Wren Crawford’s Jesus in The Company of Merchant Adventurers’ Doomsday, staged with Ravens Morris & Haigha and the Northern Militia. Picture: John Saunders
YORK is the city that knows its waggon wheels from its Wagon Wheels, for so many years sent spinning towards theatregoers by pantomime dame Berwick Kaler.
Once every four summers, the York Festival Trust, the city Guilds and assorted theatre companies and community groups take to the city streets to revive the medieval texts of the York Mystery Plays, mingling with the Sunday shoppers and the aromas emerging from cafes, restaurants, stalls and storied chocolate store over two weekends.
Ten of the 48 plays – the most complete set in the world – and a further extract are being staged at four stations, the wagons kept on the move from mid-morning at the Minster Refectory Gardens to King’s Square, St Sampson’s Square and the one seated, ticketed location, Dean’s Park, in the shadow of York Minster.
Being the city of festivals and home to the Jorvik Viking Centre, let alone stag and hen parties, York and dressing up go hand and hand, never more so than for the York Mystery Plays, where the sight of Angel 1 and 2 walking through Goodramgate, wings at full span, faces shielded by veils, separated from their fellow Doomsday performers, looked perfectly normal for a York Sunday rather than an act of divine intervention.
It is easy to take such occurrences for granted in York, but it is all part of living with history and history being alive in a city whose present and future continues to be shaped by its past.
The Mystery Plays are steeped in tradition: plays being “brought forth” on waggons – always with a double ‘GG’ – pulled by human toil rather than horses, led by drums and banners and the dignitaries of assorted guilds in full regalia.
Each set must fit on the waggon, calling for inventive, compact design, easy to assemble and take down. Some are humorous, such as Pip Cook and the Guild of Cordwainers’ The Shepherds, with its multitude of sheep; none is more impactful than the cross rising to the sky, bearing the pierced frame of Thom Feeney’s Jesus of Nazareth, pulled and pushed into position by the four jesting Workmen of York Settlement Community Players, performing a Pageant Waggon play for the first time in 12 years for the York Butchers’ Gild.
Faces familiar from the York theatre scene or from past productions share the spotlight with performers new to the declamatory demands of street theatre in a production that always reflects the changing community of York.
Bodhan Pitel’s Herod in DSpace Ukrainian Theatre and the Guild of Scriveners’ The Massacre Of The Innocents. Picture: John Saunders
Step forward DSpace Ukrainian Theatre, the company set up in York by artistic director and actress Daryna Klymenko, presenting The Massacre Of The Innocents, a title that could not have more resonance.
Writing in the York Mystery Plays Festival 2026 programme, Klymenko says: “Working on the tragic story of the Massacre of the Innocents, we could not ignore the parallels with the modern world – with the way dictatorship , violence and an unhealthy hunger for power and wealth become irreversibly destructive.
“Through this performance, we aim not only to tell a tragic story, but also to ask the question: why do similar tragedies continue to happen? And what has the power to resist them?”
DSpace specialise in physical expression, body language and hidden parallels, and their performance, led by Bodhan Pitel’s violent, gaudy Herod, is the essence of why these Plays continue to chime with the times.
Through the day’s perambulations, we encounter all manner of angels (Guiding/Herald/Fallen/Death/Hey-Hey Angel et al); seven iterations of God (including Daniel Wilmot’s Deus for the Guild of Building’s The Creation) and Jesus times three (the stripped Oscar Langford and Thom Feeney and a white-robed/Elvis-in-Vegas Wren Crawford).
Then add Adam & Eve, Satan, Satanas and Devils, Noah and Mrs Mrs Noah, a Forsaken Soul, shepherds, Mary, Mary Magdalene, Naughty Child 1 and 2, Saved Souls and Damned Souls, messengers, councillors and all manner of animals. All life – and one central death– is here and here to stay, you sense.
Pageant Master Dr Alan Heaven has overseen a festival with two Sunday performances, midweek Sunset plays in Shambles Market, walks and talks, pop-up shop and exhibitions, pipers’ performances and a Festival Fringe: a proper festival that celebrates York, street plays and the alliterative Yorkshire dialect, all while embracing history and Mystery with gusto.
The York Mystery Plays 2026, next performance, July 5. More details at yorkmysteryplays.co.uk.
Christina Meehan, left, Karen Holmes and Pippa Duffy in rehearsal for Calendar Girls The Musical at Scarborough’s Stephen Joseph Theatre. Picture: Tony Bartholomew
THE York Mystery Plays on waggon wheels, Calendar Girls in the round, early music beyond borders and Jim Hacker’s lust hurrah promise high summer times for Charles Hutchinson.
Make a date with: Calendar Girls The Musical, Stephen Joseph Theatre, Scarborough, until July 25
AS director Paul Robinson reveals: “Our new in-the-round staging of Tim Firth and Gary Barlow’s Calendar Girls brings the audience into the heart of the Rylstone Women’s Institute, making this true story of friendship and determination feel more personal and immediate.
“This intimate production will create a unique, shared experience, reminiscent of gathering around a community hall or a close friend’s living room, allowing for a deeper connection to the characters and creating a collective, communal atmosphere that fully immerses everyone in the moving story of these ‘ordinary women’ doing something quite extraordinary.” Box office: 01723 370541 or sjt.uk.com.
Cathy Sara’s Villeyn and Thomas Frere’s Jongleur in Riding Lights Theatre Company’s Mistero Buffo at Friargate Theatre, York. Picture: John Shepherdson
2026 York Mystery Plays Fringe play of the week: Riding Lights Theatre Company in Mistero Buffo, Friargate Theatre, York, today to Saturday, 7.30pm, plus 2.30pm matinees on Friday and Saturday
TWO wild strangers roll into York for the 2026 York Mystery Plays Fringe to tell tales destined to turn the city upside down. Combining ferocious wit and fearless physical storytelling, Paul Birch’s two-hander production for York’s Riding Lights Theatre Company tears into faith, power, profit and hypocrisy by turning ancient Bible stories into urgent, humorous modern theatre with a clear spiritual heart.
Written by Nobel prize-winning Italian playwright Dario Fo, translated by Ed Emery and performed by Yorkshire actors Thomas Frere and Cathy Sara, this 1969 take on the Mystery Plays will appeal to Fringe theatregoers with a taste for subversive and unapologetic comedy with bite. Box office: www.ridinglights.org.
Kirkgate in floral splendour for summer at York Castle Museum. Picture: Gareth Buddo
Flower power of the week: Summer at York Castle Museum, in bloom until September 6, open Mondays, 11am to 5pm; Tuesdays to Sundays, 10am to 5pm
YORK Castle Museum is capturing the essence of ‘grand days out’ and celebrating iconic summers across two contrasting centuries this summer season. Drawing on the breadth of the museum’s social history collection, Victorian York Galas and the Swinging ’60s are the programme’s key focus with games, crafts and seasonal decorations providing nostalgia and summer fun for visitors.
Further highlights include Last Stop Before Kirkgate, Novo Theatre’s immersive experience replicating a 19th century coaching inn and arrival into York, and Yorkshire artist Pippa Dyrlaga’s paper-cut hot air balloons, telling the story of balloon rides during the galas. Tickets: yorkcastlemuseum.org.uk.
The Choir Of Man: “The best trip to your local you’ll ever have”…at Grand Opera House, York. Picture: The Other Richard
Foot-stomping musical celebration of the week: The Choir Of Man, Grand Opera House, York, today and tomorrow, 7.30pm; Friday, 4pm and 8pm; Saturday, 2.30pm and 7.30pm
SET in the The Jungle pub on stage, The Choir Of Man is billed as “the best trip to your local you’ll ever have” as a cast of nine (extra)ordinary guys combine beautiful harmonies and foot-stomping singalongs with tap dance and soulful storytelling in an uplifting celebration of community and friendship.
The debut UK & Ireland tour cast features Gustav Melbardis as Maestro; Oluwalonimi (Nimi) Owoyemi as Poet; Levi Tyrell Johnson as Hard Man; Ben Mabberley as Joker; Rob Godfrey as Beast; Jack Skelton as Handyman; Joshua Lloyd as Barman; Sam Walter as Romantic and Aaron Pottenger as Bore performing Queen, Luther Vandross, Sia, Paul Simon, Adele, Guns N’ Roses, Avicii and Katy Perry hits. Box office: atgtickets.com/york.
Mezzo-soprano Helen Charlston: Presenting A Gentle Air with tenor Paul Agnew and lutenist Sergio Bucheli on July 9 at 2026 York Early Music Festival
50th anniversary event of the summer: 2026 York Early Music Festival, Beyond Borders, Friday to July 11
THE premier British early music festival marks its 50th anniversary with a celebration of “just how far early music has travelled – beyond the borders of the myriad historic venues of our city to a worldwide audience,” says director Delma Tomlin.
Opening with Monteverdi’s 1610 Vespers, presented by I Fagiolini, and closing with Solomon’s Knot’s rendition of Bruhns’s St Mark Passion, the festival welcomes The Sixteen, B’Rock Orchestra & Vocal Consort, Imago Mundi, mezzo-soprano Helen Charlston and NCEM Platform Artists Anacronia and Contre le temps, among others. Box office: 01904 658338 or ncem.co.uk/yemf.
Tribute show of the week: The Rat Pack, Las Vegas Live!, Kirk Theatre, Pickering, Saturday, 7.30pm
DIRECT from London’s Leicester Square Theatre, The 02 and a Royal Command Performance, David Alacey stars as Frank Sinatra alongside West End favourite Tim Harwood as Dean Martin and former Coronation Street and Hollyoaks star Ashley Campbell as Sammy Davis Jr in the original Rat Pack tribute show, now celebrating its 25th record-breaking year of re-creating their Las Vegas heyday at The Sands. BBC musical director Mac Shone will be at the piano alongside the Buddy Greco All-Stars. Box office: 01751 474833 or kirktheatre.co.uk.
Bodhan Pitel’s Herod in DSpace Ukrainian Theatre and the Guild of Scriveners’ The Massacre of The Innocents in the 2026 York Mystery Plays. Picture: John Saunders
Theatrical event of the week: 2026 York Mystery Plays, streets of York, Sunday, 10.30am to 4.50pm; Sunset in the Shambles Market, tonight, 7.45pm
THE four-yearly staging on the York Mystery Plays on pageant waggons takes place at four locations across the city: free viewing at the Minster Refectory Gardens, Deansgate, (from 10.30am) King’s Square (from 11.10am), St Sampson’s Square (from 11.50am) and ticketed seats at Dean’s Park (from 12.30pm). Ten core plays will be complemented by further extracts to tell the story from The War In Heaven to Doomsday. For full details, go to: yorkmysteryplays.co.uk.
A special midsummer performances of five plays will be held in Shambles Market tonight, introduced by the York Waits musicians before Pageant Master Dr Alan Heaven guides the audience through each play, from the Creation sequence to the interactive show Doomsday. Tickets: ticketsource.com/york-festival-trust.
Clive Francis and Simon Rouse in I’m Sorry, Prime Minister, on tour at Grand Opera House, York. Picture: Michael Wharley
Political drama of the week: I’m Sorry, Prime Minister, Grand Opera House, York, July 7 to 11, 7.30pm plus 2.30pm Wednesday, Thursday and Saturday matinees
JIM Hacker is back, older, but perhaps not wiser, and still utterly baffled by the real world. Hoping for a quiet retirement from government as the master of Hacker College, Oxford, Jim (Simon Rouse) instead finds himself facing the ultimate modern crisis: cancelled by the college committee. Enter Sir Humphrey Appleby (Clive Francis), who has lost none of his love for bureaucracy, Latin phrases and well-timed obstruction.
Can Humphrey and Jim outmanoeuvre the hostile students, the Fellows and reality itself? Or is it finally time to say “I’m Sorry, Prime Minister”? Brimming with wit, nostalgia and more double-speak than a press briefing, the final chapter in the evergreen comedy series is written and directed by Jonathan Lynn,co-directed by Michael Gyngell and presented by The Barn Theatre, Cirencester. Box office: atgtickets.com/york.
YORK Early Music Festival is to mark its 50th year with a spectacular new commission, the majestic York Fanfare, Flourish At 50, to be played several times during the opening weekend.
To create the fanfare, the festival joined forces with West Yorkshireman Sam Meredith and the all-female German ensemble [hanse] Pfeyffery – it translate as [town] pipes – to create this heraldic piece of music.
Born in Leeds and raised in Wakefield, composer and multi-instrumentalist Meredith was a finalist in the 2023 NCEM Young Composers Award.
He was chosen from a strong line up of applicants, all alumni from the composers award, to be Commission Composer for the 2026 festival.
“We put out a call to all 100 of our award alumni, inviting bids from these composers,” says festival director Delma Tomlin. “[hanse] Pfeyffery then had conversations with selected composers and settled on Sam.”
Sam says: “In this piece, I wanted to emulate the rousing and awe-inducing nature of a traditional fanfare, while also creating a sense of playfulness, joy and celebration, more in the spirit of folk and dance music.
“The often syncopated landscape that emerged, first during the compositional process and then through working with [hanse] Pfeyfferey, is hopefully an exciting and an energetic tribute to the National Centre for Early Music.”
Last year, Sam completed his MA in Opera-Making and Writing at the Guildhall School of Music and Drama after earlier studying for a BA in composition there. His work has been performed at the Barbican, London, and the annual Bauhaus Festival, London, under the tutelage of John Harle, who has commissioned him to write pieces for big band, large ensemble and most recently a duet for saxophone and piano.
Sam has sung and toured with the Idrisi Ensemble and was proud to appear in the choir for Alan Bennett’s 2025 film The Choral, filmed in Saltaire, West Yorkshire, directed by Nicholas Hytner.
The Yorkshire Fanfare will be performed by 2026 festival artists in residence, [hanse] Pfeyffery, a Renaissance wind band that specialises in improvised and rediscovered music from around 1500.
[hanse] Pfeyfferey: 2026 York Early Music Festival artists in residence
The ensemble of Hannah Geisel, shawm, Lilli Pätzold, cornett, and Alexandra Mikheeva, slide trumpet and trombone, were finalists in the 2024 York International Young Artists Competition when they won the Cambridge Early Music Prize.
The York Fanfare will open this year’s festival on Friday (3/7/2026), played on the grass outside the Sir Jack Lyons Concert Hall, University of York, at 6.20pm before the opening concert by I Fagiolini, and then will be performed outside the West Door of York Minster before The Sixteen’s concert on Saturday at 6.45pm, 7pm and 7.15pm.
The last chance to catch [hanse] Pfeyffery playing the fanfare will come on BBC Radio 3’s The Early Music Show, broadcast live from the NCEM, St Margaret’s Church, Walmgate, on Sunday at 5pm.
Sam has just returned from ten months of working in Japan. “I was teaching at an international school, everyone from Year 7 to A-levels,” he says. “My old music teacher had gone there to work and posted the job on Facebook. It was fascinating to be out there as it gave me the chance to look at the work of Toru Takemitsu, whose music is very modern sounding. Incredible music!”
Writing for early music specialists [hanse] Pfeyffery was a different kind of challenge. “It’s very exciting to be writing for instrumentalists and musicians who have that ethos of being excited by improvisation, which was later lost in classical music,” says Sam. “They have that very open way, often rooted in academic practice and theory, and they’re great at taking that off the page and putting into practice.”
To be selected, Sam had to submit earlier works, provide a pitch for what he would like to write, then conduct a short interview on Zoom with [hanse] Pfeyffery last November. “I ended up writing reams and reams of sketches as I wanted to cover all bases, because you think, what is a fanfare these days? Is it something rooted in history? It’s definitely to mark an occasion.
“The previous piece I’d written was an opera, which I’d been immersed in for a while, so I was trying to change my creative process, to write a short piece to be performed outside that had to be dynamic and would need to attract people’s attention. That really shaped what I kept and left out in those sketches.”
Sam previously wrote two-minute pieces for the Bauhaus Festival in London. “That was for saxophone, drums and guitar – loud music! – so the brief was similar in condensing what I wanted to say in short time that would make its point and not go on too long, in the tradition of pieces written for the beginning and end of festivals, albeit with a very different sound on cornett, shawm and slide trumpet.
“That was one of the joys of composing this piece: working out what each instrument could do, its individual voice within the trio, uncovering each of those voices. The piece is made to be entertaining for [hanse] Pfeyffery to perform, while encouraging people to come into the concerts – and hopefully not put them off!”
For the full festival programme and tickets, visit ncem.co.uk/whats-on/yemf.
Cathy Sara’s Villeyn and Thomas Frere’s Jongleur in Riding Lights’ Mistero Buffo at Friargate Theatre. Picture: John Shepherdson
TWO wild strangers will roll into York today for the 2026 York Mystery Plays Fringe, tasked with telling tales destined to turn the city upside down.
Combining ferocious wit and fearless physical storytelling, artistic director Paul Birch’s production of Mistero Buffo for York’s Christian theatre company, Riding Lights, will tear into faith, power, profit and hypocrisy by turning ancient Bible stories into urgent, humorous modern theatre with a clear spiritual heart.
Translated by Ed Emery from Nobel prize-winning Italian playwright Dario Fo’s 1969 Communist take on the Mystery Plays, this subversive and unapologetically seditious comedy will be performed by Yorkshire actors Thomas Frere and Cathy Sara.
Premiered by Fo as a solo piece, Mistero Buffo was last performed by Riding Lights with a cast of four in July 2003 under the direction of late founder and artistic director Paul Burbridge, who had once performed the play in solo mode himself.
Now it will be staged as a two-hander. “We’ve taken it that the Jongleur and Villeyn are the two central characters, building our show around that relationship, with the Jongleur – a character who came from commedia dell’arte – being the person who’s empowered to speak out,” says director Paul Birch.
“We’re staging Mistero Buffo 100 years since Dario Fo’s birth, using Emery’s translation but they’ve let us introduce some more topical satire,” says director Paul Birch. “So we’ve gone from Italian car factories to AI and zero hours contracts. The Jongleur character is speaking truth to power now, rather than to the 1960s. It will be very obvious that’s it’s here and now, in this space, though we’re not doing it in the Yorkshire dialect.”
Paul was drawn to Mistero Buffo by Riding Lights’ long association with the York Mystery Plays and dramas where religion overlaps with politics. “For me personally, because it uses Biblical storytelling, and as a company we’re seeing how religion gets into bed with politics, and we’re faced with seeing that in America now, I see it as a distortion of faith. That’s what’s happening with faith and politics now.”
Thomas Frere says: “When you start to read the script, there are phrases that jump out at you, where you think, ‘it could have been written now with its stories of bosses trying to take advantage of people, though it was written in the 1960s’.”
Cathy Sara says: “People are people, and to me it’s the people who are victims when power is applied; how hopeless they feel, though there is always hope – but who’s going to speak up for you and who’s going to speak out?”
Mistero Buffo designer Ollie Brown, left, and director Paul Birch
Thomas rejoins: “It will be interesting to see how these stories go down because we don’t really know at this stage. I honestly don’t know how the audience will react.”
Paul says: “The audience for our touring shows is very different from an audience at Friargate Theatre in our home city. With this show, they may come as beloved Mystery Plays followers, who might be shocked by something in Fo’s play, which shifts how you react. One moment you will laugh; the next moment you may feel differently.”
Cathy rejoins: “That’s what’s unsettling about this play, where you now question what’s true, what’s the truth.”
Paul suggests: “The imagined in Mistero Buffo can be truthful, so it’s slippery, but I hope people find the play empowering and feel inspired to make provocative work that criticises as well as celebrates. I think it’s really exciting for Riding Lights to be part of doing that. It certainly floats my political boat!”
Cathy asserts: “Theatre has the chance to ask questions, but where we don’t have to give all the answers. I think theatre is more honest than that, rougher than that.”
Paul adds: “There’s a lot of direct address in Mistero Buffo, and plenty of audience involvement in the storytelling, so the audiences will become complicit in it and aren’t just witnesses. That’s why this production has a very different feel from when it was last done here – and Ollie Brown’s in-the-round setting will definitely have an impact on that.”
Riding Lights are delighted and excited to be participating in the 2026 York Mystery Plays Fringe. “It’s all part of York being the city of festivals, which has always been a good tourist ploy,” says Thomas. “When they come to the city, there’s always something for them to do – and theatre companies should always reach out to them, as well as playing to local people.”
Paul says: “I feel that ‘festival’ and ‘festivities’ are good words to describe this play, where people can come to the theatre and see this kind of punky play in a city where things can grow in back alleys.
“With this Fringe production, we really want to see if there’s a way for us to make interesting and provocative work like this that’s not reliant on us touring it.” Watch this space.
Riding Lights Theatre Company in Mistero Buffo, Friargate Theatre, York, today, tomorrow, then July 1 to 4, 7.30pm, plus 2.30pm matinees on July 3 and 4.Box office: www.ridinglights.org.
Becky Hill: High-energy performance on Knavesmire track
THE York Mystery Plays on waggon wheels, Becky Hill on Knavesmire, Calendar Girls in the round and early music beyond borders promise high summer times for Charles Hutchinson.
Under starter’s orders: Becky Hill, Summer Music Saturday, York Racecourse, today, first race at 1.20pm
BECKY Hill, two-time BRIT Award winner for Best Dance Act, opens the summer of post-racing concerts at York Racecourse, promising a high-energy performance on the “Glastonbury-style stage” after tomorrow’s seven-race card. For her set list, she can pick from such hits as Gecko; Back & Forth; Wish You Well; Lose Control; Better Off Without You; Heaven On My Mind; Remember; My Heart Goes; Run; Crazy What Love Can Do; History and Disconnect. For race-day tickets, go to: yorkracecourse.co.uk.
Flower power of the week: Summer at York Castle Museum, in bloom until September 6, open Mondays, 11am to 5pm; Tuesdays to Sundays, 10am to 5pm
YORK Castle Museum is capturing the essence of ‘grand days out’ and celebrating iconic summers across two contrasting centuries this summer season. Drawing on the breadth of the museum’s social history collection, Victorian York Galas and the Swinging ’60s are the programme’s key focus with games, crafts and seasonal decorations providing nostalgia and summer fun for visitors.
Further highlights include Last Stop Before Kirkgate, Novo Theatre’s immersive experience replicating a 19th century coaching inn and arrival into York, and Yorkshire artist Pippa Dyrlaga’s paper-cut hot air balloons, telling the story of balloon rides during the galas. Tickets: yorkcastlemuseum.org.uk.
Coastal gigs of the week: TK Maxx presents Scarborough Open Air Theatre, Richard Ashcroft, today; Billy Ocean and Marti Pellow, tomorrow, gates open at 6pm
THE Verve frontman, songwriter and producer Richard Ashcroft, two-time Ivor Novello and triple BRIT Award winner, headlines today’s Scarborough bill, joined by DJ Wayne, original Kasabian frontman Tom Meighan and Yorkshire indie rockers Apollo Junction.
Trinidadian-British soul singer Billy Ocean (real name Leslie Sebastian Charles, by the way) takes top spot tomorrow, airing such hits as Red Light Spells Danger, Love Really Hurts Without You, Caribbean Queen and When The Going Gets Tough, The Tough Get Going. His very special guest is former Wet Wet Wet singer and musicals star Marti Pellow; Katie Owen supports too. Box office: scarbroughopenairtheatre.com.
Make a date with: Calendar Girls The Musical, Stephen Joseph Theatre, Scarborough, today until July 25
AS director Paul Robinson reveals: “Our new in-the-round staging of Tim Firth and Gary Barlow’s Calendar Girls brings the audience into the heart of the Rylstone Women’s Institute, making this true story of friendship and determination feel more personal and immediate.
“This intimate production will create a unique, shared experience, reminiscent of gathering around a community hall or a close friend’s living room, allowing for a deeper connection to the characters and creating a collective, communal atmosphere that fully immerses everyone in the moving story of these ‘ordinary women’ doing something quite extraordinary.” Box office: 01723 370541 or sjt.uk.com.
2026 York Mystery Plays Fringe play of the week: Riding Lights Theatre Company in Mistero Buffo, Friargate Theatre, York, today, tomorrow, then July 1 to 4, 7.30pm, plus 2.30pm matinees on July 3 & 4
TWO wild strangers roll into York for the 2026 York Mystery Plays Fringe to tell tales destined to turn the city upside down. Combining ferocious wit and fearless physical storytelling, Paul Birch’s two-hander production for York’s Riding Lights Theatre Company tears into faith, power, profit and hypocrisy by turning ancient Bible stories into urgent, humorous modern theatre with a clear spiritual heart.
Written by Nobel prize-winning Italian playwright Dario Fo, translated by Ed Emery and performed by Yorkshire actors Thomas Frere and Cathy Sara, this 1969 take on the Mystery Plays will appeal to Fringe theatregoers with a taste for subversive and unapologetic comedy with bite. Box office: www.ridinglights.org.
Theatrical event of the week: 2026 York Mystery Plays, streets of York, tomorrow and July 5, 10.30am to 4.50pm; Sunset in the Shambles Market, June 30 and July 1, 7.45pm
THE four-yearly staging on the York Mystery Plays on pageant waggons takes place at four locations across the city: free viewing at the Minster Refectory Gardens, Deansgate, (from 10.30am) King’s Square (from 11.10am), St Sampson’s Square (from 11.50am) and ticketed seats at Dean’s Park (from 12.30pm). Ten core plays will be complemented by further extracts to tell the story from The War In Heaven to Doomsday. For full details, go to: yorkmysteryplays.co.uk.
Special midsummer performances of five plays will be held in Shambles Market on June 30 and July 1, introduced by the York Waits musicians before Pageant Master Dr Alan Heaven guides the audience through each play, from the Creation sequence to the End of Days in the interactive show Doomsday. These shows begin at 7.45pm and end as the dusk is deepening before 10pm. Tickets: ticketsource.com/york-festival-trust.
Foot-stomping musical celebration of the week: The Choir Of Man, Grand Opera House, York, June 30 to July 2, 7.30pm; July 3, 4pm and 8pm; July 4, 2.30pm and 7.30pm
SET in the The Jungle pub on stage, The Choir Of Man is billed as “the best trip to your local you’ll ever have” as a cast of nine (extra)ordinary guys combine beautiful harmonies and foot-stomping singalongs with tap dance and soulful storytelling in an uplifting celebration of community and friendship.
The debut UK & Ireland tour cast features Gustav Melbardisas Maestro; Oluwalonimi (Nimi) Owoyemi as Poet; Levi Tyrell Johnson as Hard Man; Ben Mabberley as Joker; Rob Godfrey as Beast; Jack Skelton as Handyman; Joshua Lloyd as Barman; Sam Walter as Romantic and Aaron Pottenger as Bore performing Queen, Luther Vandross,Sia, Paul Simon, Adele, Guns N’ Roses, AviciiandKaty Perry hits. Box office: atgtickets.com/york.
50th anniversary event of the summer: 2026 York Early Music Festival, Beyond Borders, July 3 to 11
THE premier British early music festival marks its 50th anniversary with a celebration of “just how far early music has travelled – beyond the borders of the myriad historic venues of our city to a worldwide audience,” says director Delma Tomlin.
Opening with Monteverdi’s 1610 Vespers, presented by I Fagiolini, and closing with Solomon’s Knot’s rendition of Bruhns’s St Mark Passion, the festival welcomes The Sixteen, B’Rock Orchestra & Vocal Consort, Imago Mundi, mezzo-soprano Helen Charlston and NCEM Platform Artists Anacronia and Contre le temps, among others. Box office: 01904 658338 or ncem.co.uk/yemf.
York Mystery Plays: Reconnecting modern York with medieval drama
THE four-yearly staging of the York Mystery Plays on pageant waggons takes place at four locations across the city on Sunday and July 5 from 10.30am to 4.30pm.
Produced by York Festival Trust, the 2026 production once again will bring medieval drama into the streets and historic spaces of the city, reconnecting modern York with a cycle of plays first performed by its medieval guilds.
Free viewing can be enjoyed at the Minster Refectory Gardens, Deansgate, from 10.30am, King’s Square, from 11.10am, and St Sampson’s Square, from 11.50am. Ticketed seats are available for Dean’s Park from 12.30pm.
Each Sunday, ten core plays will be complemented by further extracts to tell the story from The War In Heaven to Doomsday. For full details, go to: yorkmysteryplays.co.uk.
Special midsummer performances of five of this summer’s plays will be presented in Sunset In The Shambles Market on June 30 and July 1, introduced by the York Waits musicians before Pageant Master Dr Alan Heaven guides the audience through each play, from the Creation sequence to the End of Days in the interactive show Doomsday. These shows begin at 7.45pm and end as the dusk is deepening before 10pm. For tickets, go to: ticketsource.com/york-festival-trust.
Alan brings considerable experience to his role. “I staged my first Mystery Plays in 1989 and my first in this [pageant waggon] festival in 2006 with the Potters’ Pageant,” he says.
“After that, I adapted all 48 into a two-hour production, then was asked by the Merchant Adventurers in 2010 to bring forth their play Doomsday. This summer will be the fifth time I’ve ‘ended the world’ for them, each time building the play afresh. It takes nine months to develop each one.”
Alan’s vision as Pageant Master has been two-fold. “First, to help groups deliver exciting street theatre through the choice of plays and through having support materials available,” he says.
“Second, to lift the event, making it bigger and more inclusive; returning to the keyword ‘festival’ by extending the period of engagement from two days to two weeks and in some cases two months, and by expanding the social media presence.
“In addition, there is a legacy programme of audio recordings and podcasts, plus much closer links with the York Mystery Plays Supporters’ Trust and their ongoing events. Overall I want to increase the range of opportunities for local people and visitors to engage with the plays.”
The cornerstone of presenting the York Mystery Plays in 2026 on the streets is the people, says Alan. “This is a massive community event, which exists because of the passion and commitment of the groups, directors, designers, musicians and the wonderful volunteers,” he reasons. “From the very start of the process nearly two years ago, I have been deeply touched by the warmth and support received for the new-look event.”
Dr Alan Heaven: Pageant Master for 2026 York Mystery Plays
Explaining how this summer’s plays were chosen from the 48 that make up the York Cycle of Mystery Plays, Alan says: “The plays selected fall into three groups. First, the ones that are connected to specially designed waggons. These are The Creation – which has the fantastic pop-up Victorian-style waggon by the Guild of Building – and the Butchers’ iconic Crucifixion waggon.
“Second are the plays that are integral to the Christian story arc. These are the Fall of Adam and Eve, Resurrection and the end play, Doomsday, and the multi-faith spectacle of The Deluge.
“That makes six plays. Last time there were eight. The final group contains The Creation of Adam and Eve, The Journey to Calvary, The Shepherds, The Massacre of the Innocents and the remaining section of The Coronation of Mary, which makes 11 plays, all selected because of the opportunity for visual emphasis that they bring.”
Among the new participants will be Pip Cook, directing The Shepherds, Lions and Dragons Theatre Co, staging The Resurrection, and DSpace Ukrainian Theatre, founded in York by director and actress Dara Klymenko, who will perform The Massacre of the Innocents.
Asked how he chose a theme for the sunset midweek performances, Alan says: “The only theme there need ever be is the York Mystery Plays. There’s also the practical reality of which groups are willing to do it.”
The Mystery Plays will be complemented by the York Mystery Plays Fringe. “Everything in the Fringe is a highlight,” says Alan. “Everyone connected has worked very hard and very creatively to enable more people to find their best way of connecting with the plays.
“Key events running now are The Deluge art exhibition of finalists from the national competition, curated by Megan kathryn Heywood, with many works for sale, at Bedern Hall, in Bartle Garth, St Andrewgate, until July 3, and Women of the Mystery Plays, an exhibition at the Bar Convent Living Heritage Centre, highlighting the contributions of women past and present, curated by Diane Heaven.
“The York Mystery Plays Sound and Memory exhibition, using images from the Mystery Plays archive, is on show at Holy Trinity, Micklegate, until August 29, curated by Molly Jervis, while the York Mystery Plays shop is running in High Petergate.”
Finally, Alan, why should someone see the Mystery Plays if they have never done so before? “You should attend because this is a world-famous celebration of local heritage in one of the world’s leading tourist destinations: the most beautiful city in England.
“It is unique and only appears every four years; its connections with the city give it roots and authenticity. It might be a medieval Christian story but it is played by and watched by people of all faiths and none.”
The York Mystery Plays, streets of York, June 28 and July 5, 10.30am to 4.50pm; Sunset In The Shambles Market, June 30 and July 1, 7.45pm.
The Plays on June 28 and July 5
The Fall of Adam and Eve: The Lords of Misrule’s play
The War In Heaven: Brought forth by Laura-Elizabeth Rice and HIDden Theatre with the cast of volunteers, all working with and on behalf of Gild of Freemen. To find out more about the play, the guild and the stagecraft, visit: https://www.yorkmysteryplays.co.uk/introducing-war-heaven/.
The Creation: Brought forth by York Guild of Building, directed by Janice Barnes-Newton.
The Fall of Adam and Eve: Brought forth by The Lords of Misrule for the Company of Merchant Taylors, directed by Thomasina Cass.
Noah and the Flood: Brought forth by St. Luke’s Church, directed by Mike Tyler and Lynn Comer.
Doomsday: Performed by Ravens Morris and Haigha
The Shepherds: Directed by Pip Cook with cast of Waifs and Strays for the Company of Cordwainers.
The Massacre of the Innocents: Brought forth by DSpace Ukrainian Theatre Company for the Guild of Scriveners.
The Crucifixion: Brought forth by York Settlement Community Players on behalf of the Company of Butchers, directed by Maurice Crichton.
The Journey to Calvary: Brought forth by York Mystery Plays Supporters’ Trust, directed by Paul Toy.
The Resurrection: The Quem Quaeritis: Brought forth by Lions & Dragons Theatre Co.
The Coronation of Mary: A fragment
Doomsday: Brought forth by Ravens Morris and Haigha for the Company of Merchant Adventurers, directed by Pageant Master Dr Alan Heaven.
In focus: York Settlement Community Players in The Crucifixion, for the Company of Butchers, on return after 12 years
Thom Feeney in rehearsal for his role as Jesus of Nazareth with three of the Workmen in York Settlement Community Players’ play The Crucifixion. Picture: John Saunders
“YORK has the only cycle of Mystery Plays to make a separate episode of the stretching, nailing and raising of Jesus,” says Settlement director Maurice Crichton. “The four crucifiers are an all-banging, shouting and bantering gang of workmen. But you, the audience, hold the knowledge that this is no ordinary job. What impact will Jesus have?”
Settlement Players’ pageant waggon was designed and built by Tony Wright in 2006 to make sense of the physical action implied in the script. “Waggon master Richard Hampton has worked wonders to bring this now 20-year-old warhorse of a vehicle back into repair (based at Murton Park),” says Maurice, as Settlement Players return to the festival for the first time since 2014.
“The action of the play is a real physical challenge, requiring considerable nerve all round. None of the cast was familiar with the play or the waggon and only one has been part of this event before. I give my thanks to them for their courage and effort.”
York Settlement Community Players is one of the oldest amateur drama groups in the city. “The seed event for our group was an evening of Nativity Mystery Plays at The York Settlement in 1917,” says Maurice. “We’ve missed out on this event in 2018 and 2022, so we’re excited to be back.”
Looking ahead to Settlement Players’ upcoming activities, Maurice says: “In September, we’ll have our New Writing for New Directors initiative coming up at the Black Swan Inn, in Peasholme Green, and from October 13 to 17 we’ll be staging Underdog: The Other Other Brontë, by Sarah Gordon, starring Lara Stafford as Charlotte Bronte, at Theatre@41, Monkgate.
“Each month our improv group, Unsettled, meets at Southlands Methodist Church, Bishopthorpe Road, and we host a play-reading at the Royal Oak, Goodramgate. If interested, contact: yorksettlementcommunityplayers@gmail.com.”
Settlement Players’ cast for The Crucifixion: Workman 1, the Foreman, James Wood; Workman 2, Andrew Wrenn; Workman 3, Liam Godfrey; Workman 4, Michael Maybridge; Jesus of Nazareth, Thom Feeney.
Cross to bear: Thom Feeney’s Jesus of Nazareth. Picture; John Saunders
York Mystery Plays 2026 Festival
Voices of the Plays: A Celebration of York Mystery Plays in Poetry and Prose. Merchant Taylors’ Hall, June 25, 6.30pm for 7pm start
WRITERS of all ages have responded to the themes, stories and characters of the York Mystery Plays, submitting nearly 50 original poems and prose pieces for inclusion in a new anthology. This event brings together those voices for an evening of readings, reflection and celebration in the Merchant Taylors’ Hall.
Young writers will open the evening, sharing their work with the audience after an optional pre-event performance workshop. Shortlisted adult writers will then present their selected pieces, showcasing a rich variety of responses to one of York’s most treasured cultural traditions.
The evening will celebrate the forthcoming publication of the anthology, featuring all shortlisted and winning entries, to be released later this summer. Whether you are a lover of literature, a supporter of the York Mystery Plays, or curious to hear new writing inspired by ancient stories, this promises to be an uplifting event. Bookings: https://www.ticketsource.com/booking/select/gmxmmrejjann.
Paul Toy: Giving a talk on Music of The Mysteries on Friday
Expert Talks
JOIN leading historians, artists and practitioners as they explore the York Mystery Plays from new angles. These engaging talks offer insight, context and lively discussion. Delivered for York Festival Trust by Paul Toy, Dr Alan Heaven & Roger Lee and Maurice Crichton.
Friday, June 26, 2.30pm, Holy Trinity, Goodramgate, Music of The Mysteries: How music has always been central to the plays, from original performance traditions to modern interpretation. Talk by Paul Toy, Pageant Master 2010, musician, dramatist and theatre director.
Monday, June 29, 2pm, Holy Trinity Micklegate, Bring the Plays to Life: How do you bring one of York’s oldest and most cherished traditions to life for a modern audience? Join Pageant Master 2026 Dr Alan Heaven and York Festival Trust chair and producer Roger Lee for an exclusive behind-the-scenes look at York Mystery Plays 2026.
Friday, July 3, 2pm, Holy Trinity Micklegate, Being Noah. Actor and director Maurice Crichton givers an illustrated talk on the Noah Plays and their presentation. Bookings: https://www.ticketsource.com/york-festival-trust.
Podcasts: Voices of the York Mystery Plays, streaming online
EXPERIENCE the drama through sound alone. These specially created audio plays retell the plays in full, inviting you to engage your imagination wherever you are. York Festival Trust has begun the task of recording all 48 original plays over the next three years. If you would like to take part, get in touch. You can listen via Spotify at https://open.spotify.com/show/2Aiin7sBQ6JPjErSoC9ezD and Souncloud at https://soundcloud.com/yorkmysteryplays.
Film
UNIVERSITY of York students have created a short film responding to the Noah plays. Watch for our launch on YouTube and in person. Look out for the launch on YouTube.
Sound and Memory in the York Mystery Plays: Free archive exhibition, Holy Trinity Church, Micklegate, until August 29
USING archive materials from the National Centre for Early Music, curator Molly Jervis invites you to respond to an immersive exhibition exploring how sound and music evoke memory within the York Mystery Plays, past and present. Come along to share your memories. Holy Trinity is also the starting point for the Original Stations Trail and only a short walk from the Women in the Mysteries exhibition at Bar Convent Living Heritage Centre.
Cathy Sara and Thomas Frere in Riding Lights Theatre Company’s Mistero Buffo at Friargate Theatre, York. Picture: John Shepherdson
Fringe play of the week: Riding Lights Theatre Company in Mistero Buffo, Friargate Theatre, Lower Friargate, York, June 27 and 28, July 1 to 4 at 7.30pm plus 2.30pm matinees on July 3 and 4
TWO wild strangers roll into York for the 2026 York Mystery Plays Fringe to tell tales destined to turn the city upside down. Combining ferocious wit and fearless physical storytelling, Paul Birch’s two-hander production for York’s Riding Lights Theatre Company tears into faith, power, profit and hypocrisy by turning ancient Bible stories into urgent, humorous modern theatre with a clear spiritual heart.
Written by Nobel prize-winning playwright Dario Fo, translated by Ed Emery and performed by Yorkshire actors Thomas Frere and Cathy Sara, this 1969 take on the Mystery Plays will appeal to Fringe theatregoers with a taste for sharp, subversive and unapologetic comedy with bite. A post-show discussion with the creative team will follow the July 2 performance. Box office: www.ridinglights.org.
Guided Walks of the Original Performance Locations, departing at 10am and 2pm on various dates
The Watchers of York Sculpture Trail, June 29 to August 31
INSPIRED by an idea by York Festival Trust, Make It York has created this trail in collaboration with York Minster. Stone carvings have been silently watching over York Minster for centuries. These guardians are full of character, humour and mystery. Now, one of them is stepping off the stonework and making mischief across York. This new city-wide sculpture trail launches alongside the York Mystery Plays. Don’t miss the Doomsday version in the Mystery Plays.
The Original Stations Trail, until July 7
STEP back into the medieval city and trace the route of the original pageant waggons. This trail reveals where the plays once unfolded, bringing history vividly into the streets of today. Created by David Farrar for York Festival Trust, this trail includes a souvenir map created by York artist Jo Rodwell.
Dates and times: June 25, 7pm; June 26, 10.30am & 7pm; June 27, 10.30am; June 29, 10.30am; July 2, 10.30am & 7pm; July 3, 10.30am & 7pm; July 4, 10.30am; July 6, 10.30am, and July 7, 2pm. Bookings: https://www.ticketsource.com/york-festival-trust.
York artist Jo Rodwell: Designed souvenir map forthe Original Stations Trail
Dan Wood, left, Stephen Wright, Lotty Farmer, Rosa Burns, Hannah Shaw and James Dickinson in York Light Opera Company’s production of The 25th Annual Putnam County Spelling Bee
A SNAPPY crocodile and a Man-Wulf, a spelling bee musical and the York Mystery Plays on wagon wheels keep Charles Hutchinson’s arty eye on the ball and off the football.
Musical of the week: York Light Opera Company in The 25th Annual Putnam County Spelling Bee, Theatre@41, Monkgate, York, today to Saturday & June 30 to July 4, 7.30pm, plus 2.30pm Saturday matinees and 2pm Sunday matinee (28/6/2026)
NEIL Wood directs York Light in Rebecca Feldman, William Finn and Rachel Sheinkin’s musical account of six ‘mid-pubescents’ battling for the spelling championship of a lifetime. While candidly disclosing stories from their home life, the tweens spell their way through a series of words hoping to never hear the bell that signals a mistake.
Cue a heart-warming message that highlights themes of friendship, identity and perseverance, all while celebrating the awkwardness and excitement of growing up. Box office: tickets.41monkgate.co.uk.
Jordan Eskeisa, left, Marienella Phillips, Chelsea Da Silva (The Enormous Crocodile, front), Precious Abimbola and Ciara Hudson in Roald Dahl’s The Enormous Crocodile The Musical. Picture: Danny Kaan
Mischievous adaptationof the week:Roald Dahl Story Company in Roald Dahl’s The Enormous Crocodile The Musical, York Theatre Royal, tomorrow to Sunday, 10.30am and 1.30pm
ROALD Dahl’s Enormous Crocodile is weaving his way through the jungle in search of delicious little fingers and squidgy podgy knees. Only fellow jungle creatures can foil his “secret plans and clever tricks”, but they need courage aplenty to stop this greedy, grumptious, horrid brute.
Equipped with Ahmed Abdullahi Gallab’s tunes, Suhayla El-Bushra’s rib-tickling book and lyrics and Tom Brady’s additional music and lyrics, the dastardly family adventure has been developed and directed by Emily Lim, working in tandem with co-director and puppetry designer Toby Olié. Chelsea Da Silva, Precious Abimbola, Jordan Eskeisa, Ciara Hudson, Marienella Phillips and actor-musician René Francalanza star.Age guidance: Three plus. Box office: 01904 623568 or yorktheatreroyal.co.uk.
Stewart Lee’s illustration for Stewart Lee vs The Man-Wulf, on tour for three nights at Grand Opera House, York
Comedy gigs of the week: Stewart Lee vs The Man-Wulf, Grand Opera House, York, tomorrow to Saturday, 7.30pm
AFTER a five-night Theatre Royal run in the fledgling days of Stewart Lee vs The Man-Wulf in January 2025, the contrarian comedian returns to York for three more nights of testing whether the beast inside us all can be silenced with the silver bullet of Lee’s scalpel-sharp stand-up?
Lee will play the same material three ways: first up, telling liberal jokes in a liberal way, then, after a screaming transformation into the Man-Wulf, reactionary jokes in a reactionary way post-interval and, finally, wolf’s head removed, reactionary jokes in a liberal, left-leaning way. Box office: atgtickets.com/york.
The Moorlands Blues Band: Playing at Milton Rooms, Malton
Blues gig of the week: Ryedale Blues Club presents The Moorlands Blues Band, Milton Rooms, Malton, tomorrow, 8pm
IN The Moorlands Blues Band, the powerhouse blues ensemble founded by seasoned musicians Giuseppe Vitale and Rod Mackay is joined by Owen Houlston on voice and guitar. In high-energy performances of soulful depth, they play everything from the rawness of Old Delta Blues to the swing of Jump Blues and the gritty soul of Chicago Blues. Box office: 01653 696240 or themiltonrooms.com.
Karl Mullen: Everything from Chopin to Oasis, via Led Zeppelin and Les Dawson, at The Old Paint Shop
Cabaret gig of the week: The Old Paint Shop presents Karl Mullen, York Theatre Royal Studio, Friday, 8pm
AFTER two Old Paint Shop gigs last year, Karl Mullen, upright-piano busker, Phoenix Inn fixture and Leeds Piano Competition Pub Piano Champion, completes his hat-trick, serving up his energetic take on everything from Chopin to Oasis, via Led Zeppelin and Les Dawson, packed with outrageous and heartfelt stories from decades of gigging. Box office: 01904 623568 or yorktheatreroyal.co.uk.
Coastal gig of the week: Pete Tong, Ibiza Classics, TK Maxx presents Scarborough Open Air Theatre, Friday, gates open at 6pm
FROM the sun-soaked shores of Ibiza to the world’s biggest stages, Pete Tong has redefined live dance music over more than 30 years of pushing boundaries and supporting new talent.
After celebrating the tenth anniversary of Ibiza Classics with four sold-out nights at the Royal Albert Hall, he heads to the Yorkshire coast with The Essential Orchestra, having first visited Scarborough Open Air Theatre in 2023. Box office: scarbroughopenairtheatre.com.
Becky Hill: Performing after Saturday’s race meeting on Knavesmire
Under starter’s orders: Becky Hill, Summer Music Saturday, York Racecourse, Saturday, first race at 1.20pm
BECKY Hill, two-time BRIT Award winner for Best Dance Act, opens the summer of post-racing concerts at York Racecourse, promising a high-energy performance on the “Glastonbury-style stage” after seven races. For her set list, she can pick from such hits as Gecko; Back & Forth; Wish You Well; Lose Control; Better Off Without You; Heaven On My Mind; Remember; My Heart Goes; Run; Crazy What Love Can Do; History and Disconnect. For race-day tickets, go to: yorkracecourse.co.uk.
York Mystery Plays: Returning to streets of York on June 28 and July 5
Theatrical event of the week: The York Mystery Plays, streets of York, June 28 and July 5, 10.30am to 4.50pm; Sunset In The Shambles Market, June 30 and July 1, 7.45pm
THE four-yearly staging on the York Mystery Plays on pageant waggons take place at four locations across the city: free viewing at the Minster Refectory Gardens, Deansgate, (from 10.30am) King’s Square (from 11.10am), St Sampson’s Square (from 11.50am) and ticketed seats at Dean’s Park (from 12.30pm). Ten core plays will be complemented by further extracts to tell the story from The War In Heaven to Doomsday. For full details, go to: yorkmysteryplays.co.uk.
Special midsummer performances of five plays will be held in Shambles Market on June 30 and July 1, introduced by the York Waits musicians before Pageant Master Dr Alan Heaven guides the audience through each play, from the Creation sequence to the End of Days in the interactive show Doomsday. These shows begin at 7.45pm and end as the dusk is deepening before 10pm. Tickets: ticketsource.com/york-festival-trust.
The Choir Of Man: Harmony singing to the max at Grand Opera House, York. Picture: The Other Richard
Foot-stomping musical celebration of the week: The Choir Of Man, Grand Opera House, York, June 30 to July 2, 7.30pm; July 3, 4pm and 8pm; July 4, 2.30pm and 7.30pm
SET in the on-stage pub The Jungle, The Choir Of Man is billed as “the best trip to your local you’ll ever have” as a cast of nine (extra)ordinary guys combine beautiful harmonies and foot-stomping singalongs with tap dance and soulful storytelling in an uplifting celebration of community and friendship.
The debut UK & Ireland tour cast features Gustav Melbardis as Maestro; Oluwalonimi (Nimi) Owoyemi as Poet; Levi Tyrell Johnson as Hard Man; Ben Mabberley as Joker; Rob Godfrey as Beast; Jack Skelton as Handyman; Joshua Lloyd as Barman; Sam Walter as Romantic and Aaron Pottenger as Bore performing Queen, Luther Vandross, Sia, Paul Simon, Adele, Guns N’ Roses, Avicii and Katy Perry hits. Box office: atgtickets.com/york.
The poster for the Bar Convent’s debut involvement in the York Mystery Plays Festival
THE Bar Convent Living Heritage Centre, in Blossom Street, York, is celebrating its medieval heritage by taking part in the theatrical spectacle of the York Mystery Plays Festival for the first time.
Making the headlines are:
* Women in the Mystery Plays exhibition, until August 29.
* Performance of Journey To Calvary in the garden, July 4, 2pm.
* Medieval Arma Christi scroll, on display until July 4, for the last time until 2027.
* Family-friendly activities during summer school holidays.
Every four years, the streets of York are transformed into an immersive historic stage as part of the Mystery Plays tradition dating back to medieval times. The Bar Convent is thrilled to be included in the programme of special events taking over the city with performances, exhibitions, talks, trails and more.
Dr Hannah Thomas: Special collections manager and research fellow at the Bar Convent. Picture: Bar Convent Living Heritage Centre
Dr Hannah Thomas says: “The discovery of the incredible rare medieval Arma Christi prayer scroll has enabled us to explore and reinterpret our medieval heritage and connections across the city.
“York Mystery Plays Festival is such a befitting partnership for us with its religious content, our medieval links, both histories intertwining with the Reformation and the fact that the Arma Christi scroll depicts the Journey to Calvary.
“We are incredibly excited to showcase our collections to new audiences, to work with Diane Heaven on her new display and for people to experience our garden in a new and exciting way.”
Diane Heaven, curator of the Women in the Mystery Plays exhibition, says: “I have worked on the York Mystery Plays Festival for five cycles in various capacities. This year, I am thrilled to have had the opportunity to curate this exhibition at the Bar Convent to honour and celebrate the Women of the Mystery Plays, past and present.
“From Lucy Toulmin Smith, the woman who re-discovered and then translated the medieval manuscripts, to those working on the plays today who have been generous enough to provide us with scrap books, model stages, fabrics and sketches that give us a fascinating and unique insight into the creative processes behind the plays.”
Women in the Mystery Plays and the Arma Christi display are included in admission to the Bar Convent exhibition, open Monday to Saturday, 10am to 5pm, last admission 4pm. Journey To Calvary is a free event.
Women in the Mystery Plays, on display in the Gregory Gallery at the Bar Convent. Picture: Bar Convent Living Heritage Centre
Activities for York Mystery Plays Festival at Bar Convent
Women in the Mystery Plays, curated by Diane Heaven, until August 29.
FASCINATING exploration of women in the York Mystery Plays, past and present, revealing hidden stories, voices and contributions across the years. The exhibition also responds to the Bar Convent’s medieval collections and significance as a driving force for equality both historically and in the present day.
Curator Diane Heaven has taken on many roles in the York Mystery Plays over the years, but for 2026, she has written and adapted the music for Doomsday, designed the costumes and set and made many of the costumes (examples of which can be seen on display at the Bar Convent).
Arma Christi, on public display, until July 4
ARMA Christi, the most spectacular medieval prayer scroll in the world, is on display for the last time until 2027. From the 11 scrolls that have survived the Reformation, the Bar Convent Arma Christi is the best preserved and the only example to have responses, which gives new insight into how experts previously thought the scrolls were used. This will be on display alongside the convent’s medieval collection.
Summer at the Bar Convent, July 20 to September 5
IN celebration of the York Mystery Plays Festival, enjoy a summer of creativity at the Bar Convent. Visit the new display Women of the Mystery Plays and take inspiration from the creatives past and present who have worked on these spectacular medieval historic plays.
Journey To Calvary in rehearsal. Picture: York Mystery Plays Trust
Find children’s costumes to try on and explore the beautiful colours of the medieval Arma Christi, alongside the objects throughout the exhibition, to create your own artwork.
Step into the garden where you will find easels and art materials to capture the nature that surrounds you. All ages and abilities are welcome.
Admission applies to the exhibition. Easels are available at no charge, Monday to Friday.
Journey To Calvary, July 4, 2pm
THE Bar Convent garden will become a stage for Journey To Calvary: Play No. 34, presented in response to the Arma Christi scroll. For the story of Jesus having to carry his cross to the place of crucifixion, uniquely among this summer’s plays, Journey To Calvary does not utilise a pageant waggon, on account of the fundamentally processional nature of the play.
This free performance will run for 20 minutes approximately; some seating will be provided. Food and drink can be bought at the Bar Convent café, with a discount to the Bar Convent exhibition available for those who attend. Find more details at yorkmysteryplays.co.uk/the-2026-festival/.
Dr Isobel Staton, special collections officer, with a selection of the Bar Convent’s medieval objects. Picture: Bar Convent Living Heritage Centre
Bar Convent: back story
THE Bar Convent was established in 1686, when it was illegal to be a Roman Catholic, hiding in plain sight as a school for girls. The foundress of the order was Yorkshire woman Mary Ward (1585-1625), a pioneer in women’s education who famously said, “There is no such difference between men and women that women may not do great things”.
Over the past 300 years, the order has been entrusted with the safe-keeping of many relics and artefacts, many of them on display in the exhibition.
Today, the Bar Convent is the oldest living convent in Great Britain. The house is central to the global order and there are more than 200 schools worldwide in Mary Ward’s name.
The house is open for all faiths and none to explore, with an exhibition, chapel, café, garden, meeting rooms and guest house on site.
The Bar Convent Living Heritage Centre, in Blossom Street, York. Picture: Gareth Buddo
Al Dunn, Matt Freeman and Nick Bunt in Oh Zeus! on Le Navet Bete’s fifth visit to York Theatre Royal. Picture: Mark Senior
A MYTHOLOGICAL farce and Lenny Henry at large, a snappy crocodile and a Man-Wulf, a spelling bee musical and a mirrored installation keep Charles Hutchinson’s arty eye on the ball and off the football.
Greek comedy of the week: Le Navet Bete in Oh Zeus!, York Theatre Royal, today, 2pm and 7.30pm
EXETER’S chaotic comedy specialists, Le Navet Bete, conduct a riotous ride through Ancient Greece, the Underworld and back in Oh Zeus! Written by director John Nicholson and company founders Al Dunn, Nick Bunt and Matt Freeman, this mythological farce finds the stability of Olympus being threatened by the marriage of Zeus’s daughter, Hebe, to a mere mortal, whereupon the King of the Gods hatches a plan to derail the wedding.
Expect physical comedy, outrageous jokes and fast-paced pandemonium as Dunn, Bunt and Freeman play 40 characters between them. Box office: 01904 623568 or yorktheatreroyal.co.uk.
Beverley Knight: Born to perform at York Barbican. Picture: Lewis Shaw
Recommended but sold out: Beverley Knight, Born To Perform, York Barbican, tonight, 7.30pm
QUEEN of British soul Beverley Knight shares stories from her life on stage, as well as performing her biggest hits, musical theatre favourites and cherished songs that have inspired her on her 20-date UK tour.
“Born To Perform is me taking you on a journey through my life on both music and theatre stages, using my memories and of course my songs. I’m stripping back my sound so the audience can lean in a little closer and really hear my soul,” says Knight, whose hits include Made It Black, Greatest Day, Get Up, Shoulda Woulda Coulda, Gold, Come As You Are, Keep This Fire Burning and Piece Of My Heart. Her special guest is Gabriella Cilmi. Box office for returns only: yorkbarbican.co.uk.
Anastacia: Playing Scarborough Open Air Theatre on Not That Kind tour
Coastal gigs of the week: TK Maxx presents Scarborough Open Air Theatre, Skunk Anansie & Garbage, tonight; Anastacia and Heather Small tomorrow, gates 6pm
SKUNK Anansie and Garbage play Scarborough on a six-date tour. Formed in London in 1994, fronted by Skin, Skunk Anansie blend hard rock with political and social themes; American alternative rock band Garbage, fronted by Scottish singer Shirley Manson, combine rock, electronica and pop influences.
Chicago singer Anastacia heads to the Yorkshire coast to perform I’m Outta Love, Paid My Dues and Left Outside Alone et al on her Not That Kind tour. London soul singer Heather Small, of M People fame, is her special guest. Box office: scarboroughopenairtheatre.com.
York artist Ric Liptrot’s illustration for tomorrow’s 2026 Bishy Road Street Party
Community event of the week: Bishy Road Street Party, Bishopthorpe Road, York, tomorrow, 11am to 4pm
CELEBRATING community spirit and independent shops, Bishopthorpe Road Traders Association’s 2026 Bishy Road Street Party combines live music, family activities and food and drink, plus street vendors and community stalls. The main stage plays host to performances by Yorkshire Voices (11am), Third Parallel (11.45am), Gaia On Fire (Juno, 12.30pm) and Bargestra (1.30pm), climaxing with headline sets by the Yorky Pud Street Band (14.15pm) and The Unnamed Band (3.15pm).
Look out for five children’s performances and interactive sessions, with appearances from Evergreen Explorers (11am), Professor Dan (12 noon), Baby Band (1pm), Elevate Dance Sessions (2pm) and Josh Benson (3pm). A children’s zone, featuring face painting, mud kitchen, crafts, hair braiding and balloons, will be set up on Ebor Street and entertainment will be spread across the event space. Charities, artists, makers and community groups offer games, activities and information. Free to attend; no booking required.
Artist and designer Es Devlinin the Temple of the Fours Winds at Castle Howard. Picture: Rick Walker, PA Media
Installation of the week: Es Devlin, Library Of The Four Winds, Temple of the Four Winds, Castle Howard, near Malton, until September 27
AS part of the Vanbrugh 300 celebrations at Castle Howard, artist and designer Es Devlin responds to Sir John Vanbrugh’s visionary architecture with her luminous installation Library Of The Four Winds, a new mirrored sculpture that takes over the Temple of the Four Winds in honour of the National Year of Reading.
The temple’s original use as a place for refreshment and reading was Devlin’s starting point for a central sculpture made up of hundreds of books, curated from the personal libraries of Vanbrugh and Devlin. The temple is encompassed by four concentric tables where the public can read, draw, talk, eat and listen. The space will host events throughout the summer. Tickets: castlehoward.co.uk.
The many faces of Lenny Henry: Actor, comedian, fundraiser and stand-up anedoctalist
Talk of the week: Lenny Henry, Still At Large, Grand Opera House, York, June 23, 7.30pm
PART stand-up, part storytelling and part conversation with himself and with you, Still At Large finds Lenny Henry returning to the experiences that shaped him while also exploring the ideas, challenges and creative sparks driving him today.
From The Lenny Henry Show and Chef! to dramatic performances in Othello and The Lord Of The Rings: The Rings Of Power, he traces the roles, characters and moments that have defined his six-decade career and shares what continues to inspire him as he reflects on a life lived out loud. On show will be the many versions of Lenny: actor, impressionist, comedian, fundraiser and stand-up anecdotalist. Box office: atgtickets.com/york.
Dan Wood, left, Stephen Wright, Lotty Farmer, Rosa Burns, Hannah Shaw and James Dickinson in York Light Opera Company’s The 25th Annual Putnam County Spelling Bee
Musical of the week: York Light Opera Company in The 25th Annual Putnam County Spelling Bee, Theatre@41, Monkgate, York, June 24 to 27 & June 30 to July 4, 7.30pm, plus 2.30pm Saturday matinees and 2pm Sunday matinee (28/6/2026)
NEIL Wood directs York Light in Rebecca Feldman, William Finn and Rachel Sheinkin’s musical account of six ‘mid-pubescents’ battling for the spelling championship of a lifetime. While candidly disclosing stories from their home life, the tweens spell their way through a series of words hoping to never hear the bell that signals a mistake.
Cue a heart-warming message that highlights themes of friendship, identity and perseverance, all while celebrating the awkwardness and excitement of growing up. Box office: tickets.41monkgate.co.uk.
Jordan Eskeisa, left, Marienella Phillips, Chelsea Da Silva (The Enormous Crocodile, front), Precious Abimbola and Ciara Hudson in The Enormous Crocodile. Picture: Danny Kaan
Mischievous adaptationof the week:Roald Dahl Story Company in Roald Dahl’s The Enormous Crocodile The Musical, York Theatre Royal, June 25 to 28, 10.30am and 1.30pm.
ROALD Dahl’s Enormous Crocodile is weaving his way through the jungle in search of delicious little fingers and squidgy podgy knees. Only fellow jungle creatures can foil his “secret plans and clever tricks”, but they need courage aplenty to stop this greedy, grumptious, horrid brute.
Equipped with Ahmed Abdullahi Gallab’s tunes, Suhayla El-Bushra’s rib-tickling book and lyrics and Tom Brady’s additional music and lyrics, the dastardly family adventure has been developed and directed by Emily Lim, working in tandem with co-director and puppetry designer Toby Olié. Chelsea Da Silva, Precious Abimbola, Jordan Eskeisa, Ciara Hudson, Marienella Phillips and actor-musician René Francalanza star.Age guidance: Three plus. Box office: 01904 623568 or yorktheatreroyal.co.uk.
Stewart Lee’s poster illustration for Stewart Lee vs The Man-Wulf, on tour for three nights at Grand Opera House, York
Comedy gigs of the week: Stewart Lee vs The Man-Wulf, Grand Opera House, York, June 25 to 27, 7.30pm
AFTER a five-night Theatre Royal run in the fledgling days of Stewart Lee vs The Man-Wulf in January 2025, the contrarian comedian returns to York for three more nights of testing whether the beast inside us all can be silenced with the silver bullet of Lee’s scalpel-sharp stand-up?
Lee will play the same material three ways: first up, telling liberal jokes in a liberal way, then, after a screaming transformation into the Man-Wulf, reactionary jokes in a reactionary way post-interval and, finally, wolf’s head removed, reactionary jokes in a liberal, left-leaning way. Box office: atgtickets.com/york.
Karl Mullen: Playing everything from Chopin to Oasis, via Led Zeppelin and Les Dawson, at The Old Paint Shop
Cabaret gig of the week: The Old Paint Shop presents Karl Mullen, York Theatre Royal Studio, June 26, 8pm
AFTER two Old Paint Shop gigs last year, Karl Mullen, upright-piano busker, Phoenix Inn fixture and Leeds Piano Competition Pub Piano Champion, completes his hat-trick, serving up his high-energy take on everything from Chopin to Oasis, via Led Zeppelin and Les Dawson, packed with outrageous and heartfelt stories from decades of gigging. Box office: 01904 623568 or yorktheatreroyal.co.uk.
In Focus: Prima Choral Artists, Under One Sky, National Centre for Early Music, York, Sunday, 21/6/2026, 5pm & 7.30pm
Prima Choral Artists; poster for Sunday’s concerts at the double on Father’s Day
PRODUCER and artistic director Eve Lorian leads Prima Choral Artists in a compelling journey through global vocal traditions in two concerts on Sunday at the National Centre For Early Music, St Margaret’s Church, Walmgate, York.
Under One Sky is a signature programme by this Polish-born, York-based choral director, who has consistently introduced unique concerts and explored new territory for York choirs for nearly two decades.
Eve’s latest artistic compilation is designed to celebrate the relationship between musical language, cultural identity and vocal technique, while recognising the unifying nature of the choral canon. Spanning a wide geographical and cultural spectrum, the repertoire highlights distinctive approaches to tone production, ornamentation, rhythm and ensemble cohesion.
Sunday’s programme opens with Sakura, a Japanese folk melody characterised by its pentatonic modality and lyrical phrasing. The Bulgarian works Kaval Sviri and Dilmano Dilbero exemplify the highly resonant, open-throated “white voice” technique, and this vocal aesthetic continues in Serbian folk music, where dance-derived rhythms and communal expression are central.
Folk traditions of the North Atlantic are represented through the French-Canadian J’entends le Moulin, with its rhythmic drive, alongside Wild Mountain Thyme and Gaelic Song Of The Boatman, which reflect the modal inflections of Scottish and Gaelic song traditions.
Prima Choral Artists’ founder, producer and artistic director Eve Lorian
The programme broadens even further afield through Yeish Kochavim (Hebrew), Evohé (Venezuela) and Dao Mai Fan Ye’ (Mandarin), each illustrating the interaction between text, rhythm and collective energy within their respective traditions. These works foreground the role of music in both ritual and communal celebration.
The final section centres on vocal traditions from the Torres Strait Islands and Southern Africa. Sesere Eeye reflects oral transmission practices and community-based performance, while Ngothando, Ndikhokhele Bawo and Papaoutai demonstrate the harmonies and call-and-response structures that are foundational to many African musical forms.
Eve’s diligent research has brought together this sparkling burst of music with the support of a choir who are no strangers to world music and singing in multiple languages.
“We have always been proud of our multi-cultural, international identity,” says Eve. “Music has always been a unifying force for good. These concerts, celebrating unity through diversity, represent a truth that sometimes only music can express.”
Giving a brief glimpse into the creative process behind these events, she adds: “Selecting the music takes weeks upon weeks of research and listening. I thrive on fresh choices, on presenting the unexpected – and these pieces are far from the standard choral repertoire.
Prima Choral Artists in concert under Eve Lorian’s direction
“But the title came so naturally: Under One Sky says everything that we mean to convey in these two performances!”
International connections for Eve and Prima Choral Artists are not merely constrained to concert programming. For more than a decade, Eve has led the way in introducing outstanding overseas opportunities for York choirs.
This commitment continues this summer with a concert tour to Prague from July 8 to 13 to take part in the International Choir and Orchestra Festival (Prague Festival 2026, July 9 to 13).
On September 6, Eve will welcome the Norwegian choir Fanakoret, from Bergen, for a Friendship performance with Prima Choral Artists at St Olave’s Church, Marygate, York, at 5pm.
“Before these opportunities comes the unmissable chance to join Prima on Father’s Day on Sunday at the National Centre For Early Music with the two time slots designed to complement everyone’s plans and make for a truly special weekend celebration,” she says.
Tickets are available from www.primachoral.com; with limited seating available, booking is recommended.
York classical pianist Sarah Beth Briggs. Picture: Fritz Curzon
THE 2026 Northern Aldborough Festival will see York pianist Sarah Beth Briggs performing at the prestigious classical event for the first time in what the organisers describe as “her long overdue appearance at our festival”.
For Saturday morning’s concert, at The Old Hall, North Deighton, near Wetherby, Sarah has crafted a programme designed to welcome seasoned concert-goers and newcomers alike, comprising Haydn’s Sonata in C, Hob XVI/50, Mendelssohn’s Variations Sérieuses, Op. 54 and works by Poulenc and Schumann.
What should listeners expect at the 11am performance, Sarah? “Vibrant, infectious classical melodies sit alongside a romantic depiction of a German forest and French music, in turn sunny and zany, and a concluding work where solemn, haunting melodies give way to explosive speed, drama and pure romantic passion,” she says.
Sarah Beth Briggs in Dean’s Park, York Minster. Picture: Marci Stuchlikova
Those infectious classical melodies, specifically the recital-opening first movement of Haydn’s late C major Sonata, have earned it the distinction of being Sarah’s most popular track globally, boasting more than 1.8 million plays on Apple Music, showcasing the timeless appeal of Haydn’s writing.
As ever with Sarah’s recital performances, Saturday’s programme will be introduced from the stage. “Breaking down barriers in the classical music world is something which I see as essential,” she says.
To prove the point, her December 2025 concert at Nottingham’s Royal Concert Hall was described by the Nottingham Post reviewer as “presenting each piece in ways which both illuminated the music and created just the right sort of rapport with an audience that really does appreciate artists who can manage friendly chat as well as fine playing.”
“Breaking down barriers in the classical music world is something which I see as essential,” says Sarah Beth Briggs. Picture: Fritz Curzon
Newcastle-born Sarah’s career was launched as a child prodigy, performing as the then youngest-ever finalist in the BBC Young Musician of the Year competition at the age of 11 in 1984, the year when she gained a Dame Myra Hess Award too. This was followed by international success, winning the International Mozart Competition four years later in Salzburg, aged 15.
Her piano playing has taken her to many of England’s premier venues. “I’ve performed with numerous major orchestras and played in Europe and the USA too, but I’m greatly looking forward to playing for the thriving Yorkshire cultural community this Saturday,” she says.
Sarah Beth Briggs: Heading for Crucible Playhouse, Sheffield, for Piano Classics concert on September 5
Sarah’s next appearance in Yorkshire will be as part of the Piano Classics series at the Crucible Playhouse, Sheffield on Saturday, September 5. Her 2pm programme will feature Beethoven’s Bagatelles Op.126; Clara Schumann’s 4 Pièces Fugitives Op.15; Tailleferre’s Sicilienne; Poulenc’s 3 Novelettes; Robert Schumann’s Waldszenen Op.82 and Brahms’ Piano Pieces Op.119.
