York Shakespeare Project’s poster for Sunday’s rehearsed reading of John Fletcher’s The Tamer Tamed
YORK Shakespeare Project is complementing this week’s run of Shakespeare’s The Taming Of The Shrew with a one-off performance of John Fletcher’s sequel, The Tamer Tamed, at the Creative Arts Centre Auditorium, York St John University, on Sunday at 5pm.
Fletcher’s rarely staged Jacobean riposte to William Shakespeare’s most controversial “problem play” will be presented in a rehearsed reading on the closing day of the 2024 York International Shakespeare Festival.
YSP chair Tony Froud explains: “We are very happy to borrow an idea from Gregory Doran, who staged both plays in tandem, using the same cast, in his productions for the Royal Shakespeare Company in 2003. Fletcher’s play is a deliberate and very entertaining response to Shakespeare’s original.”
Director Claire Morley in rehearsals. Picture: S R Taylor Photography
Written in 1611, 20 years after Shakespeare’s battle of the sexes, The Tamer Tamed (or The Woman’s Prize) gives an insight into changing attitudes to women and marriage in the Jacobean period.
YSP’s rehearsed reading is being directed by Claire Morley, assistant director to Maggie Smales on The Taming Of The Shrew, whose run at Theatre@41, Monkgate, ends tomorrow night. Many of the same cast will undertake Sunday’s reading, joined by familiar YSP faces Andrew Isherwood, Effie Warboys and Sally Mitcham.
“We’re enormously grateful to members of our very talented cast for committing to perform a second play, but the actors couldn’t resist the challenge of exploring Fletcher’s fascinating take on Shakespeare,” says Claire. “Luckily they don’t have to learn any more lines, as this will be a script-in-hand reading.”
Claire Morley, front row, second from right , in the role of Henry V in York Shakespeare Project’s Heny V in 2015
Claire is no stranger to York Shakespeare Project, having appeared in several of its productions, most notably playing the title role in Maggie Smales’s all-female Henry V in 2015. “It’s a joy to be working with Maggie again and we’re very lucky to have such a fabulous cast,” she adds.
In Fletcher’s sequel, the widowed Petruchio has a new wife and a new challenge as he discovers that he is not the only one who can do the taming. Fletcher borrows characters from Shakespeare and Ben Jonson and a key plot device from Ancient Greek dramatist Aristophanes’s Lysistrata. “The result is a richly entertaining exploration of marriage and relationships in another battle of the sexes,” says Tony.
The cast comprises: Rosy Rowley as Maria; Effie Warboys, Livia; Kirsty Farrow, Bianca; Andrew Isherwood, Petruchio; Mark Simmonds, Petronius; Mark Payton, Moroso and Peter; Sam Jackson, Rowland; Nick Patrick Jones, Hortensio; Sally Mitcham, Tranio, and Stuart Green, Grumio.
Tickets are on sale at parrabbola.co.uk or yorkshakes.co.uk.
Barrie Rutter: Going face to face with Shakespeare’s Royals at York Theatre Royal Studio
IN his X profile, veteran Yorkshire actor Barrie Rutter OBE introduces himself as: “Lover of language. Awobopaloobopalopbamboom – everything else is Shakespeare”.
Barrie and the Bard have had a long, long relationship, one that is the subject of his new show, Shakespeare’s Royals, whose 11-date tour sends him to the York Theatre Royal Studio tomorrow (26/4/2024) as part of the York International Shakespeare Festival.
Barrie, founder and former artistic director of Northern Broadsides, celebrates the Bard’s kings and queens – their achievements, conquests and foibles – with tales, anecdotes and memories from a career of playing and directing Shakespeare’s Royals.
Told he could never play a king on account of his Yorkshire accent, Hull-born Rutter, now 77, took the revolutionary step of creating his own theatre company in 1992 at Dean Clough in Halifax to use the northern voice for Shakespeare’s kings, queens and emperors, not only the usual drunken porters, jesters or fools.
It has been said that the Yorkshire dialect most readily matches the Elizabethan language of Shakespeare’s time. “I can’t say that would be the case,” says Barrie. “I never claimed that, but all those short vowels and granite-heavy consonants are great lanes for language to travel down, and the northern voices of our country suit that language, that sound – as we know from all the work I did for Tony Harrison, echoing Ancient Greek dramas [The Mysteries, The Oresteia and The Trackers Of Oxyrhynchus].”
Shakespeare’s Royals was first staged as a one-off in Halifax last April. “The evening was such a success that I’m now touring it,” says Barrie. “The first one was at The Viaduct, the cellar theatre space I created at Dean Clough, which I have a real fondness for, and it worked really well.
“Sarah and Jamie Horsley, who run the True North restaurant at Dean Clough and now The Viaduct, suggested putting things on there and taking things out on tour as Sarah sits on the touring board of Arts Council North, so that’s what I’m doing.”
Barrie stepped down from the artistic director’s post at Northern Broadsides in April 2018 in frustration at what he saw as inadequate Arts Council funding for the company. Since then he has worked as a freelance actor, such as performing with Clive Anderson in the world premiere of Daniel Taub’s Winner’s Curse at the Park Theatre, London, in February last year, as well as coming through treatment for throat cancer in 2020.
A show such as Shakespeare’s Royals gives him a chance to keep squeezing his artistic juices. “You need your ego, the one that doesn’t get in the way, but keeps you going, keeps you being imaginative, keeps the brain working,” says Barrie. “This is a way to say I still have something to offer, something entertaining, something informative…and always pleasurable. This show is a bit of all that…and it’s political too.
Barrie Rutter as Lear in Shakespeare’s King Lear in 2015. Picture: Nobby Clark
“I make no secret of choosing Titania’s climate change speech from A Midsummer Night’s Dream [Act II, Scene 1] and the ‘basic anti-Brexit edit’ of John of Gaunt’s This England monologue [from Richard II, Act II, Scene 1].
His favourite speech from Henry VI, Part Three, others from Henry V and King Lear, feature too, bookended by Macbeth, his first show as a “winsome 18-year-old at school” in 1964.
Shakespeare’s Royals combines Rutter’s guide to Shakespeare’s royalty, from Richard III to Henry IV, V and VI and the fairy king and queen of A Midsummer Night’s Dream, with humorous anecdotes from his life in the theatre, whether founding Northern Broadsides, directing Lenny Henry in his Shakespeare debut as Othello, portraying assorted royals or encountering Dizzy Gillespie and Rudolf Nureyev.
As he reflects on a career that has taken him from Hamburg to Helsinki, Brazil to Beijing, Shakespeare’s Globe to the amphitheatre of Epidaurus in Greece, he says: “Some stories are very personal, some are instructive of what makes me tick, what I enjoy; hopefully they will be relatable and fun.
“In the case of the Calypso that accompanies Richard II, I was just going along my shelves, seeing what was there, and I remembered this Calypso that I sang in 1966 and didn’t sing again until last year – and yet I could recall every line.”
Barrie will be joined by Emily Butterfield from Northern Broadsides. “I didn’t want there to be no female voice in the show,” he says. “So I have Emily for Titania, Cleopatra and Elizabeth from Richard III, and there’ll be more music: a dirty limerick with Henry V and 12-bar blues with Cleopatra. Emily also plays the flute, and she’ll close the show with the last song from Twelfth Night.”
At school, an English teacher had frogmarched Rutter into the school play because he had “the gob for it”, and feeling at home on stage, he chose his future direction and has never looked back. Now he returns to York Theatre Royal, where he last appeared in November 2017 in his farewell Broadsides tour, For Love Or Money, a typically anarchic theatrical double act with Blake Morrison.
Time for Barrie Rutter to shake up Shakespeare once more.
Barrie Rutter: Shakespeare’s Royals, York Theatre Royal Studio, tomorrow (26/4/2024), 7.45pm;. Also Ripon Theatre Festival, Ripon Cathedral, July 4, 7.30pm. Box office: York, 01904 623568 or yorktheatreroyal.co.uk; Ripon, ripontheatrefestival.org.
Footsbarn Theatre in Twelfth Night: First British performances in 15 years in world premiere at York International Shakespeare Festival
A FEAST of Shakespeare, a musical’s 60th anniversary, Motown magic, smalltown teenage troubles and a Yorkshire rock band’s birthday bash hit the mark for Charles Hutchinson.
Festival of the week: York International Shakespeare Festival, until Sunday
SHAKESPEAREAN Identity is the theme of the sixth York International Shakespeare Festival, now an annual event, run by director Philip Parr. Sponsored by York St John University, it features shows, lectures by internationally recognised academics, exhibitions and workshops presented by Shakespeare enthusiasts from all over the world.
Among the highlights will be Footsbarn Theatre’s first British visit in 15 years with Twelfth Night on Saturday and Sunday and York Explore’s exhibition of 300 years of representations of Othello. Tickets and full programme details are available at yorkshakes.co.uk/programme-2024.
Fiddler in the woods: Alice Atang’s Fiddler, Perri Ann Barley’s Golde and Steve Tearle’s Tevye set the scene for NE Theatre York’s Fiddler On The Roof
Musical of the week: NE Theatre York in Fiddler On The Roof, Joseph Rowntree Theatre, York, running until Saturday, 7.30pm and 2.30pm Saturday matinee
STEVE Tearle directs NE Theatre York in Jerry Bock, Sheldon Harnick and Joseph Stein’s musical, taking the role of Tevye, the humble village milkman, for the third time too in this 60th anniversary production.
When three of Tevye’s five daughters rebel against the traditions of arranged marriages by taking matters into their own hands, mayhem unfolds as he strives to maintain his Jewish religious and cultural creeds, against the backdrop of the Tsar’s pogrom edict to evict all Jews from his Russian village in 1905. Box office: 01904 501935 or josephrowntreetheatre.co.uk.
The poster for 1812 Theatre Company’s double bill at Helmsley Arts Centre
Double bill of the week: 1812 Theatre Company in Baby Dolls and Contractions, Helmsley Arts Centre, Thursday to Saturday, 7.30pm
HELMSLEY Arts Centre’s Young Arts Leaders Charlotte Mintoft and Amelia Featherstone direct the 1812 Theatre Company in Tamara von Werthern’s Baby Dolls and Mike Bartlett’s Contractions respectively. The first is a futuristic comedy about conception, state control and rebellion, wherein three women meet at a baby shower but darker things than cupcakes and babygrows are on their mind.
The second, an ink-black comedy, focuses on the boundaries between work and play. Whereas Emma thinks she’s in love with Darren, her boss thinks she’s in breach of contract. The situation needs to be resolved. Box office: 01439 771700 or helmsleyarts.co.uk.
Barrie Rutter: Reflecting on shaking up Shakespeare at Northern Broadsides and beyond
Breaking down the Bard barrier in the north: Barrie Rutter: Shakespeare’s Royals, York Theatre Royal Studio, Friday, 7.45pm; Ripon Theatre Festival, Ripon Cathedral, July 4, 7.30pm
BARRIE Rutter, founder and former director of Northern Broadsides, celebrates the Bard’s kings and queens – their achievements, conquests and foibles – with tales, anecdotes and memories from a career of playing and directing Shakespeare’s Royals.
Told he could never play a king on account of his Yorkshire accent, Hull-born Rutter, now 77, created his own theatre company in 1992 in Halifax to use the northern voice for Shakespeare’s kings, queens and emperors, not only the usual drunken porters, jesters or fools. Box office: York, 01904 623568 or yorktheatreroyal.co.uk; Ripon, ripontheatrefestival.org.
Soul Satisfaction: Four Tops and Motown hits here they come at Milton Rooms, Malton
Ryedale tribute show of the week: Soul Satisfaction, The American Four Tops Motown Show, Milton Rooms, Malton, Friday, 8pm
DIRECT from the United States, Soul Satisfaction combine powerful vocals, sweet harmonies and high-stepping dance routines in the American Four Tops Motown Show.
This celebration of Motown’s golden era revels in Reach Out (I’ll Be There), Walk Away Renee, It’s The Same Old Song, Loco In Acapulco, I Can’t Help Myself and Bernadette, complemented by The Temptations, Smokey Robinson and The Miracles, Marvin Gaye and Ben E King hits. Box office: 01653 696240 or themiltonrooms.com.
The trials of growing up in a small country town: Henry Madd’s Henry and Marc Benga’s Jake in Land Of The Lost Content at Theatre@41, Monkgate, York. Picture: Ali Wright
Touring play of the week: Henry Madd’s Land Of Lost Content, Theatre@41, Monkgate, York, Sunday, 7.30pm
NIC Connaughton, the Pleasance’s head of theatre, directs Land Of Lost Content, Henry Madd’s autobiographical insight into friendship, adolescence, forgiveness and life not going to plan in an empowering coming-of-age story about the trials of growing up in a small country town and its ongoing effects on two estranged mates.
Henry (Madd) and Jake (Marc Benga) were bored friends who grew up in Ludlow, where friendships were forged in failed adventures, bad habits and damp raves as they stumbled through teenage days looking for something to do. Then Henry moved away. Now he is back, needing to face up to the memories and the people he left behind, as Madd draws on themes of mental health and substance abuse in rural areas in his blend of theatre and spoken word. Box office: tickets.41monkgate.co.uk.
Joe Martin: Troubadour tales at the Milton Rooms, Malton
Troubadour of the week: Joe Martin, Milton Rooms, Malton, Sunday, 8pm
INDEPENDENT singer-songwriter and modern-day troubadour Joe Martin captures stories of people and encounters picked up on the road in his tales of friends, strangers and his own experiences.
Before his solo venture, Lancashire-born Martin fronted a country band while studying at university in Leeds, opening for The Shires and appearing at the Country to Country festival. Now he performs in Europe and the United States, such as at the Bluebird Cafe in Nashville, Tennessee. Box office: 01653 696240 or themiltonrooms.com.
The Cult: 40th anniversary tour heads to York Barbican in October. Picture: Jackie Middleton
Gig announcement of the week: The Cult, The 8424 Tour, York Barbican, October 29
SINGER Ian Astbury and guitarist Billy Duffy mark the 40th anniversary of The Cult, the Bradford band noted for their pioneering mix of post-punk, hard rock and melodramatic experimentalism, by heading out on The 8424 Tour.
Once dubbed “shamanic Goths”, Astbury and Duffy will perform songs from The Cult’s 11-album discography, from 1984’s Dreamtime to 2022’s Under The Midnight Sun, in a set sure to feature She Sells Sanctuary, Rain, Love Removal Machine, Wild Flower and Lil’ Devil. This year they have begun a vinyl reissue series. Box office: yorkbarbican.co.uk.
Footsbarn Theatre’s Twelfth Night: First British performances in 15 years in world premiere at York International Shakespeare Festival
BUCKLE up for Austen’s sister act, Shakespeare’s battle of the sexes and Sheridan’s scandalous comedy of manners, plus music, art and poetry in the library, advises Charles Hutchinson.
Festival of the week: York International Shakespeare Festival, until April 28
SHAKESPEAREAN Identity is the theme of the sixth York International Shakespeare Festival, now an annual event, run by director Philip Parr. Sponsored by York St John University, it features moving shows, lectures by internationally recognised academics, exhibitions and workshops presented by Shakespeare enthusiasts from all over the world.
Among the highlights will be Footsbarn Theatre’s first British visit in 15 years with Twelfth Night, American actress Debra Ann Byrd’s powerhouse solo show Becoming Othello and York Explore’s exhibition of 300 years of representations of Othello. Tickets and full programme details are available at yorkshakes.co.uk/programme-2024.
Katherine Lea: Making her Hotbuckle Productions debut in Pride & Prejudice at Helmsley Arts Centre
Ryedale play of the week: Hotbuckle Productions in Pride & Prejudice, Helmsley Arts Centre, tonight, 7.30pm
IN artistic director Adrian Preater’s humorous, multi role-playing adaptation of Jane Austen’s 1813 novel, Hotbuckle Productions enter the world of the Bennets.
From headstrong Elizabeth to proud Mr Darcy, rich characterisations abound as five sisters deal with marriage, morality and misconceptions. “Hotbuckle up for the carriage ride of your life” with Joanna Purslow, Tomas Mason and company newcomer Katherine Lea. Box office: 01439 771700 or helmsleyarts.co.uk.
Carl Hutchinson: Storytelling Geordie comic appearing at The Crescent, York
Comedy gig of the week: Carl Hutchinson: Today Years Old, The Crescent, York, tomorrow, 7.30pm
YORK’s Burning Duck Comedy Club presents Geordie comic Carl Hutchinson in his third consecutive back-to-back tour show, Today Years Old. Expect a night of storytelling, rich in observation and physical comedy. Box office: thecrescentyork.com.
Fiddler in the woods: Alice Atang’s Fiddler, Perri Ann Barley’s Golde and Steve Tearle’s Tevye set the scene for NE Theatre York’s Fiddler On The Roof
Musical of the week: NE Theatre York in Fiddler On The Roof, Joseph Rowntree Theatre, York, April 23 to 27, 7.30pm and 2.30pm Saturday matinee
STEVE Tearle directs NE Theatre York in Jerry Bock, Sheldon Harnick and Joseph Stein’s musical, taking the role of Tevye, the humble village milkman, for the third time too in this 60th anniversary production.
When three of Tevye’s five daughters rebel against the traditions of arranged marriages by taking matters into their own hands, mayhem unfolds as he strives to maintain his Jewish religious and cultural creeds, against the backdrop of the Tsar’s pogrom edict to evict all Jews from his Russian village in 1905. Box office: 01904 501935 or josephrowntreetheatre.co.uk.
Lydea Perkins’ Lady Teazle and Joseph Marcell’s Sir Peter Teazle in Tilted Wig’s The School For Scandal, on tour at York Theatre Royal next week
Touring play of the week: Tilted Wig, Malvern Theatres and Theatre by the Lake, Keswick, present The School For Scandal, York Theatre Royal, April 23 to 27, 7.30pm plus 2pm Thursday and 7.30pm Saturday matinees
JOSEPH Marcell, fondly remembered as Geoffrey the butler in the American comedy series Fresh Prince of Bel Air, stars in Seán Aydon’s new production of Richard B Sheridan’s comedy of manners The School For Scandal, where gossip never goes out of fashion.
Marcell plays Sir Peter Teazle, who believes his young wife is sleeping with someone else. Not true, but if her husband believes it, maybe she should give it a go. After all, if you are going to cause a scandal, you may as well enjoy it. Box office: 01904 623568 or yorktheatreroyal.co.uk.
Florence Poskitt: Stepping into Kate’s shoes in York Shakespeare Project’s The Taming Of The Shrew
Seventies’ Shakespeare play of the week: York Shakespeare Project in The Taming Of The Shrew, Theatre@41, Monkgate, York, April 23 to 27, 7.30pm plus 2.30pm Saturday
IN a late change of cast, actor-musician Florence Poskitt, from the York musical comedy duo Fladam, is taking over the principal role of Kate in Maggie Smales’s production of Shakespeare’s controversial battle of the sexes, now set in 1970.
A psychedelic world is opening up, promising peace, love and equality, but Kate was born to be wild and wants a voice of her own. The times they are a’changin’ and the old order is dead…or is it? Let battle commence. Box office: tickets.41monkgate.co.uk.
Barrie Rutter: Shaking up Shakespeare at Northern Broadsides and beyond
Breaking down the Bard barrier: Barrie Rutter: Shakespeare’s Royals, York Theatre Royal Studio, April 26, 7.45pm; Ripon Theatre Festival, Ripon Cathedral, July 4, 7.30pm
BARRIE Rutter, founder and former director of Northern Broadsides, celebrates the Bard’s kings and queens – their achievements, conquests and foibles – with tales, anecdotes and memories from a career of playing and directing Shakespeare’s Royals.
Told he could never play a king on account of his Yorkshire accent, Hull-born Rutter, now 77, created his own theatre company in 1992 in Halifax to use the northern voice for Shakespeare’s kings, queens and emperors, not only the usual drunken porters, jesters or fools. Box office: York, 01904 623568 or yorktheatreroyal.co.uk; Ripon, ripontheatrefestival.org.
Kai West’s poster for Bull’s Live At The Library day on May 19, based on the Cluedo board game design
Gig announcement of the week: Bull present Live At The Library, York Explore Library & Archive, Library Square, York, May 19, from 12 noon
YORK Explore and Please Please You team up with York band Bull for a day of music, art and poetry to celebrate Explore York’s tenth birthday and raise funds for York’s libraries. The climax will be a 6.30pm to 10pm gig by Bull, Marnie Glum, Rowan and performance poet Stu Freestone (tickets, tickettailor.com/events/exploreyorklibrariesandarchives/1216274).
Free activities include open mic-style performances run by Bull frontman Tom Beer in the Marriott Room from midday, featuring Gabbie Lord, Maggie, Gilles, She Choir, Filipe, Old Time Rags, Eve Thomas & Co and more, plus art workshops for all ages hosted by Izzy Williamson (lino printing, 1pm) and Bull bassist and illustrator Kai West (T-shirt design and screen printing, 12 noon to 2pm) in the Garden Room, with donations welcome.
THE 2024 Yorkshire Schools Dance Festival will not go ahead.
“A significant increase in venue hire fees puts delivering the event beyond our financial capacity,” says producer Colin Jackson, who describes the annual November event as “the jewel in York’s children and young people’s creative crown”.
In an official statement released today, he states: “The festival has been held at the University of York since 1999. Our long-established and positive relationship with the university combined with the event’s strong community focus saw us attract a subsidised rate for the hire of Central Hall for many years.
“The charges made to cover building hire and staff costs made it an affordable and viable event to run. It meant that we were able to charge schools a reasonable rate to participate, offer wraparound enrichment activities for school staff and students and make the event accessible for all by keeping ticket prices low. It was very much a partnership between us and the university.”
The event was last held at Central Hall, University of York, in 2022. “Despite a 130 per cent increase in the hire rate from the previous year, we were able to balance the books through generous financial support from Yorkshire Dance and other sponsors/donors,” explains Colin.
The festival organisers entered into discussions with York Conferences, who manage bookings for the university, in 2023 and were informed that the hire charges would again rise by another 51 per cent.
“This represented a 242 per cent increase from the 2021 rate,” says Colin. “To provide an illustration, were the hire rates £1,000 in 2021, in 2023 they would have been £3,420. The actual figures and financial increase are, of course, far more.”
The 2023 festival was relocated to the Carriageworks Theatre in Leeds with the hope that the hire rates could be renegotiated for a return to the University of York this year.
“At the end of last year we were told that the figure quoted still stood,” says Colin. “Despite our best efforts since then to achieve additional sponsorship, we have not been able to plug the gap.
“Passing the increased costs on to schools would mean significant increases in the fee to participate and ticket prices. While some schools and families could have afforded this, many would have struggled to either take part or come along to watch and removed our core objective to make the festival wholly inclusive.”
The festival organisers wrote to the University of York’s vice chancellor last year, stressing the festival’s importance for the 1,200 children and young people that took part every year and emphasising the value of the event in supporting the university’s Strategic Vision to exist for public good and the founders’ vision for strong social purpose, combating inequality and opening up access to the campus. “Our approach made no impact,” says Colin.
“Central Hall is the perfect location for the event,” the statement continues. “A large auditorium, backstage areas and additional rooms meant that we could comfortably accommodate the children, young people and staff from schools, as well as the families that came along to watch.”
While the model at The Carriageworks was successful, limited space made for a far smaller event with a reduced number of schools taking part and reduced capacity for audiences.
“At this stage, we feel we have no choice but to cancel the event,” says Colin. “We continue to hope that the university can reconsider their position and see the event for what it is.
“Not only does it have huge benefits for schools, teachers, students and pupils, its impact upon the local economy is marked. The event provided significant employment opportunities for freelance dance artists, freelance event staff and wider providers.
“We know that the festival has put dance on the map in many schools and resulted in enhanced curriculum provision for the subject. It has long been the jewel in York’s children and young people’s creative crown.”
“We have done all we can,” Colin concludes. “If you feel it appropriate to do so, you can make contact with the University of York or York Conferences.
“We must stress that we do not expect the event to make a loss for the university and we recognise that there are financial challenges for them as well as us.
“We suspect, however, that the two weekends in November that are normally earmarked for the festival will see Central Hall either dark or holding events that are not for social purpose, designed to combat inequality or open up access to the campus.”
CharlesHutchPress has contacted the University of York press office this morning for an official response and is awaiting a reply.
Katherine Lea: Making her Hotbuckle Productions debut in Pride & Prejudice
BUCKLE up for Austen’s sister act, Shakespeare’s battle of the sexes and Sheridan’s scandalous comedy of manners, plus music, art and poetry in the library, baroque and blues concerts and tragic opera, advises Charles Hutchinson.
Ryedale play of the week: Hotbuckle Productions in Pride & Prejudice, Helmsley Arts Centre, Saturday, 7.30pm
IN artistic director Adrian Preater’s humorous, multi role-playing adaptation of Jane Austen’s 1813 novel, Hotbuckle Productions enter the world of the Bennets.
From headstrong Elizabeth to proud Mr Darcy, rich characterisations abound as five sisters deal with marriage, morality and misconceptions. “Hotbuckle up for the carriage ride of your life” with Joanna Purslow, Tomas Mason and company newcomer Katherine Lea. Box office: 01439 771700 or helmsleyarts.co.uk.
Patricia Qua: Ceramicist and graphic designer taking part in York Open Studios for the first time in Hempland Drive, York
Art around every corner: York Open Studios, Saturday and Sunday, 10am to 5pm
AS many as 156 artists and makers who live or work within a ten-mile radius of York will be welcoming visitors to 106 workspaces to show and sell their art, ranging from ceramics, collage, digital, illustration, jewellery and mixed media to painting, print, photography, sculpture, textiles, glass and wood. Among them will be 31 new participants. Full details and a map can be found at yorkopenstudios.co.uk. Look out for booklets around the city too.
Keeping an eye on things: English Touring Opera in Puccini’s Manon Lescaut at York Theatre Royal
Opera of the week: English Touring Opera in Manon Lescaut, York Theatre Royal, Friday, 7.30pm
ENGLISH Touring Opera returns to York in Jude Christian radical production of Giacomo Puccini’s heartbreaking Manon Lescaut, for which she brings incisive direction to her sharp, poetic new translation.
Puccini’s 1892 breakthrough hit presents a devastating depiction of a woman wrestling with her desire for love on her own terms and the rigid double standards imposed on her by society. Box office: 01904 623568 or yorktheatreroyal.co.uk.
London Obbligato Collective: Opening the York Baroque+ Day at the NCEM
Classical concert of the week: London Obbligato Collective, York Baroque+ Day, National Centre for Early Music, York Saturday, 12 noon
FORMED by Masumi Yamamoto, the new London Obbligato Collective focuses on “accompanied harpsichord sonatas”, where the harpsichord is given the solo role within the trio sonata texture, highlighting and enriching the colours and nuances of the instrument.
Next Saturday’s programme includes 18th century music by Felice Giardini, Johann Christian Bach and Carl Friedrich. Box office: 01904 658338 or ncem.co.uk.
Lydea Perkins, as Lady Teazle, and Joseph Marcell, as Sir Peter Teazle, in Tilted Wig’s The School For Scandal. Picture: Anthony Robling
Touring play of the week: Tilted Wig, Malvern Theatres and Theatre by the Lake, Keswick, present The School For Scandal, York Theatre Royal, April 23 to 27, 7.30pm plus 2pm Thursday and 7.30pm Saturday matinees
JOSEPH Marcell, fondly remembered as Geoffrey the butler in the American comedy series Fresh Prince of Bel Air, stars in Seán Aydon’s new production of Richard B Sheridan’s comedy of manners The School For Scandal, where gossip never goes out of fashion.
Marcell plays Sir Peter Teazle, who believes his young wife is sleeping with someone else. Not true, but she is starting to think that if her husband believes it, she should give it a go. After all, if you are going to cause a scandal, you may as well enjoy it. Box office: 01904 623568 or yorktheatreroyal.co.uk.
Florence Poskitt: Stepping in to play Kate in York Shakespeare Project’s The Taming Of The Shrew
Seventies’ Shakespeare play of the week: York Shakespeare Project in The Taming Of The Shrew, Theatre@41, Monkgate, York, April 23 to 27, 7.30pm plus 2.30pm Saturday
IN a late change of cast, actor-musician Florence Poskitt, from the York musical comedy duo Fladam, is taking over the principal role of Kate in Maggie Smales’s production of Shakespeare’s controversial battle of the sexes, now set in 1970.
A psychedelic world is opening up, promising peace, love and equality, but Kate was born to be wild and wants a voice of her own. The times they are a’changin’ and the old order is dead…or is it? Let battle commence. Box office: tickets.41monkgate.co.uk.
Redfish Blues Band: Returning to Milton Rooms, Malton
Blues gig of the week: Redfish Blues Band, Ryedale Blues Club, Milton Rooms, Malton, April 25, 8pm
NOMINATED for Blues Band of the Year and Blues Album of the Year in the UK 2024 Blues Awards, Redfish Blues Band return to Malton with Christian Sharpe on vocals and guitar, Steve McGuckin on Hammond, Rod Mackay on bass and Steve Gibson on drums.
As witnessed on their Together Is Better album and Soho Rising (Girls, Girls, Girls) single, they play a delicious, bubbling gumbo of blues, soul, gospel and funk in live performances defined by energy and restraint. Box office: 01653 696240 or themiltonrooms.com.
Kai West’s poster for Bull’s Live At The Library day on May 19, based on the Cluedo board game design
Gig announcement of the week: Bull present Live At The Library, York Explore Library & Archive, Library Square, York, May 19, from 12 noon
YORK Explore and Please Please You team up with York band Bull for a day of music, art and poetry to celebrate Explore York’s tenth birthday and raise funds for York’s libraries. The climax will be a 6.30pm to 10pm gig by Bull, Marnie Glum, Rowan and performance poet Stu Freestone (tickets, tickettailor.com/events/exploreyorklibrariesandarchives/1216274).
Free activities include open mic-style performances run by Bull frontman Tom Beer in the Marriott Room from midday, featuring Gabbie Lord, Maggie, Gilles, She Choir, Filipe, Old Time Rags, Eve Thomas & Co and more, plus art workshops for all ages hosted by Izzy Williamson (lino printing, 1pm) and Bull bassist and illustrator Kai West (T-shirt design and screen printing, 12 noon to 2pm) in the Garden Room, with donations welcome.
Footsbarn Theatre in Twelfth Night: Making their first British apperance in 15 years at the 2024 York International Shakespeare Festival
FOOTSBARN Theatre will premiere their new production of Shakespeare’s bittersweet comedy Twelfth Night in a triumphant return to British soil after 15 years at the York International Shakespeare Festival.
April 27’s evening performance and April 28’s matinee will be followed by a UK and European tour throughout the summer, taking in the Craiova International Shakespeare Festival in Romania next month and Verona International Shakespeare Festival, Italy, in August.
Directed by Sadie Jammett, this will be the first full-scale Shakespeare show to be performed by the iconic travelling theatre company in Great Britain since A Midsummer’s Night Dream at the Edinburgh Fringe Festival 15 years ago.
Footsbarn began life in Cornwall in 1971 when a group of young performers started rehearsing in the barn of Trewen, a farmhouse near the village of Trewidland. Born out of a dream to create a form of theatre that would be “popular, generous and accessible to all”, the company is noted for performing in its circus big top across the globe.
In more than 50 years – the last 25 based in Maillet, France – Footsbarn have put their name to most of Shakespeare plays, but this will be their first staging of Twelfth Night. Now, perhaps more than any other time, this play comes into its own by exploring the themes of gender identity that younger generations are bravely bringing to the world’s attention.
Artistic director Sadie Jemmett says: “It was important to choose a production that would continue the great legacy and style of the company while also appealing to a new generation of theatregoers, and I believe that Twelfth Night does just that.”
Established in 2014 to “showcase York adaptations of Shakespeare’s works alongside international interpretations and to make global Shakespeare accessible to UK audiences from York and beyond”, this month’s event will be the festival’s sixth staging and the first since it became an annual event.
Residents and visitors to York from today until April 28 will find the city filled with powerful, moving shows, lectures by internationally recognised academics, exhibitions and workshops presented by Shakespeare enthusiasts from all over the world.
The festival is in the first year of a three-year sponsorship by York St John University, resulting in the theatre in the new Creative Centre becoming the principal location.
Other partners include York Theatre Royal, York Explore Library, York Shakespeare Project, the Grand Opera House, York, Theatre @41, Monkgate, Riding Lights Theatre Company, Rise @ Bluebird Bakery, Acomb, and many volunteers.
Two world premieres will bookend the festival. Opening the event today will be the European Shakespeare Festivals Network’s ShakeSphere Award Winner 2024, Hamlet: Double Bill from Italy, featuring Hamlet & The Grave Diggers and Hamlet & The Players, selected from 76 proposals. Footsbarn’s visit will be the closing act.
Another recommendation is American actress Debra Ann Byrd’s powerhouse solo show Becoming Othello, chiming with the festival theme of Shakespearean identity, in a Wednesday evening performance and Thursday matinee for schools.
“If we’re talking about an international festival of Shakespeare, we’re talking about Shakespeare morphing with other cultures and then taking shape in their own work,” says festival director Philip Parr.
“Becoming Othello is about a black woman’s journey into theatre – and Debra Ann has had as rough a journey as you could imagine, in New York, where she was told ‘you can’t go to drama school; black women don’t go, and certainly not from Harlem. If you do go, you play maids and servants and certainly not Shakespeare leads’.
“Yet 20 years ago she founded the Harlem Shakespeare Festival. So Becoming Othello is her story, and it’s a brilliant piece of theatre that she worked on at the Shakespeare Institute, with Shakespeare specialists both here and in the United States. The show is really grounded in the nature of Shakespeare.”
In her week-long stay in York, Byrd will be mentor of honour at a Shakespeare Scratch Night at the Grand Opera House and will host workshops in schools too.
Further highlights will include first readings of English translations of Shakespeare inspired plays from Bulgaria and Turkey, and a first-time visit by two Ukrainian actors and a director to work for a week with Philip Parr, leading to two performances tomorrow (20/4/2024).
Literature fans can look forward to a variety of talks and lectures delivered throughout the festival by Shakespearean academics from Europe, Asia, and the Americas, while York Explore will play host to an exhibition of 300 years of representations of Othello.
York youngsters and families will have free or low-cost opportunities to become involved with the festival “to enjoy a bit of Shakespeare”.
Philip says: “This will be the only time this year you will be able to see international theatre in our city. In our fast-changing world, the plays of Shakespeare provide a shared body of work, which explores essential values, and which is capable of infinite reinvention.
“They create a space in which we can exchange ideas, explore our differences, and find our common ground. We’re excited to be creating such a space in York.”
Tickets and full programme details are available at yorkshakes.co.uk/programme-2024.
Impressionist oil painter Michael Hasan Reda: Making his York Open Studios debut in Prices Lane
ART from the city and out of this world, an orchestra of two, Canadian rock, Italian opera and a courtroom thriller have Charles Hutchinson reaching for the front door key.
Art event of the fortnight: York Open Studios, today and tomorrow; April 20 and 21, 10am to 5pm
AS many as 156 artists and makers who live or work within a ten-mile radius of York will be welcoming visitors to 106 workspaces to show and sell their art, ranging from ceramics, collage, digital, illustration, jewellery and mixed media to painting, print, photography, sculpture, textiles, glass and wood. Among them will be 31 new participants. Full details and a map can be found at yorkopenstudios.co.uk. Look out for booklets around the city too.
East Riding Artists: Addressing climate change in From The Earth exhibition at Nunnington Hall
Ryedale exhibition of the week: From The Earth, East Riding Artists, at Nunnington Hall, Nunnington, near Helmsley, until May 12, 10.30am to 5pm
THE climate crisis is high on the worldwide agenda; evidence of nature’s fragility can be found everywhere we turn, and few would question that our Earth is changing dramatically, in some cases irrevocably. Nature, however, is a force to be reckoned with, prompting 32 painters, potters and creatives from East Riding Artists to celebrate everything our natural world has to offer.
From the power of the North Sea and the beauty of Yorkshire’s countryside and coastline to the food we grow and the flowers we cultivate, From The Earth cherishes the best of our ever-changing world. Normal admission applies; National Trust members, free.
In Flight: Barenaked Ladies land at York Barbican on Sunday
Pinch me, look who’s coming to York: Barenaked Ladies, In Flight UK Tour 2024, York Barbican, Sunday, 7.50pm
IN the words of Barenaked Ladies drummer Tyler Stewart: “Our In Flight UK Tour 2024 will feature tasty new songs from the album and of course, a whole slew of BNL hits spanning 35 years. So come on Subjects! It’s time to ring in spring with your favourite Canadians, Barenaked Ladies. We look forward to seeing your happy faces.” Support acts will be Callum Beattie and Ferris & Sylvester.
Sold out already in the York Barbican week ahead are the Modfather Paul Weller’s return on Wednesday and arch comedian Tom Allen’s Completely gig on Thursday. Box office: yorkbarbican.co.uk.
The Blackheart Orchestra: Two musicians, Chrissy Mostyn and Rick Pilkington, play 13 instruments between them at Helmsley Arts Centre
Prog rock for the space age: The Blackheart Orchestra, Helmsley Arts Centre, Friday (19/4/2024), doors, 7.30pm
CHRISSY Mostyn and Rick Pilkington’s two-piece “orchestra” play 13 instruments between them from their prog-rock space station on stage, from acoustic and electric guitars, bass and bowed guitar to piano, organ, vintage synthesisers, omnichord, melodica and electric percussion.
Drawing on influences as varied as Kate Bush, Portishead, Cocteau Twins, Steve Reich and Philip Glass, they combine folk and rock roots with electronica and classical music. Foxpalmer, alias London singer-songwriter Fern McNulty, supports, from 8pm. Box office: 01439 771700 or helmsleyarts.co.uk.
Patrick Draper, Tony Jameson and Alfie Joey: Comedy at the treble on Friday at the Milton Rooms, Malton
Hilarity Bites Comedy Club: Alfie Joey, Patrick Draper and Tony Jameson, Milton Rooms, Malton, Friday, 8pm
ALFIE Joey is a polymath: artist, radio presenter, podcaster, comedian, communication coach, Ted X speaker, impressionist, interviewer, charity auctioneer, motivator, children’s author, master of ceremonies, pantomime player, sitcom actor, Britain’s Got Talent participant and illustrator for York writer Ian Donaghy’s book Never Stop Drawing.
Comedy will be his focus in Malton, where he will be joined by Patrick Draper, purveyor of deadpan jokes, visual gags and songs, and host Tony Jameson. Box office: 01653 696240 or themiltonrooms.com.
Keeping an eye on things: English Touring Opera in Manon Lescaut. Picture: Richard Hubert Smith
Opera of the week: English Touring Opera in Manon Lescaut, York Theatre Royal, Friday, 7.30pm
ENGLISH Touring Opera returns to York in Jude Christian radical production of Giacomo Puccini’s heartbreaking Manon Lescaut, for which she brings incisive direction to her sharp, poetic new translation.
Puccini’s 1892 breakthrough hit presents a devastating depiction of a woman wrestling with her desire for love on her own terms and the rigid double standards imposed on her by society. Box office: 01904 623568 or yorktheatreroyal.co.uk.
London Obbligato Collective: Opening York Baroque+ Day at the NCEM
Classical concert of the week: London Obbligato Collective, York Baroque+ Day, April 20, 12 noon
FORMED by Masumi Yamamoto, the new London Obbligato Collective focuses on “accompanied harpsichord sonatas”, where the harpsichord is given the solo role within the trio sonata texture, highlighting and enriching the colours and nuances of the instrument.
Next Saturday’s programme includes 18th century music by Felice Giardini, Johann Christian Bach and Carl Friedrich. Box office: 01904 658338 or ncem.co.uk.
Jury service: Christopher Haydon’s cast for Reginald Rose’s courtroom thriller Twelve Angry Men at the Grand Opera House, York
Show announcement of the week: Twelve Angry Men, Grand Opera House, York, May 13 to 18, 7.30pm plus 2.30pm Wednesday and Saturday matinees
CHRISTOPHER Haydon’s touring production of Reginald Rose’s Twelve Angry Men for Bill Kenwright Ltd returns to York on the American courtroom thriller’s 70th anniversary tour, having last played the Grand Opera House in April 2015.
Tristan Gemmill, Michael Greco, Jason Merrells, Gray O’Brien and Gary Webster feature in the cast for this study of human nature and the art of persuasion set in the jury deliberating room, where 12 men hold the fate of a young delinquent, accused of killing his father, in their hands. What looks an open-and-shut case soon becomes a dilemma as the jurors are forced to examine their own self-image, personalities, experiences and prejudices. Box office: atgtickets.com/york.
Painter Michael Hasen Rada: One of 31 new participants in York Open Studios 2024
YORK Open Studios 2024 offers the chance to meet 156 York artists and makers at 106 locations over the next two weekends.
Studios and workspaces will be open from 10am to 5pm on April 13 and 14, then April 20 and 21, preceded by this Friday’s preview evening at some locations. (Head to yorkopenstudios.co.uk for full details.)
All the artists live or work within a ten-mile radius of the city, with one in five of them taking part for the first time in the 23rd year of this annual not-for-profit event alongside a multitude of regulars.
Artists will welcome visitors to their workspaces to show and sell their work, spanning ceramics, collage, digital, illustration, jewellery mixed media, painting, print, photography, sculpture, textiles, wood and glass.
Some artists will share venues or exhibit their work in other spaces, displaying a selection of tools and materials or even demonstrating their skills to give a more ‘Open Studio’ experience.
Visitors can talk to artists about their processes, look around the places where they work and perhaps acquire a work. Venues range from small studios in artists’ homes to large commercial workshops and often offer access to places not usually open to the public.
Ahead of the two weekends, most of the artists exhibited a piece at the Hospitium, in York Museum Gardens, in a taster exhibition last Saturday and Sunday.
Artists were selected for York Open Studios by an independent panel that assessed applications based on images and artist statements. On the 2024 panel were Helmsley Arts Centre artistic director Natasha Jones, Leeds Fine Artists’ chair, Paul Hammond, and Rural Arts’ senior creative producer for visual arts, Julian Hartley.
To complement the selected artists, York Open Studios plays host to a showcase by students from York College and York St John University, many sharing their work with the public for the first time.
Among the new participants will be ceramist Patricia Qua, an Argentinian-born Korean artist who began her creative journey in New York before studying at the Royal College of Art in London.
Patricia, who has exhibited at the London Design Festival and Hepworth Wakefield Ceramics Fair, brings her background in print and graphics to her one-off porcelain or stoneware ceramics decorated with a love of vibrant colours.
New too will be urban oil painter Michael Hasan Reda, originally from Birmingham, who finds inspiration and joy in the natural and built environment. He has studied the techniques of the late-19th century Impressionists and Tonalists to create works with expressive brushstrokes and confident tone and colour.
Jeweller Hannah Weston has been stringing beads together since she was a child. Part bench trained, part self-taught, this former science teacher has turned her hobby into a full-time job after attending classes and moving to creating pieces in silver and gold to bring “a little joy into the everyday”.
Committee chair Christine Storrs says: “I know all the artists have been working incredibly hard to ensure they have the best of their collections available to see and buy, and the best way to showcase their skills to their visitors.
“It’s a sneak peek behind the scenes to marvel at their practices and expertise, as well as a chance to start your own collection. We are blessed with regular artists and new ones to bring the best of art to our weekends. Doing this in York? York is the best place to enjoy spring in the city with a good dose of art to warm the heart.”
For more information on all the artists and access to an interactive map of all the locations, visit yorkopenstudios.co.uk.Alternatively, a free printed directory is available from various tourist hubs, libraries, shops, galleries and artist locations throughout York and beyond.
“Plan your route to maximise the range of artists or organise your day interspersed with something entirely different,” advises Christine.
New artists for 2024
Patricia Qua
Kate Hutson, ceramics, Creative Studio York, Unit 14, Bull Commercial Centre, Stockton Lane, York.
Michael Hasan Reda: Impressionist oil painter of landscapes, cityscapes and gardens, making his York Open Studios debut at his studio in Prices Lane, York
ART out of this world, comedy in the news, a poetic war of words, an orchestra of two, a very colourful musical and a courtroom thriller have Charles Hutchinson reaching for the front door key.
Art event of the fortnight: York Open Studios, April 13 and 14, April 20 and 21, 10am to 5pm; preview, Friday, 6pm to 9pm
156 artists who live or work within a ten-mile radius of York will be welcoming visitors to 106 workspaces to show and sell their art, ranging from ceramics, collage, digital, illustration, jewellery and mixed media to painting, print, photography, sculpture, textiles, glass and wood. Among them will be 31 new participants. Full details and a map can be found at yorkopenstudios.co.uk. Look out for booklets around the city too.
News alert: The Drop The Dead Donkey newsroom team reunites for Andy Hamilton and Guy Jenkin’s new play at Leeds Grand Theatre
Breaking News of the week: Drop The Dead Donkey: The Reawakening!, Leeds Grand Theatre, until April 13
THIRTY years since the launch of the trailblazing television series Drop The Dead Donkey, the Globelink News team is back, live on stage for the first time. Original cast members Stephen Tompkinson, Neil Pearson, Susannah Doyle, Robert Duncan, Ingrid Lacey, Jeff Rawle and Victoria Wicks reunite for a new, constantly updated script by sitcom writing duo Andy Hamilton and Guy Jenkin, under Lindsay Posner’s direction.
“It’s going to be hugely enjoyable to watch those seven funny, flawed characters from Globelink News being plunged into the cutthroat world of modern 24-hour news-gathering and trying to navigate their way through the daily chaos of social media, fake news and interim Prime Ministers,” say the writers. Box office: 0113 243 0808 or leedsheritagetheatres.com.
Reuben Khan: Playing the lead role in York Stage’s Joseph And The Amazing Technicolor Dreamcoat
Musical of the week: York Stage in Joseph And The Amazing Technicolor Dreamcoat, Grand Opera House, York, April 12 to 20, 7.30pm except April 14, 15 and 19; 2.30pm, April 13 and 20; 4pm, April 14; 5pm and 8pm, April 19
BE ready to paint the city in every colour of the rainbow as Andrew Lloyd Webber and Tim Rice’s musical dazzles the Grand Opera House in York Stage’s vibrant production, directed by Nik Briggs, with musical direction by Adam Tomlinson and choreography by Lesley Hill.
Reuben Khan leads the cast as Joseph, joined by Hannah Shaw as the Narrator, Carly Morton as Pharaoh, Martin Rowley as Jacob, Finn East as Simeon, Matthew Clarke as Potiphar, among others. Tickets are selling fast at atgtickets.com/york.
Shareefa Energy!: Guest performance poet at Friday’s Say Owt Slam clash at The Crescent, York
Spoken word clash of the week: Say Owt Slam, featuring Shareefa Energy!, The Crescent, York, Friday, 7.45pm
SAY Owt, “York’s loveable gobby gang of performance poets”, take over The Crescent for a raucous, high-energy night of verse that combine a slam war of words with a guest performer. “In a slam, poets have three minutes to wow the audience,” says host Henry Raby. “It’s fast, frantic and fun: perfect for people who love poetry, and those who think they hate poetry too.”
Special guest Shareefa Energy! is a poet, writer, activist, educator, creative campaigner, workshop facilitator and arts and wellbeing practitioner of Indian and Muslim heritage from working-class Highfields in Leicester. Box office: thecrescentyork.com or on the door.
East Riding Artists: Exhibiting at Nunnington Hall in From The Earth’s celebration of the natural world
Ryedale exhibition of the week: From The Earth, East Riding Artists, at Nunnington Hall, Nunnington, near Helmsley, until May 12, 10.30am to 5pm
THE climate crisis is high on the worldwide agenda; evidence of nature’s fragility can be found everywhere we turn, and few would question that our Earth is changing dramatically, in some cases irrevocably. Nature, however, is a force to be reckoned with, prompting 32 painters, potters and creatives from East Riding Artists to celebrate everything our natural world has to offer.
From the power of the North Sea and the beauty of Yorkshire’s countryside and coastline to the food we grow and the flowers we cultivate, From The Earth cherishes the best of our ever-changing world. Normal admission applies; National Trust members, free.
The Blackheart Orchestra’s Chrissy Mostyn and Rick Pilkington: Thirteen instruments divided between two musicians at Helmsley Arts Centre
Prog rock for the space age: The Blackheart Orchestra, Helmsley Arts Centre, April 19, doors, 7.30pm
CHRISSY Mostyn and Rick Pilkington’s two-piece “orchestra” play 13 instruments between them from their prog-rock space station on stage, from acoustic and electric guitars, bass and bowed guitar to piano, organ, vintage synthesisers, omnichord, melodica and electric percussion.
Drawing on influences as varied as Kate Bush, Portishead, Cocteau Twins, Steve Reich and Philip Glass, they combine folk and rock roots with electronica and classical music. Foxpalmer, alias London singer-songwriter Fern McNulty, supports, from 8pm. Box office: 01439 771700 or helmsleyarts.co.uk.
Patrick Draper, Tony Jameson and Alfie Joey: April 19’s comedy line-up at the Milton Rooms, Malton
Hilarity Bites Comedy Club: Alfie Joey, Patrick Draper and Tony Jameson, Milton Rooms, Malton, April 19, 8pm
ALFIE Joey is a polymath: artist, radio presenter, podcaster, comedian, communication coach, Ted X speaker, impressionist, interviewer, charity auctioneer, motivator, children’s author, master of ceremonies, pantomime player, sitcom actor, Britain’s Got Talent participant and illustrator for York writer Ian Donaghy’s book Never Stop Drawing.
Comedy will be his focus in Malton, where he will be joined by Patrick Draper, purveyor of deadpan jokes, visual gags and songs, and host Tony Jameson. Box office: 01653 696240 or themiltonrooms.com.
Jury service: Christopher Haydon’s cast for the courtroom thriller Twelve Angry Men, on tour at Grand Opera House, York
Show announcement of the week: Twelve Angry Men, Grand Opera House, York, May 13 to 18, 7.30pm plus 2.30pm Wednesday and Saturday matinees
CHRISTOPHER Haydon’s touring production of Reginald Rose’s Twelve Angry Men for Bill Kenwright Ltd returns to York on the American courtroom thriller’s 70th anniversary tour, having last played the Grand Opera House in April 2015.
Tristan Gemmill, Michael Greco, Jason Merrells, Gray O’Brien and Gary Webster feature in the cast for this study of human nature and the art of persuasion set in the jury deliberating room, where 12 men hold the fate of a young delinquent, accused of killing his father, in their hands. What looks an open-and-shut case soon becomes a dilemma as the jurors are forced to examine their own self-image, personalities, experiences and prejudices. Box office: atgtickets.com/york.
