The poster for the Bar Convent’s debut involvement in the York Mystery Plays Festival
THE Bar Convent Living Heritage Centre, in Blossom Street, York, is celebrating its medieval heritage by taking part in the theatrical spectacle of the York Mystery Plays Festival for the first time.
Making the headlines are:
* Women in the Mystery Plays exhibition, until August 29.
* Performance of Journey To Calvary in the garden, July 4, 2pm.
* Medieval Arma Christi scroll, on display until July 4, for the last time until 2027.
* Family-friendly activities during summer school holidays.
Every four years, the streets of York are transformed into an immersive historic stage as part of the Mystery Plays tradition dating back to medieval times. The Bar Convent is thrilled to be included in the programme of special events taking over the city with performances, exhibitions, talks, trails and more.
Dr Hannah Thomas: Special collections manager and research fellow at the Bar Convent. Picture: Bar Convent Living Heritage Centre
Dr Hannah Thomas says: “The discovery of the incredible rare medieval Arma Christi prayer scroll has enabled us to explore and reinterpret our medieval heritage and connections across the city.
“York Mystery Plays Festival is such a befitting partnership for us with its religious content, our medieval links, both histories intertwining with the Reformation and the fact that the Arma Christi scroll depicts the Journey to Calvary.
“We are incredibly excited to showcase our collections to new audiences, to work with Diane Heaven on her new display and for people to experience our garden in a new and exciting way.”
Diane Heaven, curator of the Women in the Mystery Plays exhibition, says: “I have worked on the York Mystery Plays Festival for five cycles in various capacities. This year, I am thrilled to have had the opportunity to curate this exhibition at the Bar Convent to honour and celebrate the Women of the Mystery Plays, past and present.
“From Lucy Toulmin Smith, the woman who re-discovered and then translated the medieval manuscripts, to those working on the plays today who have been generous enough to provide us with scrap books, model stages, fabrics and sketches that give us a fascinating and unique insight into the creative processes behind the plays.”
Women in the Mystery Plays and the Arma Christi display are included in admission to the Bar Convent exhibition, open Monday to Saturday, 10am to 5pm, last admission 4pm. Journey To Calvary is a free event.
Women in the Mystery Plays, on display in the Gregory Gallery at the Bar Convent. Picture: Bar Convent Living Heritage Centre
Activities for York Mystery Plays Festival at Bar Convent
Women in the Mystery Plays, curated by Diane Heaven, until August 29.
FASCINATING exploration of women in the York Mystery Plays, past and present, revealing hidden stories, voices and contributions across the years. The exhibition also responds to the Bar Convent’s medieval collections and significance as a driving force for equality both historically and in the present day.
Curator Diane Heaven has taken on many roles in the York Mystery Plays over the years, but for 2026, she has written and adapted the music for Doomsday, designed the costumes and set and made many of the costumes (examples of which can be seen on display at the Bar Convent).
Arma Christi, on public display, until July 4
ARMA Christi, the most spectacular medieval prayer scroll in the world, is on display for the last time until 2027. From the 11 scrolls that have survived the Reformation, the Bar Convent Arma Christi is the best preserved and the only example to have responses, which gives new insight into how experts previously thought the scrolls were used. This will be on display alongside the convent’s medieval collection.
Summer at the Bar Convent, July 20 to September 5
IN celebration of the York Mystery Plays Festival, enjoy a summer of creativity at the Bar Convent. Visit the new display Women of the Mystery Plays and take inspiration from the creatives past and present who have worked on these spectacular medieval historic plays.
Journey To Calvary in rehearsal. Picture: York Mystery Plays Trust
Find children’s costumes to try on and explore the beautiful colours of the medieval Arma Christi, alongside the objects throughout the exhibition, to create your own artwork.
Step into the garden where you will find easels and art materials to capture the nature that surrounds you. All ages and abilities are welcome.
Admission applies to the exhibition. Easels are available at no charge, Monday to Friday.
Journey To Calvary, July 4, 2pm
THE Bar Convent garden will become a stage for Journey To Calvary: Play No. 34, presented in response to the Arma Christi scroll. For the story of Jesus having to carry his cross to the place of crucifixion, uniquely among this summer’s plays, Journey To Calvary does not utilise a pageant waggon, on account of the fundamentally processional nature of the play.
This free performance will run for 20 minutes approximately; some seating will be provided. Food and drink can be bought at the Bar Convent café, with a discount to the Bar Convent exhibition available for those who attend. Find more details at yorkmysteryplays.co.uk/the-2026-festival/.
Dr Isobel Staton, special collections officer, with a selection of the Bar Convent’s medieval objects. Picture: Bar Convent Living Heritage Centre
Bar Convent: back story
THE Bar Convent was established in 1686, when it was illegal to be a Roman Catholic, hiding in plain sight as a school for girls. The foundress of the order was Yorkshire woman Mary Ward (1585-1625), a pioneer in women’s education who famously said, “There is no such difference between men and women that women may not do great things”.
Over the past 300 years, the order has been entrusted with the safe-keeping of many relics and artefacts, many of them on display in the exhibition.
Today, the Bar Convent is the oldest living convent in Great Britain. The house is central to the global order and there are more than 200 schools worldwide in Mary Ward’s name.
The house is open for all faiths and none to explore, with an exhibition, chapel, café, garden, meeting rooms and guest house on site.
The Bar Convent Living Heritage Centre, in Blossom Street, York. Picture: Gareth Buddo
Al Dunn, Matt Freeman and Nick Bunt in Oh Zeus! on Le Navet Bete’s fifth visit to York Theatre Royal. Picture: Mark Senior
A MYTHOLOGICAL farce and Lenny Henry at large, a snappy crocodile and a Man-Wulf, a spelling bee musical and a mirrored installation keep Charles Hutchinson’s arty eye on the ball and off the football.
Greek comedy of the week: Le Navet Bete in Oh Zeus!, York Theatre Royal, today, 2pm and 7.30pm
EXETER’S chaotic comedy specialists, Le Navet Bete, conduct a riotous ride through Ancient Greece, the Underworld and back in Oh Zeus! Written by director John Nicholson and company founders Al Dunn, Nick Bunt and Matt Freeman, this mythological farce finds the stability of Olympus being threatened by the marriage of Zeus’s daughter, Hebe, to a mere mortal, whereupon the King of the Gods hatches a plan to derail the wedding.
Expect physical comedy, outrageous jokes and fast-paced pandemonium as Dunn, Bunt and Freeman play 40 characters between them. Box office: 01904 623568 or yorktheatreroyal.co.uk.
Beverley Knight: Born to perform at York Barbican. Picture: Lewis Shaw
Recommended but sold out: Beverley Knight, Born To Perform, York Barbican, tonight, 7.30pm
QUEEN of British soul Beverley Knight shares stories from her life on stage, as well as performing her biggest hits, musical theatre favourites and cherished songs that have inspired her on her 20-date UK tour.
“Born To Perform is me taking you on a journey through my life on both music and theatre stages, using my memories and of course my songs. I’m stripping back my sound so the audience can lean in a little closer and really hear my soul,” says Knight, whose hits include Made It Black, Greatest Day, Get Up, Shoulda Woulda Coulda, Gold, Come As You Are, Keep This Fire Burning and Piece Of My Heart. Her special guest is Gabriella Cilmi. Box office for returns only: yorkbarbican.co.uk.
Anastacia: Playing Scarborough Open Air Theatre on Not That Kind tour
Coastal gigs of the week: TK Maxx presents Scarborough Open Air Theatre, Skunk Anansie & Garbage, tonight; Anastacia and Heather Small tomorrow, gates 6pm
SKUNK Anansie and Garbage play Scarborough on a six-date tour. Formed in London in 1994, fronted by Skin, Skunk Anansie blend hard rock with political and social themes; American alternative rock band Garbage, fronted by Scottish singer Shirley Manson, combine rock, electronica and pop influences.
Chicago singer Anastacia heads to the Yorkshire coast to perform I’m Outta Love, Paid My Dues and Left Outside Alone et al on her Not That Kind tour. London soul singer Heather Small, of M People fame, is her special guest. Box office: scarboroughopenairtheatre.com.
York artist Ric Liptrot’s illustration for tomorrow’s 2026 Bishy Road Street Party
Community event of the week: Bishy Road Street Party, Bishopthorpe Road, York, tomorrow, 11am to 4pm
CELEBRATING community spirit and independent shops, Bishopthorpe Road Traders Association’s 2026 Bishy Road Street Party combines live music, family activities and food and drink, plus street vendors and community stalls. The main stage plays host to performances by Yorkshire Voices (11am), Third Parallel (11.45am), Gaia On Fire (Juno, 12.30pm) and Bargestra (1.30pm), climaxing with headline sets by the Yorky Pud Street Band (14.15pm) and The Unnamed Band (3.15pm).
Look out for five children’s performances and interactive sessions, with appearances from Evergreen Explorers (11am), Professor Dan (12 noon), Baby Band (1pm), Elevate Dance Sessions (2pm) and Josh Benson (3pm). A children’s zone, featuring face painting, mud kitchen, crafts, hair braiding and balloons, will be set up on Ebor Street and entertainment will be spread across the event space. Charities, artists, makers and community groups offer games, activities and information. Free to attend; no booking required.
Artist and designer Es Devlinin the Temple of the Fours Winds at Castle Howard. Picture: Rick Walker, PA Media
Installation of the week: Es Devlin, Library Of The Four Winds, Temple of the Four Winds, Castle Howard, near Malton, until September 27
AS part of the Vanbrugh 300 celebrations at Castle Howard, artist and designer Es Devlin responds to Sir John Vanbrugh’s visionary architecture with her luminous installation Library Of The Four Winds, a new mirrored sculpture that takes over the Temple of the Four Winds in honour of the National Year of Reading.
The temple’s original use as a place for refreshment and reading was Devlin’s starting point for a central sculpture made up of hundreds of books, curated from the personal libraries of Vanbrugh and Devlin. The temple is encompassed by four concentric tables where the public can read, draw, talk, eat and listen. The space will host events throughout the summer. Tickets: castlehoward.co.uk.
The many faces of Lenny Henry: Actor, comedian, fundraiser and stand-up anedoctalist
Talk of the week: Lenny Henry, Still At Large, Grand Opera House, York, June 23, 7.30pm
PART stand-up, part storytelling and part conversation with himself and with you, Still At Large finds Lenny Henry returning to the experiences that shaped him while also exploring the ideas, challenges and creative sparks driving him today.
From The Lenny Henry Show and Chef! to dramatic performances in Othello and The Lord Of The Rings: The Rings Of Power, he traces the roles, characters and moments that have defined his six-decade career and shares what continues to inspire him as he reflects on a life lived out loud. On show will be the many versions of Lenny: actor, impressionist, comedian, fundraiser and stand-up anecdotalist. Box office: atgtickets.com/york.
Musical of the week: York Light Opera Company in The 25th Annual Putnam County Spelling Bee, Theatre@41, Monkgate, York, June 24 to 27 & June 30 to July 4, 7.30pm, plus 2.30pm Saturday matinees and 2pm Sunday matinee (28/6/2026)
NEIL Wood directs York Light in Rebecca Feldman, William Finn and Rachel Sheinkin’s musical account of six ‘mid-pubescents’ battling for the spelling championship of a lifetime. While candidly disclosing stories from their home life, the tweens spell their way through a series of words hoping to never hear the bell that signals a mistake.
Cue a heart-warming message that highlights themes of friendship, identity and perseverance, all while celebrating the awkwardness and excitement of growing up. Box office: tickets.41monkgate.co.uk.
Mischievous adaptationof the week:Roald Dahl Story Company in Roald Dahl’s The Enormous Crocodile The Musical, York Theatre Royal, June 25 to 28, 10.30am and 1.30pm.
ROALD Dahl’s Enormous Crocodile is weaving his way through the jungle in search of delicious little fingers and squidgy podgy knees. Only fellow jungle creatures can foil his “secret plans and clever tricks”, but they need courage aplenty to stop this greedy, grumptious, horrid brute.
Equipped with Ahmed Abdullahi Gallab’s tunes, Suhayla El-Bushra’s rib-tickling book and lyrics and Tom Brady’s additional music and lyrics, the dastardly family adventure has been developed and directed by Emily Lim, working in tandem with co-director and puppetry designer Toby Olié. Chelsea Da Silva, Precious Abimbola, Jordan Eskeisa, Ciara Hudson, Marienella Phillips and actor-musician René Francalanza star.Age guidance: Three plus. Box office: 01904 623568 or yorktheatreroyal.co.uk.
Comedy gigs of the week: Stewart Lee vs The Man-Wulf, Grand Opera House, York, June 25 to 27, 7.30pm
AFTER a five-night Theatre Royal run in the fledgling days of Stewart Lee vs The Man-Wulf in January 2025, the contrarian comedian returns to York for three more nights of testing whether the beast inside us all can be silenced with the silver bullet of Lee’s scalpel-sharp stand-up?
Lee will play the same material three ways: first up, telling liberal jokes in a liberal way, then, after a screaming transformation into the Man-Wulf, reactionary jokes in a reactionary way post-interval and, finally, wolf’s head removed, reactionary jokes in a liberal, left-leaning way. Box office: atgtickets.com/york.
Cabaret gig of the week: The Old Paint Shop presents Karl Mullen, York Theatre Royal Studio, June 26, 8pm
AFTER two Old Paint Shop gigs last year, Karl Mullen, upright-piano busker, Phoenix Inn fixture and Leeds Piano Competition Pub Piano Champion, completes his hat-trick, serving up his high-energy take on everything from Chopin to Oasis, via Led Zeppelin and Les Dawson, packed with outrageous and heartfelt stories from decades of gigging. Box office: 01904 623568 or yorktheatreroyal.co.uk.
In Focus: Prima Choral Artists, Under One Sky, National Centre for Early Music, York, Sunday, 21/6/2026, 5pm & 7.30pm
Prima Choral Artists; poster for Sunday’s concerts at the double on Father’s Day
PRODUCER and artistic director Eve Lorian leads Prima Choral Artists in a compelling journey through global vocal traditions in two concerts on Sunday at the National Centre For Early Music, St Margaret’s Church, Walmgate, York.
Under One Sky is a signature programme by this Polish-born, York-based choral director, who has consistently introduced unique concerts and explored new territory for York choirs for nearly two decades.
Eve’s latest artistic compilation is designed to celebrate the relationship between musical language, cultural identity and vocal technique, while recognising the unifying nature of the choral canon. Spanning a wide geographical and cultural spectrum, the repertoire highlights distinctive approaches to tone production, ornamentation, rhythm and ensemble cohesion.
Sunday’s programme opens with Sakura, a Japanese folk melody characterised by its pentatonic modality and lyrical phrasing. The Bulgarian works Kaval Sviri and Dilmano Dilbero exemplify the highly resonant, open-throated “white voice” technique, and this vocal aesthetic continues in Serbian folk music, where dance-derived rhythms and communal expression are central.
Folk traditions of the North Atlantic are represented through the French-Canadian J’entends le Moulin, with its rhythmic drive, alongside Wild Mountain Thyme and Gaelic Song Of The Boatman, which reflect the modal inflections of Scottish and Gaelic song traditions.
Prima Choral Artists’ founder, producer and artistic director Eve Lorian
The programme broadens even further afield through Yeish Kochavim (Hebrew), Evohé (Venezuela) and Dao Mai Fan Ye’ (Mandarin), each illustrating the interaction between text, rhythm and collective energy within their respective traditions. These works foreground the role of music in both ritual and communal celebration.
The final section centres on vocal traditions from the Torres Strait Islands and Southern Africa. Sesere Eeye reflects oral transmission practices and community-based performance, while Ngothando, Ndikhokhele Bawo and Papaoutai demonstrate the harmonies and call-and-response structures that are foundational to many African musical forms.
Eve’s diligent research has brought together this sparkling burst of music with the support of a choir who are no strangers to world music and singing in multiple languages.
“We have always been proud of our multi-cultural, international identity,” says Eve. “Music has always been a unifying force for good. These concerts, celebrating unity through diversity, represent a truth that sometimes only music can express.”
Giving a brief glimpse into the creative process behind these events, she adds: “Selecting the music takes weeks upon weeks of research and listening. I thrive on fresh choices, on presenting the unexpected – and these pieces are far from the standard choral repertoire.
Prima Choral Artists in concert under Eve Lorian’s direction
“But the title came so naturally: Under One Sky says everything that we mean to convey in these two performances!”
International connections for Eve and Prima Choral Artists are not merely constrained to concert programming. For more than a decade, Eve has led the way in introducing outstanding overseas opportunities for York choirs.
This commitment continues this summer with a concert tour to Prague from July 8 to 13 to take part in the International Choir and Orchestra Festival (Prague Festival 2026, July 9 to 13).
On September 6, Eve will welcome the Norwegian choir Fanakoret, from Bergen, for a Friendship performance with Prima Choral Artists at St Olave’s Church, Marygate, York, at 5pm.
“Before these opportunities comes the unmissable chance to join Prima on Father’s Day on Sunday at the National Centre For Early Music with the two time slots designed to complement everyone’s plans and make for a truly special weekend celebration,” she says.
Tickets are available from www.primachoral.com; with limited seating available, booking is recommended.
York classical pianist Sarah Beth Briggs. Picture: Fritz Curzon
THE 2026 Northern Aldborough Festival will see York pianist Sarah Beth Briggs performing at the prestigious classical event for the first time in what the organisers describe as “her long overdue appearance at our festival”.
For Saturday morning’s concert, at The Old Hall, North Deighton, near Wetherby, Sarah has crafted a programme designed to welcome seasoned concert-goers and newcomers alike, comprising Haydn’s Sonata in C, Hob XVI/50, Mendelssohn’s Variations Sérieuses, Op. 54 and works by Poulenc and Schumann.
What should listeners expect at the 11am performance, Sarah? “Vibrant, infectious classical melodies sit alongside a romantic depiction of a German forest and French music, in turn sunny and zany, and a concluding work where solemn, haunting melodies give way to explosive speed, drama and pure romantic passion,” she says.
Sarah Beth Briggs in Dean’s Park, York Minster. Picture: Marci Stuchlikova
Those infectious classical melodies, specifically the recital-opening first movement of Haydn’s late C major Sonata, have earned it the distinction of being Sarah’s most popular track globally, boasting more than 1.8 million plays on Apple Music, showcasing the timeless appeal of Haydn’s writing.
As ever with Sarah’s recital performances, Saturday’s programme will be introduced from the stage. “Breaking down barriers in the classical music world is something which I see as essential,” she says.
To prove the point, her December 2025 concert at Nottingham’s Royal Concert Hall was described by the Nottingham Post reviewer as “presenting each piece in ways which both illuminated the music and created just the right sort of rapport with an audience that really does appreciate artists who can manage friendly chat as well as fine playing.”
“Breaking down barriers in the classical music world is something which I see as essential,” says Sarah Beth Briggs. Picture: Fritz Curzon
Newcastle-born Sarah’s career was launched as a child prodigy, performing as the then youngest-ever finalist in the BBC Young Musician of the Year competition at the age of 11 in 1984, the year when she gained a Dame Myra Hess Award too. This was followed by international success, winning the International Mozart Competition four years later in Salzburg, aged 15.
Her piano playing has taken her to many of England’s premier venues. “I’ve performed with numerous major orchestras and played in Europe and the USA too, but I’m greatly looking forward to playing for the thriving Yorkshire cultural community this Saturday,” she says.
Sarah Beth Briggs: Heading for Crucible Playhouse, Sheffield, for Piano Classics concert on September 5
Sarah’s next appearance in Yorkshire will be as part of the Piano Classics series at the Crucible Playhouse, Sheffield on Saturday, September 5. Her 2pm programme will feature Beethoven’s Bagatelles Op.126; Clara Schumann’s 4 Pièces Fugitives Op.15; Tailleferre’s Sicilienne; Poulenc’s 3 Novelettes; Robert Schumann’s Waldszenen Op.82 and Brahms’ Piano Pieces Op.119.
Katie Stillman: Directing the Orchestra of Opera North from the violin in tomorrow’s opening concert, Vivaldi’s The Four Seasons
NORTHERN Aldborough Festival opens tomorrow in the North Yorkshire village near Boroughbridge.
Now in its 32nd year, the festival turns its focus on classical music for ten days, from June 18 to 27, opening with the Orchestra of Opera North performing one of the world’s most-loved works, Vivaldi’s The Four Seasons, directed from the violin by Katie Stillman, at St Andrew’s Church, Aldborough, at 7.30pm.
Leading British clarinettist Emma Johnson returns to Aldborough on Friday with her star-studded trio, featuring pianist Andrew West and cellist Thomas Carroll, performing masterpieces by Beethoven, Brahms and Shostakovich at St Andrew’s Church at 7.30pm.
Clarinettist Emma Johnson: Performing works by Beethoven, Brahms and Shostakovich at St Andrew’s Church on Friday
Pianist, academic and artistic director Lucy Parham performs her remarkable piece, I, Clara, telling the extraordinary life story of Clara Schumann – musician and composer’s wife – in a blend of words and music, narrated by actress Joanna David, at St Andrew’s Church on June 24 at 7.30pm.
A stalwart of screen and stage, Joanna David is known for her TV roles in Downton Abbey and Inspector Morse and is matriarch of one of Britain’s most acclaimed acting dynasties: married to Edward Fox and mother to Emilia and Freddie.
Pianist Sarah Beth Briggs, the Newcastle-born, York-based former child prodigy, who was the youngest finalist in the history of the BBC Young Musician competition, makes her Aldborough debut at The Old Hall, North Deighton, on Saturday at 11am.
CellistEnjuan Han: Performing in Young Artists’ Showcase on Sunday
Northern Aldborough Festival has built a reputation for supporting the UK’s rising stars with its annual New Voices Singing Competition, now entering its fourth year with semi-finals on June 22 at 4pm and 6pm, followed by the grand final on June 23 at 7pm, all at St Andrew’s Church.
A highlight of the classical calendar, the competition attracts a panel of world-renowned judges. Past judges include luminaries such as Dame Felicity Lott, Sir Thomas Allen, Edward Gardner and Dame Jane Glover. This year’s judging panel comprises conductor and former musical director of Opera North Paul Daniel CBE, soprano Carolyn Sampson OBE, accompanist Anna Tilbrook, festival director Robert Ogden and festival chair Sir Andrew Lawson-Tancred.
Audiences have the rare chance to glimpse tomorrow’s stars compete in the hunt for the UK’s best classical vocal talent, with a prize fund of £7,000 and performances at leading festivals for the winners.
Soprano Rachel Munro and pianist Jia Ning Ng: Recital at St Andrew’s Church on June 23
In addition, the 2025 Winner’s Recital will be performed by soprano Rachel Munro and pianist Jia Ning Ng at St Andrew’s Church on June 23 at 11am.
Festival director Robert Ogden says: “As a charity, the festival’s mission is to bring high-end live music to a rural location. We’re proud to bring the kind of world-leading acts normally seen on cosmopolitan stages to our village church, in a gorgeous countryside setting.
“Nothing beats the truly uplifting and transformative experience this level of artistry and music offers. We really hope those who might be new to – or even feel a bit intimidated about classical music – to come along, experience and fall in love with it.”
Drummer Clark Tracey: Leading his quintet at The Old Hall, North Deighton, on Saturday
Violinist Harriet Mackenzie, leader of the Kosmos Ensemble, and award-winning Mexican guitarist Morgan Szymanski team up for Serenata!, a romantically themed programme of Vivaldi, Piazzolla and Paganini, in the ballroom of HMP Askham Grange, a former private country manor house, on June 24 at 11am.
A sublime blend of voice, double bass and guitar comes in the form of Eleanor Grant and Gus McQuade, performing pieces from Benjamin Britten to Joni Mitchell in the genre-defying Jim Bolland Memorial Concert at Farnley Hall, Otley, on June 25 at 11am.
Wild Arts return to Aldborough after last year’s triumph with another sparkling production, Mozart’s The Marriage Of Figaro, at St Andrew’s Church on June 26 at 7pm.
Amol Rajan: Sharing perspectives on journalism, media trends and the changing role of news in public life at St Andrew’s Church on June 25
The Jazz Champions concert, featuring drummer and bandleader Clark Tracey’s quintet, at The Old Hall, North Deighton, on Saturday at 7.30pm, has sold out.
Mezzo-soprano Rose Ritson, cellist Enjuan Han, pianist Evie Lu and trumpet player Gabriel Serrano-Medina take part in the Young Artists’ Showcase at St Andrew’s Church on Sunday at 3pm.
An Evening With Amol Rajan, BBC Radio 4 Today programme presenter, The Today Podcast podcaster, University Challenge question master and cricket enthusiast, at St Andrew’s Church on June 25 at 6.30pm has sold out.
Eleanor Grant and Gus McQuade: Jim Bolland Memorial Concert at Farnley Hall, Otley, on June 25
Rajan, who edited the Independent at the age of 29, will share his perspectives on journalism, media trends and the changing role of news in public life.
Closing the festival on June 27 will be the sold-out Last Night Outdoor Concert, headlined in the grounds of Aldborough Manor by tribute band Definitely Oasis, supported by singer-songwriter Pearl Natasha & Band.
Audiences are invited to bring a picnic and dance the night away from 6pm, climaxing with a spectacular orchestrated firework display.
Aldborough’s late-night venue, The SHED, returns for concert-goers who want to continue festivities after the evening concerts in a relaxed environment, with a variety of live entertainment and refreshments.
The Flood artworks keep flowingatBedern Halluntil July 3
BEDERN Hall will be buzzing with creativity, culture and entertainment from June 20 to July 3 when playing host to a special art exhibition, followed by the Bedern Sessions live music programme on July 17 and August 21.
The 14th century dining hall, in Bartle Garth, St Andrewgate, York, will present an exhibition exploring the theme of The Flood in association with 2026 York Mystery Plays Festival.
A diverse collection of artwork created in a variety of media will be showcased, ranging from contemporary and experimental pieces to more traditional artistic interpretations. Artists have been invited to respond creatively to the theme, offering visitors a thought-provoking and engaging experience within one of York’s most atmospheric historic buildings.
Exhibits in The Flood exhibition at Bedern Hall
The exhibition will be installed during the day on June 20, followed by a special preview and awards evening, when the public is invited to attend.
Significantly, the show has been planned to complement Bedern Hall’s existing programme of activities. All pre-booked events will continue as scheduled, while the hall will maintain its regular Wednesday to Friday opening pattern, welcoming visitors for refreshments, tours and afternoon teas.
The Bedern Sessions have established a reputation for bringing talented performers into the distinctive setting of the beautifully restored medieval hall, creating intimate evenings of live entertainment. Full details will follow.
Pen and Stu: On the Bedern Sessions bill for July 17
Commenting on the summer programme ahead, Bedern Hall manager Elly Richmond says: “We are delighted to be bringing together visual arts and live music at Bedern Hall this summer. The art exhibition, in partnership with the York Mystery Plays Festival, provides an exciting opportunity for artists to interpret the theme of The Flood in imaginative and unexpected ways.
“Together with our Bedern Sessions concerts, we are looking forward to welcoming both local residents and visitors to enjoy a vibrant programme of cultural events in this remarkable historic setting.”
Paula Ryan: Performing at Bedern Sessions on August 21
Rose Drew and Alan Gillott, of Stairwell Books, publishers of “the best in Yorkshire writing. Based in York, tales from all over”. Picture: Emily Drew
SCORES of writers, some as young as eight, will share their stories and poems aloud at Merchant Taylors’ Hall, York, on June 25, as part of this year’s York Mystery Plays Festival and Fringe.
After asking for submissions from writers earlier this year, festival poet laureate Rose Drew will head up Voices of the Plays: A Celebration of York Mystery Plays in Poetry and Prose, an evening of themed story and poetry sharing.
“We wanted to inspire our York writers so we set up a poetry and short fiction competition, themed around the Mystery Plays, with a focus on The Flood and War,” explains Rose, who will be supported by deputy laureate Alan Gillott and York Festival Trust chair Roger Lee.
York Mystery Plays: Back on the waggons this summer
“Stories and poems are written to be heard and we loved the idea of our city’s writers sharing their work aloud, in front of a York audience, before we made our final decision on whose work will be published.”
The resulting York anthology will be published by Stairwell Books around the end of August, when the York Festival Trust plans to release a streaming version or DVDs of the Mystery Plays performed this summer.
“I have to admit it will really be an excuse to have a great creative night out!’ says Rose, who runs regular poetry open-mics and is the co-founder of independent publisher Stairwell Books.
Festival poet laureate Rose Drew and deputy laureate Alan Gillott standing by the St Mary’s Abbey ruins in York Museum Gardens. Picture: Emily Drew
“Children’s entries were judged separately for primary and secondary students. Everyone who entered will receive a Certificate of Participation,” she adds.
“I’ll be flying in from the United States that day and making straight for the Merchant Taylors’ Hall, but if anything can keep jet lag at bay for me, it’s live fresh writing talent!”
Children’s readings start promptly at 7pm; doors open at 6.30pm. To book to attend the Festival Live Readings, go to: https://www.yorkmysteryplays.co.uk/tickets-merch/.
Hal Cruttenden: Dishing out the comical blows at Pocklington Arts Centre tonight. Picture: Matt Crockett
OPEN studios across York and beyond, Strictly dancers in tandem, Les Miserables in its school edition and Elvis Costello’s early years are among Charles Hutchinson’s joyful June recommendations.
Comedy gig of the week: Hal Cruttenden: Can Dish It Out But Can’t Take It, Pocklington Arts Centre, tonight, 7.30pm
EALING comedian Hal Cruttenden’s new tour show promises to stick it to ‘The Man’, as long as ‘The Man’ doesn’t stick it back to him. Utilising his trademark hard-hitting comedy style, he pontificates on subjects such as middle-aged dating, social media, the insanity of modern politics and how his daughters love him but do not respect him. He believes that, after experiencing this gig, you will feel exactly the same way. Box office: 01759 301547 or pocklingtonartscentre.co.uk.
Es Devlin stands by her installation Library Of The Four Winds in the Temple of the Four Winds at Castle Howard. Picture: James Drury
Drawing workshop of the day: Es Devlin, Library Of The Four Winds, Temple of the Four Winds, Castle Howard, near York, today at 12 noon
TO mark today’s opening of her Library Of The Four Winds installation at the Temple of the Four Winds, Castle Howard, artist and designer Es Devlin will hold a 45-minute outdoor drawing workshop, with materials provided. Further workshops will follow at the installation every Saturday until September 26.
Devlin will be in conversation today with Nicholas Howard and Francis Terry in a 5.30pm event supported by the Georgian Society and National Lottery Heritage Fund. Library Of The Four Winds will be on show until September 27. For full details of the workshops, conversation and installation, go to: castlehoward.co.uk.
The Jazzville Quartet: Performing with Kirsty Hughes at The Old Paint Shop
Cabaret gig of the week: The Old Paint Shop presents The Jazzville Quartet, with Kirsty Hughes, York Theatre Royal Studio, tonight, 8pm
YORK jazz combo The Jazzville Quartet are joined by University of York alumna and Royal Academy of Music graduate Kirsty Hughes, showcasing her love of Judy Garland and the great jazz singers in an intimate cabaret performance.
Piano maestro and arranger Alec Robinson, saxophonist Alex Fisher, double bassist Tim Murgatroyd and drummer Steve Hanley will be exploring the Great American Songbook too in a celebration of swing, Latin classics and haunting jazz ballads. Box office: 01904 623568 or yorktheatreroyal.co.uk.
Shechter II in Hofesh Shechter’s In The Brain at York Theatre Royal.Picture: Todd MacDonald
New dance work of the week: Shechter II in In The Brain, York Theatre Royal, tonight, 7.30pm
HOFESH Shechter’s exhilarating new full-length work for Shechter II, In The Brain, is a raw, electrifying dive into movement, rhythm, and collective energy, taking a pulsing, urgent journey into the depths of our consciousness, where stories dissolve, identity fades and only the beat remains.
In The Brain is a space to break free, to lose yourself, to surrender to the rush of movement, the weight of bass and the euphoria of bodies locked in Shechter’s signature groove. Box office: 01904 623568 or yorktheatreroyal.co.uk.
Abstract artist Mark Ibson
Exhibition of the week: Mark Ibson, Rise@Bluebird Bakery, Acomb, York, until July 30
SELF-TAUGHT Bishop Wilton artist Mark Ibson’s abstract works are back on the bakery walls at Bluebird Bakery, where he is exhibiting new artworks in the form of experiments in surface texture and instinctive marking.
Initially a furniture and interior restorer, Ibsen began painting in 2012, holding his debut solo exhibition at Partisan, Micklegate, in May 2027 at the age of 47 after years of quietly painting and honing his skills at his studio in the former Herris Fisher blacksmith’s forge. “It seemed to be a natural progression,” he said at the time.
Ric Liptrot: Taking part in North Yorkshire Open Studios in York this weekend
Open invitation of the weekend: North Yorkshire Open Studios 2026, Saturday and Sunday, 10am to 5pm
MORE than 200 artists and makers are taking part in the second weekend of the summer edition of North Yorkshire Open Studios. Among those involved in and around York are Lucie Wake; Alex Ash; Lincoln Lightfoot; Jon Haste; Ali Hunter; Veronica Ongaro; Di Gomery; Jill Tattersall; Evie Leach; Katrina Mansfield and Lesley Shaw.
So too are Lisa Power; Lu Mason; Ric Liptrot; Jo Walton; Kai West; Emily Littler; Hannah Arnup; Michelle Galloway; Janie Stevens; Toby Staunton; Gonzalo Blanco; Andrew Bloodworth; Justine Warner; Graham Jones; Nora Gaston and Freya Horsley. The full list of artists and makers can be found at nyos.org.uk.
Amy Dowden and Carlos Gu: Reborn at Grand Opera House, York
Strictly stars of the week combination number one: Amy & Carlos: Reborn, Amy Dowden and Carlos Gu, Grand Opera House, York, June 16, 7.30pm
AFTER making her stunning return to the Strictly Come Dancing dancefloor, Amy Dowden MBE truly feels Reborn in her tour show, accompanied by fellow Strictly professional Carlos Gu.
Back on stage after a triumphant debut season, Amy and Carlos will be sharing an intimate portrait of their lives and journeys, wherein the inspirational and transformative power of dance shines through. Reborn features world-class dancers, live vocalists and a soundtrack of iconic anthems from across the decades. Box office: atgtickets.com/york.
Nikita Kuzmin: Shining brightly in Supernova with Karen Hauer, on tour at York Barbican
Strictly stars of the week combination number two: Burn The Floor presents Nikita Kuzmin in Supernova, with special guest Karen Hauer, York Barbican, June 16, 7.30pm
STRICTLY Come Dancing fan favourite Nikita Kuzmin takes centre stage in the explosive dance spectacular Supernova, joined by very special guest star Karen Hauer, Strictly’s longest-serving female professional.
Created in collaboration with choreographer and BAFTA award recipient Jason Gilkison and presented by international dance sensations Burn The Floor, Supernova is fuelled by the firepower of world-class performers and global creatives in an evening where artistry meets innovation and Kuzmin’s trademark charm, power and charisma shine brighter than ever. Box office: yorkbarbican.co.uk.
NE Theatre York’s poster for next week’s School Edition production of Les Miserables
Youth theatre show of the week: NE Theatre York in Les Miserables School Edition, Joseph Rowntree Theatre, York, June 16 to 20, 7.30pm plus 2.30pm Saturday matinee
ALAIN Boublil and Claude-Michel Schönberg’s musical adaptation of Victor Hugo’s 1862 novel of redemption will be performed by under-18s from NE Theatre York, directed by Steve Tearle, with a 15-piece orchestra under Joe Allen’s musical direction, projections by Tom Turner and the obligatory barricade in the set design.
The musical tells the story of former prisoner Jean Valjean, who is pursued for 17 years by police inspector Javert against the backdrop of a brewing revolution in 19th-century Paris. The principal cast features Sam Brophy’s Jean Valjean, Will Roberts’s Javert, Emil Marczuk’s Marius, Juliette Sellamuttu’s Fantine, Oscar Smith’s Enjolras, Callum Richardson’s Thenardier and Bella Gledhill’s Madame Thenardier. Box office: 01904 501935 or josephrowntreetheatre.co.uk.
Elvis Costello: Revisiting his 1977-1986 back catalogue in Radio Soul! at York Barbican
York gig of the week: Elvis Costello & The Imposters with Charlie Sexton, Radio Soul!: The Early Songs of Elvis Costello, York Barbican, June 17, 7.45pm
ELVIS Costello plays York Barbican for the first time since May 2013, joined by The Imposters’ Steve Nieve, Pete Thomas and Davey Faragher and Texan guitarist Charlie Sexton for a set list drawn from 1977’s My Aim Is True to 1896 Blood & Chocolate albums, complemented by “other surprises”.
“For any songwriter, it has to be a compliment if people want to hear songs written up to 50years ago,” says Costello, 71. “You can expect the unexpected and the faithful in equal measure.” His special guest will be Emily Moment. Box office: yorkbarbican.co.uk.
Dominic Goodwin in myriad roles in Twice Nightly at Helmsley Arts Centre
Recalling variety’s golden days: Pyramus and Thisbe Productions present Dominic Goodwin in Twice Nightly, Helmsley Arts Centre, June 26 and 27, 7.30pm
WRITER and performer Dominic Goodwin, one-time manager of Helmsley Arts Centre, returns to his old stamping ground with his first one-man comedy show, directed by York director Thomas Frere.
Twice Nightly follows the story of struggling comedian Freddie Francis in 1956 as the final curtain hovers over variety. Many acts of the time are highlighted, including Norman “Over The Garden Wall” Evans (said to be an influence on Les Dawson) Stockton comic Jimmy James, wartime star Robb Wilton and the iconic Max Miller. “It’s been an honour to perform these stars’ material, and even more so to have the backing of the families,” says Goodwin. Box office: 01439 771700 or helmsleyarts.co.uk.
Al Dunn, Matt Freeman and Nick Bunt in Le Navet Bete’s Oh Zeus!. Picture: Mark Senior
In Focus: Le Navet Bete in Oh Zeus!, York Theatre Royal, June 18 to 20, 7.30pm plus 2pm Saturday matinee
CHAOTIC comedy specialists Le Navet Bete return to York Theatre Royal from tomorrow, this time with their riotous ride through the world of Greek mythology, Oh Zeus!.
The Exeter company previously toured their hit family shows Dracula: The Bloody Truth, King Arthur and Treasure Island to the St Leonard’s Place theatre.
Written by John Nicholson and Le Navet Bete and directed by Nicholson, Oh Zeus! finds the stability of Olympus being threatened by the marriage of Zeus’s daughter, Hebe, to a mere mortal, whereupon the King of the Gods hatches a plan to derail the wedding.
Cue three actors – company founders Al Dunn, Nick Bunt and Matt Freeman – playing 40 characters between them in a mythical farce that journeys through Ancient Greece, the Underworld and back.
Expect physical comedy, outrageous jokes, fast-paced pandemonium and togas aplenty in a show ideal for devotees of Fawlty Towers, Bottom and The Play That Goes Wrong.
Formed in 2008 in Exeter, Devon, Le Navet Bete travel around the UK and internationally, with support from Arts Council England, the Exeter Northcott Theatre and the Exeter Phoenix, on a mission to create and tour humorous, physical and accessible comedy theatre, replete with storytelling for “absolutely everyone (ages four to 104)” – although Oh Zeus! carries an age guidance of 12 plus. Box office: 01904 623568 or yorktheatreroyal.co.uk.
I Fagiolini, with director Robert Hollingworth, centre, with sparkler: Performing opening concert of 2026 York Early Music Festival
THE 50th anniversary York Early Music Festival will run from July 3 to 11 with the theme of Beyond Borders.
More than 30 concerts will take place in York’s medieval churches, historic buildings and York Minster over nine days.
The festival was created in 1977 by a small group of Early Music enthusiasts and is long established as the premier British Early Music festival, attracting artists and visitors from far and wide.
Anacronia: Making York Early Music Festival on July 4
The festival will open with Monteverdi’s Vespers of 1610, presented by I Fagiolini with the English Cornett & Sackbut Ensemble, under Robert Hollingworth’s direction, on July 3 at 7pm at the sold-out Sir Jack Lyons Concert Hall, University of York. This concert will be broadcast on BBC Radio 3 on July 8.
Last in York for the 2025 York Early Music Christmas Festival, Solomon’s Knot will provide a spectacular summer festival finale at The Quire, York Minster, on July 10 at 7.30pm, when Jonathan Sells will direct singers and musicians performing Friedrich Nicolaus Bruhns’ St Mark Passion by heart.
The festival will mark the 400th anniversary of the death of the great English composer and lutenist John Dowland by dedicating a whole day to his works on A Day Of Dowland on July 6.
Organist Ben Horden: To Lubeck and Bach concert at Sir Jack Lyons Concert Hall on July 7
Katherine Butler, associate professor at Northumbria University, will open the day with her sold-out 10.30am talk at Bedern Hall entitled Dowland’s Dolour: Music, Melancholy and Self-Fashioning in Elizabethan England.
Lutenist Thomas Dunford will present a selection of Dowland’s 90-plus compositions in The Rarest Musician at the sold-out St Olave’s Church, Marygate, at 1pm, and the Rose Consort of Viols, featuring lutenist Jamie Akers, will perform Dowland’s Teares Of Sorrowe And Gladnesse in the Undercroft, Merchant Adventurers’ Hall (again sold out,) at 6pm. Music by Orlande de Lassus and Alfonso Ferrabosco will complement works both sorrowful and joyful by Dowland.
Dowland’s day will end with Tears Into Light: A Contemporary Reimagining of John Dowland’s Lachrimae, performed by Imago Mundi, directed by Sofie Vanden Eynde, at the National Centre for Early Music, St Margaret’s Church, Walmgate, at 8.30pm.
Top: Lutenist Thomas Dunford. Bottom: Imago Mundi director and lutenist Sofie Vanden Eynde. Both taking part in A Day of Dowland on July 6
Drawing on the insights of scholar-philosophers and the concept of inspired melancholy, Tears Into Light explores how melancholy has been understood through history and how it offers a lens for viewing the present. Dowland’s Lachrimae will be interwoven with American traditional music in a reminder that light can always emerge from darkness.
The opening of the 50th festival will be heralded by the York Fanfare, a specially commissioned piece by Wakefield-born Sam Meredith for the 2026 ensemble-in-residence, the historical wind band [hanse] Pfeyfferey, comprising Lilli Patzold, cornetto, Alexandra Mikheeva, slide trumpet and trombone, and Laura Dumpelmann, shawm.
York Fanfare will herald the festival opening, ahead of July 3’s first concert, on the grass outside the Sir Jack Lyons Concert Hall, and then be performed around the city during the opening weekend, including outside the West Door of York Minster before The Sixteen’s 7.30pm concert there on July 4.
The Sixteen: Presenting Siglo de Oro, Music from the Spanish Renaissance, at York Minster on July 4. Picture: Johnny Millar
Directed as ever by Harry Christophers, The Sixteen will present Siglo de Oro, Music from the Spanish Renaissance, featuring works by Sebastian de Vivanc and Cristobal de Morales, Sir James MacMillan’s Nothing In Vain and the world premiere of NCEM Composers Award alumna Kerensa Briggs’s Lead, Kindly Light. BBC Radio 3 will air this concert on July 9.
The Great Noyze, organised by the International Guild of Town Pipers, has moved from College Green, York Minster, to St Sampson’s Square on July at 4pm.
Further highlights will be Minster Minstrels, From Holborne To Handel, at the NCEM on July 5, 11am; University of York Baroque Ensemble, with Ensemble Hesperi (in-house band at University of York), in The Music Party, NCEM, July 7, 12.30pm; organist Ben Horden, To Lubeck and Bach, Sir Jack Lyons Concert Hall, July 7, 6pm, and Ghent’s B’Rock Orchestra & Vocal Consort, Da Pacem: Sacred Music by Heinrich Schutz and Contemporaries, Sir Jack Lyons Concert Hall, July 7, 7.30pm.
Mezzo-soprano Helen Charlston: Teaming up with tenor Paul Agnew and lutenist Sergio Buchel for A Gentle Air at Merchant Taylors’ Hall on July 9
Clavichord player Steven Devine’s Preludes, Fugues and Fantasies, at All Saints Church, North Street, on July 8 at 12.30pm, has sold out; Yorkshire Baroque Soloists will perform Amphion Anglicus, Chapter House, York Minster, July 8, 7.30pm, and Early Music will meet jazz and modernity in Duo Gambelin’s All’Improviso, Undercroft, Merchant Adventurers’ Hall, July 8, 9.30pm.
On July 9 at 7pm, mezzo-soprano Helen Charlston, tenor Paul Agnew and lutenist Sergio Buchel will feature French songs by Michel Lambert and Sebastien Le Camus in A Gentle Air at the Merchant Taylors’ Hall. In July 10’s Concert by Candlelight at Holy Trinity Church, Goodramgate, soprano Hannah Ely, alto Rebekah Jones and tenor Paul Bentley-Angell will perform songs from the courts of 12th-century France in Love From Afar.
Contre le temps: Le Baiser de la Rose programme at NCEM on July 5
At the heart of the festival is the NCEM’s year-round commitment to supporting emerging talent, this year represented by two young European ensembles, NCEM Platform Artists Anacronía, from Spain, in their festival debut at the NCEM on July 4 at 1.30pm, and the Franco/American medievalists Contre le temps, whose Le Baiser de la Rose programme at the NCEM on July 5 at 8.30pm will be recorded for BBC Radio 3’s Early Music Show for broadcast on a date yet to be confirmed.
Held every two years, the prestigious York Early Music International Young Artists Competition will feature 40 musicians in nine ensembles competing for a series of prizes in a day of thrilling concerts at the NCEM on July 11 from 10am to 5pm.
Duo Gambelin: Early Music meets jazz and modernity in All’Improviso concert at Undercroft, Merchant Adventurers’ Hall, on July 8
This year’s finalists are: I Mastricelli; Il Parrasio; La Mandorle; Lagrime; Nari Baroque Ensemble; Ossian’s Dream; Quarterino; Tra Noi and The Lyons Mouth (formed at the University of York).
The full programme can be found at ncem.co.uk/whats-on/yemf. Box office: 01904 658338; email at boxoffice@ncem.co.uk; ncem.co.uk or in person from the NCEM.
Festival director Dr Delma Tomlin says: “We’re very excited to be staging our 50th festival, which is brimming with musical delights. The very first festival took place in 1977 and has gone from strength to strength, inspiring the restoration of St Margaret’s Church and the creation of the National Centre for Early Music in 2000.”
York Early Music Festival director Delma Tomlin
“Our 50th edition features world-class ensembles and emerging artists; celebrates the genius of John Dowland; hosts the prestigious York Early Music International Young Artists Competitionand has commissioned the York Fanfare to open the proceedings, making sure the festival gets off to a flying start.
“Last but not least, our media partners, BBC Radio 3 will be back, broadcasting the hugely popular Early Music Show live from the NCEM, presented by Hannah French on July 5 at 5pm with a line-up of guest artists from the festival. We hope you can join us in York for this very special celebration.”
The full programme can be found at ncem.co.uk/whats-on/yemf. Box office: 01904 658338; email at boxoffice@ncem.co.uk; ncem.co.uk or in person from the NCEM.
Solomon’s Knot: Festival finale at York Minster on July 10
PLEASE note, phone calls are not being ignored. Alas, the CharlesHutchPress mobile has breathed its last, without warning, necessitating a replacement selection process that is under way.
In the meantime, contact is more than welcome by email at charles.hutchinson104@gmail.com. Hutch is very happy to arrange interviews on Zoom too.
Normal lines of communication will be resumed pronto and the website will function as normal.
OLIVIA Chaney, York musician, Grammy nominee and haunting voice of Emerald Fennell’s “Wuthering Heights”, plays a sold-out concert for York Festival of Ideas tonight.
Olivia’s deep connection to the music of Henry Purcell runs throughout her life. Now comes Sons Of Art,her latest performance and album project highlighting the deep affinities between the Baroque composer and the modern singer-songwriter: a shared immediacy, a delight in word-setting and a fearless mix of high art and street culture.
For Olivia, this is not classical crossover but a radical reclamation – a conversation across centuries that feels startlingly fresh. Tonight’s show is part of a tour heralding the upcoming Purcell album, as this modern English songwriter, now 44, reimagines Purcell’s works in a refreshingly natural and contemporary way, alongside original compositions and a chamber ensemble.
“It’s kind of a home show, as I’ve lived in York for seven years,” says Olivia. “My now husband [George Younge] was a lecturer in medieval history at the university, but he’s quit to be a furniture designer and maker, with his workshop in Escrick, though we may be moving from York.
“For this concert, I’ve been corresponding with Delma (NCEM director Delma Tomlin] and thought how nice it would be to combine with the York Festival of Ideas.
“I’ve played a few shows in York before, but usually at the Sir Jack Lyons Concert Hall [at the University of York].”
Olivia, however, also took part in a poignant concert on February 28 at the NCEM, where Eliza Carthy and Special Guests performed The Songs of Martin Carthy in celebration of the Robin Hood’s Bay folk titan’s 60-year legacy.
“It was a really emotional night, and I did something – I wept,” she recalls. “We’d just done The Life & Songs of Martin Carthy, a huge event at EartH Theatre, in Hackney, in September put on with Jon Wilks, with all the great and good of the folk world, Maddy Prior, Billy Bragg, Peggy Seeger, Martin Simpson, Eliza, Martin, and video contributions by Paul Weller, Van Dyke Parks and Bob Dylan. That one was particularly moving, Dylan saying Martin was a huge influence on him.”
Since then, Olivia had been to America to record her next album. “I came home, jumped in the shower and headed to the NCEM to pay tribute to Martin. I hadn’t expected him to be there [given his health], but then I saw him shuffling out of the green room to watch the concert. It was such a moving night.”
Now, Sons Of Art finds Olivia renewing her creative partnership with New York producer-pianist Thomas Bartlett. “The first album I made with him was called Shelter,” she says. “I’d written it on the North York Moors at Hawnby – before I lived in Yorkshire – when I’d been touring heavily in America and wanted to get away from everything. I had a Bechstein piano that my friends helped me transport there, then I had this surreal experience of writing songs in this bucolic setting and then recording them in mid-Manhattan!”
The release of next album Circus Of Desire, was delayed by Covid’s intervention, being held back until 2024. In the hiatus, her Six French Songs EP emerged in 2023.
“My third album with Thomas [the aforementioned Sons Of Art] will come out next year, and this season’s shows are a signposting of the start of the project: one that I’ve wanted to do for more than a decade, revisiting Purcell.”
Meanwhile, Olivia’s profile has been heightened by the presence of her stark, haunting rendition of the 19th century traditional folk ballad Dark Eyed Sailor in a pivotal scene in Emerald Fennell’s outre film “Wuthering Heights”.
“In a sense, I can’t answer completely how it came about in that the director ‘stumbled across the song’, like how after I made Six French Songs, French director Andre Techine – who had Catherine DeNeuve in all his films – found my song Auprès de ma Blonde, one of the first things I put on YouTube, which I then re-recorded for him.” she says. “The film was premiered at Cannes but never got taken up, so I’ve never seen it.”
Back to Emerald… “Having seen other movies by both Andre and Emerald, I think they were each looking for music to drive their narrative, so maybe that’s why Emerld settled on Dark Eyed Sailor, which she decided would be in “Wuthering Heights” right from the beginning.”
What’s more, Emerald was insistent on using the version she had first heard, rather than a new recording. Namely, Olivia’s recording to harmonium accompaniment for BBC Radio 2’s The Folk Show, made on May 22 2013. “There’s something about the rawness of radio sessions, and that was my first ever live session for Mark Radcliffe’s show,” she says.
“I remember painting my nails on the way to the studio, and I guess that session was the beginning of me finding my sound, delving back into folk music.
“In a way it’s a surprise that Emerald hasn’t chosen something from my albums, but she ended up using the song twice, once when Cathy realises she has married the wrong man, and then later an instrumental version, orchestrating out my harmonium.”
How did Olivia react when she attended the premiere. “What was a big surprise was that I thought it might be a little bit imperceptible, or be swamped by all the other music [by Charli xcx], but I was struck by how spare it was, so that you could hardly hear my harmonium,” she says.
“Emily Brontë’s novel is in my top ten, and I thought, ‘how can they use this happy song?’, but Emerald uses it so cleverly, where it’s seven years since Heathcliff went away and has now returned, so the theme is fidelity, as so many songs about sailors and soldiers are.”
Olivia reckons Fennel’s previous work, Saltburn, is superior. ““Wuthering Heights” is so ambitious, so hard to pull off, but where it maybe fails is in its humour,” she says. “But then there is no humour in my work. I’m not into humour in my art. I like humour but I want to be moved by art.”
Olivia Chaney, Sons Of Art: Purcell Revisited, National Centre for Early Music, Walmgate, York, tonight, 7.30pm. SOLD OUT.
Olivia Chaney: back story
BORN in Florence to a writer and painter-turned-academic, Olivia grew up listening to everything from Prince to Joni Mitchell to Henry Purcell.
This eclectic mix of influences sparked a passion for song-writing that she nurtured at Chetham’s School of Music and The Royal Academy.
After showcasing at SXSW and a stint as lead singer for electronica outfit Zero 7, she signed with Nonesuch, leading to collaborations with Kronos Quartet and a Grammy nomination for Offa Rex, The Queen Of Hearts, a collection of Fairport Convention-era classics made with Portland, Oregon band The Decemberists in 2017.
Olivia’s first solo album, 2015’s The Longest River, produced by Leo Abrahams, was followed by 2018’s Shelter, recorded in New York City with producer-pianist Thomas Bartlett. Both explored inherited trauma, the clash of tradition and modernity and the paradoxes of love.
In 2023 came Six French Songs, her spontaneous set ofFrench chanson, from medieval ballad to 1960s’ pop, made over two summer evenings at Reservoir Studios with Bartlett and violinist Sam Amidon.
