Tim Lowe: York Chamber Music Festival director and cellist
THE closing concert of the York Chamber Music Festival 2026 programme by festival artists Charlotte Scott and Tim Crawford, violin, Simone van der Giessen and Lilli Maijala, viola, and Tim Lowe, cello, opened with a rare outing for Beethoven’s impressive String Quintet in C Major, Op 29.
Although there was much to admire, the ensemble seemed out of sorts. To be sure, the extra viola gave the middle register added warmth and the tempo was well judged, but they didn’t seem to be quite in the zone.
This was occasionally apparent in the technically demanding outer reaches of Beethoven’s writing, where intonation was less secure, particularly in the first and third movements. The players took a short tuning break after the opening Allegro moderato, and the Adagio molto espressivo which followed was much more assured.
Here, the playing had warmth, and indeed, depth. The phrasing was clean and the two violas gave the timbre a rich, velvety quality. The third-movement Scherzo: Allegro had rhythmic bite and the sudden dynamic contrasts were convincing. I enjoyed the closing Presto.
The players clearly relished the fast passages, the central five-part fugato was clearly articulated, and the call-and-response episode was beautifully played.
Brahms’s String Quintet in F major, Op. 88 was an altogether more rewarding experience. The Allegro non troppo ma con brio was notable for the expressive opening first-violin theme: fine playing by Charlotte Scott, the resonant viola solos by the impressive Lilli Maijala and the energy and clarity of the often dense contrapuntal texture. The ending was just lovely.
Contrapuntal clarity and rhythmic drive were the memorable takeaways of the Allegro energico – Presto final movement. The performers were on fire as they responded to Brahms’s accelerating contrapuntal energy. Thrilling.
However, it was their performance of the central Grave ed appassionato that provided the concert highlight. The movement itself combined and integrated elements of both the slow movement and the scherzo. The opening Grave was very dark, a timbre created by the exploitation of the two violas and cello. It really is a unique sound.
Their delivery of the lighter, dancing Allegretto vivace was spot on: crisp articulation, pizzicato exchanges and even – dare I say it – evidence that Brahms actually had a sense of fun. The return of the weighty Grave was very well judged – the changes of colour very striking.
Despite some performance uncertainties, cellist Tim Lowe not only anchored the playing but also, in doing so, provided a reassuring sense of security. His contribution was vital throughout the programme.
The poster for the Pigeon Paint Off at City Screen Picturehouse, York, On Saturday
A COMPETIVE Pigeon Paint Off, the biggest of book fairs, top-drawer chamber music and Wright&Grainger’s new material are among Charles Hutchinson’s recommendations for a particularly intriguing week ahead.
Bird show of the week: Dead Toe Society presents Pigeon Paint Off, City Screen Picturehouse, York, Saturday, 12 noon to 5.30pm
THE inaugural Pigeon Paint Off creative fundraising event in support of Columba Sanctuary and Advocacy for Pigeons features a live art competition with 11 artists and resulting picture auction, complemented by a Pigeon Social and Pigeon-themed Pub Quiz from 6pm, with the quiz starting at 7pm. Look out too for bird-themed arts and crafts on sale and a raffle with “some snazzy prizes”.
“Watch talented artists bring original works to life, each one inspired by our feathered friends, in two rounds of one-hour paint-offs with audience votes deciding the champion,” says organiser Sam Crick. “You’ll also be able to learn more about why pigeons are suffering, the issues they are facing, why they need our support and how you can help advocate for their wellbeing.” Tickets:https://www.tickettailor.com/events/deadtoesociety/2373410.
Book event of the week: York National Book Fair, Knavesmire Suite, York Racecourse, Knavesmire, Saturday, 10am to 5pm
AT Britain’s largest antiquarian book fair, 186 ‘bookshops’ are set up under one roof with prices ranging from only a few pounds to tens of thousands for more than 100,000 books. All subjects, all dates, from medieval to ultra-modern, are on sale, along with ephemera, manuscripts, prints, photographs and posters, while trade stands are selling marbled papers and binding materials.
York Racecourse offers unlimited free parking and a free shuttle bus is running from the Memorial Gardens on Railway Street to Knavesmire every 30 minutes. Tickets on the door cost £2. Alternatively, head to https://yorkbookfair.com/one-day-complimentary-ticket-2/ to book a complimentary ticket. Children aged under 16 are admitted for free
Classical festival of the week: York Chamber Music Festival, Saturday and Sunday
THIS year’s festival has invited six of the best string players in Europe – Charlotte Scott and Tim Crawford, violins, Simone van der Giessen and Lilli Maijala, violas, and Adrian Brendel and festival artistic director Tim Lowe, cellos, to participate, along with regular festival artist Katya Apekisheva, the British-based Russian pianist.
On Saturdayy, at 1pm, at St Saviourgate Unitarian Chapel, Brendel plays Imogen Holst’s The Fall Of The Leaf and J. S. Bach’s Cello Suite No 2 in D Minor; at 7.30pm, at the Sir Jack Lyons Concert Hall, University of York, all seven perform Mendelssohn’s Piano Trio No 1 in D minor Op 49, Mahler’s Piano Quartet (movement) in A minor – Nicht zu schnell and Brahms’s Piano Quartet in C minor Op 60. All but Apekisheva return for Beethoven’s String Quintet in C Major Op. 29 and Brahms’s String Quintet in F major, Op. 88, on Sunday at 3pm at St Olave’s Church, Marygate. Box office: ycmf.co.uk or 01904 658338.
Artist trail of the week: Staithes Festival of Arts and Heritage, Staithes, near Whitby, Saturday and Sunday, 10am to 5pm
DISCOVER 113 artists exhibiting across 67 venues through Staithes. Explore galleries, cottages, studios and hidden spaces transformed into exhibition venues across the fishing village. Find out who is taking part at https://www.staithesfestival.com/festival/artists.php.
Enjoy live music, buskers, creative workshops, demonstrations, outdoor cinema, family activities and festival extras too. For the full event programme, go to: https://www.staithesfestival.com/festival/events.php.
Americana gig of the week: James Felice & William Lawrence, Pocklington Arts Centre, Saturday, 8pm
JAMES Felice and drummer William Lawrence, two members of New York State’s Felice Brothers, are taking to the road to perform songs from their respective solo works in a dreamy and quiet evening of Americana music and storytelling. James and William last appeared at Pocklington Arts Centre alongside Ian Felice and Jesske Hume in the Felice Brothers gig in June 2021. Box office: 01759 301547 or pocklingtonartscentre.co.uk.
Songs old and new of the week: Michael Ball, Glow UK Tour, York Barbican, Saturday, doors 7pm
MUSICAL star and radio and TV presenter Michael Ball promotes his 23rd solo album, Glow, on his 25-date tour.
“There’s probably only one thing I enjoy more than being in the studio – writing, producing and singing songs with people I love – and that’s taking it all out on the road and performing those songs, as well as all the old favourites to the audiences I love,” he says. Liss Jones supports. Box office: yorkbarbican.co.uk.
Comedy gig of the week: Urzila Carlson, Fatty On A Yacht, York Barbican, Sunday, 8pm
SOUTH African-New Zealander Urzila Carlson returns to the UK with her understated punchlines and signature deadpan delivery in Fatty On A Yacht. Ever felt like you don’t belong? Like everyone else got the memo – and you turned up in the wrong outfit, on the wrong day, on the wrong yacht? Carlson’s new show is for anyone who has ever tried to squeeze into a space, physical or social, and thought “This can’t be right”. “It’s about not fitting in, standing out and laughing about it anyway,” she says. Box office: yorkbarbican.co.uk.
Country gig of the week: Ward Thomas, Celebrating 10 Years Of Cartwheels Tour, York Barbican, September 14, 7.30pm
HAMPSHIRE twin sisters Catherine and Lizzy Ward Thomas perform their second album in its entirety, revisiting the record – written at home and in Nashville – that made history as the first by a British country act to top the UK Albums Chart in 2016.
“We had to plan a celebration for its ten-year anniversary,” says Lizzy. “We’ll be bringing our full band, doing a type of show we haven’t done in a long time.” The Wandering Hearts support. Box office: yorkbarbican.co.uk.
New music, words and stories of the week: Wright& Grainger, Scratch An Itch, Theatre@41, Monkgate, York, September 18, 7.30pm
IN a rare little moment of public-facing recklessness, Easingwold duo Wright&Grainger have some brand new stuff they wish try out in front of, and with, some other people. “It’ll defo involve a piano,” say Alex and Phil. “It’ll defo have music and words and story.
“There’s some tasty clues to follow, some sweet ideas to develop, some scary instincts to trust. And now there’s this big and warm open invite to you, to come join. So please do. We’d love that. Fingers crossed it’ll be good.” Box office: tickets.41monkgate.co.uk.
An artwork by Ian Burke, one of 113 artists participating in Staithes Festival of Art and Heritage at 67 locations in the fishing village
THIS weekend’s festival celebrates art, creativity, music and heritage throughout the historic fishing village of Staithes, near Whitby, North Yorkshire.
Enjoy a packed programme of live music, headline concerts, creative workshops, demonstrations, outdoor cinema, family activities and festival extras.
DISCOVER 113 artists exhibiting across 67 venues throughout Staithes, including 15 students from Northern School of Art (Middlesbrough campus) taking part in a group exhibition. Full-time students Sophieand Harry will exhibit independently at St Peter’s Centre and 1 Webster Steps.
Explore galleries, cottages, studios and hidden spaces transformed into exhibition venues across the village. Explore the artists at https://www.staithesfestival.com/festival/artists.php.
Eliza Carthy: Performing at Staithes Memorial Village Hall tonight at 7.30pm with a new punk-spirited albumto promote. Recorded with The Restitution, Frenemies is set for release on October 26, addressing themes of motherhood, the state of the modern world, forgiveness and personal resilience as Eliza turned 50. Guest contributors to the recording include Jools Holland, Robyn Hitchcock, actors Miranda Richardson and Tim McInnerny, and Queen Of Harps
Live Music
ENJOY ticketed headline concerts by folk fiddler and singer Eliza Carthy, of Robin Hood’s Bay, at Staithes Memorial Village Hall from 7.30pm to 9.30pm tonight and Saltburn-by-the-Sea shanty group Saltburn Smugglers, same venue, same show time, tomorrow.
Taking part will be Dire Staithes and Wall Of Noise tonight; Saltburn Ukulele Band, Men Of Staithes, Becky Foord, Nick Rooke Band and Andy Blackford’s WYSIWYG tomorrow; Irish Coalminers Fylingdales Folk Choir, Michael Nagasaka and Ben Beattie and Men Of Staithes on Sunday. Look out for buskers and pop-up performances around Staithes throughout Saturday and Sunday.
Heritage
DISCOVER the stories, history and landscape of Staithes through heritage talks, guided walks, geology, fossils and events celebrating the village’s artistic and maritime past.Some heritage events are free, while others require payment or advance booking at https://www.tickettailor.com/events/staithesfestivalofartsandheritage.
South Bank Studios seascape acrylic artist Carolyn Coles: Taking part in Staithes Festival of Arts and Heritage at Kindly Light, Wesleyan Chapel, Chapel Yard, Staithes
Further highlights
Outdoor Cinema at Kippers Corner
Friday and Saturday, 9pm
Venue: Kippers Corner, High Street Cost: Free Presented by: Staithes Cinema Club
As the sun sets, join the gathering on the High Street opposite Kippers Corner. Bring your deckchairs and blankets for a screening of films about Staithes’ past and present, telling the story of thisremarkable village.
As dusk settles over Staithes, visitors can look forward to the festival’s lighting show, adding colour, atmosphere and a little extra magic to the village after dark.
Explore the Jurassic world on a guided rock-platform walk between Staithes Harbour and Old Nab.
The people behind the Yorkshire Fossil Festival bring together a family programme of fossils, science and creativity, with walks, talks, craft workshops and hands-on activities exploring the deep-time heritage of Staithes and the surrounding area.
Suitable for beginners and enthusiasts.
More information: Earth Science Outreach UK
Yorkshire Marine Nature Partnership
Saturday, 10am to 4pm
Venue: Cowbar Staith Cost: Free
Explore examples of Concrete Coast enhancements designed to blur the boundary between land and sea, helping coastal defences work for both people and nature.
Be inspired by coastal textures and your own relationship with the sea, then contribute to a collaborative community print tapestry.
Booking: No booking required—drop in throughout the day
GO hands-on with creative activities led by creative scientists.
Part of the Staithes Rocks programme, this drop-in workshop brings together fossils, science and creativity while exploring the deep-time heritage of Staithes and the surrounding area.
Discover what happens when engineering and science become kinetic art.
Watch colour, movement and physics come together as swinging pendulums create constantly changing patterns in this family-friendly display.
Booking: No booking required
Heritage & Local History
Rod Jewell’s Staithes Experience: Heritage Exhibition
Saturday and Sunday, 10am to5pm
Venue: Granary Yard Garage Studio Cost: Free
Roll up, roll up for a continuous and rare silent film showing the arrival of the motorised Staithes lifeboat in 1924, along with reels from Rod’s treasured Victorian magic-lantern collection of unpublished slides featuring bygone Staithes in the 1890s, the Staithes Group of Artists and fisherfolk.
Immerse yourself in collector Rod’s Staithes Experience. Photographs, antiques, ephemera and bric-a-brac will be on display and available to buy.
Rod is the author of the photographic village history Staithes: Between Two Nabs.
Booking: No booking required
An artwork by York digital photomontage and mixed media artist Adele Karmazyn. Find her work rooted in a fascination with antiquities, weathered textures and forgotten spaces at High House, Cinder Path, Staithes
Bill Hinchley’s Guided History Walk
Saturday and Sunday, 11am to1pm
Meeting point: Bank Top viewpoint, Staithes Lane Cost: Donations in aid of the Great North Air Ambulance Booking: Advance booking required
Join lifelong Staithes resident and historian Bill Hinchley for a captivating heritage walk through the village.
Equipped with coastal humour, personal memories and rich storytelling, Bill brings the historic fishing village vividly to life.
Venue: Poplar House, High Street Cost: £5 per lot consigned, payable on the day
Find out more about your family heirlooms, prized possessions or boot-sale bargains with Bargain Hunt’s Caroline Hawley and her auctioneer husband, John.
Hawleys Auctioneers will be on hand to value and share information about jewellery, watches, coins, silver, paintings and objets d’art.
Venue: Singing Waters Yard, High Street Cost: £5, payable on the day
Spin your own masterpiece with Ed and Al in Singing Waters Yard – fun for the young and not so young. Create a piece of art to take home as a memento of your visit to Staithes Festival.
Booking: No booking required—pay on the day
Painting Demonstrations with Lynton Parmar-Hemsley
Saturday and Sunday, 10.30am to 4pm
Venue: Staithes Gallery, High Street Cost: Free
Visit Staithes Gallery during the festival weekend to see painting demonstrations by artist Lynton Parmar-Hemsley throughout Saturday and Sunday.
Venue: Sunday School beneath the Wesleyan Chapel, Chapel Yard With: Artist Ian Burke Cost: £15 Booking: Advance booking advised
Explore the dramatic effect of light falling across one side of the face using simple relief-linocut techniques. No drawing experience is required.
Ian will provide expressive black-and-white portrait images inspired by woodcuts, which participants will transfer onto lino and carve as the first printing block. A second lino block will then be created to print the light and bring out the features through contrast and tone.
During the session, you will create your own striking chiaroscuro portrait print and explore how light can define form and expression.
Preening, Staithes, by Yorkshire wildlife artist Tracey Waddington, whose work will be at Harbour Cottage, High Street, Staithes
Recycled Copper Ring-Making
Saturday and Sunday, 1pm to 5pm
Venue: Chapel Garth, High Street With: Bean Creative Cost: £7 per person, payable on the day Session length: Approximately 20 minutes
Try something a little different by making your own unique copper-pipe ring using old plumbing parts. Become creative with files and hammers to produce a beautiful ring: the perfect piece of recycled festival jewellery.
Join artist Sue Nichol for a free drop-in painting demonstration. She will show how she creates her bold and colourful paintings inspired by the Yorkshire coast and its famous sailing cobles.
View the artwork created by the talented winners of the children’s seaside art competition and have a go at winning raffle prizes.All funds raised will help support the festival.
Booking: No booking required More information: Co-op
Poetry & Performance
The Stand-Up Tragedy Show
Sunday, 10.15am to 11.45am
Venue: The Lifeboat Shed Cost: Free With: Andy Blackford, Carmen Marcus and Bob Beagrie
The Stand-Up Tragedy Show features Andy Blackford—voted 1970’s Man Least Likely To Make 30—and his more talented friends, the poets Carmen Marcus and Bob Beagrie.
Please note, there is no festival visitor parking in the old village. Instead, festival parking will be available at Cowbar, with a free shuttle service for visitors who need assistance.
Check the latest parking, travel and accessibility information before setting off. For more information, go to: https://www.staithesfestival.com/plan-your-visit-to-staithes/parking.php.
THE titles – the festival’s own – give a rough indication of where we are in this year’s theme of Creation.
Dialogue is self-explanatory; the Dividing Line is that between earth and sky. Each of these recitals in churches on the northern edge of the North York Moors featured a world premiere, in a context of related works, old and new.
The afternoon in Danby involved only three violinists: Alena Baeva, Benjamin Baker and Charlotte Scott. Two pieces each by Bach and Berio framed two dances by Saariaho and the world premiere of Creation by Isabella Gellis, the only work in the programme involving all three players.
She describes it as a reimagining of an aria about a butterfly, sung by the Child in her 2024 opera The Devil’s Den, which was staged by Opera North last November. The role requires some daunting vocal pyrotechnics.
In the earlier part of its eight minutes, a glissando and close harmony set up a sense of lament. These recurred later, but the highest voice emerged gently at first and then with full-throated lyricism before lower, slower voices suggested the butterfly temporarily at rest.
It was not long before a series of high-note signposts, against tremolo accompaniment, grew ever more intense, keenly reflecting the original aria. Finally this dissipated into hovering harmony, in a pianissimo that stopped abruptly. Even without the visual reference, the piece stands alone most effectively.
Charlotte Scott despatched an immaculate if slightly deliberate account of Bach’s Second Partita for solo violin at the start, which was more than matched by Alena Baeva’s concluding no-holds-barred version of his taxing Chaconne, in which the three voices within the score emerged clearly.
Benjamin Baker teamed up with each of them in turn in five of Berio’s Duetti, bringing out the more lyrical sides of the composer’s human portraits. All three players warmed up for the Gellis with a suitably balletic approach to Saariaho’s two Danses des Flocons.
There were no less than a baker’s dozen of players on hand two afternoons later in Egton Bridge. The first half of the programme culminated in the world premiere of Charlotte Bray’s That Which You Wove Of Lightest Thread, I Wear To Honour Stone, for horn and string quartet.
Its title is taken from Paul Celan’s poem Totenhemd (‘death shirt’). What made this unusual was its close affiliation with a woven installation by the artist Caroline Burraway, which was on display in the nave. It consisted of a number of largely dessicated leaves woven together with human hair. It was deliberately designed to fall apart over time.
Bray’s music had a similar feel. Most of the action was in the solo horn, now in brief fanfares or calls to action, now less affirmative, more faltering. Its lines were brief rather than lyrical. Underneath the
string quartet wavered uncertainly, as if quaking at the horn’s decisiveness and fearful of its dominance. It was as if the horn was a tyrant, the strings his cowering people. This was musical impressionism in modern guise.
It had been preceded without a break by Thea Musgrave’s evocative Dawn, for oboe solo (Nicholas Daniel), followed by Kurtag’s Ligatura (from The Answered Unanswered Question), in the version for two violins, two cellos and celeste, and Ives’s The Unanswered Question, with Ben Goldscheider’s horn standing in for the trumpet and the wind quartet ‘chorus’ playing from behind the audience, attempting to answer the question of the title. The three works made an effective sequence and a useful prologue to the Bray.
Schubert’s String Quintet after the interval got off to a less than persuasive start, where slightly stronger accents might been more effective. The second movement hovered as it should and there was a welcome injection of light-heartedness in the Scherzo.
The finale came together with some force, the instruments now seeming more settled with each other. Much of the ensemble’s energy seemed to radiate not so much from the first violin, Alena Baeva, but from the centrally positioned viola, Sascha Bota, whose glances in all directions acted as a focus for his colleagues. It was a solidly competent rather a memorable account.
Oboe player Nicholas Daniel
Highlights from the Second Week, North York Moors Chamber Music Festival, August 17 to 22, at Welburn Manor Marquee unless otherwise stated
IN retrospect, the first half of ‘From the Silence’ (August 17) was relatively unexciting. The sudden rhythmic interjections in Thomas Adès’s piano work Traced Overhead, played by Joseph Havlat, and the largely slow-paced and thoroughly thought-laden And Other Things by Isabella Gellis, for clarinet, cello and piano, threatened to outstay their welcomes.
Dream, by Huw Watkins, for clarinet, violin and piano, was much more incident-packed, belying its title. From a quiet start, it exploded into fire. The piano calmed things down, but the other instruments lost patience with this and erupted again. Stimulating. Adès’s Four Berceuses were surely ironically titled: definitely not recommended for lulling a child to sleep.
After the interval, reverting to Mozart and Beethoven, we might have expected classical normality. We were wrong. In Mozart’s Oboe Quartet in F, the typical approach is for oboe to dominate and the supporting strings to fill in where needed. This was quite different. All four players were totally engaged, the strings not to be outdone by the soloist and making their presence felt at every opportunity, weaving in and out of the texture with deft inflexions all round.
The slow movement was utterly soulful, rivetingly so up to and including its final cadence. In the finale, with all four going hell for leather, ensemble remained taut. This was the most exciting account of the work one could ever expect to hear, sensational in its daring and impact, certainly not what one might anticipate in a work that can easily sound bland. This was anything but. The deft oboist was Nicholas Daniel, with violinist Benjamin Baker, viola player Simone van der Giessen and cellist Tim Posner in close attendance.
By the time we reached Beethoven’s ‘Ghost’ Trio, Op 70 No 1, rain lashing the canvas made life difficult for players and audience alike. It had its compensations, however. The first movement was exceptionally fiery – a matter of self-defence – yet with some exceptionally subtle phrasing in its development section.
The Largo took on an extra layer of creepiness in this weather. The finale took time to outweigh the demons conjured in the Largo, but eventually – with the rain now letting up – moved into sunnier, pastoral climes. It was a brave and ultimately satisfying account.
* * * * *
THE next afternoon in a packed St Mary’s, Lastingham (August 18), ‘The Architect’s Hand’ offered Mozart’s Clarinet Quintet, partnered by the world premiere of an oboe quartet by Huw Watkins, whose String Trio made such a profound effect in this venue last year.
The Mozart was marked by clarinettist Matthew Hunt’s clear attempt to blend as smoothly as possible with the strings, made possible only by his extraordinary breath control. His duetting with first violinist Charlotte Scott in the slow movement, for example, was ideally balanced, all strings being muted here.
The strings made a shapely impact in the first of the Scherzo’s trios (where clarinet is silent). But it was in the six variations of the finale that Hunt really came into his own. Skipping between octaves in the first variation, bubbling in chalumeau register in the second, he was particularly effervescent in the fourth. In the more chromatic final two variations, the ensemble delivered some teasing pauses and tempo-changes.
Oboist-in-residence Nicholas Daniel returned to the front line in Watkins’s exciting new work. He was partnered by violinist Benjamin Baker, viola player Simone van der Giessen and cellist Jamie Walton, very much an ‘A’ Team. Into some fierce opening string chords, the oboe crept gingerly before building furiously as its tessitura rose, against highly syncopated strings. This movement faded dreamily at its close.
In a largely slow movement, Baker’s violin was much the most agitated participant, its decorative roulades contrasting with the largely calm, pastoral mood of the oboe and lower strings. The oboe’s legato line was a delight. Virtuoso runs in the oboe dominated the finale, where all four players were kept busy.
It was if the oboe were challenging the others to follow him. This they did after the opening triplet motif made a reappearance, whereupon all four took flight, the oboe rising ever higher towards an extremelyeffective, hushed ending.
* * * * *
‘NIGHTFALL’ (August 20) opened with the pianist Katya Apekisheva playing another three of Schumann’s Fantasiestucke Op 12, which have been featured throughout the festival. Aptly, her phrasing was particularly lovely in Des Abends (‘In the evening’).
It was the prelude to the UK premiere of Tom Coult’s Two Nocturnes And A Maze, for horn, violin and piano, which was written for performance in a hillside church in the Swiss Alps.
As one might expect, there were echoes of Alpine horn in Nocturne I, to which piano responded chordally and violin in jerky fashion. Nocturne II was much closer to Bartok’s night-music, with a repeated-note motif batted between horn and violin, as the horn became gradually higher and more sustained. It finished sparsely, with single notes from each player.
In between, Maze, with horn now muted at first, the texture was lighter and airier, with pizzicato violin and staccato piano. The relationship between the three parts was vague but the combinations were engaging.
Daniel Lebhardt followed the opening movement of Beethoven’s ‘Moonlight’ Sonata, with the slow movement of Schubert’s Piano Sonata in B flat, D.960. He was splendidly grand in its bold central section.
Apekisheva returned, with violinist Benjamin Baker and cellist Jamie Walton, the festival director, for an affecting account of Schubert’s single-movement Trio D.897 (nicknamed – not by Schubert – ‘Notturno’). Its opening is curiously marked pianissimo and appassionato. We certainly sensed the passion here.
* * * * *
THE closing afternoon concert (August 22), ‘…In The End’, juxtaposed Mozart’s First Piano Quartet, K.478 with Schumann’s Piano Quintet, a lusciously attractive combination. In the Mozart, Lebhardt was the pianist, supporting Alessandro Ruisi (violin), Emma Wernig (viola) and Bartholomew LaFollette (cello). It took the repeat of the exposition for it to be clearly defined, after which the ensemble mined the rich seam of drama in the development section.
The slow movement was as tender as could be imagined. In the rondo finale, Lebhardt turned the various returns to the theme into fascinating mini-cadenzas, but the four players were a little tentative in their interactions.
A more familiar combination of players turned out for the Schumann. Baker’s fellow-violinist was Oliver Heath, alongside Simone van der Giessen (viola) and Jamie Walton (cello), underpinned by Apekisheva’s piano. Oddly enough, this is the first work in the repertoire for this particular combination of instruments.
The second theme in the first movement, shared between cello and viola, was delightfully lyrical, straight from the heart of the Romantic era. The slow movement, more or less a funeral march, ebbed and flowed tellingly, before an ending delivered without vibrato.
In the whirlwind Scherzo, the passage-work from the strings was especially crisp, leading into a finale that reminded us just how expert Apekisheva can be in a supporting role: she sustained an immaculate balance with the strings rather than turning it into a mini-piano concerto, particularly in the concluding fugato. The thunderous applause was appropriate, as much for the work itself as for the ending of another highly successful festival.
Tim Lowe: York Chamber Music Festival founder, artistic director and cellist
SINCE its founding by cellist Tim Lowe in 2013, York Chamber Music Festival has gone from strength to strength.
This year the festival has invited six of the best string players in Europe – Charlotte Scott and Tim Crawford, violins, Simone van der Giessen and Lilli Maijala, violas, and Adrian Brendel and Lowe, cellos, to participate, along with regular festival artist Katya Apekisheva, the British-based Russian pianist.
This week’s event at the National Centre for Early Music (NCEM), Walmgate, Union Chapel, St Saviourgate, Sir Jack Lyons Concert Hall, University of York, and St Olave’s Church, Marygate Lane, celebrates the brilliance of the chamber music repertoire, focused on the radiant, melody-rich string quintets of Mendelssohn and Brahms.
Pianist Katya Apekisheva
Across the weekend, festival-goers can experience music in all imaginable instrumental combinations, from the profound intimacy of Brendel’s solo cello recital featuring Bach’s Suite No. 2, to a dynamic duo performance by Lowe and Apekisheva and expansive works for quartet and quintet.
Headline highlights include Mendelssohn’s Piano Trio in D minor — hailed by Schumann as “the master trio of our age” — and Chopin’s lyrical Cello Sonata, his undisputed chamber masterpiece.
“We are also thrilled to present Beethoven’s rare and sublime C Major String Quintet, an 1801 gem that features a slow movement of breathtaking warmth and beauty that bridges his early classical style with the vast ‘inner world’ slow movements he became famous for later in life,” says artistic director Lowe.
Violinist Charlotte Scott
Violinist Tim Crawford. Picture: Andrej Grilc
After last year’s festival, Lowe was gratified to receive this message among the audience feedback: “What spontaneity, what passion, what delight in collective music-making, what beauty! They listen and respond to each other, play for, and to, and with their friends (as they so obviously are), sharing their pleasure with us – and we are privileged to overhear that love for and engagement with the music, true chamber-music playing.”
The full programme can be found at the festival website: https://www.ycmf.co.uk/2026-programme. Tickets are available from the NCEM box office, at St Margaret’s Church, Walmgate, York. Alternatively, book at ycmf.co.uk or phone 01904 658338 in office hours. A Festival Saver ticket offers extra value for those wanting to attend multiple concerts. Those aged 18 and under can enjoy free admission to all events.
Cellist Adrian Brendel. Picture: Peter Adamik
Festival programme in brief:
Today, 1pm to 2pm, Unitarian Chapel, cello recital, Tim Lowe and Katya Apekisheva play Mendelssohn’s Variations Concertantes, Chopin’s Cello Sonata and Martinů’s Rossini Variations.
Today, 7.30pm,NCEM, Charlotte Scott, Tim Crawford, Simone van der Giessen, Lilli Maijala, Tim Lowe and Adrian Brendel play Joseph Haydn’s String Quartet in D major, Op. 20, No. 4, Sergei Rachmaninoff’s ‘Romance’ from String Quartet No. 1 (Andante espressivo) and Felix Mendelssohn’s String Quintet No. 2 in B flat major, Op.87.
Nordic viola player Lilli Maijala
Tomorrow, 1pm to 2pm,Unitarian Chapel, cello recital, Adrian Brendel plays Imogen Holst’s The Fall Of The Leaf and J. S. Bach’s Cello Suite No 2 in D Minor.
Tomorrow, 7.30pm,Sir Jack Lyons Concert Hall, Charlotte Scott,Tim Crawford, Simone van der Giessen, Lilli Maijala, Tim Lowe, Adrian Brendel and Katya Apekisheva play Felix Mendelssohn’s Piano Trio No 1 in D minor Op 49, Gustav Mahler’s Piano Quartet (movement) in A minor – Nicht zu schnell (not too fast) and Johannes Brahms’s Piano Quartet in C minor Op 60.
Sunday, 3pm to 4.30pm, St Olave’s Church, Charlotte Scott,Tim Crawford, Simone van der Giessen, Lilli Maijala, Tim Lowe and Adrian Brendel play Ludwig van Beethoven’s String Quintet in C Major Op. 29 and Johannes Brahms’s String Quintet in F major, Op. 88.
The poster for Wildflower Wildfire’s Botanically Brontë – A Literary Cocktail Experience. Artwork by Laura Crow. Calligraphy by Emily Hansen, Leaf on Letters
WILDFLOWER Wildfire invites you to step in the world of Yorkshire’s scribbling siblings, the Brontës, for Botanically Brontë – A Literary Cocktail Experience at Friargate Theatre, Lower Friargate, York, on September 25.
This original immersive theatre event blends storytelling, performance and botanical drinks in a journey through the seasons alongside Charlotte, Anne, Emily and Branwell Brontë, exploring their lives, relationships and literary legacy.
“Across the performance, audiences will be served four specially created botanical cocktails, each inspired by a different season and member of the Brontë family, from the bright florals of Elastic Springs to the bittersweet Last Winter Rose,” says event creator Xandra Logan, York actress, writer and producer – and barrister to boot – who has moved into theatre development to make this 90-minute piece for this autumn’s York Food and Drink Festival.
Miles John: Playing Reverend Arthur Bell Nicholls
“Expect literature, atmosphere, storytelling and a little theatrical magic as the world of the Brontës is brought to life around you. No prior knowledge of the Brontës needed.”
Incorporating bespoke cocktails as part of the package, “there will be both alcoholic and non-alcoholic options to suit audience preference”.
The cast comprises Vicki Glover as Charlotte Brontë; Xandra Logan as Emily Brontë; Leah Paige as Anne Brontë; Katie Leckey as Branwell Brontë; Adam Marsdin as Patrick Brontë; Miles John as Arthur Bell Nicholls; Laura Haynes Bury as Martha Brown and Molly Meleady-Hanley as The Phantom.
Xandra Logan: Founder of Wildflower Wildfire, who will play Emily Brontë
“The production is an ensemble piece and the characters all make up an important part of the Brontë story,” says Xandra. “The actors are largely based in this region or derived from here. The production is an ensemble piece and the characters all make up an important part of the Brontë story.”
Drawing on her Yorkshire roots, Xandra is “delighted to portray Emily and explore her fierce imagination, independence and connection to the landscape that shaped her work.”
Her latest role follows screen appearances in Cut Deep, Closing Time and Before The Leaves Turn and the title role on stage in Mary Rose.
Vicki Glover: “Delighted to return to the Brontë world as Charlotte”
Vicki Glover trained on the RADA Foundation course and is completing her BA (Hons) Acting studies at Manchester School of Theatre. Acting professionally since the age of 14, her credits include Shrek 2, The Murder Trial Live, The Manson Family Massacre and Operation Sparrowhawk. “After portraying Emily Brontë, Catherine Earnshaw and Catherine Linton previously, I’m delighted to return to the Brontë world as Charlotte,” she says.
West Yorkshire actress Leah Paige, who has experience across stage and screen, will play Anne. “Passionate about bringing overlooked stories to life, I’m thrilled to portray the often-underestimated Anne Brontë, celebrating her quiet strength, kindness and unwavering principles,” says Leah, who will make her feature debut on Amazon Prime later this year.
Northern Irish actor and director Katie Leckey (they/them), who will play Branwell Brontë, holds an MA in Theatre-Making from the University of York and is co-founder and artistic director of York company Griffonage Theatre, for whom they perform, write and direct.
Katie Leckey: “Looking forward to giving a voice to the often-underrepresented Branwell”
Leah Paige: “Passionate about bringing overlooked stories to life“
Their credits include A Kingdom Jack’d (Merchant Adventurers’ Hall), Shakespeare and Rome (York Museums Trust/York International Shakespeare Festival), Queer Spaces (York Theatre Royal/Stephen Joseph Theatre), Dung Beetle Dan (Thunk-It Theatre, Deer Shed Festival) and The Courteous Enemy (Edinburgh Fringe).
“I’m looking forward to giving a voice to the often-underrepresented Branwell and bringing his poetry to life in Botanically Brontë,” says Katie.
Last seen on stage in York in Party Piece at Theatre@41, Monkgate. and as Dr Little in Goodnight Mister Tom at Harrogate Theatre, Adam Marsdin will play Patrick Brontë. Alongside numerous film credits across Yorkshire, he presents Pantheon Mythology, trains at NGA Leeds and is an Equity member.
“I relish exploring the warmth behind the disciplined Victorian father,” says Adam Marsdin of his role as Patrick Brontë
“I relish exploring the warmth behind the disciplined Victorian father: Patrick’s delight in his children’s imaginations, his love and pride in who they become, and the poignancy of a man who ultimately outlived them all,” says Adam.
Miles John, a professional actor raised in Scarborough and trained at UCA Farnham, is cast as Reverend Arthur Bell Nicholls. Working across stage, screen and voiceovers, his credits include Watch Me Die (Edinburgh Fringe), Loot (York Theatre Royal), The Grieving Stones (feature film), For King And Country (short film) and Pipistrelle Pipistrelle (radio drama).
Laura Haynes-Bury’s role will be Martha Brown. “I have particularly enjoyed exploring Martha as the eyes and ears of the Brontë household, offering an intimate glimpse into the family’s lives,” says Laura, whose credits include Till The Stars Come Down for York Actors Collective and various site-specific theatre performances.
Molly Meleady-Hanley: Appearing as The Phantom in Botanically Brontë
After graduating from the Royal Central School of Speech and Drama with an MA in Advanced Theatre Practice, Sheffield-born actor and playwright Molly Meleady-Hanley will play The Phantom.
Her credits include Bigmouth at the Courtyard Theatre, London, as part of Camden Fringe, a self-written production at Sheffield’s Crucible Theatre, and feature film Fritz And Matlock with Invisible Engine Films. “I’m excited to explore the world of the Brontës and sisterhood in Botanically Brontë as The Phantom,” she says.
THE inaugural York Jazz Fest will run from October 1 to October 4.
Spanning four days of live performances, discovery and community, the festival will highlight the full spectrum of jazz, ranging from timeless, classic standards to forward-thinking, contemporary sounds.
Designed to celebrate both Yorkshire and national talent and to promote grassroots venues, the new event will take place at five cultural and music spaces: The Phoenix, George Street; The Arts Barge, Foss Basin; Angel On The Green, Bishopthorpe Road; Young Thugs Studio, Ovington Terrace; The Winning Post, Bishopthorpe Road, and Pop-Up Festival Site at Bishopthorpe Road Car Park.
The festival will reach its climax on Sunday, October 4 with an all-day grand finale at the specially constructed Pop-Up Festival Site, transforming the car park into an open-air hub of live music on the main stage, complementing headline jazz acts with street food vendors, craft beers and wine and spirits bars.
“Our aim is to bring world-class live music directly into the heart of York’s community while showcasing the incredible heritage and intimate charm of our independent venues,” says festival promoter Beppe Lombardo. “Whether you are a lifelong jazz enthusiast or just looking to discover something new, York Jazz Fest offers something for everyone.”
The full 2026 festival programme, line-up announcements and ticketing details will be released in the coming days. For updates, early access to tickets and venue information, visit: www.yorkjazzfestival.com or follow @YorkJazzFest on Instagram.
Pianist Katya Apekisheva: “Delivered an account of Berg’s single-movement Piano Sonata, Op 1 that you are unlikely to hear bettered”
THE best-kept secret in the world of chamber music is up and running once again. This 18th year’s theme celebrates the wonders of Creation and is titled accordingly. Fittingly, this includes six premieres over the festival fortnight, at all of which the composers concerned will be present.
The sheer statistics are worth a glance. Over the course of 13 concerts, there will be 58 pieces from 32 different composers covering 300 years to the present. Most featured are Thomas Adès and Schumann with six pieces each, followed by Beethoven and Mozart with four apiece.
There are 28 performers involved, all of them outstanding in their field, including many who return year after year and have become audience favourites.
For those new to the festival, it should be mentioned that although the programmes are published in advance, the names of the actual performers are only revealed just before each event – which adds an anticipatory frisson.
This year’s Young Artists Ensemble is the Davidoff Trio, who had the honour of opening proceedings, which encompassed Opus 1 pieces by Beethoven, Schumann, Berg and Mendelssohn. The outstanding feature of the trio’s treatment of Beethoven’s Op 1, No 1 in E flat was the intelligent pianism of Yona Sophia Jutzi. She maintained an ideal balance with her partners along with smooth momentum.
The ‘Mannheim skyrocket’ of the opening theme had a crisp staccato in all three voices. By contrast, the unusual Rondo slow movement was notable for the pianist’s rubato and the cellist’s interjections.
Much was made of the contrast between the pianissimo opening of the Scherzo and the more robust moments later. There was sparkling wit in the finale, taken at particularly brisk pace, with the strings handling its Mozart-style chromaticism with panache.
Roman Kosyakov highlighted the vitality in Schumann’s Op 1, his Abegg Variations for piano, his first foray into musical acrostics, since the letters of the name (with B representing the note B flat) are the theme that he develops. Kosyakov was clearly aware that their style was largely derived from Chopin and he milked it cleverly, particularly in the highly decorated fourth variation.
Katya Apekisheva, a long-time favourite here, delivered an account of Berg’s single-movement Piano Sonata, Op 1 that you are unlikely to hear bettered. She was totally attuned to the idiom of extremely late Romantic harmony composed when Berg was still a pupil of Schoenberg. Her touch and attention to detail were impeccable, notably as she built towards its big climax.
Mendelssohn’s First Piano Quartet, Op 1 in C minor, brought a third pianist to the podium, Daniel Lebhardt, in company with violinist Charlotte Scott, viola player Elliott Perks and cellist and festival director Jamie Walton. It proved a superb combination. Its opus number belies the work’s extraordinary maturity, which was apparent in the relentlessly detailed piano role in the first movement. Lebhardt handled it impeccably.
There was a truly Romantic soulfulness in the Adagio, largely coloured by the lower two strings. The excitement in the scherzo gave it a sense of acceleration and a power cut during the trio was weathered faultlessly. Battery lights were brought on before the finale which, despite its moderato marking, was taken at a fair clip, growing in intensity into a thrilling coda.
Review by Martin Dreyer
North York Moors Chamber Music Festival continues until August 22. For the full programme, visit: northyorkmoorsfestival.com.
Doubles troubles: Husband-and-wife strife for Helen Clarke’s Margo and Jamie McKeller’s ageing club champ, Lionel, in York Shakespeare Project’s Summer Sonnets: What the Deuce? Picture: John Saunders
MINISTRY of Sound turning classical, The Magpies’ folk festival, Sue Slack’s landscape paintings and The Basement’s new comedy club should outshine this evening’s solar eclipse, reckons Charles Hutchinson.
New balls please: York Shakespeare Project presents 2026 Summer Sonnets: What The Deuce?, Holy Trinity Churchyard, Goodramgate, York, until Saturday, 6pm & 7.30pm, plus 4.30pm Saturday show
SUMMER at the Goodramgate Lawn Tennis Club finds four doubles teams competing for the chance to play in a Wimbledon amateur tournament, whereupon partnerships and rivalries lead to sabotage and break point. Who has the advantage? Who is at fault? Will the score be love?
Expect further tennis puns aplenty as Rosy Rowley directs Stuart Green’s script that asks a new collection of ten characters to play out this new sporting and unsporting situation where each finds a way to share a Shakespeare sonnet. Taking part are James Robert Ball, Oscar Langford, Helen Clarke, Sarah McKeagney, Stuart Lindsay, Alexa Williams, Jamie McKeller, Alan Sharp, Christine Bramwell and Effie Warboys. Box office: tickets.41monkgate.co.uk.
Holly Johnson: Frankie says Relax on the Scarborough coast
Coastal gig of the week: Scarborough Open Air Theatre presents Holly Johnson, ABC and Heaven 17, Friday, gates 6pm
FLAMBOYANT, unapologetically bold Frankie Goes To Hollywood lead vocalist and lyricist Holly Johnson tops the 1980s’ triple bill on Friday, when he performs the chart-topping trio of Relax, Two Tribes and The Power Of Love, further Frankie smashes Welcome To The Pleasure Dome and Rage Hard and solo hits Love Train, Americanos and Atomic City. Sheffield bands ABC and Heaven 17 support. Box office: scarboroughopenairtheatre.com.
Grim reading: Pandora Clifford’s Mags (a younger Margaret Thatcher) flicking through the headlines in Handbagged at the Stephen Joseph Theatre. Picture: Tony Bartholomew
Political drama of the week: Handbagged, Stephen Joseph Theatre, Scarborough, until August 29
MOIRA Buffini’s 2013 Olivier Award-winning play imagines what happened behind closed palace doors when two of the 20th century’s most powerful women, Queen Elizabeth II and Prime Minister Margaret Thatcher, locked handbags. Meeting once a week for 11 years, one believed there was no such thing as society; the other committed her life to serving it.
Spanning 1979 to 1990, Handbagged asks if The Queen and the Iron Lady ever found common ground or did their stiff upper lips reign supreme? Hannah Tyrrell-Pinder directs the SJT cast of Pandora Clifford, Liz Garland, Alexandra Mathie, Deven Modha, Simon Darwen and Meriel Scholfield. Box office: 01723 370541 or sjt.uk.com.
The Magpies: Hosting their annual folk festival at Sutton Park, Sutton-on-the-Forest
Folk festival of the month: The Magpies Festival, Sutton Park, Sutton-on-the-Forest, near York, Friday and Saturday. SOLD OUT
RUN by the folk trio of Bella Gaffney, Holly Brandon and Ellie Gowers, The Magpies Festival presents Friday’s Main Stage bill of Daraa Tribes (6pm), The Magpies (8pm) and headliners Manran (10pm) and Brass Castle Stage bill of True Foxes (5pm), Elizabeth Davidson-Blythe & Daniel Quayle (7pm), SupaLung (9pm) and New York Brass Band (11pm).
Saturday’s line-up on the Main Stage comprises Steady Habits (12 noon), Alex Hart (2pm), Blair Dunlop (4pm), Katherine Priddy (6pm), Gnoss (8pm) and headliners Cut Capers (10pm). The Brass Castle Stage plays host to Songs In The Round, with Katherine Priddy, Blair Dunlop and Chloe Foy (1pm), Tarren (3pm), Ophelia’s Beard (5pm), Around About Dusk (7pm) and Suntou Susso & The Gambian Superstars (9pm). Box office for returns only: themagpiesfestival.co.uk/tickets.
York River Art Market organiser Caroline Turner with artist Lincoln Lightfoot on the Dame Judi Dench Walk pathway
Open-air art event of the week: York River Art Market, Dame Judi Dench Walk, York, Saturday & Sunday, 10am to 5.30pm
YORK River Art Market returns for its 11th year, bringing more than 30 artists from multiple disciplines to the Ouse riverside each day, this year presenting art and design market stalls on both sides of the pathway.
Described as York’s answer to the Left Bank in Paris, the event is being run for the first time this summer by Caroline Turner, a professional potter and ceramics teacher at Clay Space York. Admission is free.
Ministry of Sound Classical: Taking over the Castle Howard grounds on Saturday
Club classics/House/Orchestral party gathering of the week: Ministry of Sound Classical, Grounds of Castle Howard, near Malton, Saturday, 2pm to 10.30pm
ENJOY sweeping views of the Castle Howard Estate while listening to a live orchestra reimagining the greatest dance anthems from the iconic Ministry of Sound catalogue as timeless tracks are brought to life, blending classical musicianship with contemporary dance music for an unforgettable open-air experience.
As well as headline act Ministry Of Sound Classical, artists performing at this festival will be Judge Jules, Paul Oakenfold, Danny Rampling, Ellie Sax, Smudged Soul and Alex Malam. Box office for last few tickets: skiddle.com/festivals/ministry-of-sound-classical-at-castle-howard/#tickets.
Nice touch: Chloe Petts feeling lippy about playing Basement Comedy Club’s debut gig
Comedy gig of the week: Basement Comedy Club launch gig, The Basement, City Screen Picturehouse, York, Sunday, 6pm
CITY Screen Picturehouse launches its new monthly comedy event in the redecorated Basement this weekend. Compered by Sara Barron, the debut Basement Comedy Club bill comprises headline act Chloe Petts, addressing lad culture and identity politics, Manchester comic Shah, shedding light on growing up in an immigrant household and mental health challenges, and Lovdev Barpaga, who specialises in crafting one liners and puns. Box office: picturehouses.com.
Hiker and landscape artist Sue Slack painting above Rosedale
Exhibition of the week: Sue Slack, Finding The Dramatic, Ryedale Folk Museum, Hutton-le-Hole, until August 31
NORTH York Moors landscape painter Sue Slack’s work is inspired by a deep connection with the surrounding landscape. A keen runner and hiker, she draws creative energy from exploring the area close to home.
Working outdoors, Sue embraces the immediacy of being in the landscape and its direct influence on her painting and drawing. In Finding The Dramatic, she presents mixed-media works inspired by the hills, dales and coastline of the North York Moors. Open Saturdays to Thursdays, closed on Fridays; free to visit.
Linda Smith: Bedroom pop at The Crescent
American pop underground act of the week: Please Please You presents Linda Smith, The Crescent, York, Sunday, 6.30pm
HOME recording pioneer Linda Smith has self-released her music since 1987, originally on cassette. In the early 1990s, indie labels Slumberland and Harriet Records expanded her reach with two seven-inch EPs.
Brooklyn, New York label Captured Tracks has reissued two complete albums on vinyl and Smith has begun to tour in the United States and internationally for the first time, now visiting York with her bedroom pop. Support act Troutflies play loose, woozy punk and experimental lo-fi pop, occasionally with duelling melodicas. Box office: thecrescentyork.com.
More Things To Do in York and beyond. Here’s Hutch’s List No. 33, from The York Press, from August 15 onwards
Squash on the tennis court: Effie Warboys’ insufferably spoilt Chessie, front left, pushing around her doubles partner, Alexa Williams’s Belle, in Summer Sonnets: What The Deuce? In the background are Oscar Langford’s Harry, left, and James Robert Ball’s Tony. Picture: John Saunders
MINISTRY of Sound turning classical, The Basement’s comedy launch night and Johnny Depp’s Scarborough return spark Charles Hutchinson’s curiosity.
New balls please: York Shakespeare Project presents 2026 Summer Sonnets: What The Deuce?, Holy Trinity Churchyard, Goodramgate, York, August 15, 4.30pm, 6pm & 7.30pm
SUMMER at the Goodramgate Lawn Tennis Club finds four doubles teams competing for the chance to play in a Wimbledon amateur tournament, whereupon partnerships and rivalries lead to sabotage and break point. Who has the advantage? Who is at fault? Will the score be love?
Expect further tennis puns aplenty as Rosy Rowley directs Stuart Green’s script that asks a new collection of ten characters to play out this new sporting and unsporting situation where each finds a way to share a Shakespeare sonnet. Taking part are James Robert Ball, Oscar Langford, Helen Clarke, Sarah McKeagney, Stuart Lindsay, Alexa Williams, Jamie McKeller, Alan Sharp, Christine Bramwell and Effie Warboys. Box office: tickets.41monkgate.co.uk.
York River Art Market organiser Caroline Turner with artist Lincoln Lightfoot on the Dame Judi Dench Walk pathway
Open-air art event of the week: York River Art Market, Dame Judi Dench Walk, York, August 15 and 16, 10am to 5.30pm
YORK River Art Market has returned for its 11th year, bringing more than 30 artists from multiple disciplines to the Ouse riverside each day on the third of three weekends, this year presenting art and design market stalls on both sides of the pathway.
Described as York’s answer to the Left Bank in Paris, the event is being run for the first time this summer by Caroline Turner, a professional potter and ceramics teacher at Clay Space York. Admission is free.
Cut Capers: Headlining Main Stage at The Magpies Festival on August 15
Folk festival fully booked: The Magpies Festival, Sutton Park, Sutton-on-the-Forest, near York, August 15
RUN by the folk trio of Bella Gaffney, Holly Brandon and Ellie Gowers, The Magpies Festival presents today’s line-up on the Main Stage of Steady Habits (12 noon), Alex Hart (2pm), Blair Dunlop (4pm), Katherine Priddy (6pm), Gnoss (8pm) and headliners Cut Capers (10pm).
The Brass Castle Stage plays host to Songs In The Round, with Katherine Priddy, Blair Dunlop and Chloe Foy (1pm), Tarren (3pm), Ophelia’s Beard (5pm), Around About Dusk (7pm) and Suntou Susso & The Gambian Superstars (9pm). Box office for returns only: themagpiesfestival.co.uk/tickets.
Ministry of Sound Classical: Taking over the Castle Howard grounds on August 15
Club classics/House/Orchestral party gathering of the week: Ministry of Sound Classical, Grounds of Castle Howard, near Malton, August 15, 2pm to 10.30pm
ENJOY sweeping views of the Castle Howard Estate while listening to a live orchestra reimagining the greatest dance anthems from the iconic Ministry of Sound catalogue as timeless tracks are brought to life, blending classical musicianship with contemporary dance music for an unforgettable open-air experience.
As well as headline act Ministry Of Sound Classical, artists performing at this festival will be Judge Jules, Paul Oakenfold, Danny Rampling, Ellie Sax, Smudged Soul and Alex Malam. Box office for last few tickets: skiddle.com/festivals/ministry-of-sound-classical-at-castle-howard/#tickets.
Hollywood Vampires: Joe Perry, left, Johnny Depp, Alice Cooper and Tommy Henriksen
Coastal gig of the week: Hollywood Vampires, TK Maxx Presents Scarborough Open Air Theatre, August 15, gates 6pm
NAMED after Alice Cooper’s 1970s’ drinking club, American rock supergroup Hollywood Vampires return to Scarborough after their sold-out 2023 gig with the regular line-up of Cooper, film star and guitarist Johnny Depp, Aerosmith co-founder Joe Perry and Crossbone Skully and Warlock musician Tommy Henriksen. Punk icons The Damned support. Box office: scarboroughopenairtheatre.
Sara Barron: Compere for Basement Comedy Club debut gig
Comedy gig of the week: Basement Comedy Club launch show, The Basement, City Screen Picturehouse, York, August 16, 6pm
CITY Screen Picturehouse launches its new monthly comedy event in the redecorated Basement this weekend. Compered by Sara Barron, the debut Basement Comedy Club bill comprises headline act Chloe Petts, addressing lad culture and identity politics, Manchester comic Shah, shedding light on growing up in an immigrant household and mental health challenges, and Lovdev Barpaga, who specialises in crafting one liners and puns. Box office: picturehouses.com.
Hiker and landscape artist Sue Slack painting above Rosedale
Exhibition of the week: Sue Slack, Finding The Dramatic, Ryedale Folk Museum, Hutton-e-Hole, until August 31
NORTH York Moors landscape painter Sue Slack’s work is inspired by a deep connection with the surrounding landscape. A keen runner and hiker, she draws creative energy from exploring the area close to home.
Working outdoors, Sue embraces the immediacy of being in the landscape and its direct influence on her painting and drawing. In Finding The Dramatic, she presents mixed-media works inspired by the hills, dales and coastline of the North York Moors. Open Saturdays to Thursdays, closed on Fridays; free to visit.
Linda Smith: Bedroom pop at The Crescent
American pop underground act of the week: Please Please You presents Linda Smith, The Crescent, York, August 16, 6.30pm
HOME recording pioneer Linda Smith has self-released her music since 1987, originally on cassette. In the early 1990s, indie labels Slumberland and Harriet Records expanded her reach with two seven-inch EPs.
Brooklyn, New York label Captured Tracks has reissued two complete albums on vinyl and Smith has begun to tour in the United States and internationally for the first time, now visiting York with her bedroom pop. Support act Troutflies play loose, woozy punk and experimental lo-fi pop, occasionally with duelling melodicas. Box office: thecrescentyork.com.
Silent Disco falls even more silent
CANCELLED:Glasswerk presents Day Fever Silent Disco, York Museum Gardens, August 21, 6.30pm
YORK Museum Gardens will no longer be transformed into “the ultimate outdoor dance floor” for Day Fever’s first ever Silent Disco under the stars that would have followed the organisers’ series of York Barbican indoor events.
“It’s really simple,” said Day Fever’s co-organiser, actress Vicky McClure, before the late cancellation. “Everyone gets a pair of headphones. You’ll be connected to a Day Fever DJ, who will be playing non-stop Day Fever anthems from 6.30pm until 10m. Sing as loud as you like – no-one can hear.” Ticket refunds: https://www.skiddle.com/whats-on/York/Museum-Gardens/Day-Fever-Silent-Disco/42485814/.
Michelle Yim in The Ballad Of Mulan, on tour at York Theatre Royal.
Show announcement of the week: Red Dragonfly Productions & Grist To The Mill Productions present The Ballad Of Mulan, York Theatre Royal Studio, September 11, 7.45pm; September 12, 2pm & 7.45pm
COMMISSIONED and performed by West Yorkshire-born British-Chinese actress Michelle Yim, The Ballad Of Mulan tells the story of the real woman behind the legendary Chinese female warrior who disguised as a man to join the Empire’s army – and inspired Disney’s animation and live-feature Mulan.
Woman, warrior, legend, for ten years Mulan has fought for the Chinese Empire. Now, after one last battle, she will be going home, but can she return to her old life, becoming a woman again. Yim’s hour-long The Ballad Of Mulan presents a search for identity in a violent world. Box office: 01904 623568 or yorktheatreroyal.co.uk.
Donna Maria Taylor in her South Bank Studios studio
GEORGIAN celebrations, a brace of art fairs, Shakespeare sonnets on the tennis court and The Magpies’ folk festival should outshine Wednesday’s solar eclipse, reckons Charles Hutchinson.
Artists in situ: South Bank Studios’ Summer Artists Open Doors, Southlands Methodist Church, Bishopthorpe Road, York, today, 10am to 4pm
MEET the South Bank artists and makers who work in a broad range of disciplines, from textile art, painting, drawing and photography, to mixed media, letterpress and linocut printmaking.
Visit their studios to see their creative processes in a day of art to buy, art demonstrations and activities, including the loft studios, not usually on view to the public. The cafe will be open for refreshments. Entry is free; all welcome.
Masquerade Ball at the 2026 York Georgian Festival tonight
York festival of the week: York Georgian Festival, until August 10
HIGHLIGHTING the sights and sounds of 18th century life, York Mansion House and beyond plays host to the fourth York Georgian Festival in a festival programme that ranges from free displays of dancing and military drills in St Helen’s Square to the York Georgian Masquerade Ball at the Grand Assembly Rooms tonight. Talk, tours, performances and workshops feature too. For full listings and booking details, go to: yorkgeorgianfestival.co.uk.
Carlton Main Colliery Band: Brass At The Proms at Selby Abbey
Rousing concert of the week: Brass At The Proms, Carlton Main Colliery Band, Selby Abbey, tonight, 7pm
JOIN Carlton Main Frickley Colliery Band on its return to the former coalfield town of Selby for a Last Night of the Proms brass concert featuring a vibrant mix of rousing favourites. Seating in the Main Nave will be allocated, with seat and row numbers; Rear Nave seating will be filled on a first-come, first-served basis. Box office: selbytownhall.co.uk.
Futureproof’s logo for a night of poetry, drag, monologues and comedy
Art and science bonding exercise of the week: Futureproof presents Opposites Attract Scratch Night, York Theatre Royal Studio, tonight, 7.30pm
EIGHT acts perform a mixture of poetry, drag, monologues and comedy. Expect biochemistry, molecular biology, sewing, chalk stream-inspired dance and more tonight.
The theme, Opposites Attract, derives from the idea that many things will give people joy, purpose, belonging and entertainment — such as maths and science — that seem to be mutually exclusive to theatre. Futureproof invites creatives to consider these ostensible contrasts, alongside the concept that theatre is meant to reflect our world and/or be a tool to create new ones. Box office: 01904 623568 or yorktheatreroyal.co.uk.
Comedy event of the week: Kevin Bridges: Warm Up, Grand Opera House, York, today and tomorrow, 8pm
CLYDEBANK comedian Kevin Bridges performs two warm-up shows in York ahead of his UK stand-up tour Here If You Need Me. Tonight’s gig has sold out but tickets are still available for tomorrow, as well as for his Leeds First Direct Bank Arena tour show on November 19. Box office: York, atgtickets.com/york; Leeds, axs.com/uk/events/1240964/kevin-bridges-tickets?skin=leeds.
On the stretch: Jamie McKeller’s Lionel, left, and Stuart Lindsay’s Charles limbering up for the doubles in York Shakespeare Project’s Summer Sonnets: What the Deuce? Picture: John Saunders
New balls please: York Shakespeare Project presents 2026 Summer Sonnets: What The Deuce?, Holy Trinity Churchyard, Goodramgate, York, until August 15, except August 11, 6pm & 7.30pm, plus 4.30pm Saturday shows
SUMMER at the Goodramgate Lawn Tennis Club finds four doubles teams competing for the chance to play in a Wimbledon amateur tournament, whereupon partnerships and rivalries lead to sabotage and break point. Who has the advantage? Who is at fault? Will the score be love?
Expect further tennis puns aplenty as Rosy Rowley directs Stuart Green’s script that asks a new collection of ten characters to play out this new sporting and unsporting situation where each finds a way to share a Shakespeare sonnet. Taking part will be James Robert Ball, Oscar Langford, Helen Clarke, Sarah McKeagney, Stuart Lindsay, Alexa Williams, Jamie McKeller, Alan Sharp, Christine Bramwell and Effie Warboys. Box office: tickets.41monkgate.co.uk.
The poster fort York River Art Market 2026. Illustration by Elliot Harrison (@York360)
Open-air art event of the month: York River Art Market, Dame Judi Dench Walk, York, today and tomorrow, then August 15 & 16, 10am to 5.30pm
YORK River Art Market returns for its 11th year, bringing more than 30 artists from multiple disciplines to the Ouse riverside each day, this year presenting art and design market stalls on both sides of the pathway.
Described as York’s answer to the Left Bank in Paris, the event is being run for the first time this summer by Caroline Turner, a professional potter and ceramics teacher at Clay Space York. Admission is free.
York River Art Market 2026 organiser Caroline Turner with artist Lincoln Lightfoot on the Dame Judi Dench Walk pathway
Tribute gig of the week: SWT presents Pulp’d vs Blur 2, Milton Rooms, Malton, today, 8pm
PULP’D and Blur2 team up for a double-header of Britpop royalty tonight. Born and raised in Sheffield, passionate Pulp fans Pulp’d came together to re-create the hits, passion and Jarvis Cocker moves.
Blur2 bring the very best of Blur to every show: the energy, the fun, the sound, the looks and the musicianship of Damon Albarn, Graham Coxon, Alex James and co. Box office: 01653 696240 or themiltonrooms.com.
Scissor Sisters: Heading to the Scarborough coast tonight
Coastal gigs of the week: Scarborough Open Air Theatre presents Scissor Sisters, today; Holly Johnson, ABC and Heaven 17, August 14, gates 6pm
AFTER their 2025 UK arena reunion tour and that summer’s Saturday night Glastonbury set, Scissor Sisters bring their trademark blend of glam, grit and glorious to Scarborough Open Air Theatre this weekend. Jake Shears, Babydaddy, Del Marquis and co will be rolling out such favourites as Take Your Mama, Laura, I Don’t Feel Like Dancin, Let’s Have A Kiki, Only The Horses and Filthy/Gorgeous.
Holly Johnson: Frankie says Relax in Scarborough
Flamboyant, unapologetically bold Frankie Goes To Hollywood lead vocalist and lyricist Holly Johnson tops the 1980s’ triple bill next Friday, when he performs the chart-topping trio of Relax, Two Tribes and The Power Of Love, further Frankie smashes Welcome To The Pleasure Dome and Rage Hard and solo hits Love Train, Americanos and Atomic City. Sheffield bands ABC and Heaven 17 support. Box office: scarboroughopenairtheatre.com.
The Magpies: Hosting their folk festival at Sutton Park
Folk festival of the month: The Magpies Festival, Sutton Park, near York, August 14 and 15
RUN by the folk trio of Bella Gaffney, Holly Brandon and Ellie Gowers, The Magpies Festival presents next Friday’s Main Stage bill of Daraa Tribes (6pm), The Magpies (8pm) and headliners Manran (10pm) and Brass Castle Stage bill of True Foxes (5pm), Elizabeth Davidson-Blythe & Daniel Quayle (7pm), SupaLung (9pm) and New York Brass Band (11pm).
Next Saturday’s line-up on the Main Stage comprises Steady Habits (12 noon), Alex Hart (2pm), Blair Dunlop (4pm), Katherine Priddy (6pm), Gnoss (8pm) and headliners Cut Capers (10pm). The Brass Castle Stage plays host to Songs In The Round, with Katherine Priddy, Blair Dunlop and Chloe Foy (1pm), Tarren (3pm), Ophelia’s Beard (5pm), Around About Dusk (7pm) and Suntou Susso & The Gambian Superstars (9pm). Box office: themagpiesfestival.co.uk/tickets.
Composer Thomas Adès: Presenting new composition at Creation-themed North York Moors Chamber Music Festival. Picture: Marco Borggreve
In Focus: North York Moors Chamber Music Festival, August 8 to 22
THE North York Moors Chamber Music Festival celebrates its 18th consecutive year with the premieres of six works by contemporary British composers.
Aptly named Creation, the 2026 festival will run from August 8 to 22, featuring new compositions by Thomas Adès, Huw Watkins (both of whom will perform at the festival), Charlotte Bray, Tom Coult, Isabella Gellis and Helen Grime.
“Our 2026 festival celebrates the wonder of beginnings and features six newly commissioned premieres that evoke the six days of the universe’s creation, woven through the festival theme, by six of our country’s very finest composers,” says festival director and cellist Jamie Walton.
Charlotte Bray: Premiering That Which You Wove Of Lightest Thread, I Wear To Honour Stone at North York Moors Chamber Music Festival. Picture: David Beecroft
“As part of this narrative, the Sabbath (Sunday) remains a day of rest – and each concert includes works that were themselves groundbreaking or innovative in their time, reflecting music’s timeless power to create, to renew, and to tell a universal story through sound.”
Jamie continues: “Thomas Adès is widely regarded as one of the world’s greatest living composers, so it’s a real coup to have him both write for us and come to premiere the piece, Flower Variations [in the Landspeak concert on August 14 at 7pm at Welburn Manor].
“We’re really proud of the fact that, alongside these six outstanding composers, we have such a stellar line-up of international artists.
Helen Grime: Premiering Time Be Brief. Picture: Benjamin Ealovega
“We’re also continuing to champion visual artists from the moors in the brochure, pairing their work with concert titles. We’ve done this for the past two years and it’s a wonderful way to cross-pollinate and collaborate with more artists.”
Charlotte Bray’s piece for horn and string quartet, That Which You Wove Of Lightest Thread, I Wear To Honour Stone, will be accompanied by a collaborative artwork by Caroline Burraway, exhibited on stage at St Hedda’s, Egton Bridge during The Dividing Line performance on August 13 at 2pm.
Isabella Gellis’s Creation will be premiered in August 11’s Dialogue concert at St Hilda’s, Danby, at 2pm; Helen Grime’s Time Be Brief, at Metamorphoses concert, Welburn Abbey, August 15, 7pm; Huw Watkins’s Oboe Quartet, The Architect’s Hand concert, St Mary’s, Lastingham, August 18, 2pm, and Tom Coult’s Two Nocturnes and A Maze, in its UK premiere, Nightfall concert, Welburn Abbey, August 20, 7pm.
Huw Watkins: Premiering his Oboe Quartet in festival appearance. Picture: Benjamin Ealovega
The festival will take place in four historic moorland churches – St Hilda’s, Danby, St Hedda’s, Egton Bridge, St Michael’s, Coxwold, and St Mary’s, Lastingham – along with the majority of concerts being staged in the grounds of Welburn Manor, near Kirkbymoorside, where the acoustically-treated venue has been enlarged this year to reflect the festival’s increasing popularity.
The festival was named a Best of British Fund Winner 2026 by Airbnb, representing Yorkshire as part of the North York Moors Beacon for the Arts.
Jamie says: “Our festival celebrates the art of collaboration in an awe-inspiring setting, taking our audience on a musical quest each year through interwoven themes within a central storyline.
Isabella Gellis: Premiering Creation in August 11’s Dialogue concert at St Hilda’s, Danby. Picture: Ella Pavlides
“Over 18 years, we have built a reputation for breaking down barriers to make exceptional music accessible to all, fostering community and cultural connection through friendship and trust. Uncompromising even amid pandemic challenges, our festival was one of the few to present full, live performances in 2020 and 2021.
“August, when the heather is in full bloom, brings the North York Moors to life. Artists are immersed in the National Park, rehearsing and living in a deeply holistic environment, while audiences are welcome to enjoy picnics on the grounds of Welburn Manor, attend concerts, and explore the region’s historic churches and priories.”
The event continues to attract international artists, 28 this year, many of them committing to the entire fortnight by taking up residencies in a festival of 13 concerts featuring 58 chamber works from 32 composers spanning 300 years to the present day.
Tom Coult: Premiering Two Nocturnes and A Maze on August 20. Picture: Matthew Johnson
This year, these include Alena Baeva, Benjamin Baker, Oliver Cave, Oliver Heath, Alessandro Ruisi and Charlotte Scott (violin); Sascha Bota, Meghan Cassidy, Emma Wernig and Simone van der Giessen (viola); Rebecca Gilliver, Tim Posner and Jamie Walton (cello) and Will Duerden (double bass).
Taking part too are: Thomas Adès, Katya Apekisheva, Joseph Havlat, Roman Kosyakov, Daniel Lebhardt and Huw Watkins (piano); Ben Goldscheider (French horn); Nicholas Daniel (oboe); Matthew Hunt (clarinet); Jonathan Davies (bassoon) and James Gilchrist (tenor). Completing the line-up will be the festival’s award-winning Young Artists ensemble, The Davidoff Trio.
“Our 2026 festival celebrates the wonder of beginnings and features six newly commissioned premieres that evoke the six days of the universe’s creation,” says North York Moors Chamber Music Festival director Jamie Walton. Picture: Matthew Johnson
