Pianist Katya Apekisheva: “Delivered an account of Berg’s single-movement Piano Sonata, Op 1 that you are unlikely to hear bettered”
THE best-kept secret in the world of chamber music is up and running once again. This 18th year’s theme celebrates the wonders of Creation and is titled accordingly. Fittingly, this includes six premieres over the festival fortnight, at all of which the composers concerned will be present.
The sheer statistics are worth a glance. Over the course of 13 concerts, there will be 58 pieces from 32 different composers covering 300 years to the present. Most featured are Thomas Adès and Schumann with six pieces each, followed by Beethoven and Mozart with four apiece.
There are 28 performers involved, all of them outstanding in their field, including many who return year after year and have become audience favourites.
For those new to the festival, it should be mentioned that although the programmes are published in advance, the names of the actual performers are only revealed just before each event – which adds an anticipatory frisson.
This year’s Young Artists Ensemble is the Davidoff Trio, who had the honour of opening proceedings, which encompassed Opus 1 pieces by Beethoven, Schumann, Berg and Mendelssohn. The outstanding feature of the trio’s treatment of Beethoven’s Op 1, No 1 in E flat was the intelligent pianism of Yona Sophia Jutzi. She maintained an ideal balance with her partners along with smooth momentum.
The ‘Mannheim skyrocket’ of the opening theme had a crisp staccato in all three voices. By contrast, the unusual Rondo slow movement was notable for the pianist’s rubato and the cellist’s interjections.
Much was made of the contrast between the pianissimo opening of the Scherzo and the more robust moments later. There was sparkling wit in the finale, taken at particularly brisk pace, with the strings handling its Mozart-style chromaticism with panache.
Roman Kosyakov highlighted the vitality in Schumann’s Op 1, his Abegg Variations for piano, his first foray into musical acrostics, since the letters of the name (with B representing the note B flat) are the theme that he develops. Kosyakov was clearly aware that their style was largely derived from Chopin and he milked it cleverly, particularly in the highly decorated fourth variation.
Katya Apekisheva, a long-time favourite here, delivered an account of Berg’s single-movement Piano Sonata, Op 1 that you are unlikely to hear bettered. She was totally attuned to the idiom of extremely late Romantic harmony composed when Berg was still a pupil of Schoenberg. Her touch and attention to detail were impeccable, notably as she built towards its big climax.
Mendelssohn’s First Piano Quartet, Op 1 in C minor, brought a third pianist to the podium, Daniel Lebhardt, in company with violinist Charlotte Scott, viola player Elliott Perks and cellist and festival director Jamie Walton. It proved a superb combination. Its opus number belies the work’s extraordinary maturity, which was apparent in the relentlessly detailed piano role in the first movement. Lebhardt handled it impeccably.
There was a truly Romantic soulfulness in the Adagio, largely coloured by the lower two strings. The excitement in the scherzo gave it a sense of acceleration and a power cut during the trio was weathered faultlessly. Battery lights were brought on before the finale which, despite its moderato marking, was taken at a fair clip, growing in intensity into a thrilling coda.
Review by Martin Dreyer
North York Moors Chamber Music Festival continues until August 22. For the full programme, visit: northyorkmoorsfestival.com.
Doubles troubles: Husband-and-wife strife for Helen Clarke’s Margo and Jamie McKeller’s ageing club champ, Lionel, in York Shakespeare Project’s Summer Sonnets: What the Deuce? Picture: John Saunders
MINISTRY of Sound turning classical, The Magpies’ folk festival, Sue Slack’s landscape paintings and The Basement’s new comedy club should outshine this evening’s solar eclipse, reckons Charles Hutchinson.
New balls please: York Shakespeare Project presents 2026 Summer Sonnets: What The Deuce?, Holy Trinity Churchyard, Goodramgate, York, until Saturday, 6pm & 7.30pm, plus 4.30pm Saturday show
SUMMER at the Goodramgate Lawn Tennis Club finds four doubles teams competing for the chance to play in a Wimbledon amateur tournament, whereupon partnerships and rivalries lead to sabotage and break point. Who has the advantage? Who is at fault? Will the score be love?
Expect further tennis puns aplenty as Rosy Rowley directs Stuart Green’s script that asks a new collection of ten characters to play out this new sporting and unsporting situation where each finds a way to share a Shakespeare sonnet. Taking part are James Robert Ball, Oscar Langford, Helen Clarke, Sarah McKeagney, Stuart Lindsay, Alexa Williams, Jamie McKeller, Alan Sharp, Christine Bramwell and Effie Warboys. Box office: tickets.41monkgate.co.uk.
Holly Johnson: Frankie says Relax on the Scarborough coast
Coastal gig of the week: Scarborough Open Air Theatre presents Holly Johnson, ABC and Heaven 17, Friday, gates 6pm
FLAMBOYANT, unapologetically bold Frankie Goes To Hollywood lead vocalist and lyricist Holly Johnson tops the 1980s’ triple bill on Friday, when he performs the chart-topping trio of Relax, Two Tribes and The Power Of Love, further Frankie smashes Welcome To The Pleasure Dome and Rage Hard and solo hits Love Train, Americanos and Atomic City. Sheffield bands ABC and Heaven 17 support. Box office: scarboroughopenairtheatre.com.
Grim reading: Pandora Clifford’s Mags (a younger Margaret Thatcher) flicking through the headlines in Handbagged at the Stephen Joseph Theatre. Picture: Tony Bartholomew
Political drama of the week: Handbagged, Stephen Joseph Theatre, Scarborough, until August 29
MOIRA Buffini’s 2013 Olivier Award-winning play imagines what happened behind closed palace doors when two of the 20th century’s most powerful women, Queen Elizabeth II and Prime Minister Margaret Thatcher, locked handbags. Meeting once a week for 11 years, one believed there was no such thing as society; the other committed her life to serving it.
Spanning 1979 to 1990, Handbagged asks if The Queen and the Iron Lady ever found common ground or did their stiff upper lips reign supreme? Hannah Tyrrell-Pinder directs the SJT cast of Pandora Clifford, Liz Garland, Alexandra Mathie, Deven Modha, Simon Darwen and Meriel Scholfield. Box office: 01723 370541 or sjt.uk.com.
The Magpies: Hosting their annual folk festival at Sutton Park, Sutton-on-the-Forest
Folk festival of the month: The Magpies Festival, Sutton Park, Sutton-on-the-Forest, near York, Friday and Saturday. SOLD OUT
RUN by the folk trio of Bella Gaffney, Holly Brandon and Ellie Gowers, The Magpies Festival presents Friday’s Main Stage bill of Daraa Tribes (6pm), The Magpies (8pm) and headliners Manran (10pm) and Brass Castle Stage bill of True Foxes (5pm), Elizabeth Davidson-Blythe & Daniel Quayle (7pm), SupaLung (9pm) and New York Brass Band (11pm).
Saturday’s line-up on the Main Stage comprises Steady Habits (12 noon), Alex Hart (2pm), Blair Dunlop (4pm), Katherine Priddy (6pm), Gnoss (8pm) and headliners Cut Capers (10pm). The Brass Castle Stage plays host to Songs In The Round, with Katherine Priddy, Blair Dunlop and Chloe Foy (1pm), Tarren (3pm), Ophelia’s Beard (5pm), Around About Dusk (7pm) and Suntou Susso & The Gambian Superstars (9pm). Box office for returns only: themagpiesfestival.co.uk/tickets.
York River Art Market organiser Caroline Turner with artist Lincoln Lightfoot on the Dame Judi Dench Walk pathway
Open-air art event of the week: York River Art Market, Dame Judi Dench Walk, York, Saturday & Sunday, 10am to 5.30pm
YORK River Art Market returns for its 11th year, bringing more than 30 artists from multiple disciplines to the Ouse riverside each day, this year presenting art and design market stalls on both sides of the pathway.
Described as York’s answer to the Left Bank in Paris, the event is being run for the first time this summer by Caroline Turner, a professional potter and ceramics teacher at Clay Space York. Admission is free.
Ministry of Sound Classical: Taking over the Castle Howard grounds on Saturday
Club classics/House/Orchestral party gathering of the week: Ministry of Sound Classical, Grounds of Castle Howard, near Malton, Saturday, 2pm to 10.30pm
ENJOY sweeping views of the Castle Howard Estate while listening to a live orchestra reimagining the greatest dance anthems from the iconic Ministry of Sound catalogue as timeless tracks are brought to life, blending classical musicianship with contemporary dance music for an unforgettable open-air experience.
As well as headline act Ministry Of Sound Classical, artists performing at this festival will be Judge Jules, Paul Oakenfold, Danny Rampling, Ellie Sax, Smudged Soul and Alex Malam. Box office for last few tickets: skiddle.com/festivals/ministry-of-sound-classical-at-castle-howard/#tickets.
Nice touch: Chloe Petts feeling lippy about playing Basement Comedy Club’s debut gig
Comedy gig of the week: Basement Comedy Club launch gig, The Basement, City Screen Picturehouse, York, Sunday, 6pm
CITY Screen Picturehouse launches its new monthly comedy event in the redecorated Basement this weekend. Compered by Sara Barron, the debut Basement Comedy Club bill comprises headline act Chloe Petts, addressing lad culture and identity politics, Manchester comic Shah, shedding light on growing up in an immigrant household and mental health challenges, and Lovdev Barpaga, who specialises in crafting one liners and puns. Box office: picturehouses.com.
Hiker and landscape artist Sue Slack painting above Rosedale
Exhibition of the week: Sue Slack, Finding The Dramatic, Ryedale Folk Museum, Hutton-le-Hole, until August 31
NORTH York Moors landscape painter Sue Slack’s work is inspired by a deep connection with the surrounding landscape. A keen runner and hiker, she draws creative energy from exploring the area close to home.
Working outdoors, Sue embraces the immediacy of being in the landscape and its direct influence on her painting and drawing. In Finding The Dramatic, she presents mixed-media works inspired by the hills, dales and coastline of the North York Moors. Open Saturdays to Thursdays, closed on Fridays; free to visit.
Linda Smith: Bedroom pop at The Crescent
American pop underground act of the week: Please Please You presents Linda Smith, The Crescent, York, Sunday, 6.30pm
HOME recording pioneer Linda Smith has self-released her music since 1987, originally on cassette. In the early 1990s, indie labels Slumberland and Harriet Records expanded her reach with two seven-inch EPs.
Brooklyn, New York label Captured Tracks has reissued two complete albums on vinyl and Smith has begun to tour in the United States and internationally for the first time, now visiting York with her bedroom pop. Support act Troutflies play loose, woozy punk and experimental lo-fi pop, occasionally with duelling melodicas. Box office: thecrescentyork.com.
More Things To Do in York and beyond. Here’s Hutch’s List No. 33, from The York Press, from August 15 onwards
Squash on the tennis court: Effie Warboys’ insufferably spoilt Chessie, front left, pushing around her doubles partner, Alexa Williams’s Belle, in Summer Sonnets: What The Deuce? In the background are Oscar Langford’s Harry, left, and James Robert Ball’s Tony. Picture: John Saunders
MINISTRY of Sound turning classical, The Basement’s comedy launch night and Johnny Depp’s Scarborough return spark Charles Hutchinson’s curiosity.
New balls please: York Shakespeare Project presents 2026 Summer Sonnets: What The Deuce?, Holy Trinity Churchyard, Goodramgate, York, August 15, 4.30pm, 6pm & 7.30pm
SUMMER at the Goodramgate Lawn Tennis Club finds four doubles teams competing for the chance to play in a Wimbledon amateur tournament, whereupon partnerships and rivalries lead to sabotage and break point. Who has the advantage? Who is at fault? Will the score be love?
Expect further tennis puns aplenty as Rosy Rowley directs Stuart Green’s script that asks a new collection of ten characters to play out this new sporting and unsporting situation where each finds a way to share a Shakespeare sonnet. Taking part are James Robert Ball, Oscar Langford, Helen Clarke, Sarah McKeagney, Stuart Lindsay, Alexa Williams, Jamie McKeller, Alan Sharp, Christine Bramwell and Effie Warboys. Box office: tickets.41monkgate.co.uk.
York River Art Market organiser Caroline Turner with artist Lincoln Lightfoot on the Dame Judi Dench Walk pathway
Open-air art event of the week: York River Art Market, Dame Judi Dench Walk, York, August 15 and 16, 10am to 5.30pm
YORK River Art Market has returned for its 11th year, bringing more than 30 artists from multiple disciplines to the Ouse riverside each day on the third of three weekends, this year presenting art and design market stalls on both sides of the pathway.
Described as York’s answer to the Left Bank in Paris, the event is being run for the first time this summer by Caroline Turner, a professional potter and ceramics teacher at Clay Space York. Admission is free.
Cut Capers: Headlining Main Stage at The Magpies Festival on August 15
Folk festival fully booked: The Magpies Festival, Sutton Park, Sutton-on-the-Forest, near York, August 15
RUN by the folk trio of Bella Gaffney, Holly Brandon and Ellie Gowers, The Magpies Festival presents today’s line-up on the Main Stage of Steady Habits (12 noon), Alex Hart (2pm), Blair Dunlop (4pm), Katherine Priddy (6pm), Gnoss (8pm) and headliners Cut Capers (10pm).
The Brass Castle Stage plays host to Songs In The Round, with Katherine Priddy, Blair Dunlop and Chloe Foy (1pm), Tarren (3pm), Ophelia’s Beard (5pm), Around About Dusk (7pm) and Suntou Susso & The Gambian Superstars (9pm). Box office for returns only: themagpiesfestival.co.uk/tickets.
Ministry of Sound Classical: Taking over the Castle Howard grounds on August 15
Club classics/House/Orchestral party gathering of the week: Ministry of Sound Classical, Grounds of Castle Howard, near Malton, August 15, 2pm to 10.30pm
ENJOY sweeping views of the Castle Howard Estate while listening to a live orchestra reimagining the greatest dance anthems from the iconic Ministry of Sound catalogue as timeless tracks are brought to life, blending classical musicianship with contemporary dance music for an unforgettable open-air experience.
As well as headline act Ministry Of Sound Classical, artists performing at this festival will be Judge Jules, Paul Oakenfold, Danny Rampling, Ellie Sax, Smudged Soul and Alex Malam. Box office for last few tickets: skiddle.com/festivals/ministry-of-sound-classical-at-castle-howard/#tickets.
Hollywood Vampires: Joe Perry, left, Johnny Depp, Alice Cooper and Tommy Henriksen
Coastal gig of the week: Hollywood Vampires, TK Maxx Presents Scarborough Open Air Theatre, August 15, gates 6pm
NAMED after Alice Cooper’s 1970s’ drinking club, American rock supergroup Hollywood Vampires return to Scarborough after their sold-out 2023 gig with the regular line-up of Cooper, film star and guitarist Johnny Depp, Aerosmith co-founder Joe Perry and Crossbone Skully and Warlock musician Tommy Henriksen. Punk icons The Damned support. Box office: scarboroughopenairtheatre.
Sara Barron: Compere for Basement Comedy Club debut gig
Comedy gig of the week: Basement Comedy Club launch show, The Basement, City Screen Picturehouse, York, August 16, 6pm
CITY Screen Picturehouse launches its new monthly comedy event in the redecorated Basement this weekend. Compered by Sara Barron, the debut Basement Comedy Club bill comprises headline act Chloe Petts, addressing lad culture and identity politics, Manchester comic Shah, shedding light on growing up in an immigrant household and mental health challenges, and Lovdev Barpaga, who specialises in crafting one liners and puns. Box office: picturehouses.com.
Hiker and landscape artist Sue Slack painting above Rosedale
Exhibition of the week: Sue Slack, Finding The Dramatic, Ryedale Folk Museum, Hutton-e-Hole, until August 31
NORTH York Moors landscape painter Sue Slack’s work is inspired by a deep connection with the surrounding landscape. A keen runner and hiker, she draws creative energy from exploring the area close to home.
Working outdoors, Sue embraces the immediacy of being in the landscape and its direct influence on her painting and drawing. In Finding The Dramatic, she presents mixed-media works inspired by the hills, dales and coastline of the North York Moors. Open Saturdays to Thursdays, closed on Fridays; free to visit.
Linda Smith: Bedroom pop at The Crescent
American pop underground act of the week: Please Please You presents Linda Smith, The Crescent, York, August 16, 6.30pm
HOME recording pioneer Linda Smith has self-released her music since 1987, originally on cassette. In the early 1990s, indie labels Slumberland and Harriet Records expanded her reach with two seven-inch EPs.
Brooklyn, New York label Captured Tracks has reissued two complete albums on vinyl and Smith has begun to tour in the United States and internationally for the first time, now visiting York with her bedroom pop. Support act Troutflies play loose, woozy punk and experimental lo-fi pop, occasionally with duelling melodicas. Box office: thecrescentyork.com.
Silent Disco falls even more silent
CANCELLED:Glasswerk presents Day Fever Silent Disco, York Museum Gardens, August 21, 6.30pm
YORK Museum Gardens will no longer be transformed into “the ultimate outdoor dance floor” for Day Fever’s first ever Silent Disco under the stars that would have followed the organisers’ series of York Barbican indoor events.
“It’s really simple,” said Day Fever’s co-organiser, actress Vicky McClure, before the late cancellation. “Everyone gets a pair of headphones. You’ll be connected to a Day Fever DJ, who will be playing non-stop Day Fever anthems from 6.30pm until 10m. Sing as loud as you like – no-one can hear.” Ticket refunds: https://www.skiddle.com/whats-on/York/Museum-Gardens/Day-Fever-Silent-Disco/42485814/.
Michelle Yim in The Ballad Of Mulan, on tour at York Theatre Royal.
Show announcement of the week: Red Dragonfly Productions & Grist To The Mill Productions present The Ballad Of Mulan, York Theatre Royal Studio, September 12, 7.45pm; September 12, 2pm & 7.45pm
COMMISSIONED and performed by West Yorkshire-born British-Chinese actress Michelle Yim, The Ballad Of Mulan tells the story of the real woman behind the legendary Chinese female warrior who disguised as a man to join the Empire’s army – and inspired Disney’s animation and live-feature Mulan.
Woman, warrior, legend, for ten years Mulan has fought for the Chinese Empire. Now, after one last battle, she will be going home, but can she return to her old life, becoming a woman again. Yim’s hour-long The Ballad Of Mulan presents a search for identity in a violent world. Box office: 01904 623568 or yorktheatreroyal.co.uk.
Donna Maria Taylor in her South Bank Studios studio
GEORGIAN celebrations, a brace of art fairs, Shakespeare sonnets on the tennis court and The Magpies’ folk festival should outshine Wednesday’s solar eclipse, reckons Charles Hutchinson.
Artists in situ: South Bank Studios’ Summer Artists Open Doors, Southlands Methodist Church, Bishopthorpe Road, York, today, 10am to 4pm
MEET the South Bank artists and makers who work in a broad range of disciplines, from textile art, painting, drawing and photography, to mixed media, letterpress and linocut printmaking.
Visit their studios to see their creative processes in a day of art to buy, art demonstrations and activities, including the loft studios, not usually on view to the public. The cafe will be open for refreshments. Entry is free; all welcome.
Masquerade Ball at the 2026 York Georgian Festival tonight
York festival of the week: York Georgian Festival, until August 10
HIGHLIGHTING the sights and sounds of 18th century life, York Mansion House and beyond plays host to the fourth York Georgian Festival in a festival programme that ranges from free displays of dancing and military drills in St Helen’s Square to the York Georgian Masquerade Ball at the Grand Assembly Rooms tonight. Talk, tours, performances and workshops feature too. For full listings and booking details, go to: yorkgeorgianfestival.co.uk.
Carlton Main Colliery Band: Brass At The Proms at Selby Abbey
Rousing concert of the week: Brass At The Proms, Carlton Main Colliery Band, Selby Abbey, tonight, 7pm
JOIN Carlton Main Frickley Colliery Band on its return to the former coalfield town of Selby for a Last Night of the Proms brass concert featuring a vibrant mix of rousing favourites. Seating in the Main Nave will be allocated, with seat and row numbers; Rear Nave seating will be filled on a first-come, first-served basis. Box office: selbytownhall.co.uk.
Futureproof’s logo for a night of poetry, drag, monologues and comedy
Art and science bonding exercise of the week: Futureproof presents Opposites Attract Scratch Night, York Theatre Royal Studio, tonight, 7.30pm
EIGHT acts perform a mixture of poetry, drag, monologues and comedy. Expect biochemistry, molecular biology, sewing, chalk stream-inspired dance and more tonight.
The theme, Opposites Attract, derives from the idea that many things will give people joy, purpose, belonging and entertainment — such as maths and science — that seem to be mutually exclusive to theatre. Futureproof invites creatives to consider these ostensible contrasts, alongside the concept that theatre is meant to reflect our world and/or be a tool to create new ones. Box office: 01904 623568 or yorktheatreroyal.co.uk.
Comedy event of the week: Kevin Bridges: Warm Up, Grand Opera House, York, today and tomorrow, 8pm
CLYDEBANK comedian Kevin Bridges performs two warm-up shows in York ahead of his UK stand-up tour Here If You Need Me. Tonight’s gig has sold out but tickets are still available for tomorrow, as well as for his Leeds First Direct Bank Arena tour show on November 19. Box office: York, atgtickets.com/york; Leeds, axs.com/uk/events/1240964/kevin-bridges-tickets?skin=leeds.
On the stretch: Jamie McKeller’s Lionel, left, and Stuart Lindsay’s Charles limbering up for the doubles in York Shakespeare Project’s Summer Sonnets: What the Deuce? Picture: John Saunders
New balls please: York Shakespeare Project presents 2026 Summer Sonnets: What The Deuce?, Holy Trinity Churchyard, Goodramgate, York, until August 15, except August 11, 6pm & 7.30pm, plus 4.30pm Saturday shows
SUMMER at the Goodramgate Lawn Tennis Club finds four doubles teams competing for the chance to play in a Wimbledon amateur tournament, whereupon partnerships and rivalries lead to sabotage and break point. Who has the advantage? Who is at fault? Will the score be love?
Expect further tennis puns aplenty as Rosy Rowley directs Stuart Green’s script that asks a new collection of ten characters to play out this new sporting and unsporting situation where each finds a way to share a Shakespeare sonnet. Taking part will be James Robert Ball, Oscar Langford, Helen Clarke, Sarah McKeagney, Stuart Lindsay, Alexa Williams, Jamie McKeller, Alan Sharp, Christine Bramwell and Effie Warboys. Box office: tickets.41monkgate.co.uk.
The poster fort York River Art Market 2026. Illustration by Elliot Harrison (@York360)
Open-air art event of the month: York River Art Market, Dame Judi Dench Walk, York, today and tomorrow, then August 15 & 16, 10am to 5.30pm
YORK River Art Market returns for its 11th year, bringing more than 30 artists from multiple disciplines to the Ouse riverside each day, this year presenting art and design market stalls on both sides of the pathway.
Described as York’s answer to the Left Bank in Paris, the event is being run for the first time this summer by Caroline Turner, a professional potter and ceramics teacher at Clay Space York. Admission is free.
York River Art Market 2026 organiser Caroline Turner with artist Lincoln Lightfoot on the Dame Judi Dench Walk pathway
Tribute gig of the week: SWT presents Pulp’d vs Blur 2, Milton Rooms, Malton, today, 8pm
PULP’D and Blur2 team up for a double-header of Britpop royalty tonight. Born and raised in Sheffield, passionate Pulp fans Pulp’d came together to re-create the hits, passion and Jarvis Cocker moves.
Blur2 bring the very best of Blur to every show: the energy, the fun, the sound, the looks and the musicianship of Damon Albarn, Graham Coxon, Alex James and co. Box office: 01653 696240 or themiltonrooms.com.
Scissor Sisters: Heading to the Scarborough coast tonight
Coastal gigs of the week: Scarborough Open Air Theatre presents Scissor Sisters, today; Holly Johnson, ABC and Heaven 17, August 14, gates 6pm
AFTER their 2025 UK arena reunion tour and that summer’s Saturday night Glastonbury set, Scissor Sisters bring their trademark blend of glam, grit and glorious to Scarborough Open Air Theatre this weekend. Jake Shears, Babydaddy, Del Marquis and co will be rolling out such favourites as Take Your Mama, Laura, I Don’t Feel Like Dancin, Let’s Have A Kiki, Only The Horses and Filthy/Gorgeous.
Holly Johnson: Frankie says Relax in Scarborough
Flamboyant, unapologetically bold Frankie Goes To Hollywood lead vocalist and lyricist Holly Johnson tops the 1980s’ triple bill next Friday, when he performs the chart-topping trio of Relax, Two Tribes and The Power Of Love, further Frankie smashes Welcome To The Pleasure Dome and Rage Hard and solo hits Love Train, Americanos and Atomic City. Sheffield bands ABC and Heaven 17 support. Box office: scarboroughopenairtheatre.com.
The Magpies: Hosting their folk festival at Sutton Park
Folk festival of the month: The Magpies Festival, Sutton Park, near York, August 14 and 15
RUN by the folk trio of Bella Gaffney, Holly Brandon and Ellie Gowers, The Magpies Festival presents next Friday’s Main Stage bill of Daraa Tribes (6pm), The Magpies (8pm) and headliners Manran (10pm) and Brass Castle Stage bill of True Foxes (5pm), Elizabeth Davidson-Blythe & Daniel Quayle (7pm), SupaLung (9pm) and New York Brass Band (11pm).
Next Saturday’s line-up on the Main Stage comprises Steady Habits (12 noon), Alex Hart (2pm), Blair Dunlop (4pm), Katherine Priddy (6pm), Gnoss (8pm) and headliners Cut Capers (10pm). The Brass Castle Stage plays host to Songs In The Round, with Katherine Priddy, Blair Dunlop and Chloe Foy (1pm), Tarren (3pm), Ophelia’s Beard (5pm), Around About Dusk (7pm) and Suntou Susso & The Gambian Superstars (9pm). Box office: themagpiesfestival.co.uk/tickets.
Composer Thomas Adès: Presenting new composition at Creation-themed North York Moors Chamber Music Festival. Picture: Marco Borggreve
In Focus: North York Moors Chamber Music Festival, August 8 to 22
THE North York Moors Chamber Music Festival celebrates its 18th consecutive year with the premieres of six works by contemporary British composers.
Aptly named Creation, the 2026 festival will run from August 8 to 22, featuring new compositions by Thomas Adès, Huw Watkins (both of whom will perform at the festival), Charlotte Bray, Tom Coult, Isabella Gellis and Helen Grime.
“Our 2026 festival celebrates the wonder of beginnings and features six newly commissioned premieres that evoke the six days of the universe’s creation, woven through the festival theme, by six of our country’s very finest composers,” says festival director and cellist Jamie Walton.
Charlotte Bray: Premiering That Which You Wove Of Lightest Thread, I Wear To Honour Stone at North York Moors Chamber Music Festival. Picture: David Beecroft
“As part of this narrative, the Sabbath (Sunday) remains a day of rest – and each concert includes works that were themselves groundbreaking or innovative in their time, reflecting music’s timeless power to create, to renew, and to tell a universal story through sound.”
Jamie continues: “Thomas Adès is widely regarded as one of the world’s greatest living composers, so it’s a real coup to have him both write for us and come to premiere the piece, Flower Variations [in the Landspeak concert on August 14 at 7pm at Welburn Manor].
“We’re really proud of the fact that, alongside these six outstanding composers, we have such a stellar line-up of international artists.
Helen Grime: Premiering Time Be Brief. Picture: Benjamin Ealovega
“We’re also continuing to champion visual artists from the moors in the brochure, pairing their work with concert titles. We’ve done this for the past two years and it’s a wonderful way to cross-pollinate and collaborate with more artists.”
Charlotte Bray’s piece for horn and string quartet, That Which You Wove Of Lightest Thread, I Wear To Honour Stone, will be accompanied by a collaborative artwork by Caroline Burraway, exhibited on stage at St Hedda’s, Egton Bridge during The Dividing Line performance on August 13 at 2pm.
Isabella Gellis’s Creation will be premiered in August 11’s Dialogue concert at St Hilda’s, Danby, at 2pm; Helen Grime’s Time Be Brief, at Metamorphoses concert, Welburn Abbey, August 15, 7pm; Huw Watkins’s Oboe Quartet, The Architect’s Hand concert, St Mary’s, Lastingham, August 18, 2pm, and Tom Coult’s Two Nocturnes and A Maze, in its UK premiere, Nightfall concert, Welburn Abbey, August 20, 7pm.
Huw Watkins: Premiering his Oboe Quartet in festival appearance. Picture: Benjamin Ealovega
The festival will take place in four historic moorland churches – St Hilda’s, Danby, St Hedda’s, Egton Bridge, St Michael’s, Coxwold, and St Mary’s, Lastingham – along with the majority of concerts being staged in the grounds of Welburn Manor, near Kirkbymoorside, where the acoustically-treated venue has been enlarged this year to reflect the festival’s increasing popularity.
The festival was named a Best of British Fund Winner 2026 by Airbnb, representing Yorkshire as part of the North York Moors Beacon for the Arts.
Jamie says: “Our festival celebrates the art of collaboration in an awe-inspiring setting, taking our audience on a musical quest each year through interwoven themes within a central storyline.
Isabella Gellis: Premiering Creation in August 11’s Dialogue concert at St Hilda’s, Danby. Picture: Ella Pavlides
“Over 18 years, we have built a reputation for breaking down barriers to make exceptional music accessible to all, fostering community and cultural connection through friendship and trust. Uncompromising even amid pandemic challenges, our festival was one of the few to present full, live performances in 2020 and 2021.
“August, when the heather is in full bloom, brings the North York Moors to life. Artists are immersed in the National Park, rehearsing and living in a deeply holistic environment, while audiences are welcome to enjoy picnics on the grounds of Welburn Manor, attend concerts, and explore the region’s historic churches and priories.”
The event continues to attract international artists, 28 this year, many of them committing to the entire fortnight by taking up residencies in a festival of 13 concerts featuring 58 chamber works from 32 composers spanning 300 years to the present day.
Tom Coult: Premiering Two Nocturnes and A Maze on August 20. Picture: Matthew Johnson
This year, these include Alena Baeva, Benjamin Baker, Oliver Cave, Oliver Heath, Alessandro Ruisi and Charlotte Scott (violin); Sascha Bota, Meghan Cassidy, Emma Wernig and Simone van der Giessen (viola); Rebecca Gilliver, Tim Posner and Jamie Walton (cello) and Will Duerden (double bass).
Taking part too are: Thomas Adès, Katya Apekisheva, Joseph Havlat, Roman Kosyakov, Daniel Lebhardt and Huw Watkins (piano); Ben Goldscheider (French horn); Nicholas Daniel (oboe); Matthew Hunt (clarinet); Jonathan Davies (bassoon) and James Gilchrist (tenor). Completing the line-up will be the festival’s award-winning Young Artists ensemble, The Davidoff Trio.
“Our 2026 festival celebrates the wonder of beginnings and features six newly commissioned premieres that evoke the six days of the universe’s creation,” says North York Moors Chamber Music Festival director Jamie Walton. Picture: Matthew Johnson
The Lyons Mouth: Winners of the Main Prize and Friends of York Early Music Festival Prize at York Early Music Festival’s International Young Artists Competition. Picture: Charlie Kirkpatrick
THIS biennial competition, for ensembles of at least three members with an average age no more than 35, attracted 56 entries this year. Nine of these reached the final, three each from the Netherlands and Switzerland and one each from France, Israel and the United Kingdom.
Two featured a solo soprano and one consisted of six unaccompanied singers. The remaining six were purely instrumental. There were three trios, four quartets and two sextets.
So much for statistics. However, they suggest, quite accurately, that there was variety aplenty. Technical standards were extremely high, reflecting the professionalism of early music teaching across European conservatories these days. ’Twas not always so.
Ossian’s Dream: Joint winners of European Union Baroque Orchestra (EUBO) Development Trust Prize. Picture: Shelagh Bourke
Eleven criteria were listed as assessable by the international jury. Only one, however, touched on that indefinable X-factor that marks out a performer as destined for a serious career: presentation. It involves the kind of charisma that conveys a good deal more than merely the music itself and is intertwined with a performer’s personality. Inevitably this was much rarer here.
Each group was allotted 20 minutes to display its wares. The sextet Ossian’s Dream was distinctive in sticking largely to the 19th century, with the historical clarinet of Claudia Reyes Segovia at its centre. After a crisp, not to say dramatic, account of Mendelssohn’s First Walpurgisnacht overture, there was strong contrast in the slow movement of Weber’s Clarinet Quintet, whose jovial centre was much enhanced by the clarinet. The finale of Mendelssohn’s C minor Piano Trio was truly effervescent.
The stand-out player of the quartet I Mastricelli was Bianca Cucini, whose soprano gamba dominated their set. With her colleagues confined to bass gamba, cello and organ, colours were otherwise regularly dark. A Tobias Hume almain and a lively, cross-accented Recercada by Diego Ortíz were but warm-up acts for the increasingly vivid variations in the Diferencias on ‘La dama le demanda’, by Antonio de Cabezón, which featured riffs from all four players.
I Mastricelli, featuring jury prize for the most promising young artist winner Bianca Cucini. Picture: Charlie Kirkpatrick
Recorder, harpsichord and cello provided the underlay for soprano Liron Givona in the Nari Baroque Ensemble. She was fuller voiced than one might have expected in this repertory, but her tone was flexible even when slightly diffuse.
She trilled neatly alongside a sopranino recorder nightingale. The cellist was underpowered more than once here, but delivered some very rapid obbligato in a forceful little melodrama from a Pepusch cantata, ‘When Love’s Soft Passion’.
The French quartet La Mandorle – oboe, violin, cello and theorbo – focused on native composers from the generation just before Bach, all played without scores. Victoire Delnatte’s oboe was engagingly clean and full-bodied and Elodie Brzustowsk’s theorbo proved fluent.
Lagrime: Winners of the Cambridge Early Music Prize. Picture: Charlie Kirkpatrick
The ensemble was rhythmically alive in Clérambault’s La Félicité suite and equally idiomatic in a Robert de Visée suite, in whose Gigue the oboist briefly slapped rhythm on the cello. This group was unlucky not to be among the prizewinners. We shall certainly hear from them again.
Bianca Cucini reappeared in the Swiss trio Tra Noi, playing bass gamba and quinton (a descant viol) alongside recorder and harpsichord. A rather pallid Passacaglia by Andrea Falconieri nearly let them down, but ensemble remained taut in the same composer’s Ciaccona at a rapid tempo.
However it was Nicola Matteis’ Diverse Bizzarrie that showed how technically dazzling a chaconne can be in the right hands. Spearheaded by Silvia Berchtold’s recorder, Tra Noi took all its hurdles in their stride.
Tra Noi: Joint winner of the European Union Baroque Orchestra (EUBO) Development Trust Prize. Picture: Charlie Kirkpatrick
Handel and his Italian rivals, Porpora and Geminiani, all born within two years of each other, were the targets of Dutch quartet Il Parrasio, with a standard line-up of two violins, cello and harpsichord or organ. It was all very stylish but lacking in daring.
There was clarity and balance in a Sinfonia da Camera by Porpora, and a delicately phrased Allegro in Handel’s Op 5 No 1 trio sonata. Geminiani’s Andante affettuoso (The Enchanted Forest) lacked emotion. It was a case of nearly there, but not quite.
Another Dutch quartet, Quarterino, with Tomasso Simonetta Sandri’s flute replacing one of the violins, took a similar tack, this time with Charles Avison heard between Geminiani and Vivaldi. Avison’s two allegros in a G minor trio sonata were impressive, one a snappy fugue, the other with tight-knit accents. But Vivaldi’s trio sonata, RV84 in D, fell down on two counts, a garbled opening Allegro, taken too fast, and an oddly chromatic ending that failed to convince.
Bianca Cucini: Winner of the jury prize for the most promising young artist, who played with both I Mastricelli and Tra Noi at the International Young Artists Competition. Picture: Charlie Kirkpatrick
The Swiss trio Lagrime boasted the unusual line-up of soprano, Baroque trombone and theorbo, neither of the latter two using scores. All five of their pieces were settings of texts from the Song of Songs and some introduced a modicum of stage movement.
Franziska Blömer’s straight-toned soprano was ideally suited to music of the early Baroque, and Maximilien Brisson’s quietly velvety trombone was superbly controlled. The two duetted beautifully, conversing in Claudia Rusca’s Ego dormio and harnessed movingly in Vulnerasti cor meum by Giovanni Sances.
Finally, we had the British vocal sextet The Lyons Mouth, three female voices, three male, whose name derives from their shared background at the University of York. They appeared barefooted, without scores.
Bianca Cucini receiving her prize from Philip Hobbs. Picture: Charlie Kirkpatrick
Alongside two madrigals from Monteverdi’s Fourth Book, they offered three motets, one of them by the nun Raffaella Aleotti, thought to have been the earliest woman to have sacred music published. The group was remarkable for its ability to maintain a tight blend despite relatively full- throated delivery.
There was nothing precious about Monteverdi’s chromatic Sì, ch’io vorrie morire, nor were they afraid of the scrunchy discords in Sigismondo d’India’s Dispietata pietate. But there was more variation, even tenderness, in Victoria’s Vadam et circuibo civitatem from the Song of Songs.
Perhaps with the advantage of performing last and certainly through their assured ensemble, The Lyons Mouth carried off the overall First Prize, as well as the Friends of York Early Music Festival Prize.
The Lyons Mouth’s profile for the International Young Artists Competition
The European Union Baroque Orchestra (EUBO) Development Trust Prize was shared between Ossian’s Dream and Tra Noi. The jury prize for the most promising young artist was awarded to Bianca Cucini.
The Cambridge Early Music Prize went to the trombone-based Lagrime. As noted above, La Mandorle was unlucky to lose out, but there can be no argument that the rest of the prizes were thoroughly well deserved.
Review by Martin Dreyer
HIGHLIGHTS of the competition will be broadcast on BBC Radio 3’s Early Music Show on August 30 at 5pm and will be available thereafter on BBC Sounds.
York Georgian Festival, promenading through the streets and taking over York Mansion House
YORK River Art Market’s return, Georgian festivities, Shakespeare sonnets on the tennis court and Britpop tribute acts R catch Charles Hutchinson’s eye as August arrives.
York festival of the week: York Georgian Festival, tomorrow to August 10
HIGHLIGHTING the sights and sounds of 18th century life, York Mansion House plays host to the fourth York Georgian Festival in a five-day festival programme that ranges from free displays of dancing and military drills in St Helen’s Square to the York Georgian Masquerade Ball at the Grand Assembly Rooms on Saturday. Talk, tours, performances and workshops feature too. For full listings and booking details, go to: yorkgeorgianfestival.co.uk.
Oscar Langford, left, and James Robert Ball in rehearsal for York Shakespeare Project’s Summer Sonnets: What The Deuce? at Holy Trinity Churchyard, Goodramgate, York. Picture: John Saunders
New balls please: York Shakespeare Project presents 2026 Summer Sonnets: What The Deuce?, Holy Trinity Churchyard, Goodramgate, York, Friday to August 15, except August 11, 6pm & 7.30pm, plus 4.30pm Saturday shows
SUMMER at the Goodramgate Lawn Tennis Club finds four doubles teams competing for the chance to play in a Wimbledon amateur tournament, whereupon partnerships and rivalries lead to sabotage and break point. Who has the advantage? Who is at fault? Will the score be love?
Expect further tennis puns aplenty as Rosy Rowley directs Stuart Green’s script that asks a new collection of ten characters to play out this new sporting and unsporting situation where each finds a way to share a Shakespeare sonnet. Taking part will be James Robert Ball, Oscar Langford, Helen Clarke, Sarah McKeagney, Stuart Lindsay, Alexa Williams, Jamie McKeller, Alan Sharp, Christine Bramwell and Effie Warboys. Box office: https://tickets.41monkgate.co.uk/
New York Brass Band line up with Hyde Family Jam members Tom Gill (accordion), back row, third from left, and Will Dreyfus (vocals and guitar), front row, left, ahead of Friday’s York Barbican gig
Mash-up of the week: The Crescent presents New York Brass Band & Hyde Family Jam, York Barbican, Friday, 8pm
TWO of York’s biggest, bounciest musical party troupes collide at York Barbican for a co-headline show with a difference. Promoter Joe Coates has decided the four-piece Hyde Family Jam will be on stage first, followed by an eight-piece line up of New York Brass Band, each playing a 40-minute set before rampant folk-rock meets New Orleans brass head on in a collaborative finale of these high-energy street urchins’ biggest hits. Box office: yorkbarbican.co.uk.
York Stage’s poster for Raise Your Voice: MTI Broadway Junior Revue at Joseph Rowntree Theatre, York
Musical theatre celebration of the week: York Stage presents brings Raise Your Voice: MTI Broadway Junior Revue, Joseph Rowntree Theatre, York,Friday, 7.30pm, and Saturday,2pm and 4pm
THIS uplifting showcase by the next generation of performers features iconic songs from Broadway Junior favourites, showcased by a talented young York Stage cast ready to sing out and shine as they take centre stage with confidence, courage and nascent star quality. Cue big numbers, heartfelt moments and personality aplenty. Box office: 01904 501935 or josephrowntreetheatre.co.uk.
The poster for this summer’s York River Art Market. Illustration by Elliot Harrison (@York 360)
Open-air art event of the month: York River Art Market, Dame Judi Dench Walk, York, August 8 & 9 and August 15 & 16, 10am to 5.30pm
YORK River Art Market returns for its 11th year, bringing more than 30 artists from multiple disciplines to the Ouse riverside each day, this year presenting art and design market stalls on both sides of the pathway.
Described as York’s answer to the Left Bank in Paris, the event is being run for the first time this summer by Caroline Turner, a professional potter and ceramics teacher at Clay Space York. Admission is free.
Scissor Sisters: Heading for Scarborough Open Air Theatre on Saturday
Coastal gigs of the week: TK Maxx presents Scarborough Open Air Theatre, Scissor Sisters, Saturday; Holly Johnson, ABC and Heaven 17, August 14, gates 6pm
AFTER their 2025 UK arena reunion tour and that summer’s Saturday night Glastonbury set, Scissor Sisters bring their trademark blend of glam, grit and glorious to Scarborough Open Air Theatre this weekend. Jake Shears, Babydaddy, Del Marquis and co will be rolling out such favourites as Take Your Mama, Laura, I Don’t Feel Like Dancin, Let’s Have A Kiki, Only The Horses and Filthy/Gorgeous.
Flamboyant, unapologetically bold Frankie Goes To Hollywood lead vocalist and lyricist Holly Johnson tops the 1980s’ triple bill next Friday, when he performs the chart-topping trio of Relax, Two Tribes and The Power Of Love, further Frankie smashes Welcome To The Pleasure Dome and Rage Hard and solo hits Love Train, Americanos and Atomic City. Sheffield bands ABC and Heaven 17 support. Box office: scarboroughopenairtheatre.com.
Holly Johnson: Frankie says Relax in Scarborough next Friday
Tribute gig of the week: SWT presents Pulp’d vs Blur 2, Milton Rooms, Malton, Saturday, 8pm
PULP’D and Blur2 team up for a double-header of Britpop royalty tonight. Born and raised in Sheffield, passionate Pulp fans Pulp’d came together to re-create the hits, passion and Jarvis Cocker moves.
Blur2 bring the very best of Blur to every show: the energy, the fun, the sound, the looks and the musicianship of Damon Albarn, Graham Coxon, Alex James and co. Box office: 01653 696240 or themiltonrooms.com.
The Magpies: Hosting their folk festival weekend at Sutton Park, Sutton-on-the-Forest
Folk festival of the month: The Magpies Festival, Sutton Park, near York, August 14 and 15
RUN by the folk trio of Bella Gaffney, Holly Brandon and Ellie Gowers, The Magpies Festival presents a Friday Main Stage bill of Daraa Tribes (6pm), The Magpies (8pm) and headliners Manran (10pm) and Brass Castle Stage bill of True Foxes (5pm), Elizabeth Davidson-Blythe & Daniel Quayle (7pm), SupaLung (9pm) and New York Brass Band (11pm).
The Saturday line-up on the Main Stage comprises Steady Habits (12 noon), Alex Hart (2pm), Blair Dunlop (4pm), Katherine Priddy (6pm), Gnoss (8pm) and headliners Cut Capers (10pm). The Brass Castle Stage plays host to Songs In The Round, with Katherine Priddy, Blair Dunlop and Chloe Foy (1pm), Tarren (3pm), Ophelia’s Beard (5pm), Around About Dusk (7pm) and Suntou Susso & The Gambian Superstars (9pm). Box office: themagpiesfestival.co.uk/tickets.
Katherine Priddy: Saturday set at The Magpies Festival
York Georgian Ball: Festival highlight on Saturday at Grand Assembly Rooms
YORK Georgian Festival returns for its fourth year, filling the city with the sights and sounds of 18th century life from August 6 to 10.
Hosted by York Mansion House, the five-day festival programme ranges from free displays of dancing and military drills in St Helen’s Square to the splendour of the York Georgian Ball at the Grand Assembly Rooms, in Blake Street, and includes talks, tours, performances and workshops too at a variety of venues.
York Mansion House manager and curator Richard Pollitt says: “We’re looking forward to another fabulous festival, with a busy programme lined up exploring the fascinating history of this era. We’d like to thank all our partner attractions for supporting the festival once again.
“The popularity of the Georgian and Regency period shows no sign of slowing down with people finding so much joy in recreating the fashions and social occasions of the time, and we aim to bring some of that joy to the streets of York.
Author Terry Deary: Talk on Murder in the Georgian Theatre at York Mansion House on Thursday
“We’re hoping to see the city centre full of Georgian splendour over the weekend with so many people coming to York for the festival.”
The festival promenade will return for a second year on Saturday, starting from Clifford’s Tower at 11am and making its way through the city, via Coppergate and Parliament Street, to York Mansion House at 11.20am, led by red-coated members of Pulteney’s 13th Regiment of Foot, a group of military re-enactors. Anyone interested in dressing up in Georgian and Regency dress to join the promenade is invited to book a free place.
The Pulteney’s regiment will be demonstrating its drills on Saturday and Sunday at 12.15pm and 3.45pm in St Helen’s Square, complemented by displays of Georgian dancing by the Galliard Folk Dancers at 11.30am, 1.30pm and 3pm.
The regiment has stepped in to help the festival at the 11th hour, after the previously booked military group, His Majesty’s 33rd Regiment of Foot, cancelled through unforeseen circumstances.
Promenade through York: Passing through Coppergate en route from Clifford’s Tower to York Mansion House on Saturday morning
Visitors to the Mansion House can find out more about the uniform and kit of soldiers of the time in afternoon talks by the visiting redcoats on Saturday and Sunday at 2.30pm.
Richard says: “We’re very grateful to Pulteney’s for helping us out at such short notice and are looking forward to seeing them in action, leading our promenade and recreating military drills in front of the house in St Helen’s Square.”
Saturday’s evening highlight will be the Masquerade Ball, from 7pm to 11pm, traditionally an extravagant occasion when guests would wear elaborate fancy dress and masks to disguise their true identities. Live music will be provided by Eboracum Baroque with guidance from dance mistress Lottie from Dance The Past, all with the support of ASK Italian and York Gin.
The poster for No Priest But Love, the Church Conservation Trust’s fundraising event featuring Helena Whitbread and Angela Clare’s play about Anne Lister
Anyone wanting to prepare for the Masquerade Ball can take dancing lessons at The Guildhall on Friday and there will be free fan language workshops at York Mansion House, where you can learn how to send secret messages across the dance floor.
Talks and tours include the return of Horrible Histories author Terry Deary, who will explore Murder in the Georgian Theatre, at York Mansion House on Thursday from 6pm to 7pm; self-led and bookable festival tours of the Bar Convent; curators’ talks on fashion and dress at Fairfax House and York Castle Museum and an examination of how women were treated by the Georgian justice system in PhD researcher Tom Ellis’s talk Convict Women in York and Beyond at Barley Hall on Friday from 6.30pm to 8.30pm.
One of York’s most famous Georgian visitors, “Gentleman Jack” Anne Lister, will be the subject of Helena Whitbread and Angela Clare’s new play, No Priest But Love, at Merchant Taylors’ Hall, on Sunday at 4.30pm, preceded by a 2pm look around Holy Trinity Church, Goodramgate, where Anne Lister and Ann Walker celebrated their commitment made to each other on March 30 1834; a 2.30pm to 3.30pm talk by Angela Clare and a guided walk to Merchant Taylors’ from 3.30pm to 4pm.
On the concluding day, Monday, a series of talks at York Mansion House will include York St John University students launching a new edition of correspondence exchanged between writers Charles Ignatius Sancho, one of the first Black Britons known to have voted in a parliamentary election, and Laurence Sterne, vicar of St Michael’s, Coxwold, and author of Tristram Shandy, at 3.30pm. Further topics will be Georgian men’s shoes at 1.30pm and the campaign to abolish the slave trade at 5.30pm.
The poster for York River Art Market’s 11th summer season. Illustration: Elliot Harrison (@York360)
YORK River Art Market’s return, Shakespeare sonnets on the tennis court, party bands at the double and a very happy comedian catch Charles Hutchinson’s eye as August arrives.
Open-air art event of the month: York River Art Market, Dame Judi Dench Walk, York, August 1 & 2, August 8 & 9 and August 15 & 16, 10am to 5.30pm
YORK River Art Market returns for its 11th year from today, bringing more than 30 artists from multiple disciplines each day to the Ouse riverside over three August weekends of free art and design market stalls.
Described as York’s answer to the Left Bank in Paris, the event is now run by Caroline Turner, a professional potter and ceramics teacher at Clay Space York, in Walmgate, after founder and director Charlotte Dawson stepped down to focus on her teaching role as award leader for York College’s BA (Hons) 3D creative practice course.
Liz Garland, left, and Meriel Scholfield in rehearsal for the Stephen Joseph Theatre production of Handbagged. Picture: Tony Bartholomew
Political drama of the week: Handbagged, Stephen Joseph Theatre, Scarborough, until August 29
MOIRA Buffini’s 2014 Olivier Award-winning play imagines what happened behind closed palace doors when two of the 20th century’s most powerful women, Queen Elizabeth II and Prime Minister Margaret Thatcher, locked handbags. Meeting once a week for 11 years, one believed there was no such thing as society; the other committed her life to serving it.
Spanning 1979 to 1990, Handbagged asks if The Queen and the Iron Lady ever found common ground or did their stiff upper lips reign supreme? Hannah Tyrrell-Pinder directs the SJT cast of Pandora Clifford, Liz Garland, Alexandra Mathie, Deven Modha, Simon Darwen and Meriel Scholfield. Box office: 01723 370541 or sjt.uk.com.
Mike Skinner of The Streets: Performing A Grand Don’t Come For Free in full at Scarborough Open Air Theatre tonight
Coastal gigs of the week: Scarborough Open Air Theatre presents The Streets, A Grand Don’t Come For Free, today; Sex Pistols featuring Frank Carter, Sunday, gates 6pm
FOR the first time, The Streets’ Mike Skinner is performing his landmark 2004 album A Grand Don’t Come For Free in full on tour. One of the most influential British records of the 21st century, the multi-platinum-selling chart topper delivered era-defining singles Dry Your Eyes, Fit But You Know It and Blinded By The Lights while taking a cinematic journey through the love, loss, chaos, heartbreak, hope and raw emotion of everyday life with poetic wit and honesty.
Original Sex Pistols members Steve Jones, Paul Cook and Glen Matlock are joined by vocalist Frank Turner on Sunday to mark “50 years of chaos and celebration” since the punk iconoclasts’ brace of Summer 1976 gigs at Manchester’s Lesser Free Trade Hall. The Stranglers and The Undertones are special guests. Box office: scarboroughopenairtheatre.com.
Maggie Wakeling: Singing ABBA hits aplenty at York Minster tonight
Candlelit concert of the week: Ignite Concerts presents The Music of ABBA, York Minster, tonight, 7.30pm
VOCALIST Maggie Wakeling, from Channel 4’s Your Song and last summer’s Greatest Shows at York Minster, unites with a band and The Ebor Quartet string ensemble to perform the Seventies and Eighties’ hits of ABBA.
Host Alistair Griffin will be inviting the audience to sing along to Dancing Queen, Waterloo, Mamma Mia, The Winner Takes It All et al at this concert by candlelight. Box office: 07966 959427 or https://igniteconcertsyork.com/events/the-music-of-abba-at-york-minster/.
Paul Smith: Radiating comic warmth twice in a week at York Barbican
York comedy gigs of the week: Hot Water Comedy Club presents Paul Smith, Happy, York Barbican, today and August 5, 7.30pm
PAUL Smith, resident MC and compere of Liverpool’s Hot Water Comedy Club, is heading to York for two nights in his biggest, boldest tour show, Happy: fearless stand-up at full throttle, brimful of observations, true stories and audience interaction. Pulling tales from real life, Smith finds joy in the chaos, laughter in the everyday and comedy in absolutely everything. Box office: yorkbarbican.co.uk.
Oscar Langford, left, and James Robert Ball in rehearsal for York Shakespeare Project’s Summer Sonnets: What The Deuce? at Holy Trinity Churchyard. Picture: John Saunders
New balls please: York Shakespeare Project presents 2026 Summer Sonnets: What The Deuce?, Holy Trinity Churchyard, Goodramgate, York, August 7 to 15, except August 11, 6pm & 7.30pm, plus 4.30pm Saturday shows
SUMMER at the Goodramgate Lawn Tennis Club finds four doubles teams competing for the chance to play in a Wimbledon amateur tournament, whereupon partnerships and rivalries lead to sabotage and break point. Who has the advantage? Who is at fault? Will the score be love?
Expect further tennis puns aplenty as Rosy Rowley directs Stuart Green’s script that asks a new collection of ten characters to play out this new sporting and unsporting situation where each finds a way to share a Shakespeare sonnet. Taking part will be James Robert Ball, Oscar Langford, Helen Clarke, Sarah McKeagney, Stuart Lindsay, Alexa Williams, Jamie McKeller, Alan Sharp, Christine Bramwell and Effie Warboys. Box office: https://tickets.41monkgate.co.uk/
New York Brass Band’s James Lancaster: Knees-up with Hyde Family Jam at York Barbican
Mash-up of the week: The Crescent presents New York Brass Band & Hyde Family Jam, York Barbican, August 7, 8pm
TWO of York’s biggest, bounciest musical party troupes collide at York Barbican for a co-headline show with a difference. Promoter Joe Coates has decided the four-piece Hyde Family Jam will be on stage first, followed by an eight-piece line up of New York Brass Band, each playing a 40-minute set before rampant folk-rock meets New Orleans brass head on in a collaborative finale of these street urchins’ biggest hits. Box office: yorkbarbican.co.uk.
A wedding dress on display at St Helen’s Church
Wonderful wedding dress exhibition of the week: St Helen’s Church, Sheriff Hutton, near York, August 8 and 9, 11am to 3pm
STEP back in time for a spectacular display of wedding dresses from every decade since the 1920s at St Helen’s Church. Stroll through a century of wedding style with elegant “going away” outfits,mother-of-the-bride ensembles and men’s morning suits, as well as shoes, hats, bouquets and treasured keepsakes.
“Last year’s exhibition was atremendous success,” says Jill Donaldson Hodges. “Visitors were captivated by the changing styles, the intricate design and the delicate fabrics that have shaped wedding fashion for over a century. So why not come along and take a trip down memory lane, or get some ideas for an upcoming event?” Admission is free. The Bluebell Cafe will be open on both days, serving homemade cakes and refreshments.
York Stage’s poster for Raise Your Voice: MTI Broadway Junior Revueat the JoRo
Musical theatre celebration of the week: York Stage presents brings Raise Your Voice: MTI Broadway Junior Revue, Joseph Rowntree Theatre, York,August 7, 7.30pm, and August 8,2pm and 4pm
THIS uplifting showcase by the next generation of performers features iconic songs from Broadway Junior favourites, showcased by a talented young York Stage cast ready to sing out and shine as they take centre stage with confidence, courage and nascent star quality. Cue big numbers, heartfelt moments and personality aplenty. Box office: 01904 501935 or josephrowntreetheatre.co.uk.
OUR first great songwriter, John Dowland, is normally experienced today with a single voice singing to lute or viol accompaniment, but this is not necessarily how his contemporaries heard him.
The secret lies in the subtitle of his First Book of Songs (1597), “or Airs of Four Parts” (in modernised spelling). This simple revelation lies behind what Dowland’s Foundry does with his music. As a vocal quartet, accompanied by the lute of Sam Brown, they tend to sing all four parts, thereby obviating the need for viols.
The songs in this book are all strophic (with tunes repeated for each verse), so variety depends on performers enlivening the texts. This ensemble was also adept at adjusting to Dowland’s many moods, by no means all of them as melancholic as his reputation.
At times we heard only two voices, or conversational-style exchanges, rather than straight four-part delivery. Dowland’s songs are an amalgam of madrigals, consort songs, broadside ballads and even dance music, which largely accounts for their enduring popularity. Dowland’s Foundry were attuned to these styles and able to draw in their audience very quickly through the enthusiasm of their approach. Brown’s eloquent lute added further colour.
PianistLukas Sternath performing at St John The Baptist, Easingwold, at Ryedale Festival. Picture: Jonas Cradock
That evening, five players from among the current BBC Radio 3 New Generation Artists brought Schubert and Dvořák to the generous acoustic of Easingwold parish church. The pianist Lukas Sternath is an accomplished technician who was unashamedly forthright in his approach to Schubert’s Sonata in G major, D.894 (‘Fantasie’), which dates from October 1826.
All but one of its four movements begins either piano or pianissimo; only the minuet (effectively a scherzo) starts forte, but its trio sets out pianissimo and quickly moves into triple piano.
You would rightly surmise that Schubert had in mind an intimate work. Sadly Sternath had other ideas. He played as if in a hall ten times the size. He used every excuse to move directly from relative quietness to fortissimo, hammering out accents at every opportunity.
He was not oblivious to Schubert’s melodic possibilities and spiced his phrases with rubato, robbing the tempo in the name of musicality. But such a move has to be compensated. He rarely moved back into his original tempo, so that the overall effect was that he couldn’t see the wood for the trees.
Aris Quartet playing at St John The Baptist, Easingwold, at Ryedale Festival. Picture: Jonas Cradock
Perhaps he was misled by the work’s nickname, ‘Fantasie’, which would possibly allow some latitude in interpretation, but this was a publisher’s idea, not Schubert’s. What we lacked was serenity. Nevertheless the closing rondo was exciting, if rather more rumbustious than the composer intended.
An entirely different side to Sternath’s musical personality emerged when he returned to collaborate with the Aris Quartet in Dvořák’s Second Piano Quintet. Where some pianists are inclined to treat the work as a piano concerto, leaving the strings trailing in their wake, Sternath was a model of restraint throughout. The work is very much built around dance rhythms and the pianistic underlay here was at the heart of all these.
The Aris are a beautifully balanced group. There was a strong contrast between the two themes of the opening Allegro, and the eloquent viola of Caspar Vinzens was positively soulful in the slow movement’s Dumka.
The lively Furiant in the scherzo was partnered by a much more intimate trio, while the polka-based finale was again bursting with high spirits, but even here Sternath was relatively subdued. The overall ensemble, however, was never less than engaging.
Conductor Charlotte Corderoy. Picture: Ryedale Festival
THE oldest professional orchestra in Britain in the world premiere of a flugelhorn concerto, alongside two classical symphonies, together constituted a mouth-watering opportunity. It offered precisely the kind of adventure for which Ryedale Festival has become renowned.
Although still in her 20s, Charlotte Corderoy is a conductor of considerable promise. All sides of her musical personality were on view here. At first, she took a cautious approach to Weber’s Second Symphony, meticulously strong on detail. The tension in her body language, however, did not always reflect the moods she was attempting to capture.
By the second slow movement, she had shaped some fine ensemble in the woodwinds, allowing the solo bassoon to shine. The busy final Scherzo was neatly clipped, with important attention to the composer’s telling rests – and his throwaway ending.
Gabriel Jackson built his new Flugelhorn Concerto, with accompaniment for strings, harp and percussion, around the numerical positions in the alphabet of the letters in ‘Roy Anthony Hargrove’, a trumpeter and flugelhornist in whose memory it was written.
The result, as he freely admits, is a pastoral reminiscence, but his method came across as something of a straitjacket, allowing very little room for any type of virtuoso display from the soloist, Imogen Whitehead.
Trumpet and flugelhorn soloist Imogen Whitehead. Picture: Matthew Johnson
It got off to a strong start, with some leaping string figures that recalled Britten, but these were barely recalled later. He soon toned things down by muting his soloist, in company with long, elegiac phrases to which Whitehead brought a lovely legato.
It is true that there were some fanfare-like moments and even string syncopation, but these soon dissipated into a duet between flugelhorn and vibraphone in full warble mode.
Much of what followed was similarly dream-centred, built around a dominant pedal, with only fleeting moments of activity in the strings. There was full-blown trumpeting at the very end. Whitehead had added some tightly decorative little roulades to her otherwise slow lines and was in admirable control throughout, but the piece as a whole never quite caught fire.
In Beethoven’s Fourth Symphony, Corderoy was right in her element and altogether more relaxed. After a suitably weird opening Adagio, the entry into the Allegro was truly exciting, with syncopation taut and accents fierce. Some of the fortes in the slow movement were a touch forceful for the context, but the succeeding Scherzo was light and airy by contrast.
Excitement returned in the finale, where the composer’s ma non troppo was effectively ignored and Corderoy chose a cracking pace. The orchestra stayed right with her and the return of the main theme was absolutely gripping.
Stephen Webb’s Dr Frank N Furter in The Rocky Horror Show, doing the Time Warp again at the Grand Opera House, York
TOM Jones on the coast, Knavesmire’s music showcase weekend, a not-so-sweet Transylvanian transvestite and a French farce promise variety aplenty in Charles Hutchinson’s week ahead.
Musical of the week: The Rocky Horror Picture Show, Grand Opera House, York, until Saturday, tonight and tomorrow, 8pm; Friday & Saturday, 5pm and 8.30pm
STEPHEN Webb leads the cast as Dr Frank N Furter in The Rocky Horror Show’s latest return to the Grand Opera House, joined by comedian Jackie Clune as the Narrator. Directed by Christopher Luscombe, Richard O’Brien’s outré musical tells the story of squeaky-clean American college sweethearts Brad and his fiancée Janet’s very frank encounters at the freaky doctor’s Transylvanian castle after their car breaks down.
Cue an adventure full of fun, frolics, frocks and frivolity, bursting with timeless songs and outrageous outfits as O’Brien combines science-fiction, horror, comedy and music while encouraging audience participation. Those audiences are sure to dress up in the most outrageous fancy dress. Box office: atgtickets.com/york.
Lou Bass’s artworks for Bring Me Sunshine at Helmsley Arts Centre
Exhibition of the week: Bring Me Sunshine, Paintings by Lou Bass and Adam King, Helmsley Arts Centre, until September 4
SCARBOROUGH artists Lou Bass and Adam King have teamed up for a joint exhibition, Bring Me Sunshine. A regular North Yorkshire Open Studios participant at Beeforth’s Hive, Lou’s vibrant paintings are brought to life with help from playful and poignant characters, such as Donkey, Crow, Angry Man, Bandit Cat, Dog and Fox, as she explores emotions and situations through simple narratives.
Painter and printmaker Adam has been painting for more than 35 years, holding exhibitions and doing residencies throughout Yorkshire. Educated at Leeds Met, York St John and Huddersfield, he led the Foundation Art and Fine Art degree courses when lecturing at Harrogate College before painting full time. His work is marked by a fresh approach to image making, combining simplicity with sophistication and a sureness of composition.
Andrew O’Neill: Looking to Escape at Theatre@41, Monkgate, York, on Friday. Picture: Andrew O’Neill
Fringe shows of the week: Halfway To Edinburgh at Theatre@41, Monkgate, York, presents Dylan Howells in Forget About Me (Work In Progress), tonight, 7.30pm; Joe Sellman-Leava in Copycat (Work In Progress), tomorrow, 7.30pm; Andrew O’Neill: Escape, Friday, 8pm
IN a remote, northeast village, something lurks in the bathroom: something Dylan struggles to remember, which even his dad’s deadly DIY skills can’t fix, as designer-performer Dylan Howells weaves psychological illusions and fragmented memories into a magical, chilling tale of a home that won’t stay still.
Part magic show, part ghost story, tonight’s show Forget About Me isn’t your typical conjuring act: mind-bending mentalism and spine-tingling effects blur the line between reality and fiction in a twisted tale designed to get under your skin.
DOES AI spell the end of humanity, or the dawn of a new utopia, ponders Fringe First winner Joe Sellman-Leava tomorrow. He might be a technophobe, but he is determined to find out by using innovative design and a whirlwind of uncanny impressions to tell the story of a teacher, a student and a copycat dictator to examine the links between art, fascism and rapid technological change.
HOW do we get out of this mess, asks cult comedian Andrew O’Neill on Friday in his surreal, political show, Escape, about the ways in which we disagree with each other, while suggesting some ways we can find our way out. Box office: tickets.41monkgate.co.uk.
Jorja Cartwright’s German flight attendant Gretchen in rehearsal for Rowntree Players’ Boeing Boeing
Farce of the week: Rowntree Players in Boeing Boeing, Joseph Rowntree Theatre, York, tomorrow to Saturday, 7.30pm
MARC Camoletti’s high-flying 1960s’ French farce Boeing Boeing is cleared for take-off in Hannah Shaw’s English-language production for Rowntree Players. Meet self-styled Parisian lothario Bernard, who has Italian, German and American fiancées, each one a beautiful airline hostess with frequent “layovers.”
He keeps “one up, one down, and one pending” until unexpected schedule changes bring all three to Paris, and to Bernard’s apartment, at the same time. Shaw’s cast features Max Palmer as Bernard, Lizzie Lawton as Robert, Rebecca Thomson as Berthe, Jorja Cartwright as Gretchen, Bethan Olliver as Gloria and Val Debenedetti as Gabriella. Box office: 01904 501935 or josephrowntreetheatre.co.uk.
Welsh pop legend Tom Jones: Returning to Scarborough Open Air Theatre on Sunday
Coastal concerts of the week: Scarborough Open Air Theatre, An Evening with James Taylor and His All-Star Band, Saturday; Tom Jones, with Stone Foundation, Sunday; gates open at 6pm
MASSACHUSETTS singer, songwriter and guitarist, Laurel Canyon folk luminary, six-time Grammy winner and Rock and Roll and Songwriters Halls of Fame inductee James Taylor, 78, draws on six decades of songs, from his self-titled 1968 debut to 2021’s 19th studio album, American Standard, on Saturday night.
Tom Jones, or Sir Tom Jones since 2006, to be more formal, returns to Scarborough this weekend at 85 to perform such favourites as It’s Not Unusual, What’s New Pussycat?, Delilah, Green, Green Grass Of Home, A Boy From Nowhere, Kiss, Mama Told Me Not To Come and Sex Bomb. Joining Sir Tom will be the eight-piece soul collective Stone Foundation. Box office: scarboroughopenairtheatre.com.
Holly Taymar: Performing Eva Cassidy’s songbook at Helmsley Arts Centre
Tribute show of the week: Holly Taymar Sings Eva Cassidy, Helmsley Arts Centre, Friday, 7.30pm
YORK singer-songwriter Holly Taymar delivers a warm, authentic performance that blends Eva Cassidy’s folk, jazz and blues material in renditions of Fields Of Gold, Songbird, Over The Rainbow and Autumn Leaves.
In a show of appreciation for Eva’s life and career, rather than imitation, Taymar combines intimate guitar accompaniment, mesmerising stage presence, melody and emotional truth. Singer-songwriter David Swann supports. Box office: 01439 771700 or helmsleyarts.co.uk.
Craig David: TS5 DJ set after Friday evening’s race card at York Racecourse
Race day concerts of the week: York Racecourse Music Showcase Weekend, Knavesmire, York, Craig David presents TS5, Friday, and Tom Grennan, Saturday
SOUTHAMPTON singer-songwriter and DJ Craig David presents his TS5 DJ set on Music Showcase Friday’s double bill of racing and old-skool anthems, from R&B to Swing Beat, Garage to Bashment, plus current House hits, when he combines his song and MC skills.
Tom Grennan: Saturday live set at York Racecourse
BEDFORD singer-songwriter Tom Grennan is Saturday’s post-racing performer, drawing on such hits as Little Bit Of Love, Let’s Go Home Together, Remind Me, Here and How Does It Feel, plus songs from his number one albums Evering Road, What Ifs & Maybes and Everywhere I Went Led Me To Where I Didn’t Want To Be and top-five debut Lighting Matches. Tickets: yorkracecourse.co.uk; no booking fees; free parking on race day.
York tenor Ashley Stillburn: Making his York Proms debut on Sunday
Picnic concert of the week: York Proms, York Museum Gardens, Sunday 5.30pm
RUN by classical chart-topping York soprano Rebecca Newman and now in its ninth year, York Proms features music from the world of classical and opera, film soundtracks and show songs. Increasing the orchestra size this summer will enable the inclusion of iconic John Williams cinema compositions.
The soloists are York-born tenor and West End musical actor Ashley Stillburn in his York Proms debut and British/Irish soprano Jennifer Coleman, making her third appearance. Tickets update: Still available at yorkproms.com/collections/tickets-2026.
