Category: Festivals

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What’s On in Ryedale, York and beyond. Hutch’s List No. 43, from Gazette & Herald

Teacher Miss Hedge (Katie Spencer) steps in between school bully Dean Paxton (Cain Branton), left, and dreamer Jamie New (Frankie Bounds) in York Stage’s Everybody’s Talking About Jamie

FROM a couple all at sea at the SJT to Yorktoberfest in a circus big top,  a piratical twist on The Comedy Of Errors to Bison Hip’s blues, Charles Hutchinson recommends ways to stay cheerful.

Bold and unapologetic musical of the week: York Stage in Everybody’s Talking About Jamie, Grand Opera House, York, until Saturday; 7.30pm plus 2.30pm Saturday matinee

TOM MacRae and Dan Gillespie’s Sheffield musical plays the Grand Opera House for the first time in Nik Briggs’s production for York Stage that restores the grit to both complement and counter the glitz in the uplifting underdog story of Jamie New (Frankie Bounds), a 16-year-old schoolboy from a Steel City council estate with big dreams and the courage to stand out when it would be easier to stay quiet.

Equipped with the strength to face the world head on, Jamie fights prejudice, finds his voice and discovers the freedom of stepping into the spotlight on his own terms. Box office: atgtickets.com/york.

Over-reaching strategy: Phil Corbitt’s Colin puts yet another plan to Sarah Belcher’s exhausted Deborah in Alison Carr’s All At Sea

Premiere of the week: Stephen Joseph Theatre and Live Theatre, Newcastle, present All At Sea, Stephen Joseph Theatre, Scarborough, until October 31

MARIA Crocker directs Phil Corbitt and Sarah Belcher in All At Sea, Alison Carr’s new play inspired by the real-life escapades of John and Anne Darwin in the early 2000s.

Colin and Deborah are a couple with spiralling debt, a sky-high mortgage and seemingly nowhere to turn. Then Colin comes up with the idea of faking his own death in a canoeing accident in the North Sea for an insurance payout. Box office: 01723 370541 or sjt.uk.com.

Amelia Bullmore’s Penelope comes face to face with Charlie Russell’s Odysseus in Margaret Atwood’s The Penelopiad at York Theatre Royal. Picture: Pamela Raith Photography

Greek tragedy twist of the week: Margaret Atwood’s The Penelopiad, Odyssey: Her Story, York Theatre Royal, until October 31

BOOKER Prize winner Margaret Atwood revisits Homer’s The Odyssey in an exuberantly irreverent and darkly humorous retelling where she gives voice to Odysseus’s silenced wife, Penelope – still awaiting his return 20 years after the Trojan War – and her chorus of maids in a tale of injustice, betrayal and revenge that exposes the truth behind the myth. Creative director Juliet Forster’s cast is led by Happy Valley and Riot Women star Amelia Bullmore. Box office: 01904 623568 or yorktheatreroyal.co.uk.

Ben Reeves-Rowley and Harry Summers in rehearsal for York Shakespeare Company’s piratical The Comedy Of Errors

Shakespeare shake-up of the week: York Shakespeare Project in The Comedy Of Errors, Theatre@41, Monkgate, York, tonight to Saturday, 7.30pm plus 2.30pm Saturday matinee

KATIE Leckey and Emily Carhart co-direct York Shakespeare Project in “ an exciting take on Shakespeare’s shortest and possibly funniest play”, giving a piratical, gender-swapping twist to The Comedy Of Errors in a convergence of the original text with slapstick, farce and physical comedy and a “celebration of relationships of many kinds, platonic, familial and romantic”.

“The morally questionable, yet still comedic, nature of many (if not all) of the characters put us in mind of some of our favourite piratical anti-heroes,” they say. “We felt like the framing device of piracy gave us the chance to include slapstick violence between ‘masters and servants’ in a way that wouldn’t seem too brutal or alien to a modern audience.” Box office: tickets.41monkgate.co.uk.

The poster for The Amy Winehouse Band’s Back To Black 20th Anniversary Tour

Going back to Back To Black: The Amy Winehouse Band, York Barbican, tomorrow, 7.30pm

AMY Winehouse’s original band, who played with her from the very start, are marking the 20th anniversary of her iconic second album, Back To Black, the one that brought her five awards at the 2008 Grammy Awards. Performing with Amy that evening, as these musicians had done since her earliest gigs in London pubs, was her band. 

Led by Amy’s long-time musical director and bass player, The Amy Winehouse Band features members who both toured and recorded with her throughout her career. Box office: yorkbarbican.co.uk.

Hudson & Hudson: Combining the magical and the marital at Helmsley Arts Centre

Magic show of the week: Hudson & Hudson Magicians: Married At First Sleight, Helmsley Arts Centre, Friday, 7.30pm

ORIGINALLY from Hull, husband-and-wife magicians Alan and Kat Hudson appeared separately on Britain’s Got Talent before eventually forming a double act. Ant & Dec had suggested they should work together while they were on the show, but they both said no at the time. Between them, they have appeared on Penn & Teller: Fool Us, ITV’s The Next Great Magician and in the West End production Wonderville.

Married At First Sleight mixes magic, mind-reading, comedy and audience participation with the realities of being married to the person with whom you also rehearse, tour and perform. Cue marital banter alongside the tricks. Box office: 01439 771700 or helmsleyarts.co.uk.

York drag diva Velma Celli leading the Yorktoberfest celebrations in the Big Top with The Bavarian Strollers at York Racecourse

Festival of the week: Jamboree Entertainment presents Yorktoberfest, Clocktower Enclosure, York Racecourse, Friday, 7pm to 1pm; Saturday, 1pm to 5pm & 7pm to 11pm

FOR the first time, James Cundall’s Jamboree Entertainment is staging Yorktoberfest, York’s traditional Bavarian beer festival, inside a Big Top, launched last weekend by aerial artist Zoe Kulyk twisting and tumbling from the rooftop. 

Look out on Friday and Saturday for outrageous York drag diva Velma Celli’s powerhouse singing and quick-fire critique of the costumes on display and oompah band The Bavarian Strollers’ traditional drinking songs and disco classics. The Bavarian Bar and the Dog Haus serve up drinks and German-inspired food. Tickets: www.ticketsource.co.uk/yorktoberfest and at the entrance, subject to availability.

Bison Hip: A dose of the Glasgow blues at Ryedale Blues Club

Blues gig of the week: Ryedale Blues Club presents Bison Hip, Milton Rooms, Malton, October 29, 8pm

BISON Hip were formed by long-time friends Paul Sloway, Malcolm Button, Steven Radziwonik, John Gilmour Smith and Graeme Carswell during a lockdown Zoom call in 2020. “Maybe it was the mid-life crisis at play,” says vocalist Sloway.

“We wanted to take our love of blues and rock and mix it up with our experiences of life. Between us, we’ve been through so many things in life, ups and downs, some successes and plenty of failures, we wanted all that in the music. We needed to wrap it up in the DNA of our hometown, Glasgow, and hopefully that’s what we’ve achieved.” Box office: 01653 696240 or themiltonrooms.com.

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NCEM secures three years of John Feldberg Foundation funding for Baroque Around The Books at Explore York and beyond

The Portrait Players: Playing four Baroque Around The Books concerts in York on November 7 and 8

THE National Centre for Early Music, York, is to receive a three-year funding package from the John Feldberg Foundation to ensure the continuation of the Baroque Around The Books community concert series that will expand into the East Riding Libraries too.

Baroque Around the Books presents free, informal and accessible performances in York’s community libraries, bringing high-quality Early Music to audiences across the city in a familiar community setting. Funding is now in place until the end of 2028.

Since 2024, Baroque Around The Books has featured musicians of the highest calibre who also perform on stage at the National Centre for Early Music, St Margaret’s Church, Walmgate.

Taking part so far have been Dowland’s Foundry, featuring  lutenist Sam Brown and tenor Daniel Thomson, setting Shakespeare to music by Elizabethan composers; Intesa, European musicians Lucine Musaelian and Nathan Giorgetti, who combine the sound of the viol with the voice, and Flutes and Frets, who performed at the first series in March 2024.

Dowland’s Foundry lutenist Sam Brown with audience members at Baroque Around The Books. Picture: Charlie Kirkpatrick

The concerts have played to enthusiastic audiences and become an important part of the libraries’ work, providing both a community cultural experience and a development opportunity for the NCEM’s emerging ensembles to learn new skills in engaging with audiences in a celebration and discovery of Early Music.

This year’s concerts will be performed by the all-female British ensemble The Portrait Players, bringing 17th and 18th century music to modern audiences, as they will be too at the York Early Music Christmas Festival when performing  À la Venue de Noël: As Christmas Approaches at Bedern Hall, Bedern, on December 6 at 2pm.

For Baroque Around The Books, Emilia Agajew, harp, Miriam Nohl, viola da gamba, Claire Ward, soprano, and Kristiina Watt, theorbo and soprano, will visit Acomb Explore (11am) and  Clifton Explore (2pm) on December 7, then Tang Hall Explore (11am) and York Explore (2pm) on December  8, to share the music and poetry of 17th century women in a programme entitled The New Lyre. Entry is free with no booking required.

Welcoming the funding for this NCEM cultural wellbeing initiative, NCEM executive director Cherry Fricker said: “We are very grateful to the John Feldberg Foundation for providing the funding to deliver this wonderful community experience in partnership with Explore York Libraries and Archives.

Intesa’s Lucine Musaelian and Nathan Giorgetti performing at Baroque Around The Books. Picture: Charlie Kirkpatrick

“This three-year support enables the National Centre for Early Music to continue sharing the extraordinary array of talent within the UK’s vibrant Early Music scene with communities across York, while reinforcing our ongoing commitment to supporting, encouraging and nurturing the skills of emerging artists in the UK and beyond.”

The John Feldberg Foundation said: “The foundation is delighted to be part of this innovative and ground-breaking project, which gives everyone the chance to experience the excitement of Early Music in their local community library.”

Dave Fleming, creative producer for Explore York, said: “Baroque Around The Books demonstrates the vital role libraries play as community and cultural spaces. These performances bring high-quality live music into welcoming, accessible settings, creating memorable experiences for our communities.

“One of the joys of the programme is seeing people call in to borrow a book and leave having discovered an exceptional live performance. We’re delighted that this successful partnership will continue for another three years.”

Intesa’s Lucine Musaelian entertaining a child at Baroque Around The Books. Picture: Charlie Kirkpatrick

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More Things To Do in York and beyond. Hutch’s List No. 42, from The York Press

In the spotlight: Frankie Bounds’ Jamie New, front, in York Stage’s Everybody’s Talking About Jamie

FROM added grit in Everybody’s Talking About Jamie to a piratical twist on The Comedy Of Errors, Brandon Flowers in full bloom at York Barbican to drag diva Velma Celli rocking out, Charles Hutchinson spots pearls aplenty.

Bold and unapologetic musical of the week: York Stage in Everybody’s Talking About Jamie, Grand Opera House, York, until October 24; 7.30pm, Tuesday to Saturday, plus 2.30pm Saturday matinees and 4pm Sunday

TOM MacRae and Dan Gillespie’s Sheffield musical plays the Grand Opera House for the first time in Nik Briggs’s production for York Stage that restores the grit to both complement and counter the glitz in the uplifting underdog story of Jamie New (Frankie Bounds), a 16-year-old schoolboy from a Steel City council estate with big dreams and the courage to stand out when it would be easier to stay quiet.

Equipped with the strength to face the world head on, Jamie fights prejudice, finds his voice and discovers the freedom of stepping into the spotlight on his own terms. Box office: atgtickets.com/york.

Greek tragedy twist of the week: Margaret Atwood’s The Penelopiad, Odyssey: Her Story, York Theatre Royal, until October 31

BOOKER Prize winner Margaret Atwood revisits Homer’s The Odyssey in an exuberantly irreverent and darkly humorous retelling where she gives voice to Odysseus’s silenced wife, Penelope – still awaiting his return 20 years after the Trojan War – and her chorus of maids in a tale of injustice, betrayal and revenge that exposes the truth behind the myth. Creative director Juliet Forster’s cast is led by Happy Valley and Riot Women star Amelia Bullmore. Box office: 01904 623568 or yorktheatreroyal.co.uk.

Recommended but sold out already: An Evening With Kristin Hersh, National Centre for Early Music, York, tonight,7.30pm

OVER  three decades, Atlanta, Georgia singer, songwriter and guitarist  Kristin Hersh, 60, has been heralded queen of the alternative scene with Throwing Muses, 50Foot Wave and on her own, releasing her latest 12th solo album, Sugar On Blackstone, on Fire Records on September 18. Recorded at Stable Sound Studio in Portsmouth, Rhode Island, with Steve Rizzo, it features Rob Ahlers on drums and Pete Harvey on cello.

Since signing to Fire Records in 2018, the prolific Hersh has released tenth studio album Possible Dust Clouds, Throwing Muses’  Sun Racket in 2020, 50Foot Wave’s Black Pearl in 2022, her book Seeing Sideways in 2022 and self-produced 11th solo album, the cinematic road trip and personal vignettes of Clear Pond Road, in September 2023.

Velma Celli: Drag diva delights…including a tribute to Dolly Parton RIP

Drag delights of the week: The Velma Celli Show, with special guest Jessica Steel and guitarists Stuart Allan and Olly Chilton, Joseph Rowntree Theatre, York, Sunday, 6pm

YORK vocal drag act deluxe and international cabaret superstar Velma Cell moves to a new location for her camp, spectacular song and comedy home-city performances. “My last two shows at York Theatre Royal – Snow Queen and Rock Queen – had been among my favourites, so this one will be a mixture of Snow Queen and Rock Queen and musical theatre material,” says Velma’s creator, actor and West End star Ian Stroughair.

 “The first set will be musical theatre favourites, songs from my career in West End musicals – Cats, Fame, Chicago and Rent – and an homage to Judy Garland and Barbra Streisand. In the second set we’ll rock out with York. There’ll be songs by David Bowie, Freddie Mercury, Bryan Adams, Bonnie Tyler, Guns N’ Roses, Roxette, Alanis Morissette, Chris Isaak’s Wicked Game – and I’ll do a Dolly Parton section too. There has to be!” Box office: 01904 501935 or josephrowntreetheatre.co.uk.

Ballet of the week: Imperial Classical Ballet presents Swan Lake, York Barbican, October 19, 7.30pm

IMPERIAL Classical Ballet  performs Swan Lake, the powerful tale of Princess Odette, cursed to live as a swan by day and a woman by night. When Prince Siegfried discovers her under the moonlight, he vows to break the spell, yet the evil sorcerer Rothbart and his daughter Odile plot a deception that threatens them both.

From the haunting beauty of the lakeside scenes to the electrifying Black Swan pas de deux, Swan Lake is a visual delight, performed to Tchaikovsky’s soaring score, played live by an orchestra. Box office: yorkbarbican.co.uk.

Gig of the week: Brandon Flowers, York Barbican, October 21, 7.30pm

THE Killers’ frontman, Brandon Flowers, plays York Barbican as the only Yorkshire venue on his nine-date UK and Ireland tour, promoting Thrasher, his third solo album and first since 2015, which peaked at number three on release in August.

Fans can look forward to hearing songs from Thrasher, played live for the first time, alongside highlights from his British chart-topping solo albums, 2010’s Flamingo and 2015’s The Desired Effect, as well as beloved tracks from The Killers’ catalogue. No support. Ticket update: Sold out; for returns only, go to https://www.yorkbarbican.co.uk/whats-on/brandon-flowers.

Shakespeare shake-up of the week: York Shakespeare Project in The Comedy Of Errors, Theatre@41, Monkgate, York, October 21 to 24, 7.30pm plus 2.30pm Saturday matinee

KATIE Leckey and Emily Carhart co-direct York Shakespeare Project in “ an exciting take on Shakespeare’s shortest and possibly funniest play”, giving a piratical, gender-swapping twist to The Comedy Of Errors in a convergence of the original text with slapstick, farce and physical comedy and a “celebration of relationships of many kinds, platonic, familial and romantic”.

“The morally questionable, yet still comedic, nature of many (if not all) of the characters put us in mind of some of our favourite piratical anti-heroes,” they say. “We felt like the framing device of piracy gave us the chance to include slapstick violence between ‘masters and servants’ in a way that wouldn’t seem too brutal or alien to a modern audience.” Box office: tickets.41monkgate.co.uk.

Going back to Back To Black: The Amy Winehouse Band, York Barbican, October 22, 7.30pm

AMY Winehouse’s original band, who played with her from the very start, are marking the 20th anniversary of her iconic second album, Back To Black, the one that brought her five awards at the 2008 Grammy Awards. Performing with Amy that evening, as these musicians had done since her earliest gigs in London pubs, was her band. 

Led by Amy’s long-time musical director and bass player, The Amy Winehouse Band features members who both toured and recorded with her throughout her career. Box office: yorkbarbican.co.uk.

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York Ghost Week 2026: Hallowed Guild of Phantom Players in Remember, Remember, York Mansion House, October 29 to 31

Hrafn Rìkharðsson as Guy Fawkes and Andrea Mitchell as Margaret Clitherow in the Hallowed Guild of Phantom Players’ Remember Remember at York Mansion House

THE spirits of former York residents Guy Fawkes and Margaret Clitherow will rise to share their stories in Remember, Remember, a new play written for York Ghost Week 2026.

Staged by the Hallowed Guild of Phantom Players at York Mansion House, St Helen’s Square, York, from October 29 to 31 at 7.30pm, this premiere is a collaboration between actor/playwright Andrea Mitchell and performer/musician/historical re-enactor Hrafn Rìkharðsson and Celtic folk musician/theatre-maker Olivia Graham.

Mitchell and Rìkharðsson developed the script together using archive material while Graham provides the haunting soundtrack to the two-act drama. 

Margaret was crushed to death on Ouse Bridge in 1586 after her trial conviction for having hidden Catholic priests in her home on Shambles in York. Gunpowder Plot protagonist Guy Fawkes was born in York and attended St Peter’s School.

As the sainted “Pearl of York” Margaret Clitherow relives the tragic day of her death, she is joined by the spirit of one believed to have been present at her execution in his youth: Guy Fawkes

The play explores the possibility that witnessing her death – her body being compressed by stones – was a key event in radicalising him against the Protestant English state, inciting one of the most explosive (pardon the pun) episodes on the stage of English history?

Haunting period folk music, played on traditional instruments, will flow hypnotically through historically informed storytelling in this atmospheric two-hour performance created exclusively for York Ghost Week 2026.

Andrea says: “We’re thrilled to be telling the stories of these two well-known York residents, whose lives overlapped in 16th century York, in the two acts of the play.

“We’ve researched a wealth of archive material to develop the script together and were very grateful to be able carry out some of our research in the Bar Convent library.”

The pair also used genealogy websites, Spanish archives and letters written at the time, as well as books, including a 1926 publication written about the life of Margaret Clitherow by Lady Lindsey Smith for her husband, in defence of Catholicism.

Bar Convent Living Heritage Centre special collections manager Dr Hannah Thomas says: “We were delighted to help Andrea with her research into the life of Margaret Clitherow, a subject which continues to fascinate and inspire so many.

“The convent has a critical role to play in telling the story of Tudor York, particularly through our fascinating living heritage exhibition, supported by a wealth of information in our archives and library facilities, and we are delighted that the team have been able to use this material to bring Margaret’s story to life.”

Remember, Remember, York Mansion House State Room, York, October 29 to 31, 7.30pm. Tickets: £25 including an interval drink. Box office: mansionhouseyork.com/whatson.

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National Centre for Early Music to launch Early Music in the Early Evening next year. Who will be playing in February & April?

Early Music in the Early Evening: Peter Croton & Thomas Langlois (February 10 2027) and La Rêveuse’s Florence Bolton and Benjamin Perrot (April 30 2027)

THE National Centre for Early Music Centre is introducing Early Music in the Early Evening, a series of relaxed concerts beginning next February.

 “Skip rush hour and join us from 6pm to 7.30pm for music, wine and conversation with world-class musicians,” reads the invitation.

The new programme will open with J S Bach’s The Goldberg Variations on February 10 when Peter Croton and Thomas Langlois will perform one of the most extraordinary and demanding masterpieces of the Early Music repertoire, played in a unique new version for the first time on two lutes.

Composed in 1741 for harpsichord, Bach’s architecture of sound is re-imagined through the contrasting light and shadow of baroque lutes. Their rich timbral palette, expressive dynamics and subtle phrasing transform the work into an intimate, vivid and moving musical experience.

On April 30, La Rêveuse’s Benjamin Perrot (lute and theorbo) and Florence Bolton (viola da gamba) will play a joyful programme full of ballads and dances that deserve to resound once more beneath the stars under the title of From London To Edinburgh.

In the 17th and 18th centuries, London was at the forefront of musical innovation. In taverns, gardens and ballrooms, the tender, rhythmic tunes of Scottish, Welsh and Irish music were taking over London’s salons.

The 17th-century English composer John Playford and the 18th-century Scotsman James Oswald immediately struck the right balance between traditional and classical music, Italian elegance and Celtic style, as can be witnessed in York next spring. Box office: 01904 658338 or ncem.co.uk.

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What’s On in Ryedale, York and beyond. Hutch’s List No. 41, from Gazette & Herald

Tracy-Ann Oberman’s Geri Essendine and Seb Carrington’s David Stillington in Present Laughter. Picture: Simon Annand

FROM classic Coward in Present Laughter to Frayn’s funniest farce, Noises Off, Alan Carr’s work in progress to Joe Jackson’s hope and fury, Charles Hutchinson piles up the good stuff for the week ahead.

Coward classic of the week: Theatre Royal Bath Productions and Augusta Productions present Present Laughter, Grand Opera House, York, until Saturday, 7.30pm plus 2.30pm Wednesday and Saturday matinees

TRACY-ANN Oberman stars as hugely successful actress Geri Essendine – who has been 39 for the best part of a decade – in Lindsay Posner’s new touring production of Noel Coward’s celebrated portrayal of the temptations and pitfalls of theatrical celebrity. 

On the cusp of departing for a tour of Africa, Geri finds herself besieged by a bevy of would-be lovers, her long-suffering secretary, estranged husband and an obsessed young playwright. Will she ever disentangle herself from their tightening clutches and incessant demands? Then again, deep down, does she really want to? Box office: atgtickets.com/york. 

Pick Me Up Theatre cast members Pearl Mollison, left, Craig Kirby, Alexandra Mather, Andrew Isherwood, Helen Spencer, Adrian Cook and Mark Simmonds, under the withering eye of Rory Mulvihill, right, director of the play-within-the-play in Michael Frayn’s Noises Off

Slamming doors, falling trousers and flying sardines of the week: Pick Me Up Theatre in Noises Off, Joseph Rowntree Theatre, York, until Saturday, 7.30pm plus 2.30pm Saturday matinee

MICHAEL Frayn’s backstage farce Noises Off takes a wicked look at the follies of theatre folk, whose susceptibility to out-of-control egos, memory loss and passionate affairs turns every performance into a high-risk adventure.

This play-within-a-play captures a touring theatre troupe’s production of Nothing On in three stages: dress rehearsal, the opening performance and a performance towards the end of a debilitating run. Robert Readman directs a stellar York cast of Helen Spencer, Andrew Isherwood, Alexandra Mather, Rory Mulvihill, Pearl Mollison, Mark Simmonds, Craig Kirby, Jessica Hardcastle and Adrian Cook. Box office:  01904 501935 or josephrowntreetheatre.co.uk.

Joe Jackson: Returning to York Barbican tonight

York gig of the week: Joe Jackson + Band, Hope And Fury Tour 2026, York Barbican, tonight, doors 7pm

JOE Jackson played York for only the second time at York Barbican on July 29 2022 as part of his Sing, You Sinners! Tour, having first shared a bill with Todd Rundgren and improvisational string quartet Ethel at the Grand Opera House in June 2005.

Now, the Portsmouth-raised singer, musician, songwriter, bandleader, producer, author and campaigner, 72, returns with his regular band to perform work from throughout his career and to showcase his 23rd studio album Hope And Fury, released in April. Conner Youngblood supports. Box office: yorkbarbican.co.uk.

Avatar: The Last Airbender: Screening accompanied by live orchestra

Visual journey of the week: Avatar: The Last Airbender In Concert, 20th Anniversary Tour, York Barbican, tomorrow, 7.30pm

The 20th Anniversary Tour of Avatar: The Last Airbender In Concert combines a live orchestral performance with a two-hour visual journey through fan-favourite moments from the animated series, shown on a full-size cinema screen. 

This special edition features new surprises, inviting fans to experience the story in a new light. Original dialogue and sound effects remain intact, while Emmy Award-winning composer Jeremy Zuckerman’s score is performed live, synchronised with the visuals. From taiko and erhu to strings and clarinets, the orchestra brings every moment to life, immersing you in the elemental world of Aang, Katara, Toph, Zuko and the rest of Team Avatar. Box office: yorkbarbican.co.uk.

An artwork by Angela Hall from the York Created exhibition at Pyramid Gallery, York

York exhibition of the week: York Created: Paint-Clay-Print-Collage From The Heart Of The City, Pyramid Gallery, Stonegate, York, until November 14

YORK Created: Paint-Clay-Print-Collage From The Heart Of The City features a “collection of talented artists from across our fair city”. “Some have exhibited with us before, others are new to us,” says Pyramid Gallery manager Fiona Macfarlane. “All the works are for sale.”

Taking part are potters Danny Aitkin, Chiu-i Wu, Loretta Braganza, Ben Arnup, Emily Stubbs, Jessica Jenyns and Ruth King, painters Rory Barke, Carolyn Coles, Jill Tattersall, Ric Liptrot, Lesley Birch, Mick Leach, Lesley Shaw and Angela Hall and stained glass artist Helen Bower. Opening hours are 10am to 5pm, Monday to Saturday.

Tom Carradine & Lili Redman: Wartime music, merriment and memories at Kirk Theatre, Pickering

Festival of the week: Pickering 1940s Weekend, V For Victory, Johnny Victory, Kirk Theatre, Pickering, Friday, 7.30pm; Tom Carradine’s Wartime Songbook , Sunday, 7.30pm

JOHNNY Victory opens the Pickering 1940s weekend on Friday by heading back to the good old days to guide singalongs of vintage songs that helped to keep wartime morale high and brought us together. Johnny combines songs from music hall days, 1920s, 1930s and 1940s’ wartime hits and show tunes with a warm, cheeky humour.

On Sunday, moustachioed maestro Tom Carradine leads a joyous, toe-tapping celebration of the songs that kept Great Britain smiling through two World Wars in a nostalgic show packed with rousing classics, history, humour and stories behind the songs, such as the tragic tale of the Powell brothers who wrote Pack Up Your Troubles. Joining Tom will be cabaret songbird Lili Redman, his podcast co-host of The A To Z Of Wartime Song, to perform Gracie Fields, Vera Lynn and deliciously cheeky numbers. Box office: 01751 474833 or kirktheatre.co.uk.

Victoria Firth in Batty!: Exploration of “the wildness – as opposed to madness – of women” at Helmsley Arts Centre

Alternative coming-of-age story of the week: Victoria Firth in Batty!, Helmsley Arts Centre, Friday, 7.30pm

WRITTEN and performed by Victoria Firth and directed by Natasha Holmes, Batty! is the story of a woman who fears she might be a witch: an ordinary woman stuck with an extraordinary shape-shifting companion, a wild thing. This curious twosome shares a disintegrating cottage in a forest on the cusp of another world that lies beyond responsibilities and social norms and where myths and magic are real. 

Featuring an original soundscape and live song, Batty! combines “the intimacy of private conversations, raucous stories, snorting humour, gay abandon and exquisite tenderness” in its exploration of “the wildness – as opposed to madness – of women and how our feral side can reconnect us to ourselves and our environment”. Box office: 01439 771700 or helmsleyarts.co.uk.

Celya AB: Saturday Night Live UK writer on stage at Theatre@41

How to break free from shame, as advised by: Celya AB, We Must Stop Meeting Like This, Theatre@41, Monkgate, York, Friday, 8pm

HAVE you ever forensically over-thought your life choices? Are they all somehow connected to a passing comment your Spanish teacher made when you were 15? Has it made an impact on everything from your love life to your career? Stand-up comedian and Saturday Night Live UK writer Celya AB’s new show focuses on breaking free from shame and what ensues when you do. Box office: https://tickets.41monkgate.co.uk/.

The Paul Simon Songbook, performed by Alastair James and his seven-piece band at Helmsley Arts Centre

Tribute gig of the week: The Paul Simon Songbook, Helmsley Arts Centre, Saturday, 7.30pm

ALASTAIR James and his seven-piece band highlight the carefully crafted arrangements inspired by Paul Simon’s most iconic live and studio performances, featuring renditions of Mrs Robinson, Bridge Over Troubled Water, Scarborough Fair, Fifty Ways To Leave Your Lover, Still Crazy After All These Years, Late In The Evening, You Can Call Me Al and Diamonds On The Soles Of Her Shoes. Box office: 01439 771700 or helmsleyarts.co.uk.

Brodsky Quartet: Playing chamber concert at Helmsley Arts Centre on Sunday

Classical concert of the week: Brodsky Quartet, Helmsley Arts Centre, Sunday, 2.30pm

SINCE forming in 1972 as the Cleveland Quartet in Middlesbrough, the Brodsky Quartet has performed more than 3,000 chamber music concerts on the major stages of the world and released 70-plus recordings.

The quartet’s name is taken from the Russian violinist Adolf Brodsky, himself a passionate chamber musician, and the 2026 line-up comprises Krysia Osostowicz and Ian Belton, violins, Paul Cassidy, viola, and Jacqueline Thomas, cello. Box office: 01439 771700 or helmsleyarts.co.uk.

Alan Carr: Testing out new material in two gigs in one day at Pocklington Arts Centre

Comedy gigs of the week: Alan Carr, Work In Progress, Pocklington Arts Centre, Sunday, 3pm and 7.30pm

THE Celebrity Traitors 2026 winner, comedian, television presenter and quiz host Alan Carr is heading to Pocklington Arts Centre for a brace of “very special work-in-progress shows” ahead of his Have I Said Too Much? tour, when  he will play York Barbican on March 13 2027. Box office: Pocklington, pocklingtonartscentre.co.uk; York, yorkbarbican.co.uk.

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More Things To Do in York and beyond unlocked secret spaces & hidden places. Hutch’s List No. 40, from The York Press

Angela Hall’s artwork from York Created at Pyramid Gallery

FROM classic Coward in Present Laughter to Frayn’s finest farce, Noises Off, York’s unlocked buildings to Joe Jackson’s hope and fury, Charles Hutchinson piles up the good stuff for the week ahead.

Exhibition opening of the week: York Created: Paint-Clay-Print-Collage From The Heart Of The City, Pyramid Gallery, Stonegate, York, until November 14

YORK Created: Paint-Clay-Print-Collage From The Heart Of The City features a “collection of talented artists from across our fair city”. “Some have exhibited with us before, others are new to us,” says Pyramid Gallery manager Fiona Macfarlane. “All the works are for sale.”

Taking part are potters Danny Aitkin, Chiu-i Wu, Loretta Braganza, Ben Arnup, Emily Stubbs, Jessica Jenyns  and Ruth King, painters Rory Barke, Carolyn Coles, Jill Tattersall, Ric Liptrot, Lesley Birch, Mick Leach, Lesley Shaw and Angela Hall and stained glass artist Helen Bower. Opening hours are 10am to 5pm, Monday to Saturday.

Dennis Rollins: Delivering Funky-Funk! to YorkJazzFest’s Bishopthorpe Road Car park Finale tomorrow

Festival of the week: YorkJazzFest, today and tomorrow

TODAY, Beppe Lombardo’s inaugural YorkJazzFest features: 6pm, Flowerden, The Winning Post; 6pm, Mutant DJ Jazz, Angel On The Green; 6.30pm, Emma Foulds Quintet, York Arts Barge; 7pm, SwanNek, Young Thugs Studios; 8.30pm, Al Morrison Quartet, The Winning Post;  8.30pm, Olivia Cuttill, York Arts Barge;  9pm, Borgia, Angel On The Green, and 9pm, Lovedancin’ DJ, Young Thugs Studios. For tickets, go to: yorkjazzfestival.com.

Tomorrow,  the Bishopthorpe Road Car Park Finale runs from midday with free entry and no ticket required. On the bill are: 12 noon, YorkJazzFest Orchestra; 1pm, Vipertime; 2.15pm, Big Bamboo; 4.15pm, Fergus Quill Sextet, and 6pm, Dennis Rollins’ Funky-Funk! Ian Chalk concludes the event at The Phoenix Inn at 8pm; free entry.

Federico Pendenza: Two world premieres at this afternoon’s York Late Music concert

Season finale of the week: York Late Music presents Federico Pendenza, Folk Roots To Classical Form, Unitarian Chapel, St Saviouragte, York, today, 1pm

UNIVERSITY of York guitarist Federico Pendenza concludes York Late Music’s concert season with Folk Roots To Classical Form, featuring William Walton’s only piece written for guitar (following a persuasive word from Julian Bream!), two intimate pieces by the “Chopin of the guitar”, Agustín Barrios, and two world premieres, Macey Collins’s Impressions Of Tension and Noor Hingorani’s Pomegranates On My Altar, which draws on the Persian Sofreh wedding ceremony, where pomegranates represent joy, passion and strength. Box office: latemusic.org/federico-pendoza-guitar or on the door.

York Unlocked: Unlocking York’s significant, hidden and secret buildings

Free discoveries of the week: York Unlocked, today and tomorrow

YORK Unlocked opens York’s most interesting, significant, even hidden and secret buildings to the public completely for free, although some buildings require free pre-booked tickets.  This weekend’s festival enables residents and visitors alike to see York in a new way and aims to educate and inspire a love of architecture this weekend. To download the full programme, go to: https://www.york-unlocked.org.uk/_files/ugd/972e50_ba8593730b26433e8b060829ff5bd5ac.pdf.

Michael Shafar: Headlining Laugh Out Loud Comedy Club at The Basement

​Comedy gigs of the week: Laugh Out Loud Comedy Club, The Basement, City Screen Picturehouse, York, today, 4pm and 8pm

LAUGH Out Loud promoter Damion Larkin has added an extra show at 4pm in response to ticket demand for tonight’s 8pm bill of Michael Shafar, Ant Dewson, Mike Carter and Gary Jennison.

Former lawyer Shafar left Australia to ply his comedy trade over here. Dewson is a comedian, mediocre piano player and singer of silly songs, many of them rude. Carter covers everything from living with your nan in your 30s to the realities of engaging in “kinky stuff” when you have a coordination disorder. Jennison promises dance-offs, game shows, magic and unbridled chaos. Box office: lolcomedyclubs.co.uk.

Brian Bilston: Poetic words at Milton Rooms, Malton

Poet of the week: Brian Bilston, How To Lay An Egg With A Horse Inside, Milton Rooms, Malton, tomorrow, 7.30pm

BRIAN Bilston, a poet with more than 500,000 followers on social media, returns to the stage this autumn with his latest book, How To Lay An Egg With A Horse Inside, as he takes a journey through the hows, whys and whats of reading, writing and enjoying poetry every day.

Bilston has published such collections as You Took The Last Bus Home, Alexa, What Is There To Know About Love? and Days Like These, along with debut novel Diary Of A Somebody, poetry for younger readers and his 2025 album of poetry set to music, Sounds Made By Humans, recorded with The Catenary Wires. Box office: 01653 696240 or themiltonrooms.com.

Tracy-Ann Oberman’s Geri Essendine and Seb Carrington’s David Stillington in Present Laughter. Picture: Simon Annand

Coward classic of the week: Theatre Royal Bath Productions and Augusta Productions present Present Laughter, Grand Opera House, York, October 6 to 10, 7.30pm plus 2.30pm Wednesday and Saturday matinees

TRACY-ANN Oberman stars as hugely successful actress Geri Essendine – who has been 39 for the best part of a decade – in Lindsay Posner’s new touring production of Noel Coward’s celebrated portrayal of the temptations and pitfalls of theatrical celebrity. 

On the cusp of departing for a tour of Africa, Geri finds herself besieged by a bevy of would-be lovers, her long-suffering secretary, estranged husband and an obsessed young playwright. Will she ever disentangle herself from their tightening clutches and incessant demands? Then again, deep down, does she really want to? Box office: atgtickets.com/york. 

Pick Me Up Theatre cast members Pearl Mollison, left, Craig Kirby, Alexandra Mather, Andrew Isherwood, Helen Spencer, Adrian Cook and Mark Simmonds, under the withering eye of Rory Mulvihill, right, director of the play-within-the-play in Michael Frayn’s Noises Off

Slamming doors, falling trousers and flying sardines of the week: Pick Me Up Theatre in Noises Off, Joseph Rowntree Theatre, York, October 6 to 10, 7.30pm plus 2.30pm Saturday matinee

MICHAEL Frayn’s backstage farce Noises Off takes a wicked look at the follies of theatre folk, whose susceptibility to out-of-control egos, memory loss and passionate affairs turns every performance into a high-risk adventure.

This play-within-a-play captures a touring theatre troupe’s production of Nothing On in three stages: dress rehearsal, the opening performance and a performance towards the end of a debilitating run. Robert Readman directs a stellar York cast of Helen Spencer, Andrew Isherwood, Alexandra Mather, Rory Mulvihill, Pearl Mollison, Mark Simmonds, Craig Kirby, Jessica Hardcastle and Adrian Cook. Box office:  01904 501935 or josephrowntreetheatre.co.uk.

Joe Jackson: Returning to York Barbican

Gig of the week: Joe Jackson + Band, Hope And Fury Tour 2026, York Barbican, October 7, doors 7pm

JOE Jackson played York for only the second time at York Barbican on July 29 2022 as part of his Sing, You Sinners! Tour, having first shared a bill with Todd Rundgren and improvisational string quartet Ethel at the Grand Opera House in June 2005.

Now, the Portsmouth-raised singer, musician, songwriter, bandleader, producer, author and campaigner, 72, returns with his regular band to perform work from throughout his career and to showcase his 23rd studio album Hope And Fury, released in April. Conner Youngblood supports. Box office: yorkbarbican.co.uk.

Acosta Danza in Andonis Foniadakis’s new work Pearls. Picture: Charlie Kirkpatrick

In Focus: Carlos Acosta’s Acosta Danza in Cuban Baroque, York Theatre Royal, October 3, 2.30pm and 7.30pm

IN this new double bill from Acosta Danza, the lush artistry of the Baroque period intersects with the energy, creativity and vibrancy of Cuban dance.  Emerging from the 17th and 18th centuries, the creative movement was characterised by deep colour, elaborate detail and intricate decoration.

Produced by Valid Productions in collaboration with York Theatre Royal, Cuban Baroque opens with the world premiere of Andonis Foniadakis’s new work Pearls, a journey to the rhythmic heart of Baroque, followed by choreographer and set designer Goyo Montero’s 2011 work Chacona.

Artistic director Carlos Acosta says: “I am very excited about this programme which will encapsulate the essence of Acosta Danza, fusing as it will, classical, Cuban and contemporary vocabularies and styles.

“I am, of course, a big fan of both choreographers and am delighted that Andonis will create a brand-new piece on my dancers. I look forward to seeing how that develops over the coming months.

“The flavour of the evening is summarised neatly by the title Cuban Baroque, but essentially this is a programme that anyone interested in any kind of dance can enjoy. I look forward, as always, to seeing how audiences react to the atmosphere this programme will create at its premiere in our first-ever visit to the wonderful York Theatre Royal.”

Acosta Danza in Goyo Montero’s 2011 work Chacona at York Theatre Royal. Picture: Charlie Kirkpatrick

Theatre Royal chief executive Paul Crewes says: “It is truly wonderful that York audiences will be the first to experience this phenomenally exciting dance programme on our stage and we are really looking forward to working in collaboration with Carlos Acosta and his company on the show.”

Set to Esteban Sallas’s Salve Regina, the work explores the classic chaconne-looping structure that circles through phases of acceleration, fracture and rebound. As the score shifts from Baroque lyricism toward Cuban drive, Foniadakis showcases the fusion between memory and contemporary.

Andonis Foniadakis says: “The piece is being built as a chaconne in the broadest sense: a looping architecture that keeps circling back to the same theme like a mantra, each return opening a new variation in colour, density and impulse.

Cuban rhythmic principles will seep into the texture (clave, layered pulses, dance-derived momentum) and begin to tilt the baroque theme from within — bringing Sallas’s music fully into the present.

“In this dialogue, contrast becomes fusion: baroque memory meets Cuban propulsion; choral breath meets percussive drive; live sound meets a discreet electronic halo — shaping a single energetic trajectory that stays clear, intense, and emotionally resonant.”

Acosta Danza in Goyo Montero’s Chacona. Picture: Charlie Kirkpatrick

Closing the 1hr 20 min programme is Goyo Montero’s powerful Chacona, a piece that originally was created for the Staatstheater Nürnberg Ballett during Montero’s 17-year tenure as director. Chacona is the final movement of Bach’s masterwork Partita No.2 in D Minor for violin, accompanied in this performance by guitar and piano. Physically and musically demanding, classical in sound and contemporary in heart, it requires total cohesion from the ensemble of 16 dancers.

Goyo Montero says: “This is going to be my fourth collaboration with Acosta Danza since 2015. To bring this work to them and adapt it to their fearless and exceptional dancers is something I am looking forward to very much. To restage this early work and revisit it for them will develop the work further and keep it alive, relevant and ever changing, a choreographer’s dream!”

In addition, Acosta Danza will hold an Open Class today (3/10/2026) at 10am on the Theatre Royal stage in an exclusive opportunity to watch how the dancers warm up and prepare ahead of a performance. This non-participatory event is open to all ages.  

The York Theatre Royal premiere of Cuban Baroque will be followed by performances at Sadler’s Wells in London and Norwich Theatre Royal with further 2027 dates to be added. Box office for shows and Open Class: 01904 623568 or yorktheatreroyal.co.uk.

Did you know?

ACOSTA Danza performed Carlos Acosta’s Nutcracker In Havana at the Grand Opera House, York, in January 2026.

Acosta Danza in Pearls at York Theatre Royal. Picture: Charlie Kirkpatrick

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What’s On in Ryedale, York and beyond. Hutch’s List No. 40, from Gazette & Herald

Bread & Circuses, by Sarah Hall Baqai, from her exhibition at Rise@Bluebird Bakery, Acomb, York

FROM the terrors of Paranormal Activity to circus art, York’s four-day jazz festival to Brian Bilston’s egg-laying poetry, Charles Hutchinson looks ahead to October cultural opportunities.

Exhibition opening of the week: Sarah Hall Baqai, Bread & Circuses, Rise@Bluebird Bakery, Acomb Road, Acomb, York, until November 19

YORK artist Sarah Hall Baqai’s new collection of artworks has the theme of Bread & Circuses, a phrase taken from Roman poet Juvenal’s work Satire X, written in 100AD. In a nutshell, “give them bread and circuses and they will never revolt”, on account of being distracted.

Distraction does not come brighter and more entertaining visually than Sarah’s paintings inspired by life behind the scenes at the circus (from her work with Gifford’s Circus and Fools Delight Circus at Ham Court, Bampton), complemented by lettering and graphic work celebrating York Minster and willow lanterns in the shape of jugglers’ sticks.

James Bye’s James arms himself with a baseball bat in Paranormal Activity. Picture: Credit: Johan Persson

Psychological thriller of the week: Paranormal Activity, Grand Opera House, York, until Saturday, 7.30pm plus 2.30pm Wednesday and Saturday matinees

IN a new story inspired by the worldwide horror phenomenon, Paranormal Activity is directed by immersive theatre pioneer and Punchdrunk artistic director Felix Barrett and written by Levi Holloway, the playwright behind Broadway hit Grey House.

When James (James Bye) and Lou (Hannah Sinclair Robinson) move from Chicago to London to escape their past, soon they discover that places are not haunted, but people are. Can you hold your nerve in the face of this chilling production on its first British and Irish tour? Box office: atgtickets.com/york.

Roham Bayat’s poster for the inaugural YorkJazzFest

Festival of the week: YorkJazzFest, tomorrow to Sunday

BEPPE Lombardo, soprano saxophone player in his Italian teenage days and supremo of Trinicria Sicilian Ristorante in Bishopthorpe Road for 15 years, is running the inaugural YorkJazzFest with funding from York and North Yorkshire Combined Authority Mayor David Skaith.

Angel On The Green, York Arts Barge, Young Thugs Studio, the Phoenix Inn and The Winning Post play host to concerts on the first three days, culminating in the Bishopthorpe Road Car Park Finale on Sunday, topped off by sets by Dennis Rollins’ Funky-Funk and Ian Chalk. For full listings and tickets, go to: yorkjazzfestival.com.

Masked up: Pop Yer Clogs Theatre in Doctor Faustus. Picture supplied

Devil in the detail of the week: Pop Yer Clogs Theatre in Doctor Faustus, Theatre@41, Monkgate, York , tomorrow to Saturday, 7.30pm plus 2.30pm Saturday matinee

YORK company Pop Yer Clogs Theatre delivers a devilishly clever new twist on Doctor Faustus, placing a woman, Doctor Joan Faustus, at the epicentre of Christopher Marlowe’s late-16th century cautionary tale of ambition, temptation and damnation.

Director Lydia McCudden plays Faustus, who strikes a terrible deal by selling her soul to Lucifer in exchange for knowledge, power and worldly pleasures, only to encounter the Seven Deadly Sins.  Cue masks, commedia dell’arte, dark comedy and gothic tragedy as Hell awaits. Box office: tickets.41monkgate.co.uk.

Ben Portsmouth: Performing Presley’s pearls with his Taking Care Of Elvis Band at York Barbican

King of The King tribute shows: Ben Portsmouth: This Is Elvis, York Barbican, Friday, 7.30pm

REGARDED as the “closest living performer to the legendary Elvis Presley”, Ben Portsmouth has enjoyed success in more than 20 countries and became the first European to be crowned by Elvis Presley Enterprises as the Worldwide Ultimate Elvis Tribute Artist in Memphis in 2012.

This Is Elvis takes an immersive journey through Presley’s greatest hits from his rockabilly roots to the dazzling Las Vegas years in the company of Portsmouth and the Taking Care Of Elvis Band.  Box office: yorkbarbican.co.uk.

The Bar-Steward Sons Of Val Doonican: Satirical comedy lyrics on folk instruments from Barnsley

“Sexy knitwear” gig of the week: The Bar-Steward Sons Of Val Doonican, Milton Rooms, Malton, Friday, 7.30pm

FOUNDED in Barnsley Rock City in 2006 by their outspoken and energetic ringleader Scott Doonican, The Bar-Steward Sons Of Val Doonican are on a mission.

Anything but a typical folk ensemble, this collective of like-minded knitwear enthusiasts – Scott, Mo-Jo Doonican, Dave Doonican and the Reight Reverend Jeremiah Rickenbacker III – are determined to follow in their spiritual father’s immortal footsteps, keeping his legacy alive while Bar-Stewardising other famous people’s songs with satirical comedy lyrics on folk instruments, from Jump Ararnd to Goat Yoga. Box office: 01653 696240 or themiltonrooms.com.

Mark Harrison Band: Songs and stories at Helmsley Arts Centre

Where folk meets the blues: Mark Harrison Band, Helmsley Arts Centre, Saturday, 7.30pm

MARK Harrison writes original songs for today in the spirit of the great troubadours, coupled with stories to make you smile, move and think in a world where blues, roots and folk collide.

Finger-picking and slide guitarist Harrison is joined by Charles Benfield on double bass and Ben Welburn on drums and percussion to create a rhythm section that defies convention, as heard on eight albums to date. Box office: 01439 771700 or helmsleyarts.co.uk.

Alchemy Live: Performing the songs of Dire Straits at Kirk Theatre, Pickering

In Dire Straits: Alchemy Live, Kirk Theatre, Pickering, Saturday, 7.30pm

ALCHEMY Live were formed in 2020 by life-long Mark Knopfler fans and full-time musicians Martin Ledger and Neil Scott, who used the Covid pandemic and resultant lockdowns to put their Dire Straits tribute project in motion. Rehearsals started in 2021 after the worst of the pandemic was over, their first show being scheduled in York for Friday the 13th of May 2022 (what could possibly go wrong)?

They have never looked back, progressing to playing theatres since 2023. “It’s always been our ethos to concentrate on getting the music and sound right, rather than just putting on headbands and shiny jackets,” says frontman Ledger. Box office: 01751 474833 or kirktheatre.co.uk.

Brian Bilston: Showcasing his latest poetry collection at Milton Rooms, Malton

Poet of the week: Brian Bilston, How To Lay An Egg With A Horse Inside, Milton Rooms, Malton, Sunday, 7.30pm

BRIAN Bilston, a poet with more than 500,000 followers on social media, returns to the stage this autumn with his latest book, How To Lay An Egg With A Horse Inside, as he takes a journey through the hows, whys and whats of reading, writing and enjoying poetry every day.

Bilston has published such collections as You Took The Last Bus Home, Alexa, What Is There To Know About Love? and Days Like These, along with debut novel Diary Of A Somebody, poetry for younger readers and his 2025 album of poetry set to music, Sounds Made By Humans, recorded in collaboration with The Catenary Wires. Box office: 01653 696240 or themiltonrooms.com.

Olly Murs: Enjoying a Knees Up at Live At York Museum Gardens next July

Gig announcement of the week: Futuresound presents Olly Murs, Live At York Museum Gardens, July 9 2027

ESSEX singer-songwriter and The Voice UK coach Olly Murs is the first headline act to be confirmed for next summer’s Live At York Museum Gardens 2027 season, when the event will be expanded to two weekends for the first time. Special guests for that day’s bill are still to be announced.

Murs, 42, returns to the York outdoors after his hat trick of appearances at York Racecourse in 2010, 2017 and 2024. He rose to fame on The X Factor in 2009, since when he has released eight studio albums of pop, indie, ska and disco, the latest being last November’s Knees Up. Box office: York postcode pre-sale from today at https://futuresound.seetickets.com/event/olly-murs/york-museum-gardens/3730256?pre=postcode; general sale from Friday, 10am, at https://futuresound.seetickets.com/event/olly-murs/york-museum-gardens/3730256.

In Focus: Carlos Acosta’s Acosta Danza in Cuban Baroque, York Theatre Royal, October 1, 7.30pm, October 2, 2pm, and October 3, 2.30pm and 7.30pm

Acosta Danza in Cuban Baroque. Picture: Johan Persson

IN this new double bill from Acosta Danza, the lush artistry of the Baroque period intersects with the energy, creativity and vibrancy of Cuban dance.  Emerging from the 17th and 18th centuries, the creative movement was characterised by deep colour, elaborate detail and intricate decoration.

Produced by Valid Productions in collaboration with York Theatre Royal, Cuban Baroque opens with the world premiere of Andonis Foniadakis’s new work Pearls, a journey to the rhythmic heart of Baroque, followed by choreographer and set designer Goyo Montero’s 2011 work Chacona.

Artistic director Carlos Acosta says: “I am very excited about this programme which will encapsulate the essence of Acosta Danza, fusing as it will, classical, Cuban and contemporary vocabularies and styles.

“I am, of course, a big fan of both choreographers and am delighted that Andonis will create a brand-new piece on my dancers. I look forward to seeing how that develops over the coming months.

“The flavour of the evening is summarised neatly by the title Cuban Baroque, but essentially this is a programme that anyone interested in any kind of dance can enjoy. I look forward, as always, to seeing how audiences react to the atmosphere this programme will create at its premiere in our first-ever visit to the wonderful York Theatre Royal.”

Theatre Royal chief executive Paul Crewes says: “It is truly wonderful that York audiences will be the first to experience this phenomenally exciting dance programme on our stage and we are really looking forward to working in collaboration with Carlos Acosta and his company on the show.”

Set to Esteban Sallas’s Salve Regina, the work explores the classic chaconne-looping structure that circles through phases of acceleration, fracture and rebound. As the score shifts from Baroque lyricism toward Cuban drive, Foniadakis showcases the fusion between memory and contemporary.

Andonis Foniadakis says: “The piece is being built as a chaconne in the broadest sense: a looping architecture that keeps circling back to the same theme like a mantra, each return opening a new variation in colour, density and impulse.

Cuban rhythmic principles will seep into the texture (clave, layered pulses, dance-derived momentum) and begin to tilt the baroque theme from within — bringing Sallas’s music fully into the present.

“In this dialogue, contrast becomes fusion: baroque memory meets Cuban propulsion; choral breath meets percussive drive; live sound meets a discreet electronic halo — shaping a single energetic trajectory that stays clear, intense, and emotionally resonant.”

Closing the 1hr 20 min programme is Goyo Montero’s powerful Chacona, a piece that originally was created for the Staatstheater Nürnberg Ballett during Montero’s 17-year tenure as director. Chacona is the final movement of Bach’s masterwork Partita No.2 in D Minor for violin, accompanied in this performance by guitar and piano. Physically and musically demanding, classical in sound and contemporary in heart, it requires total cohesion from the ensemble of 16 dancers.

Goyo Montero says: “This is going to be my fourth collaboration with Acosta Danza since 2015. To bring this work to them and adapt it to their fearless and exceptional dancers is something I am looking forward to very much. To restage this early work and revisit it for them will develop the work further and keep it alive, relevant and ever changing, a choreographer’s dream!”

A Q&A with the company will follow tomorrow’s performance. In addition, Acosta Danza will hold an Open Class on Saturday at 10am on the Theatre Royal stage in an exclusive opportunity to watch how the dancers warm up and prepare ahead of a performance. This non-participatory event is open to all ages.  

The York Theatre Royal premiere of Cuban Baroque will be followed by performances at Sadler’s Wells in London and Norwich Theatre Royal with further 2027 dates to be added. Box office for shows and Open Class: 01904 623568 or yorktheatreroyal.co.uk.

Closing the 1hr 20 min programme is Goyo Montero’s powerful Chacona, a piece that originally was created for the Staatstheater Nürnberg Ballett during Montero’s 17-year tenure as director. Chacona is the final movement of Bach’s masterwork Partita No.2 in D Minor for violin, accompanied in this performance by guitar and piano. Physically and musically demanding, classical in sound and contemporary in heart, it requires total cohesion from the ensemble of 16 dancers.

Goyo Montero says: “This is going to be my fourth collaboration with Acosta Danza since 2015. To bring this work to them and adapt it to their fearless and exceptional dancers is something I am looking forward to very much. To restage this early work and revisit it for them will develop the work further and keep it alive, relevant and ever changing, a choreographer’s dream!”

A post-show discussion with the company will follow Thursday’s 7.30pm show. In addition, Acosta Danza will hold an Open Class on Saturday (3/10/2026) at 10am on the Theatre Royal stage in an exclusive opportunity to watch how the dancers warm up and prepare ahead of a performance. This non-participatory event is open to all ages.  

The York Theatre Royal premiere of Cuban Baroque will be followed by performances at Sadler’s Wells in London and Norwich Theatre Royal with further 2027 dates to be added. Box office for shows and Open Class: 01904 623568 or yorktheatreroyal.co.uk.

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Trinacria restaurateur Beppe Lombardo cooks up first YorkJazzFest from October 1 to 4. UPDATED 1/10/2026

Trinacria restaurateur and YorkJazzFest promoter Beppe Lombardo

BEPPE Lombardo, soprano saxophone player in his Italian teenage days and supremo of Trinacria Sicilian Ristorante in Bishopthorpe Road for 15 years, is running the inaugural YorkJazzFest from Thursday to Sunday.

No fewer than 28 acts will celebrate jazz in all its forms in a festival that vows to  “bring together classic sounds, contemporary sounds, great venues and live music lovers across York”.

YorkJazzFest adds up to Four Days, Six Venues, One City. “Jazz is not one sound, one age, one room or one crowd,” says Beppe, who has put together a diverse programme with funding from York and North Yorkshire Combined Authority Mayor David Skaith.

Angel On The Green, York Arts Barge, Young Thugs Studio, the Phoenix Inn and The Winning Post play host to concerts on the first three days, culminating in the Bishopthorpe Road Car Park Finale on Sunday, topped off by sets by the Fergus Quill Quintet and Dennis Rollins’ Funky-Funk, followed by Ian Chalk at the Phoenix.

Dennis Rollins: Promising Funky-Funk! at the Bishopthorpe Road Car Park Finale to YorkJazzFest on Sunday

In part inspired by his father-in-law, Jim Morgan, who runs Catwick Live folk music nights at Catwick Village Hall, near Beverley, Beppe decided to launch YorkJazzFest, noting how his adopted home city had never previously held a city-wide dedicated jazz festival.

“Jim went to Celtic Connections in Glasgow and told me about how impressed he was by this multi-venue festival,” he says. “I thought it was a brilliant idea, so that’s where I started getting inspiration for a festival with lots of venues and a big finale at the Bishy Road car park.”

Beppe already had received more than £4,000 funding for an open-sided marquee – now to be used in the Bishopthorpe Road Christmas Bazaar on November 28 – when he decided on staging the YorkJazzFest finale on a 42 square ft trailer, again open-sided, framed in decorative lighting too, supplied by Event Equipment Hire. “I’ll be co-ordinating the bar on the last day,” he adds.

“The first idea for running a festival came just after Covid, when the council put up some funds to refresh the high street, providing Christmas lights and summer bunting for Bishopthorpe Road.

Lo Vu: Playing YorkJazzFest at Young Thugs Studio at 9.15pm on Thursday

“Then David Skaith came along as the Mayor [of the York & North Yorkshire Combined Authority] and created the [Sustainable] High Street Fund. His office has provided £11,600 funding to enable this festival to go ahead.”

Flamboyant  chef  and restaurateur he may be, but music has always played a part in Beppe’s life too. “I used to play saxophone in a brass band in Sicily, the Vittoria Youth Brass Band, which was set up to get kids off the streets, with the local council providing funds for free music lessons in schools, studying theory first  from [age] nine or ten and paying 75 per cent towards the cost of an instrument,” he says.

“I wanted a tenor sax, but I was told ‘for my height, you should have a soprano saxophone’ as I was 11. It was a bit harder to play, because it has a higher pitch, and it’s easier to get wrong, but I played for seven or eight years, at festivals and funerals, and I loved it.”

Beppe continues: “My father loved reggae, blues and soul, not really jazz, but because I had a sax, I started listening to Charlie Parker and John Coltrane, and I really got into jazz, Miles Davis, Stan Getz, Sonny Rollins, Gerry Mulligan, Chet Baker  – and I did like Kenny G too.

Olivia Cuttill: Leading her quintet at York Arts Barge on Saturday at 8.30pm

“But then I went into the Italian army and let the music go, and afterwards I started working on the family farm, in my father’s greenhouses.. He was a strict dad, teaching me a lot – and growing up in Sicily in the 1980s, with the Mafia bosses there, you learn to look after yourself and stay on the straight path.”

Beppe did not want to be a farmer – “I thought it was too risky” – and instead took on a job as a waiter in a Vittoria, learning the skills of making customers comfortable and relaxed, telling jokes: social skills that still apply in running Trinicria and promoting a jazz festival.

Drawing on his mother’s cookery prowess, he became a chef, picked for one of 30 jobs from 1,000 applicants by ClubMed  to work in France and Sardinia. York beckoned. “I knew I wanted to learn English, and a friend had done the Erasmus course in York and said it was the Florence of England,” Beppe recalls.

“I arrived on 21st October 2001 at five minutes to midnight and didn’t have anywhere to sleep. My first experience was these four English guys helping me to find a hostel.”

SwanNek: Booked into Young Thugs Studios for 7pm on Saturday

Looking out over Lendal Bridge the following morning, Beppe thought, “Oh my God, this is a beautiful city. It took me only a few days to fall in love with it.”

He has never left, working at Bari, in Shambles, Silvano’s, where he met his wife, and The Dormouse, in Clifton Park Avenue. “That’s where I really learnt English, covering every role, and became ‘the star’ of the place!”

Emboldened, he opened Trinacria in 2012, its name taken from the ancient name of the island of Sicily (whose roughly triangular shape is defined by three headlands). His restaurant runs on a triple bill of “best ice cream, best pizza, best ingredients). “I will not save on ingredients,” says. “I only use ingredients that I would eat.” 

As a Sicilian, by the way, he prefers to use semolina as 33 per cent of the pizza base to complement the flour, referring to the softer Neapolitan version as “wet paper”!

After watching gigs at The Crescent and the Phoenix Inn and running a regular Thursday  jazz night at his restaurant – now discontinued – he is staging his first jazz festival.

Alina Bzhezhinska: Whispers Of Rain concert at York Arts Barge on Friday at 8.30pm

From Jonny Hooker at Young Thugs Studio to Christian Topman, who runs the York Bargestra Big Band, New York Brass Band trombonist Will Osborne to spreadsheet maestro Philip Thornhill and Miles Lindley, with his contact book of York acts, Beppe has received support for his venture.

Ouroboros promoter Harkirit Boparai helped him to set up the festival website and secured Dennis Rollins and Ukrainian-born harpist and composer Alina Bzhezhinska for the event, while graphic designer Roham Bayat designed the neo-vintage festival poster. Beppe himself signed up Newcastle jazz collective SwanNek and up-and-coming cabaret-style act Rivkala after spotting their talent at Manchester Jazz Festival in May.

Already Beppe has plans for expansion next year, when he may look to switch the festival to early September. “The vision is to make this a legacy event, thinking ‘why have Scarborough, Leeds, Manchester run jazz festivals for so long, but not York?’. York has never had a proper jazz festival. I want to change that,”  he says.

“This year we wanted to focus on the South Bank and Bishopthorpe Road area, but my vision is to expand over the city, maybe to church halls, venues that already do jazz concerts, like the National Centre for Early Music, and The Crescent definitely wants to be involved next year.

“This is just a vision, though we don’t know what path we will take yet, but maybe one day we could have a two-day finale with a big headliner at the racecourse? This is only the beginning, but slowly, slowly, we will get bigger and stronger, watering the seeds we’ve sown, and hopefully attracting Arts Council England support.” Watch this space, but watch this week’s festival acts first.

 For full listings and tickets, go to: yorkjazzfestival.com.

Roham Bayat’s poster design for the inaugural YorkJazzFest

YorkJazzFest programme, October 1 to 4

Venues: Angel On The Green, Bishopthorpe Road; York Arts Barge, Foss Basin Moorings, Tower Street; Young Thugs Studios, South Bank Social Club, Ovington Terrace; The Phoenix Inn, George Street; The Winning Post, Bishopthorpe Road, and Bishopthorpe Road Car Park for Sunday finale.

Thursday

6pm, Balanco Malandra, Young Thugs Studios

7pm to 8.15pm, Harrison & Morrison Duet, Angel On The Green. Admission free

8pm to 10pm, Brendan Duffy Band, The Phoenix Inn. Admission free

8.30pm, Alligator Gumbo, York Arts Barge

9pm to 10.15pm, The Shandog Swingers, Angel On The Green. Admission free

9.15pm, Lo Vu, Young Thugs Studios

Rivkala: Performing at Young Thugs Studios on Friday at 7pm

Friday

6pm, DB Trio, Angel On The Green. CANCELLED

6pm, York Bargestra Big Band, The Winning Post

6.30pm, Danny Lowndes Hot Club, York Arts Barge

7pm, Rivkala, Young Thugs Studios

8pm, Stephen Swing Wilson, The Winning Post

8pm, Karl Mullen & Friends, The Phoenix Inn. Admission free

8.30pm, Alina Bzhezhinska: Whispers Of Rain, York Arts Barge

9pm, Mike Conliffe Trio, Angel On The Green. Admission free

9.15pm, Afrodesia, Young Thugs Studio

Saturday

6pm, Flowerden, The Winning Post

6pm, Mutant DJ Jazz, Angel On The Green. Admission free

6.30pm, Emma Foulds Quintet, York Arts Barge

7pm, SwanNek, Young Thugs Studios

8.30pm, Al Morrison Quartet, The Winning Post

8.30pm, Olivia Cuttill Quintet, York Arts Barge

9pm, Borgia, Angel On The Green. Admission free

9pm, Lovedancin’ DJ, Young Thugs Studio

Sunday

Bishopthorpe Road Car Park Finale. FREE ENTRY, no ticket required.

12 noon, YorkJazzFest Orchestra

1pm, Vipertime

2.15pm, Big Bamboo

4.15pm, Fergus Quill Sextet

6pm, Dennis Rollins’ Funky-Funk!

8pm to 10.30pm, Ian Chalk, The Phoenix Inn. Admission free.

Ian Chalk: Closing YorkJazzFest at The Phoenix Inn on Sunday at 8pm

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More Things To Do in York and beyond when circuses at the double pitch up. Here’s Hutch’s List No. 39 from The York Press

Bread & Circuses, by Sarah Hall Baqai, from her exhibition at Rise@Bluebird Bakery, Acomb

FROM the terrors of Paranormal Activity to circus art and entertainment, Tony Blackburn’s Sixties’ celebration to the debut York Jazz Fest, Charles Hutchinson heads into a fruitful autumn.

Exhibition opening of the week: Sarah Hall Baqai, Bread & Circuses, Rise@Bluebird Bakery, Acomb Road, Acomb, York, until November 19

YORK artist Sarah Hall Baqai’s new collection of artworks has the theme of Bread & Circuses, a phrase taken from Roman poet Juvenal’s work Satire X, written in 100AD. In a nutshell, “give them bread and circuses and they will never revolt”, on account of being distracted.

Distraction does not come brighter and more entertaining visually than Sarah’s paintings inspired by life behind the scenes at the circus (from her work with Gifford’s Circus and Fools Delight Circus at Ham Court, Bampton), complemented by lettering and graphic work celebrating York Minster and willow lanterns in the shape of jugglers’ sticks.

Russells International Circus: Intent on delivering in-tent entertainment on Knavesmire this weekend

While on the subject of circuses: Russells International Circus, Knavesmire, York, today, 3pm and 6pm, and tomorrow, 12 noon

ROLL up, roll up, as Russells International Circus, voted Britain’s best circus six years running, brings its new show for 2026 to York. Each two-hour performance is jam-packed with mesmerising aerial displays, jaw-dropping stunts, comedy and more besides. Box office: russellscircus.co.uk.

The Jake Leg Jug Band: Songs of murder, betrayal, gambling, liquor and redemption at Kirk Theatre, Pickering 

Ragtime gig of the week: The Jake Leg Jug Band, Kirk Theatre, Pickering, tonight, 7.30pm 

THE Jake Leg Jug Band delivers the authentic sounds of 1920s and 1930s’ America – jazz, blues, ragtime and gospel – in songs of murder, betrayal, gambling, liquor and redemption.

Since self-releasing debut album Cotton Mouth, Duncan Wilcox, vocals and double bass, and Warren James,  vocals, guitar and banjo, have released a further eight albums in 12 years, among them Next Stop!, Everythin’s Jake, Break A Leg, Fifth Avenue, Goodbye Booze, Hello Central and 2024’s spirituals collection Some Glad Morning. Box office: kirktheatre.co.uk.

Thompson Twins’ Tom Bailey: Heading to York Barbican tonight

Eighties’ double bill of the week: Thompson Twins’ Tom Bailey and Blancmange, York Barbican, tonight, doors 6.30pm

REMEMBER the Thompson Twins, makers of such 1980s’ hits as Hold Me Now, Doctor Doctor, In the Name Of Love, Love On Your Side, If You Were Here, Lies, Lay Your Hands On Me and King For A Day? Tom Bailey, the Sheffield-founded group’s lead vocalist and instrumentalist, now performs under the name Thompson Twins’ Tom Bailey, revisiting his past and showcasing debut solo album Science Fiction.

Tonight he closes his autumn tour at York Barbican, the only Yorkshire location on his 14-date itinerary, when fellow 1980s’ chart act Blancmange support. Box office: yorkbarbican.co.uk.

Hannah Sinclair Robinson’s Lou and James Bye’s James on terror alert on the stairs in Paranormal Activity, on tour at Grand Opera House, York. Picture: Johan Persson Credit: Johan Persson

Psychological thriller of the week: Paranormal Activity, Grand Opera House, York, September 29 to October 3, 7.30pm plus 2.30pm Wednesday and Saturday matinees

IN a new story inspired by the worldwide horror phenomenon, Paranormal Activity is directed by immersive theatre pioneer and Punchdrunk artistic director Felix Barrett and written by Levi Holloway, the playwright behind Broadway hit Grey House.

When James (James Bye) and Lou (Hannah Sinclair Robinson) move from Chicago to London to escape their past, soon they discover that places are not haunted, but people are. Can you hold your nerve in the face of this chilling production on its first British and Irish tour? Box office: atgtickets.com/york.

Sounds Of The 60’s Live: Sensational Sixties show at York Barbican

Sixties’ celebration of the week: Sounds Of The 60’s Live, hosted by Tony Blackburn, York Barbican, September 29, 7.30pm

BBC Radio 2 presenter Tony Blackburn hosts an evening of stories and songs from “perhaps the most iconic ten years in music, fashion and popular culture” on the Sounds Of The 60’s tour, 62 years since his first broadcast on pirate radio station Radio Caroline South in 1964.

The Sounds Of The 60’s All Star Band and Singers perform hits by The Everly Brothers, Elvis Presley, The Drifters, Marvin Gaye, a Rolling Stones medley, The Walker Brothers, Diana Ross & The Supremes, The Beatles, The Beach Boys, Stevie Wonder and more besides. Box office: yorkbarbican.co.uk.

Roham Bayat’s poster design for the four-day York Jazz Fest

Festival of the week: York Jazz Fest, October 1 to 4

BEPPE Lombardo, soprano saxophone player in his Italian teenage days and supremo of Trinicria Sicilian Ristorante in Bishopthorpe Road for 15 years, is running the inaugural York Jazz Fest with funding from York and North Yorkshire Combined Authority Mayor David Skaith.

Angel On The Green, York Arts Barge, Young Thugs Studio, the Phoenix Inn and The Winning Post play host to concerts on the first three days, culminating in the Bishopthorpe Road Car Park Finale next Sunday, topped off by sets by Dennis Rollins’ Funky-Funk and Ian Chalk. For full listings and tickets, go to: yorkjazzfestival.com.

Katy Cawkwell in the poster for Lilith at Rise@Bluebird Bakery

“Shocking, seductive and entertaining” show of the week: Katy Cawkwell in Lilith, Rise@Bluebird Bakery, Acomb, York, October 1, 8.30pm

BEFORE Eve, there was Lilith, as revealed in Katy Cawkwell’s uplifting one-woman storytelling showin an exploration and celebration of female power through the mythological figure of Adam’s first wife.

Lilith was not prepared to lie down and accept what was given to her. Thrown out of Eden, she slithered back in to take her revenge and wake up Eve to what her body could do.

“Viewed as a demon, worshipped as a goddess, adored as the Queen of Sheba, Lilith slips out of the Bible, reclaims the narrative and is dancing with us still, forever free,” says Cawkwell, who mixes myth from Arabia, Ethiopia, Mesopotamia and Jewish tradition with a dash of feminist flavouring and a large dollop of her own wild dreaming. Box office: bluebirdbakery.co.uk/rise.

Ben Portsmouth: Presenting This Is Elvis with the Taking Care Of Elvis Band at York Barbican

Tribute gig of the week: Ben Portsmouth: This Is Elvis, York Barbican,  October 2, 7.30pm

REGARDED as the “closest living performer to the legendary Elvis Presley”, Ben Portsmouth has enjoyed success in more than 20 countries and became the first European to be crowned by Elvis Presley Enterprises as the Worldwide Ultimate Elvis Tribute Artist in Memphis in 2012.

This Is Elvis takes an immersive journey through Presley’s greatest hits from his rockabilly roots to the dazzling Las Vegas years in the company of Portsmouth and the Taking Care Of Elvis Band.  Box office: yorkbarbican.co.uk.

In Focus: Say Owt Slam, featuring Kirsty Taylor and KG, The Crescent, York, tonight, 7.30pm to 10pm

Bradford writer and educator Kirsty Taylor. Picture: Carolyn Mendelsohn

SAY Owt, York’s loveable gang of loveable gang of performance poets, brings the best working-class poets and rappers from Bradford tonight to complement the Say Owt Slam clash of the verbals.

“Since 2014, we’ve hosted high-energy nights of words and verse, bringing together poets, musicians, spoken-word artists, rappers and anyone with a story to tell,” says artistic director Henry Raby.

“We’re always proud of our line-ups, but this could be our most exciting parade of poets yet. It wouldn’t be possible without buzzy audiences showing up and being loud and demanding more and more shows! And it wouldn’t be a Say Owt season without a poetry slam!”

Henry continues: “Say Owt Slam is an energetic battle of words where judges in the audience score the poets and the top-scoring poet is crowned Say Owt Slam champion at the end of the night. Tonight, as well as a top crop of York poets, we have slammers from Glasgow, Manchester and Halifax hoping to win the competition.”

Kemmi Gill: Rapper, poet and youth worker

Tonight’s bill also features  two guests from guests from  Bradford, Kirsty Taylor and KG (Kemmi Gill). “Kirsty is a writer and educator inspired by her beloved home city of Bradford,” says Henry. “She is passionate about storytelling through poetry and has performed all over the country telling tales about people, class and the realities of Broken Britain.”

Taylor was a BBC Verb New Voice in 2017 and was awarded the Apples and Snakes & Jerwood Arts Poetry in Performance award in 2020. She is the creator of Front Room Poetry, which takes nanna-style living rooms and world-class poets to unusual settings such as car parks and housing estates.

Kirsty opened Bradford’s year as UK City of Culture 2025 in January last year when she performed her words to 20,000 people over the first weekend.

KG (Kemmi Gill) is a Bradford-born rapper, poet and youth worker, hailed by Wordplay Magazine as “one of the sharpest lyricists” in the UK rap scene. “Kemmi combines lyrical storytelling and wordplay to explore themes of struggle and hope and has contributed writing and performance work to major civic projects, such as  the open-air spectacular Rise and Common/Wealth’s sell-out show Public Interest,” says Henry.

To book tickets, go to: sayowt.co.uk

In Focus Too: Carlos Acosta’s Acosta Danza in Cuban Baroque, York Theatre Royal, October 1, 7.30pm, October 2, 2pm, and October 3, 2.30pm and 7.30pm

Acosta Danza in Cuban Baroque. Picture: Johan Persson

IN this new double bill from Acosta Danza, the lush artistry of the Baroque period intersects with the energy, creativity and vibrancy of Cuban dance.  Emerging from the 17th and 18th centuries, the creative movement was characterised by deep colour, elaborate detail and intricate decoration.

Produced by Valid Productions in collaboration with York Theatre Royal, Cuban Baroque opens with the world premiere of Andonis Foniadakis’s new work Pearls, a journey to the rhythmic heart of Baroque, followed by choreographer and set designer Goyo Montero’s 2011 work Chacona.

Artistic director Carlos Acosta says: “I am very excited about this programme which will encapsulate the essence of Acosta Danza, fusing as it will, classical, Cuban and contemporary vocabularies and styles.

“I am, of course, a big fan of both choreographers and am delighted that Andonis will create a brand-new piece on my dancers. I look forward to seeing how that develops over the coming months.

“The flavour of the evening is summarised neatly by the title Cuban Baroque, but essentially this is a programme that anyone interested in any kind of dance can enjoy. I look forward, as always, to seeing how audiences react to the atmosphere this programme will create at its premiere in our first ever visit to the wonderful York Theatre Royal.”

Theatre Royal chief executive Paul Crewes says: “It is truly wonderful that York audiences will be the first to experience this phenomenally exciting dance programme on our stage and we are really looking forward to working in collaboration with Carlos Acosta and his company on the show.”

Set to Esteban Sallas’s Salve Regina, the work explores the classic chaconne-looping structure that circles through phases of acceleration, fracture and rebound. As the score shifts from Baroque lyricism toward Cuban drive, Foniadakis showcases the fusion between memory and contemporary.

Andonis Foniadakis says: “The piece is being built as a chaconne in the broadest sense: a looping architecture that keeps circling back to the same theme like a mantra, each return opening a new variation in colour, density and impulse.

Cuban rhythmic principles will seep into the texture (clave, layered pulses, dance-derived momentum) and begin to tilt the baroque theme from within — bringing Sallas’s music fully into the present.

“In this dialogue, contrast becomes fusion: baroque memory meets Cuban propulsion; choral breath meets percussive drive; live sound meets a discreet electronic halo — shaping a single energetic trajectory that stays clear, intense, and emotionally resonant.”

Closing the 1hr 20 min programme is Goyo Montero’s powerful Chacona, a piece that originally was created for the Staatstheater Nürnberg Ballett during Montero’s 17-year tenure as director. Chacona is the final movement of Bach’s masterwork Partita No.2 in D Minor for violin, accompanied in this performance by guitar and piano. Physically and musically demanding, classical in sound and contemporary in heart, it requires total cohesion from the ensemble of 16 dancers.

Goyo Montero says: “This is going to be my fourth collaboration with Acosta Danza since 2015. To bring this work to them and adapt it to their fearless and exceptional dancers is something I am looking forward to very much. To restage this early work and revisit it for them will develop the work further and keep it alive, relevant and ever changing, a choreographer’s dream!”

A post-show discussion with the company will follow Thursday’s 7.30pm show. In addition, Acosta Danza will hold an Open Class next Saturday (3/10/2026) at 10am on the Theatre Royal stage in an exclusive opportunity to watch how the dancers warm up and prepare ahead of a performance. This non-participatory event is open to all ages.  

The York Theatre Royal premiere of Cuban Baroque will be followed by performances at Sadler’s Wells in London and Norwich Theatre Royal with further 2027 dates to be added. Box office for shows and Open Class: 01904 623568 or yorktheatreroyal.co.uk.

Acosta Danza in Cuban Baroque: the intersection of Baroque lush artistry with the energy, creativity and vibrancy of Cuban dance. Picture: Johan Persson
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