More Things To Do in York and beyond – some at a Yorkshireman’s favourite price! Here’s Hutch’s List No. 5, from The Press

The best things in life are free…or on offer: York Residents’ Festival 2024

TWO days of York celebrating all things York lead off Charles Hutchinson’s tips for cultural fulfilment, from Eighties’ nostalgia to a monster musical, a ghost story’s return to a singing French iconoclast.

York Residents’ Festival 2024, today and tomorrow

YORK Residents’ Festival returns this weekend with free entry or offers on more than 50 York attractions, restaurants, bars and retailers.

For the weekend organised by Make It York, historical attractions such as York Minster, Jorvik Viking Centre, Clifford’s Tower, Fairfax House, Barley Hall, Merchant Adventurers’ Hall and Treasurer’s House will be opening their doors for free to residents across the weekend. 

Residents can also take advantage of a free river cruise with City Cruises, free wizard golf at The Hole In Wand, in Coppergate Walk, and the first 100 visitors can visit for free at York’s Chocolate Story, King’s Square. 

Offers at York eateries and restaurants include The Grand, Rio Brazilian Steakhouse York, Ambiente Tapas and Pearly Cow. Retail offers exclusive to residents are available at Avorium, York Gin, Love Cheese, Potions Cauldron and more besides. 

For those preferring to explore by foot, offers and discounts apply to walking tours and outdoor activities. Mountain Goat will be taking residents off the beaten path to explore the beautiful Yorkshire countryside, while the family-friendly Wizard Walk of York promises to be spellbinding. Or why not learn to abseil and climb Brimham Rocks, at Brimham Moor Road, Summerbridge, Harrogate?  

Step this way for The Wizard Walk of York

To take advantage of York Residents’ Festival offers, you must present a valid York Card, student card or identity card (e.g. driving licence or bus pass) that proves York residency by clearly stating ‘York’.

Make It York managing director Sarah Loftus says: ‘We’re delighted that we have so many York businesses providing fantastic offers for Residents’ Festival weekend. This is a great opportunity for residents to rediscover some of the brilliant attractions, retail and food offers on their doorstop. 

“A huge thank-you to our Visit York members for coming together to provide so many brilliant offers; there’s something for everyone during this fun-packed weekend.”

Meanwhile, Ann Petherick is reopening Kentmere House Gallery, in Scarcroft Hill, York, for a new year of exhibitions in time to coincide with the second day of York Residents’ Festival: tomorrow, from 11am to 5pm.

On show are original works of York and Yorkshire by more than 50 professional artists, plus prints, books and cards exclusive to the gallery. The first full weekend opening in 2024 will be on February 3 and 4, 11am to 5pm. Admission is free.

For the full list of offers, and for booking information for York Residents’ Festival, visit visityork.org. Please note, some venues and activities require pre-booking. 

Celia Crwys Finnigan and Laura Sillett: On song for The 80’s Movie Mixtape at the Joseph Rowntree Theatre, York

Nostalgic gig of the week: The 80’s Movie Mixtape, Joseph Rowntree Theatre, York, tonight, 7.30pm

THE 80’s Movie Mixtape is a truly independent theatre show showcasing West End singers and musicians from around London and Surrey in a new tribute to Eighties’ blockbuster movies and their electrifying soundtracks.

A band of six actor-musicians – Jamie Ross, lead vocals, keyboard; Celia Crwys Finnigan, lead vocals, keyboard, alto saxophone; Laura Sillett, lead vocals, keyboard, baritone saxophone; Dom Gee-Burch, lead guitar; Ed Hole, bass, and Luke Thornton, drums – combine songs from Footloose, Top Gun, The Breakfast Club, Ferris Bueller’s Day Off, Dirty Dancing, Back To The Future, American Gigolo, Ghostbusters, Flashdance, Against All Odds and Electric Dreams with Eighties’ party anthems. Box office: 01904 501935 or josephrowntreetheatre.co.uk.

Percy: Performing at Navigators Art & Performance’s Basement Sessions 3 night of music, comedy, spoken word and poetry

On the move: Navigators Art & Performance, The Basement Sessions 3, The Basement, City Screen Picturehouse, York, February 23, 7.30pm

YORK creative collective Navigators Art & Performance is moving this weekend’s Basement Sessions 3 bill to next month. “Unfortunately, the Basement is ankle deep in flood water and we’re going to have to postpone the gig this Saturday,” says co-founder Richard Kitchen.

Taking part will be poet and actor Danae, from Mexico via York; “punk/jazz riot” Neo Borgia Trio, from the University of York Big Band; writer, poet, performer and multi-instrumentalist JT Welsch; comedian Will Glitch, from Norwich via Hull; left-field post-punk favourites Percy; acoustic duo The Jammingtons Experience and transatlantic guitar band Fat Spatula. Box office: https://bit.ly/nav-events-all.

English Teacher: Leeds band heading for York tomorrow

Independent Venue Week gig of the week: English Teacher, The Crescent, York,  tomorrow, 7.30pm

“LEEDS’ music scene is the best in the world,” proclaims Lily Fontaine, English Teacher’s vocalist, guitarist and synthesiser player, without a blink of hesitation. This weekend she heads to near-neighbour York with bassist Nicholas Eden, drummer Doug Frost and lead guitarist Lewis Whitling, who she first met at house parties while they all studied at Leeds College of Music (now Leeds Conservatoire).

After tinkering with projects of their own, they settled on playing together, developing their fusion of dream pop and post-punk noise. Coming next? Writing new songs “somewhere between Adele, Jockstrap and Fontaines D.C.”. Box office: for returns only, thecrescentyork.seetickets.com.

Mark Hawkins as The Actor, left, and Malcolm James as Arthur Kipps in The Woman In Black, on tour at the Grand Opera House, York. Picture: Mark Douet

Haunting return of the week: The Woman In Black, Grand Opera House, York, Tuesday to Saturday, 7.30pm; 2.30pm Wednesday and Saturday matinees

STEPHEN Mallatratt’s stage adaptation of Scarborough author Susan Hill’s spine-chiller returns to York for the umpteenth time, directed as ever by Robin Herford. As he did at York Theatre Royal in November 2014, Malcolm James plays lawyer Arthur Kipps, who engages a sceptical young actor (Mark Hawkins) to help him tell his terrifying story and exorcise the fear that grips his soul. Box office: atgtickets.com/york.

Following the science: James Willstrop’s Dr Frederick Frankenstein in Pick Me Up Theatre’s Young Frankenstein. Picture: Jennifer Jones

Musical of the week: Pick Me Up Theatre in Young Frankenstein The Musical, Joseph Rowntree Theatre, York, Wednesday to Saturday, 7.30pm plus 2.30pm Saturday matinee

WHEN the infamous Victor Frankenstein’s grandson, Dr Frederick Frankenstein (James Willstrop), inherits the family castle in Transylvania, will he be doomed to repeat the same mistakes in Mel Brooks’s musical adaptation of his 1974 monster horror-movie spoof?

Andrew Isherwood directs York company Pick Me Up Theatre as Frankenstein’s experiment yields both madcap success and monstrous consequences with the help and hindrance of hunchback henchman Igor (Jack Hooper), Scandinavian assistant Inga (Sanna Jeppsson), mysterious housekeeper Frau Blucher (Helen Spencer) and needy fiancee Elizabeth (Jennie Wogan-Wells). Box office: 01904 501395 or josephrowntreetheatre.co.uk.

Guz Khan: York and Leeds gigs this winter

Comedy gig of the week: Guz Khan Live!, York Theatre Royal, Wednesday, 7.30pm

COVENTRY comedian, impressionist and actor Guz Khan is on his way to selling out York Theatre Royal after his February 25 gig at Leeds City Varieties already did so. Raised on a housing estate in Hillfields, he graduated from Coventry University and taught Humanities at Grace Academy in his home city before focusing on stand-up.

Khan, 38, is best known as the creator and star of the BBC Three comedy drama Man Like Mobeen, wherein he played a former Small Heath drug dealer now trying to live a good life as a Muslim. Box office: “Last tickets” on 01904 623568 or yorktheatreroyal.co.uk.

Cantona Sings Eric: Maverick footballer-turned-musician returns to Leeds for April concert. Poster picture: supplied by Academy Music Group

Most unexpected Yorkshire gig announcement of the week: Eric Cantona, Cantona Sings Eric, Leeds O2 Academy, April 16, doors, 7pm

ERIC Cantona once told Leeds United fans from the balcony of Leeds Town Hall, “why I love you, I don’t know why, but I love you” as the 1992 league champions paraded the Division One trophy. Only 207 days later, he was gone…to bitterest rivals Manchester United. Never to be forgiven.

Now 57, the avant-garde French footballer, sardine philosopher, actor, English advert regular and painter “to the rhythm of jazz” is to return to the city. Not in one of those “An Evening With” shows full of nostalgic football chat but as Eric Cantona, singer and musician, performing solo, with piano and cello for company. Box office: academymusicgroup.com/o2academyleeds/events or ticketmaster.co.uk/eric-cantona-tickets.

David Hammond: Performing works by work by Erik Satie, Brian Eno, Federico Mompou, Howard Skempton, David Power and Derek O’Connell

Piano recital of the week: Late Music presents David Hammond, St Saviourgate Unitarian Chapel, York, Friday, 1pm

DAVID Hammond performs a crossover of ambient and classical solo piano music centred on work by Erik Satie, Brian Eno, Federico Mompou and Howard Skempton, with new works by David Power and Derek O’Connell in the first Late Music recital of 2024.

The full programme will be: Erik Satie, Gnossiennes 1-3; Harold Budd/Brian Eno, The Plateaux Of Mirror; Derek O’Connell, Je mesure le son (first performance); John White, Sonata 95; David Power, Seven Paces Of Stillness (first performance); Erik Satie, Pièces Froides: No.2 Danses de travers; Federico Mompou, Cants Mágics; Howard Skempton, Well, Well Cornelius; Howard Skempton, Rumba; Howard Skempton, Quavers; Budd/Eno/Power mash-up, Remembered, and Erik Satie, Gnossiennes 4-5. Tickets: £5, latemusic.org/david-hammond-piano-2/ or on the door.

In focus: Exhibition launch of the week: Pyramid Gallery, York, from 11am today

One of Linda Combi’s 52 Postcards, painted in 2023

FOUR exhibitions are opening simultaneously today at Pyramid Gallery: Gomery & Braganza, ceramics and painting; Linda Combi’s 52 Postcards; glassmaker Jo Kenny’s What Lies Beneath and Ringleaders’ contemporary handmade rings.

Di Gomery, Loretta Braganza, Linda Combi and Jo Kenny all will be attending the 11am to 2.30pm launch. “Come along to the opening and enjoy a glass of wine or soft drink with the artists,” says gallery owner and curator Terry Brett.

Di’s studio is at South Bank Studios, Southlands Methodist Church, in Bishopthorpe Road, York. Her paintings are lyrical responses to landscape, still life and the human form, painted primarily in oil on canvas or board, often large in scale. Her approach is one of playful energy with an underlying structure and solidity.

Di, who worked in the design industry for Courtaulds (England) and Jakob Schlaepfer couture fabric design (Switzerland), has exhibited previously at Pyramid Gallery, Partisan café, in Micklegate, York, HartLaw Solicitors, in Wetherby, Dean Clough Gallery, Halifax, and the Fronteer Gallery, Sheffield.

Paintings created specifically for this Pyramid exhibition explore edges and volume, make reference to other artists, and generally play with surface and colour combinations. Her artistic influences include the work of British and American women abstract expressionists.

Loretta was born in Mumbai, India, came to Great Britain in 1965 and lives and works in York. She began her practice as a ceramicist in 1990 via a career in dance, graphic arts, textile design and sculpture, as well as teaching drawing and painting at York College.

Loretta Braganza and Di Gomery

Her distinctive style comprising taut edges, clean lines and complex mark making swiftly earned her exhibitions and commissions, as well as awards from the Crafts Council and the Arts Council.

Artist and illustrator Linda Combi, raised in a California desert, now settled in York, returns to Pyramid Gallery, this time with 52 Postcards, a series of original collage paintings, print cards and booklets that reflect on migration.

“I was inspired to create 52 postcards around the theme of displacement,” she says. “I decided to create postcards as you’d typically send them when you’re on holiday to family and friends back home, but for refugees, they can have very different connotations. It’s grounded in the concept of refugees being in another place, writing a letter to home or to their former self.

“In many of my postcards I use birds as a symbol for people forced to flee. They’re innocent, and they’re on the move.”

Linda’s postcards are mixed media, primarily hand painted and printed papers, but also incorporating coloured pencil, pen, stickers and crayon. 

“Refugees and other displaced people have to endure so much,” she says. “Everyone should support refugees – not only do they enrich society, but more than anything, it’s just basic kindness and human empathy to understand how frightening it must be to be to have to flee.”

Glassmaker Jo Kenny at work in her studio

Fifty per cent of Linda’s sale proceeds will go to UNHRC, the United Nations High Commissioner for Refugees agency mandated to aid and protect refugees, and the Lemon Tree Trust, an organisation that works alongside displaced people to transform refugee camps through gardening.

Glassmaker Jo Kenny creates pieces at the furnace inspired by exploring the beaches at Whitby, where she now lives. Such a simple childhood pleasure revisited, she finds a contemplative quality in the act of poking around in rock pools. “I feel the joy and excitement of discovery under each pebble,” she says.

Her What Lies Beneath series encourages the viewer to “look a little deeper and maybe feel a little of that childlike excitement making their own discoveries”.

Awarded an Arts Council England grant, Jo was able to develop the series further in collaboration with Scottish master craftsman Gordon Taylor, who completed pieces with his cutting and polishing skills.

Jo splits her time between making and teaching. Her key themes are the effect of the passage of time, erosion, entropy, persistence of image and all things pertaining to the ocean.

Di Gomery and Loretta Braganza’s exhibition runs until March 11; Linda Combi’s 52 Postcards until March 9; Jo Kenny’s glass until March 7, at Pyramid Gallery, Stonegate, York. Gallery opening hours are: Monday to Friday, 10am to 5pm; Saturdays, 10am to 5.30pm. The project can be viewed at Linda’s website, lindacombi.biz, from where purchases can be made too.

Squash champ James Willstrop tackles ‘mad scientist’ role in Mel Brooks’s spoof horror musical Young Frankenstein in York

Following the science? James Willstrop as Dr Frederick Frankenstein, creator of the Creature in Pick Me Up Theatre’s Young Frankenstein. Picture: Jennifer Jones

YORK company Pick Me Up Theatre’s delayed northern premiere of Mel Brooks’s comedy horror musical Young Frankenstein opens at the Joseph Rowntree Theatre next Wednesday.

Unforeseen circumstances had forced the late postponement of last autumn’s run at the Grand Opera House, but rehearsals re-started in York in early December under the direction of Andrew Isherwood.

All the original principal cast chosen by Pick Me Up artistic director and designer Robert Readman was still available, not least former squash world number one James Willstrop in the lead role of mad scientist Dr Frederick Frankenstein, first played by Gene Wilder in Brooks’s 1974 horror-movie spoof of Mary Shelley’s 1818 novel Frankenstein.

“You hear of other shows where it’s happened, but it was a really sad feeling when we couldn’t do it as were just about to start our run,” recalls James.

“I was feeling pretty depressed afterwards, thinking ‘this show isn’t going to happen’ – and when people ask, ‘how are you feeling?’, it’s unusual to have to explain to anyone as it’s not ‘real life’, but you do feel really deflated.

Pick Me Up Theatre principals in Young Frankenstein: back row, from left, James Willstrop’s Dr Frederick Frankenstein, Helen Spencer’s Frau Blucher and Jennie Wogan-Wells’s Elizabeth Benning; front row, Jack Hooper’s Igor and Sanna Jeppsson’s Inga. Picture: Jennifer Jones

“But then we got this text from Bells [production management assistant and actress Helen Spencer] asking, ‘Can you do these dates?’, as Robert said we could go ahead with a new run.”

Out went Pick Me Up’s planned production of Chicago at the JoRo, replaced by Young Frankenstein. Rehearsals have been a matter of “going again”. “We had the best part of a month off when the last thing I was thinking of doing was listening to the soundtrack!” says James.

“It’s been a case of getting into the scenes again, with the choreography kept largely the same. Andrew has been really great on the detail, which actors love, and that’s been good. He’s trusted our instincts and he’s been very alive to the comedy.”

James, who made his Pick Me Up debut as Captain Von Trapp in The Sound Of Music in December 2022, has enjoyed becoming acquainted with Brooks’s parody songs.

“Going into the audition, I didn’t know a lot about the show, but I love Pick Me  Up and working with Robert, and I loved the opening number, The Brain, which I decided to learn for the audition.

James Willstrop: Men’s doubles squash gold medallist at the 2022 Commonwealth Games in Birmingham, his fifth Games

“A week out from the audition, I hadn’t been sure about the show, but by the time I did the audition, I was thinking, ‘this part is great, I’ve got to do it’!

“The first few times, listening to the soundtrack, it took me a while to get a feel for the songs, but then you realise they’re just great, simple songs. I love the tunes, they have a vaudeville quality, and the humour is always there.”

James, now 40, had first performed in “serious dramas” before branching out into musicals, and last year found him heading to the Cornish coast to play deluded mystery novel writer Charles Considine in Ilkley Playhouse’s production of Noel Coward’s supernatural comedy Blithe Spirit at the Minack Theatre.

“Doing that humorous role, and being tall [James is 6ft 4ins], with all the physicality that goes with that, just seemed to link perfectly to then playing Frederick Frankenstein,” he says.

. “It’s not subtle but it’s a great comedy genre,” says James Willstrop of Mel Brooks’s humour. Picture: Jennifer Jones

In Brooks’s spoof, the grandson of infamous scientist Victor Frankenstein, Dr Frederick Frankenstein, has inherited his family’s castle estate in Transylvania. Aided and hindered by hunchbacked sidekick Igor, Scandinavian lab assistant Inga, stern German Frau Blucher and needy fiancée Elizabeth, he strives to fulfil his grandfather’s legacy by bringing a corpse back to life.

Cue comedy in the bold Brooks style. “It’s lovely to be doing something silly, full of innuendos and jokes that some people might hate but are just daft,” says James. “It’s not subtle but it’s a great comedy genre,” 

James, whose father grew up in York, lives in Harrogate and now divides his time between coaching squash – and “still playing a bit” – at the Pontefract Squash and Leisure Club and performing on stage.

Coming next will be his role as recovering alcoholic Harry in Bingley Little Theatre’s production of Stephen Sondheim’s Company at Bingley Arts Centre, West Yorkshire, from July 1 to 6.

Pick Me Up Theatre in Young Frankenstein, Joseph Rowntree Theatre, York, January 31 to February 3 2024, 7.30pm plus 2.30pm Saturday matinee. Box office: 01904 501935 or josephrowntreetheatre.co.uk

Pick Me Up Theatre to stage revived Young Frankenstein, now on the move to Joseph Rowntree Theatre after November call-off

Pick Me Up Theatre principals in Young Frankenstein: back row, from left, James Willstrop’s Dr Frederick Frankenstein, Helen Spencer’s Frau Blucher and Jennie Wogan-Wells’s Elizabeth Benning; front row, Jack Hooper’s Igor and Sanna Jeppsson’s Inga. All pictures: Jennifer Jones

YORK company Pick Me Up Theatre will stage the northern premiere of Mel Brooks’s musical Young Frankenstein  in the New Year after the late postponement of last autumn’s run at the Grand Opera House.

Andrew Isherwood has picked up the directorial reins for this stage conversion of Brooks’s comedy horror movie, produced in York by artistic director and designer Robert Readman.

Rehearsals re-started in early December for the January 31 to February 3 run at the Joseph Rowntree Theatre, York, with the original principal cast still in place and Helen Spencer assisting with production management.

“This show is by the creators of the record-breaking Broadway sensation The Producers,” says Robert. “The comedy genius Mel Brooks has adapted his legendary comedy film from 1974 into a brilliant stage show of Young Frankenstein. I saw the West End production and loved it.

Following the science: James Willstrop’s Dr Frederick Frankenstein in Young Frankenstein

“Every bit as relevant to audience members who will remember the original as it will be to newcomers, the musical has all the of panache of the screen sensation with a little extra theatrical flair added. Young Frankenstein is scientifically proven, monstrously good entertainment.”

In Brooks’s spoof, the grandson of infamous scientist Victor Frankenstein, Dr Frederick Frankenstein (pronounced “Fronk-en-steen”, he insists), has inherited his family’s castle estate in Transylvania.

Aided and hindered by hunchbacked sidekick Igor (pronounced “Eye-gore”), leggy lab assistant Inga (pronounced normally), devilishly sexy Frau Blucher (“Neigh”!) and needy fiancée Elizabeth (“Surprise”!), Frederick finds himself filling the mad scientist shoes of his ancestor.

After initial reluctance, his mission will be to strive to fulfil his grandfather’s legacy by bringing a corpse back to life. “It’s alive!”, he exclaims as his experiment yields a creature to rival his grandfather’s monster. Eventually, and inevitably, this new monster escapes.

Working in tandem with Thomas Meehan, Brooks gleefully reanimates his horror-movie send-up of Mary Shelley’s 1818 novel, Frankenstein, or The Modern Prometheus, with even more jokes, set-pieces and barnstorming parody songs that stick a pitchfork into good taste. Among those songs will be Puttin’ On The Ritz, Please Don’t Touch Me, He Vas My Boyfriend, The Transylvania Mania and There Is Nothing Like A Brain!, among many more Transylvanian smash hits.

Helen Spencer’s Frau Blucher and Jack Hooper’s Igor

Leading Pick Me Up’s cast will be former world squash champion James Willstrop, continuing his transfer from court to stage player as Dr Frankenstein after his Captain Von Trapp in Pick Me Up’s The Sound Of Music at Theatre@41, Monkgate, last Christmas.

Starring opposite him again will be Swedish-born Sanna Jeppsson (Maria in The Sound Of Music), here cast as Inga, while Jack Hooper, Mr Poppy in York Stage’s Nativity! The Musical in November 2022, will be Dr Frankenstein’s puppy dog of an assistant, Igor, “the classic Hammer Horror sidekick with a hump that keeps moving around”.

Helen Spencer (Mother Abbess in The Sound Of Music and Dolly Levi in Joseph Rowntree Theatre Company’s Hello, Dolly!) will play Frau Blucher, “the very stern housekeeper with surprising hidden depths”; Jennie Wogan-Wells, the Narrator in York Musical Theatre Company’s Joseph And The Amazing Technicolor Dreamcoat last May, will be ingenue Elizabeth Benning, Frankenstein’s fiancée from America. “Think Legally Blonde,” says Helen. “Very conscious of her image; very high maintenance, throwing a spanner in the works when she turns up.”

Craig Kirby (Tom Oakley in Pick Me Up’s Goodnight Mr Tom) will be in Monster mode and further roles will go to Tom Riddolls as Sgt Kemp, Sam Steel as Bertram Bartam and Andrew Isherwood, fresh from directing Agatha Christie’s And Then There Were None for Pick Me Up last September, can be spotted as The Hermit as well as directing.

Rivals for Dr Frankenstein’s affections: Jennie Wogan-Wells’s Elizabeth Benning, left, and Sanna Jeppsson’s Inga

A supporting ensemble will play Transylvanians, students and more besides. Choreography is by Ilana Weets and the orchestra will be led by musical maestro Sam Johnson.

Readman had to call off Pick Me Up’s Halloween double bill of Emma Reeves and Lucy Potter’s The Worst Witch and Young Frankenstein at the Grand Opera House due to unforeseen circumstances. It has not been possible to re-mount Rosy Rowley’s production of The Worst Witch, featuring a young cast, but Young Frankenstein will take over the JoRo slot allocated originally to Pick Me Up’s now jettisoned production of Chicago, whose principal casting was in place, but whose rehearsals were yet to start.

Helen Spencer is relishing the resumption of rehearsals for Young Frankenstein. “Ilana had already put us through a huge amount of tap-dancing work:  a very delayed return to tap in my case, having not done it since school, and she’s been very patient,” she says. “We’re having such fun again.

“Young Frankenstein is very silly with some brilliant numbers and really vibrant comedy, and we’re very lucky to have such amazing actors. Robert says it’s the best principal cast he could have wished for, such a safe pair of hands and so skilled that it would have been such a shame not to have done it. Thankfully we’re going ahead in January.”

Pick Me Up Theatre in Young Frankenstein, Joseph Rowntree Theatre, York, January 31 to February 3 2024, 7.30pm plus 2.30pm Saturday matinee. Box office: 01904 501935 or josephrowntreetheatre.co.uk

NEWSFLASHES…Curtains…The Hollywood Sisters…Joseph Rowntree Theatre Musical Theatre Awards…Musicals In The Multiverse…

Joseph Rowntree Theatre Company cast members for Curtains poke their heads out from beneath the JoRo curtain, which will fom part of the musical mystery whodunit’s set in February, along with the auditorium at large

JOSEPH Rowntree Theatre Company’s next show will be Curtains, the 2007 Broadway musical mystery comedy with a book by Rupert Holmes, lyrics by Fred Ebb, music by John Kander and additional lyrics by Kander and Holmes.

What’s the plot? Boston’s Colonial Theatre is host to the opening night performance of a new musical in 1959. When the leading lady – a fading Hollywood star and diva, who has no right to be one – dies mysteriously on stage, the entire cast and crew are suspects.

Enter a local detective – and musical theatre fan to boot – who tries to save the show, solve the case, and maybe even find love before the show reopens, all without being killed.

Delightful characters, a witty and charming script and glorious tunes await you from February 7 to 10 at 7.30pm nightly plus a 2.30pm Saturday matinee. In the cast will be Steven Jobson, Jennifer Jones, Jennie Wogan-Wells, Rosy Rowley, Jonathan Wells, Paul Blenkiron, Ben Huntley, Jennifer Payne, Anthony Gardner, Chris Gibson and Jamie Benson, among others.

Proceeds from ticket sales on 01904 501935 or at josephrowntreetheatre.co.uk will go to the JoRo.

The Hollywood Sisters: from left, Helen Spencer, Henrietta Linnemann, Rachel Higgs and Cat Foster

AFTER raising £1,000 for York Mind at their sold-out December 1 concert at Theatre@41, Monkgate, York close-harmony quartet The Hollywood Sisters – Helen Spencer, Cat Foster, Rachel Higgs and Henrietta Linnemann – will return there for another charity Christmas show with special guests next December. Watch this space for further details.

THE inaugural Joseph Rowntree Theatre Musical Theatre Awards will be launched formally in January. Watch this space.

Set up by the JoRo, the awards will run annually. “We’ve put out requests to all the companies that do full-book musicals in York, not specifically at the Joseph Rowntree Theatre,” says York actress, singer and director Helen Spencer, who is helping to run the awards with co-founder Nick Sephton. “At least seven companies have said they want to be involved.

“The way it works, each company nominates a judge; the judges will get together at the end of the year to decide who the winners are, with such categories as Best Actor, Best Actress, Best Director and Best Choreographer, and then the awards ceremony will be held at the Joseph Rowntree Theatre, Oscars style, in January.”

Explaining the concept behind the awards, Helen says: “The idea is to celebrate the amazing musical theatre scene we have in York and the amazing community we have that puts on these shows. This is a chance to celebrate all that creativity in our city.”

Scarlett Rowley in the first edition of Musicals In The Multverse at the Joseph Rowntree Theatre in June 2023

TO quote CharlesHutchPress, from the June 30 review,Musicals In The Multiverse turns out to be out of this world. A sequel will surely follow.”

Happy to report that this Joseph Rowntree Theatre Company revue will return to the JoRo in June 2024, dates yet to be confirmed.

Directed by Helen Spencer, the show’s modus operandi is “playful, radical too, and has the potential to be rolled out again,” as CharlesHutchPress wrote of June’s inaugural two-night run.

“Imagine alternative worlds – a multiverse – where musical favourites take on a new life with a change of gender, era, key or musical style, arranged with glee, joy and flourish after flourish by musical director Matthew Peter Clare for his smart band”. More details of the sequel will follow.

Ross Noble ready to improvise on Jibber Jabber Jamboree jovial jaunt in York

In his natural habitat: Ross Noble looks forward to a Jibber Jabber Jamboree night of improvised comedy at the Grand Opera House, York, on Wednesday

FREEWHEELING Geordie comic Ross Noble will spin his web of nonsensical improvised comedy on his return to the Grand Opera House, York, on Wednesday (15/11/2023).

“It will be a playful experience for young and old,” he says. “Imagine watching someone create a magic carpet on an enchanted loom. Oh, hang on… magic carpets fly, that would smash the loom as it took flight. I haven’t thought that through…That’s what people can expect. Razor-sharp observations on things I haven’t thought through.”

Ross, who cut his teenage comedy teeth in York compering Comedy Shack gigs at the Bonding Warehouse, is settling into his 21st stand-up tour, talking genial Geordie gibberish on his Jibber Jabber Jamboree itinerary from October 25 to March 17 2024.

“I’ve got significantly better hotel accommodation,” says the Newcastle surrealist, reflecting on the contrast with his first tour. “That’s the main thing. Also, there are people coming to see me now who came with their parents when they were kids. That messes with your head a little bit.

“I still think of myself as being like 22 or 23 years old, and now I’ve got grown men going, ‘I saw you when I was 15. And now I’m a professional comedian’. Not even people going, ‘I want to be a comedian’ – like actual, established performers.” 

Does that make Ross an elder statesman of comedy at 47? “I wouldn’t go that far! The people that get described as ‘elder statesman’…some of them are a little bit too confident in their opinions, you know? They start going: ‘Well, the thing about comedy…’. No! Shut up!”

Just as Bob Dylan sang “All I’ve got is a red guitar, three chords and the truth” in All Along The Watchtower, so Ross Noble once said his plans for a show ran to “about four words on a scrap of paper”. “That was actually taken slightly out of context,” he clarifies. “What I would do is go on and improvise, and then afterwards, I would write down things I could do again.

“I didn’t sit down to plan, think of four things and write them down. It’s the same today, really. Except I just don’t write them down – I feel like I should be able to remember four things!” 

As ever, Ross will have no support (no, not even a chair) as he tucks into two hour-long sets on Wednesday. “The thing that gets me is comics who sit down,” he says. “Whenever I see a comic with a chair on stage, I just think ‘If you need that chair, do a shorter show! Get up and put some effort in’.”

How does Ross on stage contrast with Ross off stage? “The difference is that when I’m on stage I show my working out. As I’m talking, my brain is constantly interrupting itself, so I’ll be saying something and then that’ll spark another thing, and then something else will come in – and I explain all that as it happens,” he says.

What can people expect in Jibber Jabber Jamboree, Ross? “Razor-sharp observations on things I haven’t thought through,” he forewarns

“Those thoughts still happen when I’m off stage, but I don’t say them all out loud, so if you meet me in the street, I can seem kind of distracted. I’ll often get halfway through a sentence and just stop. It drives my wife up the wall.” 

Come the interval on Wednesday, as is customary at a Noble gig, audience members will leave items on stage for Ross to weave into his wild imaginings in the second half.

“Somebody once left a pin from a ten-pin bowling alley and then a few nights later, somebody left another one. So, I tweeted about it, and over the course of the tour, I got all ten and we set up a bowling alley in the dressing room,” he recalls.

“Somebody did an oil painting of me as a centaur: full horse body, long flowing hair, rippling muscles like Fabio. Then above my head, there’s a Mr Kipling French Fancy with a rainbow coming out of it, and wings like a snitch from Harry Potter. That blew my mind.” 

Before Wednesday, check out Ross’s YouTube channel, where he presents a spoof nature documentary series, The Unnatural History Show With Ross Noble, as a rather riskier retort to the Beeb’s Winterwatch.

“I love Winterwatch and Countryfile, but there’s a very British, very cosy way that people like Michaela Strachan and John Craven present,” he says. “It’s all people in jumpers and Berghaus jackets sitting around being very ‘Well, isn’t this marvellous seeing these mating chaffinches?’! I just thought: ‘This would be a lot better if some of these animals could kill you’.”

Back on stage, you may have seen Ross’s Igor in Mel Brooks’s musical Young Frankenstein on tour at Leeds Grand Theatre. What did he learn from his musical theatre experience that he could apply to stand-up? “Previously I thought the best thing about stand-up was that you didn’t have to deal with other people messing up what you want to do,” he says.

“But then you do something like Young Frankenstein, with the greatest comedy legend of all time, and the best Broadway director that’s working and you go: ‘Oh, no, it’s not that I don’t like working with other people. I just want to work with the absolute best people’.” 

Now, solo once more, Ross will turn his stream-of-consciousnonsense tap on in York at 8pm on Wednesday. Box office: atgtickets.com/york.

Further Yorkshire dates on Ross Noble’s Jibber Jabber Jamboree tour in 2024: Sheffield City Hall, February 28, CAST, Doncaster, March 3; Leeds Grand Theatre, March 17. Box office: Sheffield, sheffieldcityhall.co.uk; Doncaster, 01302 303959 or castindoncaster.com; Leeds, 0113 243 0808 or leedsheritage theatres.com.

Ross Noble on the road in Yorkshire on his 21st solo stand-up tour: Already played Harrogate Royal Hall on October 26, now heading for York next week and Leeds, Doncaster and Sheffield next year

Halloween shock as Pick Me Up Theatre cancels The Worst Witch and Young Frankenstein at Grand Opera House

Taking a tumble: Pick Me Up Theatre’s poster for the now postponed The Worst Witch

PRODUCER Robert Readman has called off Pick Me Up Theatre’s Halloween double bill of The Worst Witch and Young Frankenstein at the Grand Opera House, York, due to unforeseen circumstances.

Hopes are high, however, that he will rearrange the two production runs for early 2024 at a venue yet to be confirmed, but most likely to be the Joseph Rowntree Theatre. Watch this space.

Directed by Rosy Rowley, Emma Reeves and Luke Potter’s The Worst Witch was booked to run from October 27 to 29 with a young cast, followed by Readman’s northern premiere of Mel Brooks’s musical Young Frankenstein from October 31 to November 4.

October 26 and October 30 shows had been jettisoned already, since the initial posters (see above and below) were published.

For ticket refund details, head to help.atgtickets.com or contact 03330 096690.

Pick Me Up Theatre’s poster artwork for Young Frankenstein

James Willstrop to serve up Frederick Frankenstein in Pick Me Up Theatre’s Hallowe’en show Young Frankenstein

Squashbuckling: World champ James Willstrop swaps from court to stage to perform for Pick Me Up Theatre

PICK Me Up Theatre artistic director Robert Readman will direct the northern premiere of Mel Brooks’s stage conversion of Young Frankenstein at the Grand Opera House, York, over Hallowe’en.

The York company’s rehearsals are progressing well for the all-singing, all-dancing horror-movie spoof musical that will run from October 31 to November 4.

“From the creators of the record-breaking Broadway sensation The Producers comes this monster new musical comedy,” says Robert. “The comedy genius, Mel Brooks, has adapted his legendarily funny 1974 film into a brilliant stage creation of Young Frankenstein. I saw the West End production and loved it.”

Grandson of the infamous Victor Frankenstein, Dr Frederick Frankenstein (pronounced “Fronk-en-steen”) inherits his family’s castle estate in Transylvania.

Sanna Jeppsson: Playing lab assistant Inga in Young Frankenstein

Aided yet hindered by hunchbacked sidekick Igor (pronounced “Eye-gore”), leggy lab assistant Inga (pronounced normally), devilishly sexy Frau Blucher (Neigh!) and needy fianceeElizabeth, Frederick finds himself filling the mad scientist shoes of his ancestors, striving to fulfil his grandfather’s legacy by bringing a corpse back to life.

“It’s alive!” he exclaims as his experiment yields a creature to rival his grandfather’s monster. Eventually, and inevitably, this new monster escapes. “Hilarity abounds,” promises Robert, in Young Frankenstein’s combination of madcap success and monstrous consequences.

Working in tandem with Thomas Meehan, Brooks gleefully reanimates his horror-movie send-up of Mary Shelley’s novel with even more jokes, set-pieces and barnstorming parody songs that stick a pitchfork into good taste. Among those songs will be Puttin’ On The Ritz, Please Don’t Touch Me, He Vas My Boyfriend, The Transylvanian Mania, There Is Nothing Like A Brain! and many more Transylvanian smash hits.

Leading Readman’s cast will be erstwhile world squash champion James Willstrop, continuing his transfer from court to stage after playing Captain Von Trapp in Pick Me Up’s The Sound Of Music last Christmas.

Helen Spencer: From Hello, Dolly! to hello, Frau Blucher

Starring opposite him again will be Swedish-born Sanna Jeppsson (Maria in The Sound Of Music), here cast as Inga. Jack Hooper, Mr Poppy in last year’s Nativity!, will be Igor; Helen Spencer, seen latterly as the Mother Abbess and Dolly Levi in Hello, Dolly!, will play Frau Blucher; Jennie Wogan-Wells, the Narrator in Joseph And The Amazing Technicolor Dreamcoat, will be Elizabeth Benning.

Craig Kirby, Mr Tom in Goodnight Mr Tom, will be in Monster mode and further roles will go to Tom Riddolls as Sgt Kemp, Sam Steel as Bertram Bartam and Andrew Isherwood, fresh from directing Agatha Christie’s And Then There Were None, as The Hermit.  A supporting ensemble will play Transylvanians, students and more besides.   

“Every bit as relevant to audience members who will remember the original as it will be to newcomers, Young Frankenstein has all the of panache of the screen sensation with a little extra theatrical flair added,” says Robert. “Young Frankenstein is scientifically proven, monstrously good entertainment.”

Pick Me Up Theatre in Young Frankenstein, Grand Opera House, York, October 31 to November 4, 7.30pm plus 2.30pm Thursday and Saturday matinees. Box office: atgtickets.com/york.