Trinacria restaurateur Beppe Lombardo cooks up first YorkJazzFest from October 1 to 4. UPDATED 1/10/2026

Trinacria restaurateur and YorkJazzFest promoter Beppe Lombardo

BEPPE Lombardo, soprano saxophone player in his Italian teenage days and supremo of Trinacria Sicilian Ristorante in Bishopthorpe Road for 15 years, is running the inaugural YorkJazzFest from Thursday to Sunday.

No fewer than 28 acts will celebrate jazz in all its forms in a festival that vows to  “bring together classic sounds, contemporary sounds, great venues and live music lovers across York”.

YorkJazzFest adds up to Four Days, Six Venues, One City. “Jazz is not one sound, one age, one room or one crowd,” says Beppe, who has put together a diverse programme with funding from York and North Yorkshire Combined Authority Mayor David Skaith.

Angel On The Green, York Arts Barge, Young Thugs Studio, the Phoenix Inn and The Winning Post play host to concerts on the first three days, culminating in the Bishopthorpe Road Car Park Finale on Sunday, topped off by sets by the Fergus Quill Quintet and Dennis Rollins’ Funky-Funk, followed by Ian Chalk at the Phoenix.

Dennis Rollins: Promising Funky-Funk! at the Bishopthorpe Road Car Park Finale to YorkJazzFest on Sunday

In part inspired by his father-in-law, Jim Morgan, who runs Catwick Live folk music nights at Catwick Village Hall, near Beverley, Beppe decided to launch YorkJazzFest, noting how his adopted home city had never previously held a city-wide dedicated jazz festival.

“Jim went to Celtic Connections in Glasgow and told me about how impressed he was by this multi-venue festival,” he says. “I thought it was a brilliant idea, so that’s where I started getting inspiration for a festival with lots of venues and a big finale at the Bishy Road car park.”

Beppe already had received more than £4,000 funding for an open-sided marquee – now to be used in the Bishopthorpe Road Christmas Bazaar on November 28 – when he decided on staging the YorkJazzFest finale on a 42 square ft trailer, again open-sided, framed in decorative lighting too, supplied by Event Equipment Hire. “I’ll be co-ordinating the bar on the last day,” he adds.

“The first idea for running a festival came just after Covid, when the council put up some funds to refresh the high street, providing Christmas lights and summer bunting for Bishopthorpe Road.

Lo Vu: Playing YorkJazzFest at Young Thugs Studio at 9.15pm on Thursday

“Then David Skaith came along as the Mayor [of the York & North Yorkshire Combined Authority] and created the [Sustainable] High Street Fund. His office has provided £11,600 funding to enable this festival to go ahead.”

Flamboyant  chef  and restaurateur he may be, but music has always played a part in Beppe’s life too. “I used to play saxophone in a brass band in Sicily, the Vittoria Youth Brass Band, which was set up to get kids off the streets, with the local council providing funds for free music lessons in schools, studying theory first  from [age] nine or ten and paying 75 per cent towards the cost of an instrument,” he says.

“I wanted a tenor sax, but I was told ‘for my height, you should have a soprano saxophone’ as I was 11. It was a bit harder to play, because it has a higher pitch, and it’s easier to get wrong, but I played for seven or eight years, at festivals and funerals, and I loved it.”

Beppe continues: “My father loved reggae, blues and soul, not really jazz, but because I had a sax, I started listening to Charlie Parker and John Coltrane, and I really got into jazz, Miles Davis, Stan Getz, Sonny Rollins, Gerry Mulligan, Chet Baker  – and I did like Kenny G too.

Olivia Cuttill: Leading her quintet at York Arts Barge on Saturday at 8.30pm

“But then I went into the Italian army and let the music go, and afterwards I started working on the family farm, in my father’s greenhouses.. He was a strict dad, teaching me a lot – and growing up in Sicily in the 1980s, with the Mafia bosses there, you learn to look after yourself and stay on the straight path.”

Beppe did not want to be a farmer – “I thought it was too risky” – and instead took on a job as a waiter in a Vittoria, learning the skills of making customers comfortable and relaxed, telling jokes: social skills that still apply in running Trinicria and promoting a jazz festival.

Drawing on his mother’s cookery prowess, he became a chef, picked for one of 30 jobs from 1,000 applicants by ClubMed  to work in France and Sardinia. York beckoned. “I knew I wanted to learn English, and a friend had done the Erasmus course in York and said it was the Florence of England,” Beppe recalls.

“I arrived on 21st October 2001 at five minutes to midnight and didn’t have anywhere to sleep. My first experience was these four English guys helping me to find a hostel.”

SwanNek: Booked into Young Thugs Studios for 7pm on Saturday

Looking out over Lendal Bridge the following morning, Beppe thought, “Oh my God, this is a beautiful city. It took me only a few days to fall in love with it.”

He has never left, working at Bari, in Shambles, Silvano’s, where he met his wife, and The Dormouse, in Clifton Park Avenue. “That’s where I really learnt English, covering every role, and became ‘the star’ of the place!”

Emboldened, he opened Trinacria in 2012, its name taken from the ancient name of the island of Sicily (whose roughly triangular shape is defined by three headlands). His restaurant runs on a triple bill of “best ice cream, best pizza, best ingredients). “I will not save on ingredients,” says. “I only use ingredients that I would eat.” 

As a Sicilian, by the way, he prefers to use semolina as 33 per cent of the pizza base to complement the flour, referring to the softer Neapolitan version as “wet paper”!

After watching gigs at The Crescent and the Phoenix Inn and running a regular Thursday  jazz night at his restaurant – now discontinued – he is staging his first jazz festival.

Alina Bzhezhinska: Whispers Of Rain concert at York Arts Barge on Friday at 8.30pm

From Jonny Hooker at Young Thugs Studio to Christian Topman, who runs the York Bargestra Big Band, New York Brass Band trombonist Will Osborne to spreadsheet maestro Philip Thornhill and Miles Lindley, with his contact book of York acts, Beppe has received support for his venture.

Ouroboros promoter Harkirit Boparai helped him to set up the festival website and secured Dennis Rollins and Ukrainian-born harpist and composer Alina Bzhezhinska for the event, while graphic designer Roham Bayat designed the neo-vintage festival poster. Beppe himself signed up Newcastle jazz collective SwanNek and up-and-coming cabaret-style act Rivkala after spotting their talent at Manchester Jazz Festival in May.

Already Beppe has plans for expansion next year, when he may look to switch the festival to early September. “The vision is to make this a legacy event, thinking ‘why have Scarborough, Leeds, Manchester run jazz festivals for so long, but not York?’. York has never had a proper jazz festival. I want to change that,”  he says.

“This year we wanted to focus on the South Bank and Bishopthorpe Road area, but my vision is to expand over the city, maybe to church halls, venues that already do jazz concerts, like the National Centre for Early Music, and The Crescent definitely wants to be involved next year.

“This is just a vision, though we don’t know what path we will take yet, but maybe one day we could have a two-day finale with a big headliner at the racecourse? This is only the beginning, but slowly, slowly, we will get bigger and stronger, watering the seeds we’ve sown, and hopefully attracting Arts Council England support.” Watch this space, but watch this week’s festival acts first.

 For full listings and tickets, go to: yorkjazzfestival.com.

Roham Bayat’s poster design for the inaugural YorkJazzFest

YorkJazzFest programme, October 1 to 4

Venues: Angel On The Green, Bishopthorpe Road; York Arts Barge, Foss Basin Moorings, Tower Street; Young Thugs Studios, South Bank Social Club, Ovington Terrace; The Phoenix Inn, George Street; The Winning Post, Bishopthorpe Road, and Bishopthorpe Road Car Park for Sunday finale.

Thursday

6pm, Balanco Malandra, Young Thugs Studios

7pm to 8.15pm, Harrison & Morrison Duet, Angel On The Green. Admission free

8pm to 10pm, Brendan Duffy Band, The Phoenix Inn. Admission free

8.30pm, Alligator Gumbo, York Arts Barge

9pm to 10.15pm, The Shandog Swingers, Angel On The Green. Admission free

9.15pm, Lo Vu, Young Thugs Studios

Rivkala: Performing at Young Thugs Studios on Friday at 7pm

Friday

6pm, DB Trio, Angel On The Green. CANCELLED

6pm, York Bargestra Big Band, The Winning Post

6.30pm, Danny Lowndes Hot Club, York Arts Barge

7pm, Rivkala, Young Thugs Studios

8pm, Stephen Swing Wilson, The Winning Post

8pm, Karl Mullen & Friends, The Phoenix Inn. Admission free

8.30pm, Alina Bzhezhinska: Whispers Of Rain, York Arts Barge

9pm, Mike Conliffe Trio, Angel On The Green. Admission free

9.15pm, Afrodesia, Young Thugs Studio

Saturday

6pm, Flowerden, The Winning Post

6pm, Mutant DJ Jazz, Angel On The Green. Admission free

6.30pm, Emma Foulds Quintet, York Arts Barge

7pm, SwanNek, Young Thugs Studios

8.30pm, Al Morrison Quartet, The Winning Post

8.30pm, Olivia Cuttill Quintet, York Arts Barge

9pm, Borgia, Angel On The Green. Admission free

9pm, Lovedancin’ DJ, Young Thugs Studio

Sunday

Bishopthorpe Road Car Park Finale. FREE ENTRY, no ticket required.

12 noon, YorkJazzFest Orchestra

1pm, Vipertime

2.15pm, Big Bamboo

4.15pm, Fergus Quill Sextet

6pm, Dennis Rollins’ Funky-Funk!

8pm to 10.30pm, Ian Chalk, The Phoenix Inn. Admission free.

Ian Chalk: Closing YorkJazzFest at The Phoenix Inn on Sunday at 8pm

New dad Joshua Burnell plays Rise at Bluebird Bakery with full band as he revisits debut album Lend An Ear for book version

York musician Joshua Burnell in the woods. Picture: Frances Sladen

JOSHUA Burnell makes retro folk-pop-rock for the modern world.

Next up for the York keyboard player, guitarist, singer and songwriter – and teacher and cafe pianist to boot – is a sold-out gig with his full band at Rise@Bluebird Bakery, Acomb, on Saturday night.

Joining Joshua (piano, Hammond organ, guitar and vocals) in the bakery will be Nathan Greaves (electric guitar), Ed Simpson (drums), Olly Whitehouse (bass), Kat Hurdley (violin) and, hopefully, Frances Sladen (vocals). 

Expect hooky melodies drenched in warm, retro-synth textures, reverbing guitars, lush harmonies and words that make you think. Imagine The War On Drugs meets Peter Gabriel-era Genesis as 1970s’ glam makes peace with psychedelia.

Through his intricately crafted lyrics, Joshua creates a multiverse of settings, from apocalyptic love songs to re-imagined fairy tales, and introduces otherworldly characters, such as the Glass Knight, resurrected from an old English folk tale to reflect the foibles of today.

“This one’s for fans of Stranger Things, Seventies’ art rock and everything in between,” says Joshua as he answers CharlesHutchPress’s questions ahead of Friday’s gig.

What form will the Rise gig take, Joshua? 

“Full band! 🤘 It’s sold out so should be a great night. We sold out over a year ago so I want to give a huge shout-out to everyone who bought a ticket.”

What is the story behind your decision to revisit your debut album Lend An Ear with an upcoming new audio and book edition?

“In 2013, I recorded an album in a student bedroom with a broken MacBook and a guitar I barely knew how to tune. The songs were strong; the execution wasn’t. I’ve been gradually correcting my mistakes ever since.

“This new album is the story of finishing unfinished business. Of doing something again for the sake of doing it properly. The album contains completely re-arranged and re-imagined versions of the songs, to the standard I’d always intended, now re-recorded partly at Young Thugs Studios [at South Bank Social Club, Ovington Terrace, York] and partly in a cottage in rural Wales.

“At one point last year, everything just got a bit too much and I found myself unable to focus properly. I always loved the mythology of Robert Plant and Jimmy Page hiding away in a cottage in Wales to write Led Zeppelin III, so I decided I should do the same. It was exactly what I needed and most of the album took shape during that time. 

“In a quiet rebellion against streaming platforms who have successfully managed to devalue music, I’m releasing this one exclusively on CD. It’ll be heard by fewer people, but if it makes it sustainable, that’s enough for me.

“To make it extra special for those people who do choose to support the project and buy a copy, it will come as a hardback book with the full story behind the album and songs.”

What have you been up to in 2025? 

“One of the highlights of my life: my daughter Lyra was born! I’ve become a dad, which is the most beautiful thing but also makes you ask yourself some pretty serious questions.

“I knew I couldn’t sustain teaching and music and be a dad, so I’ve taken a year away from teaching to have a go at supporting my family with music. It’s difficult, but I feel very supported by my friends, family and fans.

“This is also part of the reasoning behind ditching streaming platforms – it seems reckless to release music that way when the stakes are so high.”

Have you ever snuck one of your own songs into your piano playing at Bettys cafe?!

“I actually wrote a song about Bettys – or, rather, a love story that takes place there – so I play that one every time! It’s called The Snow On St Helen’s Square. Lucy and 59 occasionally sneak in there too.” 

The long hair has gone… why?!

“I wish there was a more profound explanation… it was for a music video! The song is called 59 and is about the last second in a minute; the last minute in an hour; the moment before something new begins.

“It was released just before Lyra was born and was part of that excitement in the unknown. I wanted it to look quite sharp and Eighties-inspired, and I think the short hair suited it well. Here it is: https://www.youtube.com/watch?v=JMsziLvQ_BI .

“I’m growing it long again now. I’m an elf at heart.”

How has your songwriting changed down the years?

“I would like to think I’ve started to consider why I am writing a song more: what problem will my songs solve or who will they serve? I’ve also learned to arrange my songs better, which is a difficult skill.

“Because I write in the studio a lot of the time, the arrangement can happen simultaneously. It’s about having the foresight to hear what the finished song will sound like, and making choices accordingly. There was a time I used to throw in everything and the kitchen sink – now I only use the kitchen sink if there needs to be a kitchen sink.”

How is the Road to the Royal Albert Hall campaign progressing, as highlighted on your website?

“It’s always been my dream to perform a headline show there, so shall we try to make it happen? We’ll need at least 4,000 people to sign up, and we’ll have to prove we mean business at the venues we play along the way.

“There are 2,534 more subscribers to go. If people want to come along, they just have to sign up at https://www.joshuaburnell.co.uk/roadtotheroyalalberthall.

“I’ll keep updating on our progress. Emails will go out on the first day of each month. Be sure to check your junk folder!”

Joshua Burnell with full band, Rise@Bluebird Bakery, Acomb Road, Acomb, York, October 11, doors, 7.30pm. SOLD OUT. Also playing Howden Live gig at Shire Hall, Howden, with full band, October 18, 8pm. Tickets still available at howden-live.com.

The album cover artwork for Joshua Burnell’s Lend An Ear

Lend An Ear revisited: the back story

“THIS album will only be heard by a finite group of people,” says Joshua. “I’m starting a small, musical rebellion: the album will not be released on streaming platforms. Instead, this album will be limited to a small number of physical copies, beautifully packaged in a hard-back book because I believe the context and stories are as important as the songs themselves. 

“To keep the music coming, this needs to be sustainable. A small number of people will own and hear this music. It will be special for them and more than rewarding enough for me. 

“The album contains the re-recorded versions followed by the original versions. I hope you enjoy the depth and lived experience in the music and sense of adventure hidden in each layer of every song.”

Lend An Ear (Revisited) contains:

*Re-recorded version of Joshua Burnell’s debut  album

*All tracks from the original 2013 release

*Hardback book(lette!) of extensive sleeve notes and stories behind the songs

*7x ‘deep dive’ posters, breaking down the tracks 

*The warm feeling that you supported an independent artist to continue making music!

Lend An Ear can be pre-ordered at https://www.joshuaburnell.co.uk/product-page/lend-an-ear-revisited-cd-book.

Miles And The Chain Gang proclaim love as redemption on Road To Damascus single

Miles Salter: Gang leader of Miles And The Chain Gang

YORK band Miles And The Chain Gang will release new single Road To Damascus on July 18.

“It feels like an Americana classic with shades of blues and soul, but with the energy and swagger our fans have come to expect,” says frontman Miles Salter, York songwriter, musician, poet, storyteller, podcaster, presenter and festival programmer.

“The song first came out in 1995, when I made an album of songs called Time To Credit Marvels. I think I pressed 200 copies of the cassette. I was living in Hull at the time and the sleeve was done by a back-street printer with mixed results. It was before I started to put CDs out. Those tapes were always a labour of love!”

The new version of Road To Damascus was recorded in York at Young Thugs Studios, where Miles has recorded nearly all of his songs since 2018, working with producer and musician Jonny Hooker.

“Jonny is very patient,” says Miles. “I get a bit perfectionist-neurotic in the studio; I can’t bear doing stuff that’s ‘nearly but not quite’, so I keep going back to something until it’s right. It can be frustrating, but I honestly feel the catalogue of songs we have now is really good.

“So when something comes out, it has to be as good as I can get it. If that means re-doing the vocal five times, so be it.”

As for the lyrics, is this a tale of love as redemption? “Yes,” affirms Miles.”The idea that love can save you. Saint Paul had his ‘Damascus Road’ experience, but not everybody, these days, gets the reference. Biblical and classical ideas are less available to people than Marvel superheroes.

“There’s a link between spirituality and love. Think of I Say A Little Prayer by Aretha Franklin, or Hallelujah by Leonard Cohen, although I wish I could write lyrics as good as Leonard’s – he’s in the premier league of songwriters, as far as I can see. He closed the gap between poetry and lyrics.”

Joining Miles on the new recording are a talented bunch of York musicians: Stomp! percussionist and drummer Billy Hickling, bass player Tim Bruce, York pianist par excellence Karl Mullen and saxophonist Fay Donaldson. Holly Taymar-Bilton provides backing vocals and York blues enthusiast Paul Winn plays harmonica.

Miles And The Chain Gang have released ten songs in total, reaching listeners in the United States, Canada, Australia and Europe as well Great Britain via indie and internet radio. “The internet is a mixed blessing, but it’s cool to know that people are listening to the songs around the world,” says Miles. “We’ve racked up more than 30,000 listens on Spotify and 50,000 views on YouTube too.”

Emma Scott, radio presenter and PR guru, praises Miles’s tunes. “They’re very good songs,” she says. “Miles has an ear for hooks, and that’s what rock and pop is all about at the end of the day: those little earworms that keep coming back for more.”

Road To Damascus will be on Spotify, Apple Music and other platforms from Friday. https://www.youtube.com/watch?v=qOVSoAjRBm4

Miles And The Chain Gang release Syd Egan’s acoustic love song Wildcats & Koalas. The Terrace gig to follow on April 12

Miles And The Chain Gang frontman Miles Salter

YORK band Miles And The Chain Gang have released their ninth track, Wildcats & Koalas, on digital formats such as Spotify and Apple.

This acoustic love song, with its shades of English songwriters Billy Bragg and Ray Davies, was written by Syd Egan, a friend of frontman Miles Salter since schooldays.

“Syd writes very good songs,” says Miles, who formed a short-lived band with Egan as teenagers. “I wish he would write more. I’ve been playing his songs for more than 30 years.”

Syd penned Wildcats & Koalas for his wife, Raf. “The song goes back to 2018 and the lyric is very personal,” says Miles. “Syd played it to me one day at my home in York and gave me a sheet with the lyrics and chords.

“We started to record it in 2021, the year after the pandemic struck, when Young Thugs Studio had moved to the Arts Barge in York while the studio at South Bank Social Club was renovated.”

The recording features contributions from Alan Dawson, Andrew Willie and Antony Thompson. “Alan did a great job with the guitar part and solo – he’s a great musician. Andrew supplied the piano and synth and the trumpet part was by Antony,” says Miles.

Syd Egan’s artwork for Miles And The Chain Gang’s Wildcats & Koalas

“It has a very English feel to it, like something Billy Bragg, or Squeeze, or maybe Ray Davies might have written. I think Syd escapes some of the Americana cliches I might fall for by writing very atmospheric lyrics.

“There’s a tenderness to it that’s very affecting. When Syd and Raf got married in 2023, I played it for them and their family and friends at the reception in London.”

Miles And The Chain Gang have released nine songs since 2020. “Last year our cover of Black Hole by Griff was played around the world on indie and internet radio, and we’ve racked up  in excess of 25,000 plays on Spotify,” says Miles.

“We keep chugging on. It’s not easy to get noticed when there’s so much stuff out there, but I like to think we put out good songs that have a bit of heart. It’s energising when you know people listen around the world.”

Miles And The Chain Gang will play The Terrace, New Street, York, on April 12 in a full band show from 8pm. Entry is free.

Listen to Wildcats & Koalas at: https://open.spotify.com/album/2dl4FXgLu0EoqvbEKFeAoC?si=ZsIEjspQRmuW9Sgg3bdm1

Miles And The Chain Gang’s new line-up kicks off summer of gigs at City Of York Folk Weekend on Sunday evening

New on the Chain Gang: Drummer Steve Purton, bassist Matthew Watt and keyboard player Daniel Bowater line up with band leader Miles Salter, back, left

YORK band Miles And The Chain Gang play their first home-city gig in almost a year at the City of York (Roland Walls) Folk Weekend on Sunday.

Catch singer-songwriter Miles Salter and his new line-up on the Marquee Stage at 5.30pm at the Black Swan Inn, Peasholme Green, York, where entry will be free.

“Come by and see us, we’d love to see you, as we kick off a run of events that takes us on a mini ‘tour of Yorkshire’, with dates over the summer at Doncaster, Helmsley and Harrogate, as well as gigs closer to York,” says Miles.

Joining guitarist Miles on stage will be drummer Steve Purton, bassist Mathew Watt and keyboards player Daniel Bowater.

“It feels good,” says band leader Miles. “We’ve got some great little gigs lined up and we’re looking forward to heading out.”

In the Chain Gang diary are: Doncaster Leopard, June 18; Helmsley Arts Centre, July 23; Blues Bar, Harrogate, July 24; The Smithy Arms, Swinton, August 27, and Jolly Sailor Inn, Cawood, September 24.

The band’s fourth single, Love Is Blind, is out now, accompanied by a video by York filmmaker Dave Thorp that has clocked up more than 25,000 views already in only two weeks.

“It’s a good song. People are really responding well to it,” says Miles. “It’s been played on lots of smaller, independent stations in the UK, as well as in the USA and Australia. Several stations made it their ‘single of the week’, including Jorvik Radio in York. It’s great to see it going out into the world – thanks to everybody who helped make this happen.”

Recorded and mixed at Young Thugs Studios in York, Love Is Blind features Salter on vocals and guitar; Tim Bruce, bass; Billy Hickling, drums and percussion; Karl Mullen, piano; Holly Taymar, backing vocals, and Jonny Hooker, organ.

Miles and his band are so glad to be back on the Chain Gang for Fulford Arms concert

Ganging up again: Miles And The Chain Gang return to the concert platform next week in York. Picture: Jim Poyner

AFTER an 18-month hiatus, Miles Salter’s York band are back on the Chain Gang, tooled up with new material to play The Fulford Arms, York, on July 29.

In the line-up are singer, songwriter, storyteller, published poet and radio presenter Salter, on guitar and vocals; Billy Hickling, from the hit show Stomp!, on drums and percussion; The Bogus Brothers and Goosehorns’ stalwart, Tim Bruce, on bass, and Alan Dawson, on lead guitar, augmented for this gig by Fay Donaldson’s flute and saxophone and Bernard Scarcliffe’s keyboards.

Miles And The Chain Gang have been working on a debut album since September 2019, recording first with Hairul Hasnan at University of York Studio, then with Jonny Hooker at Young Thugs Studios, in Ovington Terrace, York. “It’s not quite finished yet, but it’s sounding great,” says Miles. 

“We were just about to start a run of gigs in the spring of 2020 when Covid struck. Instead, we focused on recording and making videos, releasing three well-received download singles across 18 months.”

The latest was All Of Our Lives, a cover of a late-1990s’ Syd Egan song, recorded by the band in January and February, when Sam Pirt and Karl Mullen added accordion and piano respectively.

“We’ve had lots of airplay over the last year or so, on Jorvik Radio and YO1 Radio; it’s been great to hear our songs on these stations. We’ve done well, under the circumstances, but after a really long time away from playing, it’s great to get back to live sets again,” says Miles. “We’d love to see you, so do come along if you can. We have new songs and a new band member in the very talented Fay Donaldson.

“Support will come from North Yorkshire’s purveyors of hillbilly, King Courgette, who featured at our last show, way back in December 2019.” 

Tickets for next Thursday’s 8pm concert cost £7 at thefulfordarms.co.uk or £8 on the door. 

No time for vegetating: King Courgette are back in action as special guests at the July 29 gig
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