Kate Rusby singing in a winter winderland. Picture: David Angel
KATE Rusby, Barnsley nightingale, or the “first lady of folk” as her website now calls her, transforms into a Robin redbreast at this festive time of year.
No Yorkshire Christmas would be complete without her alternative carol services, where Kate in sparkly dress reunites her regular folk boys with her guest Brass Boys, glistening instruments standing out against black shirts, as they perform carols deemed too jolly by Victorian glums but resurrected by South Yorkshire pubs for “sings” with a pint in hand from late-November to the New Year.
Over 20 years now, these festive concerts have expanded to take in “Rusbyfied” takes on “Christmas shopping songs”, rediscovered quirky novelties (Hippo For Christmas, Sid Kipper’s Arrest These Merry Gentlemen) and Kate’s own winter songs.
Live recordings from the past five years have been assembled for Kate 20: Christmas Is Merry, a double album on sale only at katerusby.com, through Proper Records and on her tour merch table, or “Craft Shop”, as Kate is wont to call it.
Christmas is all the merrier for the inclusion of five new acoustic recordings [Kris Kringle, Little Jack Frost, Hippo For Christmas, Holly And The Ivy and The Wren) on Kate’s eighth Christmas record. Yes, a remarkable eighth. Sweet bells, what an achievement.
And everything is merrier still for her 20th anniversary being her best, boldest and brightest show yet. Everything has been not so much thrown at it as thoughtfully thought through. We are used to Ruby the nodding reindeer being to the side of the stage, but now her lights change, and on the opposite side sits a lit-up Father Christmas.
Kate’s microphone stand is bedecked as ever with festive foliage; lighting interweaves with winter greenery across the stage apron; a Christmas tree with a star atop and presents at its base, stands at the back. For the first time, Duncan Lyall has not only a Moog at hand but also the 1980s’ organ rescued from the skip grave by Kate after last year’s closure of The Royal Hotel, in Dungworth, brought an end to the pub ‘sings’ there (thankfully now revived in the village hall).
Kate Rusby: A festive fixture at York Barbican, already booked in for December 10 2026
Christmas Is Merry’s stage has been fitted out as retro pub of the Seventies: red (hopefully not sticky) carpet; stools and tables teeming with glasses (“not cleared from the night before,” notes Kate), even a bar with pumps, steaming mulled wine and decorative foil garlands. The ghosts of Slade, Wizzard, Elton John , Gilbert O’Sullivan, John Lennon and Greg Lake hits, Eric & Ernie and Benny Hill’s Ernie could all be popping in.
Over the years, Kate has decorated the back wall of her stage in myriad ways, most memorably with giant crocheted snowflakes. Now she has embraced new technology, as four picture frames light up projections, first with KATE spelled out in knitted white, then with Christmas wrapping paper designs, snowy landscapes, winter windows and, most impactful of all, an animated sequence for the chilling story of the Holly King, the climax to the first set.
Holly King is testament to how rounded, how complete, Kate’s festive musical landscape has become as accordion player Nick Cooke switches to doubling with Josh Clark on thunderous percussion, while Lyall’s Moog is eerier than ever.
Kate’s compositions are now cornerstones of her set, from the stillness of a Christmas Day’s walk in The Frost Is All Over, to the broken angel in the tree as morning awakes in Glorious, and best of all, the New Year’s dawn on a Cornish beach of Let The Bells Ring.
Kate’s Christmas concerts are nights of fresh joy, yet steeped in nostalgia of Christmases past, and so your reviewer is twice reduced to tears, first in Little Town Of Bethlehem, where the brass playing is so sublime atop Kate’s chorister purity.
Later, her proclamation of Let The Bells Ring, and with it Kate’s wish for love to prevail, has CharlesHutchPress transported to a better place, yet still close at hand in God’s Own Country against the grain of the relentless grind of warmongering politicos, such folly amid the holly, so at odds with Kate’s voice as pure as new-fallen snow.
The cover artwork for Kate Rusby’s eighth Christmas album: Kate Rusby 20 Christmas Is Merry, released on December 5
Kate is joker and jester, yet as wise as Shakespeare’s Fools in her trademark banter, her storytelling illuminating the path through each song, whether the reason behind so many versions of While Shepherds Watched, or the inspiration for her own winter songs, or the inclusion of a Cornish folk carol (Christmas Is Merry).
Kate trips the light fantastic through such festive chestnuts as The Most Wonderful Time Of The Year, Winter Wonderland and the encore-closing Yorkshire Merry Christmas, while the likes Of Hark Hark , Sweet Chiming Bells, Here We Come A Wassailing and encore staple Sweet Bells make you thankful the South Yorkshire carollers gave the cold shoulder to those Victorian killjoys.
These Christmas concerts have acquired their own traditions: Kate’s sales pitch for the merch table (new album; natty new blue, white and red Christmas jumpers, and accompanying scarf and bobble hat, given a Rusby catwalk twirl); audience participation in a recording of a kazoo rendition of Sweet Bells; and Kate vacating the stage for “girly songs” to be replaced by “manly” reels led by the impish Irishman Damien O’Kane on banjo.
Oh, and the fancy-dress finale, this year resplendent in the theme of Frozen, the brass boys attired as Trolls, Kate as Kristoff and O’Kane as Olaf, the snowman, an all-consuming costume that has fingers striving to poke their way through huge twig fingers to play guitar, all adding up to a sight as gloriously wild and freewheeling as a school Nativity play.
Let’s meet again this time next winter. Glory be, Kate has confirmed her return to York Barbican on December 10 2026; tickets are on sale already at yorkbarbican.co.uk.
Christmas Is Merry indeed. “Let the bells ring”, sings Kate, “There is nothing now I fear/Let the sun rise on a happy new year.” Let’s raise a glass to that.
Kate Rusby: Christmas Is Merry visits Sheffield City Hall Oval Hall on December 14, 6pm. Box office: https://www.sheffieldcityhall.co.uk/kate-rusby-christmas-is-merry-tour-2025/