the week: Utopia Theatre and Sheffield Theatres present Anna Hibiscus’ Song, York Theatre Royal, tomorrow and Friday, 10am and 1pm; Saturday, 11am and 2pm
THIS is the story of a young African girl named Anna Hibiscus, who lives in Ibadan, Nigeria, where she is so filled with happiness that she feels like she might float away. The more she talks to her family about it, the more her happiness grows. The only thing to do is…sing!
Told through music, dance, puppetry and traditional African storytelling, this theatrical story of self-discovery is adapted for the stage by director Mojisola Kareem from the book by Atinuke and Lauren Tobia. Suitable for children aged three upwards and their grown-ups. Box office: 01904 623568 or yorktheatreroyal.co.uk.
Snake Davis: Making the saxophone talk at Helmsley and Pocklington
Snake at the double: Snake Davis, Helmsley Arts Centre, Friday, 7.30pm; Pocklington Arts Centre, Saturday, 8pm
THE choice is yours: Snake Davis solo, with his multitude of saxophones, in Helmsley on Friday, or Snake’s four-piece band – sax, guitar, bass and drums – in Pocklington on Saturday.
The first gig will be an informal acoustic evening of music and chat in two parts, showcasing his musical dexterity and the stories behind his work as a sax hired gun to the stars. The second night promises “something for everybody, from floaty to dance-able, from soul through pop to jazz and world, original material and classic sax pieces such as Baker Street and Night Train”. Box office: 01439 771700 or helmsleyarts.co.uk; Pocklington, 01759 301547 or pocklingtonartscentre.co.uk.
Milton Jones: Not short of shirts for his Ha!Milton tour
Comedy gig of the week: Milton Jones, Ha!Milton, Grand Opera House, York, Saturday, 7.30pm
THIS is not a musical. Milton Jones is tone deaf and has no sense of rhythm, he admits, but at least he doesn’t make a song and dance about it. Instead, he has more important things to discuss. Things like giraffes…and there’s a bit about tomatoes.
The shock-haired, loud-shirted master of the one-liner promises a whole new show of daftness. “You know it makes sense,” he says. Box office: atgtickets.com/york.
Will Young: Showcasing Light It Up’s joyous pop at Grand Opera House, York. Picture: Jamie Noise
Pop gig of the week: Will Young, Grand Opera House, York, Sunday, 7.30pm
MARKING the August 9 release of his Light It Up album, Will Young is embarking on his most intimate tour yet, an up-close-and-personal evening of acoustic performances, stories and conversation across 50 dates.
The ten tracks are a return to embracing joyous unashamed pop music for Young, who has teamed up with new collaborators pHD, the Scandinavian pop production/writing duo with Kylie and Little Mix credits, as well as reuniting with Groove Armada’s Andy Cato and long-term writing partners Jim and Mima Elliot, for “the go-to pop album for a dance, for a cry and for a celebration”. Box office: atgtickets.com/york.
The Beauty Of Being Herd: Ruth Berkoff’s debut show is “for anyone who’s ever found it hard to fit in”
Sheep and cheerful: Ruth Berkoff: The Beauty Of Being Herd, Theatre@41, Monkgate, York, September 12, and Terrington Village Hall, near Malton, September 28, both 7.30pm
HAVE you ever felt like an outsider? Hannah has. Her solution? She has decided to live as a sheep. “But don’t worry, she’s thought it all through. She’s even got a raincoat. And she’d love to tell you all about it at her Big Goodbye Party. Everyone is invited,” says Leeds writer-performer Ruth Berkoff, introducing her hour of comedy, original songs, heartfelt sharing and even a rave.
“Whether you’re shy, neurodivergent, have accidentally put your foot in it or simply had to spend time with people that weren’t ‘your people’, this is a show for anyone who’s ever found it hard to fit in.” Box office: York, tickets.41monkgate.co.uk; Terrington, terringtonvillagehall.co.uk.
Scarborough Crab: Jason Wilsher-Mills’s inflatable psychedlic crab installation at Woodend Gallery, Scarborough. Picture: Tony Bartholomew
Exhibition launch of the week: Jason Wilsher-Mills: Jason Beside The Sea, Woodend Gallery, The Crescent, Scarborough, September 14 to January 4 2025, Monday to Friday, 10am to 5pm; Saturdays, 10am to 4pm
LOOK out for a giant inflatable installation of a psychedelic crab and colourful digital wallpaper featuring a pair of lovers inspired by Scarborough’s Peasholm Park in Jason Wilsher-Mills’s larger-than-life exhibition, a colourful explosion of artwork characters that reveals the stories of his memories of childhood seaside holidays, 1970s’ working-class experience and disability.
Scarborough Triptych, a three-panel wallpaper of argonaut characters, includes the Manchester Argonaut, inspired by Joy Division singer Ian Curtis. Wilsher-Mills, a Yorkshire-based disabled artist, will give a gallery talk on October 12. Gallery entry is free.
Setting up camp: Julian Clary is bringing his western-themed stand-up show A Fistful Of Clary to Harrogate and York
Gig announcement of the week: Julian Clary, A Fistful Of Clary, Harrogate Theatre, May 2 2025, 7.30pm; Grand Opera House, York, May 25 2025, 7.30pm
JULIAN Clary is extending his A Fistful Of Clary stand-up tour to next spring. “Oh no, do I have to do this?” he asks. “Rylan and I were going to go back-packing in Wales. Sigh.”
Yee-haw, The Man With No Shame is adding 28 dates, Harrogate and York among them. “Yes, it has a Western theme,” Clary confirms, setting up camp for his comedy. “It was only a matter of time before I eased myself into some chaps.” Box office: Harrogate, 01423 502116 or harrogatetheatre.co.uk; York, atgtickets.com/york.
Cira Robinson in rehearsal for her role as Eve in London City Ballet’s Resurgence
LONDON City Ballet is touring again after a 30-year break, returning York Theatre Royal next Friday and Saturday on the aptly named Resurgence tour.
Heading to York as part of Theatre Royal chief executive Paul Crewes’s drive to bring more dance to the city, the revived touring company will present works by acclaimed British choreographers, under the direction of artistic director Christopher Marney, former principal dancer at New Adventures and director of the Joffrey Ballet Studio Company of Chicago.
After Kenneth MacMillan’s 1972 one-act ballet Ballade, unseen in Europe for more than 50 years, Ashley Page’s Larina Waltz on its 30th anniversary, and the premiere of Arielle Smith’s Five Dances, the programme will close with Marney’s full company work Eve, premiered at Sadler’s Wells in 2022.
Taking the lead role in Eve will be Cira (pronounced Cheera) Robinson, the former Ballet Black luminary, who has renewed creative acquaintance with Marney after he choreographed her Lady Macbeth in Fabula Collective’s Human Dancing in 2020 at the New National Theatre in Tokyo and first appearing as Eve in the 2022 premiere.
“Chris let me know, maybe at the end of 2022, that he had the idea of creating a small company to play small-scale theatres, touring with just a couple of chairs and some lights, which is pretty much all you need, and it’s important to go to these theatres because not everyone can afford to go to London or Birmingham,” she says.
Marney spent two years rebuilding London City Ballet with insights from its early pioneers, selecting works for the 2024 international tour that pays homage to the company’s roots in the form of rarely seen archival footage.
“The work is child-friendly too, and everyone likes a bit of nostalgia, don’t they. York Theatre Royal is the perfect place for that.”
Cira speaks from experience, having performed there regularly with Ballet Black since 2012. “It’s like a third home to me,” she says. “I love the Theatre Royal and the city has such a historic feel, a quaint villagey feel. I don’t know if the stage is raked any more…”
…Be assured, Cira, that notoriously steep rake has gone! She smiles at that revelation but is always happy to adapt to whatever a stage demands. “For this tour, there are only 12 of us in the company touring to smaller theatres, and you just get on with it. As long as there are dressing rooms, toilets and wings, we’re ready to go!”
Describing the role of Eve, Cira draws breath, then says: “Wow! OK, OK, she’s the first woman in the world and basically this dance tells that story. She’s in this world that’s completely new, seeing birds and nature for the first time, and she’s obviously innocent.
“When she sees the Serpent, she experiences this feeling, I would say lust. The way Chris has choreographed it, one dancer (Arthur Wille) switches between the Serpent and the Man, which adds another layer.
“Like the touch of a hand. ‘What is this,’ she thinks. ‘Is it right? Is it wrong? What is it doing to me?’. There’s a battle going on between innocence and intrigue.”
Cira thrives on working with Marney. “Chris is great because he knows what he wants but is open to the dancer’s artistry after building the first floor, especially with new pieces. In my dancing I try to be as honest as possible. I judge that honesty on how aware I am of things around me, taking Cira away and diving into the character of Eve, feeling like I’m in this world as the only woman on stage, the only woman in the world.”
Auditioned by Ballet Black in 2007, Cira left the United States for the United Kingdom in 2008, beginning a long association with the London company until retiring in December 2022, taking up the post of director of Yorkshire Ballet Seminars, who bring hundreds of young ballet students to Yorkshire each summer.
Now she returns to the stage for London City Ballet’s renaissance. “I’ve danced since I was eight. My first love of dancing was definitely its sense of expression without words. I already expressed myself enough in words, but now I could do it with joy without having to say anything,” she says.
“I always had a sense of rhythm and movement, and you learn that at the beginning it’s about repetition. I still teach at junior school, where they’ll say, ‘I want to do gymnastics’ or ‘I want to play football, but once they get past that, they find that repetition is vital – and it still is.
“I just fell in love with dancing, with my teacher saying, ‘you moved your arm beautifully’. I thought, ‘if I can do that, maybe I can get praise for more movement’.
“Dancing is a love affair for me and it’s been the most constant thing in my life.”
London City Ballet, Resurgence, York Theatre Royal, September 6, 7.30pm, and September 7, 2.30pm and 7.30pm. Box office: 01904 623568 or yorktheatreroyal.co.uk.
Copyright of The Press, York
Making her pointe: Additional questions for Cira Robinson
What are your recollections of arriving in London to join Ballet Black?
“I auditioned in 2007, and that was the first time I got my passport. Prior to that I danced with Dance Theatre of Harlem, surrounded by dancers of colour.
“When I came here to dance with Ballet Black, I knew they catered for black and brown dancers, when there was a lack of opportunity for those dancers elsewhere. Cassa Pancho [company founder and artistic director] made a point of that.
“I had this safety of Ballet Black having people who looked like me, and I realised how important the representation of colour was, and that has grown since then.”
How did you come to work with Freed of London on creating the first brown and bronze pointe shoe for the celebrated shoemakers?
“There is the skill of ‘pancaking’, to make a pointe shoe match your skin colour, and even white dancers have to do this. I had to do it for many years, and it was something passed down as a ritual, where you’re putting make-up foundation on the pointe-shoe satin.
“You apply it in a thin layer, making the shoe softer, and while the colour would look great, after a rehearsal or two, the shoes would start to dye, and those shoes are not cheap to replace.
“I’m a Freed of London shoe wearer and have been for years. There were these swatches of fabric, and I asked, ‘could I have a pointe shoe made of that?’, and though the initial reaction was they didn’t think it was possible, I went round six or eight fabric shops, and I could only find dark or light colours, but my friend said, ‘let’s try two more’, and in the next one I found the perfect colours.”
“The next day I went into Ballet Black and told Cassa Pancho about it, who said, ‘that’s great, but you shouldn’t be doing that. I’ll do it’!”
And so, Freed of London’s brown and bronze point shoes were born. “It’s been great. Lessening the time to prepare a show, and the feedback has been phenomenal.
“That’s the thing. Once someone starts something, it forces everyone to get into gear because dancers come in many shapes and colours.”
How do you retain your physical condition through all these years of dancing?
“It’s sheer will, but there are going to be injuries, there are going to be niggles, because it’s unnatural turning out our legs, and with that, our bones and muscles take a beating. As much asdancing is my force for existing, there needs to be time for balancing the things you do.
“I’ve had shin splints and stress fractures, and with dancers our pain threshold is a bit different. We can take more pain, but sometimes you have to say, ‘hold on, I need a break, so I can come back stronger’.”
How did the chance to perform with grime star Stormzy on the main stage at Glastonbury emerge?
“Specifically through Ballet Back. Maybe Cassa followed Stormzy on Instagram. The fact that Freed of London’s brown pointe shoes had come out was something to highlight, and Stormzy made a point of wanting to highlight ballet dancers of colour dancing in those shoes and loving it.
“It was over in seconds! I’ve danced in front of big audiences, but this was like nothing I’d experienced before. The crowd went on for miles and miles.”
Describe your experience of playing Lady Macbeth in Japan under the shadow of Covid.
“It came about through Yukiko Tsukamoto. We were friends and she’d started this small performing group [Fabula Collective] and wanted me to perform as Lady Macbeth, with Chris Marney directing.
“That was in 2021. I’d never been to Japan before. We had to quarantine for 14 days, then had five days out for maybe two performances. There were just three of us in the cast, with me playing Lady Macbeth going mad, seeing the dagger before her, seeing all these hands coming out of pockets.
“It was really interesting, showing her quick rise and drastic fall in 20 minutes, and then ultimately dying, giving so much information in that short time in Chris’s choreography.”
How did you feel about leaving Ballet Black?
“It wasn’t a difficult decision because it was something I was preparing for, after 14 years with that company, wanting to step out and explore other opportunities…and that’s when I joined Yorkshire Ballet Seminars.
“I’d come up in teach the summer seminars at Askham Bryan, at the farm – I remember it was smelly! – and I’ve thoroughly enjoyed teaching. It’s not a normal vocational school, it’s a summer intensive, residential seminar where the children are able to run around the fields.
“In 2021, I ended up getting Covid two days before I was due to teach there again, and that year Iain Mackay let me know he was retiring as the director and said I should apply. I didn’t think I was ready to be director and hadn’t thought about leaving Ballet Black yet, but I did go to a couple of meeting, thought I didn’t get the job.
“I thought, ‘OK, I’ll continue my freelance life’ and then one day I was in Derby, and the girl in front of me in the dance class broke her ankle and you think ‘that could have been me’. When I got back to the dressing room, there was a missed call from Iain [Mackay] saying the person they had chosen hadn’t worked out.
“I played it in my mind for 24 hours, thinking about that broken ankle, and I decided I should take the director’s job. My last show with Ballet Black was on December 5 2022 and I started the directorship on the 12th…but I was also pregnant!
“Retirement. New job. Baby. I’d been learning the ropes and then took maternity leave and started back in August 2023, still picking up skills. All those things I didn’t study for.
“Yorkshire Ballet Seminars have been held at Ashville College, in Harrogate, since 2021 and it’s been an amazing, insightful experience being the director since 2022. It’s not for the faint-hearted but I love what I do as a teacher, and the future of young dancers in this country means a lot to me, being impactful that way, especially with Yorkshire Ballet Seminars. The sessions are serious but the dancers can also be a kid there, finding their individuality.
Cira Robinson: the back story
BORN in Cincinnati, Ohio, USA, where she began dancing at the age of eight.
After graduating from the School for Creative and Performing Arts in 2004, she moved to New City as an apprentice with the Dance Theatre of Harlem’s Dancing Through Barriers Ensemble.
After a few months, she became a full member, dancing many works from the DTH repertoire under the guidance of Arthur Mitchell.
In 2008, she joined Ballet Black in London, where she created many roles with numerous choreographers from around the world, such as Liam Scarlett, Richard Alston, Antonia Franceschi, Christopher Hampton, Annabelle Lopez Ochoa, Christopher Marney and Gregory Maqoma, in her 14 years with the company.
Nominated in 2013 for Outstanding Classical Female at Critics Circle National Dance Awards, then Best Female Dancer nominee in 2021 awards.
In 2017, Cira worked with Freed of London and Ballet Black to create the first brown and bronze pointe shoe for the shoemakers.
In 2019, she danced on Glastonbury Pyramid stage with headline act Stormzy.
Teacher for Ballet Black Junior Ballet School and Yorkshire Ballet Summer Seminars and at open classes throughout UK.
Joined Fabula Collective in 2021 as guest artist in lead role of Lady Macbeth in Human Dancing, choreographed by Christopher Marney at New National Theatre, Tokyo, Japan.
Premiered lead role in Christopher Marney’s Eve at Sadler’s Wells, London, in September 2022. Won award for Best Soloist in Dance Production at Black British Theatre Awards.
Since retiring from Ballet Black in December 2022, Cira has become director of the charitable organisation Yorkshire Ballet Seminars.
In 2024, she returns to the stage as Eve in London City Ballet tour of Resurgence.
Spreading her wings: Elle Wootton in The 13-Storey Treehouse at Grand Opera House, York. Picture: James D Morgan
SHAKESPEARE sonnets, a treehouse with bowling alley and sea monster, The Magpies’ music festival and a thrilling children’s workshop will keep the summer diary busy, advises Charles Hutchinson.
Family show of the week: The 13-Storey Treehouse, Grand Opera House, York, today and tomorrow, 1pm and 5pm
ADAPTED by Richard Tulloch (The Book Of Everything, Bananas In Pyjamas), this one-hour play for children aged six to 12 brings Andy Griffiths and Terry Denton’s story to stage life with a seriously funny cast and a treehouse replete with a bowling alley, a secret underground laboratory, self-making beds and a marshmallow machine.
Expect magical moments of theatrical wizardry and a truckload of imagination from the cast of Elle Wootton, Edwin Beats and Ryan Dulieu when Andy and Terry forget to write their debut play. Where will they find flying cats, a mermaid, a sea monster, an invasion of monkeys and a giant gorilla? Find out this weekend. Box office: atgtickets.com/york.
Maurice Crichton’s Callum, the director, and Alexandra Logan’s Lily, the upstart actress, exchange words in the dress rehearsal for York Shakespeare Project’s Summer Sonnets in the Holy Trinity churchyard, in Goodramgate, York. Picture: John Saunders
Wedding invitation of the week: York Shakespeare Project, Summer Sonnets, Holy Trinity churchyard, Goodramgate, York, today to August 17, except August 12, 6pm and 7.30pm plus 4.30pm today and next Saturday
AUDIENCES are invited to a secret wedding at Holy Trinity, where they will meet the church’s most famous couple – Anne “Gentleman Jack” Lister and Ann Walker – while enjoying a complimentary drink.
Linked by Josie Campbell’s script, York Shakespeare Project’s tenth anniversary selection of Shakespeare sonnets will be performed in character by Maurice Crichton; Marie-Louise Feeley; Liam Godfrey; Emily Hansen; Halina Jaroszewska; Alexandra Logan; Sally Mitcham; Grace Scott; Effie Warboys; Helen Wilson and director Tony Froud. Box office: 01904 623568 or yorktheatreroyal.co.uk/show/summer-sonnets/.
Lincoln Lightfoot: Taking part in the York River Art Market today
York’s answer to the Left Bank in Paris: York River Art Market, today and tomorrow; August 17 and 18, 10am to 5pm
ORGANISED by jewellery designer and York College art tutor Charlotte Dawson, York River Art Market sets out its stalls on the Dame Judi Dench Walk riverside for a ninth summer season. Up to 30 artists and makers per day will be exhibiting ceramics, jewellery, paintings, prints, photographs, clothing, candles, T-shirts, shaving products and more. Admission is free.
Castle Howard: “Silence” is golden in the Boar Garden tonight when DJs fill revellers’ headphones with Nineties’ dancefloor nuggets
Hush-hush event of the week: 90s’ Outdoor Silent Disco, Castle Howard, near Malton, today, 7pm to 10pm
CASTLE Howard’s Boar Garden plays host to some of Great Britain’s best 90s’ DJs, spinning pop, R&B and band favourites in a feel-good experience. Revellers can select from three different channels of music while wearing state-of-the-art LED headphones. sets. Valid photographic ID may be requested on entry to this strictly 18-plus event. Box office: eventbrite.co.uk/e/90s-silent-disco-at-castle-howard-tickets-846091200557.
Artist Peter Hicks in his studio, working on his Fountains Abbey and Studley Royal commission
Exhibition of the week: Peter Hicks, Fountains Abbey and Studley Royal Water Garden, near Ripon
PETER Hicks’s summer exhibition, Fountains Abbey & Studley Royal – A Landscape Painter’s Perspective, is being extended to September 15. On show are works painted in response to the John and William Aislabie-designed landscapes at Fountains during Hicks’s 2023 residency.
Commissioned by the National Trust, the Yorkshire landscape artist’s paintings, studies and sketchbooks are on display in Fountains Mill. Hicks specialises in abstract landscapes with acrylic washes on canvas and board, making his own benches and brush handles and using humble, accessible materials. Tickets: nationaltrust.org.uk/visit/yorkshire/fountains-abbey-and-studley-royal-water-garden.
The Magpies: Running their fourth music festival at Sutton Park, near York
Festival of the week: The Magpies Festival, Sutton Park, near York, today
RUN by transatlantic folk band The Magpies, The Magpies Festival is rooted in the trio’s native Yorkshire, where they first met. Now in its fourth year, the 2024 event will be headlined today by Sam Kelly & The Lost Boys at 10pm, preceded by Charm Of Finches, 12 noon, The Often Herd, 2pm, Jesca Hoop, 4pm, The Magpies, 6pm, and Nati (formerly known as Nati Dreddd), 8pm.
The poster for the Three Day Thriller workshop for children at Helmsley Arts Centre
Children’s activity of the week: The Three Day Thriller, Helmsley Arts Centre, August 12 to 14, 10am to 2pm. CANCELLED
BUCKLE up for this improvising and devising workshop for 11 to 16-year-olds, designed to look at different theatre and performance techniques to make a new story in the thriller genre. The focus will be on character, plot and staging to create excitement, mystery and suspense, keeping audiences on the edge of their seats. At the end of day three, the work explored will be shared with family and friends. Places on the £75 workshop can be booked on 01439 771700 or at helmsleyarts.co.uk.
Robert Gammon: Playing at Dementia Friendly Tea Concert at St Chad’s Church, York
Dementia Friendly Tea Concert: Robert Gammon, piano, St Chad’s Church, Campleshon Road, York, August 15, 2.30pm
PIANIST Robert Gammon returns to St Chad’s to perform Bach’s Prelude and Fugue in F sharp Minor from the Well Tempered Clavier Book 2, Schumann’s Kinderszenen and two Chopin Polonaises. As usual, 45 minutes of music will be followed by tea and homemade cakes in the church hall.
“This relaxed event is ideal for people who may not feel comfortable at a formal classical concert, so we do not mind if the audience wants to talk or move about,” says organiser Alison Gammon. Seating is unreserved; no admission charge, but donations are welcome.
Elkie Brooks: Heading out on her Long Farewell Tour. Leeds and York await. Picture: Neil Kirk
Gig announcement of the week: Elkie Brooks, Long Farewell Tour, Leeds City Varieties Music Hall, September 12; York Barbican, April 11 2025
AFTER 64 years of performing live, the “British queen of blues”, Elkie Brooks, is to undertake her Long Farewell Tour, visiting Leeds and York among 24 dates.
The Salford singer, 79, will perform such hits as Pearl’s A Singer, Lilac Wine, Fool (If You Think It’s Over), Sunshine After The Rain, No More The Fool and Don’t Cry Out Loud in a career-spanning show of blues, rock and jazz numbers that will showcase material from her forthcoming 21st studio album for the first time. Box office: elkiebrooks.com/elkie-brooks-tour-dates-2024; leedsheritagetheatres.com and yorkbarbican.co.uk.
In Focus: North York Moors Chamber Music Festival, August 11 to 24
North York Moors Chamber Music Festival curator Jamie Walton. Picture: Matthew Johnson
THE ground-breaking North York Moors Chamber Music Festival is returning for its 16th consecutive season after record audience figures last summer.
Running from August 11 to 24 with the title of Echos, the festival uses moorland churches and an acoustically treated venue in the grounds of Welburn Manor, attracting international artists, many of them committing to the entire fortnight by taking up residencies.
This summer, these musicians include violinist Alena Beava, Benjamin Baker and Charlotte Scott; pianists Vadym Kholodenko, Katya Apekisheva, Daniel Lebhardt and Leeds International Piano Competition prize-winner Ariel Lanyi; clarinettist Matthew Hunt and mezzo-soprano Anna Huntley, who originates from Yarm. The programme will feature a Young Artists Focus too.
The festival’s 14 afternoon and evening concerts will present music by Schubert, Rachmaninoff, Mozart, Schumann, Elgar, Debussy and Mendelssohn, together with thrilling 20th century classics.
Each concert will take the audience on a musical journey through the narrative of specific themes, in carefully curated, thought-provoking music that pushes the boundaries.
As well as Welburn Manor, concerts will take place at churches including St Michael’s, Coxwold; St Mary’s, Lastingham; St Hilda’s, Danby, and St Hedda’s, Egton Bridge.
Festival curator and cellist Jamie Walton says: “Expect to be stirred, thrilled and at times moved as we explore the phenomenon of influence, of cycles through the ages, musical shadows, and themes which echo the times. These concerts are intense for both the audiences and artists but often revelatory and transformative.
“There’s a palpable sense of common purpose and feeling between all those who are there participating in the experience, either on stage or as a listener. It’s a profoundly reassuring experience, and one which we all cherish.”
Who will be playing at North York Moors Chamber Music Festival
Violinist Alena Baeva performing at North York Moors Chamber Music Festival in 2023. Picture: Matthew Johnson
Violin: Alena Baeva; Benjamin Baker; Marike Kruup; Emma Parker; Victoria Sayles; Charlotte Scott; Bridget O’Donnell and Simmy Singh
Viola: Meghan Cassidy; Simone van der Giessen; Max Mandel; David Shaw
Cello: Rebecca Gilliver; Tim Posner; Jamie Walton and Deni Teo
Double bass: Misha Mullov-Abbado
Piano: Katya Apekisheva; Vadym Kholodenko; Joseph Havlat; Ariel Lanyi; Daniel Lebhardt
Clarinet: Matthew Hunt
Flute: Thomas Hancox and Silvija Scerbaviciute
Mezzo soprano: Anna Huntley
Plus: The Paddington Trio
North York Moors Chamber Music Festival: the programme
Charlotte Scott: Returning to North York Moors Chamber Music Festival in 2024. Picture: Matthew Johnson
August 11, 2pm, Passing Themes, Marquee, Welburn: Corelli – Violin sonata in D minor op 5 no 12 (‘La Folia’); Rachmaninoff – Variations on a Theme of Corelli op 42*; Dvořák – Piano trio no 4 in E minor op 90 (‘Dumky’)
August 12, 7pm, Tales From The Stage, Marquee, Welburn: Stravinsky – The Soldier’s Tale Suite; Poulenc – Sonata for violin and piano*; Debussy – Bilitis for flute and piano; Poulenc – L’Invitation au Chateau; Stravinsky – Divertimento (The Fairy’s Kiss Suite)
August 13, 2pm, Enlightenment, St Michael’s, Coxwold: Beethoven – String trio op 9 no 1 in G major; Weber – Clarinet quintet in B-flat major op 34
August 14, 7pm, Echoes and Embers, Marquee, Welburn: Dutilleux – Sonatine Myths; Simpson – Eleven Echoes of Autumn*; Szymanowski – Myths op 30; Simpson – An Essay of Love
August 15, 2pm, Landscape and Memory, St Mary’s, Lastingham : Dowland – Lachrymae Antiquae; Purcell – Chacony in G minor (arr. Britten); Adès – O Albion; Adès – Alchymia
August 16, 7pm, Towards The Edge, Marquee, Welburn: Shostakovich, Piano trio no 2 in E minor op 67*; Zarębski – Piano quintet; Liszt – La lugubre gondola II; Shostakovich – Piano trio no 2 in E minor op 67*; Zarębski – Piano quintet in G minor op 34
August 17, 7pm, Vienna!, Marquee, Welburn: Mozart – Sonata for violin and piano no 21 in E minor K304; Webern – Langsamer Satz; Schoenberg – Chamber Symphony no 1 op 9 (arr. Webern)*; Berg – Adagio for violin, clarinet and piano Schubert – Fantasy in C major for violin and piano D934
Pianist Daniel Lebhardt: A regular player at North York Moors Chamber Music Festival. Picture: Matthew Johnson
August 18, 2pm, Heading East, St Hilda’s, Danby: Kodály – Intermezzo for string trio; Dohnányi – Serenade in C for string trio op; Kodály – Duo sonata for violin and cello op 7
August 19, 7pm, Songs For The Earth, Marquee, Welburn: string quartet & double-bass
August 20, 7pm, La Belle Époque, Marquee, Welburn: Debussy – Violin sonata in G minor; Fauré – La Bonne Chanson op 61*; Chausson – Chanson perpétuelle op 37; Chausson – Concert for violin, piano and string quartet op 21
August 21, 7pm, A Wartime Story, Marquee, Welburn: Elgar – Sonata for violin and piano in E minor op 82*; Prokofiev – (War) Sonata for piano no 8 in b-flat major op 84; Ravel – Piano trio in A minor
August 22, 2pm, Jubilation, St Hedda’s, Egton Bridge: Brahms – String quintet no 2 in G major op 111; Mendelssohn – String octet in E flat major op 20
August 23, 7pm, Ghosts Of History, Marquee, Welburn: Beethoven – Piano trio op 70 no 1 in D major (‘Ghost’); Saariaho – Light and Matter; Matteis – Fantasia for violin in A minor*; Elgar – Piano quintet in A minor op 84
August 24, 2pm, A New Dawn, Marquee, Welburn; Schumann – Gesänge der Frühe op 133; Schubert – Adagio e Rondo Concertante D487*; Schumann – Piano quartet in E flat major op 47
* Interval follows
The North York Moors Chamber Music Festival stage at last summer’s event in the Welburn Abbey marquee. Picture: Matthew Johnson
More Things To Do in York and beyond “poo power” from August 17 onwards. Here’s Hutch’s List No 34, from The Press, York
DON’T poo-poo Ada Grey’s exhibition for children at Nunnington Hall, advises Charles Hutchinson, as he picks cultural highlights for the weeks ahead.
Wedding invitation of the week: York Shakespeare Project, Summer Sonnets, Holy Trinity churchyard, Goodramgate, York, August 17 at 4.30pm, 6pm and 7.30pm
AUDIENCES are invited to a secret wedding at Holy Trinity, where they will meet the church’s most famous couple – Anne “Gentleman Jack” Lister and Ann Walker – while enjoying a complimentary drink.
Linked by Josie Campbell’s script and theatrical characters, York Shakespeare Project’s tenth anniversary selection of Shakespeare sonnets is performed in character by Maurice Crichton; Marie-Louise Feeley; Liam Godfrey; Emily Hansen; Halina Jaroszewska; Alexandra Logan; Sally Mitcham; Grace Scott; Effie Warboys; Helen Wilson and director Tony Froud. Box office: 01904 623568 or yorktheatreroyal.co.uk/show/summer-sonnets/.
Mopping up: Marie-Louise Feeley’s Doreen and Helen Wilson’s Maureen, the church-cleaning double act in York Shakespeare Project’s Summer Sonnets. Picture: John Saunders
York’s answer to the Left Bank in Paris: York River Art Market, August 17 and 18, 10am to 5pm
YORK River Art Market sets out its stalls on the Dame Judi Dench Walk riverside for its third weekend this summer, featuring up to 30 artists and makers per day. Among today’s stallholders will be Bejojo Art, Jillie Lazenby, Woody’s Creations, Emily Littler, Happy Pot Mama, Magdalena Biernacka, Kissed Frog, I’ve Been Creative, Matt Lightfoot Photography, Inky Print Designs and Wood Wyrm.
Popping up tomorrow will be Urban Infill Store, Wild Orange Tree, Jo O’Cuinneagan, Rock and Twig Studio, David Lobley Photography, The Littlest Falcon, Feather Isle, Fei’s Crochet, Painter Merv, Stairwell Books, Ounce Of Style and plenty more. Look out for York singer-songwriter Heather Findlay on busking duty tomorrow. Admission is free.
Heather Findlay: Busking at August 17’s York River Art Market. Picture: Adam Kennedy
Exhibition of the week: Ada Grey, Splat! Patter! Plop!, Nunnington Hall, Nunnington, near York, until September 8
DIVE into a world where the “hilarity of poo” takes centre stage in this “unique children’s illustration exhibition like no other” by Ada Grey, creator of such picture books as Poo In The Zoo, Island Of Dinosaur Poo and Super Pooper Road Race.
Noted for the vibrant colours, lively characters and comical twists of her children’s tales, for the first time Grey is showcasing illustrations of such beloved characters as Bob McGrew and Hector Gloop in iconic moments from her favourite stories. Children have the chance to immerse themselves in Ada’s books, draw inspiration to create their own characters and proudly display their creations in the Poop-a-Doodle gallery. Grey will drop in on August 20 to run workshops for children from 11am to 4pm. Tickets and workshop bookings: nationaltrust.org.uk/visit/yorkshire/nunnington-hall/exhibitions.
Poo power: Illustrator and author Ada Grey’s exhibition at Nunnington Hall
Dance show of the week: Michael Flatley’s Lord Of The Dance, York Barbican, August 20 to 25, 7.45pm, plus Saturday matinee at 2.30pm
IN the words of Lord Of The Dance impresario Michael Flatley: “Our 2024 tour promises to be an extraordinary journey that will take audiences to the next level once again.
“In 2024, this extraordinary experience for fans will feature new staging, fresh choreography, new costumes, cutting-edge technology, and special effects lighting. It’s a celebration of a lifetime of standing ovations and we aim to leave the audience spellbound.” Box office: yorkbarbican.co.uk.
Lord Of The Dance: “Aiming to leave the audience spellbound” at York Barbican
York gig of the week: Please Please You & Brudenell presents Lanterns On The Lake, The Crescent, York, August 23, 7.30pm
FORMED on Tyneside in 2007, Lanterns On The Lake combine dreamy, melancholic indie rock with beautiful layers of texture and celestial melodies. Led by singer and songwriter Hazel Wilde, the 2020 Mercury Prize nominees have supplied soundtrack music to Conversations With Friends, Uncanny, Made In Chelsea, Skins and the video game Life Is Strange and recorded an orchestral live album with the Royal Northern Sinfonia.
Their latest album, June 2023’s Versions Of Us, is full of existential meditations, “examining life’s possibilities, facing the hand we’ve been dealt and the question of whether we can change our individual and collective destinies”. Box office: thecrescentyork.com/events/lanterns-on-the-lake.
Lanterns On The Lake’s Hazel Wilde, Paul Gregory, Bob Allan and Angela Chan: Playing The Crescent on their return to York
Another slice of MeatLoaf: MeatLoud – Bat Out Of Hades, Joseph Rowntree Theatre, York, August 24, 7.30pm
FOUNDED in 2015, this powerhouse tribute to MeatLoaf and songwriter Jim Steinman is fronted by vocalist Andy Plimmer, who is joined Sally Rivers to take on the guise of Bonnie Tyler, Celine Dion and Cher. The second half features a complete performance of the classic 1977 album Bat Out Of Hell. Box office: 01904 501935 or josephrowntreetheatre.co.uk.
MeatLoud: Paying tribute to MeatLoaf and Jim Steinman at Joseph Rowntree Theatre
New season opener: Jake Vaadeland & The Sturgeon River Boys, Selby Town Hall, September 4, 7.30pm
SELBY Town Hall kicks off its autumn season with the debut visit of Jake Vaadeland & The Sturgeon River Boys, purveyors of bluegrass and rockabilly from Saskatchewan, Canada.
Selby Town Council arts officer Chris Jones enthuses: “I absolutely love these guys. It’s probably the show I’m most looking forward to in the second half of the year. At just 21 years old, Jake is terrifyingly talented. He and the band – dressed in authentic 1950s’ suits – make the most fantastically fun, upbeat, toe-tapping music, already gracing the main stages of festivals across North America.” Box office: 01757 708449 or selbytownhall.co.uk.
Jake Vaadeland & The Sturgeon River Boys: Making debut appearance at Selby Town Hall next month
Theatre chat: An Evening With Simon Russell Beale, York Theatre Royal, September 10, 7.30pm
WAS Shakespeare an instinctive “conservative” or, rather, gently subversive? How collaborative was he? Did he add a line to Hamlet to accommodate his ageing and increasingly chubby principal actor Richard Burbage? Did he suffer from insomnia and experience sexual jealousy?
In An Evening With Simon Russell Beale, in conversation with a special guest, the Olivier Award-winning actor will share his experiences of “approaching and living with some of Shakespeare’s most famous characters”, from his school-play days as Desdemona in Othello to title roles in Hamlet and Macbeth. Expect anecdotes of Sam Mendes, Nick Hytner, Stephen Sondheim and Lauren Bacall too. Box office: 01904 623568 or yorktheatreroyal.co.uk.
Simon Russell Beale: Shakespeare actor, now starring as Ser Simon Strong in House Of The Dragon, will be in conversation at York Theatre Royal in September
“Think The Great Gatsby meets Sinatra At The Sands meets Back To The Future”:Postmodern Jukebox, Moonlight & Magic World Tour, York Barbican, May 7 2025
RETRO musical collective Postmodern Jukebox have announced the 34-date UK & Australia/New Zealand leg of next year’s Moonlight & Magic World Tour that includes a return to York Barbican.
“If we’ve learned anything from ten years of touring the world, it’s that great music has the ability to transcend time and space in a way that is best described as ‘magic,” says Postmodern Jukebox creator and show director Scott Bradlee, whose parallel musical universe reimagines pop hits in 1920s’ jazz, swing, doo-wop and Motown settings. Box office: yorkbarbican.co.uk.
Postmodern Jukebox: Retro musical collective head back to past triumphs at York Barbican
Elle Wootton in The 13-Storey Treehouse at Grand Opera House, York. Picture: James D Morgan
SHAKESPEARE sonnets, a treehouse with bowling alley and sea monster, The Magpies’ music festival and a thrilling children’s workshop will keep the summer diary busy, advises Charles Hutchinson.
Family show of the week: The 13-Storey Treehouse, Grand Opera House, York, today(8/8/2024) to Sunday, 1pm and 5pm
ADAPTED by Richard Tulloch (The Book Of Everything, Bananas In Pyjamas), this one-hour play for children aged six to 12 brings Andy Griffiths and Terry Denton’s story to stage life with a seriously funny cast and a treehouse replete with a bowling alley, a secret underground laboratory, self-making beds and a marshmallow machine.
Expect magical moments of theatrical wizardry and a truckload of imagination from the cast of Elle Wootton, Edwin Beats and Ryan Dulieu when Andy and Terry forget to write their debut play. Where will they find flying cats, a mermaid, a sea monster, an invasion of monkeys and a giant gorilla? Find out this week. Box office: atgtickets.com/york.
Josie Campbell: Writer of the script to accompany Shakespeare’s sonnets in York Shakespeare Project’s outdoor show at Holy Trinity, Goodramgate, York
Wedding invitation of the week: York Shakespeare Project, Summer Sonnets, Holy Trinity churchyard, Goodramgate, York, Friday to August 17, except August 12, 6pm and 7.30pm plus 4.30pm on both Saturdays
AUDIENCES are invited to a secret wedding at Holy Trinity, where they will meet the church’s most famous couple – Anne “Gentleman Jack” Lister and Ann Walker – while enjoying a complimentary drink.
Linked by Josie Campbell’s script, York Shakespeare Project’s tenth anniversary selection of Shakespeare sonnets are performed in character by Maurice Crichton; Marie-Louise Feeley; Liam Godfrey; Emily Hansen; Halina Jaroszewska; Alexandra Logan; Sally Mitcham; Grace Scott; Effie Warboys; Helen Wilson and director Tony Froud. Box office: 01904 623568 or yorktheatreroyal.co.uk/show/summer-sonnets/.
The poster for Safe Suburban Home Records’ August ’24 Roadshow at The Crescent, York
York gig of the week: Safe Suburban Home Records presents August ’24 Roadshow, Cowgirl, Teenage Tom Petties and Oort Clod, The Crescent, York, Friday, 7.30pm
SAFE Suburban Home Records will be in party mood at The Crescent, celebrating Friday’s release of York garage rock quartet Cowgirl’s new album, Cut Offs. Built around chief songwriters Danny Trew Barton and Sam Coates, they wrap melodies in walls of wailing guitar fuzz.
Teenage Tom Petties deliver transatlantic slacker rock with just the right amount of slop, fuzz and melody; Manchester’s mask-wearing Oort Clod promise post-punk, garage rock and jangly indie. Box office: thecrescentyork.com.
Fountains By Water, by Peter Hicks, on show at Fountains Abbey. Picture: Joe Cornish
Exhibition of the week: Peter Hicks, Fountains Abbey and Studley Royal Water Garden, near Ripon
THIS summer’s run of Peter Hicks’s exhibition, Fountains Abbey & Studley Royal – A Landscape Painter’s Perspective, is being extended to September 15. On show are works painted in response to the John and William Aislabie-designed landscapes at Fountains during Hicks’s residency in 2023.
Commissioned by the National Trust, the Yorkshire landscape artist’s paintings, studies and sketchbooks are on display in Fountains Mill. Hicks specialises in abstract landscapes with acrylic washes on canvas and board, making his own benches and brush handles and using humble and accessible materials, such as old margarine pots for mixing his paints. Tickets: nationaltrust.org.uk/visit/yorkshire/fountains-abbey-and-studley-royal-water-garden.
Actress, vocalist and accordion player Natalia Tena fronts Molotov Jukebox at The Magpies Festival, backed by Balkan fiddle, Latin trumpet and a pounding rhythm section, on Friday
Festival of the week: The Magpies Festival, Sutton Park, near York, Friday and Saturday
RUN by transatlantic folk band The Magpies, The Magpies Festival is rooted in the trio’s native Yorkshire, where they first met. Now in its fourth year, the 2024 event will be headlined on Friday on the main stage by bi-lingual six-piece Molotov Jukebox at 10pm, preceded by Chris While & Julie Matthews, 6pm, and Jim Moray, 8pm.
Friday’s Brass Castle Stage bill features Em Risley, 5pm; Taff Rapids Stringband, 7pm; The Turbans, 9pm, and Easingwold musician Gary Stewart’s Graceland, 11pm.
Saturday’s main stage bill will be topped by Sam Kelly & The Lost Boys at 10pm, preceded by Charm Of Finches, 12 noon, The Often Herd, 2pm, Jesca Hoop, 4pm, The Magpies, 6pm, and Nati (formerly known as Nati Dreddd), 8pm. Saturday’s Brass Castle Stage line-up comprises Painted Sky, 1pm; Suntou Susso, 3pm; Northern Resonance, 5pm; Awkward Family Portraits, 7pm, and Marvara, 9pm. Box office: themagpiesfestival.co.uk/tickets.
The poster for the Three Day Thriller workshop for children at Helmsley Arts Centre
Children’s activity of the week: The Three Day Thriller, Helmsley Arts Centre, August 12 to 14, 10am to 2pm. CANCELLED
BUCKLE up for this improvising and devising workshop for 11 to 16-year-olds, designed to look at different theatre and performance techniques to make a new story in the thriller genre. The focus will be on character, plot and staging to create excitement, mystery and suspense, keeping audiences on the edge of their seats. At the end of day three, the work explored will be shared with family and friends. Places on the £75 workshop can be booked on 01439 771700 or at helmsleyarts.co.uk.
Robert Gammon: Playing at Dementia Friendly Tea Concert at St Chad’s Church, York
Dementia Friendly Tea Concert: Robert Gammon, piano, St Chad’s Church, Campleshon Road, York, August 15, 2.30pm
PIANIST Robert Gammon returns to St Chad’s to perform Bach’s Prelude and Fugue in F sharp Minor from the Well Tempered Clavier Book 2, Schumann’s Kinderszenen and two Chopin Polonaises. As usual, 45 minutes of music will be followed by tea and homemade cakes in the church hall.
“This relaxed event is ideal for people who may not feel comfortable at a formal classical concert, so we do not mind if the audience wants to talk or move about,” says organiser Alison Gammon. Seating is unreserved; no admission charge, but donations are welcome.
The gang is back: Martin Stephenson performs with his fellow Daintees stalwarts at Milton Rooms, Malton, this autumn
Gig announcement of the week: Martin Stephenson & The Daintees, Milton Rooms, Malton, October 13, 8pm
MARTIN Stephenson’s focus will be on You Belong To Blue, the February 2023 album that saw original Daintees’ members Gary Dunn, Anthony Dunn and Charlie Smith, plus a selection of special guests, joining up with the Durham-born singer-songwriter once again.
His Malton set will feature Daintees and Stephenson solo favourites stretching back to his 1986 debut Boat To Bolivia as he dips into country, folk, jazz, blues, skiffle and reggae. Box office: 01653 696240 or themiltonrooms.com.
What’s On in Ryedale, York and beyond, from August 14 onwards. Here’s Hutch’s List No. 29, from Gazette & Herald
Tony Froud’s Reverend Ebenezer Goode in York Shakespeare Project’s Summer Sonnets. Picture: John Saunders
DON’T poo-poo Ada Grey’s exhibition for children at Nunnington Hall, advises Charles Hutchinson, as he picks cultural highlights for the weeks ahead.
Wedding invitation of the week: York Shakespeare Project, Summer Sonnets, Holy Trinity churchyard, Goodramgate, York, until August 17, 6pm and 7.30pm plus 4.30pm Saturday
AUDIENCES are invited to a secret wedding at Holy Trinity, where they will meet the church’s most famous couple – Anne “Gentleman Jack” Lister and Ann Walker – while enjoying a complimentary drink.
Linked by Josie Campbell’s script, York Shakespeare Project’s tenth anniversary selection of Shakespeare sonnets is performed in character by Maurice Crichton; Marie-Louise Feeley; Liam Godfrey; Emily Hansen; Halina Jaroszewska; Alexandra Logan; Sally Mitcham; Grace Scott; Effie Warboys; Helen Wilson and director Tony Froud. Box office: 01904 623568 or yorktheatreroyal.co.uk/show/summer-sonnets/.
Heather Findlay: Busking at Sunday’s York River Art Market. Picture: Adam Kennedy
York’s answer to the Left Bank in Paris: York River Art Market, August 17 and 18, 10am to 5pm
YORK River Art Market sets out its stalls on the Dame Judi Dench Walk riverside for its third weekend this summer, featuring up to 30 artists and makers per day. Among Saturday’s stallholders will be Bejojo Art, Jillie Lazenby, Woody’s Creations, Emily Littler, Happy Pot Mama, Magdalena Biernacka, Kissed Frog, I’ve Been Creative, Matt Lightfoot Photography, Inky Print Designs and Wood Wyrm.
Popping up on Sunday will be Urban Infill Store, Wild Orange Tree, Jo O’Cuinneagan, Rock and Twig Studio, David Lobley Photography, The Littlest Falcon, Feather Isle, Fei’s Crochet, Painter Merv, Stairwell Books, Ounce Of Style and plenty more. Look out for York singer-songwriter Heather Findlay on busking duty on Sunday. Admission is free.
Bedern Hall: Playing host to SconeFest from August 14 to 16
Festival of the week: SconeFest, Bedern Hall, Bartle Garth, St Andrewgate,York, August 14 to 16, 11am to 3pm
BEDERN Hall, York’s 14th-century dining hall, hosts the city’s second annual SconeFest, promising a new mystery flavour every day, with the chance to win an afternoon tea for two at the hall if your guess is correct. In addition, the menu will include beloved flavours such as cheese, fruit and lavender.
Director Roger Lee says: “We’re honoured to have Bernadette – famed for her Christmas Pudding scones – baking for us, and we can’t wait for everyone to experience her incredible scones.” No need to book; visitors are welcome at any time throughout the day. Takeaway scones and hot drinks will be available.
Poo power: Illustrator and author Ada Grey’s exhibition at Nunnington Hall
Exhibition of the week: Ada Grey, Splat! Patter! Plop!, Nunnington Hall, Nunnington, until September 8
DIVE into a world where the “hilarity of poo” takes centre stage in this “unique children’s illustration exhibition like no other” by Ada Grey, creator of such picture books as Poo In The Zoo, Great Poo Mystery, Island Of Dinosaur Poo and Super Pooper Road Race.
Noted for the vibrant colours, lively characters and comical twists of her children’s tales, for the first time Grey is showcasing illustrations of such beloved characters as Bob McGrew and Hector Gloop in iconic moments from her favourite stories. Children have the chance to immerse themselves in Ada’s books, draw inspiration to create their own characters and proudly display their creations in the Poop-a-Doodle gallery. Grey will drop in on August 20 to run workshops for children from 11am to 4pm. Tickets and workshop bookings: nationaltrust.org.uk/visit/yorkshire/nunnington-hall/exhibitions.
MeatLoud: Paying tribute to MeatLoaf and Jim Steinman at Joseph Rowntree Theatre
Another slice of MeatLoaf: MeatLoud – Bat Out Of Hades, Joseph Rowntree Theatre, York, August 24, 7.30pm
FOUNDED in 2015, this powerhouse tribute to MeatLoaf and songwriter Jim Steinman is fronted by vocalist Andy Plimmer, who is joined Sally Rivers to take on the guise of Bonnie Tyler, Celine Dion and Cher. The second half features a complete performance of the classic 1977 album Bat Out Of Hell. Box office: 01904 501935 or josephrowntreetheatre.co.uk.
Jake Vaadeland & The Sturgeon River Boys: Making debut appearance at Selby Town Hall next month
New season opener: Jake Vaadeland & The Sturgeon River Boys, Selby Town Hall, September 4, 7.30pm
SELBY Town Hall kicks off its autumn season with the debut visit of Jake Vaadeland & The Sturgeon River Boys, purveyors of bluegrass and rockabilly from Saskatchewan, Canada.
Selby Town Council arts officer Chris Jones enthuses: “I absolutely love these guys. It’s probably the show I’m most looking forward to in the second half of the year. At just 21 years old, Jake is terrifyingly talented. He and the band – dressed in authentic 1950s’ suits – make the most fantastically fun, upbeat, toe-tapping music, already gracing the main stages of festivals across North America.” Box office: 01757 708449 or selbytownhall.co.uk.
Simon Russell Beale: Shakespeare actor, now starring as Ser Simon Strong in House Of The Dragon, will be in conversation at York Theatre Royal in September
Theatre chat: An Evening With Simon Russell Beale, York Theatre Royal, September 10, 7.30pm
WAS Shakespeare an instinctive “conservative” or, rather, gently subversive? How collaborative was he? Did he add a line to Hamlet to accommodate his ageing and increasingly chubby principal actor Richard Burbage? Did he suffer from insomnia and experience sexual jealousy?
In An Evening With Simon Russell Beale, in conversation with a special guest, the Olivier Award-winning actor will share his experiences of “approaching and living with some of Shakespeare’s most famous characters”, from his school-play days as Desdemona in Othello to title roles in Hamlet and Macbeth. Expect anecdotes of Sam Mendes, Nick Hytner, Stephen Sondheim and Lauren Bacall too. Box office: 01904 623568 or yorktheatreroyal.co.uk.
Elkie Brooks: Heading out on her Long Farewell Tour. Leeds and York await. Picture: Neil Kirk
Gig announcement of the week: Elkie Brooks, Long Farewell Tour, Leeds City Varieties Music Hall, September 12; York Barbican, April 11 2025
AFTER 64 years of performing live, the “British queen of blues”, Elkie Brooks, is to undertake her Long Farewell Tour, visiting Leeds and York among 24 dates.
The Salford singer, 79, will perform such hits as Pearl’s A Singer, Lilac Wine, Fool (If You Think It’s Over), Sunshine After The Rain, No More The Fool and Don’t Cry Out Loud in a career-spanning show of blues, rock and jazz numbers that will showcase material from her forthcoming 21st studio album for the first time. Box office: elkiebrooks.com/elkie-brooks-tour-dates-2024; leedsheritagetheatres.com and yorkbarbican.co.uk.
York Theatre Royal chief executive officer Paul Crewes. Picture: Charlie Kirkpatrick
ONCE the York Theatre Royal packed away the big top as the circus-themed Around The World In 80 Days-ish concluded its globe-trotting travels last Saturday, attention could turn to the autumn and winter season.
At its core will be two in-house productions: Theatre Royal creative director Juliet Forster’s staging of Louisa May Alcott’s coming-of-age story Little Women, from September 21 to October 12, and the year-ending pantomime Aladdin, co-produced by the Theatre Royal and Evolution Productions, from December 3 to January 5.
Presented in association with “silent partner” Pitlochry Festival Theatre, Little Women is adapted by Anna Marie Casey in a new look at the story of headstrong Jo and her sisters Meg, Beth and Amy growing up in New England during the American Civil War.
Aladdin reunites regular dame Robin Simpson and baddie Paul Hawkyard, who returns after a year’s absence to restore a partnership last seen as Mrs Smee and Captain Hook in All New Adventures Of Peter Pan. Joining them will be CBeebies star Evie Pickerill as Spirit Of The Ring and BBC Let It Shine winner Sario Solomon in the title role.
“What we’re trying to do here is look to increase the work we produce ourselves, which has become smaller for reasons such as Covid,” says chief executive officer Paul Crewes. “We have to re-establish ourselves as a producing theatre that presents great touring work as well.”
Add Around The World In 80 Days-ish to the home-grown list, and Paul’s vision for the future is taking shape. “I want our in-house productions to run for more than ten days. That’s risky but unless you start doing it, you don’t build an audience,” he says.
“Then you think, ‘what work do I want to put around those shows?’, ‘how do we balance and support that work?’, and one of the things I want to do is build a programme of really high-quality dance shows. That’s why we have London City Ballet coming back for the first time in nearly 30 years as part of their re-launch.”
On September 6 and 7, London City Ballet will perform a revival of Kenneth Macmillan’s 1972 one-act ballet Ballade, not seen in Europe for more than 50 years, Arielle Smith’s premiere of Five Dances and artistic director Christopher Marney’s 2022 work Eve.
“We’re also delighted to have Company Wayne McGregor performing Autobiography (V102 and V103) on October 25 and 26,” says Paul. “Wayne McGregor is one of the top choreographers in the world; he’s just been knighted and he’s running the dance programme for the Venice Biennale 2024. That’s some statement about the quality we’re trying to establish here.”
Genetic codes, AI and choreography merge in this McGregor work that re-imagines and remakes itself anew for every performance as “artificial intelligence and instinct converge in creative authorship”..
Pride And Prejudice* (*Sort Of): Not sort of, but definitely, on stage at York Theatre Royal from November 4 to 9. Picture: Mihaela Bodlovicast
Looking further ahead, the Theatre Royal will welcome Jasmin Vardimon: Now, a new creation by choreographer Jasmin Vardimon MBE, celebrating the 25th anniversary of her dance theatre company, on February 8 next year. “This will be the company’s first time in York,” says Paul.
In addition to Little Women, the autumn’s classic literary focus will continue with Newcastle Theatre Royal’s Olivier Award-winning Pride And Prejudice* (*Sort Of), by Isobel McArthur after Jane Austen, from November 4 to 9. Billed as a unique and audacious retelling of Austen’s iconic love story”, in a nutshell, “it’s the 1800s, it’s party time. Let the ruthless matchmaking begin”.
“I’ve known the producer, David Pugh, for a long time, and it’s good to take shows from the West End and bring them here,” says Paul.
On a literary bent too, crime writer Ian Rankin’s detective Rebus treads the boards in a new play, Rebus: A Game Called Malice, from October 15 to 19, with Glasgow-born Gray O’Brien, last seen in York as the boorish, bigoted Juror 10 in Twelve Angry Men at the Grand Opera House in May, taking the role of John Rebus.
Rankin, who will attend a post-show discussion on October 18, has co-written the play with Simon Reade, set at a stately home dinner party where guests are required by the hostess to play a murder mystery game she has thought up. “It’s well timed after the new TV series, and having Ian Rankin at the discussion is a bit of a coup too,” says Paul.
Olivier Award winner Sally Cookson directs the Bristol Old Vic’s innovative production of Wonder Boy, Ross Willis’s “heartwarming and inspiring story about the power of communication packed with playful humour, dazzling visuals and thrilling original music”. Look out for live creative captioning on stage throughout from October 29 to November2. “Sally has a fantastic track record at Bristol and the National Theatre, and this piece just looks really, really exciting,” says Paul.
Among the one-nighter highlights are two Simons: An Evening With Simon Russell Beale, on September 10, wherein the Olivier Award-winning actor delves into his life and career to celebrate his memoir, A Piece Of Work, and An Evening With Simon Armitage & LYR, on January 24, featuring poetry and live performance by the Poet Laureate and his band.
“We just grabbed at the chance to put on Simon Russell Beale’s show when it was offered,” says Paul. “I’m not a great fan of actors standing on stage talking about themselves, but if it’s Simon Russell Beale – or Ian McKellen – then why not!”
Full details of the new season can be found at yorktheatreroyal.co.uk, including the Theatre Royal Studio taking on a new guise from October as a cabaret club after a makeover and name change to The Old Paint Shop for nights of music, improv and burlesque by York artists. Box office: 01904 623568.
The poster for Dame Judi Dench and Gyles Brandreth’s night of stories, sonnets and surprises at the Grand Opera House, York, on October 10
DAME Judi Dench is heading home to York for one night only in a special performance at the Grand Opera House on October 10.
Stage, film and television actress Dame Judi, 89, will be joined on stage at 7.30pm by television presenter, theatre producer, journalist, author, publisher and former Conservative MP for the City of Chester Gyles Brandreth.
Together they will present their sell-out West End and Royal Albert Hall show, I Remember It Well with Judi Dench & Gyles Brandreth. Tickets go on general sale at 10am on August 2 at atgtickets.com/york, preceded by ATG+ members 24 hours earlier.
Dame Judi joins her friend Gyles on a roller-coaster trip down memory lane as they explore the story of her extraordinary life, from her childhood in Heworth, York, in the 1930s to her latest Oscar nomination – for Best Supporting actress in Kenneth Branagh’s Belfast – in 2022. Expect moments from Shakespeare and anecdotes aplenty – stories, sonnets and surprises – in a “two-hour party of lifetime”.
Educated at The Mount School, and later briefly at the York School of Art, Dame Judi played a “forgetful angel” in the 1951 York Mystery Plays, staged by the St Mary’s Abbey ruins in the York Museum Gardens in the first revival since their suppression in 1569.
This was followed by her roles as a “young man in white clothing” in the 1954 production and the Virgin Mary in 1957, after completing her studies at the Central School of Speech Training and Dramatic Art. That year she made her professional theatrical debut as Ophelia in Hamlet at the Old Vic, London.
Her stage and screen career has taken in the Royal Shakespeare Company and National Theatre; the television series A Fine Romance and As Time Goes By; the role of M in the James Bond franchise from 1995’s GoldenEye to M’s death in 2012’s Skyfall, and an Oscar win, among eight nominations from 1997 to 2022, for Best Supporting Actress in Shakespeare In Love in 1998.
Six film BAFTAs, three television BAFTAs, two Golden Globes, two Screen Actors’ Guild awards, seven Oliviers, one Tony award and three Evening Standard Theatre awards have come her way too.
Here in York, Dame Judi received receive the honour of Millennium Person of the Present award at York Mansion House in 2000, was made an Honorary Freeman of the City of York in 2002 and has had a riverside walkway, Dame Judi Dench Walk, named after her.
On the theatre front, although Dami Judi will be appearing at the Grand Opera House this autumn, she is a patron of York Theatre Royal.
David Abécassis’s Clown, left, Maria Gray’s Acrobat, Kiefer Moriarty’s Ringmaster, Ambika Sharma’s Trick Rider and Rowan Armitt-Brewster’s Knife Thrower in Around The World In 80 Days-ish at York Theayre Royal. Picture: Charlie Kirkpatrick
THIS circus has left town twice before, in 2021 after 23 days and 2023 after only three for a national tour, but all the stops are pulled out for the big top’s return under a new-ish name, Around The World In 80 Days-ish.
This time, at the height of the circus summer season, creative director Juliet Forster’s dandy adaptation has a bonus to go with the bonanza: a circus school for five to 11-year-olds to learn the tricks of the trade in a one-hour pre-show workshop. All the thrill of learning a skill with aerial artiste Maria Gray as well as the fun of the fair that follows.
At Thursday’s matinee, participating children take their seats, or rather they grab red-and-white striped cushions to sit on the “grass” newly “grown” to create a lawn from the stage-front to the stalls seating. White fencing acts as a perimeter, but not as a boundary as it turns out post-interval, when one young chap starts chipping in with a running commentary as David Abécassis’s servant Passepartout and Rowan Armitt-Brewster’s spiv London detective Fix conduct an increasingly drunken conversation on a see-saw, where everything is in the balance.
Not a loose cannon: Maria Gray’s resolute record-breaking travel writer Nellie Bly. Picture: Charlie Kirkpatrick
Already a comic high-point of adroit manoeuvres and verbal fencing from past productions, it now has a new juggling ingredient: how to negotiate the scene while being “accosted” by the world’s young heckler. “He’s a baddie,” the boy helpfully advises. Fix in a fix? Not here, where the Edinburgh Fringe-bound Armitt-Brewster, actor, dancer, singer and physical comedian, handles the unexpected competition for attention with Chaplin-esque elan in tandem with the eyebrow-raising-Abécassis.
Armitt-Brewster, who will be appearing in his Skedaddle Theatre show A Brief Case Of Crazy next month, is typical of Forster’s canny casting for a globe-travelling tale that demands physical elasticity, verbal vigour and, yes, circus skills in a play within a circus show. Likewise the ursine, Abécassis, so at ease with his Lecoq-trained clownery, bonhomie and French accent.
We begin amid the bunting and lights of Verne’s Circus, where Kiefer Moriarty’s punctilious, flustered Irish Ringmaster is striving to pull the story’s strings with the aid/hindrance of his company of Abécassis’s Clown, Gray’s Acrobat, Ambika Sharma’s Trick Rider and Armitt-Brewster’s Knife Thrower.
In the balance: David Abécassis’s Passepartout, left, and Rowan Armitt-Brewster’s detective Fix mid-negotiation in Around The World In 80 Days-ish. Picture: Charlie Kirkpatrick
Together they will tell the tale of Verne’s Around The World In 80 Days, wherein Moriarty’s upright, uptight, unflustered, unscrupulous, ever-punctual, tea-drinking Victorian English gent Phileas Fogg will strike a wager with his starchy, sceptical Reform Club cronies – represented by moustaches on sticks – that he can traverse the world in that time.
There will be a distraction, not that talkative little lad by the fence, but the rather more persistent New York World reporter Nellie Bly, who, spoiler alert, outdid the fictional Fogg by crossing the globe in only 72 days, setting off from New York on her 25,000-mile journey on November 14 1889.
Feminist, fearless, and full of wonder in her elegant travelogue prose, she is but one feather in the cap of the multi-role-playing Maria Gray, who pulls off American, North Eastern, Scottish, Welsh and Hull accents, as well spinning shapes in her solo aerial routine (recalling her role as Cobweb in Shakespeare’s Rose Theatre’s A Midsummer Night’s Dream at the Eye Of York).
Kiefer Moriarty in a clowning scene in Around The Wold In 80 Days-ish. Picture: Charlie Kirkpatrick
Nellie manages to wind up Moriarty’s exasperated Ringmaster and Fogg alike in her interjections, conducted at a different pace to the ever-racing Fogg as the revolving signage announces each new destination.
Writer-director Forster wastes no time in pricking the balloon that Fogg travelled in such a form of transportation. Only in screen versions, not the book. Imagination and ingenuity against the odds will play their part, as they do in Patrick Barlow’s The 39 Steps, playing across town at the Grand Opera House this week, and in Mischief’s “Go Wrong” roster of calamitous comedies.
Props and costumes, as well as dexterity and clowning, combine in conveying an elephant, a train, a trading vessel, whatever, in spectacular, often unexpected ways, peaking with slow-motion bridge collapse denoted by ladders in slow motion.
Rowan Armitt-Brewster’s Knife Thrower. Picture: Charlie Kirkpatrick
Fogg may be in a rush but the first act ironically is a little slow. Not so the superior second act, where the verbal to-and-fro becomes quicker and funnier and the circus acrobatics and physical set-pieces pile up under Asha Jennings-Grant’s movement direction. Edwin Gray’s sound design excels too, especially in an explosive scene, and Sara Perks’s designs and costumes are a vision.
Why, there is even romance in the slow-burning relationship of old-stick Fogg and Sharma’s Indian princess Aouda, who amusingly challenges stereotypes in a piece of metatheatre in keeping with Forster’s feminist vibe.
Around The World In 80 Days-ish, York Theatre Royal, July 27, 2.30pm, 7.30pm; July 29, 2pm; July 30, 5.30pm; July 31, 7pm; August 1, 2pm, 7pm; August 2, 6.30pm; August 3, 2.30pm and 7.30pm. Box office: 01904 623568 or yorktheatreroyal.co.uk.
In suspense: Maria Gray’s Acrobat in Around The World In 80 Days-ish. Picture: Charlie Kirkpatrick
Leading lights: Riding Lights’ new executive director Oliver Brown, left, and artistic director Paul Birch outside Friargate Theatre in York
RIDING Lights Theatre Company today announces the appointment of its new artistic director, Paul Birch, and executive director, Oliver Brown.
They will serve as joint chief executive officer of the national touring theatre company, based at Friargate Theatre, Lower Friargate, York.
Playwright, sketch writer, improv comedy trailblazer and theatre director Paul Birchrejoins the company as artistic director after holding early roles as its youth theatre director and associate director of education and community.
He succeeds Paul Burbridge, co-founder of the Christian theatre company and artistic director since its foundation in 1977, who died after a short illness in April 2023.
As a freelance writer-director, his work has been produced in many theatres nationwide, expanding into audio dramas and a practice focused on improvisation, collaborating with improvisers from all over the world.
Paul has developed a track record of applied theatre-making and was artistic director of Out Of Character, a York company comprising artists with lived experience of mental illness, for eight years.
“I’ve had the privilege of working with Riding Lights for over 20 years. Paul Burbridge was a great mentor to me and offered me many early opportunities in acting, writing and directing,” he says. His influence and inspirational teaching in theatre-making has had a profound and lasting impact on my work.
“The creativity of Riding Lights has always been about making work with and for all kinds of people in all kinds of places; often those hardest to reach. I’m looking forward to finding new artistic ways to create powerful and joyful theatre in that spirit.”
Riding Lights’ new executive director, Oliver Brown, left, and artistic director Paul Birch in the black-box studio theatre at Friargate Theatre, York
Oliver Brown FRSA, at present associate director at Riding Lights,takes up the post of executive director after holding senior leadership roles in production and operations at venues including Hull Truck Theatre and CAST in Doncaster. He is the elected vice-chair and trustee director of the Association of British Theatre Technicians.
His first encounter with Riding Lights was in 1999, when the teenage Oliver knocked on the door of Friargate Theatre, soon after it opened, asking for a technical work placement. Over the subsequent decades, he has worked as a freelance technical and stage manager for the company on many occasions.
“After being a part of Riding Lights for nearly 25 years, I am delighted to be joining the company once again as executive director, having spent my summers at its annual residential summer school, my early years up a ladder amongst the lights in Friargate Theatre, and out on national tours,” he says.
“Along with Paul, I am looking forward to Riding Lights’ 50th anniversary in 2027 and planning for the future.
“I am passionate about communicating faith and social justice issues through theatre and community work – a tradition in which Riding Lights is a leader, and one in which I will be honoured to play a part as we develop the evolving vision of Riding Lights.”
Riding LightsTheatre Companyhas been making and touring theatre informed by a Christian faith for 47 years, making it one of Great Britain’s most productive and long-serving independent theatre companies. Its productions have been seen across the world, from the United States of America, through Europe, to Israel and Palestine.
John Emmett, chair of the board of directors, says: “I am delighted that Paul and Ollie have agreed to join Riding Lights. Both of them have a long association with the company and understand well Paul Burbridge’s remarkable legacy. I am confident that they will build on this in fresh and exciting ways to create theatre which entertains, challenges and inspires.”
Friargate Theatre has announced an autumn season of theatre, stand-up and improv comedy, storytelling, music, film and family shows that opens on September 5. For full details and bookings, head to: friargatetheatre.co.uk. Box office: 01904 613000.
Riding Lights is in rehearsal for Cups On A String, a new play by York playwright Bridget Foreman, directed by David Gilbert for an eight-week autumn tour across the UK, to be staged in partnership with Transforming Lives for Good, a charity that brings hope and a future to struggling children.
The brochure cover artwork for Friargate Theatre’s autumn return
Riding Lights: the back story
RIDING Lights Theatre Company was founded in 1977 by Paul Burbridge, Murray Watts and Nigel Forde and has been based in York ever since.
Riding Lights opened Friargate Theatre, in Lower Friargate, York, in 1999. It has since operated as the company’s office and rehearsal space and has two performance spaces: one a ground-floor cabaret-style space seating around 60 people; the other an upstairs black-box studio theatre seating 100.
World premieres in recent years have includedAfrican Snow, a co-production with York Theatre Royal (York Theatre Royal, West End transfer and national tour); Augustus Carp Esq. by Himself (Friargate Theatre); Dick Turpin (Friargate Theatre) and an adaptation of Jerome K Jerome’s Three Men In A Boat (national tour, co-produced with Northcott Theatre, Exeter).
In Summer 2012, Riding Lights, in tandem with York Theatre Royal and York Museums Trust, produced the epic-scale, outdoor production of the York Mystery Plays in York Museum Gardens.
Frequently characterised by quirky satire, Riding Lights’ productions challenge audiences to engage with topical themes and issues, often examining the reverberations of historical events in today’s society.
Classic plays such as Shakespeare’s The Winter’s Tale (two national tours), Ben Jonson’s The Alchemist (the inaugural production at Friargate Theatre), Dario Fo’s Mistero Buffo (Friargate Theatre and national tour) and Max Frisch’s The Fire Raisers (Bridewell Theatre, London) have found fresh and arresting relevance in Riding Lights productions.
Kiefer Moriarty with fellow cast members Ambika Sharma, left, and Maria Gray in Around The World In 80 Days-ish at York Theatre Royal. Picture: Charlie Kirkpatrick
YORK Theatre Royal’s Around The World In 80 Days keeps coming around again, returning this summer for a third run, this time under a new-ish title.
Adapted and directed by Theatre Royal creative director Juliet Forster from Jules Verne’s 1873 novel, the circus-themed production was first staged under Covid social-distancing restrictions on a circus trailer, visiting playing fields on all four corners of York in 23 days in August 2021.
That tour concluded in the Theatre Royal main house, where the Theatre Royal’s subsequent co-production with Tilted Wig opened its 2023 tour of England, Scotland and Wales on home turf in early February.
Now Forster’s adaptation returns with a new name, Around The World In 80 Days-Ish, and a new cast of Kiefer Moriarty as circus Ringmaster and globe-travelling Phileas Fogg, York actress Maria Gray as world record-chasing American investigative journalist Nellie Bly and Acrobat, Ambika Sharma as Aouda and Trick Rider, David Abecassis as Passepartout and Clown and completing the cast is Rowan Armitt-Brewster as detective Fix and Knife Thrower.
“The first time, it was right off the back of Covid, staged mainly on school playing fields, ending with the last four days inside the Theatre Royal, all with social distancing,” recalls Juliet. “Then we had only the first three days of the tour, so we feel it was a show that we hadn’t yet fully shared with Theatre Royal audiences.
“When Paul Crewes joined as chief executive last October, he mentioned that he’d really loved the show, so now it’s back with the addition of aerial work this time, which had been too much of a complication before, when we were dependent on the Covid restrictions, but we knew it could work indoors.”
Juliet’s adaptation introduces the real-life character of young journalist Nellie Bly, who actually did circumnavigate the world and in less time than the fictional Fogg. Her version sets up the pair as rival around-the-world travellers, putting the now largely forgotten Nellie Bly in the spotlight.
“Jules Verne’s story is a lot of fun as the characters race against time to complete a full circuit of the Earth, and in this version, fact and fiction also go head-to-head as Nellie Bly puts in an appearance,” says Juliet.
“It’s a joyful, very energetic, very silly and highly acrobatic re-telling of the story, delivering the kind of experience that live theatre does best.”
Crucial to the show’s success is the multi-role-playing format as the rag-tag band of travelling circus performers embarks on a daring mission to recreate the unflappable Phileas Fogg’s bid to traverse the globe in 80 days, embracing different modes of transport to navigate the frantic race. Expect aerial feats and acrobatics, hoop work and even feigned drunkenness from the versatile company
To the fore is Kiefer Moriarty’s Ringmaster and Phileas Fogg. “I saw Kiefer in Magic Goes Wrong and was looking for actors who’d been in Mischief’s ‘Go Wrong’ shows, as they understand how comedy works,” says Juliet.
“We met, he signed up, and I look forward to him bringing his own thing to his roles. He’s part of an entirely new cast, who can all bring their own angle, while keeping the DNA of what we know works well.”
Kiefer, who memorably held his breath for 12 minutes under water in Magic Goes Wrong, will be parading circus skills. “I’ve done whip-cracking skills before and I’ll be riding a mini-clown’s bike, which I rode for the first time at the press launch,” he says.
“I’ve never seen a live performance of Around The Days, but I’ve seen the David Niven film, which was my father’s favourite film, so we watched it quite often! I saw the Jackie Chan one as a kid, which was an OK film, I suppose, as the politest way to put it, and then there was the David Tennant one for the BBC that I haven’t seen. But performing in it will be my first live experience of it.”
He loves the thrill of live performance, whether in Magic Goes Wrong or now in Around The World In 80 Days-ish. “That’s where the magic happens, when the choreography is going right, the magic is going right, and I really love the choreography, getting involved with getting it in place,” says Kiefer.
“I’ve seen the trailer for this show [from the past productions], and there are some amazing set-pieces in it that I can’t wait to do.”
Around The World In 80 Days-Ish, York Theatre Royal, July 18 to August 3. Box office: 01904 623568 or yorktheatreroyal.co.uk. 2pm, July 24, 25, 29, August 1; 2.30pm, July 20, 27, August 3; 5.30pm, July 23, 30; 6.30pm, July 19, 26, August 2; 7pm, July 18, 24, 25, 31, August 1; 7.30pm, July 20, 27, August 3. Box office: 01904 623568 or yorktheatreroyal.co.uk.
Shed Seven: Playing sold-out concerts in York Museum Gardens on Friday and Saturday
SHED Seven’s 30th anniversary open-air concerts are the headline act on Charles Hutchinson’s arts and culture bill for the week ahead. Look out for global travels, Gershwin celebrations and a Hitchcockian comic caper too.
York festival of the week: Futuresound presents Live At York Museum Gardens, Jack Savoretti, tomorrow; Shed Seven, Friday and Saturday
ANGLO-ITALIAN singer-songwriter Jack Savoretti opens the inaugural Live At York Museum Gardens festival at the 4,000-capacity gardens tomorrow, when the support acts will be Northern Irish folk-blues troubadour Foy Vance, York singer-songwriter Benjamin Francis Leftwich and fast-rising Halifax act Ellur.
Both of Shed Seven’s home-city 30th anniversary gigs have sold out. Expect a different set list each night, special guests and a school choir, plus support slots for The Libertines’ Peter Doherty, The Lottery Winners and York band Serotones on Friday and Doherty, Brooke Combe and Apollo Junction on Saturday. Sugababes’ festival-closing concert on July 21 was cancelled in April. Box office: seetickets.com/event/jack-savoretti/york-museum-gardens/2929799.
Claire Martin: Celebrating Gershwin’s Rhapsody In Blue at Ryedale Festival. Picture: Kenny McCracken
Jazz gig of the week: Ryedale Festival, Claire Martin and Friends, Rhapsody In Blue – A Gershwin Celebration, Milton Rooms, Malton, Friday, 8pm
LONDON jazz singer Claire Martin leads her all-star line-up in a celebration of George Gershwin’s uplifting music and the 100th anniversary of Rhapsody In Blue, a piece that changed musical history.
In the band line-up will be pianist Rob Barron, double bassist Jeremy Brown, drummer Mark Taylor, trumpet player Quentin Collins and saxophonist Karen Sharp. Box office: themiltonrooms.com or ryedalefestival.com.
Maria Gray in the role of The Acrobat in Around The World In 80 Days-ish at York Theatre Royal. Picture: Charlie Kirkpatrick
Theatrical return of the week: Around The World In 80 Days-ish, York Theatre Royal, tomorrow to August 3
PREMIERED on York playing fields in 2021, revived in a touring co-production with Tilted Wig that opened at the Theatre Royal in February 2023, creative director Juliet Forster’s circus-themed adaptation of Jules Verne’s novel returns under a new title with a new cast.
Join a raggle-taggle band of circus performers as they embark on their most daring feat yet: to perform the fictitious story of Phileas Fogg and his thrilling race across the globe. But wait? Who is this intrepid American travel writer, Nellie Bly, biting at his heels? Will an actual, real-life woman win this race? Cue a carnival of delights with tricks, flicks and brand-new bits. Box office: 01904 623568 or yorktheatreroyal.co.uk.
Katie Leckey and Jack Mackay: Co-artistic directors of Griffonage Theatre, alternating roles in Harold Pinter’s The Dumb Waiter
Fringe show of the week: Griffonage Theatre in The Dumb Waiter, Theatre@41, Monkgate, York, tomorrow to Saturday, 7.30pm plus 2.30pm Saturday matinee
YORK company Griffonage Theatre follow up February’s debut production of Patrick Hamilton’s Rope with Harold Pinter’s 1957 one-act play The Dumb Waiter, directed and designed by Wilf Tomlinson.
Two hitmen, Ben and Gus, are waiting in a basement room for their assignment, but why is a dumbwaiter in there, when the basement does not appear to be in a restaurant? To make matters worse, the loo won’t flush, the kettle won’t boil, and the two men are increasingly at odds with each other. Unique to this production, actors Jack Mackay and Katie Leckey will alternate the roles of Ben and Gus at each performance. Box office: tickets.41monkgate.co.uk.
One of Anna Matyus’s artworks on show at Helmsley Arts Centre
Exhibition of the week: Anna Matyus, Helmsley Arts Centre, until August 9
ANNA Matyus’s work explores the powerful spiritual resonance of historical sacred buildings and their setting in the landscape. Using etching and collagraph printmaking techniques and a colourful palette, she seeks to bring to life the powerful geometry of the often-faded motifs and time- worn patterns and symbols of historic artefacts found in the masonry and ancient tiles of these sacred sites.
“My final prints explore and record the dynamic rhythms of three-dimensional architectural form, layered with their decorative and symbolic adornment in a graphic expression of awe and wonder,” she says.
Gary Louris: The Jayhawks’ singer, guitarist and songwriter plays solo at The Crescent on Saturday, York. Picture: Steve Cohen
American solo act of the week: Gary Louris, of The Jayhawks, supported by Dave Fiddler, The Crescent, York, Saturday, 7.30pm
OVER three decades, vocalist, guitarist and songwriter Gary Louris has co-led Minneapolis country rock supremos The Jayhawks with Mark Olson, as well as being a member of alt.rock supergroup Golden Smog, forming Au Pair with North Carolina artist Django Haskins in 2015 and releasing two solo albums, 2008’s Vagabonds and 2021’s Jump For Joy.
He has recorded with acts as diverse as The Black Crowes, Counting Crows, Uncle Tupelo, Lucinda Williams, Roger McGuinn, Maria McKee, Tift Merritt and The Wallflowers too. As an alternative to the sold-out Sheds on Saturday, look no further than this American rock luminary. Box office: thecrescentyork.com.
Cutting a dash but in a hurry: Tom Byrne’s Richard Hannay in The 39 Steps. Picture: Mark Senior
Comedy play of the week: The 39 Steps, Grand Opera House, York, July 23 to July 27, 7.30pm and 2.30pm Wednesday and Saturday matinees
PATRICK Barlow’s award-garlanded stage adaptation of The 39 Steps has four actors playing 139 roles between them in 100 dashing minutes as they seek to re-create Alfred Hitchcock’s 1935 spy thriller while staying true to John Buchan’s 1915 book.
Tom Byrne – Falklands War-era Prince Andrew in The Crown – plays on-the-run handsome hero Richard Hannay, complete with stiff upper-lip, British gung-ho and pencil moustache as he encounters dastardly murders, double-crossing secret agents and devastatingly beautiful women. Box office: atgtickets.com/york.
James: Playing Scarborough Open Air Theatre for the fourth time on July 26. Picture: Paul Dixon
Coastal gig of the week: James, Scarborough Open Air Theatre, July 26, gates 6pm
JAMES follow up Scarborough appearances in 2015, 2018 and 2021 by continuing that three-year cycle in 2024, on the heels of releasing the chart-topping Yummy, their 18th studio album, in April.
“I’m very pleased that we will be playing Scarborough Open Air Theatre this summer – our fourth time in fact,” says bassist and founder member Jim Glennie. “If you haven’t been there before, then make sure you come. It’s a cracking venue and you can even have a paddle in the sea before the show!” Support acts will be Reverend And The Makers, from Sheffield, and Nottingham indie rock trio Girlband!. Box office: scarboroughopenairtheatre.com/james.
